Difference between revisions of "Mexican Painting"

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[[File:Mural en Cerámica II by Luis Nishizawa.jpg|240px|center]]
[[File:Mural en Cerámica II by Luis Nishizawa.jpg|240px|center]]
"Mural en Cerámica II" by Luis Nishizawa.
"Mural en Cerámica II" by Luis Nishizawa.

Revision as of 21:42, 27 January 2013

Pinacoteca de la Profesa, Mexico City.

Mexican painting has gone through different representative moments with artists whose proposal doesn’t only focus on style and themes, but on leading ideologies that were taken to all aspects of their lives. [1]

Pre-Hispanic Era

Maya Dresden Codex

Painting is one of the most ancient arts in Mexico. It is said that the oldest paint in America was found in a cave in Baja California. [2]

Aztecs and Mayans, painted on the walls of their temples and tombs. In Mayan culture one may find interesting paintings in Bonampak frescoes. The civilizations of pre-Hispanic Mexico recorded their histories, religious beliefs, and scientific knowledge in books called "codices". [3] A main function of Aztec Art was to express religious and mythical concepts to legitimize the power of the State. This artistic language spoke predominantly through the form of iconographic symbols and metaphors. For example, the image of the eagle symbolized the warrior and the sun at its zenith. Images of serpents were linked to the gods Tlaloc and Huitzilopochtli, and thus were represented as water or fire serpents, respectively. [4]

Bonampak frescoes

Colonial Era

Virgen de Loreto by Josep Antonio de Ayala

The Baroque style was developed also in New Spain in its Colonial era; although, it incorporated Indian decorative motifs. Religious paintings intended for churches and portraits of aristocrats were the current subject in this Colonial era. From the XVI to the XVIII Century, Mexican painting played an important didactic role; Because the colonists wanted to make a good impression, some of New Spain's finest artists were hired to paint casta cycles. [5] Miguel Cabrera (1695 - 1768), Cristóbal de Villalpando (ca. 1649 - 1714) and Juan Correa (1646 - 1716) are the best-known painters of New Spain. Baltasar Echave Rioja, Luis Juárez, his son José Juárez and José de Ibarra are also remarkable painters.

Caravaggio and specially Francisco de Zurbarán as Pintor del Rey, had a lasting influence on this Colonial art.

Sor Juana Inés de la Cruz by Miguel Cabrera

XIX and early XX Century

The Valley of Mexico by Velasco
Doña Dolores Tosta de Santa Anna (detail) by Juan Cordero.

Different European Schools during XIX and XX Century, had influence in Mexican painters. Pelegrín Clavé, Santiago Rebull, José Salomé Pina, Juan Cordero, Hermenegildo Bustos, Jose Maria Velasco and Joaquin Clausell are the main figures in this era.

Da. Francisca Valdivia de Chávez e hijos by Hermenegildo Bustos

The two major representative figures of 19th-century Mexican landscape painting, Eugenio Landesio and José María Velasco, met on one of their excursions to the countryside to do outdoor paintings of national landscapes. [6]

Joaquín Clausell is Mexico's best known Impressionist painter.

XX Century

Self-Portrait by Juan Soriano

Some of the most important figures in this era are: Rufino Tamayo, Francisco Goitia, Frida Kahlo, Juan O'Gorman, Remedios Varo, Leonora Carrington, Gunther Gerzso, Jose Luis Cuevas, Rafael Coronel and Juan Soriano as well as Mexico’s great muralists Diego Rivera, Jose Clemente Orozco and David Alfaro Siqueiros.

Tamayo painted on an easel and his models were the masters of Modern Art, Picasso, Cezanne, and Braque. His subjects, however abstractly treated, were Mexican to the core. [7]

Gunther Gerzso is best known for his geometric abstractions. In painting, Gerzso moved from Surrealism to Abstract Expressionism.

The painting of Frida Kahlo may be classified as Surrealism or Magic Realism.

Leonora Carrington, Los hombres pájaro de Burnley.

Diego Rivera Flower Day 1925.jpg

Diego Rivera, Flower Day, 1925.


Alameda Park, detail of mural by Diego Rivera.

The Mexican Modernist School (and muralists) abandoned the solemn and detached art of Europe and instead embraced bold New World imagery full of color and human activity. [8] Some remarkable painters of this time are: Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco. Gerardo Murillo (Dr. Atl) is another important painter of this School, but he also painted traditional landscapes and contemporary art experiments.

Nueva Democracia by David Alfaro Siqueiros.
Mural en Cerámica II by Luis Nishizawa.jpg

"Mural en Cerámica II" by Luis Nishizawa.

See also

Marriage of the Virgin (ca. 1620-35) by Luis Juárez

External links

Joaquín Clausell’s study
Manuel Rodríguez Lozano, La Piedad en el desierto, 1942.