Modernism

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Modernism is a philosophical movement which began in the late 19th century. Its historical background in terms of its development was the industrial revolution and growth of cities following World War I.

An article at Miami Dade College on the history of modernism indicates:

Arising out of the rebellious mood at the beginning of the twentieth century, modernism was a radical approach that yearned to revitalize the way modern civilization viewed life, art, politics, and science. This rebellious attitude that flourished between 1900 and 1930 had, as its basis, the rejection of European culture for having become too corrupt, complacent and lethargic, ailing because it was bound by the artificialities of a society that was too preoccupied with image and too scared of change. This dissatisfaction with the moral bankruptcy of everything European led modern thinkers and artists to explore other alternatives, especially primitive cultures. For the Establishment, the result would be cataclysmic; the new emerging culture would undermine tradition and authority in the hopes of transforming contemporary society.

The first characteristic associated with modernism is nihilism, the rejection of all religious and moral principles as the only means of obtaining social progress. In other words, the modernists repudiated the moral codes of the society in which they were living in. The reason that they did so was not necessarily because they did not believe in God, although there was a great majority of them who were atheists, or that they experienced great doubt about the meaninglessness of life. Rather, their rejection of conventional morality was based on its arbitrariness, its conformity and its exertion of control over human feelings. In other words, the rules of conduct were a restrictive and limiting force over the human spirit. The modernists believed that for an individual to feel whole and a contributor to the re-vitalization of the social process, he or she needed to be free of all the encumbering baggage of hundreds of years of hypocrisy.

The rejection of moral and religious principles was compounded by the repudiation of all systems of beliefs, whether in the arts, politics, sciences or philosophy. Doubt was not necessarily the most significant reason why this questioning took place. One of the causes of this iconoclasm was the fact that early 20th-century culture was literally re-inventing itself on a daily basis.[1]

Modernism and liberal Christianity

In Christian theology, modernism is a hostile term used by its enemies to attack the tendency of liberal Christianity toward revision of certain Christian doctrines such as the Virgin Birth and the Resurrection of Christ, or subjecting the Bible to the Higher Criticism. Modernism was the target of the Fundamentalists after 1910, and was an especially bitter issue in the 1920s.

Like secular modernists, adherents of liberal theology often have lower standards of morality (for example, see: Liberal Christianity and higher prevalence of marital infidelity and other sexual immorality).

Presbyterians

Different views of the role of Christianity in the face of the growth of modern science and research methods fueled the conflict between the liberal modernist and conservative fundamentalist factions of the Presbyterian Church during the 1920s-30s. Modernists such as Harry Emerson Fosdick, Henry Sloane Coffin, and Robert E. Speer promoted inclusiveness and denied the inerrancy of scripture, while fundamentalists such as J. Gresham Machen, Clarence MacArtney, and William Jennings Bryan defended traditional doctrine. The fundamentalist cause, popularly identified with antievolutionism, was damaged during the [[Scopes Trial|trial in Tennessee of biology teacher John Scopes in 1925 for teaching eolution. In 1929, fundamentalist leaders Machen and Macartney left their positions at the Princeton Theological Seminary to found the Westminster Theological Seminary to defend the reformed faith.[2]

Disciples of Christ and Church of Christ

The break between the Disciples of Christ and the Churches of Christ was due to much more than disagreements over the use of music in worship or over missionary societies; it was fundamentally a division between Stonite primitivism and Campbellian modernism. Alexander Campbell believed in progress toward the Kingdom of God and was both optimistic and not hostile toward the secular world. Barton Stone, on the other hand, wanted a radical separation from the world, was pessimistic about the human nature and prospects for progress, and looked toward restoring the authentic primitive church. From the end of the Civil War to 1917, David Lipscomb dominated the Churches of Christ and managed to balance the views of Campbell and Stone. After his death, the Churches of Christ moved away from the premillennialism of Stone and Lipscomb and embraced modernism. Foy Wallace, whose views prevailed among the Churches of Christ from the 1930s through the 1950s, led the movement away from the thought of Stone and Lipscomb.[3]

See also

References

  1. History of Modernism, Miami Dade College
  2. Bradley J. Longfield, "For Church and Country: The Fundamentalist-Modernist Conflict in the Presbyterian Church". Journal of Presbyterian History 2000 78(1): 34-50. 0022-3883
  3. Richard T. Hughes, "The Apocalyptic Origins of Churches Of Christ and the Triumph of Modernism." Religion and American Culture 1992 2(2): 181-214. 1052-1151