Talk:Essay:Greatest Conservative Movies

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Okay who keeps mispelling "Mr. Skeffington"? THERE IS A G IN THE NAME see

The Conservapedia entry for "Gen. George S. Patton" has a great section on the classic 1969 film, "Patton;" why is it not on the list?? A few years back "National Review" listed 100 great conservative films ("A Man for All Seasons" led NR editors' list). Immediately readers (including me) sent in their own nominations and "Patton" came in #1!!!!

CW Miller PhD

It should be. Would you like to add it? Note, however, that the film was not as conservative as the person it featured!--Andy Schlafly 14:00, 30 August 2011 (EDT)

I think 'Tears of the Sun' should've definitely been on the list. Its extremely pro-military.

Perhaps, would you like to add it with an explanation of why?--Andy Schlafly 14:00, 30 August 2011 (EDT)

What is the conservative message taught by "The Way We Were"? Just curious.

Pretty obvious, isn't it? The liberal rants predictably got too tiresome for the man to put up with, and he inevitably broke off the relationship with the woman in order to find a replacement.--Andy Schlafly 14:00, 30 August 2011 (EDT)
And in the process of breaking off the relationship, he broke his marriage vows and committed adultery. --SharonW 23:44, 30 August 2011 (EDT)

I think The Graduate (1967) needs to be on this list. This is a film about a boy growing up, by facing harsh reality, owning up to his mistakes, and making a decision about his life, thus becoming a man. It's also about how we can overcome sin and corruption by taking control of our lives. --Wayfinder 14:47, 3 November 2011 (EDT)

Another film is the 1948 Alfred Hitchcock film Rope, starring James Stewart, John Dall, and Stewart Granger. Based loosely on the Leopold-Loeb killing, Rope is about two Harvard scholars who decide to kill an acquaintance of their simply for the sake of killing, because they believe they are superior to others, all taught from one of their headmasters (James Stewart). This film goes into one of the reasons why we have laws, why we cherish human life, and slightly goes into the immorality taught by ivory tower intellectuals that seems so prevalent today.--Wayfinder 22:00, 3 November 2011 (EDT)

Hud (1963), starring Paul Newman, Melvyn Douglas, and Patricia Neal, needs to be in this roster too. At the heart of Conservative Philosophy lies the strength of a man's character and how that character influences others. Hud, played by Newman, is a man who's completely selfish in a way that liberals are. He doesn't care about anyone but himself, and his own ego, and he gives no restraint to his appetites. He doesn't give a damn about anything, because to him the world is full of excrement. And that sooner or later, you're going to have to swim in that muck like everybody else. A great line is said that "The look of the country changes by the people we admire." As you watch this film, things get progressively worse for the ranch that Hud lives on, part and parcel because of his own crass behavior. Hud's willingness both to pass bad beef off onto his neighbors and take the ranch out from his old father indicates the sourness of his character. A brilliant film about human character.--Wayfinder 22:28, 3 November 2011 (EDT)

The Blind Side

It's a story about the shortcomings of public education and how the power of private Christian charity helped a young homeless man overcome his disadvantages and play in the NFL.AdamDiscordia 19:03, 14 May 2011 (EDT)

Brokeback Mountain

I was thinking about this topic earlier and had an interesting thought about a seemingly non-conservative movie that, in a way, is actually quite so. I'm going to throw this out there for some (hopefully productive and civil) debate and see what people think.

The movie is Brokeback Mountain. Now hold on to your outrage, people. I have justifications for my point. Please hear me out. (Oh, and spoilers, just in case you planned to see/read it and hadn't)

As you probably know, the movie (and the novella on which its based) is about two men who fall into a homosexual lifestyle. But what struck me as conservative about this film is that it doesn't glorify the lifestyle; the two mens' choice to indulge in homosexuality is a disastrous choice that ends up ruining both their lives. One man's marriage is destroyed and his relationship with his child is forever tainted. The other man's choice actually leads to his violent death (Incidentally, I'm not saying that killing someone for being gay is a conservative value. But the point is that this movie is actually very up-front about acknowledging the catastrophic consequences of a homosexual lifestyle).

Considering all that, my next though was whether this movie might be unintentionally conservative, in which case it certainly doesn't belong on this list. But I don't think it is (haven't seen it since it first came out though, so I could be wrong).

So, there's my point. I would appreciate some discussion. I imagine some CPers will think I'm trolling or just trying to start an argument. Not so. I feel like it's a valid point but that there are probably strong arguments for and against, and I'd really like to hear what other people think. EMorris 17:11, 25 June 2010 (EDT)

You are partially right, but I think the homosexuals were meant to be sympathetic and on that basis alone, I don't think that movie belongs on this list. AdamDiscordia 19:05, 14 May 2011 (EDT)
I agree that the movie is anti-homosexuality. Based on the publicity, I expected the movie to be pro-homosexuality, but I was quite surprised by what was actually in the movie. RSchlafly 16:15, 31 August 2011 (EDT)
This would be true, except that you have to consider the film's intent. It's not necessarily suggesting that what these men did is the result of their choice. It's suggesting that what happens to these men is the result of bigotry, prejudice, and hate on the part of the world around them. That they are blameless, in spite of their choices. A stark contrast, which I think also ought to be listed as a Conservative Film, would be Midnight Cowboy. In Midnight Cowboy, Joe Buck (played by Jon Voight) recognizes that the life he chose, as a male prostitute, and begins to make an effort to change, to get out of New York, with Ratso (Dustin Hoffman). Ratso's death underscored the decadent life they had led in NYC, and how Joe barely escaped with his own. In Brokeback Mountain, you do not see such recognition on the part of Ennis and Jack. They don't really consider what they did as wrong, necessarily. So where Midnight Cowboy underscores the devastation the immoral life can lead, Brokeback Mountain places the responsibility for that devastation on everyone else but the two men most responsible. --Wayfinder 19:56, 3 November 2011 (EDT)


I deleted U-571 from this list. It portrays the capture of an Enigma machine from a German U-boat by US forces. As pretty much everyone with any interest in WW2 knows, the naval Enigma machine was stolen by Polish forces and decoded by British code-breakers at Bletchley. My Brit friends think U-571 is a joke because it minimises the role of the British ("you arrogant Yankees"). Poles are offended because it cuts out the Polish involvement altogether - including the very brave men who risked their lives to steal an Enigma machine and hand it over to British Intelligence. (BTW, Britain and Poland were allies of ours in WW2 and still are now.) Deceit isn't a conservative virtue - so I crossed U-571 off the list. BenjyB 16:51, 20 September 2010 (EDT)

I'd say it's very questionable whether there's any deceit involved. The movie makes an on-screen written acknowledgment that the the first (and the majority) of enigmas were captured by British sailors. The whole movie is so over-the-top that nobody with a lick of intelligence would believe it's true. American sailors did capture an enigma machine during the war too, so this movie is obviously "inspired by a true story" even if it's not especially true. Most of the movie-going public knows that Hollywood "true" stories are highly fictionalized. EMorris 13:13, 21 September 2010 (EDT)

The Lives of Others

Where on earth is The Lives of Others? it is, surely, the best recent critique of Communism and, for that matter, one of the best films of any type released in the past five years. It certainly deserves a place ahead of, for example, the obscure Dark Matter. --Jdixon 12:13, 28 November 2010 (EST)

It's in German, right, and about the former East Germany? I'll add it on your recommendation, but I can't agree it ranks higher than the English-language Dark Matter, which speaks to today and not just the past.--Andy Schlafly 12:41, 28 November 2010 (EST)
Fair enough, Andy. Though I don't quite understand the argument against foreign-language films. If the issue is obscurity, The Lives of Others was seen by far more people in the US than Dark Matter. A glance at Box-Office Mojo confirms that Dark Matter took in a staggeringly tiny $30,591 on its domestic run. The Lives of Others took in $11,286,112 in the US (plus another $66 million in the rest of the world). I am, however, content to abide by your criteria. --Jdixon 15:40, 28 November 2010 (EST)
Oprah Winfrey's daytime talk show rakes in far higher revenues than both, but I'm not sure what that proves. Dark Matter was apparently victimized and downplayed by liberals who finally figured out its conservative message, after it won first place in one of the Sundance Film Festival categories. The liberal backlash against Dark Matter is particularly surprising given that Meryl Streep starred in it.--Andy Schlafly 18:48, 28 November 2010 (EST)
P.S. Your suggestion of "The Lives of Others" is a fine addition. Thanks.--Andy Schlafly 19:02, 28 November 2010 (EST)

No problem. Keep up the good work. --Jdixon 20:47, 28 November 2010 (EST)

Fiddler on the Roof?

A film celebrating the value of community, tradition, family, and faith, all against the historical context of the harm done by the rise of Communism in Russia...worthy of a spot on the list? --Benp 18:30, 6 January 2011 (EST)

Sounds good to me ... please add it as you think best!--Andy Schlafly 18:48, 6 January 2011 (EST)
I disagree. Look at the overall film/play. This was definitely a counter-culture film thinly disguised as a quaint musical drama. The message was that Tradition is bad, illogical, and keeps people stuck in their ways when they should embrace the new, simply because it's new. When Tevye explains the traditions and why they're there in the beginning, he mentioned that they keep their heads covered and they wear their prayer shawl. He then asks, "How did this tradition get started?," and he responds, "I don't know." This sets up the rest of the show. Because never do they explain why they use a Matchmaker, or why they don't let people arrange their own matches, or why men and women dance separately. They even have the old rabbi getting down with the new changes, never defending what was before. Message: Traditions are stale and old and have no place in the modern world. Relax and just let things happen. Then the film gives us the drama of Chava marrying a Christian, marrying outside of her faith, and that's where Tevye can't abide it. By then, it seems that Tevye's objection is only based on ridiculous emotion, rather than anything objective. All this, in spite of the fact that change is coming, one that cannot be stopped by the traditions these people hold. This is not a Conservative message at all, but one that is quite subversive. If this had been written from a Conservative approach, we would've gone into the reasons behind the traditions, because they're not irrational or unreasonable. The reason for a Matchmaker, the way they dress, and the way they eat, and the dancing, all is meant to preserve their heritage as Jews living in Tsarist Russia. The Matchmaker keeps the Jewish men and women within the community, and within the faith, all the while helping to maintain peace and stability within the community itself. The point I'm making is that Traditions have a purpose, even if we disagree with them. And the notion that happiness comes from something material, as in the case of the marriage between Motel and Tzeital, is a direct message against a person's obligations to his or her duty, both to themselves and their community they live in. No, I'd say Fiddler on the Roof is not a Conservative film. --Wayfinder 20:15, 3 November 2011 (EDT)
I disagree Wayfinder. Much of Jewish culture is based around the concept that Jews follow tradition for no other reason than because God expects us to. Take Kosher laws. Certainly, there can health reasons for being Kosher, but that is not why Jews become Kosher; it is because it is expected by God. Kosher laws don't change or update with new dietary findings. There are no Kosher fad diets. Ask a random Jewish person who keeps Kosher why he/she does and, 9 times out of 10, they will either say, "Because I always have" or "Because God expects me to". In the later case, performing an act because God expects it is logical, in an of itself.

And in Fiddler, there is an extra point to tradition. As Tevye says, "Because of tradition, we've kept our balance for many, many years." To wit, tradition is the only thing keeping Jews from falling into the abyss. And, in fact, the more Tevye gives in to the modern times, the more his culture is ravaged until he is forced to leave his homeland. Tradition is deeply respected in the film, as much as, and for the same reasons as, it is in the Jewish culture. And for that reason, I would consider it a Conservative film. --Sirrealtiy 12:16, 7 July 2012 (EDT)

You make some good points, Sirrealtiy, but I must reiterate that the film isn't about Tradition's strengths, but giving into change for its own sake. Not once does Tevye ever consider why there are these traditions in the first place. When he argues with himself over Tzeitel marrying Motel or Hodel marrying Perchik, and so forth, he never considers the traditions at all or even explains their use. He almost casually disregards them. When it comes down to Chava, though, he can't get around it, and, again, he has no real good reason for any of them. So Tevye comes off as rigid and petty. This is important because Fiddler on the Roof came out at the height of the first wave of hippy counter-culture in America, and it ran with it. By the time the film gets to the conclusion, that the Tsar is running them out of Anatevka, the message is loud and clear: You can't resist change at all, so don't even try. This would, on the other hand, be more of a conservative film if we went into the reasons for these traditions, a lot of which would've been known, especially to the likes of the Rabbi, before casually discarding them. : --Wayfinder 01:45, 24 January 2013 (EST)


A condemnation of genetic experiments on humans, and a wonderful triumph of individualism in an extremely controlled society. No matter how much scientists play to be God, and try to improve the human race by using genetics, there will always be an individual, based on original God design, who, despite his health shortcomings, will triumph over this genetically modified, supposedly perfect human beings.

I don’t immediately put it on the list because the movie is a bit atheist. In the final scene, the hero finally managed to travel to space and cites the phrase: “They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home."

So, I’ll say that the movie has a conservative message, unfortunately diluted with atheist overtones. I’ll wait for someone else opinion before posting this. --AlejandroH 23:03, 10 March 2011 (EST)

Feel free to post this with the caveat you mention. Thanks for explaining it.--Andy Schlafly 00:33, 25 March 2011 (EDT)
We talked about this movie at my fellowship a few months ago - pure hokum about a guy who might have been alright on his own but for a disgusting patriarchy forcing human engineering. I'll write this if AlejandroJ doesn't. Nate 00:51, 25 March 2011 (EDT)
Thanks, I posted it. --AlejandroH 15:31, 25 March 2011 (EDT)

The argument that this film has atheistic overtones actually adds to this film. It shows how we have reduced a person not to his ability but to purely material characteristics, and the effects this has on society. In Gattaca, people are judged not by their ability, not by their merit or accomplishments, but their potential. Gore Vidal, who plays the director of Gattaca, says "No one exceeds their potential." This is, I think, a fundamental statement in the whole movie; that it is the potential that is important, not the action, not the accomplishment. If Vincent became exposed even after he is confirmed to go to Titan, we know what would happen; he would be expelled from Gattaca, and possibly imprisoned for using a "borrowed ladder." Which also points to Eugene's suicide and why he took his own life. Eugene doesn't value his life, but his potential. "Jerome Morrow," he said, "was never meant to be one step lower on the podium." In such an atheistic society that only values the material, the potential, the beautiful, but not the competent or the accomplished, Eugene's suicide underscores this conceit. Eugene could not be anything less than what he felt his potential was. Or, put it another way, he could not be anything less but what others said he should be. --Wayfinder 14:58, 3 November 2011 (EDT)

Disney cartoons

Most, and perhaps all, of the Disney cartoons for the past 15 or so years have pushed the feminist ideology. I welcome any counterexamples, but doubt there are any. Hence the reversion of the "Princess and the Frog (2009)" addition.--Andy Schlafly 00:31, 25 March 2011 (EDT)

The Lion King, a 1994 Disney movie, is definitely conservative. A main message of the movie is honoring thy father, and the power-hungry main antagonist, once he becomes ruler, favors big government, pushes liberal values and destroys their territory. I'll add it with your approval. DennyW66 15:45, 25 March 2011 (EDT)
Sounds like a good choice. Please add and if anyone has a different view of the movie, then he can let us know.--Andy Schlafly 16:26, 25 March 2011 (EDT)
Added. DennyW66 16:41, 25 March 2011 (EDT)

Mr Schlafly I would agree with your reversion of my contribution of the Princess and the Frog if that movie were feminist-ideology-promoting (like, for instance Mulan (1998)) but frankly, it is not a feminist movie. I am not a woman, nor a feminist - I am staunchly conservative. The Princess and the Frog promotes monogamous marriage (which feminism does not) as well as the other conservative values I listed (such as saving money, hard work, free enterprise etc). In fact, the main character is so pro-marriage that she changes her licentious friend's behavior from debauchery (which feminism promotes) to monogamy. It is possibly the most conservative-value-laden animated movie I have ever seen.

The Lion King on the other hand promotes re-incarnation with its "Circle of Life" song. Jack, the hero of Titanic commits fornication and mocks a man reciting the 23rd Psalm; Cal, the main antagonist is depicted as a church-service-attending hypocrite.

You are doubtless correct about the feminist ideology pushed by many Disney animations, but this is not one of them. I respectfully request that you consider returning my contribution of 'The Princess and the Frog'. Spotsbunch 23:17, 25 March 2011 (EDT)

I have to disagree with you about The Lion King. As far as I can interpret, "The Circle of Life" is either about the bond all humans share or the journey from life to death and the afterlife, not reincarnation. DennyW66 00:36, 26 March 2011 (EDT)
Spotsbunch, I think you have a valid point about the Lion King, but from what I've heard about the "Princess and the Frog," it's feminist claptrap with the woman wearing the pants and doing everything except having children and homeschooling her kids. It's more Disney tripe about a successful businesswoman towing along an inept man, which is hardly typical in the real world.--Andy Schlafly 00:56, 26 March 2011 (EDT)
Arguably, any movie where people turn into frogs, or where in Beauty and the Beast, people have transmogrified into furniture is not "real world". Fantasies they may be, (like many movies listed here) but they are still conservative. I (finally) put it to your kind consideration that if you would watch the Princess and the Frog, you would find it contains less feminism and more conservativism than Beauty and the Beast. Whatever your judgment, I respect your decision and will refrain from further debate, even though I (thus far) disagree. Kindest regards Spotsbunch 08:43, 26 March 2011 (EDT)
Feminism is unmistakable: it has women acting like men and vice-versa, contrary to reality. Disney cartoons have been heavily feminist for at least 15 years. Beauty and the Beast, made 20 years ago, was not feminist in any way. But having a "Princess" act like a businessman and aspire to run a restaurant is feminist. What's next - Cinderella aspires to be a CEO of a Fortune 500 company???--Andy Schlafly 10:10, 26 March 2011 (EDT)
Is there any reason a woman can't run a restaurant or a fortune 500 company? No really, Andy, I want to know. Why is it feminist to portray a woman doing anything but cooking, cleaning, and rearing children? TerryB 13:40, 26 March 2011 (EDT)
Who said anything about cooking and cleaning? And, no, there isn't a reason why a woman can't aspire to any field, such as plumbers (almost no women plumbers), gas station attendants (ditto), or professional football players (ditto). The fact is that the vast majority of women do not aspire to do such activities (or running a restaurant or a Fortune 500 company), and it's false for feminists or feminist movies to repeatedly pretend otherwise.--Andy Schlafly 13:48, 26 March 2011 (EDT)
I apologize for my abrasiveness, it just seemed that you were implying that's all they're supposed to do. I can see where you're coming from. While a woman can do what she wants, feminists are wrong for telling woman that they should only aspire to do things traditionally done by men. Men normally aren't beauty consultants, clothing designers, or nail salon technicians, so why don't we see any men urging more men to do these things? TerryB 14:00, 26 March 2011 (EDT)
Feminism repeatedly tries to persuade women not to have children and raise them, pretending that aspiring to work in a job is somehow better. I can't think of a single Disney movie in the last 15 years that has been realistic about the homemaker role that most women prefer.--Andy Schlafly 15:00, 26 March 2011 (EDT)
Up. A key part of the story is that the old man's wife had given up her dreams of being an explorer as real life concerns around the home took precedence. Martyp 15:03, 26 March 2011 (EDT)
As promised, I will make my petition no further. However, as others have continued this debate, I will contribute to that. The Bible, our ultimate authority, disagrees (as I read it) that "a woman aspiring to run a business" (restaurant or otherwise) is feminist. Proverbs 31:10-31 describes at length "the wife of noble character" to be involved in business by working with eager hands; importing food from merchant ships; providing food for her family; purchasing property for farming; trading profitably; making and selling expensive cloth and having enough money left over to give to the poor. Anyone with a definition of feminism which includes activities like these, who also respects the Bible as God's authoritative Word should reconsider his definition. Respectfully and with kindest regards, Spotsbunch 19:15, 26 March 2011 (EDT)
Not surprisingly, you left out the verse saying "her children wake up, and call her 'blessed,' so does her husband" (CBP version), as well as several other verses that feminist movies do not include.--Andy Schlafly 00:06, 27 March 2011 (EDT)
Then would it be acceptable to put the Princess and the Frog in the "Debatable Whether Conservative" section of this page? Spotsbunch 15:44, 30 March 2011 (EDT)
There are high quality movies in the "Debatable" section. The feminist "Princess and the Frog" doesn't even come close to that level of quality and arguably conservatism.--Andy Schlafly 17:46, 30 March 2011 (EDT)


The movie Titanic also shows the rich and privileged getting on the half-empty life boats while the poor and lower class passengers are locked below (which is actually historical). Should it truly be included in this list? SharonW 16:50, 6 April 2011 (EDT)

No, I disagree. The movie accurately portrays the wealthiest men on the boat (Guggenheim, Astor, etc.) giving up their lives so that poorer women and children could be saved.--Andy Schlafly 21:53, 6 April 2011 (EDT)
While I'm not denying there were individual acts of chivalry and that Guggenheim et al declined seats (although there is historical conflicting testimony about Astor) on the lifeboats (of which there were too few given the number of people on the ship), the numbers show a definite declining survival rate by class. This was also a theme in the movie and not one that should be ignored.
The movie showed the lower class passengers being locked in the bowels of the ship, blocking escape. There is historical conflicting testimony on this subject as well: several people reported gates between decks being locked and armed guards blocking passageways while one steerage passenger testified that the gates were not locked. Another passenger stated that not only did the staff not sound an alarm in third class, but that steerage passengers who came up on deck were told to return to their rooms because there was no danger.
First Class Women - 4/141 died (97% survival rate)1; Children: 1/7 died2 (86% survival rate); Men - 104/171 died (39% survival rate); Totals: 109/319 died (66% overall survival rate)
12 of the 4 first class female passengers who died chose to remain with their husbands. *corrected mistype.
2Lorraine Allison remained on board with her family because they had been separated from her infant brother, who was on a lifeboat with his nurse. The entire family died, with the exception of the baby.
Second Class Women: 13/92 died (86% survival rate); Children: 0/25 died (100% survival rate); Men: 135/152 died (11% survival rate); Totals: 148/269 died (45% overall survival rate)
Third Class Women: 91/179 died (49% survival rate); Children: 55/80 died (31% survival rate); Men: 381/440 died (13% survival rate); Totals: 527/699 died (25% overall survival rate)
Staff and crew Female: 2/22 died (91% survival rate); Male: 701/896 died (22% survival rate); Overall: 703/918 died (23% overall survival rate)
There are some servants left out of these numbers due to confusion
Sorry for the over-long reply, but the Titanic has been a subject of fascination to me since my teenage years (about a century ago!) so I'm rather verbose about it. 8^) I don't agree with you on the subject, but I won't remove the movie from the list. SharonW 11:51, 7 April 2011 (EDT)

Move The Dark Knight To the Debatable category?

I'm wondering whether of not The Dark Knight should be truly considered conservative-while it does have the message of not giving in to terrorist, it also includes themes of everyone being corruptible and having their limits (like the good public defendant, Harvey Dent, turning into a villain, Two Face) and seems fascinated with darkness and chaos ("Madness is like gravity all you need is a little push"). Given this all, and the fact that Patrick Leahy had a cameo in it, I think this might well be reconsidered. Thoughts? Armond White, who generally sees through liberal bias and is a more conservative viewer, wrote this about it: [1]

Thanks for your comments. I'll move "Dark Knight" to the debatable category as you suggest.--Andy Schlafly 23:22, 13 April 2011 (EDT)
I watched it when it came out, and I didn't notice anything particularly Conservative about it. The only thing really good about it was the citizen response to the terrorist dilemma the arch-villain sets up, whereby two boatloads of passengers "must" each ensure their own survival by blowing up the other's boat; a quick-witted passenger takes the remote control and throws it overboard. But this has nothing to do with Batman.
The movie shows how vicious bad people can be, and how bullies support (and recruit) other bullies. But that is hardly fodder for the liberal-conservative debate. Both sides claim to despise bullying.
I daresay the Batman character of the 1960s comic books had some "conservative" qualities, such as the noblesse oblige of the superior man and idea that society can be benefited by the actions of a heroic individual. Both of these run counter to Communist ideas of history. But the Batman movies I've seen are about a different, darker man. --Ed Poor Talk 11:45, 14 April 2011 (EDT)
Let me help explain why this film needs to be in the list. At the beginning of this film, crime had been quelled enough that when you saw the Bat-Signal a drug dealer, who probably would've made a quick buck and easily got away with it, chose not to make a deal (you see this guy just refuse a deal to some other man in a car). But this didn't mean that the city was totally crime free, or that corruption was gone. Bruce realized that Batman could not change Gotham. He could help, but he was only one man. Gotham needed someone to be the influence Batman could never be. And that man was Harvey Dent. This speaks to how important culture is to a society. There's a great saying from another film, called Hud, which says "The look of the country changes by the people we admire." Meaning, that if you want a good, upstanding, moral society, you back people who are good, upstanding, and moral. You choose good, even if it means your death. I think the best moment in this film is where the Joker has got the two ferries, one loaded with convicts and the other loaded with civilians, each rigged to blow. But it's a convict that understands the problem, and makes a decision not to play Joker's game. What does this mean? I nearly cried when I saw that scene. It meant that someone understood that there's more to life than living. There's more to life than just existing. There's more to life than doing what is expected, rather than doing what is GOOD. Because GOOD has VALUE, which, I believe, is at the heart of the Conservative Philosophy. Liberals believe quite the opposite. Or rather, they believe that there is no Good or Evil, that everything is relative. Just as the Joker believes. It is what we stand for, and are willing to die for, that make us good or evil. This is what Christ said. To take up your Cross, even if it means your death, even if it means the deaths of others, because Life is not predicated strictly on comfort or survival, but on the propagation of Good. That's why The Dark Knight needs to be here. --Wayfinder 22:20, 3 November 2011 (EDT)
He may be darker in the movies, that's not to say he still doesn't have conservative values, and he does whatever he can so other people don't go through what he want through. Jm920 19:00, 15 September 2011 (EDT)

"The Sandlot" as 1950s America as a time when "every boy had a chance to be great."

I suppose, maybe. It's harder to achieve greatness when one couldn't necessarily ride at the front of the bus/use the same drinking fountain/eat at the same counter/go to the same university as other folks. LloydR 14:15, 28 May 2011 (EDT)

Your point is valid. Feel free to include your point in the entry itself. I don't think the 1950s were as conservative as today. In addition to your comment, homeschooling was prohibited in the 1950s, for example.--Andy Schlafly 14:29, 28 May 2011 (EDT)

Rollerball (1975)

Rollerball (1975) is frequently overlooked as one of the great conservative films. A dystopian tale in which a corporate oligarchy maintains control over the peoples of the world by distracting them with a hedonistic culture of sex, drugs, and violent entertainment. Rollerball was designed by the corporations to hypnotize and distract the minions with gladiatorial combat disguised as sport. The world watches these spectacles and subconsciously receives the message their corporate masters are feeding them - that individual achievement is not possible, because every Rollerballer ultimately faces the same gruesome fate. However, when Jonathan E (James Caan) proves dominate and (more importantly) invincible in the sport - the corporations attempt to force him to retire through an ever horriflying series of rule changes designed to bring about his death or capitulation. Jonathan E's defiance is a captivating and uplifting example of a man asserting the freedom of the individual in the face of totalitarianism. JFarren 17:38, 7 June 2011 (EDT)

Indiana Jones

I am very surprised that the Indiana Jones films are not included in here, when they are certainly conservative. NickP 23:25, 28 July 2011 (EDT)

Would you like to add them?--Andy Schlafly 20:25, 5 August 2011 (EDT)


I've rewritten the page as a table. Everything is sortable now. The gross is the US gross value, not worldwide (with one referenced exception). Everything else is the same. Films listed with NA - TV means that they were a TV program, and thus did not have a gross. NA - DVD means that they were released straight to DVD. None of the values are adjusted for inflation. While that would be interesting to do, I don't think wikis support computed columns, and it seems like a waste of time to update every number here. CGoodwin

Well done. Your format is better, and your additional information about revenues is interesting, although not of great significance due to (1) inflation and (2) popularity typically doesn't mean much.--Andy Schlafly 20:24, 5 August 2011 (EDT)

Space Jam is not a "Great" film

Conservative or not, Space Jam sucks! It must be removed.

Two Thoughts

1. What about "Fiddler on the Roof"? About the important role of tradition in societies.

2. Also, the caption for "Hilary: The Movie" is awkward if not misleading. It didn't result in the McCain-Feingold Act being overturned so much as it was the impetus for the lawsuit. The current description seems to imply that it was a crucial piece of evidence or something similar.

Would anyone be opposed to these changes? Ayzmo :) 14:17, 1 November 2011 (EDT)

Film suggestions

The Whit Stillman film, "Metropolitan", has been included on various lists of conservative films, including one by National Review. The story is of a group of bourgeois college students who meet a middle-class socialist peer. he later becomes good friends with them. Another National Review's list is "Ghostbusters" for its portrayal of an EPA bureaucrat as the main antagonist human antagonist and a message that "the solution to a public menace comes from the private sector". Another on the list I think may be worthy of inclusion is "Groundhog Day."

The full article from National Review can be viewed here [2] --TedM 22:42, 10 March 2012 (EST)

update; Another film I saw a while ago, while containing some crude humor, may still qualify. It would probably fit in the "debatable whether great" category. The film is "House Arrest" and is about some teenagers who go to extreme lengths (locking them in the basement) to stop their fighting parents from getting a divorce. --TedM 13:46, 12 March 2012 (EDT)

The Iron Lady

I highly suggest seeing The Iron Lady. I'm not sure how widespread the release was but it received critical acclaim in Britain, and a good insight into the other side of the Atlantic during the time of Reaganism. HumanGeographer 15:06, 12 March 2012 (EDT)

Add "Back to the Future" to the Debatable category?

According to the article for Back to the Future, the film contains both positive and negative values. Should it be included in the "Debatable" category?--GOPFan2011 23:52, 16 March 2012 (EDT)

Batman 3

This review [3] calls "The Dark Knight Rises" a conservative film which compares the Occupy movement to the ill-fated French Revolution. --Ed Poor Talk 21:04, 23 July 2012 (EDT)