Difference between revisions of "George Frideric Handel"
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(Wikify, exchange Schubert for Scarlatti (more relevant) Moved "Harmonious Blacksmith" to where he belongs.) |
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[[Opera|OPERAS]]: | [[Opera|OPERAS]]: | ||
| − | * Hamburg: Almira, Nero (lost) (both 1705) | + | * [[Hamburg]]: Almira, Nero (lost) (both 1705) |
* Florindo e Dafne (lost) (1707) | * Florindo e Dafne (lost) (1707) | ||
| − | * Florence: Rodrigo (1707) | + | * [[Florence]]: Rodrigo (1707) |
| − | * Venice: Agrippina (1709) | + | * [[Venice]]: Agrippina (1709) |
| − | * London: Rinaldo (1711, rev. 1731) | + | * [[London]]: Rinaldo (1711, rev. 1731) |
* Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734) | * Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734) | ||
* Teseo (1712) | * Teseo (1712) | ||
| Line 38: | Line 38: | ||
[[Orchestra|ORCHESTRA]]: | [[Orchestra|ORCHESTRA]]: | ||
| − | * | + | * Water Music (c.1717) |
| − | * | + | * Music for Royal Fireworks (1749) |
| − | DRAMATIC ORATORIOS: | + | DRAMATIC [[oratorio|ORATORIOS]]: |
* [[Rome]]: La Resurrezione, Trionfo del Tempo (1708) | * [[Rome]]: La Resurrezione, Trionfo del Tempo (1708) | ||
* Naples: Aci, Galatea e Polifemo (1709) | * Naples: Aci, Galatea e Polifemo (1709) | ||
| Line 65: | Line 65: | ||
* Triumph of Time and Truth (1757) | * Triumph of Time and Truth (1757) | ||
| − | CANTATAS AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are: | + | [[Cantata|CANTATAS]] AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are: |
* Silete Venti, sop., instr. (1729) | * Silete Venti, sop., instr. (1729) | ||
* La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708) | * La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708) | ||
| Line 71: | Line 71: | ||
CHURCH MUSIC: | CHURCH MUSIC: | ||
| − | * Gloria Patri (1707) | + | * [[Gloria]] Patri (1707) |
| − | * Utrecht Te Deum and Jubilate (1712-13) | + | * Utrecht [[Te Deum]] and [[Jubilate]] (1712-13) |
* Dettingen Te Deum (1743) | * Dettingen Te Deum (1743) | ||
* 11 Chandos [[Anthem]]s (1717-18) | * 11 Chandos [[Anthem]]s (1717-18) | ||
| Line 79: | Line 79: | ||
VOCAL: | VOCAL: | ||
| − | * Birthday Ode for Queen Anne (1713) | + | * Birthday Ode for [[Queen Anne]] (1713) |
| − | * 9 German Arias (1729) | + | * 9 [[Germany|German]] Arias (1729) |
| − | INSTRUMENTAL AND CHAMBER MUSIC: | + | INSTRUMENTAL AND [[chamber music|CHAMBER MUSIC]]: |
| − | * 6 Concerti Grossi, str., ww., continuo, Op.3 (1734) | + | * 6 [[concerto grosso|Concerti Grossi]], str., ww., continuo, Op.3 (1734) |
* 12 Concerti Grossi, str., optional wind, Op.6 (1739) | * 12 Concerti Grossi, str., optional wind, Op.6 (1739) | ||
| − | * 5 Concerti, orch. (1741) | + | * 5 [[concerto|Concerti]], orch. (1741) |
| − | * 6 organ concerti, Op.4 (1738) | + | * 6 [[organ]] concerti, Op.4 (1738) |
* 6 organ concerti, Op.7 (1760) | * 6 organ concerti, Op.7 (1760) | ||
* 6 organ concerti (1740) | * 6 organ concerti (1740) | ||
* 15 chamber sonatas (fls., recorders), Op.1 (1724) | * 15 chamber sonatas (fls., recorders), Op.1 (1724) | ||
* 3 concerti a due cori | * 3 concerti a due cori | ||
| − | * 2 ob. | + | * 2 ob. [[sonata]]s |
* 12 fl. sonatas | * 12 fl. sonatas | ||
| − | * 6 trio | + | * 6 [[trio sonata]]s |
* 9 trio sonatas, Op.2 (1722-33) | * 9 trio sonatas, Op.2 (1722-33) | ||
* 7 trio sonatas, Op.5 (1739) | * 7 trio sonatas, Op.5 (1739) | ||
| − | * | + | * [[viol|viola da gamba]] sonata |
| − | * 8 | + | * 8 [[suite]]s de pièces, ([[harpsichord]]) (1720) See also Harmonious Blacksmith |
* 8 suites de pièces (1733, these incl. the well-known Chaconne in G) | * 8 suites de pièces (1733, these incl. the well-known Chaconne in G) | ||
| − | * 6 | + | * 6 [[Fugue]]s (1736) |
== See also == | == See also == | ||
| − | *[[ | + | *[[Domenico Scarlatti]] |
*[[Ludwig van Beethoven]] | *[[Ludwig van Beethoven]] | ||
Revision as of 21:21, 6 February 2013
George Frideric Handel (1685 - 1759) (German: Georg Friedrich Händel) was a German-born British (since 1727[1]) composer and organist. His works fall within the Baroque era of Western Classical music. Handel was, during his lifetime, perhaps the most internationally famous of all musicians. [1] The legacy of Handel may be found in the dramatic power and lyrical beauty inherent in his music.
List of works
- Hamburg: Almira, Nero (lost) (both 1705)
- Florindo e Dafne (lost) (1707)
- Florence: Rodrigo (1707)
- Venice: Agrippina (1709)
- London: Rinaldo (1711, rev. 1731)
- Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734)
- Teseo (1712)
- Silla (1714)
- Amadigi di Gaula (1715)
- Radamisto (1720, rev. 1720, 1721, 1728)
- Muzio Scevola, Floridante (both 1721)
- Ottone (1722)
- Flavio (1723)
- Giulio Cesare in Egitto (1723-4)
- Tamerlano (1724, rev. 1731)
- Rodelinda, regina de'Longobardi (1725)
- Scipione, Alessandro (both 1726)
- Admeto, Riccardo I (both 1727)
- Siroe, Tolomeo (both 1728)
- Lotario (1729)
- Partenope (1729-30, rev. 1730, 1736)
- Poro (1731)
- Ezio, Sosarme (both 1732)
- Orlando (1733)
- Arianna (1734)
- Ariodante, Alcina (both 1735)
- Atalanta (1736)
- Arminio, Giustino, Berenice (all 1737)
- Faramondo, Serse (both 1738)
- Imeneo (1738-40)
- Deidamia (1740)
- Water Music (c.1717)
- Music for Royal Fireworks (1749)
DRAMATIC ORATORIOS:
- Rome: La Resurrezione, Trionfo del Tempo (1708)
- Naples: Aci, Galatea e Polifemo (1709)
- Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716)
- London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732)
- Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743)
- Deborah (1733)
- Athalia (1733)
- Alexander's Feast (1736)
- Israel in Egypt (1738)
- Saul, Ode for St Cecilia's Day (1739)
- L'Allegro, il Pensieroso ed il Moderato (1740)
- Messiah (1741)
- Samson (1741-2)
- Joseph and his Brethren, Semele (1743)
- Belshazzar, Hercules (1744)
- Occasional Oratorio, Judas Maccabaeus (1746)
- Alexander Balus, Joshua (1747)
- Solomon, Susanna (1748)
- Theodora, Alceste (1749)
- Choice of Hercules (1750)
- Jephtha (1751)
- Triumph of Time and Truth (1757)
CANTATAS AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are:
- Silete Venti, sop., instr. (1729)
- La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708)
- O numi eterni (La Lucrezia), sop., continuo (1709)
CHURCH MUSIC:
- Gloria Patri (1707)
- Utrecht Te Deum and Jubilate (1712-13)
- Dettingen Te Deum (1743)
- 11 Chandos Anthems (1717-18)
- 4 Coronation Anthems (1727: The King Shall Rejoice; Let thy hand be strengthened; My heart is inditing; Zadok the Priest)
- The Ways of Zion do Mourn, funeral anthem for Queen Caroline (1737)
VOCAL:
- Birthday Ode for Queen Anne (1713)
- 9 German Arias (1729)
INSTRUMENTAL AND CHAMBER MUSIC:
- 6 Concerti Grossi, str., ww., continuo, Op.3 (1734)
- 12 Concerti Grossi, str., optional wind, Op.6 (1739)
- 5 Concerti, orch. (1741)
- 6 organ concerti, Op.4 (1738)
- 6 organ concerti, Op.7 (1760)
- 6 organ concerti (1740)
- 15 chamber sonatas (fls., recorders), Op.1 (1724)
- 3 concerti a due cori
- 2 ob. sonatas
- 12 fl. sonatas
- 6 trio sonatas
- 9 trio sonatas, Op.2 (1722-33)
- 7 trio sonatas, Op.5 (1739)
- viola da gamba sonata
- 8 suites de pièces, (harpsichord) (1720) See also Harmonious Blacksmith
- 8 suites de pièces (1733, these incl. the well-known Chaconne in G)
- 6 Fugues (1736)
