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Essay:Greatest Conservative Movies

2020-01-04T17:32:24Z

SaltLakeCityLover: Fixed an error

'''There have been many superb [[conservative]] films''':

==Live-action films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''The 6th Day''
|2000
|PG-13
|California Republican governor-to-be [[Arnold Schwarzenegger]] stars in this pro-life, anti-cloning adventure as a family man of the future who is illegally cloned.
|$34,543,701
|-
|''13 Hours: The Secret Soldiers of Benghazi''
|2016
|R
|One of Michael Bay's better films tells the true story of when [[Benghazi Attack|Islamic terrorists attacked a U.S. diplomatic compound in Benghazi, Libya on September 11, 2012]] and the six Americans who took a stand without any support from the Obama-controlled White House or from then-Secretary of State Hillary Clinton (who not only refused to send any help and even ordered the military in the area to stand down, but later dismissively brushed off criticism of her actions with her infamous and callous "What difference at this point does it make?" comment). Not surprisingly, liberals viewed the film negatively and even made baseless accusations about the film's accuracy to distract from their dislike, but the film was a box office success and popular with the viewing public,<ref>https://www.rottentomatoes.com/m/13_hours_the_secret_soldiers_of_benghazi</ref> which saw an insightful analysis at the events of the attack and the heroes who acted to defend the compound of their own accord.
|$69.40 million
|-
|''17 Again''
|2009
|PG-13
|A 37-year-old father reverts to age 17 through a visit to a mysterious janitor and learns that choosing family, which he strives to support however he can, and life over death and possible material riches is much more rewarding and fulfilling even if it is not always apparent. The film stands up for [[abstinence]] and self-respect, and contains a strong speech for both of them, as in this quote: "Because there is no one that I'm in love with. It's called making love, isn't it? Maybe I'm old fashioned, but I think that means you do it with someone you love. And preferably when you're married, when you're ready to take that love and turn it into a baby." The concept of fatherhood is painted positively as well because he ultimately learns he was reverted to age 17 so he could see things from his children's perspectives and help them resolve their problems.
|$64,167,069<ref>http://www.boxofficemojo.com/movies/?id=17again.htm</ref>
|-
|''42''
|2013
|PG-13
|Bio pick of American icon [[Jackie Robinson]]
|$95,020,213
|-
|''90 Minutes in Heaven''
|2015
|PG-13
|A man has a near-death experience and sees [[heaven]].
|$4,842,699
|-
|''127 Hours''
|2010
|R
|This biopic tells the true story about initially easygoing and carefree outdoor adventurer Aron Ralston, who, in 2003, gained worldwide attention for becoming trapped in Blue John Canyon in Utah, a boulder trapping his right forearm against the canyon wall. As he reflects upon his life and expects to die, Aron realizes that he hasn't appreciated his family enough, and that he didn't treat his girlfriend as well as he should have. In the end, Aron summons the courage to do what was necessary to save his life: amputate his arm. As the real Aron would later say, he was reborn in the canyon, emerging with a far better appreciation of his family and never again taking anything for granted.
|$60,738,797
|-
|''[[Nineteen Eighty-Four|1984]]''
|1984
|R
|The big-screen adaptation of the iconic [[conservative]] text from [[George Orwell]].
|$8,430,492
|-
|''A Christmas Story''
|1983
|PG
|Child actor Peter Billingsley stars as Ralphie Parker, a boy who wants a BB gun for Christmas, in this heartwarming comedy. The National Film Registry selected it for historical preservation in 2012.
|$19,294,144
|-
|''A Dog of Flanders''
|1998
|
|The fifth live action adaptation of Ouida's book contains a number of Christian themes.
|$2,165,637
|-
|''A Dog's Purpose''
|2017
|PG
|Based on the heartwarming book of the same name, the soul of a dog lives the lives of several dogs spanning decades and remains loyal to its owners. The film takes a stand against [[bestiality]] and animal cruelty, too.
|$22,000,000
|-
|''A Gathering of Eagles''
|1963
|UR
|It illustrates duty, honor, and the burden of command.
|Unknown
|-
|''A Man For All Seasons''
|1966
|UR
|In 16th Century England, statesman and philosopher Thomas More is forced to choose between his Catholic faith and his loyalty to the king. It won six Academy Awards: Best Picture, Actor, Director, Adapted Screenplay, Cinematography (Color), and Costume Design (Color).
|$20,000,000<ref>This figure is a worldwide gross.</ref>
|-
|''Ace Ventura: Pet Detective''
|1994
|PG-13
|Hero Ace Ventura is an animal lover, but not an animal rights activist, and prefers [[conservation]]. In addition in recent years, liberals have criticized this movie under claims of it "attacking" the LGBT community, as the main villain is a gender-confused man who pretended to be a "woman". Ventura literally freaks out when he realized he really made out with a man, as does everyone else later when they find out the truth. Ventura also calls him by his biological gender.
|$72,217,396<ref>https://www.boxofficemojo.com/movies/?id=aceventura.htm</ref>
|-
|''Act of Valor''
|2012
|R
|In this military drama, soldiers are shown as heroes battling terrorism, which is related to both Islamic terrorism and drug cartels. It is also one of the few films where the main cast is portrayed by actual Navy SEALs, resulting in accurate military terminology and battlefield strategies.
|$70,012,847
|-
|''Adam's Rib''
|1949
|Not rated
|Attorney Adam Bonner (Spencer Tracy) hilariously exposes his budding [[feminism|feminist]] wife Amanda's (Katharine Hepburn's) hypocritical double standards in the legal system.
|-
||''Alone Yet Not Alone''
|2013
|PG-13
|[[Christianity]]'s impact in building the United States is explored in depth. Liberals were shaken when it received an Oscar nomination, proving that there is still a prevalent conservative voice in Hollywood.
|$887,851<ref>http://www.boxofficemojo.com/movies/?id=aloneyetnotalone.htm</ref>
|-
|''Alpha''
|2018
|PG-13
|This film set in Europe 20,000 years ago tells the story of a human and his relation with a wolf. It promotes family and friendship values with both the teenaged tribesman's relation with his family and with the wolf. It also is pro-[[hunting]] and pro-[[fishing]] as the human learns the importance of killing a rabbit in order to feed the wolf. The wolf and human also go fishing and hunt bison and wild boars.
|$11.7 million
|-
|''[[Amazing Grace (movie)|Amazing Grace]]''
|2006
|PG
|This historical drama shows the horrors of the slave trade and teaches that, contrary to academic claims, Christianity played the largest role in the abolition movement, while most secular humanists either supported slavery or otherwise did nothing to stop it.<ref>http://catholicexchange.com/moving-amazing-grace-highlights-christian-role-in-abolitionist-movement</ref>
|$21,208,358
|-
|''American History X''
|1998
|R
|A [[Neo-Nazi]] (The Nazis were left-wing socialists even though the Left has tried denying it) overcomes his [[racism]] and [[anti-Semitism]] after being sent to jail for voluntary manslaughter and does everything in his power to prevent his brother from following the same path to destruction.
|$6,719,864
|-
|''American Sniper''
|2015
|R
|This biopic documents the life of [[Iraq War]] [[veteran]], [[patriot]] and [[hero]], [[United States Navy|Navy]] [[SEAL]] sniper [[Chris Kyle]].
|$350,126,372.
|-
|''[[An American Carol]]''
|2008
|PG-13
|[[David Zucker]]'s [[conservative]] comedy starring Kevin Farley, Kelsey Grammer, Jon Voight, Dennis Hopper, Trace Adkins, and Leslie Nielsen lampoons the liberal, America-hating elements of Hollywood.
|$7,013,191
|-
|''Angels in the Outfield''
|1994
|PG
|A foster child encourages his hapless baseball team to look to angels for help in this God-trusting comedy.
|$50,236,831
|-
|''[[Animal Farm]]''
|1999
|Not Rated
|This live-action adaptation of the [[conservative]] text of the same name from [[George Orwell]] (and of the 1954 original animation) uses animals in the pretext of leveling harsh criticism against [[Communism]] and against [[Joseph Stalin]]. Unlike the source material, the film literally shows Animal Farm collapsing due to the excesses posed by the evil Napoleon, a Berkshire boar and a metaphor for Stalin, and his pigs, which is ultimately justified due to the collapse of the Soviet Union years earlier under similar reasons for Animal Farm's collapse.
|NA - TV
|-
|''[[Argo]]''
|2012
|R
|CIA agent Tony Mendez embarks on a daring rescue of Americans trapped in Iran during the [[Iranian Hostage Crisis]] while using a film production as a cover story to hide his act of courage. The film highlights how inherently corrupt an Islam-based government can be as well as the incompetence of the [[Jimmy Carter]] administration in dealing with the hostage crisis. It won the Academy Award for Best Picture of 2012.
|$136,025,503
|-
|''Armed and Dangerous''
|1986
|PG-13
|This comedy by Harold Ramis, the same screenwriter of the conservative films ''Ghostbusters'' and ''Groundhog Day'', exposes [[labor union]] corruption.
|$15,945,534
|-
|''Assault on Precinct 13''
|1976
|R
|Often considered an urban remake of the conservative film ''Rio Bravo'', a police sergeant in Los Angeles and his crew must defend an abandoned precinct office from an army of criminals. The police are rightfully shown as good, while the criminals are evil. Its 2005 remake was set in [[Detroit]].
|
|-
|''Attack on Darfur''
|2009
|R
|Liberal journalists end up being trapped in Darfur, Sudan, and must fight to survive. The film doesn't hold back on crimes committed by the [[Janjaweed]] here.
|
|-
|''The Avengers''
|2012
|PG
|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing superhero film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, as they join the Norse god Thor (who is less of a god and more of an alien in this universe, thus averting support for paganism) in stopping his evil brother Loki from conquering the world with an extraterrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses to submit to "men like him", comparing Loki's actions to Hitler and Nazi Germany's actions. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel went into full effect, it should come as no surprise that these conservative subtexts shine through.
|$1.519 billion
|-
|''Bad Boys II''
|2003
|R
|The sequel to the 1995 film, this police action film is surprisingly pro-family (main character Lieutenant Marcus Burnett's daughter is an undercover operative for the DEA, and his laid back but faithful friend and partner tries to help him with this personal crisis, which he does not approve of) and advocates war on drugs. The main villains are Russians and Cubans (Communists), while the side villains are [[Ku Klux Klan]] members (which was founded by the [[Democrat Party]]).
|$138,608,444
|-
|''The Bad News Bears''
|1976
|PG
|Centered on the classic American pastime of [[baseball]], this sports feature negatively depicts forced government intervention into baseball in the name of equality, as the reason the Bears baseball team existed in the first place was to put rejects into a baseball team after being legally forced to do so via a lawsuit. Morals include improving oneself through training as well as the [[American Dream]]: although the Bears are composed of the worst players in little league, main character Coach Buttermaker trains them to become one of the best baseball teams in the season. Followed by two direct sequels in 1977 and 1978. In contrast, the 2005 remake is significantly more coarse and more politically correct.
|$42.3 million
|-
|''Batman Begins''
|2005
|PG-13
|The first film in Christopher Nolan's ''Dark Knight'' trilogy retells comic book superhero Bruce Wayne/Batman's origin story in a manner that specifically denounces corruption and trying to kill out of revenge with themes of redemptive measures. When main villain Ra's al Ghul reveals his intentions to destroy Gotham City, Batman tries to stop him since Gotham still ultimately has good elements in the community. Capitalism is depicted positively, too: in the backstory, Thomas Wayne, Bruce's late father, helped alleviate Gotham City from poverty via his wealth by building a public transportation system. Thomas' death inspired Gotham's wealthy individuals to follow his example, and Wayne Enterprises' Lucius Fox, who runs the company in Bruce's absence, proceeded to use the company's resources to synthesize a cure for fear toxin.
|$374.2 million
|-
|''[[Bedtime Stories]]''
|2008
|PG
|In this pro-family and pro-capitalism comedy, [[Adam Sandler]] plays a man who is given an opportunity to run a business and works hard to get the promotion against his rival while taking care of his niece and nephew. Sandler jokes about his sister's many liberal ideas and parenting skills (even calling her story books for them "Communist"). In the end, the children are then shown to be much happier and smarter after Sandler uses his conservative, capitalistic, family-centric tactics on them.
|$110,101,975
|-
|''Bella''
|2007
|PG-13
|A [[Pro-life]] drama.
|$8,070,537
|-
|''[[Ben-Hur (film, 1959)|Ben-Hur]]''
|1959
|UR
|This Roman historical drama celebrates honor and duty to family and country with a Christian ending, and it long held the record for the most [[Academy Awards]] awarded to a single film. Conservative actor and future [[National Rifle Association]] president and spokesman [[Charlton Heston]] plays the title role.
|$17,300,000
|-
|''Beverly Hills Cop''
|1984
|R
|Streetwise [[Detroit]] police detective Axel Foley drives out to Beverly Hills to investigate and avenge his friend's murder. While there, he meets up with a police force that does "everything by the book", jokes about their strong bureaucratic rules, and influences the two cops assigned to watch him to use critical thinking skills to solve the case. The main villain is a drug dealer, suggesting support for the war on drugs. Two sequels followed in 1987 and 1994.
|$234,760,478
|-
|''The Bible: In The Beginning''
|1966
|NR, could now receive PG
|As the title says, it is an expensive but powerful epic of [[Genesis]]' first 22 chapters.
|$34,900,023
|-
|''[[Big Daddy]]''
|1999
|PG-13
|Adam Sandler's plays Sonny, a man who, after being forced to take in an orphaned child that was sired by one of his friends, learns the importance of family as he realizes the responsibilities of fatherhood and grows as a person from the experience. A light satire of feminism is present: Sonny's ex-girlfriend cheats on him and then rejects him, only to end up working at a Hooters restaurant, which has been both satirized and scorned in the real world for its perversely clothed waitresses, with her extramarital lover.
|$234.8 million
|-
|''Big Fat Liar''
|2002
|PG
|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, ''Big Fat Liar'' teaches that "The truth is not overrated," which is also the moral of Jason's story.
|$48,360,547
|-
|''Billy Madison''
|1995
|PG-13
|A comedy film about [[redemption]], where the titular character gets a second chance at life. After flunking his education, he is given an opportunity to go back through grades 1-12 to do things right and pass successfully as well as earn the respect of his father. The main female is a simple schoolteacher and more of the antithesis of a modern-day feminist. Billy also learns the importance of being a good person and to have compassion for others, as well as the value of doing a job well done.
|$25,588,734
|-
|''Black Hawk Down''
|2002
|R
|Based on true events of a U.S. military campaign in Somalia, in which 18 U.S. soldiers died fighting their way out of a Mogadishu mission, American bravery and comradeship are heralded in the face of impossible odds against Islamic terrorism.
|$172,000,000
|-
|''Black Panther''
|2018
|PG-13
|Based on the eponymous Marvel Comics superhero, the eighteenth installment of the Marvel Cinematic Universe tells of a young African king, who gains enhanced strength from consumption of a majestic heart-shaped herb, fighting against the force of a black supremacist, who seeks to take the king's throne. In the name of morality, this king, or "The Black Panther," seeks to destroy the villain and his plans to overthrow the other races and governments of the world. The Black Panther recognizes both the importance of helping those in need, as well as not going beyond one's governmental authority. Though there are plenty of pagan religious references, the film appeals in some ways to a general sense of Christian morality and governmental justice, and it never diverts into political correctness about black supremacism.
|$704,000,000.
|-
|''Black Sheep''
|1996
|PG-13
|Pro-family film where the idiotic brother of a governor candidate must be straighten out, in order to avoid him hurting his chances in the election. The villain is a corrupt official and feminist, who had committed voter fraud. Also portrays the military (just shown in photographs) in positive light and is also anti-drug.
|$32,417,995
|-
|''Black Sunday''
|1977
|R
|This thriller refuses to be politically correct about Islamic terrorism.
|$15,769,322
|-
|''Blazing Saddles''
|1974
|R
|A politically incorrect western, something liberals are sure to despise.
|$119,500,000
|-
|''Blended''
|2014
|PG-13
|A widowed father of three daughters and a divorced mother of two sons accidentally end up staying together in a resort where the parents fall in love. This shows how important it is for a family to have both a mother and a father. It also condemns the homosexual agenda, as it favors traditional gender roles because the father’s oldest daughter gradually gives up her tomboyish style, to actually look like a traditional girl. Also has a celebration of baseball as well.
|$46,294,610
|-
|''Blue Collar''
|1978
|R
|This rare gem is one of the very few films to expose labor union corruption, first directed by former [[Grand Rapids]] native [[Paul Schrader]].
|$6,521,083
|-
|''The Blues Brothers''
|1980
|R
|Though based on a recurring skit from ''[[Saturday Night Live]]'', which is infamous for its history of liberal bias, this comedy designed to pay tribute to jazz and blues music contains a surprising conservative subtext. Blues singer siblings Joliet Jake and Elwood Blues embark "on a mission from God" by reuniting their bandmates, who have scattered around Chicago, so they can raise money to save the Catholic orphanage wherein they grew up. Despite being R-rated for vulgar language and often destructive slapstick comedy, it's Vatican approved. One less popular sequel premiered in 1998, ''Blues Brothers 2000''.<ref>[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers "Catholic", FOXNews, June 19, 2010]</ref>
|$57,229,890
|-
|''The Boys from Brazil''
|1978
|R
|The dangers of [[cloning]] are highlighted as infamous Josef Mengele (Gregory Peck in an opposite of his hero roles) tries to clone [[Adolf Hitler]].
|
|-
|''[[Braveheart]]''
|1995
|R
|Infuriated by his wife's murder, Scottish knight William Wallace (played by [[Mel Gibson]]) rallies an army to bring freedom to his people and country from the tyranny of English king Edward I. Based on the First War of Scottish Independence, it takes some creative liberties with the time frame, but it contains strong messages of patriotism and even some Christian allegories that stand the test of time (indeed, Wallace's sacrifice should remind viewers of [[Crucifixion|the most significant event in Christian history]]). It won the Academy Award for Best Picture of 1995.
|$210.4 million
|-
|''Brazil''
|1985
|R
|Much like the conservative text ''1984'', it teaches that big government is wrong for the world.
|$9,929,135
|-
|''[[Bruce Almighty]]''
|2003
|PG-13
|Jim Carrey stars in this comedy that, even with atheist Morgan Freeman portraying [[God]], shows in a lighthearted, accessible way how no one mortal can successfully do God's job. Also shows how hard God's job is. It was written by Steve Koren & Mark O'Keefe, the same writers of ''Click''.
|$242,589,580
|-
|''[[Captain America: The First Avenger]]''
|2011
|PG-13
|Based upon the adventures of the patriotic superhero from Marvel Comics (and perhaps the company's most conservative superhero ever created), the frail, sickly U.S. Army recruit Steve Rogers is enhanced to the peak of human physicality by an experimental serum, then uses his newfound supersoldier abilities to combat Nazi terror in Europe while wearing a star-spangled uniform to avoid identification and carrying a throwable shield. Ultimately, he hunts down Nazi supersoldier Johan Schmidt/Red Skull, who was subject to an early, flawed version of Rogers' serum and has stolen the Tesseract, an energy source of unknown potential. Though Rogers succeeds, he is soon left with no choice but to crash Schmidt's aircraft into a glacier, leaving him frozen in suspended animation for decades until he wakes up in 2012 and readies for the events of the next film in the Marvel Cinematic Universe, ''The Avengers''. Virtues shown include patriotism, perseverance, and the courage to confront evil dictators. It condemns against globalist views in the climax of the film, as Schmidt, when taunting Rogers, says, "I've seen the future, Captain! There are no flags!", referring to Rogers' choice to fight for his nation rather than harness the power of gods. Rogers rejects his claim by shouting, "Not my future!" Capitalism is painted positively in the form of a young Howard Stark (father of fellow Marvel superhero Tony Stark/Iron Man), who is first seen holding an expo for possible future inventions, including a flying car. The film condemns infidelity and premarital relations as well: British intelligence agent Peggy Carter initially assumes that Rogers is cheating on her (she learns the girl he is first seen dating previously forced herself on him); and, when Howard Stark says "fondue", he says he means a platonic dinner with Carter rather than innuendo for sex.
|$176,654,505
|-
|''Captain America: The Winter Soldier''
|2014
|PG-13
|Patriotic superhero and Avengers co-leader Steve Rogers/Captain America unravels a government conspiracy involving HYDRA, the Nazi terror group he fought in World War II, and tries reconnecting with his long-lost best friend James "Bucky" Barnes, who, after being frozen in suspended animation for decades like Rogers was, is now a brainwashed assassin known only as "The Winter Soldier". All the while, he stays true to principles that the United States was founded on, unwilling to see them destroyed. The filmmakers based the villains of this film on the NSA and the [[Barack Hussein Obama|Obama]] regime.<ref>https://www.breitbart.com/california/2014/04/06/hollywood-turns-against-obama-with-captain-america-winter-soldier-2/</ref>
|$259,766,572
|-
|''Captain America: Civil War''
|2016
|PG-13
|The United Nations proposes that the Avengers, the main superhero team of the Marvel Cinematic Universe, be put under their control. A rift in the team forms because of the disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along with his allies (Bucky Barnes/the Winter Solider, Sam Wilson/Falcon, Wanda Maximoff/Scarlet Witch, Clint Barton/Hawkeye, and Scott Lang/Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue. Through persistence, he prevents the UN from placing the whole group under globalist control.
|$407,588,905
|-
|''The Case for Christ''
|2017
|PG
|Based on a true story about an atheists couple that starts to doubt their atheism when a christian women saves her daughter from choking. In the end they realize that there is a God and convert to Christianity.
|$14,682,684
|-
|''Catch that Kid''
|2004
|PG
|Three teenagers try to rob a bank, not for greed but to get money needed for one of their father’s surgery to save his life. In the end, they realize that even though their intentions were good what they did was wrong. They then end up getting the money through donations and generosity rather than theft. Thus giving the movie anti-socialist aspects, and anti-universal healthcare aspects, as they realized it was wrong to take other people’s money to pay for their healthcare.
|$16,703,799
|-
|''Chariots of Fire''
|1981
|PG
|Based on the parallel lives of two British Olympians, devout Scottish Presbyterian [[Eric Liddell]], who wants to run for the glory of God, and Jewish Englishman [[Harold Abrahams]] both struggle to overcome prejudice in 1924 Britain. That year's Olympics Games was especially spiritual when Liddell refused the Prince of Wales' request that he perform his competition on a Sunday.
|$58,972,904
|-
|''Chappaquiddick''
|2018
|PG-13
|This Hollywood film doesn't feature any history revisionism and tells the cold hard truth about [[Ted Kennedy]] during the [[Chappaquiddick incident]]<ref>https://www.hollywoodintoto.com/chappaquiddick-review/</ref> angering liberal critics in the process.<ref>https://www.nytimes.com/2018/04/06/opinion/chappaquiddick-ted-kennedy-distortortion.html</ref> To add insult to injury the film ended up overperforming as well<ref>http://missliberty.com/chappaquiddick-box-office-blows-past-projections/</ref>
|$17,894,212
|-
|''Cheaper by the Dozen''
|2003
|PG
|In this pro-family feature, a father must sacrifice his dreams of success for the benefit of his large family. As a loose remake of the original 1950 film starring Clifton Webb and Myrna Loy, this remake stars Steve Martin and Bonnie Hunt.
|$190,212,113
|-
|''Cheaper by the Dozen 2''
|2005
|PG
|In this sequel to the pro-family remake, the Baker family takes a vacation and competes against a rival family in a tournament. In the end, they realize family is what matters most.
|$82,571,173
|-
|''Chef''
|2014
|R
|A capitalistic chef starts his own restaurant after liberal food critics begin criticizing his work, and he begins questioning why he became a chef in the first place. At the same time, our protagonist Carl Casper also tries to connect with estranged family. The film promotes capitalism and family values in a positive light.
|$31,424,003
|-
|''Chinatown''
|1974
|R
|This thriller highlights the deceit surrounding water rights in southern California and L.A.'s water system, removing most of the water from the central valley. It doesn't adhere to political correctness because the main protagonist is told a dirty joke at one point and later tells it to his fellow private detectives, who use the term "Chinaman." The sequel, ''The Two Jakes'', followed in 1990.
|$30,000,000 (worldwide estimate)
|-
|''Chitty Chitty Bang Bang''
|1968
|G
|Set in 1910s England and loosely based upon the epic children's novel by Ian Fleming (the creator of the [[James Bond]] franchise), widower inventor Caractacus Potts raises money to buy and repair an old race car, then takes his children and new love interest for a picnic on the beach. There, he tells them an epic tale about going on a mission to defend the car from a villainous king and queen who have outlawed children in the fictitious country of Vulgaria, and the story comes to life on screen. The film celebrates family unity, portrays a capitalistic entity (the candy empire owned by the father of Truly Scrumptious, Potts' love interest) in a positive light.
|$7.5 million
|-
|''[[The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]]''
|2005
|PG
|Based upon the Christian allegory written by C.S. Lewis, four orphans discover the magical realm of Narnia, which can be accessed through a wardrobe, where they are chosen by a prophecy to confront the [[Satan]]-esque White Witch. The omnipotent and benevolent lion Aslan, a stand-in for [[Jesus]], is instrumental in this goal since he frees Narnia from being frozen in a perpetual winter with no Christmas and because he sacrifices himself in place of orphan Edmund, who is temporarily manipulated by the White Witch, and resurrects in a Christ-like manner (according to Aslan, there is a "deeper magic from before the dawn of time" that will resurrect anyone killed in place of a traitor). Besides sacrifice, morals include courage, loyalty, friendship, honor, and redemption.
|$291,709,845
|-
|data-sort-value="Chronicles of Narnia: Prince Caspian"|''[[The Chronicles of Narnia: Prince Caspian]]''
|2008
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$141,621,490
|-
|''[[The Chronicles of Narnia: The Voyage of the Dawn Treader]]''
|2010
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$104,383,624
|-
|''Cinderella Man''
|2005
|PG-13
|Based on the story of boxing heavyweight champion James Braddock, the protagonist prizes family because he takes up boxing so he can provide for them during the Great Depression. In addition, it promotes loyalty and integrity as well, as his promoter not only tried to help him with boxing, but had also gone as far alongside his wife to sell everything they had to aid Braddock in trying to win the titleship, with Braddock's wife learning this when about to tell his promoter off for apparently selling him out.
|$108.5 million
|-
| ''The Circle''
|2017
|PG-13
|Based on the Dave Eggers novel of the same name, the film showcases how "material success, intellectual enlightenment, technological advancement, and utilitarian ethics — ultimately cannot satisfy the existential longing each of us has." <ref>https://www.conservativereview.com/articles/the-circle-most-conservative-movie-of-2017/</ref>
|$40.6 million
|-
|''City Slickers''
|1991
|PG-13
|In this motivational, feel-good feature, a man goes on vacation to Colorado with his friends to be cowboys in order to find his happiness. The main lesson is knowing what's really important in life. A sequel followed in 1993: ''City Slickers II: The Legend of Curly's Gold".
|$179,033,791
|-
|''Click''
|2006
|PG-13
|Written by Steve Koren & Mark O'Keefe, the same writers of ''[[Bruce Almighty]]'', a man finds a remote control that can control his life and be able to skip many events in it, including many involving his family. He then learns that he should instead appreciate his life and his family to its fullest, and not to be ungrateful with experiences that he thinks, out of selfishness, he doesn't always feel like living.
|$137,340,146
|-
|''Coach Carter''
|2005
|PG-13
|The moral is that graduating from high school and having a strong moral compass are more important than becoming a famous athlete.
|$67,253,092
|-
|''[[Cobra (1986 film)|Cobra]]''
|1986
|R
|[[Sylvester Stallone]] plays a tough police officer who is seemingly above the law, in order to control and stop crime. The story has some anti-statism aspects because Cobra cares more about protecting the people than protecting the law. The liberals and the [[Mainstream media|press]] are shown in a negative light for not supporting his efforts to stop a cult of [[Social Darwinism|social Darwinist]] serial killers.
|$49,042,224<ref>http://www.boxofficemojo.com/movies/?id=cobra.htm</ref>
|-
|''Coma''
|1978
|PG
|The villains run a conspiracy to push abortion at a hospital where organs are illegally collected.
|
|-
|''Concussion''
|2015
|PG-13
|This whistleblower film exposes the [[NFL]]'s ignorance to its players' medical issues that the [[Mainstream media|lamestream media]] has ignored. (See also [[Unplug the NFL]].) The film also may have be the reason to the NFL's rating decline the next year.<ref>https://www.youtube.com/watch?v=vtO-w69V4lg</ref>
|$34,542,474
|-
|''Contact''
|1997
|PG
|The overall message is about how science and faith do not have to be in opposition to one another.
|$100,853,835
|-
|''Courageous''
|2011
|PG-13
|This Sherwood Pictures drama film focuses on the role of fathers and the need for them.
|$34,522,221
|-
|''Cronos''
|1993
|R
|In this Mexican film by Guillermo del Toro (''Pan's Labyrinth'', ''Hellboy''), an elderly antiques dealer has a chance at immortality—but at the cost of being a leech to others. Mostly in Spanish with large parts in English.
|$621,392
|-
|''Daddy’s Home''
|2015
|PG-13
|A pro-family comedy, that promotes the concept of fatherhood. The dad and step-dad compete for attention of the kids, in the end they realize they both have the same goal, which is they want what is best for the kids. In addition the film is anti-alcoholism, with Will Ferrell’s character’s getting completely drunk at a basketball game, which cause him to do some hurtful things, which nearly ruins his marriage.
|$150,357,137
|-
|''Daddy's Home 2''
|2017
|PG-13
|The sequel still shares the same pro-family message.
|
|-
|''[[The Dark Knight]]''
|2008
|PG-13
|The sequel to ''Batman Begins'' contains a Christian allegory (specifically, the ending has Batman selflessly volunteering to have himself take the blame for the crimes that Harvey Dent committed after the latter went insane from grief and the Joker's influence in order to ensure that the criminals he locked up cannot be released onto the street after he was forced to kill Dent to save Gordon's son.) with messages of not giving in to terrorists and condemning of [[nihilism]] and [[anarchy]] via the actions of [[Joker (comics)|the Joker]], Batman's most infamous adversary.
|$533,316,061
|-
|''[[The Dark Knight Rises]]''
|2012
|PG-13
|The conclusion of the ''Dark Knight'' trilogy, set seven years after ''The Dark Knight'', depicts [[Occupy Wall Street]]-esque protesters as terrorists and has a hero (Batman) that does the right thing even when it is the harder thing to do. Furthermore, it subtly condemns the [[French Revolution]] as the events of the story are in part derived from Charles Dickens' ''[[A Tale of Two Cities]]''.
|$448,139,099<ref>http://www.boxofficemojo.com/movies/?id=batman3.htm</ref>
|-
|''Dark Matter''
|2007
|R
|A candid look at [[professor values]] along with problems associated with lack of assimilation; [[liberal]]s first praised the movie and even awarded it the Alfred P. Sloan Prize at the Sundance Film Festival in 2007, but after realizing its [[conservative]] message, panned it.
|$30,041
|-
|''Darkest Hour''
|2017
|PG-13
|A biopic of heroic WWII leader [[Winston Churchill]] with no historical revisionism at all. It won 2 academy awards and was nominated for 6 more.
|$180,000,000
|-
|''The Death of Stalin''
|2017 (UK and Toronto) 2018 (America and France)
|R
|An adaptation of the French historical fiction graphic novel of the same name. Although largely a satirical [[black comedy]], the movie nonetheless accurately shows the horrific events of the Soviet Union under Stalin's totalitarian rule and the events after his death, as well as the innately cowardly and treacherous nature of the Soviet Politburo (see [[Atheism and cowardice]] as well as [[Atheism and Mass Murder]]). It also is one of the few films to [[Allusion|allude]] to the anti-Semitic [[Doctor's plot]] that Stalin had orchestrated prior to his death (which had ironically been precipitated due to the doctor's plot killing off all the best doctors in Moscow at the time), making clear that, contrary to what the left claims, the USSR and the left adhered to anti-Semitism. The director of the film, Armando Iannucci, admits that a large part of the reason he made the film was partly because of how Stalin was still revered in Russia to the extent that the Russian hotel he stayed at had a portrait of Stalin up, while pointing out that no one would dare do the same regarding Hitler in similar situations.<ref>https://www.rollingstone.com/movies/features/armando-iannucci-death-of-stalin-trumps-funeral-w517602</ref> As if reinforcing this, the movie also ended up banned in Russia at the order of [[Vladimir Putin]].
|$15.7 million
|-
|''Death Wish''
|1974
|R
|Bleeding heart New York City liberal Paul Kersey learns the importance of the Second Amendment following a brutal attack on his wife and daughter. Following this he begins fighting back against muggers and is deemed a [[vigilante]]. During this time crime begins to decline (because criminals don't normally attack armed civilians). However contrary to popular belief, the film does not glorify vigilantism, as the film acknowledges that if the vigilante isn't stopped it could led to [[anarchy]] (pure [[Marxism]] is the complete absence of government). Followed by four sequels in 1982, 1985, 1987 and 1994. Remake in 2018.
|$22 million
|-
|''Delivery Man''
|2013
|PG-13
|Republican actor Vince Vaughn portrays a delivery man who finds out that he is the biological father to 533 children. Realizing the importance of family, he learns how to be a father figure and take on more responsibilities.
|$30,664,106
|-
|''The Delta Force''
|1986
|R
|Conservative star [[Chuck Norris]] plays U.S. Army Delta Force Captain Scott McCoy, who leads his team to battle Islamic terrorists. The film emphasizes bravery, heroism, and honor while avoiding political correctness and showing the true nature of the radical Islamic political agenda (very rarely shown in today's films).

Jews are portrayed sympathetically, as the terrorists' leader, Abdul Rafai, is viciously anti-Semitic. He demands that the Jewish hostages be separated from the others, and forces a German Flight Attendant to read out their names. He insists that the Jews killed in the holocaust were "not enough." When the aforementioned Flight Attendant collects the hostages' passports, she notices a number tattooed on one of the Jewish hostage's arm, indicating that he's a Concentration Camp survivor and she gives him a look of sympathy.

The film also depicts Israel in a positive light, as the Israelis assist the Americans by providing them with intel.
| $17,768,900
|-
|''Denial''
|2016
|PG-13
|Anti-history revisionist film. Writer and historian Deborah E. Lipstadt must battle for historical truth to prove the existence Holocaust when David Irving, a Holocaust denier, sues her for libel .
|$4,073,489
|-
|''Dirty Harry''
|1971
|R
|Released at the dawn of what historians call the Conservative backlash (a direct response to 1960s radicalism), Clint Eastwood plays a tough San Francisco police officer who doesn't let bureaucratic regulations stop him from doing what he knows is morally right. The film criticizes not only the then-recent Supreme Court decisions which granted new rights to criminals but also the traditional moral decay America experienced during the 1960s and 1970s. Four sequels followed suit: ''Magnum Force'' (1973), ''The Enforcer'' (1976), ''Sudden Impact'' (1983), and ''The Dead Pool'' (1988).
|$35 million
|-
|''Doctor Zhivago''
|1965
|PG-13
|Master filmmaker David Lean directed this powerful film that celebrates the natural rights of the individual as well as the triumph of charity, faith, hope, and love. His work takes an honest and uncompromising stance on the dangers of Communism as well.
|$111,721,910
|-
|''Don't Tell Mom the Babysitter's Dead''
|1991
|PG-13
|In this pro-family movie, five siblings (two are teenagers) are left alone for the summer, with no money after their elderly babysitter passes away. They realize the importance of hard work, as well the responsibilities of being indepedent, and the negative effects of drugs. Also gives an anti-regulated economy message by showing the dangers of using and relying on other people's money, as after the younger siblings stole money from their older sister's purse (which she stole from the company with petty cash), they realize this was wrong and selfish. In addition there are brief anti-taxation aspects, with Christina Applegate's character; Sue Ellen being frustrated when they took away so much of her money because of taxation. In the end the teenagers manage to clean themselves up, and quit drinking alcohol, doing drugs and smoking, and focus more on becoming successful adults.
|$25,196,249<ref>http://www.boxofficemojo.com/movies/?id=donttellmomthebabysittersdead.htm</ref>
|-
|''Dracula''
|1931
|UR
|This adaption of [[Bram Stoker]]'s novel from 1897 features one of Hollywood's first [[Christian]] protagonists: vampire hunter Dr. Abraham Van Helsing.
|
|-
|''Dredd''
|2012
|R
| Based on the comic strip ''Judge Dredd''. Anti-drug war film where villains are drug dealers and addicts who are portrayed as very sadistic individuals, the hero Judge Dredd, assisted by a Judge-in-training who is also a psychic, is forced to fight them. The film shows the bravery of the police officers who do what's right, while the film's main villain, a female drug lord nicknamed "Ma-Ma", tries to hinder their progress by calling in several corrupt Judges (akin to the corrupt liberal judges who currently populate various courts in the United States in real life to pervert justice and repeatedly violate the Constitution) to interfere with the honest Judges.
|$13,414,714
|-
|''Dunkirk''
|2017
|PG-13
|From Christopher Nolan, director of the conservative ''Dark Knight'' Trilogy, tells the dramatization of the Dunkirk evacuation. This action-packed adventure never derails in to political correctness and history revision as many liberal critics opened fire on the film for its lack of diversity and feminism.<ref>https://www.newsbusters.org/blogs/nb/melissa-mullins/2017/07/23/reminder-usa-today-critic-laments-dunkirk-lacks-gender-racial</ref>.
|$188 million
|-
|''The East''
|2013
|PG-13
|A private intelligence firm must take out an eco-terrorism organization.
|$2,301,839
|-
|''Enemy of the State''
|1998
|R
|A lawyer discovers a videotape revealing the death of a congressman and ends up a target for NSA official Thomas Bryan Reynolds (who plans on destroying the [[Fourth Amendment]]). Some say it shockingly predicted the [[Edward Snowden]] controversy and the Obama administration's crimes 15 years later.
|$111,549,836
|-
|''The Equalizer''
|2014
|R
|In this adaption of the conservative 1980s television series, Denzel Washington portrays retired intelligence agent-turned-vigilante Robert McCall, the role originated in the original series by British actor Edward Woodward.
|$101,530,738
|-
|''The Equalizer 2'''
|2018
|R
|Sequel to the 2014 film
|
|-
|''[[Escape from Hell]]''
|2000
|UR
|Drama about a doctor and near-death experience.
|NA - DVD
|-
|''Evan Almighty''
|2007
|PG
|In the stand-alone sequel to ''Bruce Almighty'', God chooses an unlikely hero named Evan to build a modern-day ark to save his town from an upcoming storm.
|$100,462,298
|-
|''Evelyn''
|2002
|PG
|True story of Irish father's legal struggle to recover his kids from an orphanage.
|$1,483,975
|-
|''The Even Stevens Movie''
|2003
|PG
|Like the TV show it was based on, the movie had pro-family values. The movie also had a massive condemnation towards [[Hollywood values]], as the main antagonist of the film was a [[Reality TV]] host who tricked the Steven family into going to an island in the Pacific and then getting them shunned by the "tribe" (all of whom were actors) and often instigating various fights between the family, one instance nearly driving Ren to nearly commit murder against Louis, with his largely being depicted in a very negative light especially after the reveal. In addition, Louis' friend makes no qualms about how she was disgusted with the Reality TV genre.
|N/A (TV movie)
|-
|''The Exorcism of Emily Rose''
|2005
|PG-13
|The film is loosely based on the story of Anneliese Michel (Americanized to probably protect the identity of the deceased) in which a priest performed an exorcism that costs a young girl's life. The movie's villain is an [[atheist]] lawyer who tries to convict the priest of negligent homicide, rather than believe it was the work of [[Satan]].
|$75,072,454
|-
|''[[The Exorcist]]''
|1973
|R
|(''not for children'') - A portrayal of pure evil against a positive characterization of [[Christianity]]. It broke the record for movie revenue and had several sequels and imitators, e.g. ''The Omen'' in 1976 and its sequels. A 2016 TV series of the same name follows up on the events of the original film.
|$441,071,011
|-
|''The Expendables''
|2010
|R
|This action-packed adventure unites such conservative stars as [[Sylvester Stallone]], [[Bruce Willis]], and former California Governor [[Arnold Schwarzenegger]].
|$103,068,524
|-
|''The Expendables 2''
|2012
|R
|The sequel to 2010's ''The Expendables'' stars returning conservative action stars Stallone, Willis, and Schwarzenegger as well as [[Chuck Norris]].
|$85,028,192
|-
|''The Expendables 3''
|2014
|PG-13
|The threequel to the conservative film franchise.
|$39,322,544
|-
|''[[Facing the Giants]]''
|2006
|PG
|The main message is straightforward: trust in [[God]], let Him take over, and good things will happen.
|$10,178,331
|-
|''Faith of My Fathers''
|2005
|PG-13
|The true story of [[John McCain]] when he served valiantly in the Vietnam War.
|
|-
|''Fat Kid Rules the World''
|2012
|R
|Based on a 2003 young adult novel of the same name, a six-foot-one and 296 pound 17-year-old boy named Troy Billings overcomes challenges, as things have been very hard on him with his mother deceased, living with his father and younger brother. It also rightfully shows the negatives of school [[bullying]] and suicide. Troy also befriends a non-conformist punk rocker named Marcus MacCrae who becomes hospitalized due to illicit drug use but he finally recovers in the end, thus giving the film an anti-drug message as well. It is also pro-family values as Troy learns the consequences of his actions. Despite all of the conservative messages, this movie is NOT for kids because it has a lot of foul language and even some violence.
|
|-
|''[[Ferris Bueller's Day Off]]''
|1986
|PG-13
|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco; and the main character is faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and comedian [[Ben Stein]] appears as one of Ferris's teachers.
|$70,136,369<ref>http://www.boxofficemojo.com/movies/?id=ferrisbuellersdayoff.htm</ref>
|-
|''Fiddler on the Roof''
|1971
|G
|Based on a timeless Broadway musical, itself inspired by a series of Yiddish-language folk tales starring Tevyeh the Dairyman, the film celebrates tradition, faith, and the importance of family against a historical background of the persecution of Russian Jews. As Tevyeh's daughters break with Jewish marriage customs in different ways one by one, their home shtetl of Anatevka becomes more vulnerable to tsarist invaders, suggesting that tradition is what keeps society strong and healthy. Even so, Tevyeh makes clear before the opening credits that, "Without our traditions, our lives would be as shaky as... as... as a fiddler on the roof!"
|$50,000,000
|-
|''The Finest Hours''
|2016
|PG-13
|This historical drama shows the virtues of the United States Coast Guards, based on their 1952 rescue of the crew of the ''SS Pendleton''.
|$27,569,558
|-
|''[[Fireproof (film)|Fireproof]]''
|2008
|PG
|Highly successful pro-Christian, pro-marriage film created by [[Sherwood Pictures]].
|$33,451,479
|-
|''First They Killed My Father''
|2017
|TV-MA
|An adaptation of Cambodian-America Loung Ung's memoir of the horrors [[Khmer Rouge]].
|Netflix film
|-
|''Flash of Genius''
|2008
|PG-13
|The intellectual property of a hard-working, solitary inventor is promoted, and his children stick by his side through enormous difficulties.
|$3,744,790
|-
|''Flight 93''
|2006
|PG-13
|Shows the bravery of the passengers on Flight 93, which was hijacked on [[September 11, 2001 attacks|September 11th, 2001]], and crashed into a Pennsylvania field. The passengers fought back against the Islamic hijackers.
|NA - TV
|-
|''Flight of the Navigator''
|1986
|PG
|A boy named David Scott Freeman is abducted by a UFO and then wakes up in a ravine, only to discover that he's been transported 8 years into the future. The series contains strong pro-family themes as David's parents are shown to be filled with overwhelming joy and happiness after seeing David for the first time in 8 years. David's little brother, Jeff, has an antagonistic relationship with David early in the movie but when David disappears for 8 years, a now-16-year-old Jeff regrets the way he treated his brother and reconciles with him. David's family is very supportive in helping him adjust to his situation. When David is in the hospital for testing to find out why he hasn't aged, one of his family stays with him at all times so he won't be alone. When David goes back in time at the end of the film, he learns to have more appreciation for his family, including Jeff. The film also depicts government bureaucrats in a negative light, as NASA treats the UFO and David as mere science experiments and is unsympathetic to David's situation. The agents take David away from his family and put him in an isolated, locked room. David's father becomes enraged when he finds out how NASA has been treating David. The agents later place the whole family under House Arrest. When David goes to his family's home in 1986, the NASA agents are there to take him away again, and that's when he decides to go back in time to 1978 despite the ship's computer, Max, insisting that it's potentially dangerous.
|$18,564,613
|-
|''For Greater Glory: The True Story of Cristiada''
|2012
|R
|The [[Catholic]] Cristeros Army fights back for religious freedom against a suppressive, [[leftist]] government. Based on the Cristeros War of the 1920s.
|$5,608,651
|-
|''[[Forbidden Planet]]''
|1956
|UR
|Please add info
|$3,000,000
|-
|''The Forgotten''
|2004
|PG-13
|A mystery film with a great [[Pro-life]] message.<ref>[http://www.decentfilms.com/reviews/forgotten.html ''The Forgotten''] at Decent Film Guide</ref>
|$67,133,509
|-
|''[[Forrest Gump]]''
|1994
|PG-13
|The film shows how the "counterculture" movements of the 1960s and 1970s, as well as drugs, lead to a miserable life. Gump has a more conservative lifestyle, while Jenny leaves her liberal lifestyle after she realizes the shortcomings of it, also suffering from AIDs from a brief relapse and dying as a result.<ref>https://www.worldlifestyle.com/sitcoms/forrest-gump-hid-from-fans-2-2/59?slides=1&utm_mediabuyer=SDJJ&utm_source=taboola&utm_campaign=TBLA_WL_JJ_GUMP0507V2_US_DT&utm_medium=cbsinteractive-gamefaqs&utm_content=84081643</ref> Finally, a main message is that Lyndon B. Johnson was largely responsible for the Vietnam War, not Richard Nixon as most liberals like [[George Lucas]] tend to think.
|$329,694,499<ref>[http://www.boxofficemojo.com/movies/?id=forrestgump.htm Forrest Gump] (1994). ''Box Office Mojo''. Retrieved July 30, 2016.</ref>
|-
|''The Founder''
|2016
|PG-13
|Michael Keaton portrays Ray Kroc, founder of the capitalistic fast-food empire [[McDonald's]]—which is painted positively, much to the chagrin of liberals—in this biographical historical drama detailing the obstacles Kroc overcame and the risks he took to succeed in business and redefine the fast food industry.
|$24 million
|-
|''[[The Fountainhead]]''
|1949
|UR
|Gary Cooper and Patricia Neal starring in Ayn Rand's classic story of the right of the individual to produce on their own terms.
|Unknown
|-
|''Frankenstein''
|1931
|UR
|James Whale directed this loose adaptation of the classic tale by [[Mary Shelley]] warning about the consequences playing [[God]] and setting a golden standard for mad scientist stock characters seen throughout popular culture.
|$12 million
|-
|''Fred Claus''
|2007
|PG
|Republican actor Vince Vaughn plays Fred Claus, the older brother of Christmas icon Santa Claus (born Nicholas "Nick" Claus in this universe), who must overcome his jealousy to remember the importance of their literally immortal family and save Christmas from being ruined. A major theme of redemption applies to Fred, the young orphan Samuel "Slam" Gibbons, and the evil efficiency expert Clyde Archibald Northcutt, all of whom learn the errors of their ways. Traditional gender roles are depicted by the elves: the men make baseball bats for the boys, the women make hula hoops for the girls, etc. There is a positive establishment of American popular culture icon Superman (he's only mentioned, but toy Supermans are shown and Clyde Northcutt is wearing a Superman cape once reformed), and mild politically incorrect humor is featured.
|$72,006,777
|-
|''Free State of Jones''
|2016
|
|A film inspired by the life of Newton Knight, a deserted Confederate soldier who revolted against the Confederacy in Jones Country, Mississippi. The film portrayed positive and accurate images of the Republicans, as there is a scene where Knight and his fellows state their will to vote only for the Republican Party despite the hostility of the presented and armed Democrats.
|
|-
|''Fury''
|2014
|R
|Follows the crew of the titular Sherman tank, most prominently a young rookie soldier, who at first, is reluctant to kill. But as time goes on, he comes to learn and appreciate the importance of the struggle against the Nazis. All the while, we see the bonds of friendship that form between warriors.
|$211,817,906
|-
|''G-Force''
|2009
|PG
|Sapient animals use technology for good, but their help is shut down by the government agents (clearly been shown in negative life), while the secret villain of the movie is pushing anti-human sentiments. In the end, he realizes the error of his ways and learns that family matters most. The movie shows that you don't need authority to stop wrongdoing, and just be willing to fight for what is right.
|$119,436,770
|-
|''[[Ghostbusters]]''
|1984
|PG
|Three parapsychologists (later joined by a fourth teammate, who acts as their voice of reason) lose their jobs at Columbia University as they fail to deal with a ghost plaguing the New York Public Library, so they develop ghost-weakening "proton packs" and go into business ridding New York City of poltergeists. The film fittingly satirizes an unfair (and likely liberal) professor, senseless academic research, paganism, and a villainous EPA regulator. One conservative sample line by Ghostbuster Raymond "Ray" Stantz (Dan Aykroyd) when asked to shift from the public to the [[private sector]] reads like this: "I don’t know about that. I’ve worked in the private sector. They expect results!" A sequel, ''Ghostbusters 2'', followed in 1989, though there is some debate as to whether it qualifies as great since it revisits many of the same plot points from the first movie. The original film was remade in 2016 as a liberal revisionist and pro-feminist piece (with the four main character all female), which bombed at the box office and had a trailer almost universally panned on YouTube.
|$242,212,467<ref>http://www.boxofficemojo.com/movies/?id=ghostbusters.htm</ref>
|-
|''Gigi''
|1958
|G
|A marvelous and beautifully-made musical film from a bygone era (the Arthur Freed Unit), ''Gigi'' condemns prostitution and the lifestyle of the snobbish, spoiled rich people. The film is also a celebratory of the essence, beauty, and power of a true love between a man and a woman who each want something more out of life than the provincial, liberal lifestyle of 1900 Paris. Winner of nine Academy Awards: Best Picture, Director, Adapted Screenplay, Cinematography (Color), Art Direction-Set Decoration, Costume Design, Film Editing, Original Song (for the title song "Gigi"), and Scoring of a Musical Picture.
|$13,208,725
|-
|''[[Gladiator (film, 2000)|Gladiator]]''
|2000
|R
|The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hanns Zimmer’s soaring soundtrack. In essence this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of "engagement" in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.
|$457.6 million
|-
|''[[God's Not Dead]]''
|2014
|PG
|A brave young Christian man stands up to his [[atheist]] bully of a professor (played by real-life conservative Christian ([[Kevin Sorbo]]) and demonstrates the strength and wholesomeness of Christianity while exposing the folly of [[professor values]]. Furthermore, it illustrates atheists as people who acknowledge that there is a God but refuse to have faith in Him for [[Causes of atheism|any number of reasons]]—in this case, self-hatred and spite; and it features conservative celebrity cameos such as Willie and Korie Robertson (of ''[[Duck Dynasty]]'' fame), plus the Christian rock band The Newsboys. Liberals were shocked when it stood strong in the box office, being in the top 5 in its opening weekend. Of course, all the world's atheists were furious because they felt unfairly portrayed, which only proves the film's thesis that atheists are more animalistic and less rational than Christians.
|$60,755,732
|-
|''God's Not Dead 2''
|2016
|PG
|In this sequel, roles are reversed, and the teacher, played by Christian conservative Melissa Joan Hart, is the protagonist as she tries to help her students reconnect their faith in God.
|$20,774,575
|-
|''Godzilla vs. Biollante''
|1989
|PG
|Although the Godzilla franchise has been politically neutral for the most part. This film does take jabs at [[genetic engineering]] and playing [[God]].
|$7 million
|-
|''Gosnell: The Trial of America's Biggest Serial Killer''
|2018
|R
|Pro-life film that, as indicated by the title, showcases the horrific aspects of the abortion industry and especially of the abortionist [[Kermit Gosnell]]. Unfortunately, despite lots of rave reviews, it was pulled from theaters early for political reasons.
|$2.5 million
|-
|''[[Gone With the Wind]]''
|1939
|UR
|This American cinema classic celebrates traditional man-and-woman relationships as well as a strongly ''feminine'' heroine who is the antithesis of a modern [[feminist]]. It held the record for the top-grossing film for decades, unadjusted for inflation, as well as the most Academy Award wins for a motion picture, until ''Ben-Hur'', another great conservative motion picture, premiered twenty years later.
|$198,676,459
|-
|''The Good, the Bad, and the Ugly''
|1966
|R
|Hollywood conservative [[Clint Eastwood]] plays an unnamed sheriff in a campaign for peace and justice in the American Old West.
|$25,100,000
|-
|''[[The Goonies]]''
|1985
|PG-13
|The adventures of teenagers trying to find a long-lost treasure, before the criminals do.
|$61,503,218<ref>http://www.boxofficemojo.com/movies/?id=goonies.htm</ref>
|-
|''The Gospel According to St. Matthew''
|1964
|
|In spite of his avowed homosexuality, Marxism and atheism, controversial Director Pier Paolo Pasolini shocked his critics and advocates alike with this surprisingly reverent portrayal of Christ in the gospel of Matthew. He expressed his sympathies for Christianity, even going as far as to portray the miracles and ultimately the resurrection of Christ in a brilliantly poetic and artistic light. The movie even received acclaim from the Vatican and is considered one of the best Christian films ever made.
|
|-
|''Gran Torino''
|2008
|R
|In this "guy-cry" feature, gun-toting, [[Korean War]] veteran Walt Kowalski (played by Clint Eastwood) is upset that his neighborhood has lost its traditional American values and turned multicultural, overflowed with gangs and violence. He takes down a violent gang terrorizing the community, turns a boy into a man, and strengthens his Catholic faith.
|$270 million
|-
|''The Great Escape''
|1963
|UR
|Based on the true story about Allied PoWs who staged a daring escape from a Nazi prisoner-of-war camp during World War II.
|
|-
|''The Great Outdoors''
|1998
|PG (PG-13)
|A pro-family film about camping in the woods. Also anti-environmentalism.
|$41,455,230
|-
|''The Greatest Story Ever Told''
|1965
|UR
|Swedish actor Max Von Sydow brilliantly portrays [[Jesus]] in this aptly-named feature.
|$8,000,000 (U.S.), $20,000,0000 (worldwide)
|-
|''The Greatest Showman''
|2017
|PG
|Based on the true story of P. T. Barnum this musical celebrates the American Dream, as he helped build and create his own circus. Besides from that there various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition it also promotes the idea of treating everyone with respect and dignity. Finally the film also promotes the concept of individualism. <ref>https://www.thegospelcoalition.org/blogs/trevin-wax/greatest-showman-captured-american-imagination/</ref>
|$174,340,174<ref>https://www.boxofficemojo.com/movies/?id=greatestshowman.htm</ref>
|-
|''The Green Berets''
|1968
|G
|American soldiers in the [[Vietnam War]] fight for their honor.
|$11,000,000
|-
|''[[Groundhog Day]]''
|1993
|PG
|While in the small Pennsylvania town of Punxsutawney to report on the annual Groundhog Day festivities, arrogant Pittsburg weather forecaster Phil Connors is trapped in a time loop that forces him to keep reliving the same February 2 over and over again. After indulging in hedonism, repeatedly failing to seduce his attractive new producer Rita, sinking into depression, and exhausting every way to commit suicide, he begins reexamining his life and priorities. He then uses his memorization of the day's events, besides the stories of various townspeople, to improve himself and help as many people in need as he can within a 24-hour limit, which ultimately allows him to win over Rita and break free from the loop. Overall, this whimsical comedy is outstandingly conservative and Christian because no explanation other than God's will is given for the loop, especially since it gives Phil a chance at redemption for his past immoral behavior.
|$70,906,973
|-
|''Hanna's War''
|1988
|PG-13
|This biographical drama follows the life of Hanna Szenes, a Hungarian Jew who volunteered to rescued her Jewish members from Nazi concentration camps during WWII.
|$139,796
|-
|''Hardcore''
|1979
|R
|A father must rescue his runaway daughter from a [[California]] porn ring. Written as well as directed by Grand Rapids, Michigan native, Paul Schrader, whose hometown is featured in its opening credits and early scenes and Susan Raye's version of the beloved Gospel classic song, "Precious Memories" is in the film's opening and closing.
|
|-
|''Harry's War''
|1981
|PG
|Anti-IRS comedy.
|Unknown
|-
|''Here Comes the Boom''
|2012
|PG
|A high school teacher played by Kevin James, tries to raise money for his school, by fighting in the MMA. To not only save certain school programs but save the job of a teacher whose wife is pregnant. Also promotes citizenship and patriotism, as Kevin James' character is also a night instructor for an adult citizenship class, which show the idea of people coming into our country legally and becoming citizens as the right thing. Kevin James also even put some elements of his Christian Faith into the movie.<ref>http://www.patheos.com/blogs/philosophicalfragments/2012/10/03/how-kevin-james-put-his-faith-into-here-comes-the-boom/</ref>
|$45,290,318
|-
|''[[Hero]]''
|1992
|PG-13
|A petty criminal does something heroic and risks his life saving passengers from a plane crash. The film shows that even those with character flaws can do good.
|$19,487,173
|-
|''The Hiding Place''
|1975
|PG
|Biopic World War II story of Corrie and Betsy (Elizabeth) ten Boom (Jeannette Clift, Julie Harris), who hid Jews in their Haarlem, Netherlands home's secret wall and were betrayed and imprisoned in Ravensbruck Women's concentration camp in Germany, until Betsy's death and Corrie's accidental release through what would years later be found to be a clerical mistake, as all the other women in Corrie's group of prisoners were gassed to death shortly afterwards. A true lesson of "no pit is so deep that God's love is not deeper still." Produced by Billy Graham Evangelical Association's, World Wide Pictures.
|unknown revenue
|-
|''Hitler's Children''
|1943
|UR/PG
|A sensational melodrama about the [[Hitler Youth]] of pre-WWII 1930s Nazi Germany, based on Gregor Ziemer's best selling "Education for Death: The Making of A Nazi".
|$3,355,000
|-
|''Hocus Pocus''
|1993
|PG
|A pro-family film in which they battle evil devil worshipping witches. The man character even risks his life in saving his sister. The ending of the film shows heaven.
|$39,514,713
|-
|''Home Alone''
|1990
|PG
|This Christmas classic is about Kevin McCallister, who accidentally gets stuck home alone and thus learns to be independent and self-reliant. Not only that, but he defends his family house from burglars by resourcefully making booby traps out of everyday items, including firearms. Kevin is shown to be a Christian, too, as he goes to church and is shown praying and giving grace before his dinner. After Kevin gets into an altercation with his older brother Buzz, he wishes his family would disappear. After he wakes up and finds his family gone, he is at first overjoyed at having no one talking down to him or telling him he can't do things, but as the film progresses, he begins to miss his family and learns how important they are. Likewise, Kevin's mother Kate is determined to get back to Chicago to see Kevin and will make any sacrifice necessary. The film shows the value of charity because the supporting character Gus Polinski (played by the late John Candy) empathizes with Kate, being a father himself, and offers Kate a ride with his Polka band.

Three sequels, the third and fourth films without its original star as Kevin, followed later on.
|$285,761,243
|-
|''Home Run''
|2013
|PG-13
|A Christian sports drama about a baseball player, who tries to overcome a serious drinking problem.
|$2,861,020<ref>http://www.boxofficemojo.com/movies/?id=homerun.htm</ref>
|-
|''Honey, I Shrunk The Kids''
|1989
|PG
|Lovable genius inventor Wayne Szalinski (Rick Moranis) accidentally shrinks his children and some of his neighbors' while testing his laser shrinking ray, sending them off on an adventure in their own yard against what would otherwise be mundane situations and creatures to normal sized people. Spawned two sequels, the obviously opposite ''Honey, I Blew up The Kid'' (1992) and the direct-to-video ''Honey, We Shrunk Ourselves'' (1997)
|$130,724,200
|-
|''Hook''
|1991
|PG
|A live-action film of an adult and now a father Peter Pan, who has lost all his memories of being Peter Pan. The film celebrates [[baseball]], fatherhood and the importance of holding onto one's [[Childlike Wonder|childlike wonder]].
|$119,654,823
|-
|''The House''
|2017
|R
|A pro-family film about parents who set up their own casino, in order to pay for their daughter’s college. While promoting capitalism, the villain of the film is a corrupt government agent, who is also shown to be a socialist (stealing all of their money, in terms of eminent domain). In fact, the whole reason they did not have money was that earlier at town meeting the government agent claimed the town could not afford the scholarship she earned, when the reality is, he stole it all to have an affair with another government worker. On a side note, the police officer of the movie is shown in a positive light (who also makes a brief pro-gun claim), eventually realizing the parents were right, and helping them take down the corrupt government official.
|$25,584,504<ref>http://www.boxofficemojo.com/movies/?id=thehouse.htm</ref>
|-
|''The Hurt Locker''
|2008
|R
|A look into the life of an American bomb disposal regiment in Iraq risking their lives for their country and for the innocent by confronting evil. Rated R for violence and language. Winner of six Academy Awards: Best Picture, Director (the first time a woman, Kathryn Bigelow, won the Academy Award for directing), Original Screenplay, Sound Mixing, Film Editing, and Sound Editing.
|$12,647,089
|-
|''I Am David''
|2003
|PG
|This motivational movie shows the power of the individual, and the triumph of charity, faith, and hope as well as showing the dangers of [[Communism]].
|$292,376
|-
|''I Confess''
|1953
|UR
|In this classic by Alfred Hitchcock, a clergyman honors his sacred vow of confidentiality with respect to a confession despite intense pressure to disclose it.
|Unknown
|-
|''I Now Pronounce You Chuck and Larry''
|2007
|PG-13
|Portrayals an inside joke of [[same-sex marriage|same-sex "marriage"]] by having [[Adam Sandler]] and Kevin James pretend to be a homosexual couple in order to receive benefits. The villains of the movies are government ranking officials out to prove with they are not really homosexual. The protagonists are also FDNY firemen. The film took place prior to the 2011 enactment of the Marriage Equality Act, which claimed to "legalize" "marriage" for same-sex couples in the state. At the time the film was released, the state allowed for residents to file for unregistered cohabitation rights, and various municipal and county governments had offered domestic partnership registries.
|$120,059,556
|-
|''[[Indiana Jones]] series''
|1981, 1984, 1989, 2008
|PG
|During the Great Depression, archaeologist and adventurer Dr. Henry "Indiana" Jones searches the world for artifacts of untold power and, along the way, combats some of America's most infamous enemies, in particular Nazis. The first and third films contain Christian themes since they are centered around the [[Ark of the Covenant]] and the [[Holy Grail]], respectively; while the second film condemns paganism due to its main villain being a pagan priest. A fourth film, ''Indiana Jones and the Kingdom of the Crystal Skull'', takes place in the early Cold War era with Soviet Communists as antagonists, although there's some debate as to how patriotic and conservative the movie is (see its entry in Debatable Whether Conservative for more details).
|1197.2 million (altogether)
|-
|''Invasion of the Body Snatchers''
|1956
|UR
|A science fiction condemnation of Communism, produced for only $420,000 and remade successfully in three additional movies in 1978, 1993 and 2007, with 1978's version the only one of the exact same title. Warner Bros. announced a fourth remake is in current development.
|$2,500,000
|-
|''The Interview''
|2014
|R
|It’s a raunchy comedy, but it has a strong pro-democracy and anti-communism premise. The main characters are CIA operatives disguised as news reporters who are assigned to visit [[North Korea]] and assassinate Kim Jong Un during an interview with the brutal dictator. The film was so controversial for its depiction of Kim Jong Un being killed that it was pulled from theatres and released straight to DVD. [[Donald Trump]] stated that The Interview was his favorite comedy of 2014.
|-
|''Invasion U.S.A.''
|1985
|R
|Features Conservative star [[Chuck Norris]] protecting America from Latin American Communist terrorists led by a [[Union of Soviet Socialist Republics|Soviet]] operative, similar to ''[[Red Dawn]]''.
|$17,536,256
|-
|''[[Iron Eagle]]''
|1986
|PG-13
|A young man's father, an Air Force pilot, is shot down over the Middle East and it's up to the young man and an Air Force colonel to save him. Three sequels followed in 1988, 1992 and 1995.
|$24,159,872 (U.S.)
|-
|''[[Iron Man 2]]''
|2010
|PG-13
|Like in the prior film, it promotes the concept of Capitalism as a force of good, due to Tony Stark deciding to develop a cure for palladium poisoning, and also forming an Stark Expo promoting various elements his father desired. His father, likewise It also deals with redemption as well, as after Tony Stark made a very big mess of himself, he worked hard to redeem himself for his past behavior, ultimately succeeding in the ending. It also promotes the concept of honoring thy father and family values, as Tony noted that his father, Howard Stark, has been distant with him, although a later film reel, which also proved instrumental to saving his life, revealed that Howard Stark, while distant, nonetheless genuinely loved his son and even gave him words of encouragement from beyond the grave. Howard, likewise, was depicted in a manner similar to famed animator and capitalist [[Walt Disney]]. It also depicts feminism in a negative light, as while Pepper Potts did run Stark Enterprises, it was solely due to anger at Tony Stark's bad behavior in the film and not because she wanted it. It also condemns nihilism as well, as the reason why Tony Stark behaved badly was due to him dying and figuring he might as well act irresponsibly for his last days living. Also like the past film, it depicted terrorism (in particular communist-based terrorism) and treason in a very negative light, as Armand Hammer, in clear envy towards Tony Stark, proceeded to break out and hire an infamous Russian terrorist, Ivan Vanko, who held a grudge against Tony Stark due to his father Howard Stark sending his father Anton Vanko back to the USSR under suspicions that he was a Communist plant, with the terrorist later proceeding to have Hammer's Iron Man knockoff suits automatically attack everyone with Hammer being arrested. Also condemns the idea of government intervention in businesses, due to Iron Man being exceedingly reluctant to sell off his Iron Man suit to the government.
|$623.9 million
|-
|''The Island''
|2005
|PG-13
|Pro-life statement against cloning to harvest organs.
|$35,799,026
|-
|''Johnny Tremain''
|1957
|NR
|A fictionalized version of the American War of Independence and the leadup to it. The titular character, after his dreams were dashed from a hand injury in an accident while working as a blacksmith's apprentice, ultimately plays a role alongside Paul Revere and various other key figures in the war in founding America.
|N/A
|-
|''Joe Dirt''
|2001
|PG-13
|Country movie, where Joe Dirt was abandoned as a kid, and even though he had nothing, he did not give up on life, and never let anything stop him. The movie contains many morals such as not giving up, always be a good person. Shows the destructive of alcoholism, with the harm done by Joe Dirt's girlfriend; Brandy’s alcoholic father. The movie also reflects the idea of true integrity lies in what one does even if he or she is not being watched but still decide to the right thing because it is the right thing to do. Included a sequel in 2015.
|$27,087,695
|-
|''The Jungle Book''
|2016
|PG
|A live action version of the 1967 animation film. Based on the novel by Rudyard Kipling of the same name, this film shows the importance of friendship and family values, and even frowns down upon misanthropy. The movie also encourages using one's talents for good in the form of Baloo (at first selfishly) encouraging Mowgli to craft human tools to collect honey for him, and Mowgli later uses these talents to defeat Shere Khan.
|$966.6 million
|-
|''Junior''
|1994
|PG-13
|A buffoonish illegal immigrant geneticist (Arnold Schwarzenegger) must carry to term a pregnancy conceived by a one night encounter in a lab with an obese man (Danny Devito). It is a polemic that excoriates immigration and birth control politics in modern America.
|$108,400,000
|-
|''[[Jurassic Park]]''
|1993
|PG-13
|Based on the eponymous 1990 novel, a billionaire philanthropist and a small team of genetic scientists operate a theme park populated by dinosaurs genetically cloned from fossils. Considered a landmark in the development of computerized visual effects in modern filmmaking, this high-caliber work of science fiction criticizes the effects of research into genetic [[cloning]], and the negative effects of playing God. Even so, one strongly moral quote reads: "Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should”. Also has more of a promotion of Capitalism compared to the book due to the movie making Hammond, the founder of the park, a significantly more sympathetic and heroic character. Four sequels followed in 1997, 2001, 2015, and 2018.
|$357,067,947
|-
|''The Killing Fields''
|1984
|R
|Shows the horrors of Communism and Pol Pot's dictatorship in Cambodia during the 1970s.
|$34,700,291
|-
|''The Kid''
|2000
|PG
|[[Bruce Willis]] plays a man who meets himself as a kid. Where is looks back at his past to see the trouble he went through as a kid and the negative effects it had on him in his adult years. He learns to become more moral and to not let the past stop him or hold him back, and he then reconnects his relationship with his father and pursues a relationship with his co-worker, who he has been interested in.
|$69,691,949
|-
|''The King's Speech''
|2010
|R
|This historical drama details the rise of England's King George VI and his striving to overcome his speech impediment in the prelude to World War II after being forced to become king due to his older brother abdicating the throne. It showcases the Nazis in a negative light and condemns the current liberal education system, as speech therapist Lionel Logue is initially fired since he does not actually have a degree in speech therapy, with him making clear in a poignant moment that he knows how to do it via first-hand experience. According to history, Logue didn't have a degree because he had to rely on first-hand experience to do so and because there was no formal education for that matter when he learned his trade. The film shocked the liberals at Hollywood when it managed to perform beyond their expectations and won the Academy Award for Best Picture of 2010, plus the awards for Best Director, Best Actor, and Best Original Screenplay.
|$414.2 million
|-
|''King of Kings''
|1961
|PG-13, originally NR
|2 hour, 51 minute widescreen epic by the great director Nicholas Ray about Jesus and his promises of spiritual redemption, as contrasted with the story of the revolutionary leader Barabbas and his promises of worldly redemption. Stars Jeffery Hunter as Jesus.
|Unknown
|-
|''The Kingdom''
|2007
|R
|One of the few pro-war on terror films released during the 2000s.
|$47,536,778
|-
|''Knute Rockne: All-American''
|1940
|UR
|Stars [[Ronald Reagan]] as courageous football player George Gipp, who dies before an important game.
|Unknown
|-
|''Ladder 49''
|2004
|PG-13
|Shows the courageousness of firefighters.
|$74,541,707
|-
|''Last Ounce of Courage''
|2012
|PG
|Family drama about the struggles that Christians suffer through politics and abolishment of religious freedom.
|$1,585,994
|-
|''The Last Stand''
|2013
|R
|Action film starring Arnold Schwarzenegger as a tough Arizona sheriff who must stop an escaped Mexican drug lord from fleeing the country.
|$12,026,670
|-
|''The Last Starfighter''
|1984
|PG
|In this pro-just war and pro-military film, a young trailer park resident Alex Rogan (Lance Guest), after breaking the high score on the Starfighter video game, is approached by Centauri (played by Robert Preston in his last film role) who wants to recruit him into the Star League where he can be a real Starfighter. While Alex initially resists the idea due to it being a sudden shock, he eventually embraces the opportunity to do something significant with his life. The film also has a family theme as Alex and his navigator Grig (Dan O' Herlihy) reminisce about their respective families.
|$28,733,290
|-
|''Lean on Me''
|1989
|PG-13
|Based on a true story this Bio-drama about Paterson, New Jersey's real life [[Joe Clark]] is about combating drug use, violence, and contempt for authority while exalting positive values like academic achievement and family values.<ref>https://www.imdb.com/title/tt0097722/</ref>
|$31,906,454
|-
|''The League of Extraordinary Gentlemen''
|2003
|PG-13
|Pro-Western Culture as Western icons Allan Quatermain, Captain Nemo, Mina Harker (the wife of ''Dracula'' character Jonathan Harker), The Invisible Man (under the alias Rodney Skinner), Tom Sawyer, and Dr. Henry Jekyll battle Professor James Moriarty (from ''Sherlock Holmes'') as he plans a world war.
|$66,465,204
|-
|''Let There Be Light''
|2017
|PG-13
|Directed by and starring [[Kevin Sorbo]] and executive produced by and also starring [[Sean Hannity]]. Sol Harkens (played by Sorbo) is an alcoholic, divorced atheist going through a near-death experience after a car accident, where he learns the error of his ways and turns to Christianity and reconnects with his family.
|$7,233,471
|-
|''Liar Liar''
|1997
|PG-13
|Surprisingly takes on an anti-feminist theme by depicting the [[father]] as the good, righteous side in a courtroom divorce trial against a greedy, avaricious and uncaring mother, who only wants the children so she can wring every cent of alimony and child support she can out of the father while keeping the children away from him and showing little regard for them herself. In addition, the film also promotes the concept of redemption and bettering oneself, as the main protagonist, an unscrupulous lawyer, despite resistance towards the wish, ultimately tries to honor his son's birthday wish to not lie for a day even under dire consequences to himself such as being hauled to jail at one point, and ultimately succeeds in keeping his promise of not lying with the ending implying he gave up lying for good, and was also pro-family as the protagonist ultimately tries to better his life for the sake of his son.
|$181,410,615
|-
|''[[The Lives of Others]]''
|2006
|R
|(''Not for children'') - This German-language film is a stinging criticism of [[Communist]] [[East Germany]] from a liberal perspective. Taking place in 1984 East Berlin about a secret police agent.
|$11,286,112
|-
|''Logan''
|2017
|R
|(not for children) Unlike the mainstream ''X-Men'' films, which focus on the struggle of mutants to gain acceptance in the world (similar to homosexual rights), Hugh Jackman's final appearance as Logan/Wolverine takes on a much more personal and realistic tone, Logan being by far the most human mutant portrayed in the movies. With mutants on the brink of extinction, Logan's healing factor beginning to fail him, and the metal coating his skeleton now poisoning him, Logan has been reduced to working as a limo chauffeur to care for an ailing Charles Xavier. He is also binging on alcohol far more than ever before, much to the chagrin of fellow mutant Caliban. He reluctantly agrees, at the behest of a nurse named Gabriela, to escort Laura, a young girl and clone-daughter of Logan, to "Eden," a safe haven (and reference to the location of the birth of mankind) for mutant children who were born within the walls of Transigen, a biomedical company that had illegally used the DNA of mutants, including Logan, to create cloned children whom they turned into soldiers.

The movie emphasizes faith at least twice, most notably when Logan and Charles view Gabriela's phone video about Transigen, in which she says that the children have never seen any of God's creations, as well as Charles saying that Eden is "real for Laura," despite Logan's skepticism. The nature of Transigen's horrific experiments also gives the movie anti-cloning and anti-God playing messages. But even more importantly, despite his losing faith with the world, his fellow mutants all but gone, Logan is reminded of the value of family, he, Charles, and Laura accepting a family's invitation to have dinner and spend the night. Charles remarks to Logan, "This is what life looks like. A house. A safe place. People who love each other. You should take a moment." Finally, in the movie's climax, Logan finds the redemption he has long sought, facing off against a clone, as well as a symbol of the violent demons within himself, giving his own life, so that the children can escape across the border into Canada.
|$535,737,200
|-
|''Logan's Run''
|1976
|PG
|A man within a future liberal society, evidenced by acceptance of a spoiled work-free existence, that kills everyone on their 30th birthdays, claiming it as "rebirth" (see [[Liberal Denial]]), escapes to find a world of hard work and aging.
|
|-
|''London Has Fallen''
|2016
|R
|In the sequel to ''Olympus Has Fallen'', when Pakistani Islamic terrorists rampage through London, Secret Service Agent Mike Banning must protect the U.S. President. Liberals accused it of promoting xenophobia in its release, but, following multiple terrorist attacks on Britain in 2017, much of what the film prophesied has become reality.
|$62,524,260
|-
|''Lone Survivor''
|2013
|R
|Docudrama of the failed 2005 mission Operation: Redwings, in which four Navy SEALs were discovered by Taliban forces, leading to a brutal and intense firefight, resulting in three of them dying. Shows the men's perseverance against overwhelming odds and determination to stand against radical Islamic terrorism. Based on the book by the titular figure, [[Marcus Luttrell]].
|$154,802,912
|-
|''The Longest Day''
|1962
|G
|Conservative star [[John Wayne]] and his co-stars, reenact the battle of [[D-Day]].
|$39,100,000
|-
|''[[The Fellowship of the Ring (film, 2001)|The Lord of the Rings: The Fellowship of the Ring]]''
|2001
|PG-13
|Clear distinction between good and evil with positive themes of friendship, bravery, honor, sacrifice and overcoming temptation as well as redemption. Based upon the literary classic by J. R. R. Tolkien.
|$314,776,114
|-
|''[[The Two Towers (film, 2002)|The Lord of the Rings: The Two Towers]]''
|2002
|PG-13
|Strong portrayals of redemption and good over evil. Based upon the literary classic by J. R. R. Tolkien.
|$340,478,898
|-
|''[[The Return of the King (2003 film)|The Lord of the Rings: The Return of the King]]''
|2003
|PG-13
|Bravery, heroism, sacrifice and good ultimately triumphing over evil. Based upon the literary classic by J. R. R. Tolkien.
|$377,027,325
|-
|''The Lost Weekend''
|1945
|UR
|Illustrates the dangers of [[alcohol abuse]] and the hope of recovery in the film's climax.
|Unknown
|-
|''[[Luther]]''
|2003
|PG-13
| Joseph Fiennes portrays the titular 16th-century reformer from his literally stormy vocational conversion to the [[Augsburg Confession]].
|$5,600,000-$5,800,000 ranges (U.S.).
|-
|''Man of Steel''
|2013
|PG-13
|[[Superman]] is portrayed as a Christ-like figure, shows the bravery of the U.S. Military and shows the theme of protecting the ones you love. The film also has an anti-illegal immigrant like message, as the villain, General Zod plans to turn Earth into his dead planet Krypton (an allegory for illegal aliens destroying American culture and changing it for their own purpose). During a climactic battle between Superman and Zod, a computer-generated avatar bearing the likeness of Jor-El, Superman's biological father, assists the Man of Steel and his human allies in fighting Zod and his forces, so there are some pro-family themes.
|$291,045,518
|-
|''The Man Who Invented Christmas''
|2017
|PG-13
|A historical drama dealing with the creation of [[Charles Dickens]]' seminal work ''[[A Christmas Carol]]'', and to a lesser extent an adaptation of ''A Christmas Carol'' in itself. It has strong redemptive themes as well as promoting to some extent the capitalist view. Forgiveness also plays a major role in the story, as well.
|$8.1 million
|-
|''Mars Attacks!''
|1996
|PG-13
|Aleins invade and attack earth in this old-school comedy film. All liberal attempts on handling the situation, such as making peace and [[pacifism]] fail, and result in more human lives being lost. Even the U..S president (played by Jack Nicholson) refuses to nuke them up until a certain point
|$37,771,017
|-
|''[[Martin Luther]]''
|1953
|NR
|Portrayal by Niall MacGinnis of the titular 16th-century reformer. Available on discs and online in both original black and white and colorized.
|$3,000,000
|-
|''Mary Poppins''
|1964
|UR
|In one of the greatest motion picture masterpieces of all time, adapted from the novel by Australian-born British author P. L. Travers, a magical nanny is hired to take care of two children, Jane and Michael Banks, while their parents are engaged in their respective duties. Embarking on a series of fantastical adventures with Mary Poppins and her Cockney jack-of-all-trades performer friend, Bert, the siblings try to pass on some of their nanny's cheerful attitude and morals to their preoccupied parents. Also has an early condemnation of feminism, as one of the reasons the mom was preoccupied and why Mary Poppins was ultimately hired to help raise the kids was because the mother attempted to fight for women liberation. In the process, the Banks family become closer and happier together than ever before. ''Mary Poppins'' is cited by many to be [[Walt Disney]]'s crowning achievement.
|$677,054,500
|-
|''[[Master and Commander|Master and Commander: The Far Side of the World]]''
|2003
|PG-13
|During the Napoleonic Wars, Captain Jack Aubrey of the British Royal Navy goes head to head with the French-hired privateer ''Acheron''. The captain and his crew stand by conservative principles throughout, including faith in God, patriotism, duty, honor, respect for authority, discipline, bravery, sacrifice, and friendship.
|$93,926,386
|-
|''[[Matilda]]''
|1996
|PG
|Film adaptation of Roald Dahl's children's novel of a bright little girl who uses her magical genius and help from a sympathetic teacher to free herself from the foolish, selfish people in her life: her self-absorbed parents, bratty brother and the horrible and brutish [[public school]] principal.
|$33,084,249
|-
|''Men in Black''
|1997
|PG-13
|A loose adaptation of the graphic novel of the same name. The film carries an implicit promotion of national borders and legal immigration/assimilation, as the titular organization keeps the existence of extraterrestrial immigrants secret and allows them in so long as the aliens specifically make sure they undergo naturalization first and that they obey certain laws. In addition, the opening scene has Kay and his partner stopping attempted illegal immigrants from crossing into the country and was implied to be working alongside the ICE and border patrol to prevent illegal immigrants into the country while trying to prevent a literal illegal alien, Mikey, from entering the country illegally, with the alien being depicted in a negative light due to him trying to kill an ICE agent before being atomized by Kay. Also condemns terrorism, as the main villain, Edgar the Bug, arrived on Earth to personally assassinate two extraterrestrial diplomats of two warring civilizations specifically to engineer a war with Earth and thus allow his kind to feast on any killed in battle. There's also a subtle mocking of the liberal news rag ''New York Times'', where one of the characters, Kay, when explaining to Jay that he was searching via tabloid articles, suggested he could use the ''New York Times'' as searching for information as "they sometimes get it right", implying that the ''New York Times'' was less reliable than tabloid articles.
|$589.4 million
|-
|''Midway''
|2019
|PG-13
|The story of the [[Battle of Midway]], told by the leaders and the sailors who fought it.
|
|-
|''The Mill and the Cross'' (Polish original)
|2011
|UR
|Persecution of Christians in Flanders region of Belgium during the 16th Century.
|$310,900
|-
|''Missing in Action''
|1984
|R
|Features Conservative star [[Chuck Norris]] as he recuses POWs from Vietnam.
|$22,812,411
|-
|''[[Miracle]]''
|2004
|PG
|Based on a true story this movie is about Herb Brooks (here played by Kurt Russell) leading the United States hockey team to win the gold medal in the 1980 Winter Olympics. Stresses the importance of hard work, resiliency, selflessness and putting your best effort forward to reach an unseen goal.
|$64,445,708
|-
|''The Miracle Worker''
|1962 movie adaptation of William Gibson's 1957 Playhouse 90 [[television]] program and Gibson's 1959 stage play, based on Helen Keller's own 1902 biography, ''The Story of My Life''.
|NR, may be PG today
|Bio of young Helen Keller (Patty Duke) and her teacher Anne Sullivan (Anne Bancroft). Followed by [[television]] remakes in 1979 and 2000.
|$2,500,000
|-
|''Moses''
|1974 Italy-U.K.
|PG
|Italian-British-American production which features [[Burt Lancaster]] playing [[Moses]] the lawgiver. Less flamboyant than Cecil B. DeMille's movie ''[[The Ten Commandments (film, 1956)|The Ten Commandments]]'' and focuses more on the Biblical figure of Moses. Originally a six-part U.S. TV mini-series in 1975, but edited to make it a U.S. movie in 1976.
|unknown money returns
|-
|''Mr. Deeds''
|2002
|PG-13
|Shows the liberal-run mainstream media in a negative light and also has a promotion of small-town values and capitalism.
|$171.3 million
|-
|''The Mummy Returns''
|2001
|PG-13
|While its predecessor stayed politically neutral, this film has pro-family message, in which father and his family must rescue their son from a Satanic cult who plans to resurrect an Egyptian demon, as well as the climax having the mother, in clear defiance of the father's insistence that she, her brother, and their son escape from the doomed temple without him, risks her life to save him, while in stark contrast, the female villain, the reincarnation of the woman whom the titular mummy had sacrificed everything to try and save, ends up abandoning him to his fate despite his begging for her help, and later ends up paying the price for her deed by falling into a pit of scarabs.
|$202,019,785
|-
|''Mr. Skeffington''
|1944
|UR
|Bette Davis portrays a socialite whose life is ruined when she turns ugly with age. Anti-Nazi and anti-materialistic.
|Unknown
|-
|''[[Mr. Smith Goes to Washington]]''
|1939
|UR
|A tale of a good, simple man rising above the pressures of [[liberals]] to do the right thing. Features perhaps the best defense of the American political system ever committed to film.
|Unknown
|-
|''My Son John''
|1952
|UR
|A small-town couple's world is turned upside-down by the discovery that their adult son is a Communist.
|amount made unknown
|-
|''The Name of the Rose''
|1986
|R
|A mystery centered around the balance between faith and science, as well as debate over the role of poverty in religion and religious orders.
|$5,595,706
|-
|''The Nativity Story''
|2006
|PG
|Title says it all about this Biblical epic.
|$37,629,831
|-
|''National Treasure''
|2004
|PG
|Benjamin Gates and his sidekick named Riley do everything they can to protect the U. S. Declaration of Independence from being destroyed. Similar to [[The Goonies]] and the [[Indiana Jones]] Series.
|$173,008,894
|-
|''Navy Seals''
|1990
|R
|A Pro-military anti-terrorist film released during the golden age of military action films.
|$25,069,101
|-
|''Nicholas and Alexandra''
|1971
|PG
|Biopic of Russia's last czar Nicholas II and his wife and family, from their only son's birth until the family's deaths by the Communists.
|$6,990,000
|-
|''Night at the Museum''
|2006
|PG
|Divorced father Larry Daley tries to keep a steady job to be a good role model for his son. He takes a job at the American Museum of Natural History where everything comes to life at night. Features conservative president [[Theodore Roosevelt]] who talks to him about manning up and not giving up as Daley faces obstacles in Museum. Also contains an inspirational quote about character and courage as, the wax Theodore Roosevelt says to Larry Daley "You gotta finish the job this time, you can't quit, I'm made of wax Larry, what are you made of?" Followed by two sequels in 2009 and 2014.
|$250,863,268
|-
|''Ninotchka''
|1939
|UR
|Anti-communism, pro-Capitalism.
|Unknown
|-
|''Nocturnal Animals''
|2016
|R
|The main character is a [[liberal]] art gallery owner who is re-examining her life as her marriage with her [[Adultery|unfaithful]] husband disintegrates. Suddenly, out of nowhere, she receives a manuscript for an unpublished book written by her first husband, who she had divorced many years earlier. The book, sharing the title with the film, tells the story of a man whose wife and teenage daughter are brutally [[rape]]d and [[murder]]ed by a [[gang]] while the family are on a road trip vacation. He blames himself for their deaths because the gang was unarmed and managed to abduct them by merely intimidating him.

After the [[Corruption|corrupt]] police department releases the leader of the gang responsible for the crime due to "lack of evidence," he seeks the help of a detective who objects to the department's decision, and the two men embark on a mission of vigilante justice, that ends in the deaths of both the man and the gang leader, as well as one of the gang members who was not released. After finishing the book, the gallery owner is tormented by her past. Not only is the book very good, despite her frequent criticisms of her ex-husband's writing abilities while they were still together, but it is implied that she also sees the book as a metaphor for her relationship with him. In real life, they married young after a whirlwind romance, but their marriage disintegrated as she became increasingly ambitious and [[greed]]y over her career aspirations. Her greed drives her to have an extramarital affair with the man who later became her second husband, and to [[Abortion|abort]] her child with her first husband without his consent.

In the book, the first husband is represented by the man who wants justice. The gallery owner is represented by two people: the man's wife (representing the gallery owner ''before'' she became consumed by greed) and the gang leader (representing the gallery owner ''after'' she became consumed by greed). The teenage daughter represents the aborted child. In both cases, the men lost their wife and child, in one form or another, because they stood by and did nothing as evil tore the family apart. In the end, both men stood up to what destroyed their families, the ex-husband by proving he can be a good writer and the man in the book by resorting to vigilante justice.

In addition to being anti-[[materialism]], anti-[[abortion]], promoting traditional family roles (by emphasizing that fathers must be strong and protective) and portraying a young liberal's descent into spiritual darkness because of her intense [[idealism]], but it also plays with Christian imagery and metaphors. When the wife in the book is found dead, her [[Christian Cross|cross]] necklace is found destroyed, presumably by the gang that is supposed to represent greed, which destroys the Christian spirit of any person it dwells in. It is also possible to argue that the detective character in the book represents [[Satan]], as both figures claim to have good intentions and yet convince people to commit horrific acts in order to satisfy their passions. However, the ex-husband in real life, by doing a much simpler and benign act than his in-book counterpart and getting back at those who wronged him by continuing what he loves best, shows that malicious revenge is not the only way, and you can come out of even the worst tragedies as a better person.
|$10 million
|-
|''Non-Stop''
|2014
|PG-13
|Liam Neeson plays an alcoholic U.S. Air Marshall named Bill Marks, who has divorced and lost his daughter to cancer. He begins to receive a series of threatening text messages during a flight, warning that unless $150 million is transferred into a specific bank account, somebody on board will die every 20 minutes. The movie shows Marks' perseverance to find those responsible, reflecting the real-life post-9/11 determination to stand against terrorism. Furthermore, his fight against both the unknown hijackers, as well as the uncooperative passengers, and even his supervisor on the ground helps to redeem himself, after his personal family tragedies, finding friendship with a fellow passenger named Jenn. This shows that even after experiencing a family tragedy, one can still move forward in life.
|$222,809,600
|-
|''Not Without My Daughter''
|1991
|PG-13
|Sally Fields is [[Betty Mahmoody]], the American wife who, along with her daughter, was tricked in 1984 by her Iranian-born husband into traveling with him on what he said would be only two weeks in his homeland to visit his relatives (he lied big time about the two weeks part!).
|$14,789,113 (U.S.)
|-
|''[[October Baby]]''
|2012
|PG-13
|A first-rate, compelling film that leaves no doubt about how wrong [[abortion]] is.
|$5,357,328
|-
|''[[October Sky]]''
|1999
|PG
|Four high school boys from a rural coal mining town, inspired by Sputnik, set out to build their own rockets and become rocket scientists.
|$32,481,825
|-
|''Of Gods and Men'' (French original)
|2010
|R
|Martyrdom of Trappist monks by Islamic terrorists in an impoverished Algerian community.
|$3,954,651
|-
|''[[Oh, God!]]''
|1977
|PG
|In this spiritually uplifting comedy, God appears as a kindly old man to a nonbeliever to spread joyful tidings of His existence. Though the young man inadvertently creates a global hysteria upon realizing God's power, his acceptance of God's calling is ultimately rewarded, the faithful are vindicated, and naysayers are proven wrong. Two sequels followed in 1980 and 1984.
|$41,687,243
|-
|''Olympus Has Fallen''
|2013
|R
|Disgraced Secret Service agent Mike Banning must protect the President from North Korean terrorists.
|$98,925,640
|-
|''On Golden Pond''
|1981
|PG
|''On Golden Pond'' presents the story of two generations of a family who have separated from each other for decades. While on a summer vacation together at the old family retreat, they finally come together and, through forgiveness and understanding, they all have become better people and a great family. It is the kind of a compassionate and understanding friendship that brings and unites generations and cultures together. It is an artistic triumph for the entire cast and crew.
|$119,285,432
|-
|''[[On the Waterfront]]''
|1954
|UR
|[[Marlon Brando]] plays Terry Malloy, who under the inspiration of a Catholic priest (Father Barry, played by [[Karl Malden]]), becomes a Christ-like figure. Betrayed by his brother and almost killed by the gang, he finds the strength to overcome and redeem his people from the slavery to the mobsters who run the waterfront. In stunning contrast to the liberals who kept silent about the Communist subversion in Hollywood, the film portrays the informer as the hero; liberal Hollywood never forgave director [[Elia Kazan]] for his stunning film. In real life, Kazan, Malden and screenwriter Budd Schulberg all testified before Congress, along with others like [[Walt Disney]] and [[Ronald Reagan]]. Together, they broke the power of the Reds in Hollywood.
|$9,600,000
|-
|''One Day In The Life of Ivan Denisovich''
|1970 Britain/Norway
|PG
|[[Aleksandr Solzhenitsyn]]'s bestselling novel brought to film as Tom Courtenay is the titular prisoner in early 1950s Siberia as punishment for surrendering to the Nazis during World War II and his struggle for small comforts to ease the harsh injustices of the Gulag. A smashing indictment of the Soviet system.
|amount unknown
|-
|''One Foot In Heaven''
|1941
|UR
|
|Unknown
|-
|''One Good Cop''
|1991
|R
|Titular [[New York City]] police detective (Michael Keaton) and his wife (Rene Russo) inherit a family of three small girls when the detective's partner (Anthony Lapaglia) dies in the line of duty. Has positive portrayals of law enforcers and clergy (one priest turns in money that was stolen from a drug dealer by the cop and left as a donation to his church and the girls talk about "going to Jesus"). Typical violent skirmishes mixed with tender sentimental ones, but also admissions of past adultery by the ill-fated partner, smoking, drinking, much profanity and, of course, illegal drugs.
|$11,276,846
|-
|''Operation Thunderbolt''
|1978 (American and British title and release year; originally an Israeli film, ''Mivtsa Yonatan'', in 1977.
|R
|Based on [[Operation Entebbe]] in 1976, the film portrays bravery and gets its anti-terrorism message across. Menahem Golan who directed, produced and wrote the film was also a former pilot for the Israeli Air Force.
|N/A
|-
|''Other People's Money''
|1991
|R
|A Pro-Capitalism Movie, which unlike most movies show [[Wall Street]] as cold, evil, villainous, and unsympathetic, this movie portrays it in a different view, as it is about a giant corporation trying to expand its business by buying another company.
|$25,682,090
|-
|''The Pacifier''
|2005
|PG
|Navy Seal Shane Wolfe (Vin Diesel) is assigned to be the guardian of five children in this pro-family and pro-military film. He learns from them the responsibilities of being in a family as they learn from him the importance of the military in protecting the country. The villains of the movie are North Korean spies. Also has a brief Anti-Nazi concept. There are plans being made for an upcoming sequel. <ref>https://www.flickeringmyth.com/2015/12/vin-diesel-reveals-that-the-pacifier-2-is-in-development/</ref>
|$113,086,868
|-
|''Parenthood''
|1989
|PG-13
|Dramedy showing the ups and downs of having a family.
|$100,047,830
|-
|''The Parent Trap''
|1961
|G
|Pro-family comedy where twin sisters try to reunite their divorced parents and learn the true meaning of family.
|$25 million
|-
|''The Parent Trap''
|1998
|PG
|A remake of the 1961 film, which is just as much Pro-family.
|$66,308,518<ref>http://www.boxofficemojo.com/movies/?id=parenttrap98.htm</ref>
|-
|''Parental Guidance''
|2012
|PG
|Two parents raise their kids in a liberal way, and as a result, the kids are unhappy and rebellious. The parents leave the kids alone with their grandparents for a weekend who bring in conservative values and helps the kids realize the importance of family.
|$119,772,232
|-
|''Patriots' Day''
|2017
|R
|Shows the heroism of the Boston and Watertown Police Departments, as well as the FBI, during and after the [[Boston Marathon Bombings]]. Also depicts a strong sense of patriotic unity and refusal to bow down to radical Islamic terrorism.
|$36,067,655
|-
|''Paul Blart: Mall Cop''
|2009
|PG
|Mall security guard Paul Blart is silly but shows dedication in keeping the mall he works at safe. Also, Paul wants to be a good father figure for his daughter, and the movie has some anti-feminism aspects as showing the father as the good parent against a mother (not present in the movie though, only seen in a photo), who only married him to get legal status in the country and then left him, which could also be seen as an anti-illegal immigrant message. This film is also somewhat anti-environmentalism.
|$146,336,178
|-
|''[[Pirates of the Caribbean]]: On Stranger Tides''
|2011
|PG-13
|Unlike the rest of the movies in the series which were just pure entertainment, this movie has some good Christian messages and a Christian missionary is presented in a positive light. The climax of the movie presents a very important message too; ''Only God can grant eternal life, not these pagan waters. Men, destroy this profane temple!''
|$1.046 billion
|-
|''Pixels''
|2015
|PG-13
|Aliens take the Earth in a war with a throwback to classic video games. The film is pro-military, and pro-integrity, as the actions of a man who cheated in the video game are shown in a negative light. Promotes joy and having and shows the wastefulness of [[nihilism]]. Also, many anti-[[feminism]] themes are present.
|$78,747,585 <ref>http://www.boxofficemojo.com/movies/?id=pixels.htm</ref>
|-
|''[[Popeye]]''
|1980
|PG
|A live-action musical film based off the Conservative TV Show. In addition, the film is pro-family with Popeye reconnecting with his father in the end.
|$9,823,037
|-
|''Pride and Prejudice''
|1995
|TV-PG
|Free-spirited Elizabeth must overcome her earlier misperceptions to find the truth about eligible bachelor Darcy, while Darcy must overcome his own pride.
|BBC <ref>https://www.imdb.com/title/tt0112130/companycredits?ref_=ttspec_sa_5</ref>
|-
|''Prisoners''
|2013
|R
|The movie's main protagonist, Keller Dover, is a deeply devout Christian man, who says the Lord's Prayer on several occasions. The movie also depicts the importance of family in a very positive light, with Keller vowing to protect and love those closest to him at all costs. However, when his daughter and best friend are kidnapped, Keller takes matters into his own hands by kidnapping, imprisoning, and torturing the man whom he believes is responsible, even though it becomes apparent that he could not have done it. This is a clear transformation from holy man to sinner, as is symbolized at one point by the filmmakers intentionally changing Keller's daughter's best friend's rat from white to black. This makes it clear that the movie is self-aware that its main protagonist is no longer a good Christian man. Furthermore, this is could be a symbolization of Jesus Christ's crucifixion, as the man being tortured is innocent, and suffering for the crimes of the real kidnapper, his aunt.
|$122,126,687
|-
|''[[The Pursuit of Happyness]]''
|2006
|PG-13
|A film that shows hard work, dedication, loyalty and trust can result in success and "happiness" for any American, regardless of race, gender or creed. It is an instructional piece about the tradition of "stick-to-it-iveness" that has made America a land of hope and opportunity for so many. This film’s main themes—the primacy of the family, the blessings of free and open markets, the necessity of staying true to one’s ideals—are all conservative concepts.
|$307,077,300
|-
|''A Quiet Place''
|2018
|PG-13
|Metaphorical pro-life horror film<ref>https://www.washingtonpost.com/news/act-four/wp/2018/04/11/a-quiet-place-isnt-just-pro-life-it-makes-us-understand-what-being-pro-life-truly-means/?noredirect=on</ref>. Notable for being one of the biggest surprise hits of 2018.
|$329,861,495<ref>http://www.boxofficemojo.com/movies/?id=aquietplace.htm</ref>
|-
|''Quo Vadis''
|1951
|UR
|The early Christian Church during the time of [[Nero]]'s regime.
|Unknown
|-
|''Race''
|2016
|PG-13
|Bio pick of American icon [[Jesse Owens]]
|$19 million
|-
|''[[Raiders of the Lost Ark]]''
|1981
|PG
|
|$242,374,454
|-
|''Ransom''
|1996
|R
|Father Tom Mullen (played by Mel Gibson) takes drastic measures to save his son after he is kidnapped. Besides being pro-family, the film's other message is not giving into criminals as Mullen refuses to pay the ransom money and tries to bring the kidnappers to justice.
|$136,492,681
|-
|''The Red Danube''
|1949, based on Bruce Marshall's 1947 novel ''Vespers in Vienna''.
|NR
|In 1945 Vienna at the end of World War II, the city is divided into four occupation zones, American, British, French and Soviet.
The British army is helping the Soviets find and return refugees from the USSR, ex. a Volga [[German]] ballerina (Janet Leigh), whose parents are Soviet dissidents, while the Vienna convent's Mother Superior (Ethel Barrymore) is friendly and says that "the Russians are cruel because they forgot God".
|$1,859,000 (worldwide-1950)
|-
|''[[Red Dawn]]''
|1984
|PG-13
|A film by conservative writer and director [[John Milius]] about American high school students resisting a Soviet invasion through guerrilla warfare.
|$38,376,497<ref>http://www.boxofficemojo.com/movies/?id=reddawn.htm</ref>
|-
|''[[Red Dawn]]''
|2012
|PG-13
|A remake of the 1984 film, although this time with [[North Korean|North Koreans]] as the villains.
|$44,806,783<ref>http://http://www.boxofficemojo.com/movies/?id=reddawn10.htm</ref>
|-
|''Reefer Madness: The Movie Musical''
|2005
|R
|Movie based on the musical, which shows the dangers of marijuana. The main character Jimmy is a high schooler who starts smoking marijuana and becomes addicted to it. In the end, his girlfriend is killed because of his mistakes. Even contains a scene where Jesus comes to talk to Jimmy and warns him not to turn his back on God. Also, pro-American and anti-political correctness, within the end; Uncle Sam, Lady Liberty, and other American characters come out and sing the song "Tell 'Em the Truth."
|-
|''Requiem for a Dream''
|2000
|R
|(not for children) Anti-drug film depicting four tales of drug addiction and the addicts going down a life of ruin. The film doesn't hold back on the brutal reality of drug addiction.
|$3,635,482
|-
|''Rio Bravo''
|1959
|UR
|Classic film with conservative star [[John Wayne]] as he and his crew battle the brother (and his outlaws) of an apprehended criminal. Also downplays alcohol abuse as Wayne's partner Dude (played by Dean Martin) is seen overcoming this throughout the film.
|$5 million
|-
|''Robin Hood''
|2010
|PG-13
|An origins tale to the character, this rendition of Robin Hood, unlike most other adaptations, takes more after how he was originally presented as a man rebelling against an unlawful government and taking back funds stolen by Prince John and returning it to the people who actually worked for it, and not the "steal from the rich to give to the poor" revisionist version by [[Joseph Ritson]] during the time of the [[French Revolution]] that was made in solidarity to the [[Jacobins]]. The Magna Carta, which brought reform to English government after a long period of feudal oppression, is portrayed positively.<ref>https://www.wnd.com/2010/05/154853/</ref>
|$321.7 million
|-
|''[[Rocky]]''
|1976
|PG
|Robert “Rocky” Balboa, a talented but down-on-his-luck prize boxer, seizes a chance to challenge himself to the ends of his ability. This film - and its sequels and remakes - reinforces man's ability to overcome challenges. Included five sequels and two spin-offs.
|$117,235,247
|-
|''Rosemary's Baby''
|1968
|R
|Higher powers intervene in this story of a young Catholic mother's devotion to her unborn infant.
|Unknown
|-
|''Rudy''
|1993
|PG
|A young man overcomes many obstacles, including dyslexia, to play for the [[Notre Dame]] football team. Shows the value of hard work and never giving up.
|$22,750,363
|-
|''The Sandlot''
|1993
|PG
|Honestly depicts 1950s America when boys acted like boys and girls acted like girls, wimps were taught to toughen up, and every boy had a chance to be great. No historical revisionism. Also celebrates America's pastime [[baseball]].
|$32,416,586<ref>http://www.boxofficemojo.com/movies/?id=sandlot.htm</ref>
|-
|''The Santa Clause'' (series)
|1994, 2002, 2006
|PG
|A divorced father of one must take on the responsibility of being Santa Claus after he is chosen. Along the way, he finds great joy and happiness in his new occupation. The film series also promotes the essence and importance of traditional marriage, family, and Christmas. Also has a strong message against the separation of the church and state. Spawned two sequels, although their quality has varied (see their entries in the Debatable whether Great section of this article more details).
|$189,800,000; $172,900,000; $110,800,000
|-
|''Saving Christmas''
|2014
|PG
|Kirk Cameron fights using the truth in the War on Christmas. Liberals tried to censor it, but ultimately became a hit among those who believe in the truth.
|$2,800,000
|-
|''Saving Private Ryan''
|1998
|R
|Promotes the military and American values during World War II, and depicts the Nazis in a negative light.
|$481.8 million
|-
|''Schindler's List''
|1993
|R
|[[Oskar Schindler]], a German Christian businessman, saves the lives of more than a thousand Jewish refugees during the Holocaust by employing them in his factories. The negative effects of [[gun control]] are shown as German citizens are shot by their Nazi oppressors without any means of self-defense.
|$96,065,768
|-
|''Scrooged''
|1988
|PG-13
|A modern-day retelling of Charles Dickens' ''A Christmas Carol'' starring Bill Murray, this story focuses on television executive Frank Cross. Promotes the same themes of redemption and the spirit of Christmas as it's source material. Also Anti-Hollywood values as well, since the main reason Frank lost his long-time love Claire was because he was furthering his television career.
|$60.3 million
|-
|''Sergeant York''
|1941
|UR
|A young American soldier during WWI overcomes an unfounded religious objection to killing and becomes a war hero.
|Unknown
|-
|''The Seventh Seal''
|1956
|NR
|Swedish film about the strength of religion.
|
|-
|''The Seventh Sign''
|1988
|R
|Starring Demi Moore, a fictional account of the return of Jesus to usher in the apocalypse and judge mankind. Catholic-themed movie has Demi Moore offering her life for the souls of others.
|$18,875,011
|-
|''Sexmission''
|1984
|R
|A Polish film about two men, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. The totalitarian female society was meant to represent Communism and feminism and the movie was meant to ridicule it.
|
|-
|''Shane''
|1953
|UR
|This Western follows a homesteading family whose patriarch fights to defend them.
|$20,000,000
|-
|''Shattered Glass''
|2003
|PG-13
|Based on the true story of Stephen Glass (Hayden Christensen), a reporter in the late 1990s for the liberal magazine ''The New Republic'', lies and distorts news stories to make them entertaining. He begins by submitting an article about the Conservative Political Action Conference, in which he fabricated stories of drinking and sexual mischief. Then, after he writes a colorful but suspicious story on a superstar web hacker, a group from a small online news site begin to question his journalistic integrity.
|$2,220,008
|-
|''Shazam!''
|2019
|PG-13
|This old-school stylized superhero film may not only be one of DC's best but it is very conservative. The movie is quite-pro family with the main character; Billy Batson, realizing end that family is what matters most, and even claims “If a superhero can’t save his family, then he’s not much of a superhero.” Also, it is pro-Christianity, with the family saying Grace and thanking and showing gratitude towards the lord for their meal (which is very rare for a superhero movie). As well as the villain being [[Nihilist|nihilistic]] and leading the demons of the seven deadly sins. In addition, the hero is played by actor Zachary Levi who is a Christian, and his faith may have cost him some roles earlier (most likely because of [[Hollywood Values]]).<ref>https://godtv.com/6-hollywood-entertainers-didnt-know-were-christians/</ref> The film also in way condemns the pro-choice agenda as well as [[feminism]], as the main character's mother abandons him on purpose and just leaves him to survive on his own Finally, there is a small anti-alcoholism message with the characters taking a sip of alcohol for the first time, and then spitting it out, only to return the rest of it, and buy candy and soda instead.

<ref>https://www.breitbart.com/entertainment/2019/04/05/shazam-review-not-another-origin-story/</ref>
|$140,371,656 <ref>https://www.boxofficemojo.com/movies/?id=untitledmovieiv.htm</ref>|-
|-
|''Short Circuit 2''
|1988
|PG
|Unlike, its liberal predecessor, this movie is pro-capitalism. Ben Jahvri, one of the co-creators of the No. 5 robot, is now a vendor attempting to sell his robot toys on the streets of New York. When an employee of a major toy company, Sandy Banatoni, Ben's love interest, becomes interested in his toys, Ben teams up with another capitalist named Fred Ritter (played by Michael Mckean) to produce 1000 of the toy robots. After a break-in scares of Fred's workers, No. 5, now known as Johnny Five, comes to New York to help Ben.

This movie is also pro-assimilation, Ben is shown working hard and studying to pass the test required for US citizenship (a test which most native-born US citizens couldn't pass). At the end of the movie, Ben is shown taking the Vow of Citizenship, along with Johnny Five who is being recognized as the first robotic citizen of the US.
|21.6 million
|-
|''Signs''
|2002
|PG-13
|This sci-fi drama proves that sci-fi and atheism need not be synonymous. The main character; Graham Hess (played by Mel Gibson) is a former reverend who has lost his faith in God after the tragic death of his wife in a car accident. He now refuses to have anything to do with God, despite the continued desire to do so from his children. When an alien invasion hits home, he realizes that only God could have saved him and his family from death, and he rediscovers his faith in the end.
|$227 million
|-
|''Silence''
|2016
|R
|Powerful tale of faith, as Jesuits try to promote Christianity in 17th century Japan overcoming the violence and persecution they encounter.
|$7,100,177
|-
|''Sky High''
|2005
|PG
|At an airborne high school for tomorrow's superheroes, student Will Stronghold is the son of two costumed vigilantes who, while he does not appear to have superpowers at first, develop them over time, hinting at the idea of social advancement, which is the basis for the [[American Dream]]. The main lesson he learns is knowing how to use one's abilities to one's advantage and achieve a greater goal. A catchphrase in the film is: "Just because you have powers, that doesn't make you a hero," which can be related to the expression, "Guns don't kill people; people kill people."
Furthermore, the film promotes the idea that anyone can be a hero, as Will and his "sidekick" friends with seemingly unimpressive superhuman abilities eventually rise above their assigned statuses and save the school. Also, Gwen Grayson/Royal Pain, the feminist main villain, seeks to turn all the superheroes into babies, then raise them up to be evil and loyal to her (perhaps an effort to play God). In addition, Will's best friend Layla Williams, who can control plant life and ultimately becomes his girlfriend, is shown to contain many liberal beliefs, especially pacifism, but she gives up her pacifism to fight back and help defeat Royal Pain and her cronies.
|$63,946,815<ref>http://www.boxofficemojo.com/movies/?id=skyhigh.htm</ref>
|-
|''Snitch''
|2013
|PG-13
|A father becomes an informant on helping the police arrest drug dealers, so he can get his son out of prison. Pro-drug war, the villains of the movie are all drug dealers. Also pro-fatherhood and pro-family, as well.
|$42,930,462
|-
|''Solomon Kane''
|2009
|R
|A story about a Puritan on his way to redemption.
|$19,385,501
|-
|''The Song of Bernadette''
|1943
|UR
|An affectionate and beautifully filmed biography film on the life of Bernadette Soubirous. Illustrates the power and essence of faith, hope, charity, and forgiveness. Winner of four Academy Awards, including Best Actress in a Leading Role (Jennifer Jones).
|$7,000,000
|-
|''The Sons of Katie Elder''
|1965
|UR
|Brothers John Elder ([[John Wayne]]), Tom Elder ([[Dean Martin]]), Bud Elder (Michael Anderson Jr.) and Matt Elder (Earl Holliman) seek justice following the murder of their mother.
|$23 million
|-
|''Soul Surfer''
|2011
|PG
|The true story of champion surfer 13-year-old Bethany Hamilton, who loses her arm in a shark attack. Her Christian faith helps her overcome her handicap to surf once again.
|$43,853,424
|-
|''[[The Sound of Music]]''
|1965
|UR
|Solid family entertainment about Austria's von Trapp family before World War II.
|$158,671,368
|-
|''Soylent Green''
|1973
|PG
|[[Charlton Heston]] plays a futuristic detective in a dying, polluted, overcrowded dictatorial world, trying to solve its most bizarre secret of its time's only main food source for most of its people, only to find its most unspeakable answer as the recipe directly involves people.
|
|-
|''[[Spider-Man (film)|Spider-Man]]''
|2002
|PG-13
|Based on the flagship superhero of Marvel Comics, Peter Parker is a hard-working teenager, raised by his devout Aunt May and well-meaning Uncle Ben, who is bitten by a radioactive spider and gains spider-like abilities, such as climbing any surface and shooting webbing from his hands, which he vows to use to prevent crime after Uncle Ben’s murder. ''Spider-Man'' pokes fun at [[liberal]] entertainers and journalists, particularly ''Daily Bugle'' publisher J. Jonah Jameson, who goes out of his way to unfairly smear and slander Spider-Man and foolishly question his heroic deeds. For his relationship with classmate Mary Jane Watson, Peter chooses [[abstinence]]. Peter believes in individualism and capitalism as well: he rejects a job from a handout, claiming he would like to earn what he makes. This was one of the most profitable films ever made and had two sequels.
|$403,706,375
|-
|''The Star Chamber''
|1983
|R
|Michael Douglas is a [[Los Angeles]] judge whose idealism is shaken when he has to release guilty violent criminals on legal technicalities, until he meets similar judges who form a "court of last resort" to hunt down and execute deadly criminals who previously escaped on loopholes.
|$5,555,305
|-
|''Straw Dogs''
|1971
|R
|Liberal mathematician David Sumner moves to Cornwall, England with his wife to study stellar phenomena. While there, vicious criminals constantly harass him and his wife. The criminals do inhuman things such as kill his cat and rape his wife, leaving Sumner to abandon his liberal beliefs and pacifism and defend his life and all he holds dear.
|
|-
|''Strategic Air Command''
|1955
|UR
|Actor (and Brigadier [[General]]) [[James Stewart]]'s story of the real [[Strategic Air Command]] and its transition from prop planes to jet planes.
|Unknown
|-
|''Suicide Squad''
|2016
|PG-13
|Various supervillains are given a second chance to fight for the greater good. Surprisingly, the film glorifies some conservative values. The villain's a [[Pagan]] goddess named Enchantress ( a rare film where liberal Hollywood actually portrays a Pagan as evil instead of the tragic hero nonsense we've seen). Also, even throughout the film is about supervillains, many of them regret their lives of crime, such as one of the characters Deadshot abandons his opportunity to kill Batman on his daughter's behalf and another character El Diablo who used his superpower for evil ends up accidentally killing his family, which has haunted him.
Moreover, in a dream sequence villain Harley Quinn shows her deepest desires which is being a housewife (points for having the guts for showing a female character not wanting to be part of the feminist agenda, especially in this day and age, even if it not surprisingly infuriated liberal critics<ref>http://www.avclub.com/article/margot-robbie-deserves-better-suicide-squads-sexis-240618</ref>). Some could also point out Enchantress plans to bribe the squad as reference to Luke 4:6-7. More interesting enough the director David Ayer is a Christian<ref>http://www.interviewmagazine.com/film/shia-labeouf/#page2</ref> who was once in the Navy.<ref>https://www.theguardian.com/film/2014/oct/16/david-ayer-something-maternal-about-tank-in-fury-brad-pitt</ref> So it's not surprising he added these values onto his film.
|$325,100,054
|-
|''Sully''
|2016
|PG-13
|Directed by nonother than [[Clint Eastwood]], Sully tells the great morality tale on how one should rely on his/her human instincts and personal faith at any time in their lives, especially in this age where others rely more on modern technology.
|$124,643,039
|-
|''Swiss Family Robinson''
|1960
|UR
|After they were shipwrecked on a deserted island, the Robinson family courageously worked together to survive against all odds and transformed the jungle into a habitable, tropical South Seas paradise. ''Swiss Family Robinson'' is both a great family film of the highest order and one of the most beloved live-action Disney films ever made.
|$465,977,300
|-
|''Taken''
|2009
|PG-13
|Retired CIA agent and divorced father Bryan Mills risks everything to save his daughter from Albanian sex traffickers. Followed by two sequels in 2012 and 2015 and a television series in 2017.
|$145,000,989
|-
|''Teenage Mutant Ninja Turtles (1990)
|1990
|PG
|The first live-action adaptation of Peter Laird and Kevin Eastman's creations. Like the 1987 TV series, this movie greatly emphasizes the family themes with the turtles as brothers and Master Splinter as their adoptive father. The family themes are even more emphasized when Leonardo has an argument with Raphael, which results in Raph going off on his own, getting ambushed and nearly killed by the Foot Clan. Leonardo then regrets his actions and stands vigil over his unconscious brother, hoping that he will wake up so that Leo can apologize (and they do reconcile). Splinter gets kidnapped very early in the movie and the turtles are very distraught by his absence. The movie also paints hedonism and deliquency in a negative light, and the Foot Clan is shown to be a gang of teenage runaways taken in by Shredder who maintain a hideout full of vices such as smoking, drinking, and gambling. Shredder exploits them by giving them their hedonistic desires in exchange for their loyalty. this is most emphasized with the character of Danny Pennington, who is estranged from his father and runs away to join the Foot Clan. Later in the movie, Splinter reveals to Danny that Shedder is in fact Oroku Saki, the man responsible for killing his owner, Hamato Yoshi, and he convinces Danny to reconcile with his father.
|
|-
|''[[The Ten Commandments]]''
|1956
|UR
|The definitive film portrayal of [[Exodus]]. Stars Charlton Heston as main character Moses and as the voice of God (the latter role shared with Delos Jewkes), John Carradine as Moses' brother [[Aaron]], Yul Brynner as Egyptian pharaoh and main antagonist [[Ramses II]], Edward G. Robinson as corrupt Hebrew overseer and secondary antagonist Dathan, Yvonne De Carlo as Moses' wife [[Zipporah|Sephora]], Anne Baxter as Moses' original love interest (and later Ramses II's wife) Nefretiri, Nina Foch as Moses' foster mother Bithia, John Derek as Hebrew stonecutter and Moses' right-hand man [[Joshua (Biblical leader)|Joshua]], Debra Paget as Joshua's love interest Lilia, Sir Cedric Hardwicke as Pharaoh Sethi, Judith Anderson as Bithia's servant Memnet, Vincent Price as Sethi's architect Baka, Martha Scott as Moses' biological mother [[Jochebed|Yochebel]] and Olive Deering as Moses' sister [[Miriam]].
|$65,500,000
|-
|''Thor''
|2011
|PG-13
|Based upon the Marvel Comics superhero, the fourth installment of the Marvel Cinematic Universe does not attempt to convert its audience to paganism regardless of what the title implies. Instead, the titular Norse god of thunder, who is alternately thought of as a god and as an alien in this universe, learns the consequences of dishonoring his father Odin and betraying his family: after his reckless actions reignite an ancient war between the people of the kingdom of Asgard, the home of Thor’s family, and a race of frost giants, Thor is stripped of powers, banished to earth, and forced to live among humans. He then remembers the importance of honoring his father and sacrifice for a greater good when his wicked trickster brother Loki, who seeks to claim the throne of Asgard for himself, sends after him the Destroyer, a ferocious automaton. Thor’s willingness to lay down his life so his friends can kill the Destroyer proves him worthy to regain his powers, defeat the automaton, and return to Asgard to overthrow Loki, who faces his own consequences for betraying the family (namely, being dropped into the vacuum of space, only to turn up alive after the credits, setting up the plot for another great conservative Marvel film, ''The Avengers'').
|$449.3 million
|-
|''The Three Stooges''
|2012
|PG
|In a plot similar to ''The Blues Brothers'', the Three Stooges try to raise money to save their Catholic orphanage. The movie promotes capitalism, as they refuse a handout, and want to work for it. The movie also promotes the family as well.
|$44,338,224
|-
|''Thirty Seconds Over Tokyo''
|1944
|UR
|Pro-American film released after the wake of [[Pearl Harbor]] that portrays brave fighter pilots fighting the Japanese in WWII.
|$6,247,000
|-
|''To Kill a Mocking Bird''
|1962
|UR
|Based on the Harper Lee novel of the same name, this Pro-family, anti-racism movie set in the early 1930s in Maycomb, Alabama depicts a lawyer named Atticus Finch, who is given the difficult task of defending a black man wrongfully accused of rape at a time when racism against blacks was actually prevalent in American society. Atticus is also depicted as being a very caring father to his son Jem and his daughter Jean Louise, or "Scout."
|$13,129,846
|-
|''[[The Toy]]''
|1982
|PG
|This pro-family movie is about a little rich boy, who is sad and lonely because his family lacks any real family values. He buys a man as a toy when really he wants a friend, where he learns “If you want a friend, you don’t buy a friend. You earn a friend. You know, with love and trust.” In the end, the boy’s father shows he really loves his son and tries to reconnect more with him, by rebuilding more family values. Also part of the reason their father-son relationship was so messed up was because he was divorced and also was being tricked into working for the [[KKK]], which is shown in the negative light.
|$47,118,057<ref>http://www.boxofficemojo.com/movies/?id=toy.htm</ref>
|-
|''The Tree of Life''
|2011
|PG-13
|An adaptation of the Book of Job set in 1950s Texas with a narrative structure based on the nature of human memory which many viewers will find confusing.
|$13,303,319
|-
|''Transformers''
|2007
|PG-13
|The Autobots and their leader, Optimus Prime, usually do what they believe is right and fight the misanthropic Decepticons. Although the police and military fight both Transformers throughout most of this film, they learn that the Autobots are good in the end and the Autobots also learn that about them. It was followed by four sequels in 2009, 2011, 2014, and 2017, with varying quality and Conservative messages.
|$319,246,193
|-
|''Tremors''
|1990
|PG-13
|Giant sand worms called "Graboids" begin attacking the residents of a small isolated town in the Nevada desert and block the only road out of town. One of the few Hollywood films to portray personal firearm ownership in a positive light as Burt Gummer and his wife Heather fight off one of the Graboids with a variety of firearms, including semi-automatic AR-15s. Burt also creates the explosives that are used to kill the last two Graboids. Ironically, Burt is played by Michael Gross, the same actor who played the super liberal Steven Keaton in Family Ties.
|$16,667,084
|-
|''True Grit''
|1969
|NR
|Western film that deals with trying to bring justice against a murderer, and promotes courage in the face of danger as well as perseverance. Was also notable as being one of the few films during that time that still dealt with the concept of a classical hero, whether in westerns or other genres, in an era where Hollywood was being taken over by the radical left and including as a fad anti-heroes, and inspired Russ Dvonch to be a filmmaker.<ref>https://web.archive.org/web/20090430053837/http://bighollywood.breitbart.com/rdvonch/2009/04/28/heroic-hollywood-american-exceptionalism-and-the-hollywood-hero/</ref>
|$48 million
|-
|''True Lies''
|1994
|R
|Stars the future Republican governor of California, [[Arnold Schwarzenegger]]. Teaches conservative values like marital loyalty, and politically incorrect facts such as the fact that most terrorists are Middle Eastern Islamic radicals who don't value human life.
|$146,261,000
|-
|''The Tunnel'' (''Der Tunnel'')
|2001
|
|Based on a true story a group of East Berliners escaping harsh Communist rule and hatch a plan to help others escape that same oppressive regime.
|$10,890
|-
|''Twelve O'Clock High''
|1949
|UR
|A thrilling movie about the heroics of fighter pilots during [[World War II]]; used as an educational film for management training seminars.
|$3,225,000
|-
|''Twins''
|1988
|PG
|Pro-family film about fraternal twins who are separated at birth, and once they have reunited with each other they go to find their mother. In addition contains the many morals, including the importance of doing what right over getting what wants. In addition this is a rare Hollywood film to actually show the moral character as the happier character, as Arnold Schwarzenegger's character is both moral and joyful (he is said to have the ideal human trait, where Danny Devito's character was initially a small-town crook and learns the error of his ways becoming more happy and moral, and even claiming at the end "It feels great to be a good guy".
|$111,938,388
|-
|''Unbroken
|2014
|PG-13
|Tells the story of how WWII hero and Olympic runner Louis Zamperini, who died on July 2 of the original's release year, overcame the Japanese while in one of their prison camps. Followed by a post-war-set sequel in 2018.
|$115,637,895
|-
|''[[Uncle Buck]]''
|1989
|PG-13
|A slovenly bachelor babysits his rebellious teenage niece and her younger brother and sister, and they learn the true importance of family. The villain of the movie is a teenager who is only interested in his girlfriend for sexual purposes.
|$66,758,538<ref>http://www.boxofficemojo.com/movies/?id=unclebuck.htm</ref>
|-
|''Under Siege''
|1992
|R
|American Patriot and Ex-Navy SEAL Casey Ryback (Steven Seagal) fights against Saul Alinsky-type liberal and ex-CIA operative Bill Strannix (Tommy Lee Jones) after Strannix's team of terrorists hijack the USS Missouri, being helped by the traitorous First Officer Commander Krill (Gary Busey). The film depicts Ryback's heroism and patriotism in a positive light, while depicting Strannix and Krill's Anti-American treachery in a negative light.
|$83,563,139<ref>http://www.boxofficemojo.com/movies/?id=undersiege.htm</ref>
|-
|''[[Unplanned]]''
|2019
|R
|Major pro-life movie showing Abby Johnson's shift from an abortion clinic director to a pro-life activist.
|
|-
|''Vampires''
|1998
|R
|Conserative star James Woods and his team of mercenaries hunt vampires for the [[Vatican]]
|$20 million
|-
|''Voiceless''
|2015
|PG-13
|War veteran and minister Jesse Dean stands up against [[Planned Parenthood]] when an abortion clinic moves across the street from his Church.
|$418,940
|-
|''The War of the Vendee''
|2012
|N/A
|As indicated by the title, it depicts the events of the [[Vendée rebellion]] in a manner more suitable for children by having the cast of the films be exclusively composed of children. Although family friendly overall, it pulls no punches in showcasing the horrors of the French Revolution as well as the anti-Christian ideology behind it, including two of the key characters giving a full list of the various atrocities indulged by the French Revolution, including but not limited to the raiding of the Bastille, the September Massacres, and the unlawful execution of King Louis XVI, as well as heavily implying Satan's role in the revolution by frequently showing at various points, especially in scenes with Robespierre, a black hooded figure.
|N/A
|-
|''War Room''
|2015
|PG
|Pro-Christian film where a woman turns to Christ to help fix her marriage. The film was one of the biggest box office surprises, even with biased reviews.<ref>https://kendrickbrothers.com/news/war-room-coming-theaters-august-28</ref>
|$67,790,117
|-
|''Wanted: Dead or Alive''
|1987
|R
|A modernization of the 1958-61 Western TV series with Steve McQueen (see also ''[[Greatest Conservative TV Shows]]''), where the outlaws are replaced with Islamic terrorists (the film also does a good job of not being politically correct on the subject of Islamic fundamentalism). Stars Rutger Hauer as CIA agent-turned-bounty hunter Nick Randall, the descendant of McQueen's TV character Josh Randall.
|$7,555,000
|-
|''We Were Soldiers''
|2002
|R
|Pro-war story film based on the soldiers and families fighting in [[Vietnam War|Vietnam]].
|$114,660,784
|-
|''War of the Worlds''
|2005
|PG-13
|This rendition of H.G. Wells' classic 1898 novel without "The" in its title features Tom Cruise as Ray Ferrier, an initially easygoing and selfish working class man, who must watch his teenage son, Robbie and young daughter, Rachel, while his ex-wife and new husband visit her parents for the weekend. The movie's pro-family message comes entirely into focus, when the aliens arrive and force Ray and his children to flee. Throughout their time together, Ray clashes with Robbie, the latter critical of him as a father, but in the end, they reconcile, after the invaders are eliminated. The movie is also pro-military and highlights Robbie's bravery to join them in the fight against the invaders, despite Ray's protests.
|$234,280,354
|-
|''The Wilderness Family'', aka ''Adventures of the Wilderness Family''
|1975
|G
|These Robinsons are a 1970's American family fed up with the hassles of modern big city-Los Angeles in their case-living, so they hightail it to the Rockies, vowing never to return. Wholesome scenic entertainment with two sequels in 1978 and 1979 and indeed an example of California being paradise lost.
|-
|''The Wicker Man''
|2006
|PG-13
|Shows the dangers of feminism and [[Neo-Paganism]].
|$23,649,127
|-
|''Wild Wild West''
|1999
|PG-13
|Western about two U.S. Secret Service agents teaming up together to protect [[President Grant]], no feminism.
|$113,804,681
|-
|''Willy Wonka and the Chocolate Factory''
|1971
|G
|Showing the importance of having character. Willy Wonka gives each of the kids on tour an Everlasting Gobstopper, which is a potential goldmine, given that a rival spy had earlier offered each of the kids money in exchange for handing over this new invention. Also, every single kid, except Charlie, misbehaves in such a way that injures or deforms them in some way. The film also promotes capitalism, with Wonka being such a successful business leader in the world of candy. In addition, this film is surely to annoy liberals, who want to ban chocolate candy and sweets.<ref>http://www.toberight.com/2012/02/liberals-banning-sweets-on-valentines-day/</ref>

The hidden message in this film is one of redemption. It is hidden because it is conveyed through the imagery of the film's final scene. Charlie has made it to the end of his journey. Despite having the urge, and a clean opportunity, to sell Wonka out to his rival, Charlie ends up giving the Everlasting Gobstopper back to Wonka. For this act of integrity, he is rewarded beyond his wildest expectations—he is given ownership of the factory. Incidentally, while he is riding in the Wonkavator, it crashes through the ceiling up into the sky. The [[allusion]] to [[Heaven]] and [[salvation]] is unmistakable.
|$4 million
|-
|''The Winning Team''
|1952
|UR
|[[Ronald Reagan]] stars as a baseball pitcher who overcomes his problems to help his team win. This was one of Reagan's own favorites.
|Unknown
|-
|''Witness''
|1985
|R
|Highlights the virtues of strong moral values, with more substance than ''High Noon''.
|$65,500,000
|-
|''Won't Back Down''
|2012
|PG-13
|A brilliant movie that criticizes public schools.
|$5,310,554
|-
|''[[World Trade Center]]''
|2006
|PG-13
|Highlights the bravery of NYC's firemen, paramedics, and police in [[9/11]].
|$70,236,496
|-
|''Zero Dark Thirty''
|2012
|R
|Docudrama about the hunt and [[Abbottabad raid|eventual operation]] that killed [[Osama bin Laden]] on May 1, 2011. The movie generated controversy, due to its depiction of enhanced interrogation techniques, including waterboarding. In addition, the movie put political correctness aside in its depictions of radical Islamic terrorism, showing several of Al-Qaeda's attacks from 2004-2011.
|$132,820,716<ref>http://www.boxofficemojo.com/movies/?id=binladen.htm</ref>
|-
|''[[Zulu]]''
|1964
|UR
|Courageous, Duty, Patriotism. A defending of Western Civilization.
|
|}

==Animated films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''101 Dalmatians''
|1961
|G
|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie portray the importance of family well in the form of Pongo and Perdita stopping at nothing until they rescue their puppies, and they adopt the other eighty-four puppies Cruella had stolen. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also positively portrays heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them get home.
|$215.8 million
|-
|''A Bug's Life''
|1998
|G
|Based on the Aesop fable "The Ant and the Grasshopper", a young and inventive, if clumsy, ant named Flik plans to recruit a military force of warrior insects to save his colony from being oppressed by evil grasshoppers who have enslaved the ants to harvest food for them, lest they may be punished. Flik is a model for individualism as well as a strong work ethic who believes in bettering himself and his colony with his impressive harvesting inventions. To some extent, the film pokes fun at the homosexual agenda, in particular transvestitism: the male ladybug Francis frequently mistaken for a woman because of his species' name, and he routinely corrects other characters about this confusion, at one point even launching into a tirade with several flies before having to be restrained.
|$363.3 million
|-
|''All Dogs go to Heaven''
|1989
|G
|The film's protagonist, a talking dog named Charlie B. Barkin (Voiced by Burt Reynolds), is a gambler and a swindler. After being murdered by his former partner, Carface, he comes back to life by winding his "life watch" and plans to get revenge on Carface. He "rescues" a girl named Anne-Marie (voiced by the late Judith Barsi) from Carface and exploits her ability to talk to animals in order to win at gambling. As the film progresses, Charlie begins to be influenced by Anne-Marie's kindness and love. In the end, he must choose between saving Anne-Marie's life and protecting his "life watch" (he will die if it ever stops) and he chooses the former.

The film depicts Christianity in a positive light. In addition to the obvious references to Heaven and Hell, Anne-Marie is also shown praying before she goes to bed, thanking God for Charlie's "rescue" (which, even though he had his own selfish purposes, did get her away from Carface's abuse).

The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.
|$27.1 million
|-
|''An American Tail''
|1986
|G
|A movie dealing with immigration, the movie is pro-family due to Fieval, the main character, being separated from his family due to a storm, and him and his family going out of their way to find each other. Also has a subtle condemnation of machine politics ([[Tammany Hall]], in this case) and voter fraud due to one of the characters, "Honest" John, the implied mouse mayor of New York City, declaring a then-recently deceased mouse (who was implied to have died before he was old enough to vote) to be able to "vote from now on" before adding the mouse's name to a book (a clear allusion to ghost voters), with the mouse not being painted in a particularly good light. Also promotes legal immigration, and a redemption theme due to one of the antagonists, an orange tabby cat named Tiger, ultimately being befriended by Fieval and becoming an ally to the mice.
|$84 million
|-
|''The Angry Birds Movie''
|2016
|PG
|Based on the video game app of the same name, the film has its moments of rude humor but surprisingly has a strong Anti-Illegal Immigration message with the pigs practically representing Islamic migrants (the villain, King Mudbeard, even looks like a Middle Eastern man). The pigs trick the birds into accepting them to live on their island and once they have their respect, steal their eggs and blow up their island (part of the collateral damage is a statue of a [[bald eagle]] no less). Red, the only bird who was suspicious of them from the beginning, is first demonized by the community because of this, but later forgiven after he is proven right and decides to fight back and rescue their eggs from the pigs.
|$107,509,366
|-
|''Animal Farm'' (animated film)
|1954
|Not Rated
|Animated film adaptation of the conservative text of the same name from George Orwell. Just like in the novel, it uses animals in the pretext of leveling harsh criticism against Communism and against Josef Stalin. Unlike in the book, which heavily implies that the pigs ultimately succeed in taking power with the animals being left unable to do anything against them, the film ends with the animals doing a successful revolt against the pigs, although the ending leaves it ambiguous as to whether the animals will learn their lesson on communism from the experience. It was also made in part by the [[CIA]].
|NA
|-
|''Ben and Me''
|November 10, 1953
|Not Rated
|Animated adaptation of the book of the same name. As indicated by the title, the story involves the founding of America in the onset of the American War of Independence, with founding father [[Benjamin Franklin]] being aided by a mouse named Amos to ultimately draft what would become the Declaration of Independence. Was made when Disney was still a conservative company.
|NA
|-
|''Cars''
|2006
|G
|Unlike its second installment, it promotes friendship and family values, and is about overcoming certain hardships.
|$462.2 million
|-
|''Cars 3''
|2017
|G
|A huge improvement over ''Cars 2'' and is often considered to be the true sequel to the first film. Cars 3 is a great family movie. If it didn't have such liberal producers, Cars 3 would have been a much better film; this suggests liberals can't even get film-making right.
|$108,667,133
|-
|''Chicken Little''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that shows the dangers of listening to lies and rumors, and falling prey to persuasive leaders. The studio originally wanted to have the villain of the short, Foxy Loxy read Hitler's ''Mein Kampf'' to make sure no one missed the point, but in the end they changed it to just a generic psychology book in attempt to prevent the short from becoming dated after the war, although in the actual film, the passages he was heard reading were taken directly from ''Mein Kampf'', thus preserving the scene's original message overall.<ref>http://1.bp.blogspot.com/-w2rTnQ7x68M/UkZ7sfQmfoI/AAAAAAAAHzE/SM9wrZ6A4vE/s1600/CLSB+9.jpg</ref> On a related note, the short is further evidence disproving various liberal claims that Walt Disney had been a fascist/Nazi supporter.
|
|-
|''Cinderella''
|1950
|G
|Based on the internationally-known rags-to-royalty fairy tale, this Disney animated feature teaches how perseverance even when things look bleak can pay off and stresses the importance of retaining a good character even when hope dwindles.

In 2015, ''Cinderella'' received a live-action remake that keeps to some of the story.
|$263.6 million
|-
|''Coco''
|2017
|PG
|A beautiful animated film about tradition and family. In Santa Cecilia, Mexico, 12-year-old Miguel Rivera secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor, and singer of his great-grandmother Coco's generation, despite all music being despised by his family. After entering the Land of the Dead, Miguel encounters Héctor, a down-on-his-luck skeleton who once played music with Ernesto. Héctor offers to help Miguel reach Ernesto; in return, he asks Miguel to take his photo back to the Land of the Living, so that he might visit his now-elderly daughter before she forgets him and he disappears completely.
|$591.4 million
|-
|''Der Fuerher's Face''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that showcased the horrors of Nazi Germany and fascism. Alongside ''Education of Death'', it proves that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Dog of Flanders''
|1997 (Japan) 2000 (USA)
|
|An anime film adaptation of the Christian book ''A Dog of Flanders'' by Ouida. The film is pro-Christianity.
|¥243,543,645 (Japan) N/A (USA; Direct to Video)
|-
|''Dr. Seuss' The Grinch''
|2018
|PG
|Like the animated special and live-action film before it, the film retains the anti-nihilism and redemptive themes in the movie. The anti-materialism message also is further reinforced as Grinch's chance encounter with Cindy Lou Who has him learning that she didn't even intend to ask for presents, but rather to ease her mom's burden due to doing so many things for so many people, which ultimately acted as the catalyst for his redemption. Also has a promotion of family values, since as noted above, Cindy Lou Who expressed concern for her mom barely spending time being a mom and burning the wick at both ends, and a primary part of the Grinch's hatred for the holiday dealt with his time as an orphan, with it being heavily implied that he was alone even in the orphanage. Due to several scenes in the film with Christmas carols being sung, it is also one of the few movies to explicitly note that the point of Christmas was also a celebration of the birth of Jesus Christ.
|$511.60 million
|-
|''Dumbo''
|1941
|G
|Exploiting the classic liberal trap of over analyzing. Illustrates the effective management of a business that treats people and animals as equals. Also includes jolly birds that encourage the main character, a baby elephant named Dumbo, to pull himself up by his bootstraps and learn to fly.

In March 2019, ''Dumbo'' gets a live-action remake directed by Tim Burton.
|$29,647,974
|-
|''Education for Death''
|1943
|
|A Short cartoon made by Disney (back when the conservatives were in charge). Showing the horrors of Nazi Germany, shockingly very similar to what liberals are doing to America right now. Also acts as proof alongside ''Der Fuerher's Face'' that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Emperor’s New Groove''
|2000
|G
|A self-centered emperor named Kuzco gets turned into a llama and befriends a hard-working villager, where he learns how hard the villagers, work to support him and kingdom. Also has an anti-eminent domain lesson, with Kuzco realizes it would be wrong of him to steal the land from the villagers. The villain is also a feminist, with it being heavily implied that her methods of raising Kuzco are the primary reason why he turned out a spoiled brat. Is also a rare example of a comedy film churned out of Hollywood that actually does use witty humor and not low-hanging fruit-type jokes for its humor. It also has a humorous condemnation of homosexuality, as when Kuzco is knocked unconscious from the rapids, Pacha attempted to perform CPR only for Kuzco to regain consciousness just as Pacha was about start CPR, causing both to recoil in disgust from the near-kiss, as well as Kuzco explicitly making clear such was disgusting. Although the ending was slightly altered due to songwriter Sting, an environmentalist, taking offense at the implication that Kuzco built his summer retreat in the Jungle and cleared them away, it nonetheless retained the hints that Kuzco ultimately was a changed man from the experience.

Had an animated spinoff sequel featuring ''Kronk's New Groove'' as well as an animated TV series called ''The Emperor's New School''.
|$89,302,687
|-
|''Ferdinand''
|2017
|PG
|Based on a great conservative novel known as ''Ferdinand the Bull'', this film promotes friendship and family values, as Ferdinand sticks up for a scrawny bull named Bones who gets picked on and has touching moments with a young Spanish girl named Nina. He also shows off his dance moves with other bulls to snobbish horses, and even helps a Scottish bull named Angus be able to see by moving back the hair in front of his face. Ferdinand also inspires to be like his father who gets killed in a bullring, which could be seen as an anti-feminist message, especially considering that his father wasn't present in the original novel.
|$29,601,410
|-
|''Finding Dory''
|2016
|PG (Should be G)
|A sequel to the Greatest Conservative Film ''Finding Nemo'', which shares the same pro-Family and anti-Environmentalist messages as the first film.
|$1.029 billion
|-
|''Finding Nemo''
|2003
|G
|The film is pro-family, as Marlin, a clownfish, embarks on a quest to save his son Nemo (with assistance from Dory, an absent-minded blue tang) after he was captured by humans, even after Nemo disobeyed his warning to not go near a fishing boat. Also has a subtle condemnation on environmentalism, as the divers captured Nemo thinking Nemo was injured and needed medical assistance.
|$940.3 million
|-
|''G.I. Joe: The Movie''
|1987
|NR
|Animated film version of the conservative cartoon of the same name.
|direct-to-video
|-
|Gekijōban Haikara-san ga Tōru Zenpen - Benio, Hana no 17-sai
|2017
|G
|Benio Hanamura lost her mother when she was very young and has been raised by her father, a high-ranking official in the Japanese army. As a result, she has grown into a tomboy - contrary to traditional Japanese notions of femininity, she studies kendo, drinks sake, dresses in often ridiculous Western fashions instead of the traditional kimono, and isn't as interested in housework as she is in literature. She also rejects the idea of arranged marriages and believes in a woman's right to a career and to marry for love. Benio's best friends are the beautiful Tamaki, who is much more feminine than Benio but equally interested in women's rights, and Ranmaru, a young man who was raised to play female roles in the kabuki theater and as a result has acquired very effeminate mannerisms. One day, Benio has a series of embarrassing encounters with the handsome army lieutenant Shinobu Ijuin, only to receive a shock when her father tells her that Shinobu is to be her husband, due to a pact made between the Hanamura and Ijuin families before Benio's birth. At first Benio tries to fight against her father's wishes, attempting to elope with her friend Ranmaru and eventually deliberately erring in her wifely duties in every way imaginable, hoping the families will cancel the engagement. However, her scheme fails - Shinobu genuinely loves Benio and patiently forgives her for her many blunders, and Benio soon realizes that in spite of herself, she is also falling in love with him. However, a major in the army who holds a grudge against Shinobu then sends the young lieutenant to fight in Manchuria. At the end of the film, Benio stays on in the Ijuin home to care for Shinobu's grandparents and wait for his return. cutting her waist-length hair short and decides to get a job to help out with the family's dire financial situation. A sequel is being released in the summer of 2018
The film is pro-traditional gender roles, as well as pro-military, since both Shinobu and Benio's father are both military men.
|N/A
|-
|''A Goofy Movie''
|1995
|G
|Based upon the series ''Goof Troop'', starring classic Disney characters Goofy and Pete as well as their sons in a suburban sitcom-type setting, this pro-family feature sees Goofy take his son Max on a camping trip to bond with the latter out of concern that Max may have been involved in a gang. It pokes fun at the public school system, too: in an early scene, Principal Mazur overreacts and makes Max's actions out to be even worse than they actually are, telling Goofy that Max could face capital punishment if he fails to turn his son good. Ultimately, father and son reconcile when Goofy tells Max that, no matter how old he grows, he will always be his beloved son.
|$35.3 million
|-
|''Hotel Transylvania''
|2012
|PG
|After humans kill his wife Martha, Count Dracula opens a ritzy hotel for classic Hollywood horror film-type monsters and tries to protect his daughter Mavis from entering the world of humans. As a teenager, Mavis meets a human stranger named Jonathan and starts to like him, much to Dracula's chagrin. The count then realizes not only is Jonathan a good person but that Mavis, a model for individualism, truly loves him. Overall, this pro-family feature teaches that parents have to eventually let their children grow up.
|$148,313,048
|-
|''Hotel Transylvania 2''
|2015
|PG
|Similar to the first film, individualism and standing up for what is right are central themes. Dracula fails to force his grandson to be an evil vampire, then realizes that he can only a good role model to his grandson and cannot force him to be something he is not. Another major theme is having good character, as Dracula talks to his human son-in-law Jonathan of his grandson's great character and how he should not reject his love for him because he is different. In the end, the grandson uses his vampiric powers to battle giant bats who attack the Dracula family for including humans in their lineage. Also makes fun of liberal styles, as Dracula is unhappy with the lowering of the standards in the schools.
|$169,700,110
|-
|''Hotel Transylvania 3''
|2018
|PG
|The threequel to the conservative film franchise.
|
|-
|''How to Train Your Dragon''
|2010
|PG
|In this dazzling DreamWorks animation, young Vikings end up learning the truth about dragons and start training them in the end. It promotes friendship and family values. Hiccup, the boy protagonist, stands up for what he believes is right, and Viking girl Astrid is the antithesis of a modern feminist.
|$217,581,231
|-
|''Ice Age''
|2002
|PG
|In prehistoric times, a woolly mammoth, a giant ground sloth, and a ''Smilodon'' (i.e., saber-toothed tiger) work together to return a nomadic human chief's infant son to his tribe. Better than any of its four increasingly poorly-made sequels, this film promotes friendship and family values, especially on the part of Diego the ''Smilodon'', who learns that revenge does not solve anything: he first wants to eat the infant as payback for losing half of his pack to human hunters but grows to like the child and appreciate the innocence he represents. Manny also undergoes similar development, originally not being fond of the infant and overall being cynical and unpleasant for reasons later revealed by a cave painting to be due to his own mate and child having been slaughtered by a tribe of humans, but then ultimately forms a bit of a bond with him for similar reasons to why Diego grew to like the child. There are a couple of characters named Carl and Frank who are heavily implied to be homosexual, although they were depicted in a very negative light, having a murderous hatred of Sid for very trivial reasons (namely, the fact that Sid accidentally ruined their salad due to trying to wipe off poop he stepped on by accident as well as obliviously eating a dandelion, with Manny having some disgust for them when learning they wanted to kill Sid for pleasure, and later after Sid called them "ladies" upon reaching the wrong spa, and only failed to kill him that time due to Sid and Diego tricking them into believing the latter killed him.).
|$176,387,405
|-
|''[[The Incredibles]]''
|2004
|PG
|The world's superheroes are forced to give up their heroics and go into hiding after Bob Parr/Mr. Incredible saves a suicidal man as well as a derailed train from a bridge destroyed by one of his enemies (who ironically gets away with it). The populace misguidedly turns on superheroes and turn to unscrupulous lawyers to sue them, despite the real damage being caused by the supervillains.

The film celebrates the importance of the family unit: Helen Parr/Elastigirl fails at parenting when Bob neglects to help her raise their children. A traditional family of superheroes is portrayed as the saviors of society, whose importance and presence has been unfairly suppressed thanks to the liberal-dominated mainstream media and its preference to see the worst in people. In addition, Mr. Incredible is shown from the start to take marriage to Helen seriously, immediately heading over to his wedding when he realizes he may be running late and doing various crime-stopping when he has time before it.

The movie also contains the conservative idea that recognition should be based on merit rather than on unsubstantiated expectations of equality. Out of sheer jealousy, the villainous Syndrome, formerly Mr. Incredible's biggest fan, attempts to kill off real superheroes so he can use technology to pretend to be one, later planning to sell his gadgets so everyone in the world can have superpowers. "And when everyone is super," he explains, "no one will be." Earlier in the film, Dash, when explaining he pulled a prank on the school teacher simply so he could demonstrate his super-speed, echoes what Syndrome says later on: Helen states everyone was special in their own way by saying that it was simply another way of saying no one was truly special. When Mr. Incredible is asked to attend his son's fifth-grade graduation, he criticizes society for "celebrating mediocrity" instead of those who are "genuinely exceptional."

At Bob Parr's civilian job, employer Gilbert Huph is shown to be heartless but not because of capitalism: when Bob asks if he should help his customers, Gilbert tells him, "The law requires that I answer no", which shows the negativity of government regulation in business.

Overall, the film teaches against government-enforced mediocrity. This film may be the most conservative animation film ever made, in fact it is ranked Number 2 by National Review for the most conservative movies within the last 25 years. <ref>https://web.archive.org/web/20150122222200/https://www.nationalreview.com/corner/177317/2-best-conservative-movies-last-25-years/frederica-mathewes-greene</ref> A sequel was released in 2018.
|$631,442,092<ref>http://www.boxofficemojo.com/movies/?id=incredibles.htm</ref>
|-
|''Inside Out''
|2015
|PG
|Inside Out is a largely Pro-Family movie. The movie sheds light on what children think and feel, while keeping liberal progressive views out of the way. The main character, Riley, is shown to love her parents, and the importance of family values is shown multiple time throughout the movie. The parents have to deal with real life problems such as unemployment and moving to find jobs. The movie portrays the family as a nice, family-oriented, hard-working family trying to succeed in the United States.
|$857.6 million
|-
|''Isle Of Dogs''
|2018
|PG-13
|Set in the fictional Japanese city Megasaki, Mayor Kobayashi issues a decree that all of the city's dogs, pet or stray, are to be quarantined and taken to Trash Island until a cure for "dog flu" comes around. The mayor's nephew and ward, Atari, heads over to the island to find his dog Spots and is befriended by five dogs (Chief, Rex, King, Boss, and Duke), who all decide to help him find Spots. Along the way, they discover that the mayor has hidden sinister motives behind banning all dogs from Megasaki. The movie condemns totalitarian rule and animal cruelty, the latter shown in the case of Kobayashi's anti-dog propaganda and Gondo's "cannibal" pack, who have been subjected to scientific experiments until an "act of God" rescued them. It also shows family and redemption in a positive light, for Mayor Kobayashi has taken Atari in after his parents were killed and decides to abandon his anti-dog plans once he sees how much Atari has gone through, even donating a kidney once the boy's remaining kidney fails.
|$64.20 million
|-
|''Jimmy Neutron: Boy Genius''
|2001
|G
|Brilliant but naive young inventor Jimmy Neutron tries to make contact with extraterrestrial civilizations. However, his efforts cause all parents in his hometown of Retroville to be abducted by egg-like aliens known as the Yolkians. While the children initially rejoice, they soon learn the harsh realities of living in a nihilistic world as well as the importance of family, so they embark on a celestial mission to rescue their parents. The film condemns paganism to a degree as the Yolkians worship Poultra, a chicken-like monstrosity believed to be an incarnate god to which they seek to sacrifice the parents of Jimmy and his friends.
|$80,936,232
|-
|''Joseph: King of Dreams''
|2000
|NR
|A direct-to-video animated telling of the biblical story of Joseph and his brothers.
|N/A
|-
|''The Jungle Book''
|1967
|G
|Young Indian boy Mowgli searches for his place in the world with the help of various talking animals in this Disney classic based on the novel by Rudyard Kipling of the same name, albeit significantly toned down to make the film a bit more family friendly.

A CGI/live-action remake was released in April 2016, directed by Jon Favreau.
|$205.8 million
|-
|''[[Lady and the Tramp]]''
|1955
|G
|In this beloved Disney classic, which was known as Walt Disney’s Happiest Motion Picture, Lady a cocker spinal meets and falls in love with a male stray mongrel known as the Tramp. While aside from the film being pro-family, the dogs to whatever they can to protect the human baby from the rat, in showing [[chivalry]]. In addition, Lady condemns Tramp for having other girlfriends, after finding out from the pound dogs that his only weakness is that he is a womanizer, thus showing infidelity and promiscuity in a very negative light. In the end, he becomes faithful to her and joins her human family. There also anti-environmentalist aspects as well, with the dogs learning to understand their place, that although humans come first they still have a place in their heart, as the beliefs Tramp had on humans being so cruel turned out to be false. Also, the iconic Bella Notte scene where they accidentally kiss by eating the same spaghetti took place and was served by the kind-hearted capitalist restaurant owner Tony. On top of that, this is a rarity in Disney Animation to have Christmas depicted in the film and shown in a positive light.

A live-action remake was released and streamed on Disney+ in November 2019.
|$36,359,037<ref>http://www.boxofficemojo.com/movies/?id=ladyandthetramp.htm</ref>
|-
|''The Land Before Time''
|1988
|G
|In this film that promotes family values and friendship, the main character (Littlefoot) is a dinosaur that loses his mother. This sparked some controversy, because the killing of a family member is quite violent for a movie with a kid-targeted audience, but this movie redeems itself through the plot. Littlefoot finds friends throughout the movie that show team work, cooperation, hard work, and diligence are the key to living a successful life, even in the dinosaur world.
|$84.4 million
|-
|''Lilo & Stitch''
|2002
|PG
|In this heartwarming Disney animation, Experiment 626—a short but mischievous, [[koala]]-like beast created by an alien mad scientist (an origin similar to the monster's in the conservative novel ''Frankenstein'' and its 1931 film adaptation)—escapes from an interstellar prison and crashes down in Hawaii, where a lonely girl mistakes him for a dog, adopts him, and names him "Stitch." Stitch then gradually abandons his destructive ways and begins seeking love and friendship. The film is so delightfully pro-family that the tagline is, "''Ohana'' means family [in Hawaiian]. Family means nobody gets left behind, or forgotten." Also briefly pokes fun at environmentalist policies, as the climax reveals that Earth was nearly subject to an alien invasion in 1973, but the CIA Agent-turned child welfare services agent Cobra Bubbles managed to thwart it by claiming that the Earth was designated a breeding ground for an endangered species called [[mosquito]]es (which obviously weren't endangered at all).
|$273.1 million
|-
|''[[The Lion King]]''
|1994
|G
|Based mainly upon the Shakespearean play ''Hamlet'', the main message of this box office smash hit is about the power of the individual and the triumph of faith, friendship, hope, and heroism. ''The Lion King'' also features subtle Christian messages, such as honoring one's father and reconciliation.

Its story takes partial inspiration from Scripture, particularly the stories of [[Joseph]] and [[Moses]]. On a side note, the film features the power-hungry main antagonist Scar, who kills his own brother, the ruling king Mufasa, to usurp the throne, then manipulates his nephew, Mufasa's young son Simba, into thinking that Simba is responsible for his father's death and forces him into exile. Scar is a model liberal because, once he becomes ruler, he favors [[Communism|Communistic]]/[[Fascism|fascistic]] big government, pushes [[liberal values]], and lets their Pride Lands territory fall to ruin. In addition, when rallying up the Hyenas to aid him in killing Mufasa, he vows that they will never starve under his rule, mirroring what various Communist and other leftist insurgents often vow when trying to get people to aid them in taking over a government. The song "Be Prepared" also shows the Hyenas [[goose step|goose stepping]] past Scar as he looks down from a cliff in a clear reference to Nazism. On a similar note, the Hyenas also act as a subtle condemnation against illegal immigration and the concept of open borders, as once the Hyenas merge with the Pride Lands and take it over upon Scar becoming king, it is heavily implied that they forced the Lionesses to overhunt and that ended up causing the Pride Lands territory to become a wasteland by driving out any remaining animals, with Scar indicating that they should "eat Zazu" if they want food.

At several points in the film, Scar delusively believes he is still a very good king, even claiming "I'm ten times the king Mufasa was!", which is similar to liberal delusions of their own skills in governing (i.e., Obama's later claim that he would have "won" reelection into a third term if he was able to run again, despite never being legally qualified to run in the first place, not to mention his being legally barred from running for a third term even if he were legally qualified to run in the first place per the [[Twenty-Second Amendment]] to the United States Constitution). He unsuccessfully attempts to orchestrate the assassination of Simba by using hyena minions and even attempts to kill him himself, to ensure that he will be king and remain so forevermore, but he is thwarted by Simba once the cub reaches adulthood. Simba effectively becomes King and restores the Pride Lands after Scar, who tries to save his own skin by blaming his minions for everything he orchestrated himself, has the hyenas turn against and kill him.

There is a slight condemnation towards anarchy in the film as well: during the song "Be Prepared", the hyena Shenzi, upon learning that Scar is planning to kill Mufasa and Simba, entertains the possibility of a kingless society before Scar sternly tells the laughing hyenas that he intends to be the king. Finally, the film condemns hedonism, as the misfit meerkat and warthog comic reliefs Timon and Pumbaa, while depicted as genuinely heroic at times, engage in a philosophy of "Hakuna Matata" ("No Worries" in Swahili), which is shown overall to be negative.

In addition, the film proved to be a massive runaway hit despite having a completely new production team working on it due to then-Disney Chairman Jeffrey Katzenberg believing it to end up a flop due to it featuring "talking animals" while he thought the Worst Liberal Movie ''Pocahontas'', which he helmed with the usual production team, would be the financial hit and Oscar winner (in reality, ''Pocahontas'' got mixed reviews and did fairly badly at the box office).

The movie spawned two direct-to-video sequels and two TV series, as well as a broadway musical that retained much of the same themes as the movie. A photorealistic remake was released in July 2019, directed by Jon Favreau due to his success with the 2016 remake of ''The Jungle Book''.
|$968.5 million
|-
|''The Little Mermaid''
|1989
|G
|An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. In addition, it also contains a pro-traditional marriage theme and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.

Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie (some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterward to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.

It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away. Likewise, Ursula, besides her blatant interference with the deal by disguising herself as Vanessa and brainwashing Eric, also arranged to have Flotsam and Jetsam overturn Eric and Ariel's boat specifically to ensure that Eric and Ariel couldn't kiss when it looked like Ariel could in fact win her end of the deal fair and square, and after she curses Triton and Ariel attempts to attack Ursula in retaliation, Ursula heavily implies before Eric saved Ariel that she's going to kill the latter despite having promised to not harm Ariel.

The movie's box office success also led directly to a rejuvenation in Disney's animated features called the Disney Renaissance, and the film also had a prequel TV series carrying much of the same themes airing on CBS and later on the Disney Channel from 1992 to 1994, as well as two comic book series by Disney Comics and Marvel that carried many of the same themes, and a sequel and prequel film that, although overall promoting many of the same themes, had questionable production quality. A live-action remake is currently in production.
|$111,543,479
|-
|''Make Mine Freedom''
|1948
|
|A short cartoon, which shows how [[Capitalism]] works and how [[Communism]] steals [[freedom]].
|Unknown
|-
|''Meet the Robinsons''
|2007
|G
|A child does not seem to fit into society, his main hobby is inventing. He travels to the future to see meet his family, and he realizes persistence pays off in the end and he discovers that his inventions ultimately do change society, and his own life, for the better. The movie shows a message about the value of life, family, and considers the contributions and possibilities lost by every child that is aborted.
|$169,333,034
|-
|''Our Friend, Martin''
|1999
|N/A
|In this educationally entertaining work of genius, two interracial best friends travel through time and meet the Reverend Dr. Martin Luther King, Jr., at several points in the Civil Rights activist's life. Dr. King's second son, Dexter Scott King, voices the animated version of his father at age 34.
| N/A
|-
|''Persepolis''
|2007
|PG-13
|A French film based on Marjane Satrapi's graphic novel of the same name. The film depicts life in Iran after the 1979 revolution, eschewing political correctness and depicting the oppression and restrictions brought on by Islamic Sharia Law in the country.
|
|-
|''Pinocchio''
|1940
|G
|Kindhearted craftsman Geppetto wishes for his own son, so a blue fairy (resembling the Blessed Virgin Mary) grants his wish and brings one of his wooden puppets to life, promising that she will make him a real boy if he proves himself brave, truthful, and unselfish. As he tries to fit in with humans, the wooden boy is soon tricked and kidnapped by the evil puppet master Stromboli. Over the course of his journey of self-discovery, Pinocchio's morals, which his creator gave him, are tested, and he must escape being manipulated by the bad boys of the cursed Pleasure Island who have [[Hollywood values]] and, because of their actions, are turned into donkeys (which, coincidentally, is the mascot for the Democratic party). Finally, he altruistically saves Gepppetto from being trapped inside a whale and proves himself worthy to become a real boy.
|$84,254,167
|-
|''Pokémon: The First Movie: Mewtwo Strikes Back''
|1998 (Japan) 1999 (USA)
|G
|The movie showcases the consequences with the concept of playing God where the main antagonist Mewtwo, a clone, was shown to be disturbed at the revelation that he may have only been created to be the purposes of being a tool (with the message being more pronounced in the Japanese version due to religious censorship during dubbing). It also promotes the idea of self-worth and how the circumstances of one's birth don't matter so much as they try to push good, with Mewtwo ultimately being reformed upon learning this message. It also has an anti-cloning message, due to Mewtwo's aforementioned disturbance at his origins. A CGI remake of the film ''Mewtwo Strikes Back Evolution'', was released in 2019, nearly two decades after its release in America.
|$163.6 million
|-
|''Pokémon: The Movie 2000: The Power of One''
|1999 (Japan) 2000 (USA)
|G
|As implied by the title, it promotes the concept of individualism, at least in the English Dub. In addition, the character of Misty proceeds to risk her life to save Ash when he was nearly killed nearing the climax (with the Japanese version making a bit more blatant on the motivation by stating to Melody that "[Ash] is [her] burden."). The ending theme was famously quoted by [[Herman Cain]] during the 2012 Presidential Primaries.
|$133.9 million
|-
|''Pokémon 3: Mystery of the Unknown Tower''
|2000 (Japan) 2001 (USA)
|G
|Has a pro-family message, as the main antagonist's motives were to regain her family due to her father disappearing during his research for the Unown and her mother being implied to have been hospitalized, with her motives being treated sympathetically and tragically in the storyline, and Ash spends his time trying to find and rescue his mom, Delia Ketchum, after she ended up abducted by Entei. The Entei also proceeds to sacrifice himself late in the movie to stop the Unown from wreaking further havoc.
|$68.4 million
|-
|''Pokémon 4Ever - Celebi: Voice of the Forest''
|2001 (Japan) 2002 (USA)
|G
|Has some implicit pro-Christian messages due to Celebi ending up being raised from the dead after barely rejecting the Dark Ball's influence on it.
|$28 million
|-
|''Pokémon: Jirachi: Wish Maker''
|2003 (Japan) 2004 (USA)
|G
|Has a message against meddling with nature in the name of environmentalism due to the main villain Butler, a former member of the ecoterrorist group Team Magma, trying to revive a Groudon and it ultimately causing problems in the climax.
|N/A (America; Direct-to-Video)
|-
|''Pokémon: Lucario and the Mystery of Mew
|2005 (Japan) 2006 (USA)
|G
|Some implicit Christian themes were present via Lucario as well as his former master, who sealed the former away specifically so he could sacrifice himself to stop the Tree of Life from destroying the world.
|N/A (America; Direct-to-Video)
|-
|''[[The Prince of Egypt]]''
|1998
|PG
|An animated telling of the life of [[Moses]].
|$101,217,900
|-
|''Reason and Emotion''
|1943
|
|A Disney cartoon that explains the happenings of people doing things based on logic and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, it's a reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that Walt Disney, despite various leftist claims post-mortem, was never a Nazi supporter.
|
|-
|''Robots''
|2005
|PG
|A movie based on the children's book of the same name by William Joyce, the film has a promotion of family values, as the very beginning of the film features the main character's father celebrating that he is to become a father, and doing everything he can to bring his son into the world alongside his wife, and his family was encouraging of their son to be the best he can be. It also promotes the concept of the American Dream as well as capitalism, as the main protagonist dreams of becoming an inventor like Bigweld (who is depicted in a similar manner to Walt Disney) and also left to try and get his family to have a greater opportunity. It also manages to condemn corporate corruption without advocating for more government control or demonizing Capitalism, as while the new management of Bigweld industries was shown to be extensively corrupt and cynical, Bigweld himself, as well as the company that it originally stood for, was painted in a very positive light.
|$260.7 million
|-
|''The Secret of NIMH''
|1982
|G
|This family-friendly film includes Mrs Brisby, who is a widowed mouse. She lives on a farm owned by a man named Fitzgibbons. She and her 4 children, Martin, Theresa, Cynthia and Timmy live in a cinderblock in one of Fitzgibbons' fields. Every year, before Fitzgibbons plows the field to plant his crops, the family moves to their summer home to avoid the tractor. Nearby is another mouse, Dr Ages, who is the family doctor. Brisby visits Ages to get a remedy for Timmy, who has come down with pneumonia, potentially delaying the summer move. Fitzgibbons decides one day to begin plowing the field early. Brisby desperately tries to disable the farmer's tractor and freezes while climbing up the mechanism. Auntie Shrew intervenes and pulls out the tractor's gas line, halting the machine. While Mrs Brisby sobs over her predicament, Auntie tells her to be braver for her family's sake and suggests she visit the Great Owl, the wisest creature in the forest. Brisby is hesitant, since owls eat mice, but she goes. With the help of a new found friend, Jeremy, a crow hoping to meet Miss Right, and whom Mrs Brisby untangled from a pile of string he was trapped in, she meets with the fearsome owl, who merely tells her that she must move her family. Mrs Brisby explains the complication with her son Timmy and the owl tells her he has no solution. As he leaves, he learns her last name and becomes more helpful because her husband, Jonathan, was well known and respected throughout the woods. The Owl tells Mrs Brisby to go to the colony of rats that live in the farmer's rose bush and ask them for help. He specifically tells her to have the rats move her house to "the lee of the stone", the protected side of a large rock in the field that Fitzgibbons avoids when plowing. Mrs Brisby sneaks into the rose bush and finds that the rats have built a very modern colony that makes use of electricity that they pilfer from Fitzgibbons. She also meets Dr Ages there, whom at first tells her the rose bush is off-limits but is astonished that she had met with the Great Owl and lived. They are discovered by the rats' captain of the guard, Justin, who takes them to the rats' Senate room. As they enter, a charismatic rat, Jenner, is railing to the council about the plan of the rats' leader, Nicodemus, who wants to abandon the rose bush and move to a location called Thorn Valley where they'll found a new colony based on their own labors, rather than stealing supplies from the farmer. Jenner is opposed to the idea and even suggest that they wage war against any humans who attempt to drive them out. Justin and Ages make Mrs Brisby's case to the council, who agree to the request because she is Jonathan Brisby's wife. In a sinister private meeting with his associate, Sullivan, Jenner plots to have Nicodemus killed during the operation and make it look accidental. Justin takes Mrs Brisby to meet with Nicodemus. A very old, kind and wise leader, he tells Mrs Brisby the rats' history: they were all lab animals imprisoned in NIMH, the National Institutes of Mental Health. Injected with experimental compounds, the rats developed intelligent brains and were able to escape their cages, along with several mice including Jonathan and Mr Ages. During their escape, all but two of the mice, Johnathan and Mr Ages, were sucked into the ventilation system by strong air gusts. When the party were trapped by a vent grating, Jonathan was small enough to crawl through and open the grate. The rats subsequently owed Jonathan their lives and he continued to work with them while they built their colony. Some months prior to Mrs Brisby's visit to the rose bush, Jonathan had been killed by Fitzgibbons' ornery and fearsome cat, Dragon, whom the rats had been trying to drug. Nicodemus gives Brisby a large red amulet and tells her that it has great supernatural powers when someone shows true courage of the heart. Nicodemus says that the rats will be happy to repay their life debt to Jonathan's family and will move her home. For the operation to succeed, Dragon will have to be drugged. Mrs Brisby, feeling she should participate, volunteers to spike Dragon's feeding dish. The only way into Fitzgibbons' kitchen is through a small hole under a sideboard, a hole too small for any rat. The plan goes well until Mrs Brisby runs back and is trapped by Fitzgibbons' son. Justin leaves her, having to supervise the operation, promising to come back for her. While she's trapped in a bird cage, Brisby overhears Fitzgibbons on the phone with NIMH, who want to come to his farm and capture the rats. Brisby realizes the situation is now more desperate and escapes the bird cage by knocking out its small water cup. At the site of the Brisby home, the rats have constructed an elaborate system of ropes and blocks and tackles to lift the cinderblock. While the block is being swung towards the stone, Jenner cuts the anchoring lines with his sword and the block falls, narrowly missing Nicodemus, however, the heavy gears and rope fall on him, killing him. Jenner declares the operation a failure and suggests they leave when Mrs Brisby arrives. Justin tells her that her family is alive but Nicodemus is dead. She suddenly remembers her urgent news that NIMH will be at the farm tomorrow and tells the rats they must leave tonight. Jenner refuses to believe her and tells the rats that he will take over leadership of the colony. When Mrs Brisby insists she's telling the truth, Jenner strikes her and notices that she's wearing the amulet. Attempting to seize it from her, Justin intervenes and fights with Jenner until he wounds him. Jenner admits that he'd caused the accident that killed Nicodemus, saying that the plan to move the colony would fail. As he moves in to kill Justin, Sullivan kills Jenner with a thrown dagger and succumbs to his own wound, inflicted by Jenner himself when he'd given his own sword to Justin during the fight. Moments later, Mrs Brisby sees that her house has begun to sink into the mud, taking her children with it. A futile attempt to rig a new roping system fails and Brisby herself vainly pulls at the remaining ropes as the house sinks under the surface. Justin rescues her, holding her back. As she looks on in horror, the amulet suddenly bursts from the mud, brightly glowing, and places itself around her neck. Using the power that Nicodemus spoke of, she raises the house from the mud and moves it to the lee side of the stone. Brisby's children are safe and she faints from exhaustion. The next morning, with Timmy on the mend from his pneumonia and the now-abandoned rose bush being inspected by NIMH, Jeremy arrives with mounds of string that he'd been collecting to build a love nest and finds the Brisby home already moved and even camouflaged by the natural vegetation. He asks Brisby for the amulet, however, she'd given it to Justin before they'd left the rose bush. While he laments that he wasn't able to help move the house, a female crow suddenly flies into him. The two become immediately infatuated. While Brisby's daughter wraps her mother's hands which were burned by the amulet, Auntie Shrew arrives for a visit, bringing groans from Martin as Jeremy and his new love fly off. This movie's interesting plot, and its complicated themes that are apparent are both entertaining for adults and kids alike. Although there are some references to violent themes, it does not paint them in good lighting and shows the harsh consequences. Because of their wide audience appeal, this movie was wildly successfully in movie theaters. The Secret of NIMH is considered to be one the best children's movies of the 20th century.
|$14.7 million
|-
|''Sleeping Beauty''
|1959
|G
|Paints evil in a very serious light in the form of Maleficent, and also showcases loyalty to family and duty in a positive light, as despite Aurora wanting to meet with the man she met in the woods, she ultimately honored her stepfamily in being returned to her birth family. Is also inherently anti-feminist in its messaging and for traditional marriage. It is also pro-family, as King Stefan and Queen Leah ultimately gave up their baby to protect her from the main villain, and the narration explicitly stated that the royal family and the kingdom awaited the day of her 16th birthday to allow her back into their family when the curse seemed to be averted. Unfortunately, it ended up being ruined in 2014 with a revisionist retelling starring the main villain and pushed the exact opposite messages in that film.
|$51.6 million
|-
|''Snow White and the Seven Dwarfs''
|1937
|G
|The Disney animated classic that started it all. Walt Disney and his staff of talented filmmakers, animators, and musicians overcame many challenges to create one of the greatest cinematic masterpieces of all time: a masterpiece of solid family entertainment and a perfect film recommendation for everyone around the world. It is one of the few Disney films to date to feature an openly [[Christian]] princess: Snow White. In addition, as evidenced by the Evil Queen's overall character, it paints parental abuse, including attempted infanticide, in a very negative light.
|$418,200,000
|-
|''Spider-Man: Into the Spider-Verse''
|2018
|PG
|Based on the [[Marvel Comics]] superhero [[Spider-Man]],
|$190,241,310
|-
|''The SpongeBob SquarePants Movie''
|2004
|PG
|Exposes the evils of lying, stealing, and cheating for your personal gain and at the expense of others. SpongeBob SquarePants and Patrick Star show great courage and dedication in order to retrieve King Neptune's crown and bring it back in order to save Mr. Krabs. They also save everyone else in Bikini Bottom who is put under a trance by Plankton. There are even some brief anti-feminist and anti-environmentalist messages. It is based on a TV show where episodes can have either a conservative agenda, liberal agenda, or even be politically neutral. However, this film is very good and conservative!
|$85,417,988
|-
|''Spookley the Square Pumpkin''
|2005
|G
|In this kid-friendly direct-to-video Halloween movie, a square pumpkin named Spookley overcomes hardships as round pumpkins are teasing him for the way he looks. A scarecrow, two bats, and three spiders stick up for him and are good role models just like Spookley himself. In the end, Spookley saves everyone and the round pumpkins confess. Not only does it have an anti-racist message but also anti-environmentalist as a bat named Boris refuses to give up eating insects in a comical and well-done fashion. A female bat named Bella can also be seen as the antithesis of a modern feminist.
|N/A
|-
|''The Star''
|2017
|PG
|This animated story of the [[The Nativity]] is told from the perspective of anthropomorphic animals.
|$40,852,824
|-
|''Tangled''
|2010
|PG
|In its own strange way, ''Tangled'' stands as a perfect allegory for the Gospel of Christ. Teenage heroine Rapunzel represents humanity, who has grown comfortable in her prison but can’t ignore the light that shines in the darkness. [[Satan|The devil]] is signified by Mother Gothel, who tries to convince Rapunzel to forget the outside world and stay locked away in her tower. Lastly, [[God]] can be found in Rapunzel's real parents, who without fail, continue to shine their light in the hopes of bringing their lost child back home. A TV series sequel to this movie, ''Tangled: The Series'', debuted in 2017.
|$591,794,936
|-
|''Teen Titans Go! to the Movies''
|2018
|PG
|Although it's goofy just like the 2013 onward cartoon spinoff of the 2003-2006 ''Teen Titans'', it takes a jab at Hollywood values as Robin ends up realizing that he doesn't need a movie in order to be a real superhero. It also promotes friendship values as Cyborg, Raven, Starfire, and Beast Boy stay loyal to him, even after he ditches them and they come back for him once he starts to realize he's been tricked by a movie producer, who turns out to be the film's main villain named Slade.
|$11,600,615
|-
|''Toy Story'' tetralogy
|1995, 1999, 2010, 2019
|G
|Altogether, the four films celebrate friendship and family unity, even if it focuses more on a figurative family with the boy Andy as a father-figure to his toys, who come alive in humans' absence and praise Andy for loving and playing with them as though they were his children.

In the first installment, the world's first computer-animated theatrical feature, pull-string cowboy doll Sheriff Woody grows jealous when science fiction hero action figure Buzz Lightyear, who initially believes he is a real space hero, becomes young Andy's favorite toy among the toy community. Woody's efforts to make himself Andy's favorite toy again cause both him and Buzz to be separated from their owner, but teamwork allows them to find their way back to Andy just before he and his family move to a new house. The film's overall development was especially notable due to then-Disney Animation chairman [[Jeffrey Katzenberg]] initially ordering for ''Toy Story'' to be made significantly more liberal in its values by being more "adult, cynical, [and] edgy". This included depicting Woody and the other toys in a significantly more mean-spirited light, with Woody going so far as to actually attempt to murder Buzz with no remorse whatsoever (instead of accidentally knocking Buzz out of the window, as he does in the final film). This caused Toy Story to be almost canceled and Pixar itself to be nearly shut down until the company was given a second chance.<ref>https://www.breitbart.com/big-hollywood/2010/07/07/we-love-pixar-how-hollywood-cynicism-almost-ruined-toy-story-and-pixar/</ref>

In ''Toy Story 2'', while Andy is away at summer camp, Woody is stolen by a greedy toy collector and is tempted by the idea of being immortalized in a museum, only to be rescued by his friends and reminded of a toy's true purpose: for a child to play with it. Once again, the film positively portrays teamwork and family unity using a metaphor of unity between toys and their owners.

''Toy Story 3'' sees a nearly-grown Andy ready to leave for college and leave most of his toys except Woody in a garbage bag to be stored in his attic, but his mother mistakes it for a bag of real trash. Woody follows the toys as they make their way to a dreadful daycare center, unable to convince them of the misunderstanding. Nihilism and totalitarianism are portrayed in a strongly negative light in the form of Lotso the jealous teddy bear, who denounces all toys as being "destined for the scrapheap" and acts as a brutal dictator over the daycare toys.

''Toy Story 4'', the final movie in the series, shows Woody taking on a guardian role for Bonnie's newly-made toy, Forky. When Forky gets lost, Woody finds him and tries to take him back home, but they end up at a carnival. There, Woody reunites with his lost love Bo Beep (who had been absent from the third movie and had run away) and has to make a choice: stay with Bo Peep at the carnival, or stick with his friends and Bonnie. Like with the other three films, this film shows family, friendship, and teamwork in a positive light.
|-
|''Up''
|2009
|PG
|This tear-jerking, pro-family Pixar animation stars Carl Fredricksen, an elderly widower balloon salesman who is about to be forced off his land but refuses to sell his house (likely promoting individualism triumphing over a liberal collectivist government). Carl ties thousands of balloons to his house and sets off on the South American vacation that he promised his wife Ellie while she was still alive, showing the inherent sacredness of marriage and how it should be continuously honored even after a spouse dies. In the end, he adopts young Russell, a fatherless Wilderness Explorer (a spoof of the Boy Scouts) who joins him on his adventure, as his surrogate grandson, which celebrates family unity. The film takes a light jab at divorce, too, as it is implied that Russell's parents no longer live together, leaving the boy heartbroken until Carl adopts him. Lastly, an overarching theme of the film states that a person is never too old or too young to follow his or her dreams.
|$735.1 million
|-
|''Wreck-It Ralph''
|2012
|PG
|Ralph, a villain from a retro, 1980s-esque video game who wants to escape after being typecast for about 30 years as the poor and medal-less guy, is encouraged to use his equal opportunities to do better and pursue his own successes. This is the basis of the American Dream: the goal of overcoming one's present, lowly circumstances to achieve a state of greatness. Trying to achieving this goal by theft is shown as the wrong way to do so. In addition, the main antagonist is a competition-hating villain who has deceitfully hidden his true identity and origin, who has pushed liberal values in the video game where he rules and established what looks like a fixed economy because only he can win. The film also pushes anti-illegal immigrant messages as well, with the main villain and minor villains trying to take over other worlds.
|$189,422,889<ref>http://www.boxofficemojo.com/movies/?id=rebootralph.htm</ref>
|-
|''Zootopia''
|2016
|PG
|This Disney film set in a city inhabited by anthropomorphic mammals explores the relationship between ambitious young rabbit police officer Judy Hopps and sneaky con artist fox Nick Wilde as they investigate the disappearance of some of the city's predator residents. It promotes the American Dream, individuality, racial equality, and subtle Christian values such as forgiveness and reconciliation, as well as responsible capitalism. Despite having a brief appearance by a homosexual couple, they're only very, ''very'' minor characters, and the movie largely downplays their sinful beliefs about their sexuality. It won the Academy Award for Best Animated Feature of 2016.
|$341,264,012
|}

==Documentaries==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''[[2016: Obama's America]]''
|2012
|PG
|Conservative author [[Dinesh D'Souza]] explores the disturbing origins of [[Barack Hussein Obama]], including his inherited philosophy with his [[Barack Obama Sr.|drunken father]] and his inspiration from [[Communist]]s [[Frank Marshall Davis]] and [[William Ayers|Bill Ayers]]. It performed very well in the box office, becoming the second most successful political documentary ever.
|$33,349,941
|-
|''[[America: Imagine the World Without Her]]''
|2014
|PG-13
|Conservative author [[Dinesh D'Souza]] shows that left-wing criticisms and versions of United States history are wrong and inaccurate. This staunchly patriotic film dispels [[Liberal Fables]] about the country and showing that the leftist agenda will destroy America. While not as successful in the box office as ''Obama's America'', it performed very well in theaters.
|$14,444,502<ref>[http://www.boxofficemojo.com/movies/?id=america2014.htm America (2014)]. ''Box Office Mojo''. Retrieved July 29, 2016.</ref>
|-
|''An Inconsistent Truth''
|2012
|PG
|This documentary was made in response to [[Al Gore]]'s ''An Inconvenient Truth'', revealing that global warming is a hoax and how Al Gore himself was hypocritical about his insistence at reducing the world's carbon footprint.
|
|-
|''An Open Secret''
|2014
|PG-13
|Whistleblower film that exposes pedophilia in Hollywood
|
|-
|''Blocking the Path to 9/11''
|2008
|NR
|As indicated by the title, this film by Citizens United unmasks the Democrats' attempt at preventing the airing of the documentary ''The Path to 9/11'', as well as their role in cutting a vital scene revealing that Bill Clinton had partially been responsible for 9/11 due to failing to give the order to kill Osama bin Ladin when they had the chance. Also takes down the various liberal critiques that occurred. Aside from the obvious condemnations against Clinton and his followers, it also has a brief criticism of Obama for repeating several falsehoods about how they stopped the terrorists responsible for the 1993 World Trade Center attack (in particular, claiming they just arrested the terrorists and treated them to a court of law like any other criminal).
|N/A
|-
|''The Clinton Chronicles: An Investigation into the Alleged Criminal Activities of Bill Clinton''
|1994
|NR
|This documentary examines various crimes conducted by then-president Bill Clinton, in particular, those that occurred during his time as Governor of Arkansas, including the Mena operation, being a draft dodger who deliberately misled his commanding officer, Whitewater, Arkancide, and his sexual proclivities including at least one instance of rape. It condemns the media for hiding these facts and is widely considered the turning point for the 1994 Republican Revolution.
|N/A
|-
|''[[Death of a Nation: Can We Save America a Second Time?]]''
|2018
|PG-13
|[[Dinesh D'Souza]] exposes the truth about the fascism of [[Benito Mussolini]] and [[Adolf Hitler]], as well as their direct connection to the Democrat Party. It also makes clear the racism that motivated the latter had direct roots to the Progressive movement of the United States and by extension, the Democrat Party, and that the conventional wisdom of Fascism was of the right-wing of politics was one of the left's biggest lies and that fascism if anything was of the left. On a similar note, it also makes clear the connection between Mussolini's fascism and Marxism, and also indicates that the issue of slavery was another form of socialism. Also makes clear that the white supremacist founder of the alt-Right [[Richard Spencer]] and the Charlottesville Rally organizer [[Jason Kessler]] had in fact been left-wingers posing as right-wingers. Similarly it also makes clear that Antifa and George Soros, despite claiming they were "anti-Fascist", were in fact fascists (also exposing the latter's role in the confiscation of objects held by his neighbors by the Nazis). As implied by the title, it also compares the turbulent times that was orchestrated by the left after Donald Trump was elected to the events of the Civil War under Lincoln. It also has a positive depiction of the [[White Rose Rebellion]].
|
|-
|''[[Expelled | Expelled: No Intelligence Allowed]]''
|2008
|PG
|Conservative commentator, comedian, economist, and author [[Ben Stein]] investigates the persecution of scientists and others who challenge [[Social Darwinism]] and unravels [[evolution]]ists' scientific and education system [[deceit]]. Liberals scorned it for presenting this issue as political rather than scientific while ignoring the reality that Darwinists do, in fact, use their theories as a weapon against people's freedom of religion. Liberal biased critics hated this movie and panned it, but audiences raved about it.
|$7,690,545
|-
|''Fahrenhype 9/11''
|2004
|
|This video response by Alan Peterson debunks everything from [[Michael Moore]]'s schlockumentary ''Fahrenheit 9/11''.
|
|-
|''[[The Great Global Warming Swindle]]''
|2007
|UR
|As implied by the title, it unmasks one of the greatest frauds in the history of science.
|NA - TV
|-
|''The Hidden Rebellion''
|2016
|
|This historical documentary highlights the French Revolution's destruction of the [[Vendée rebellion|Rebellion at Vendée]] (which is shown positively) as well as the specific connections between the French Revolution and various Communist Revolutions.
|
|-
|''Hillary: The Movie''
|2008
|UR
|This Citizens United film unveils Hillary Clinton's dark side and was the impetus of the lawsuit which overturned the McCain-Feingold legislation by the [[U.S. Supreme Court]] in ''[[Citizens United v. FEC]]''.
|NA - TV
|-
|''Hillary's America: The Secret History of the Democratic Party''
|2016
|PG-13
|[[Dinesh D'Souza]] analyzes Hillary Clinton's dark side and, as indicated by the title, the dark history of the Democrat Party. Donald Trump urged his supporters to see this documentary, and it is believed to have helped him win the 2016 presidential election. Like all of D'Souza's documentaries, this movie was absolutely despised by liberal-biased critics. In fact, the mainstream media hated this documentary so much that it became the worst-reviewed film on 3 different review aggregator websites. That is how crazy liberals go when their arguments are countered with facts, logic, and truth. The craziest part of all is how this documentary won 5 [[Golden Raspberry Awards]] because the leftists in Hollywood wanted revenge for Trump winning the election. D'Souza said he was honoured to be receiving so much hate because it is proof that he got his point across.
|$13,099,931
|-
|''How Should We Then Live''
|1976
|UR
|By the theologically conservative Christian theologian [[Francis Schaeffer]], this Christian film traces Western history from Ancient Rome until 1976, studying philosophic, scientific, and religious movements reflecting changing patterns.
|NA - TV
|-
|''I Want Your Money''
|2010
|PG
|It supports the triumph of [[Reagan]]-economics over [[Obamanomics]].
|$433,588
|-
|''Indoctrinate U''
|2007
|UR
|Political correctness, plus racial and ethnic politics, in the academic setting are examined.<ref>[http://video.yahoo.com/watch/3624795/9994231 Indoctrinate U -Part 1/3, Yahoo]</ref>
|Unknown
|-
|''Inside North Korea''
|2006
|NR
|Although made by liberal Lisa Ling and aired on the liberal [[National Geographic]] channel, the documentary nonetheless shows the truly horrific nature of North Korea and its communist leaders and showcases the high risks that anyone in North Korea is willing to take to escape via the DMZ at the border.
|N/A (Made for TV movie)
|-
|''[[Is Genesis History?]]''
|2016
|NR
|This documentary showcases how the [[Young Earth]] view of creation is more feasible than the [[Old Earth]] view, proving that [[Evolutionism]] is unfeasible with reasoned arguments. The narrator, Del Tackett, interviews thirteen [[creation scientists]], each with a Ph. D., who provide very strong evidence for a young Earth in affirmation of the Biblical creation account. It was originally released in theaters for one day but became so successful that it was shown two for more nights.
|
|-
|''Kids Aren't Cars''
|2011
|UR
|It shows how teachers' unions are destroying America's public schools.<ref>[http://www.kidsarentcars.com/blog/wp-content/uploads/2011/01/KACOneSheet.pdf KAC Summary]</ref>
|Unknown
|-
|''[[Maafa21]]''
|2009
|UR
|This film explores the inception of [[Planned Parenthood]] as an organization created to exterminate African-Americans. It exposes the words of its racist founder [[Margaret Sanger]] and their impact on black genocide more than a century later.<ref>[http://www.maafa21.com www.maafa21.com]</ref>
|NA - DVD
|-
|"MARGARET THATCHER - Death of a Revolutionary"
|2013
|
|This documentary shows how British Prime Minister Margaret Thatcher's economic liberalism helped Britain turn from the figurative sick man of Europe and the only socialist country outside of the [[Iron Curtain]] to one of Europe's best economies. Furthermore, it reveals that, contrary to popular belief (which is mostly likely lies spread by socialists, liberals, and impostors posing as conservatives), the working classes actually liked her more than the upper classes.
|N/A
|-
|''[[Michael Moore Hates America]]''
|2004
|R
|As the title implies, this satirical documentary criticizes Michael Moore's hatred towards all things American. Directed by a [[libertarian]].
|N/A
|-
|''Monumental: In Search of America's National Treasure''
|2012
|N/A
|Hollywood conservative Kirk Cameron talks about the evils of dictators and their roles in U.S. history.
|$500,000
|-
|''The Obama Deception: The Mask Comes Off''
|2009
|
|Paleoconservative [[Alex Jones]] tells the truth about Obama.
|-
|''Occupy Unmasked''
|2012
|Not rated
|The [[Occupy Wall Street]] movement's dark origins are revealed.
|
|-
|''Sand and Sorrow''
|2007
|
|Although it's produced by liberal elitist George Clooney, the film does bring awareness to the genocide in Darfur, Sudan.
|
|-
|''[[The Soviet Story]]''
|2008
|
|The crimes of [[Communism]] and the [[Soviet Union]] are explored.
|Unknown
|-
|''The Thin Blue Line''
|1988
|
|Exposed abuse of power and disregard for truth which resulted in an innocent man being on death row, because the real killer had been under the (liberal) minimum age for the [[death penalty]]; to the credit of law enforcement, the innocent man was freed after the movie was released.
|
|-
|''They Shall Not Grow Old''
|2018
|
|Highlights the bravery and sacrifice of WWI veterans
|
|-
|''Waiting for Superman''
|2010
|PG
|It highlights the failures of the U.S.' public school system.
|$6,410,257
|-
|}

== Debatable Whether Conservative ==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''12 Strong: The Declassified True Story of the Horse Soldiers''
|2018
|R
|Based on the real life declassified mission of the Horse Men that were deployed to Afghanistan after the September 11 terror attacks. On the one hand, the film is pro-America and depicts the Taliban and Al Qaida in a very negative light. But on the other, one of the stars of the film, Michael Shannon, was extremely anti-American, and a couple of the members of the unit had their ethnicities changed in what seemed to be an attempt at forced [[diversity]].
|
|-
|''The 40-Year-Old Virgin''
|2005
|R
|A bawdy sex comedy about a man who is ridiculed by his peers for his indifference to sex as an adult. His friends, feeling that he isn't "normal", try to encourage him to lose his virginity, starting with pornography, sex toys, and even prostitution. However, their personal attitudes towards women ruin their own relationships, and the man remains steadfast in his abstinence. Later, he meets a woman who connects with him, but is no longer a virgin, as she has a teenage daughter. At one point, her daughter confesses only to him that she is also a virgin and encourages him not to feel bad about it. However, her mother, who has been on multiple dates with him, is still unaware of his virginity. After their proposed deadline by which the two agreed to eventually have sex, he tells her of his virginity and stays reluctant about giving in. There is some drama and confusion between them, but she eventually comes to accept him and the two are happily married at the end before having sex.
|$177.4 million
|-
|''21 Jump Street''
|2011
|R
|Two police officers try to take down a drug ring in high school where the villains are environmentalists and drug dealers. But contains many sexual references, full profanity, and many religious insults. A parodic comedy remake of the 1987–91 [[Fox Network]] police drama of the same name.
|$201,585,328
|-
|''Accepted''
|2006
|PG-13
|It criticizes the [[Department of Education]] (or colleges and universities in general) and our protagonist lives the America dream by starting his own college, but then the juvenile humor, gross-out humor and drug abuse steps in.
|$36,323,505
|-
|''Aeon Flux''
|2005
|PG-13
|Anti-cloning film, but also pro-feminism as well.
|$25,874,337
|-
|''Air Force One''
|1997
|R
|On the one hand, the strong and courageous U.S. President James Marshall (Harrison Ford), a military veteran, takes an uncompromising stance against Russian terrorists who hijack his airplane. The major themes include family, authority, respect for the military, and sacrifice for the greater good. On the other hand, however, the script-writer for the film has admitted that he made the film largely to promote then-president [[Bill Clinton]].<ref>https://www.salon.com/july97/entertainment/movieair970725.html "But Bill Clinton is the first president to spawn movies that feature fictional presidents functioning as his stand-ins, movies made by directors fighting to define, and redefine, his image.....Air Force One" is a fantasy of what it might take for President Clinton to become all things to all people. The movie's Clinton stand-in, President James Marshall (Harrison Ford, appropriately displaying the facial mobility of Mount Rushmore), is a leader who defies his timid advisors in his efforts to set policies against injustice and tyranny and is willing to take on Congress to enforce those policies. But this is a fantasy designed to silence Clinton's conservative critics, so not only is Jim Marshall a dedicated family man, but he's a Vietnam War hero to boot. There's a combo you can't beat, a guy who knows how to kill a Commie and keep his pecker in his pocket."</ref> In addition, it also shoe-horned a cameo appearance from Bill Clinton himself at the latter's request.<ref>http://vikingphoenix.com/news/archives/1997/hdot9702.htm</ref>
|$172,956,409
|-
|''Aladdin''
|1992
|G
|Based on the classic Arabian folk tale ''Aladdin and the Magic Lamp'', a poor but charitable thief is sent by Jafar, a sinister vizier to a sultan, to search for a mysterious oil lamp rumored to contain unbelievably powerful magic. Upon finding this, he accidentally releases the comical genie inside, who grants his wish to become a prince so he can legally court Jasmine, the sultan's daughter. On the one hand, the film is set within what is implied to be a Muslim state, and Aladdin does resort to lying to try and marry Jasmine. A slight feminist bent is present because Jasmine refuses to marry, ignoring the law requiring it (although not nearly to the same extent as with Belle and ''Beauty and the Beast''.). In addition, some lyrics to the opening song were notably cut due to fears of offending the Muslim populace, implying the film is politically correct in nature. The Sultan is shown to be a massive bumbler and overgrown child, which may hint at an anti-parenthood agenda. But on the other hand, the film does ultimately push character integrity because Aladdin ultimately decides against lying and tells Jasmine the truth about himself. Disregarding the film's politically correct treatment of Islam, it ultimately showcases some more negative elements of Islamic culture via a vendor nearly chopping Jasmine's hand off when she "steals" some food to feed a starving child, as well as depicting Prince Achmed in a very negative light via his cruelty to Aladdin and children attempting to stop him. The prince is implied to be a poor example of a husband, so it is subtly implied that Jasmine refused to marry because all the princes she encountered had in fact been as bad as Achmed. She then falls for Aladdin because he saves her life and shows kindness to her. In addition, it is made clear that while Aladdin does steal and initially had an infamous reputation for his thefts, it's solely in order to survive on the streets, with it being heavily implied that he was an orphan, and he also selflessly gives his stolen food to starving children after initially planning to eat it. There is a lesser condemnation against the occult as the only explicit magic-user besides Aladdin's Genie is Jafar, the main villain who dreams of becoming the world's most powerful dark sorcerer.
|$504.1 million
|-
|''Antz''
|1998
|PG
|It's produced by [[Jeffrey Katzenberg]] (and was rather notorious for being plagiarized from the then-in-development Pixar film ''A Bug's Life''), downplays the military, and possesses an implicit promotion of Communism via the main character, but also has an Anti-Eugenics message too.
|$90,757,863
|-
|''Army of Darkness''
|1993
|R
|Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film.
|$11,502,976
|-
|''Atlantis: The Lost Empire''
|2001
|PG
|Released during the [[Michael Eisner]] era of [[Disney]]. On the one hand, the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. The theft of the crystal to become rich could be seen as a condemnation of capitalism. That being said, however, capitalism has also been promoted in a more positive light in the form of Preston B. Whitmore, an eccentric but ultimately good-hearted billionaire who funded the expedition in the first place, and in addition, most of the principal cast was shown to have dreams of getting a better lot in society, with it being heavily implied in the ending that they ultimately succeeded in achieving those dreams after selflessly trying to save Atlantis, which acts as an implicit promotion of both capitalism and the American Dream.
|$84,056,472
|-
|''Austin Powers'' franchise
|1997, 1999, 2002
|PG-13
|A series of films that parodied spy films such as the [[James Bond]] franchise. On the one hand, liberal values are promoted such as Austin Power's promiscuous swinger nature being promoted as a positive, as well as usage of scatological humor throughout. In addition, one of the villains, Frau Farbissina, is mentioned to have been a founder of the militant faction of the Christian organization [[The Salvation Army]]. The first film also downplays the Cold War and the death of Communism by mentioning that the 1980s were among the "unimportant decades" in Austin Power's crash course. On the other hand, it does promote some chivalrous aspects, as Austin in the first film made it very clear to Vanessa Kinsington, the daughter of his former partner that not even he was willing to have sex with a woman who had too much to drink, and there is an implicit promotion of [[Gay Conversion Therapy]], as Farbissina was established as a lesbian in the second movie, yet after sleeping with Dr. Evil (a parody of [[Ernst Stavro Blofeld]], in particular the version from ''[[You Only Live Twice (film, 1967)|You Only Live Twice]]'' portrayed by Donald Pleasance.) in the past, she ended up becoming pregnant (with Scott Evil, Dr. Evil's son, being the byproduct of the affair), and it is implied afterward as well as in the third movie ''Goldmember'' that she became straight afterward and genuinely loved Dr. Evil, enjoying a kiss that with him that was otherwise meant to slip a key to him to aid in his escape. Family values are also given a slight promotion, as Farbissina defended Scott Evil from Dr. Evil's otherwise abusive actions to him, and part of the third movie involved Scott and Dr. Evil growing closer to their relationship, and it is also revealed that Dr. Evil was in fact Austin's brother, leading to some redemption for the latter, and the third movie makes clear that some of Austin's problems were the result of his father Nigel being a neglectful father. The second movie also has an anti-body positive message as well with Fat [censored].
|$876.3 million (all three films)
|-
|''Back to the Future''
|1985
|PG
|Musically gifted but slacking highschooler Marty McFly is invited by his energetic, quirky scientist friend Dr. Emmett "Doc" Brown to witness the birth of his greatest invention: a time-traveling DeLorean automobile. After Doc Brown is shot and killed by Libyan terrorists, whom he tricked to gain plutonium fuel needed to make his car travel through time, Marty escapes in the DeLorean and travels 30 years into the past, where he meets his parents as teenagers and accidentally becomes his mother Lorraine's new love interest. He then meets with the young Doc Brown, who volunteers to help him return to 1985 and warns him that he will cease to exist if he does not ensure that his parents fall in love at their high school prom. Marty ultimately succeeds in reuniting his future parents by encouraging his teenage father George to stand up to bully Biff Tannen in Lorraine's honor. In the process, he saves Doc Brown by sending him a note warning of the terrorist attack. Overall, the movie contains some conservative messages such as the triumph of chivalry, the evils of terrorism, and the negative effects of deviancy and drug/alcohol addiction. At the same time, it promotes premarital sexual activity and disregard for chastity. Included two sequels in 1989 and 1990.
|$210,609,762
|-
|Bambi
|1942
|G
|Animated adaptation of the German children's book of the same name. Environmental and anti-hunting messages are pushed (although it should be noted that the main antagonist, "Man", is technically closer to a poacher than a true hunter due to his killing a nursing doe and also trying to kill Bambi, a fawn, both of which are strictly prohibited by hunters), but it is also pro-family due to Bambi's mother giving her life to save her son, and the Great Forest Prince, who is heavily implied to be Bambi's father, went out of his way to protect Bambi from the hunter three times, even rescuing his son from a forest fire. It also was anti-homosexual agenda and way ahead of its time in refuting claims of [[animal homosexuality]], as the character Flower, a skunk, is depicted in childhood as a very effeminate male, yet when he became an adult, he evidently was aroused by a female skunk and ultimately became a father as well.
|$102,247,150
|-
|''Batman: The Dark Knight Returns Part 1'' and ''2''
|September 25, 2012 (Part 1) January 29, 2013 (Part 2) October 8, 2013 (Deluxe Edition)
|PG-13
|An animated two-part adaptation of Frank Millar's comic book Elseworld story of the same name where Batman is forced to resume his duties after crime reached record highs in Gotham. The movie is anti-Crime, and also depicts homosexuality and sexual deviancy in a very negative light, including making a connection between homosexuality and Nazis via a transgendered Nazi criminal, and the Joker is portrayed in a similar manner to Paul Lynde. It also mocks to a certain degree anti-war politicians, as the mayor (a likely democrat) attempts to negotiate with the Mutant leader in jail to get him to call off the Mutants' war on Gotham only to have his throat torn out, with his vice-mayor repeating the same concessions. On the same note, it also showcases the negatives of pseudo-sciences as a psychologist was depicted as being a quack who ended up making Two-Face's insanity even worse despite repairing his face, and was ultimately responsible for letting the Joker escape Arkham Asylum due to the latter faking being cured. That all being said, however, it does feature some anti-Reagan messaging, and also condemns the military due to Joker trying to instigate a nuclear war between America and the Soviets, and America striking first as a result, and it was also revealed that a military general had provided the mutant gang with enough military arms to start a small war.
|$5,589,376 (Part 1) $4,059,217 (Part 2) $9,648,593 (Total)
|-
|''Beauty and the Beast''
|1991
|G
|A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to [[feminism]] to the [[liberal]] movies churned out by [[Disney]] since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault (specifically, her deliberate disobedience towards Beast and the servants by going into the West Wing as soon as she found out where it was located) and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.<ref name="Woolverton and Belle">https://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>https://www.yahoo.com/news/belle-beauty-beast-became-disneys-155053182.html</ref> In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what ''they've'' got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",<ref>http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle</ref> which had partly been done in response to negative criticisms towards Ariel in the previous movie by liberal critics,<ref name="Woolverton and Belle" /> and the feminist writer [[Linda Woolverton]] made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.<ref name="Beauty and Maleficent">{{Cite web|url = http://time.com/2798136/maleficent-beauty-beast-writer/|title = The Same Woman Wrote Maleficent and Beauty and the Beast—Here’s How They’re Linked|date = May 30, 2014|accessdate = January 16, 2014|website = Time|publisher = |last = Rothman|first = Lily}}</ref><ref>http://www.ew.com/article/2016/05/26/linda-woolverton-alice-belle-disney-heroines?xid=entertainment-weekly_socialflow_twitter</ref><ref>https://www.bustle.com/articles/163686-the-one-thing-beauty-and-the-beast-fans-probably-dont-know-about-the-creation-of-belle</ref><ref>http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>http://articles.latimes.com/1992-01-19/entertainment/ca-544_1_disney-film</ref> On that note, this made it the first ''Disney'' animated adaptation of a fairy tale to radically alter the story specifically to promote a left-wing socio-political agenda onto the audience regardless of whether such was actually appropriate for the audience or an actual good message (as prior Disney films generally made alterations specifically to tone down anything that was otherwise inappropriate for the age group for the audience). Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it, the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light. Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting and anti-second amendment sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter, as well as Gaston's villainous nature being first highlighted in his debut scene where he shot a duck out of the sky. According to Don Hahn, there were also several overtones of a pro-homosexual agenda within the film, including choice lyrics of the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made and wanting to push the idea of being "ostracized" for his suffering from AIDS.<ref>https://www.vanityfair.com/hollywood/2017/03/beauty-and-the-beast-gay-lefou-howard-ashman</ref><ref>https://www.denofgeek.com/movies/16583/don-Hahn-interview-beauty-and-the-beast-howard-Ashman-the-lion-king-south-park-and-frankenweenie</ref> Similarly, during the battle in the castle, there was a brief instance of transgenderism that was treated as a joke where the wardrobe proceeded to dress one of the male villagers in a Hawaiian outfit. One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the [[Essay:Worst Liberal Movies#Social|definitely liberal]] ''Maleficent'' movie.<ref name="Beauty and Maleficent" />
|$218,967,620
|-
|''Beauty and the Beast'' (2017 remake)
|2017
|PG
|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it never specifies that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle (who, unlike the original film, actually enjoys it). Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran, in addition to the implied anti-hunting messages from the original film via his profession (which if anything was expanded on by their hinting at Gaston being evil in the Gaston song when he, in reference to LeFou's question about whether shooting his prey from behind was "fair", states he didn't care if it was, even though killing prey when they least expect it is the entire point behind hunting, which was based on a deleted lyric from one of the earlier drafts of what would become the 1991 film.).

All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood is currently out of ideas for motion pictures. It also re-establishes the fact that Disney would, at times, forsake genuine family entertainment in favor of blatant liberal propaganda.

On the other hand, there were also several surprisingly Conservative messages in the film, significantly more than in the 1991 version. Namely, Christianity is treated in a far more positive light in this film than in the 1991 version as one of the few friends Belle has in this version is the village Chaplain named Pere Robert who is shown to be sympathetic to her bibliophilic nature and also attempts to prevent Maurice from being sent to the Asylum, and later is shown to be horrified at the formation of the mob against the Beast (it is to be noted that in the original 1991 film, the character in question was merely a bookseller, not a priest, and most of the villagers, implied to be devout Christians, were demonized in the film), which was also surprisingly accurate to history despite the aforementioned changing of history in the film (in real history, Christianity, especially the Catholic Church, actively encouraged literacy, writing, and arithmetic among both genders, with girls being taught in convents or at the home.). In addition, Maurice actually is shown to be more proactive in this film, such as directly refusing Gaston's attempt at marrying Belle and even attempting to expose Gaston as an attempted murderer and psychopath, and also plays a direct role in saving Belle and himself from the paddywagon after she exposes Beast to the villagers (in the original film, although he does set out to try and find Belle and save her after trying to get the villagers to help failed, he ultimately required saving by her due to catching an illness during his trek, and ultimately needed saving alongside Belle via Chip). In addition, Lumiere as well as the featherduster (named Plumette in this version) are shown to be an actual loving couple (in the original film, it is heavily implied that Lumiere was a frequent womanizer and that the featherduster was also sexually loose), and the remake also doesn't demonize traditional marriage nearly as much as in the 1991 version (notably, the remake cut out Gaston's wedding proposal as well as Belle shoving Gaston into mud in front of attendees). The forgiveness and redemption theme was also significantly more emphasized in the remake, due to Beast ultimately forgiving Maurice after learning why he had tried to steal the rose and even allowing Belle to save Maurice specifically to make up for his past behavior, with Maurice also forgiving Beast upon Belle showing him the baby rattle (originally, Maurice was a bit more hesitant to forgive the Beast). It is also shown to be significantly more pro-family as well, as not only is Belle shown to be loyal to her father like in the 1991 original, but as noted above, Maurice himself took measures to protect Belle and notably agreed with Belle that Gaston would not have worked out for her (originally, Maurice also thought Gaston was alright for her), and he also was shown to be very protective of Belle after his wife had died from the plague, with Belle's mom specifically sacrificing herself by telling them to leave her behind to allow Belle a healthy life. In addition, the triplets (renamed to "Village Lasses") in the remake were depicted as having haughtiness, arrogance, being jealous of Belle, as well as overall being nasty people, including briefly smirking at Belle when she was locked up in the paddywagon as well as being actively involved in the arrest of Maurice as well as the later attack on Beast's castle (in the original film, the triplets were not shown to have any negative behavior to them besides their crushing on Gaston [not participating in the later arrest of Maurice, let alone the attack on Beast's castle shortly afterward during the climax, and also implying at one point that they were willing to give their blessing to Gaston marrying Belle when Belle refused him in the beginning of the film, and while they were present during the final lyrics for the Gaston reprise where Gaston explicitly divulged key details for his blackmail plan, the way it was framed could easily be interpreted as the triplets genuinely not knowing about the plan due to their absence from Maurice's arrival up to the scene where Gaston whispers the plan to LeFou.], and it is also heavily implied that they supported traditional marriage and were demeaned in the film by being referred to in the script as The Bimbettes and treated as dumb blondes for this reason). In addition, according to the film's director Bill Condon as well as one of the triplets' actresses, Rafaelle Cohen, the reason the triplets were intensely jealous and spiteful of Belle was because their mother neglected them while doting on Belle, showcasing the dangers of parental neglect. In addition, at least regarding Maurice, the villagers' actions to him were toned down, where their arresting him was simply due to their being tricked by Gaston into thinking he was a dangerous madman and not out of malicious intent (in the original film, it is heavily implied via the Gaston reprise that most, if not all of the villagers were in fact fully aware that Gaston knew, as did themselves, that Maurice was not actually dangerous and that Gaston was having him arrested specifically to blackmail Belle into marrying him and gave full support to the plan.).
|$1.248 billion
|-
|''Beauty and the Beast: The Enchanted Christmas''
|1998
|G
|Paints Christmas in a positive light, and has Beast learning the meaning behind it, as well as putting aside the past relating to it being the reason he was cursed. Also significantly tones down the more feminist messaging from the original film. However, the manner in which Christmas was depicted was closer to the secular view of Christmas than the actual intended meaning of the holiday being a celebration of Jesus Christ's birth.
|N/A (Direct to video movie)
|-
|''The Bee Movie''
|2007
|PG
|Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie.
|$287,600,000
|-
|''Beowulf''
|2007
|PG-13
|Based on the epic poem of the same name from the Middle Ages, it portrays Christianity in a positive light (as evidenced with the character of Unferth, who wasn't that in the original tale), and the hero, Beowulf, does what he believes is right. However, a significant portion of the film has Beowulf doing anti-Christian things, including mating with Grendel's mother over killing her (a stark contrast with the original tale where he does in fact kill her), and also implies that the dragon that ultimately killed him in the original tale was the result of his sleeping with her (when originally, the dragon had no relation at all to Grendel, his mom, or Beowulf). In addition, it also depicted Hrothgar as a drunken womanizer.
|$82,280,579
|-
|''The Birth of a Nation''
|2016
|
|A drama film about Nat Turner, an enslaved man who led a slave rebellion in Southampton County, Virginia. The film focuses on Turner's life as a slave but also a Christian. There are many scenes where he preaches to his fellow slaves in different plantations, even conduct Baptist services, at the same time, he exposes to the crimes related to slavery, which eventually force him to rebel. The film likewise was also deliberately named after D.W. Griffith's film of the same name in a form of irony due to it pushing the opposite message. However, there is a line at the end of the movie downplaying the deaths of the white slave owners compared to the black slaves, something done by the Hollywood elites and unfortunate because all people are equally valuable.
|
|-
|''Bohemian Rhapsody''
|2018
|PG-13
|A biopic of [[Freddie Mercury]], the lead singer of the band Queen. While it does show elements of the practice of homosexuality and hedonism, at the same time, the film largely condemned the practice since it was made clear that Mercury's embracing of these things was what ultimately ruined Queen and his personal relationships, and is what ultimately killed him via AIDS. In addition, Paul Prenter, the only other major character to embrace homosexuality in the movie, was depicted in a very negative light, as he was one of the reasons Mercury went down a bad path, with it being made clear later on that Paul largely was using Mercury for his own gratification, blamed others for his bad ideas, and even hid vital information from Mercury deliberately such as the Live Aid concert plans as well as Mary Austin calling him. It also had a promotion of redemption, as Mercury, inspired largely by his former girlfriend/wife, Mary Austin nearing the end of the film, attempts to reconnect with his band and family and make amends in the time he had left before dying from AIDS. That all being said, however, it's debatable whether the film intended to paint his homosexual escapades in a negative light, as several members of the production company, including Freddie Mercury's actor Rami Malek, indicated that it was a "regrettable" decision as a result of not having enough time to give a "more balanced" view of (ie, promoting) his bisexual lifestyle.
|
|-
|''The Campaign''
|2012
|R
|Political comedy depicts the Democrat candidate (Will Ferrell) as an obnoxious, drunken womanizer and satire of [[John Edwards]], although the Republican candidate (Zach Galifianakis) is portrayed just as negatively as a corrupt capitalist.
|$33,165,738
|-
|''Casablanca''
|1942
|NR
|A film based on the play "Everybody Comes to Rick's". On the one hand, the film depicts the Nazis in a negative light, as well as Vichy France being depicted in a negative light, and it does promote the idea of self-sacrifice and doing what's right even at expense to oneself via Rick. On the other hand, incidental dialogue implied that Rick had aided and supported the cause of the Communists during the Spanish Civil War (it should be noted that such dialogue was exclusive to the film and not present in the original play<ref>http://www.pages.drexel.edu/~ina22/splaylib/Screenplay-Everybody_Comes_to_Rick's.pdf</ref>), and Lazlo being an "international leader" of a resistance movement against the Nazis hints at him being a Soviet plant. In addition, one of the screenwriters for the film, Howard Koch, was a notorious communist who was later blacklisted from Hollywood via the House of Un-American Activities Committee.
|$3.7 million
|-
|''Chicken Run''
|2000
|G
|Produced by [[Jeffrey Katzenberg]], this vegan propaganda film compares a chicken farm to the [[Holocaust]].<ref>https://www.youtube.com/watch?v=ynn_A73hcfs</ref> The main villain of the movie is a capitalist who wants to make chicken pies. On other hand the main villain of the movie is a feminist as well as she called her husband's ancestors "poor worthless nothings". The film also has some anti-animal cruelty elements as one of the main characters, Rocky mentions that cockfighting is illegal where he comes from.
|$106,834,564
|-
|''Coming to America''
|1988
|R
|When this movie was released in 1988, it was most likely not only considered liberal but praised by liberals. As it had feminist themes (even with a male protagonist), going against tradition, and was about foreigners from an African country. However as liberals moved more and more to the left, they had abandoned ideas in this movie that are considered conservative today. Such an individualism and family, not to mention it is debatable if it supports the American Dream as the proagonist, came to America to look for love.
|$128,152,301
|-
|''The Crow''
|1994
|R
|The tagline claims that our hero is an angel, but he doesn't display any Christian values. However, there is an anti-drug scene were Eric Draven (the hero) makes a drug addict mother realize that her daughter needs her & gets her off drugs. On top of that the film's villains are nihilist anarchists. The film is notable for being Brandon Lee's last film, as an accident on the set killed him during production.
|$50,693,129
|-
|''Ed Wood''
|1994
|R
|Although it does glorify cross-dressing and the [[homosexual agenda]]. It still is pro-capitalism and the film also glorifies the American dream. As despite the obstacles Wood faces, he still continues doing what he loves in making movies.
|$5,887,457
|-
|''Edward Scissorhands''
|1990
|PG-13
|Endorsed by the Christian website ChristianAnswers.net with a 4 out of 5 star rating. Conversely however, a prominently featured Christian character - the only character in the movie ever identified as Christian - is portrayed as fanatical and bigoted against people with scissors for hands.
|$56,362,352
|-
|''Falling Down''
|1993
|R
|Film takes jabs at many [[liberal values]], [[illegal immigration]], union workers, multiculturalism, (one scene were Bill tells his ex-wife that the ice cream shop him and his family used to go to is now a Mexican store) and foreign aid (in one scene Bill asks an illegal Korean immigrate a rhetorical question on how much America has given his country and yells at him after he refuses to learn the language).<ref>https://www.youtube.com/watch?v=Z4tC4qfv92Q</ref> It's also one of the very few films to be truthful in the "Nazis were right wingers" myth perpetrated by liberals, in which Bill informs a Neo-Nazi that he's an American and the Nazi is a sick a-hole. As well as many shots where the America flag is trashed upon (which could symbolize how liberalism has trashed everything America has stood for).<ref>https://www.youtube.com/watch?v=piPzExBdfIg</ref> But at the same time it also takes jabs at capitalism, where Bill believes he's no longer commercially valuable. And although the plot is about man trying to reach his daughter's birthday party, the film seems to toy with its audience in suggesting whether he's mentally ill or not, as opposed to a pro-family message.
|$40,903,593
|-
|''[[Fargo]]''
|1996
|R
|Pregnant sheriff with traditional American family values solves an elaborate criminal embezzlement, kidnapping and murder scheme.
|$24,611,975
|-
|''Fritz the Cat''
|1972
|X (NC-17)
|The movie has a brief moment that promotes shipping weapons to Israel, and it also showcases left-wing elements in a negative light, with the climax having the titular character attempting to stop a bombing plot against a power plant that he tried to accomplish. That being said, however, the film is also pro-drugs and promotes sexual infidelity, and also mocks a few right-wing elements as well, and is rather infamous for being the first X-rated cartoon to be made.
|$90 million
|-
|''Full Metal Jacket''
|1987
|R
|Although including a scene that seemed more catered to the anti-War ideology featuring a door gunner slaughtering civilians during the Vietnam War with obvious glee, the boot camp sequence was nonetheless shown in a realistic and to some extent inspiring light, with Vietnam Veterans also frequently stating that the Gunnery Sergeant's advice saved them during Vietnam, and also features a female Vietcong soldier who is not shown in a positive light at all.
|$46.4 million (North America)
|-
|''Gattaca''
|1997
|PG-13
|A condemnation of human genetic engineering, and a wonderful triumph of individualism in an extremely totalitarian regime. Unfortunately the movie ends with a materialistic message: "They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home" (A phrase said when the protagonist finally managed to go to space).
|$12,339,633
|-
|''Ghost''
|1990
|PG-13
|The [[Bible]] claims ghosts don't exist. Still this film toys with idea that they do, also it has liberal actress Whoopi Goldberg as a psychic medium. Nevertheless, the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, when he does convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being cared away helplessly by evil spirits after they die. It also acknowledges that heaven & hell exists.
|$217,631,306
|-
|''Good Kill''
|2014
|R
|Ethan Hawke plays a man who questions the ethics of his job as a drone pilot, while it is taking a jab at the [[Barack Obama]] regime (Obama has droned more people in the Middle East than George W. Bush, most of whom were innocent bystanders and the left has ignored it or claimed it was a "Fox News conspiracy"). It could also be against the War on Terror too.
|$316,472
|-
|''[[Grease]]''
|1978
|PG
|Some [[conservative]] messages and no [[feminism]] or other [[political correctness]]; jokes about [[public school]] and even [[television]] during the 1950s. Followed in 1982 by a much panned sequel, "Grease 2".
|$153,113,000
|-
|''Grave of the Fireflies''
|1988
|UR
|While the film has been labeled anti-war, the director Isao Takahata stated the actual meaning was about growing up. The film's message is still debatable to this day.
|
|-
|''Hacksaw Ridge''
|2016
|R
|It tells the story of how World War II hero, Desmond Doss became a combat medic hero. However, its stances on gun rights is rather mixed to negative.
|$67,209,615
|-
|''Halloween III: Season of the Witch''
|1982
|R
|Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.<ref>https://www.nytimes.com/1982/10/22/movies/haloween-iii-plotting-a-joke.html</ref> The film's "hero" is also an adulterer.
|$14,400,000
|-
|''Hansel & Gretel: Witch Hunters''
|2013
|R
|Western fairy tale characters Hansel and Gretel are now adults and have their own private bounty hunting organization in hunting witches. Portrays witchcraft in a negative manner, and guns in good light. But the gore, graphic violence and brief nudity is rather unnecessary.
|$55,703,475
|-
|''Hellboy''
|2004
|PG-13
|A live action film adaptation of the Mike Mignola graphic novel of the same name. It is ultimately pro-Christian principles, as the climax had the character John Myers supplying Hellboy (who at that point became Anung un Rama) with a crucifix and reminding him of his upbringing, which ultimately had him rejecting Rasputin's plan of unleashing Hell on the world, and the character Bruttenholm is explicitly depicted as a Christian and portrayed positively for it. It is also anti-Nazi as well. However, whether it's anti-occult is debatable, and the director was the Marxist Guillermo del Toro.
|$99.3 million
|-
|''High Noon''
|1952
|UR
|A favorite of both Presidents [[Dwight Eisenhower]] and [[Bill Clinton]]; [[John Wayne]] said it was "the most un-American thing I've ever seen in my whole life";<ref>http://www.brightlightsfilm.com/47/highnoon.php</ref> though susceptible of various interpretations, most of all it seems to scare people into wanting more government.
|$3,750,000
|-
|''Hoot''
|2006
|PG
|A movie about a bunch of kids who stand up to a CEO company that is trying to put one of its restaurants on a burrowing owl habitat. However the movie contains many morals, and promoting friendship. It does give kids the great inspiration to stand up for what they believe is right.
|$8,117,637
|-
|''Horrible Bosses 2''
|2014
|R
|Sequel to the Worst Liberal Film ''Horrible Bosses''. Though this film could be argued to actually support the American Dream and capitalism, which its processor clearly did not.
|$54,445,357
|-
|''[[The Hunger Games]]''
|2012
|PG-13
|Futuristic totalitarians plan titular annual televised "games" as punishment on the descendants of failed revolutionaries from a past uprising. Although technically a message against totalitarianism and for individualism, Leftist actor Donald Sutherland, who played President Snow, implied that the struggles of the films' protagonists were supposed to be derived from the Occupy Wall Street movement, and the book's author also indicated that the events of the book were based on the George W. Bush administration.
|$406,267,858
|-
|''Independence Day''
|1996
|PG-13
|Although made by liberal director Roland Emmerich with the intention of getting then-President [[Bill Clinton]] re-elected into office as well as having a few liberal values (such as Marty Gilbert, David Levinson's boss, being implied to be homosexual and the fact that Jasmine Dubrow's an unrepentant stripper), it nonetheless manages to push patriotism for America and, due to an ad-lib by actor Bill Pullman, manages to have him bring context of honoring the American holiday Independence Day during President Whitmore's rousing speech before fighting off the alien invaders in a climactic battle. It also has some condemnation towards divorce, as evidenced by David Levinson and Constance Spano's divorce is treated in a negative light, and also is pro-family due to Russell Casse sacrificing himself during battle to save his family. It was followed by a sequel, ''Independence Day Resurgence'', which went fully to the left.
|$817.4 million
|-
|''Indiana Jones and the Kingdom of the Crystal Skull''
|2008
|PG-13
|Although the film does depict the Communists as bad guys (to such an extent that the Russian Communist Party in Moscow was angered by the decision), and implies that Indiana Jones is a Republican or at the very least an [[Dwight D. Eisenhower]] fan, the film also depicts McCarthyism in a negative light, with one character implying that the American Government was simply being paranoid, as well as overall downplaying the true scope of the Soviet menace by having the same character denying there being a sizeable Communist infiltration in America, and also seems to promote paganism in the form of the Crystal Skull.
|$786.6 million
|-
|''Inglourious Basterds''
|2009
|R
|Despite vulgarity and historical revisionism, and also promoting to some degree moral relativism, the film does acknowledge that the Nazis were socialists.
|$120,540,719
|-
|''The Iron Giant''
|1999
|PG
|This animation espouses anti-war themes and also brief but strong anti-hunting sentiments. Firearms in general are shown in a negative light, with the phrase "guns kill" being repeated a total of three times (which was considered a "positive message" by the ultra-liberal media watchdog group [[Common Sense Media]]). The titular giant is referred to as a "big gun that walks." From a conservative viewpoint, he is a poor metaphor for a real gun; unlike a law-abiding citizen who is a gun owner, the giant has no choice in his actions because he is a war machine programmed with the inability to use his weapons for good, but only to use them thoughtlessly and senselessly. The story involves him learning to hide his weapons and "not be a gun". The conclusion is that, in order to protect the public from an incoming missile, he must fly into it and kill himself rather than use his guns against it. As it is explained, "It's bad to kill, but it isn't bad to die." In addition, despite being set during the Cold War, it largely downplays the Soviet menace that was occurring during that time, as the main antagonist, Kent Mansley, is a government agent (implied to be part of the NSA) investigating the titular Iron Giant who at one point while launching a tirade against Hogarth Hughes alludes to the possibility that the Communists may have been responsible for the Giant's creation as a means to destroy America and that they must destroy it before "it destroys us" and is treated negatively for it. Also features some foul language.

That all being said, however, despite the definite anti-gun and anti-hunting themes, the film does portray the military in a fairly positive light, as General Rogarth was shown to be even-headed and only willing to use military force if confronted with evidence requiring for it, also making clear that he was not happy about bringing out an implied large military force for what was apparently a hoax, and while the military does try to attack the Iron Giant late into the film, it was only because they had been manipulated into doing so by Kent Mansley by the latter lying about the giant killing Hogarth Hughes, and only when confronted with evidence that Hogarth had in fact been alive did the military stand down. In addition, when Hogarth left to investigate the evidence of a "martian" taking out an antenna, he proceeded to salute a photograph of his father, who was implied to have died during World War II. Also has a positive portrayal of the American icon Superman in it. There's also an anti-materialist message in it as well as an implicitly Christian message, as Hogarth talks to the Giant about how humans and other forms of life possess souls that live on even after their mortal bodies die. In addition the film also promotes individualism, promoting the idea of the individual choosing how to live their life, which may also support the American Dream as well, as Dean the film's tritagonist is a capitalistic artist.
|$5,732,614
|-
|''The Iron Lady''
|2011
|PG-13
|The British biopic of [[Conservative Party]] leader and 1979-90 [[Prime Minister of the United Kingdom|British Prime Minister]], Margaret Thatcher, showing the effects of conservative economic policy on Britain, helping to lift the country out of its recession. However, it also showed Margaret Thatcher in a somewhat negative light, depicting her during her late years as becoming slightly addled.
|$80,554,188 (international including UK), $27,081,674 (US - domestic)
|-
|''[[Iron Man (film, 2008)|Iron Man]]''
|2008
|PG-13
|The first installment of the Marvel Cinematic Universe stars Robert Downey, Jr., as comic book hero Tony Stark, an initially unsympathetic, billionaire weapons developer with hedonistic habits such as alcoholism, extramarital sex, gambling, and drug use. A theme of redemption then follows when, on a tour in the Middle East, Stark is almost mortally wounded by the evil Islamic terrorist group the Ten Rings, inspiring Stark to turn his life around and build weapons for just causes, not solely for making money. Though he considers giving up weapons development altogether, Stark decides to stand by his Second Amendment rights and builds his first electromechanical suit of armor to escape the Ten Rings upon realizing that his supposed friend Obadiah Stane has been issuing guns to the terrorists behind his back. Overall, ''Iron Man'' teaches that capitalism and the military can be used for good. That being said, the aforementioned revelation that Obadiah Stane had been issuing weapons to the Ten Rings as well as orchestrating Stark's abduction by them earlier could be interpreted as subtle anti-War on Terror messaging.
|$585.2 million
|-
|''Iron Man 3''
|2013
|PG-13
|Overall, it promotes most of the same values as the first two ''Iron Man'' films. However, a plot twist later in the film hints at an anti-[[War on Terror]] message due to it revealing that the "Ten Rings" terrorist organization was a hoax engineered by someone in America, a plot development which was negatively received. Similarly, there was some controversy over the plot development of disabled veterans being used for terrorist attacks against fellow Americans.
|$1.215 billion
|-
|''[[It's a Wonderful Life]]''
|1946
|UR
|It promotes the concept of self-worth and individualism ultimately, and that choices do in fact matter and have consequences, and ultimately promotes faith to a certain extent. However, it also falsely teaches that humanism is what makes life worthwhile; marginalizes [[faith]] with a cartoonish depiction and demonizes capitalism as sadistic and greedy.
|$3,300,000
|-
|''Jaws''
|1975
|PG
|Anti-environmentalism film, the heroes are police chief Brody, WWII vet Quint and Marine Biologist Hooper who team up to take on a monstrous, man-eating great white shark. However, there is a part where (despite the warning) the Mayor keeps the beaches open for the sake of money, which some may say is an anti-capitalism statement. Notable for being one of the first summer blockbusters. It was followed by three sequels in 1978, 1983 and 1987.
|$260,000,000<ref>http://www.boxofficemojo.com/movies/?id=jaws.htm</ref>
|-
|''Juno''
|2007
|PG-13
|A pregnant teenage woman rejects [[abortion]] and decides for an adoptive birth instead. This movie pushes [[feminism]] and marginalizes the essential role of fatherhood.
|$143,492,840
|-
|''Jurassic World''
|2015
|PG-13
|Jurassic Park is now functioning and open for business and the new boss is a woman, an obvious feminist message. Also the military is downgraded as they plan to weaponize dinosaurs. Despite all this feminists weren't impressed and labeled it sexist<ref>https://www.thedailybeast.com/articles/2015/06/10/jurassic-world-a-big-dumb-sexist-mess.html</ref> and even liberal critics called the weaponizing dinosaurs plot asinine.<ref>http://thoughtcatalog.com/olos-nah/2015/06/ill-just-say-what-everyone-is-thinking-jurassic-world-is-terrible/</ref> In addition, there was at least one implicit anti-feminist message in the film, as after the boss's secretary was brutally killed by dinosaurs, Owen indicated that she ultimately deserved her death due to her not acting like a mother.
|$652,270,625
|-
|''Kiki's Delivery Service''
|1989
|G
|The coming-of age story of a young half-witch who only inherited the ability to fly, and she makes the best of it. The film does show the value of hard work and is pro-capitalism (Kiki owns her own delivery business), as well as strong pro-family sentiments, mainly in the form of the baker Osono and her quiet husband, who are excited for the birth of their child, but at the same time it does depict feminism and witchcraft in a positive light.
|$18 million
|-
|''Kingdom of Heaven'' (Director's Cut)
|2005
|R
|A story set in the Crusades period about a young knight who embarks on a journey to realize his destiny. The Director's Cut version of ''Kingdom of Heaven'' is a prime example of how a Director's Cut can significantly improve the entire film. While the theatrical version featured terrible screenwriting and directing (as a result of studio interference), the Director's Cut drastically changes the entire film, significantly fleshes out, ties together, and grounds the story and brings the characters, their motivations, the different themes at play and the world to life. While the theatrical version was seen more or less as pure liberal media, the Director's Cut presents a story about humanity, belief, faith, and God. It also makes a statement about how people of different religious faiths can live together in peace and harmony and also be respectful of different religious beliefs. In addition, it promotes honor, duty, and the importance of doing the right thing, and it also portrays the noble Knights Hospitallers in a positive light. That being said, the film still portrays the Knights Templars in a negative light.
|$47,398,413
|-
|''Kingsman: The Secret Service''
|2015
|R
|Anti-environmentalist, the villain attempts to eradicate the human race because of his belief in man-made global warming. Though the film is full of language and violence as well as a brief nudity scene. There's also one scene were one of the characters gets into a bloody fight with a group of Christians whom are portrayed as "racists".
|$128,261,724
|-
|''Knocked Up''
|2007
|R
|Unemployed, immature and childish 23-year old Ben Stone (Seth Rogen) has a one-night stand with serious career woman Alison Scott (Katherine Heigl), with the unintended consequence of pregnancy. Alison's mother (Joanna Kerns) says she should get the pregnancy "[[abortion|taken care of]]", while Ben's best friend Jonah (Jonah Hill) suggests that "I won't say the A-word, but it rhymes with abortion." Alison decides to keep the child, while Ben decides to find a real job, grow up, and become a father.
|$148,768,917
|-
|''Labyrinth''
|1986
|PG
|It's debatable if the film is pro-family. While the main story is about a girl who has to rescue her baby brother from the Goblin King, our hero Sarah doesn't really learn the importance or responsibly of being an older sibling.
|$12,729,917
|-
|''The LEGO Movie''
|2014
|PG
|In a world of LEGO toys, an ordinary guy named Emmet Brickowski is told that he has the power to save the world from a villain named Lord Business. He gathers as much friends and allies as he can along the way while learning to put his talents - namely building things - to good use. The movie takes a jab at big government, teaching that anyone has the potential to be extraordinary. However, the movie also takes a jab at capitalism in the form of the main villain Lord Business; ironically, the LEGO company is a champion of capitalism.
|$469.2 million
|-
|''Lincoln''
|2012
|PG-13
|Bio film on conservative icon [[Abraham Lincoln]], played wonderfully by Daniel Day-Lewis. Although overall very positive towards Lincoln and the Republican Party, it nonetheless downplays the role the Democrat Party played in the institution of slavery during the Civil War.
|$182,207,973
|-
|''Lionheart''
|1990
|R
|Pro-family as Jean-Claude Van Damme plays Lyon Gaultier (nicknamed Lionheart) who becomes a street fighter to help pay his sister-in-law's expenses after her husband is killed. During this time he also tries to reconnect with his estranged family. However he gets into the country illegally, which some could point out is a pro-illegal immigration statement.
|$24,078,196
|-
|''The Lorax''
|2012
|PG
|Although it has an environmentalist agenda, it also states that monopolies are wrong.
|$214,030,500
|-
|''Mrs. Doubtfire''
|1993
|PG-13
|Robin Williams plays Daniel Hillard; a father who cross-dresses as a nanny with the help of his gay brother (Hollywood trying to shoehorn the [[homosexual agenda]] one might say.) to be with his children. However, on ''Louder with Crowder'' it was one of the films (#1 actually) on TOP 5: Triggering Movies That Couldn’t Be Made Today, due to rampant gender confusion that's been happening recently.<ref>https://www.youtube.com/watch?v=FWfSjyGNRPE</ref>. Also on a conservative note; it is a clear pro-family film, that is pro-fatherhood. There is also some condemnation to smoking as it shown to be [[taboo]], with Daniel refusing to promote it to children, and Miranda, getting upset when she thought Mrs. Doubtfire smokes.
|$219,195,243
|-
|''Mulan''
|1998
|G
|The film has Liberals changing history to suit their feminist agenda similar to what they did in Pocahontas as well as some historical revisionism (In the film the Huns are at war with China, even though this never happened) and there was a scene in the climax where most of the soldiers cross-dressed as concubines in order to infiltrate the Imperial Palace. However, the central theme of [[Filial piety]] from work it was based on, [[The Ballad of Mulan]], is still present ultimately, as the main reason Mulan joined the military was because her father suffered a severe injury that made him unfit for combat, and the film is pro-Military.
|$120,620,254
|-
|''Munich''
|2005
|R
|Tells the story of the 1972 [[Munich massacre]] and is not politically correct about Islamic terrorism, much to the dismay of liberals. On the other hand, Conservatives have been critical of the film due to it being considered too sympathetic to the terrorist group in question.
|$47,403,685
|-
|''The Muppet Christmas Carol''
|1992
|G
|A live action adaptation of Charles Dickens' seminal work ''A Christmas Carol'' with various Muppets playing the role of various characters in the story (and Gonzo as Charles Dickens himself) as well as Michael Caine as Ebeneezer Scrooge. Promotes many of the same themes of redemption and the spirit of Christmas as the original story. Also has a rather humorous promotion of the American dream, as in a scene exclusive to the movie, the headmaster of Scrooge's boarding school, portrayed by Sam the Eagle, suggests he go into the work force and tells him that it's the "American way", causing Gonzo to break character to inform Sam of the true setting of the story, causing Sam to correct himself by saying it is "the British way". That said, however, the ending song does have slightly Marxist overtones.
|$27.2 million
|-
|''The Muppet Movie''
|1979
|G
|This movie promotes the American dream, however, the Muppets look for that dream in liberal Hollywood. It also has an anti-capitalist message with the villain of Doc Hopper, who is also a southerner. In another scene though, Fozzie Bear sings "America the Beautiful" and says "Patriotism swells in the heart of the American bear."
|$76.6 million
|-
|''P.C.U.''
|1994
|PG-13
|College students fight back against a campus where the administration promotes official [[diversity]] awareness weekends and radical [[feminism]], [[veganism]], and [[political correctness]] run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups.
|$4,350,774
|-
|''[[The Passion of the Christ]]''
|2004
|R
|Downplays the [[Resurrection]]<ref>The original version of the film had no references at all to the Resurrection.</ref> and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the [[Shroud of Turin]] and confirmed by modern science.

On the other hand, it nonetheless does attempt to promote Christianity and Christ, and its success also resulted in liberals [[Jeffrey Katzenberg]] and David Geffen revealing their true natures by blacklisting Mel Gibson from future productions.<ref>http://www.theamericancause.org/patgibson.htm</ref>
|$370,782,930
|-
|''The Path to 9/11''
|2006
|NR (TV Documentary)
|Although the film largely pans George W. Bush's efforts during the War on Terror, it does depict the Taliban, al-Qaida, and Osama bin Ladin in a negative light, and there was a scene that appropriately places blame on then-President Bill Clinton for why 9/11 happened when he refused to give the order to kill Osama bin Ladin (a claim that was later vindicated by the CIA). Unfortunately, Clinton-aligned Democrats forced ABC via [[Robert Iger|Bob Iger]] to cut the footage in question via staged negative responses, and a planned DVD release for the Documentary itself was later shelved at the order of Iger during the 2008 election, neither being released to DVD by Disney itself and its associates, nor even having its rights sold to another company altogether, for reasons that were heavily suspected by various people, including the man who made the documentary in the first place, to be done at the order of Hillary Clinton in order to ensure she succeeded in her attempt at winning the Democrat primary and President of the United States during the 2008 election.<ref>https://web.archive.org/web/20120523041134/https://www.breitbart.com/big-hollywood/2012/05/18/cia-vindicates-path-911-clinton-claim</ref>
|NR (TV Documentary)
|-
|''Pillow Talk''
|1959
|UR
|A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones. There are no distortions by feminist ideology. Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it!
|$18,750,000
|-
|''Pokémon Ranger and the Temple of the Sea
|2006 (Japan) 2007 (USA)
|G
|Debatable as to whether the film is pro-parenthood or not. On the one hand, it does showcase May's mother status with Manaphy in a positive light. But on the other hand, it also is implied by the titular Pokémon Ranger Jack Walker to be a negative due to interfering with the mission, and in the climax, May ends up not doing a thing to attempt to save or even aid in saving Manaphy from Captain Phantom when the latter abducts it despite it being within her ability, which hints at parenthood being a negative.
|N/A (America; Direct-to-Video)
|-
|''Pocahontas II: Journey to a New World''
|1998
|G
|A sequel to the Worst Liberal Movie ''Pocahontas'' released during the infamous Eisner-era direct to video sequel line. It still has some elements to feminism as well as some degree of Historical Revisionism (due to showing William Shakespeare present in the opening song despite being dead by the time of the setting of the film). That being said, however, the British as well as the former colonists are depicted in a significantly more positive light compared to the original film, and the ending also has an implicit promotion of marriage. Likewise, it also notably ends with John Rolfe marrying Pocahontas like their real life selves.
|N/A (Direct-to-Video)
|-
|''Pulp Fiction''
|1994
|R
|Despite saying the F-word in almost every sentence, the film (surprisingly) has a pro-Christian message as after being shot at, every bullet misses mob hit men Jules Winnfield and Vincent Vega. Winnfield believes it was a divine intervention and message from God to stop his life of crime. His partner doesn't believe this but it's later proven to be true as he perished later on in the movie. Also has sadomasochistic homosexuals as the bad guys. And (sort of) has an anti-drug message as mob boss's girlfriend Mia Wallace is seen also overdosing (a negative side to drugs) on heroin.
|$107,928,762
|-
|''The Rescuers''
|1977
|G
|The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich. To add insult to injury, the villains are Southerners. The United Nations is shown in a positive light. On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped). This is one of the rare Disney films feature a [[Christian]] character that's treated in a positive light.
|$29 million
|-
|''Recess: School's Out''
|2001
|G
|The animated movie of the cartoon series of the same name. On the one hand, the film implicitly promotes the decadent era of the 1960s (in particular, 1968) where it depicts characters Muriel Finster and Peter Prickly as hippies during their teacher training in a flashback, and also implies that the concept of recess was developed by the hippies. On the other hand, it also encourages at one point allowing children to act like children, and ultimately promotes Recess and Summer Vacation as a concept, and the main villain, Phillium Benedict, is a radical former head of the liberal Department of Education who wished to eliminate recess and later summer vacation to raise test scores with the implication of wanting to become President (who was fired largely because he proved to be too extreme even for that department), and also represents [[liberal values]]. Also has a slight condemnation of the public school system's mistreatment of children, as Peter Prickly in the ending thanks TJ for having him remember that he originally became a teacher and (albeit unintentionally) principal of Third Street out of a desire to help children, and had largely forgotten that bit until that time.
|$44.5 million
|-
|''Robin Hood''
|1973
|G
|Animated Disney adaptation of the iconic story, depicting all of the characters as anthropomorphic animals. Although the story itself was based on [[Joseph Ritson]]'s revised version of the character that was in support of the Jacobin cause and thus was a liberal icon (steals from the rich, gives to the poor), the villain is Prince John who makes his money from taxes, suggesting Robin Hood is only giving money the government demanded back to people who actually worked for it, and thus was implicitly closer in themes to the original, pre-Ritson revision version of the character. It also features a condemnation of government encroachment of the church, as a pivotal scene featured the Sheriff of Nottingham explicitly stealing a coin from the poor box and his later arresting Friar Tuck for trying to stop him, and the Sheriff's actions were clearly being framed in a horrible light.
|$32 million

|-
|''Shame''
|2011
|NC-17
|While the movie shows [[Hollywood Values]], such as sex addiction, in a negative light and is clearly anti-[[homosexual agenda]], as the main character reaches his lowest point by partaking in such acts, the film is graphic in its nature leaving one to question how conservative it really is.
|$3,909,002
|-
|''Shrek''
|2001
|PG
|Loosely based on a 1990 fairytale picture book by William Steig, the first feature-length computer animation by DreamWorks SKG stars Shrek, a socially challenged ogre who becomes an unlikely hero when he forms an alliance with a pesky, talking donkey to rescue a princess at the behest of the evil Lord Farquaad of Duloc, who hates fairytale-type beings and has forced a host of them to live in Shrek's swamp. Not long after they rescue Princess Fiona, Donkey learns that she was cursed as a child to transform into an ogre herself by night and that only marriage can break the curse. Shrek does not hear this message clearly at first and thinks Fiona is calling him an "ugly beast" before he realizes she actually despises her own ogre form and stops her marriage to Farquaad, preventing him from becoming a tyrannical king and continuing to oppress fairytale beings. Although DreamWorks is liberal, the dialogue occasionally resorts to adult humor (such as Shrek and Donkey cracking jokes at Farquaad's expense that implied that he had small gonads when explaining what he's like), and Fiona sometimes behaves like a feminist (as when she effortlessly uses martial arts against Robin Hood and his Merry Men), it is implied that most of the characters are Christians as the gingerbread man says "God Bless Us Everyone" (a reference to the character Tiny Tim in ''A Christmas Carol''). The gospel song "I'm a Believer" at the end of the feature, and the scene where Shrek and Fiona are silently upset about being separated has the version of "Hallelujah" by Leonard Cohen. Robin Hood is a secondary antagonist, but he is at least implied to be based on the infamous revisionist version by [[Joseph Ritson]] that was made in solidarity to the [[Jacobin]]s during the French Revolution). Lord Farquaad, intended to be based on Liberal [[Disney]] CEO [[Michael Eisner]]<ref>http://articles.chicagotribune.com/2001-04-06/features/0104060008_1_lord-farquaad-dreamworks-jeffrey-Katzenberg</ref> (which adds to the whole film's existence as a reverent parody of Disney fairytale animation conventions), is likewise a lampoon of materialism because he only desires Fiona's marriage so he can officially become the King of Duloc. Finally, shortly after Farquaad meets his end at the jaws of Donkey's dragon love interest, Donkey jokes about [[Hollywood values]]: "Celebrity marriages, they never last, do they?"
|$484.4 million
|-
|''Shrek 2''
|2004
|PG
|The sequel to the above film. On the one hand, aside from DreamWorks being liberal, there are some jokes that could be interpreted as promoting gender confusion (such as the revelation that Pinocchio was wearing women's underwear while he and the other fairy tale creatures save Shrek and Donkey from imprisonment). On the other hand, there is also an anti-racism message for the film, since Fiona's father, the king of Far Far Away, is initially distrusting of Shrek largely due to the latter's Ogre status, and eventually comes to accept him upon realizing Fiona does truly love him, even going as far as to save his son-in-law from Fairy Godmother at the end, and the main villain, Fairy Godmother, is explicitly racist against Shrek for his species, insisting that "Ogres do not get happy endings" repeatedly. Also like the prior movie, it has a more anti-materialist message, as Fairy Godmother as well as her son, Prince Charming, both only intended to use Fiona in order to gain control over Far Far Away, similar to Lord Farquaad in the preceding movie. It also has a redemption message in the form of Puss in Boots, who initially was hired to kill Shrek, but after Shrek spares him, he ultimately became a loyal ally to Shrek, even willingly holding off several soldiers to allow Shrek and Donkey (who at that time had been transfigured into a handsome man and a white stallion, respectively) enough time to stop Prince Charming and Fairy Godmother from having Fiona "wed" the former (due to thinking that Fiona ingested a brainwashing serum inside her tea that had been laced on Fairy Godmother's orders). Also has a degree of anti-feminist messaging due to Fairy Godmother clearly adhering to the feminist view on things.
|$919.8 million
|-
|''[[The Simpsons]] Movie''
|2007
|PG-13
|Portrays the liberal [[Environmental Protection Agency|EPA]] as a villainous and devious agency, and portrays the Government in general as intrusive and corrupt, and also features a key element of the story where Homer attempts to redeem himself of his more unpleasant nature, and Flanders' attempts at helping the Simpson family, in particular Bart, are treated positively. On the other hand, it also promotes [[environmentalism]] in the beginning, and also had Arnold Schwartzenegger as the president of the United States despite his legally not being eligible for the presidency due to being Austrian. There is also a brief sight gag where two homosexual policemen proceeded to make out in an alley by the motel the Simpson family was hiding at, with Marge narrowly escaping being spotted by them. In addition, the early part of the film has Homer twice making statements that implied a more atheistic outlook relating to Christianity: The first just as the Simpsons arrive at Church while running late where Homer mouths off "Relax, those pious morons are too busy talking to their phony-baloney God."; the second when Abraham Simpson ends up getting a divinely inspired vision about Springfield's potential future, where Homer, consulting the bible in a panic, yells "I can't! This book has no answers!" Overall, it's as debatable in terms of its Conservativism as the TV show it acted as a movie for.
|$183,135,014
|-
|''Soul Man''
|1986
|PG-13
|A white student cheats the [[affirmative action]] system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portrays the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect.
|$27,820,000
|-
|''Starship Troopers''
|1997
|R
|Although it overall depicts the Military in a protagonistic light and arguably is pro-war and pro-military, the director of the film, Paul Verhoeven, implied it was actually supposed to push an anti-military, anti-war message where it implied that America during the Cold War were automatically fascists simply because they are entering war, and specifically stated it was "a natural evolution for post-World War II America." In addition, to reinforce Verhoeven's message, he deliberately modeled various scenes after ''Triumph of the Will'' and other pro-Nazi propaganda scenes, as well as modeled the protagonists' uniforms after the uniforms utilized by the Nazis (i.e., the character Carl, played by Neil Patrick Harris, wearing a uniform that was modeled after the [[SS]]). When asked by Michael Ironside, who was one of the people who had a role in the movie and had read the original book, about why he made the movie despite Verhoeven's leftist politics, he answered "If I tell the world that a right-wing, fascist way of doing things doesn't work, no one will listen to me. So I'm going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it's only good for killing ******* bugs!" (note that fascism is not "right wing", it is left wing, so Verhoeven's incorrect regarding which wing the Nazis/fascists were part of).
|$54,814,377
|-
|''Sudden Death''
|1995
|R
|Disgraced firefighter now becomes a laughingstock fire marshal uncovers a terrorist plot, at a Hockey game, plans to redeem himself and protect his children and the Vice President from said terrorists. However, they're not Islamic, which may have been because the film was trying to be politically correct.
|$20,350,171
|-
|''Super''
|2010
|R
|Main character becomes a superhero after a vision from God. He also frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole movie. Although contains foul language, violence, and brief nudity scenes.
|$327,716
|-
|''S.W.A.T''
|2003
|PG-13
|Film adaptation of the conservative TV show from the 70's does still share the same pro-law enforcement messages, but has a female character named Chris (played by Michelle Rodriguez) who was never in the television show. Which some may point out was only put there to be more "progressive" and promote feminism.
|$116,934,650
|-
|''Team America: World Police''
|2004
|R
|While it is clearly pro-military, pro-America, and anti-Hollywood (notably, there was a scene where [[Michael Moore]] had a cameo as a suicide bomber, with his death being made especially graphic by stuffing his dummy with ham as revenge towards his "A Short History on America" segment from ''[[Bowling for Columbine]]'' that falsely attributed the creators of the film to the segment.), the movie is riddled with liberal values, including toilet humor and vulgar language throughout. Also, in the movie's foul-mouthed theme song, it favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans. Penned by the creators of ''[[South Park]]'' and ''The Book of Mormon'' musical.
|$32,786,074
|-
|''Terminator 2: Judgement Day''
|1991
|R
|The second film in the Terminator Franchise by Liberal director James Cameron. While it does have anti-war, anti-capitalist and pro-feminism themes, it is also pro-family. John Connor reconnects with his mother and the Terminator who serves as his protector becomes like a father to him, so much so that John cries when the Terminator chooses to sacrifice himself to ensure that Skynet would never be built.
|$523.7 million
|-
|''[[Titanic]]''
|1997
|PG-13
|Every life had value and the most powerful men gave up their seats on lifeboats to women and children first; the media and a young [[RINO]] are rightly criticized; broke the record in movie revenues. However, it also gave some hints at a pro-socialist view, and a key scene involving Rose being drawn in the nude is invocative of pornography.
|$600,779,824
|-
|''Top Gun''
|1986
|PG (Should be PG-13)
|Please add info.
|$356.8 million
|-
|''[[Trainspotting]]''
|1996
|R
|It's been debatable if the film is anti-drug.
|$16,491,080
|-
|''Transformers: Dark of the Moon''
|2011
|PG-13
|The film has an implicit denouncement of illegal immigration, due to the main villain, Sentinel Prime, tricking the protagonists into allowing for more Transformers to take over Earth as well as forcing them to recreate Cybertron. Also has a bit of a condemnation on feminism, as the current head of the Sector 6, a female, is depicted in a fairly negative light, and takes offense to being called a woman despite Sam Witwicky's girlfriend innocently pointing out that this is in fact her gender. On the other hand, it depicts Barack Obama and Republicans in a positive and negative light, respectively, and one of the main villains is a Capitalist.
|$1.124 billion
|-
|''[[The Twilight Saga]]''
|2008-2012
|PG-13
|Mocks [[public school culture]] and promotes [[abstinence]] until marriage, traditional courtship, and the [[pro-life]] movement, but it glorifies vampires and werewolves in a way that doesn't attack Christianity but is still incompatible with Christianity. The star, Kristen Stewart, is a liberal who has made remarks insulting the U.S. Military.
|$1,365,922,346
|-
|''U-571''
|2000
|PG-13
|Had a plot which was based on the first capture of a [[German]] [[Enigma machine]] in [[World War Two]]. Despite the film being patriotic to America, the facts are wrong as the Enigma machine was captured by the [[British]] in 1941 prior to the Americans entering the war.
|$77,122,415
|-
|''U.N. Me''
|2009
|
|Although it utilizes several of the same methods as [[Michael Moore]]'s schlockumentaries, it nonetheless does expose the very corrupt nature of the [[United Nations]].
|
|-
|''Van Helsing''
|2004
|PG-13
|Thanks to [[Hollywood values]], Van Helsing isn't portrayed as the Christian character he should be, but the film still gets its good vs. evil message across. As well as portraying the Catholic church in a positive light. The director Stephen Sommers has made conservative films ''The Mummy Returns'' and ''G.I. Joe: The Rise of Cobra'' though.
|$120,177,084<ref>http://www.boxofficemojo.com/movies/?id=vanhelsing.htm</ref>
|-
|''Wall-E''
|2008
|G
|The movie shows the dangers of big government (BNL), however it is also anti-capitalist and pro-environmentalism as BNL is a corporation.
|$223,808,164
|-
|''The Way We Were''
|1973
|PG
|Unique in the way that it appears liberal to liberals while unintentionally sending a [[conservative]] message to young women. Stars uber-liberal [[Barbra Streisand]].
|$49,919,870
|-
|''We're the Millers''
|2013
|R
|A drug dealer, stripper, runaway, and average loser pretend to be a family to sneak marijuana out of Mexico. However, they learn the value and importance of family. The villains of the movie are all drug gang men, the film also features a stripper scene, and whether or not the film is anti-drug in the end is debatable.
|$150,394,119
|-
|''Who Framed Roger Rabbit''
|1988
|PG (Should be PG-13)
|A loose live-action/animation adaptation on the book ''Who Censored Roger Rabbit?'' by Gary Wolf. On the one hand, the movie contains many innuendos and crude humor, the antagonist Judge Doom is a capitalist, and the relationship between a toon rabbit and a toon human may be seen as promoting bestiality. On the other hand, the movie depicts marital fidelity in a positive light, as initial signs of Jessica Rabbit's infidelity are in fact part of the antagonist's plot and in reality she actually cares very deeply about her husband (it should also be noted that in the book the film was based on, Jessica was extremely unfaithful to Roger Rabbit, and enjoyed being a porn star, even outright using Roger for stardom. Later additions to the story altered this characterization to be closer to the film and had the initial version be part of a nightmare Jessica had). The film also contains an anti-alcoholism message not present in the original novel in which Eddie Valiant becomes a heavy drinker after the death of his brother (in the original novel, Eddie was just a drinker and didn't have a brother) but eventually pours the alcohol out of the flask that he carries in his holster.
|$349,200,000
|-
|''Yours Mine and Ours''
|2005
|PG
|A remake to the 1968 film of the same name (itself derived from Helen Beardsley's then-in-development autobiography ''Who Gets the Drumstick?''), the film is about a widower father of a conservative family who marries a widowed mother of a liberal family. Their two difference lifestyles contradict with each other, and the film does not really pick a side of on whose lifestyle is better. However, it does have a scene where the liberal kids outsmart the conservative kids (By tricking them into thinking there is a fire and then getting to use the bathrooms to themselves). Also, has a scene where the kids work together and use conservative tactics to end bullying without the help of an authority figure. In the end, the kids learn to put their differences aside and realize that family is what matters more.
|$53,412,862
|}

== Debatable Whether Great ==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''10 to Midnight''
|1983
|R
|Charles Bronson plays Leo Kessler, a cop trying to catch a serial killer rapist, while the bureaucrats do everything to defend him. The film feels like a poor man's Dirty Harry and many critics pointed out that Charles Bronson seemed to be playing a clone of his former character Paul Kersey from the ''[[Death Wish]]'' franchise.
|$7,175,592
|-
|''A Good Day to Die Hard''
|2013
|R
|Although the previous ''Die Hard'' movies were largely politically neutral, this film portrays the CIA in a positive light, and both the main and surprise villains are unrepentant, anti-American former Soviet Communists who intended to access Cold War-era weapons grade uranium and sell them on the black market. Plus, the film is pro-family due to John McClain trying to reconnect with his son Jack. Despite this, it was largely a box office failure, and it has fairly weak story elements.
|$304.7 million
|-
|''Aladdin and the King of Thieves''
|1996
|G
|Was another entry into then-Disney CEO Michael Eisner's infamous Direct to Video sequel line, and as such also has evidence of it being poorly made. But on the other hand, it also has similar themes to ''Return of Jafar'' regarding forgiveness and redemption in regards to the titular character. It also is notable as having a pro-traditional marriage message due to Aladdin and Jasmine's wedding factoring into a large part of the plotline, with it also being implied that the kingdom of Agrabah may have held Coptic Christianity as its main religion, one of the few Disney productions during this time to feature such a message on marriage since ''The Little Mermaid'' back in 1989. In addition, it ultimately is pro-fatherhood in the form of Cassim, the titular king of thieves, who was Aladdin's father, and while the central antagonist, he is nonetheless depicted in a more sympathetic light as he became the King of Thieves simply so he could provide for his family, and ultimately was redeemed in the ending of the film.
|
|-
|''Armageddon''
|1998
|PG-13
|Though this film promotes patriotism and mocks environmentalism, the overall plot is fairly nonsensical and the action sequences bombastic. Bruce Willis even won the Razzie award for Worst Actor for making this movie, and this movie also received six other Razzie nominations, though it didn't win any.
|$201 million
|-
|''Auschwitz''
|2011
|R
|Isn't politically correct on the topic of gun control as Nazi officers are seen shooting Jewish citizens and forcing them into concentration camps. However, its low budget and poor production value really hurts the film.
|
|-
|''Battle Los Angeles''
|2011
|PG-13
|Pro-military, but alien invasion plot has gone stale in this day and age.
|$83,552,429
|-
|''Battleship''
|2012
|PG-13
|The U.S. military may be depicted positively, but the overused alien invasion plot and the fact that it's based on a board game really makes it hard to consider good.
|$65,422,625
|-
|''The Black Cauldron''
|1985
|PG
|The film has some subtle Christian messages, as the Horned King, the main antagonist who tries to gain the Black Cauldron to rule the world, is depicted in a very Satanic light, and the character Gurgi ultimately sacrifices himself in order to stop the Horned King, eventually being revived shortly thereafter. Also shows a promotion of the concept of being humble, as Taran still considers himself a pig herder even with his role in saving the world. However, the film was a massive box office bomb, with a large part of the reason for it being underperforming being due to both the dark elements of the film, especially for a Disney-made film, and due to a huge amount of footage (at least ten minutes worth) being cut from the film by then-Chairman of Disney Animation [[Jeffrey Katzenberg]].
|$21.3 million
|-
|''Blood Freak''
|1972
|NC-17
|This cult horror film stars a Vietnam veteran named Herschell who is tempted by a young Christian girl's marijuana-addicted sister to smoke a joint himself, then hallucinates himself going on a killing spree. Once free from his hallucinations, Herschell is rehabilitated and finds God. Overall, the film stands up for Christianity and against drugs but focuses more on the spectacle of violence than creating well-rounded characters and a coherent storyline.
|$25,000
|-
|''The Brave One''
|2007
|R
|Although it stands up for the freedoms guaranteed by the [[Second Amendment]], its plot is almost identical to ''[[Death Wish]]''.
|$36,793,804
|-
|''Camelot''
|1967
|G
|The famous jousting scene is a powerful display of Christianity, chivalry, and other virtues, but the movie seems lost afterward.
|$31,102,578
|-
|''Carnosaur''
|1993
|R
|The villain is an environmentalist who believes that the earth was made for the dinosaurs, so he tries to wipe out the human race and allow dinosaurs to reclaim the Earth as their own. However, the film is considered a copy of ''[[Jurassic Park]]''.
|$1,753,979
|-
|''Captain America''
|1990
|PG-13
|As implied by the title, the Marvel Comics adapdation gets its [[Patriotism|patriotic]] message across. However, due to a low budget, poor production values, and disjointed editing, the film becomes tedious and sometimes laughable. It would be twenty-one years before another adaptation of the conservative superhero's adventures would be made.
|$10,173
|-
|''Collateral Damage''
|2002
|R
|[[Arnold Schwarzenegger]] stars in this pro-War on Terror (released shortly after 9/11 no less) film were he avenges his family after a terrorist attack. However, the story feels formulaic. Even though the film was made and completed before the September 11 attacks, it was set for an October 2001 release and then pushed back four months.
|$40,077,257
|-
|''Commando''
|1985
|R
|Former Republican California governor [[Arnold Schwarzenegger]] stars as former Delta Force leader John Matrix as he rescues his daughter from Communist insurgents (and the freelance soldier working for them, a former colleague of Matrix's who was fired from Delta Force for brutality) who plan to bring Communism back to their now liberated country. Despite this celebration of family, the action is goofy and cheesy, making it an unintentional comedy.
|$35,100,000
|-
|''Ernest Goes to Camp''
|1987
|PG
|Ernest P. Worrell (played by the late Republican actor Jim Varney) is a camp counselor put in charge of a group of Juvenile convicts from a corrective institute. Ernest manages to change the boys' ways by showing unconditional love, despite their reputations. In this, the film shows the conservative values of loving your enemy, with Ernest being the only one in camp who is nice to the boys. However, like most movies in the Ernest series, the humor is very campy and juvenile, and its clearly a kids movie.
|$23,500,000
|-
|''The Fallen Ones''
|2005
|NR (TV movie)
|The film portrays demons in a very negative light and teaches Judeo-Christian principles, but the production was so low-quality that it comes across at times as being very cheesy.
|N/A (TV movie)
|-
|''G.I. Joe: The Rise of Cobra''
|2009
|PG-13
|This live-action adaptation of the conservative cartoon from the 1980s is nevertheless a disappointment largely due to the acting, directing, screenplay, nonsensical action, and mediocre visual effects. The film followed by an equally forgettable sequel in 2013. This led to the franchise being rebooted in 2020.
|$150,201,498
|-
|''Godzilla''
|2014
|PG-13
|The film does warn against the consequences of playing God because it's about a scientist who accidentally creates a destructive reptilian monstrosity, but it is poorly made regardless. The idea of seeing the destitution from a soldier's point of view works on paper, but the characters are too underdeveloped, Godzilla is barely on camera, and the scenes of destruction (what first made the ''Godzilla'' films famous) are practically missing.
|$200,676,069
|-
|''Hercules''
|1997
|G
|Loosely based on the Greco-Roman myth of the demigod strongman Hercules, this Disney animation has some Christian messages like honoring one's father and the triumph of good over evil. In addition, contrary to how he is depicted in regular mythology, Zeus's characterization in the film was closer to that of the Biblical God. Unlike the original myth, in which Hercules was born as a result of Zeus's infamous womanizing actions with mortal women and Hera hated him due to this, Hercules in this film is the actual offspring between Zeus and Hera, putting family values first. Plus, he is raised a mortal this time because the main villain, Hades, has his minions abduct the then-infant Hercules and feed him a potion that drains him of virtually all of his godly potential in order to assassinate him and prevent him from striking down Hades in the future. Another reason why family is a major theme is that Hercules' disappearance greatly devastates both Zeus and Hera, and Zeus, upon learning that Hercules was alive, is greatly overjoyed to learn of his son's survival and admits he is his father. Lastly, the main villain, Hades, while humorous, is nonetheless depicted in a satanic light, and was reported to be based on former Disney animation chairman and staunch liberal [[Jeffrey Katzenberg]].<ref>http://community.seattletimes.nwsource.com/archive/?date=19970622&slug=2545749</ref> However, it underperformed in theaters and with critics.
|$252.7 million
|-
|''Home Alone 2: Lost in New York''
|1992
|PG
|In the sequel to the first ''Home Alone'', Kevin McCallister is once again accidentally separated from his family while being laid over in New York City and must be self-reliant to survive. He takes advantage of an opportunity to save a children's charity from being robbed by the Wet Bandits from the previous film, using man-made traps against them once more with some modifications. [[Donald Trump]] makes a brief, positive cameo, too, to help Kevin navigate his way through the Plaza Hotel. Family values return as Kevin once again wishes his family away but then misses them. Kate's maternal instinct returns as well because she is determined to find Kevin, even when others tell her there is no hope. Kate once again finds help from a charitable, sympathetic person (in this case, an NYPD officer), who helps her by bringing her to Rockefeller Center, where she finds Kevin. However, it was not as well-received as the first film: most of the criticism was directed towards the fact that it recycles most of the story elements of the previous film.
|$359 million
|-
|''Home Alone'' 3, 4, and 5
|1997, 2002, 2012
|PG
|Installments 3 and 5 in these sequels to the Christmas classic ''Home Alone'' do not involve the original cast, while the fourth only features part of the original cast. They each have a similar story and themes to the original, with the third featuring Communist North Korea and terrorism in a negative light since the antagonists are internationally wanted hitmen tied to North Korea. However, they were nowhere near as popular as the first two because they are considered lesser versions of the originals.
|$30,882,515, N/A straight to DVD, Made for TV Film
|-
|''How the Grinch Stole Christmas''
|2000
|PG
|A live-action remake of the animated TV adaptation of the [[Dr. Seuss]] book of the same name. Overall, the film promoted many of the same themes as in the special and book, and also expanded on the implied redemptive themes of the special by revealing that the Grinch's hatred of Christmas dealt with being bullied, and ultimately overcoming that past and learning to enjoy Christmas. That all being said, however, the film suffered from production problems where studio heads forced in some raunchy, age-inappropriate jokes into the storyline, in spite of both director Ron Howard and Jim Carrey's insistence that they keep the film family friendly (and in the case of the latter, was careful to keep any ad-libbed humor family friendly) that ultimately harmed the quality of the film. This, alongside the Worst Liberal Movie Live Action Adaptation of another [[Dr. Seuss]] story, ''The Cat in the Hat'', doubling down on many of the aforementioned raunchy elements and pushing more left-wing material, eventually resulted in the Seuss estate placing a ban on Live Action adaptations of various ''Dr. Seuss'' stories.
|-
|''It Takes Two''
|1995
|PG
|Twins Mary Kate and Ashley Olsen star as two unrelated but identical-looking girls who try to get one's father and the other's social worker to fall in love. Though ''It Takes Two'' teaches how important it is for a family to have a mother and a father, it has been criticized for having too similar a story to ''The Parent Trap''.
|$19,474,589
|-
|''Jack and Jill''
|2011
|PG
|Adam Sandler stars as both Jack and his "identical twin sister" Jill in this family comedy that features pro-capitalism and pro-family values. That aside, ''Jack and Jill'' is an aggressively poorly acted (apart from a strangely committed performance from Al Pacino), poorly written, poorly directed film with an appalling premise (the idea of a man having an "identical twin sister" is nightmarish at best) that received overwhelmingly negative reception from critics and audiences alike, who often called it the worst film of 2011. At the 32nd Golden Raspberry Award ceremony in 2012, ''Jack and Jill'' "won" in all twelve categories, even beating the liberal propaganda piece ''Battlefield Earth''.
|$149,673,788
|-
|''Kidnap''
|2017
|R
|Mother Karla Dyson stops at nothing to save her kidnapped child. The plot, while supportive of family and traditional motherhood roles, has been already seen in other conservative films such as ''Prisoners'', Ransom'', and ''Taken''.
|
|-
|''The Land Before Time'' sequels
|1994-2016
|G
|The films deal with various conservative themes such as reconciliation, anti-racism, family values, friendships being important, and the like. That being said, however, the films' actual quality and their being direct to video sequels tend to leave much to be desired regarding the plotlines.
|N/A (Direct to Video)
|-
|''Lady and the Tramp 2''
|2001
|G
|Lady and Tramp’s son, runs away to join the Junkyard dogs (a clear allegory for criminals), where he Angel, who encourages him to return home after realizing he has a family. Also the film takes place within the Independence Day holiday, making it what might be the only Disney film to acknowledge and celebrate this patriotic holiday. However this film like most Disney sequels went straight to video.
|N/A (Direct to Video film)
|-
|''Legend of the Guardians: The Owls of ''Ga'Hoole''
|2010
|PG
|In a world where owls live in different kingdoms, young barn owl Soren grows up being inspired by the Guardians of Ga'Hoole, knightly owls who perform noble deeds. One night, he and his brother Kludd are snatched away from home while practicing flying, and they're taken to a facility that makes owlets build a contraption for world domination for the Pure Ones (which are barn owl supremacists). Escaping with an intelligent elf owl named Gylfie, Soren goes on his way to find the Great Ga'Hoole tree (meeting friends like eccentric burrowing owl Digger and boisterous great gray owl Twilight) and warn its guardians of the danger awaiting their kingdom. Like the ''Guardians of Ga'Hoole'' books the movie is based on, the movie shows friendship and a story of [[good and evil]] in a positive light, where the Guardians fight for the security and freedom of their home and the other owl kingdoms against the tyranny of the Pure Ones. It also condemns abandoning family, for Kludd is easily won over to the Pure Ones side due to falling for the High Tyto Metal Beak's queen, Nyra, abandoning Soren to be forced to work alongside the other brainwashed owlets. Another case is Kludd going so far as to kidnap his baby sister and brainwash her for Metal Beak's cause. However, the movie suffers from rather weak storytelling and did not perform well in theaters.
|$140.10 million
|-
|''Leonard Part 6''
|1987
|PG
|The villain is a militant vegan who plans to destroy the human race, but there are a number of confusing or outright silly plot points such as Bill Cosby's character Leonard Parker being tortured by lobsters, a henchman having his head blow up after eating a hot dog, and Cosby riding an ostrich like a horse, just to name a few. Even though he produced and wrote it, Bill Cosby has disowned the film and even begged people not to see it.
|$4,615,255
|-
|''The Lion King''
|2019
|PG
|This photorealistic CGI remake of the 1994 film ''The Lion King'' contains the same messages as the original film, from faith and heroism to honoring one's father. Totalitarian rule is shown as negative in the form of Scar, who makes an alliance with the hyenas to take over the Pride Lands and overhunts alongside them (which is also a condemnation of poaching); this sets him up as an opposite to Mufasa when the latter earlier says, "While others search for what they can take, a true king searches for what he can give." Similarly, the movie expands upon the overhunting element from the original movie by revealing it had been done deliberately on Scar's orders, both to cull the numbers to ensure he remained on top as well as out of spite for Sarabi refusing him, showcasing even more blatantly the negatives of megalomania and such being etched into totalitarian ideologies such as Communism. Hakuna Matata is also a lot more nihilistic in this remake, Timon and Pumbaa explaining how life is a "meaningless line of indifference", until Simba finally manages to shake it off and take responsibility. That being said, the movie suffers from flaws like faces not being expressive enough to several important parts of the original being removed.
|$1,651,825,190
|-
|''The Lion King II: Simba's Pride''
|1998
|G
|In the sequel to the great conservative animation ''The Lion King'', protagonist Simba and his wife Nala are now raising a daughter of their own, Kiara, but Simba has exiled those lions in his pride who were loyal to his late evil uncle Scar, dubbing them "Outlanders". Tensions rise when Kiara falls in love with an Outlander. Although made during the infamous Michael Eisner era and was part of that era's direct to video sequel line, it also features the same pro-family and Christian messaging as in the original movie. Also features a condemnation against parental neglect/abuse and infanticide, as the main antagonist Zira frequently neglects one of the other antagonists, her eldest son Nuka (who is implied to be the actual male offspring for Scar unlike Kovu), and ultimately gets killed trying to win over her favor; and late in the film, when Vitani takes Kiara's words to heart and joins with the pride landers, Zira proceeds to threaten to kill her daughter in turn, which results in the remainder of the Outlanders proceeding to defect to the Pride Lands out of disgust towards the threat to her own daughter.
|N/A (Direct to Video film)
|-
|''The Little Mermaid: Ariel's Beginning''
|2008
|G
|The last of the Direct to Video sequels before an embargo was placed upon them largely due to the negative reception to the sequels. The overall plot, acting as a prequel to the original film, deals with letting go of the past and moving forward, and also honoring your parents, as Ariel's reason for bringing back music to Atlantica was because she realized her deceased mother, Queen Athena, would never have wanted music to be banned. Also has some condemnation towards totalitarianism as King Triton, due to his grief of his wife's untimely death, proceeded to enforce big government style control over the kingdom, which was not depicted in a positive light at all. That said, however, the film also conflicted with several plot details regarding the later film (namely, Ariel desiring to become human and frequently disobeying her father to pursue that dream being left out entirely, and Ariel's sisters' birth order being swapped around from what was implied in the Daughters of King Triton musical number), and overall downplays the anti-misanthropy messages the original film had.
|N/A (Direct to Video film)
|-
|''The Little Mermaid II: Return to the Sea''
|2000
|G
|Although it to some extent retreads the plotline of the conservative film ''The Little Mermaid'' and was part of the infamous direct-to-video sequel line of the [[Michael Eisner]] era, it has a similar pro-family message and depicts the villain in a truly horrific light (such as trying to murder the main protagonist, a child, twice, once while she was a baby which acted as the primary reason why her parents, Ariel and Eric from the first film, went to great lengths to prevent her from learning about her heritage or even allowing her into the sea, and the other time when she was 12). It condemns parental neglect, too, because the main villain in question, Morgana, is largely motivated by being neglected by her mother over her elder sister, the previous main villain Ursula, which was most showcased in the special edition re-release via the added in song "Gonna Get My Wish."
|N/A (Direct to Video film)
|-
|''The Lord of the Rings''
|1978
|PG
|This early attempt to bring J. R. R. Tolkien conservative text to the silver screen still stands up for friendship, bravery, honor, sacrifice etc., but the animation (and pretty much everything else) has aged very poorly. Was remade into a live action trilogy in 2001-2003.
|$30,471,420
|-
|''Max Keeble's Big Move''
|2001
|PG
|Similar to ''Ferris Bueller's Day Off'', the film showcases the public school system in a more negative light, due to one of the teachers letting one of the bullies, Dobbs, get away with stealing lunch money and later the same teacher punishing Max Keeble with a significantly and unreasonably large essay about rules for being tardied despite it being obvious that the only reason he was late was because one of the bullies, Troy McGinty, forced him into a swirly (due to his being dripping wet when he entered), as well as the principal of the school, Elliot Jindrake, who also acts as one of the main antagonists, explicitly hating children and only putting up with the school so he could get promoted to superintendent, as well as explicitly embezzling the school's budget, and also proceeding to punish Max for turning up late for an auditorium event even when, similar to the swirly incident mentioned above, it was very obvious that he only ended up late because McGinty proceeded to, in a similar manner to a cooking show, humiliate him by throwing him into a mud pool, putting saw dust on him, and then forcing him into a dumpster (due to his being littered with trash when he walked in). It also has a bit of an anti-socialist message due to the Evil Ice Cream Man being implied at one point to be a socialist (due to his insulting fellow antagonist Dobbs as a "capitalist tool.") and, as indicated by his nom de guerre, was not depicted in a positive light. Also has an allegory for the liberal elements of modern-day journalism as well, due to two of the characters who worked for the school yearbook proceeding to make events out to be even worse than they actually are (such as titling the first day as "Sheep Arrive for Slaughter"), not to mention usually uses the opportunity to actually photograph events of bullying rather than actually making any attempt to prevent it. Despite that, however, it largely was criticized for being bland and unoriginal, at least among adults, including some critics citing it as being too similar to ''Ferris Bueller's Day Off''.
|$18.6 million
|-
|''The Mummy: Tomb of the Dragon Emperor''
|2008
|PG-13
|Still has the same pro-family message, along with a [[Mao Zedong|Mao]]-like rogue army as the side villains. That being said, however, it was a box office bomb that caused the movie franchise to be cancelled despite leaving a hint at a sequel at the end, and there was also evidence of it being poorly made.
|$102,491,776
|-
|''[[The Patriot]]''
|2000
|R
|Mel Gibson plays Benjamin Martin; a patriot and a father that fights for American freedom during the [[American Revolution]]. Although it promotes America in a positive light and promotes patriotism, the film alongside several other films released around the same time (such as ''Hollow Man'', ''The Animal'', ''A Knight's Tale'', and ''Vertical Limit''), was also involved in a scandal by Sony Pictures where fake reviews by a fictitious reviewer named David Manning were made as a form of movie marketing, as well as being involved in a scandal about how various trailers had Sony using employees posing as moviegoers to go see the film and give excellent reviews.<ref>https://web.archive.org/web/20010609225327/http://www.msnbc.com/news/581770.asp?cp1=1</ref><ref>https://www.thoughtco.com/sony-fake-film-critic-story-4062655</ref><ref>https://www.telegraph.co.uk/news/worldnews/northamerica/usa/1495591/Sony-ordered-to-pay-1.5m-for-film-goer-hoax.html</ref>
|$215,294,342
|-
|''Pearl Harbor''
|2001
|PG-13
|This military action film gets its [[Patriotism|patriotic]] message across, but the directing, screenplay, acting, romance among the three leads, and the overall historically inaccurate portrayal one of the most horrific, tragic moments in world history for the sake of copying James Cameron's 1997 film ''Titanic'' are questionable. Then again, director Michael Bay does have a history of favoring spectacle over substance most of the time.
|$198,542,554
|-
|''Pokémon Heroes: Latios & Latias''
|2002 (Japan) 2003 (USA)
|G
|Like with ''4Ever'', it has some implicit pro-Christian messages, as after the villains proceeded to hijack an ancient doomsday weapon, Latios proceeded to sacrifice himself to save Alto Mare from destruction. However, it got very low box office records due to a limited release in America which ultimately led to most other Pokémon films after it to be released as direct to video features (with only the dual-feature fourteenth movie, ''White—Victini and Zekrom'' and ''Black—Victini and Reshiram'', the 20th movie, ''Pokémon The Movie: I Choose You'', and the 21st movie, ''The Power of Us'', ever seeing releases in theaters outside Japan since then, and even then only as limited theatrical releases), and its Japanese premiere was, until the Japanese release of the movie ''Hoopa and the Clash of Ages'', the worst performing Pokémon film ever.
|$20.9 million
|-
|''The Return of Jafar''
|1994 (VHS) 2006 (DVD)
|G
|It is the first of the infamous Direct to Video sequel era within Eisner's Disney, and has elements of very poor production values. On the other hand, the film has redemption and forgiveness as major themes of the story due to Iago, Jafar's henchman from the original film, ultimately embracing a change of heart and, after initially saving Aladdin simply so he could get into the palace, eventually proceeding to save Aladdin from Jafar twice with no expectation of a reward, and redeeming himself for betraying Aladdin out of cowardice. It also depicts people who steal from others for their own selfishness in a very negative light in the form of the co-villain Abis Mal.
|
|-
|''The Return of the King''
|1980
|UR
|This early attempt to bring the third book of the conservative book saga ''The Lord of the Rings'' was plagued by low budget animation due to being a made-for-TV film.
|
|-
|''Rise of the Guardians''
|2012
|PG
|Four immortal guardians appear as Christ-like creatures, who jobs are to protect those children who believe in them. Two of the guardians are Santa Claus and the Easter Bunny, based on Christian allegories. Also, contains a guardian leader known as "Man on Moon" a clear allegory for [[God]]. Despite this, however, the film was largely a box office failure despite making double of its $145 million budget due to its high production and marketing costs, being the first DreamWorks animated movie to lose money on a film since ''Sinbad: Legend of the Seven Seas''.<ref>https://www.theguardian.com/film/2013/feb/27/dreamworks-animation-job-cuts-guardians</ref> which ultimately served as one of the reasons why DreamWorks ended up laying off 350 employees.<ref>http://www.thewrap.com/movies/article/dreamworks-animation-lay-350-employees-79381</ref>
|$103,412,758<ref>http://www.boxofficemojo.com/movies/?id=guardians.htm</ref>
|-
|''[[The Room]]''
|2003
|R
|This independent drama takes place in one room and explores the love triangle among an amiable banker, his deceptive fiancée, and his conflicted best friend. It teaches against alcoholism and adultery, showing the destructive nature of liberal values. However, ''The Room'' has been critically panned for its acting, screenplay, dialogue, production values, score, direction, cinematography, and handful of unrelated and unresolved subplots. Regardless of its low domestic gross from its initial theatrical run, it has done much better in recent re-screenings, becoming a cult classic of sorts.
|$1800
|-
|''Shrek the Third''
|2007
|PG
|The movie has a condemnation against totalitarian dictatorships and Hollywood values in the form of Prince Charming, who after recruiting various villains into aiding him in taking over Far Far Away, he had the kingdom become dystopic and forced the kingdom to watch a "play" he made as a subtle method of executing Shrek. In addition, it's also pro-family, as Shrek sought out Arthur, Fiona's cousin, to take the throne after her father died of an ailment and gives some heart-felt advice regarding taking up the responsibility, and Shrek ultimately resolves to be a father to his to-be-born kids after learning that Fiona was pregnant despite having misgivings regarding being a father due to his own experiences with his father (who nearly attempted to eat him). It also has condemnation of notions of revenge and has a redemption theme, as many of the villains ultimately gave up on being villains after Arthur convinced them not to be consumed by desires for revenge and seek their original goals. Despite this, however, the film had some very questionable production methods, and the plotline was fairly weak.
|$799 million
|-
|''The Santa Clause 2''
|2002
|G
|Promotes many of the same values as in ''The Santa Clause'', namely pro-Christmas and pro-family, and also has a redemption and forgiveness theme as well. However, the plot is left somewhat weak.
|
|-
|''The Santa Clause 3''
|2006
|G
|Like in the first two films, it promotes Christmas as well as family, and also has an anti-Envy message. However, the film returned poor sales, the overall plotline was very weak, and it was also criticized as only being made to make a quick buck.
|
|-
|''Space Jam''
|1996
|PG
|Basketball star Michael Jordan uses the help of the Looney Tunes to beat back alien invaders from outer space who wish to take away their freedoms. Though the film hints at an anti-illegal immigration message, it suffers from messy animation and a lack of depth, and it is often cited as feeling more like a commercial than a film.
|$90,443,603
|-
|''Stealth''
|2005
|PG-13
|The film is pro-military and pro-American, with the North Koreans being portrayed in a negative manner. Also shows government corruption in a negative light in the form of a Washington lobbyist and the treacherous CO of the protagonists. Also has hints at a pro-War on Terror message as well. That being said, however, the movie was a critical and financial bomb, reputed to be among the worst box office losses at the time.
|$76 million
|-
|''Superman Returns''
|2006
|PG-13
|America icon Superman is seen as an angel-like figure, who helps those in need. Also condemns to some extent the liberal values within the news media, as Lois Lane's Pulitzer prize was earned due to her making a scathing article on Superman and implying the world doesn't need him, and it's revealed she made the article due to being upset at Superman leaving her behind before the events of the film. It is also pro-family, as the arc words throughout the film with Jor-El telling baby Kal-El via flashback that, even though he himself will die from the destruction of Krypton, he will not leave Superman's side, and that they'll grow stronger as one, with Superman giving a similar speech to his and Lois's son in the ending, and in addition, Lois Lane's husband, Richard White, was shown to be very protective of his family, even going as far as to take a chopper to save them while Superman was incapacitated. However, the movie also had some controversy over the director Bryan Singer's homosexuality, and while it did initially receive positive reviews, it ultimately became negative overtime, and resulted in there not being another Superman film until 2013 with ''Man of Steel'', which was treated as a reboot.
|$200,081,192
|-
|''Super Mario Bros.''
|May 28, 1993
|PG
|Loosely based on the classic video game series from Nintendo, two fraternal plumbers from Brooklyn, New York must rescue the younger's girlfriend from a parallel dimension ruled by humans descended directly from dinosaurs. The film may support the Second Amendment when an old lady, before mugging the brothers, explicitly states they need to have a weapon to survive on the streets of Dinohattan (a parody of Manhattan depicted as a lawless hellhole). Furthermore, the movie seems to condemn Communistic/fascistic big government in the form of King Koopa (a human-looking dictator loosely based on Bowser, the turtle-dragon hybrid who serves as the main villain of most Super Mario games). The aforementioned lawlessness of Dinohattan is heavily implied to be caused by King Koopa's using liberal values and big government (à la Scar from ''The Lion King'') to grossly mismanage the location to such an extent that he and his minions ran out of resources after taking over Dinohattan via a coup and "reformed" it into a people's republic with false elections. To some extent, the movie condemns evolution and social Darwinism: although the backstory does involve dinosaurs evolving into humanoid creatures since they were sent to a separate dimension from that of humans, only the villains focus on this aspect and thus want to eliminate true humans.

All that aside, the film was largely panned and recouped less than half its budget at the box office, and it is considered one of the more infamous examples of the inherent difficulties of adapting a video game into a film. Effectively, ''Super Mario Bros.'' scared Nintendo into never allowing the West to make another film based on any one of its game franchises or letting Disney have any direct role in any of its franchises besides distributing games based on them, instead granting Universal Studios the rights to build a Nintendo theme park at Universal Studios Orlando; and it ruined the directorial careers of Rocky Morton and Annabel Jankel. Making the film took its toll on the actors, too, particularly Bob Hoskins (Mario), who stated in an interview years later that it was "…the worst thing I ever did", noting that he was stabbed four times, electrocuted, injured in one finger, and almost drowned during production. Likewise, in an autobiography, John Leguizamo (who played Luigi, Mario's younger brother) dedicates an entire chapter to the horrors of working on ''Super Mario Bros.'' and comments that he and Hoskins drank heavily during breaks to deal with the traumatic experience. Among the handful of editing errors is a specific shot that shows one of Koopa's guards slipping on slime that wasn't even present originally when the Mario Bros. revolted. This was the result of a deleted scene where Koopa, both due to his germophobic nature and as a further demonstration of the de-evolution chamber's properties, executes a technician by de-evolving him into primordial ooze for sneezing in his presence, explaining where the slime came from.
|$20.9 million
|-
|''Toy Soldiers''
|1991
|R
|Trouble making boys at a boarding school must wise up and fight as their school is taken over by terrorists. However, the script is weak and borrows elements of ''Die Hard'' and ''Red Dawn''.
|$15,073,942
|-
|''Under Siege 2: Dark Territory''
|1995
|R
|Casey Ryback, while on a train with his niece, Sarah, gets caught in the middle of another hijacking as the train is taken over by ex-military American mercenaries led by Marcus Penn. Their employer, Travis Dane, is a former weapons designer who uses the train as a mobile base to hack into his creation, the WMD satellite Grazer One, and use it to destroy Washington DC. Dane and Penn are revealed to have an extensive network of contacts with America's worst enemies, who pay them lots of money for their terrorist activities and Dane is especially amoral and depraved. He is willing to destroy a chemical weapons plant in Guanzhou, China, killing thousands, just to demonstrate the power of his weapon. He then uses it to destroy an entire passenger airplane just to kill a customer's ex-wife for extra money.

The film overall depicts Ryback's heroism in a positive light and the villains' treachery and depravity in a negative light like the first movie. It also has a pro-family theme demonstrated by Casey's relationship with Sarah as well as Casey's regret for not making amends with his brother before his brother's death. However, it's very derivative of the first film, and also has an anti-WMD message with Grazer One and Tom Breaker's line "Sane people do not build weapons like this."
|$104,324,083
|-
|''The Wild''
|2006
|G
|The main moral is that character and strength comes from within, and that it does not matter where one comes from, to achieve this. This is also a pro-family film about a father of the lion who along with his animal friends goes to search for his son after he is accidentally taken away. The villains of the movie are wildebeests that are trying to change the food chain, by planning to eat the lions, and one could argue this could give the film anti-environmentalist message. However the movie did receive poor reviews, and the movie’s main plot about Central Park Zoo animals that go on adventures was unfavorably compared to the more successful and politically neutral animation film ''Madagascar'' which had been released the year before.
|$37,384,046
|-
|}

== References ==
<references/>

== See also ==
*[[Essay:Worst Liberal Movies]]
*[[Essay:20 Greatest Conservative Movies of the Last 20 Years]]
*[[Essay:Greatest Conservative Songs]]
*[[Essay:Greatest Conservative TV Shows]]

{{Conservatism}}

[[Category:Essays about Conservatism]]
[[Category:Hollywood]]
[[Category:Greatest Conservative Movies]]
[[Category:Movies]]
{{DEFAULTSORT:Greatest Conservative Movies}}

Essay:Greatest Conservative Movies

2020-01-04T17:29:37Z

SaltLakeCityLover: Added Ace Ventura and Shazam back to greatest for its minor reasons and added a film

'''There have been many superb [[conservative]] films''':

==Live-action films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''The 6th Day''
|2000
|PG-13
|California Republican governor-to-be [[Arnold Schwarzenegger]] stars in this pro-life, anti-cloning adventure as a family man of the future who is illegally cloned.
|$34,543,701
|-
|''13 Hours: The Secret Soldiers of Benghazi''
|2016
|R
|One of Michael Bay's better films tells the true story of when [[Benghazi Attack|Islamic terrorists attacked a U.S. diplomatic compound in Benghazi, Libya on September 11, 2012]] and the six Americans who took a stand without any support from the Obama-controlled White House or from then-Secretary of State Hillary Clinton (who not only refused to send any help and even ordered the military in the area to stand down, but later dismissively brushed off criticism of her actions with her infamous and callous "What difference at this point does it make?" comment). Not surprisingly, liberals viewed the film negatively and even made baseless accusations about the film's accuracy to distract from their dislike, but the film was a box office success and popular with the viewing public,<ref>https://www.rottentomatoes.com/m/13_hours_the_secret_soldiers_of_benghazi</ref> which saw an insightful analysis at the events of the attack and the heroes who acted to defend the compound of their own accord.
|$69.40 million
|-
|''17 Again''
|2009
|PG-13
|A 37-year-old father reverts to age 17 through a visit to a mysterious janitor and learns that choosing family, which he strives to support however he can, and life over death and possible material riches is much more rewarding and fulfilling even if it is not always apparent. The film stands up for [[abstinence]] and self-respect, and contains a strong speech for both of them, as in this quote: "Because there is no one that I'm in love with. It's called making love, isn't it? Maybe I'm old fashioned, but I think that means you do it with someone you love. And preferably when you're married, when you're ready to take that love and turn it into a baby." The concept of fatherhood is painted positively as well because he ultimately learns he was reverted to age 17 so he could see things from his children's perspectives and help them resolve their problems.
|$64,167,069<ref>http://www.boxofficemojo.com/movies/?id=17again.htm</ref>
|-
|''42''
|2013
|PG-13
|Bio pick of American icon [[Jackie Robinson]]
|$95,020,213
|-
|''90 Minutes in Heaven''
|2015
|PG-13
|A man has a near-death experience and sees [[heaven]].
|$4,842,699
|-
|''127 Hours''
|2010
|R
|This biopic tells the true story about initially easygoing and carefree outdoor adventurer Aron Ralston, who, in 2003, gained worldwide attention for becoming trapped in Blue John Canyon in Utah, a boulder trapping his right forearm against the canyon wall. As he reflects upon his life and expects to die, Aron realizes that he hasn't appreciated his family enough, and that he didn't treat his girlfriend as well as he should have. In the end, Aron summons the courage to do what was necessary to save his life: amputate his arm. As the real Aron would later say, he was reborn in the canyon, emerging with a far better appreciation of his family and never again taking anything for granted.
|$60,738,797
|-
|''[[Nineteen Eighty-Four|1984]]''
|1984
|R
|The big-screen adaptation of the iconic [[conservative]] text from [[George Orwell]].
|$8,430,492
|-
|''A Christmas Story''
|1983
|PG
|Child actor Peter Billingsley stars as Ralphie Parker, a boy who wants a BB gun for Christmas, in this heartwarming comedy. The National Film Registry selected it for historical preservation in 2012.
|$19,294,144
|-
|''A Dog of Flanders''
|1998
|
|The fifth live action adaptation of Ouida's book contains a number of Christian themes.
|$2,165,637
|-
|''A Dog's Purpose''
|2017
|PG
|Based on the heartwarming book of the same name, the soul of a dog lives the lives of several dogs spanning decades and remains loyal to its owners. The film takes a stand against [[bestiality]] and animal cruelty, too.
|$22,000,000
|-
|''A Gathering of Eagles''
|1963
|UR
|It illustrates duty, honor, and the burden of command.
|Unknown
|-
|''A Man For All Seasons''
|1966
|UR
|In 16th Century England, statesman and philosopher Thomas More is forced to choose between his Catholic faith and his loyalty to the king. It won six Academy Awards: Best Picture, Actor, Director, Adapted Screenplay, Cinematography (Color), and Costume Design (Color).
|$20,000,000<ref>This figure is a worldwide gross.</ref>
|-
|''Ace Ventura: Pet Detective''
|1994
|PG-13
|Hero Ace Ventura is an animal lover, but not an animal rights activist, and prefers [[conservation]]. In addition in recent years, liberals have criticized this movie under claims of it "attacking" the LGBT community, as the main villain is a gender-confused man who pretended to be a "woman". Ventura literally freaks out when he realized he really made out with a man, as does everyone else later when they find out the truth. Ventura also calls him by his biological gender.
|$72,217,396<ref>https://www.boxofficemojo.com/movies/?id=aceventura.htm</ref>
|-
|''Act of Valor''
|2012
|R
|In this military drama, soldiers are shown as heroes battling terrorism, which is related to both Islamic terrorism and drug cartels. It is also one of the few films where the main cast is portrayed by actual Navy SEALs, resulting in accurate military terminology and battlefield strategies.
|$70,012,847
|-
|''Adam's Rib''
|1949
|Not rated
|Attorney Adam Bonner (Spencer Tracy) hilariously exposes his budding [[feminism|feminist]] wife Amanda's (Katharine Hepburn's) hypocritical double standards in the legal system.
|-
||''Alone Yet Not Alone''
|2013
|PG-13
|[[Christianity]]'s impact in building the United States is explored in depth. Liberals were shaken when it received an Oscar nomination, proving that there is still a prevalent conservative voice in Hollywood.
|$887,851<ref>http://www.boxofficemojo.com/movies/?id=aloneyetnotalone.htm</ref>
|-
|''Alpha''
|2018
|PG-13
|This film set in Europe 20,000 years ago tells the story of a human and his relation with a wolf. It promotes family and friendship values with both the teenaged tribesman's relation with his family and with the wolf. It also is pro-[[hunting]] and pro-[[fishing]] as the human learns the importance of killing a rabbit in order to feed the wolf. The wolf and human also go fishing and hunt bison and wild boars.
|$11.7 million
|-
|''[[Amazing Grace (movie)|Amazing Grace]]''
|2006
|PG
|This historical drama shows the horrors of the slave trade and teaches that, contrary to academic claims, Christianity played the largest role in the abolition movement, while most secular humanists either supported slavery or otherwise did nothing to stop it.<ref>http://catholicexchange.com/moving-amazing-grace-highlights-christian-role-in-abolitionist-movement</ref>
|$21,208,358
|-
|''American History X''
|1998
|R
|A [[Neo-Nazi]] (The Nazis were left-wing socialists even though the Left has tried denying it) overcomes his [[racism]] and [[anti-Semitism]] after being sent to jail for voluntary manslaughter and does everything in his power to prevent his brother from following the same path to destruction.
|$6,719,864
|-
|''American Sniper''
|2015
|R
|This biopic documents the life of [[Iraq War]] [[veteran]], [[patriot]] and [[hero]], [[United States Navy|Navy]] [[SEAL]] sniper [[Chris Kyle]].
|$350,126,372.
|-
|''[[An American Carol]]''
|2008
|PG-13
|[[David Zucker]]'s [[conservative]] comedy starring Kevin Farley, Kelsey Grammer, Jon Voight, Dennis Hopper, Trace Adkins, and Leslie Nielsen lampoons the liberal, America-hating elements of Hollywood.
|$7,013,191
|-
|''Angels in the Outfield''
|1994
|PG
|A foster child encourages his hapless baseball team to look to angels for help in this God-trusting comedy.
|$50,236,831
|-
|''[[Animal Farm]]''
|1999
|Not Rated
|This live-action adaptation of the [[conservative]] text of the same name from [[George Orwell]] (and of the 1954 original animation) uses animals in the pretext of leveling harsh criticism against [[Communism]] and against [[Joseph Stalin]]. Unlike the source material, the film literally shows Animal Farm collapsing due to the excesses posed by the evil Napoleon, a Berkshire boar and a metaphor for Stalin, and his pigs, which is ultimately justified due to the collapse of the Soviet Union years earlier under similar reasons for Animal Farm's collapse.
|NA - TV
|-
|''[[Argo]]''
|2012
|R
|CIA agent Tony Mendez embarks on a daring rescue of Americans trapped in Iran during the [[Iranian Hostage Crisis]] while using a film production as a cover story to hide his act of courage. The film highlights how inherently corrupt an Islam-based government can be as well as the incompetence of the [[Jimmy Carter]] administration in dealing with the hostage crisis. It won the Academy Award for Best Picture of 2012.
|$136,025,503
|-
|''Armed and Dangerous''
|1986
|PG-13
|This comedy by Harold Ramis, the same screenwriter of the conservative films ''Ghostbusters'' and ''Groundhog Day'', exposes [[labor union]] corruption.
|$15,945,534
|-
|''Assault on Precinct 13''
|1976
|R
|Often considered an urban remake of the conservative film ''Rio Bravo'', a police sergeant in Los Angeles and his crew must defend an abandoned precinct office from an army of criminals. The police are rightfully shown as good, while the criminals are evil. Its 2005 remake was set in [[Detroit]].
|
|-
|''Attack on Darfur''
|2009
|R
|Liberal journalists end up being trapped in Darfur, Sudan, and must fight to survive. The film doesn't hold back on crimes committed by the [[Janjaweed]] here.
|
|-
|''The Avengers''
|2012
|PG
|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing superhero film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, as they join the Norse god Thor (who is less of a god and more of an alien in this universe, thus averting support for paganism) in stopping his evil brother Loki from conquering the world with an extraterrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses to submit to "men like him", comparing Loki's actions to Hitler and Nazi Germany's actions. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel went into full effect, it should come as no surprise that these conservative subtexts shine through.
|$1.519 billion
|-
|''Bad Boys II''
|2003
|R
|The sequel to the 1995 film, this police action film is surprisingly pro-family (main character Lieutenant Marcus Burnett's daughter is an undercover operative for the DEA, and his laid back but faithful friend and partner tries to help him with this personal crisis, which he does not approve of) and advocates war on drugs. The main villains are Russians and Cubans (Communists), while the side villains are [[Ku Klux Klan]] members (which was founded by the [[Democrat Party]]).
|$138,608,444
|-
|''The Bad News Bears''
|1976
|PG
|Centered on the classic American pastime of [[baseball]], this sports feature negatively depicts forced government intervention into baseball in the name of equality, as the reason the Bears baseball team existed in the first place was to put rejects into a baseball team after being legally forced to do so via a lawsuit. Morals include improving oneself through training as well as the [[American Dream]]: although the Bears are composed of the worst players in little league, main character Coach Buttermaker trains them to become one of the best baseball teams in the season. Followed by two direct sequels in 1977 and 1978. In contrast, the 2005 remake is significantly more coarse and more politically correct.
|$42.3 million
|-
|''Batman Begins''
|2005
|PG-13
|The first film in Christopher Nolan's ''Dark Knight'' trilogy retells comic book superhero Bruce Wayne/Batman's origin story in a manner that specifically denounces corruption and trying to kill out of revenge with themes of redemptive measures. When main villain Ra's al Ghul reveals his intentions to destroy Gotham City, Batman tries to stop him since Gotham still ultimately has good elements in the community. Capitalism is depicted positively, too: in the backstory, Thomas Wayne, Bruce's late father, helped alleviate Gotham City from poverty via his wealth by building a public transportation system. Thomas' death inspired Gotham's wealthy individuals to follow his example, and Wayne Enterprises' Lucius Fox, who runs the company in Bruce's absence, proceeded to use the company's resources to synthesize a cure for fear toxin.
|$374.2 million
|-
|''[[Bedtime Stories]]''
|2008
|PG
|In this pro-family and pro-capitalism comedy, [[Adam Sandler]] plays a man who is given an opportunity to run a business and works hard to get the promotion against his rival while taking care of his niece and nephew. Sandler jokes about his sister's many liberal ideas and parenting skills (even calling her story books for them "Communist"). In the end, the children are then shown to be much happier and smarter after Sandler uses his conservative, capitalistic, family-centric tactics on them.
|$110,101,975
|-
|''Bella''
|2007
|PG-13
|A [[Pro-life]] drama.
|$8,070,537
|-
|''[[Ben-Hur (film, 1959)|Ben-Hur]]''
|1959
|UR
|This Roman historical drama celebrates honor and duty to family and country with a Christian ending, and it long held the record for the most [[Academy Awards]] awarded to a single film. Conservative actor and future [[National Rifle Association]] president and spokesman [[Charlton Heston]] plays the title role.
|$17,300,000
|-
|''Beverly Hills Cop''
|1984
|R
|Streetwise [[Detroit]] police detective Axel Foley drives out to Beverly Hills to investigate and avenge his friend's murder. While there, he meets up with a police force that does "everything by the book", jokes about their strong bureaucratic rules, and influences the two cops assigned to watch him to use critical thinking skills to solve the case. The main villain is a drug dealer, suggesting support for the war on drugs. Two sequels followed in 1987 and 1994.
|$234,760,478
|-
|''The Bible: In The Beginning''
|1966
|NR, could now receive PG
|As the title says, it is an expensive but powerful epic of [[Genesis]]' first 22 chapters.
|$34,900,023
|-
|''[[Big Daddy]]''
|1999
|PG-13
|Adam Sandler's plays Sonny, a man who, after being forced to take in an orphaned child that was sired by one of his friends, learns the importance of family as he realizes the responsibilities of fatherhood and grows as a person from the experience. A light satire of feminism is present: Sonny's ex-girlfriend cheats on him and then rejects him, only to end up working at a Hooters restaurant, which has been both satirized and scorned in the real world for its perversely clothed waitresses, with her extramarital lover.
|$234.8 million
|-
|''Big Fat Liar''
|2002
|PG
|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, ''Big Fat Liar'' teaches that "The truth is not overrated," which is also the moral of Jason's story.
|$48,360,547
|-
|''Billy Madison''
|1995
|PG-13
|A comedy film about [[redemption]], where the titular character gets a second chance at life. After flunking his education, he is given an opportunity to go back through grades 1-12 to do things right and pass successfully as well as earn the respect of his father. The main female is a simple schoolteacher and more of the antithesis of a modern-day feminist. Billy also learns the importance of being a good person and to have compassion for others, as well as the value of doing a job well done.
|$25,588,734
|-
|''Black Hawk Down''
|2002
|R
|Based on true events of a U.S. military campaign in Somalia, in which 18 U.S. soldiers died fighting their way out of a Mogadishu mission, American bravery and comradeship are heralded in the face of impossible odds against Islamic terrorism.
|$172,000,000
|-
|''Black Panther''
|2018
|PG-13
|Based on the eponymous Marvel Comics superhero, the eighteenth installment of the Marvel Cinematic Universe tells of a young African king, who gains enhanced strength from consumption of a majestic heart-shaped herb, fighting against the force of a black supremacist, who seeks to take the king's throne. In the name of morality, this king, or "The Black Panther," seeks to destroy the villain and his plans to overthrow the other races and governments of the world. The Black Panther recognizes both the importance of helping those in need, as well as not going beyond one's governmental authority. Though there are plenty of pagan religious references, the film appeals in some ways to a general sense of Christian morality and governmental justice, and it never diverts into political correctness about black supremacism.
|$704,000,000.
|-
|''Black Sheep''
|1996
|PG-13
|Pro-family film where the idiotic brother of a governor candidate must be straighten out, in order to avoid him hurting his chances in the election. The villain is a corrupt official and feminist, who had committed voter fraud. Also portrays the military (just shown in photographs) in positive light and is also anti-drug.
|$32,417,995
|-
|''Black Sunday''
|1977
|R
|This thriller refuses to be politically correct about Islamic terrorism.
|$15,769,322
|-
|''Blazing Saddles''
|1974
|R
|A politically incorrect western, something liberals are sure to despise.
|$119,500,000
|-
|''Blended''
|2014
|PG-13
|A widowed father of three daughters and a divorced mother of two sons accidentally end up staying together in a resort where the parents fall in love. This shows how important it is for a family to have both a mother and a father. It also condemns the homosexual agenda, as it favors traditional gender roles because the father’s oldest daughter gradually gives up her tomboyish style, to actually look like a traditional girl. Also has a celebration of baseball as well.
|$46,294,610
|-
|''Blue Collar''
|1978
|R
|This rare gem is one of the very few films to expose labor union corruption, first directed by former [[Grand Rapids]] native [[Paul Schrader]].
|$6,521,083
|-
|''The Blues Brothers''
|1980
|R
|Though based on a recurring skit from ''[[Saturday Night Live]]'', which is infamous for its history of liberal bias, this comedy designed to pay tribute to jazz and blues music contains a surprising conservative subtext. Blues singer siblings Joliet Jake and Elwood Blues embark "on a mission from God" by reuniting their bandmates, who have scattered around Chicago, so they can raise money to save the Catholic orphanage wherein they grew up. Despite being R-rated for vulgar language and often destructive slapstick comedy, it's Vatican approved. One less popular sequel premiered in 1998, ''Blues Brothers 2000''.<ref>[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers "Catholic", FOXNews, June 19, 2010]</ref>
|$57,229,890
|-
|''The Boys from Brazil''
|1978
|R
|The dangers of [[cloning]] are highlighted as infamous Josef Mengele (Gregory Peck in an opposite of his hero roles) tries to clone [[Adolf Hitler]].
|
|-
|''[[Braveheart]]''
|1995
|R
|Infuriated by his wife's murder, Scottish knight William Wallace (played by [[Mel Gibson]]) rallies an army to bring freedom to his people and country from the tyranny of English king Edward I. Based on the First War of Scottish Independence, it takes some creative liberties with the time frame, but it contains strong messages of patriotism and even some Christian allegories that stand the test of time (indeed, Wallace's sacrifice should remind viewers of [[Crucifixion|the most significant event in Christian history]]). It won the Academy Award for Best Picture of 1995.
|$210.4 million
|-
|''Brazil''
|1985
|R
|Much like the conservative text ''1984'', it teaches that big government is wrong for the world.
|$9,929,135
|-
|''[[Bruce Almighty]]''
|2003
|PG-13
|Jim Carrey stars in this comedy that, even with atheist Morgan Freeman portraying [[God]], shows in a lighthearted, accessible way how no one mortal can successfully do God's job. Also shows how hard God's job is. It was written by Steve Koren & Mark O'Keefe, the same writers of ''Click''.
|$242,589,580
|-
|''[[Captain America: The First Avenger]]''
|2011
|PG-13
|Based upon the adventures of the patriotic superhero from Marvel Comics (and perhaps the company's most conservative superhero ever created), the frail, sickly U.S. Army recruit Steve Rogers is enhanced to the peak of human physicality by an experimental serum, then uses his newfound supersoldier abilities to combat Nazi terror in Europe while wearing a star-spangled uniform to avoid identification and carrying a throwable shield. Ultimately, he hunts down Nazi supersoldier Johan Schmidt/Red Skull, who was subject to an early, flawed version of Rogers' serum and has stolen the Tesseract, an energy source of unknown potential. Though Rogers succeeds, he is soon left with no choice but to crash Schmidt's aircraft into a glacier, leaving him frozen in suspended animation for decades until he wakes up in 2012 and readies for the events of the next film in the Marvel Cinematic Universe, ''The Avengers''. Virtues shown include patriotism, perseverance, and the courage to confront evil dictators. It condemns against globalist views in the climax of the film, as Schmidt, when taunting Rogers, says, "I've seen the future, Captain! There are no flags!", referring to Rogers' choice to fight for his nation rather than harness the power of gods. Rogers rejects his claim by shouting, "Not my future!" Capitalism is painted positively in the form of a young Howard Stark (father of fellow Marvel superhero Tony Stark/Iron Man), who is first seen holding an expo for possible future inventions, including a flying car. The film condemns infidelity and premarital relations as well: British intelligence agent Peggy Carter initially assumes that Rogers is cheating on her (she learns the girl he is first seen dating previously forced herself on him); and, when Howard Stark says "fondue", he says he means a platonic dinner with Carter rather than innuendo for sex.
|$176,654,505
|-
|''Captain America: The Winter Soldier''
|2014
|PG-13
|Patriotic superhero and Avengers co-leader Steve Rogers/Captain America unravels a government conspiracy involving HYDRA, the Nazi terror group he fought in World War II, and tries reconnecting with his long-lost best friend James "Bucky" Barnes, who, after being frozen in suspended animation for decades like Rogers was, is now a brainwashed assassin known only as "The Winter Soldier". All the while, he stays true to principles that the United States was founded on, unwilling to see them destroyed. The filmmakers based the villains of this film on the NSA and the [[Barack Hussein Obama|Obama]] regime.<ref>https://www.breitbart.com/california/2014/04/06/hollywood-turns-against-obama-with-captain-america-winter-soldier-2/</ref>
|$259,766,572
|-
|''Captain America: Civil War''
|2016
|PG-13
|The United Nations proposes that the Avengers, the main superhero team of the Marvel Cinematic Universe, be put under their control. A rift in the team forms because of the disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along with his allies (Bucky Barnes/the Winter Solider, Sam Wilson/Falcon, Wanda Maximoff/Scarlet Witch, Clint Barton/Hawkeye, and Scott Lang/Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue. Through persistence, he prevents the UN from placing the whole group under globalist control.
|$407,588,905
|-
|''The Case for Christ''
|2017
|PG
|Based on a true story about an atheists couple that starts to doubt their atheism when a christian women saves her daughter from choking. In the end they realize that there is a God and convert to Christianity.
|$14,682,684
|-
|''Catch that Kid''
|2004
|PG
|Three teenagers try to rob a bank, not for greed but to get money needed for one of their father’s surgery to save his life. In the end, they realize that even though their intentions were good what they did was wrong. They then end up getting the money through donations and generosity rather than theft. Thus giving the movie anti-socialist aspects, and anti-universal healthcare aspects, as they realized it was wrong to take other people’s money to pay for their healthcare.
|$16,703,799
|-
|''Chariots of Fire''
|1981
|PG
|Based on the parallel lives of two British Olympians, devout Scottish Presbyterian [[Eric Liddell]], who wants to run for the glory of God, and Jewish Englishman [[Harold Abrahams]] both struggle to overcome prejudice in 1924 Britain. That year's Olympics Games was especially spiritual when Liddell refused the Prince of Wales' request that he perform his competition on a Sunday.
|$58,972,904
|-
|''Chappaquiddick''
|2018
|PG-13
|This Hollywood film doesn't feature any history revisionism and tells the cold hard truth about [[Ted Kennedy]] during the [[Chappaquiddick incident]]<ref>https://www.hollywoodintoto.com/chappaquiddick-review/</ref> angering liberal critics in the process.<ref>https://www.nytimes.com/2018/04/06/opinion/chappaquiddick-ted-kennedy-distortortion.html</ref> To add insult to injury the film ended up overperforming as well<ref>http://missliberty.com/chappaquiddick-box-office-blows-past-projections/</ref>
|$17,894,212
|-
|''Cheaper by the Dozen''
|2003
|PG
|In this pro-family feature, a father must sacrifice his dreams of success for the benefit of his large family. As a loose remake of the original 1950 film starring Clifton Webb and Myrna Loy, this remake stars Steve Martin and Bonnie Hunt.
|$190,212,113
|-
|''Cheaper by the Dozen 2''
|2005
|PG
|In this sequel to the pro-family remake, the Baker family takes a vacation and competes against a rival family in a tournament. In the end, they realize family is what matters most.
|$82,571,173
|-
|''Chef''
|2014
|R
|A capitalistic chef starts his own restaurant after liberal food critics begin criticizing his work, and he begins questioning why he became a chef in the first place. At the same time, our protagonist Carl Casper also tries to connect with estranged family. The film promotes capitalism and family values in a positive light.
|$31,424,003
|-
|''Chinatown''
|1974
|R
|This thriller highlights the deceit surrounding water rights in southern California and L.A.'s water system, removing most of the water from the central valley. It doesn't adhere to political correctness because the main protagonist is told a dirty joke at one point and later tells it to his fellow private detectives, who use the term "Chinaman." The sequel, ''The Two Jakes'', followed in 1990.
|$30,000,000 (worldwide estimate)
|-
|''Chitty Chitty Bang Bang''
|1968
|G
|Set in 1910s England and loosely based upon the epic children's novel by Ian Fleming (the creator of the [[James Bond]] franchise), widower inventor Caractacus Potts raises money to buy and repair an old race car, then takes his children and new love interest for a picnic on the beach. There, he tells them an epic tale about going on a mission to defend the car from a villainous king and queen who have outlawed children in the fictitious country of Vulgaria, and the story comes to life on screen. The film celebrates family unity, portrays a capitalistic entity (the candy empire owned by the father of Truly Scrumptious, Potts' love interest) in a positive light.
|$7.5 million
|-
|''[[The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]]''
|2005
|PG
|Based upon the Christian allegory written by C.S. Lewis, four orphans discover the magical realm of Narnia, which can be accessed through a wardrobe, where they are chosen by a prophecy to confront the [[Satan]]-esque White Witch. The omnipotent and benevolent lion Aslan, a stand-in for [[Jesus]], is instrumental in this goal since he frees Narnia from being frozen in a perpetual winter with no Christmas and because he sacrifices himself in place of orphan Edmund, who is temporarily manipulated by the White Witch, and resurrects in a Christ-like manner (according to Aslan, there is a "deeper magic from before the dawn of time" that will resurrect anyone killed in place of a traitor). Besides sacrifice, morals include courage, loyalty, friendship, honor, and redemption.
|$291,709,845
|-
|data-sort-value="Chronicles of Narnia: Prince Caspian"|''[[The Chronicles of Narnia: Prince Caspian]]''
|2008
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$141,621,490
|-
|''[[The Chronicles of Narnia: The Voyage of the Dawn Treader]]''
|2010
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$104,383,624
|-
|''Cinderella Man''
|2005
|PG-13
|Based on the story of boxing heavyweight champion James Braddock, the protagonist prizes family because he takes up boxing so he can provide for them during the Great Depression. In addition, it promotes loyalty and integrity as well, as his promoter not only tried to help him with boxing, but had also gone as far alongside his wife to sell everything they had to aid Braddock in trying to win the titleship, with Braddock's wife learning this when about to tell his promoter off for apparently selling him out.
|$108.5 million
|-
| ''The Circle''
|2017
|PG-13
|Based on the Dave Eggers novel of the same name, the film showcases how "material success, intellectual enlightenment, technological advancement, and utilitarian ethics — ultimately cannot satisfy the existential longing each of us has." <ref>https://www.conservativereview.com/articles/the-circle-most-conservative-movie-of-2017/</ref>
|$40.6 million
|-
|''City Slickers''
|1991
|PG-13
|In this motivational, feel-good feature, a man goes on vacation to Colorado with his friends to be cowboys in order to find his happiness. The main lesson is knowing what's really important in life. A sequel followed in 1993: ''City Slickers II: The Legend of Curly's Gold".
|$179,033,791
|-
|''Click''
|2006
|PG-13
|Written by Steve Koren & Mark O'Keefe, the same writers of ''[[Bruce Almighty]]'', a man finds a remote control that can control his life and be able to skip many events in it, including many involving his family. He then learns that he should instead appreciate his life and his family to its fullest, and not to be ungrateful with experiences that he thinks, out of selfishness, he doesn't always feel like living.
|$137,340,146
|-
|''Coach Carter''
|2005
|PG-13
|The moral is that graduating from high school and having a strong moral compass are more important than becoming a famous athlete.
|$67,253,092
|-
|''[[Cobra (1986 film)|Cobra]]''
|1986
|R
|[[Sylvester Stallone]] plays a tough police officer who is seemingly above the law, in order to control and stop crime. The story has some anti-statism aspects because Cobra cares more about protecting the people than protecting the law. The liberals and the [[Mainstream media|press]] are shown in a negative light for not supporting his efforts to stop a cult of [[Social Darwinism|social Darwinist]] serial killers.
|$49,042,224<ref>http://www.boxofficemojo.com/movies/?id=cobra.htm</ref>
|-
|''Coma''
|1978
|PG
|The villains run a conspiracy to push abortion at a hospital where organs are illegally collected.
|
|-
|''Concussion''
|2015
|PG-13
|This whistleblower film exposes the [[NFL]]'s ignorance to its players' medical issues that the [[Mainstream media|lamestream media]] has ignored. (See also [[Unplug the NFL]].) The film also may have be the reason to the NFL's rating decline the next year.<ref>https://www.youtube.com/watch?v=vtO-w69V4lg</ref>
|$34,542,474
|-
|''Contact''
|1997
|PG
|The overall message is about how science and faith do not have to be in opposition to one another.
|$100,853,835
|-
|''Courageous''
|2011
|PG-13
|This Sherwood Pictures drama film focuses on the role of fathers and the need for them.
|$34,522,221
|-
|''Cronos''
|1993
|R
|In this Mexican film by Guillermo del Toro (''Pan's Labyrinth'', ''Hellboy''), an elderly antiques dealer has a chance at immortality—but at the cost of being a leech to others. Mostly in Spanish with large parts in English.
|$621,392
|-
|''Daddy’s Home''
|2015
|PG-13
|A pro-family comedy, that promotes the concept of fatherhood. The dad and step-dad compete for attention of the kids, in the end they realize they both have the same goal, which is they want what is best for the kids. In addition the film is anti-alcoholism, with Will Ferrell’s character’s getting completely drunk at a basketball game, which cause him to do some hurtful things, which nearly ruins his marriage.
|$150,357,137
|-
|''Daddy's Home 2''
|2017
|PG-13
|The sequel still shares the same pro-family message.
|
|-
|''[[The Dark Knight]]''
|2008
|PG-13
|The sequel to ''Batman Begins'' contains a Christian allegory (specifically, the ending has Batman selflessly volunteering to have himself take the blame for the crimes that Harvey Dent committed after the latter went insane from grief and the Joker's influence in order to ensure that the criminals he locked up cannot be released onto the street after he was forced to kill Dent to save Gordon's son.) with messages of not giving in to terrorists and condemning of [[nihilism]] and [[anarchy]] via the actions of [[Joker (comics)|the Joker]], Batman's most infamous adversary.
|$533,316,061
|-
|''[[The Dark Knight Rises]]''
|2012
|PG-13
|The conclusion of the ''Dark Knight'' trilogy, set seven years after ''The Dark Knight'', depicts [[Occupy Wall Street]]-esque protesters as terrorists and has a hero (Batman) that does the right thing even when it is the harder thing to do. Furthermore, it subtly condemns the [[French Revolution]] as the events of the story are in part derived from Charles Dickens' ''[[A Tale of Two Cities]]''.
|$448,139,099<ref>http://www.boxofficemojo.com/movies/?id=batman3.htm</ref>
|-
|''Dark Matter''
|2007
|R
|A candid look at [[professor values]] along with problems associated with lack of assimilation; [[liberal]]s first praised the movie and even awarded it the Alfred P. Sloan Prize at the Sundance Film Festival in 2007, but after realizing its [[conservative]] message, panned it.
|$30,041
|-
|''Darkest Hour''
|2017
|PG-13
|A biopic of heroic WWII leader [[Winston Churchill]] with no historical revisionism at all. It won 2 academy awards and was nominated for 6 more.
|$180,000,000
|-
|''The Death of Stalin''
|2017 (UK and Toronto) 2018 (America and France)
|R
|An adaptation of the French historical fiction graphic novel of the same name. Although largely a satirical [[black comedy]], the movie nonetheless accurately shows the horrific events of the Soviet Union under Stalin's totalitarian rule and the events after his death, as well as the innately cowardly and treacherous nature of the Soviet Politburo (see [[Atheism and cowardice]] as well as [[Atheism and Mass Murder]]). It also is one of the few films to [[Allusion|allude]] to the anti-Semitic [[Doctor's plot]] that Stalin had orchestrated prior to his death (which had ironically been precipitated due to the doctor's plot killing off all the best doctors in Moscow at the time), making clear that, contrary to what the left claims, the USSR and the left adhered to anti-Semitism. The director of the film, Armando Iannucci, admits that a large part of the reason he made the film was partly because of how Stalin was still revered in Russia to the extent that the Russian hotel he stayed at had a portrait of Stalin up, while pointing out that no one would dare do the same regarding Hitler in similar situations.<ref>https://www.rollingstone.com/movies/features/armando-iannucci-death-of-stalin-trumps-funeral-w517602</ref> As if reinforcing this, the movie also ended up banned in Russia at the order of [[Vladimir Putin]].
|$15.7 million
|-
|''Death Wish''
|1974
|R
|Bleeding heart New York City liberal Paul Kersey learns the importance of the Second Amendment following a brutal attack on his wife and daughter. Following this he begins fighting back against muggers and is deemed a [[vigilante]]. During this time crime begins to decline (because criminals don't normally attack armed civilians). However contrary to popular belief, the film does not glorify vigilantism, as the film acknowledges that if the vigilante isn't stopped it could led to [[anarchy]] (pure [[Marxism]] is the complete absence of government). Followed by four sequels in 1982, 1985, 1987 and 1994. Remake in 2018.
|$22 million
|-
|''Delivery Man''
|2013
|PG-13
|Republican actor Vince Vaughn portrays a delivery man who finds out that he is the biological father to 533 children. Realizing the importance of family, he learns how to be a father figure and take on more responsibilities.
|$30,664,106
|-
|''The Delta Force''
|1986
|R
|Conservative star [[Chuck Norris]] plays U.S. Army Delta Force Captain Scott McCoy, who leads his team to battle Islamic terrorists. The film emphasizes bravery, heroism, and honor while avoiding political correctness and showing the true nature of the radical Islamic political agenda (very rarely shown in today's films).

Jews are portrayed sympathetically, as the terrorists' leader, Abdul Rafai, is viciously anti-Semitic. He demands that the Jewish hostages be separated from the others, and forces a German Flight Attendant to read out their names. He insists that the Jews killed in the holocaust were "not enough." When the aforementioned Flight Attendant collects the hostages' passports, she notices a number tattooed on one of the Jewish hostage's arm, indicating that he's a Concentration Camp survivor and she gives him a look of sympathy.

The film also depicts Israel in a positive light, as the Israelis assist the Americans by providing them with intel.
| $17,768,900
|-
|''Denial''
|2016
|PG-13
|Anti-history revisionist film. Writer and historian Deborah E. Lipstadt must battle for historical truth to prove the existence Holocaust when David Irving, a Holocaust denier, sues her for libel .
|$4,073,489
|-
|''Dirty Harry''
|1971
|R
|Released at the dawn of what historians call the Conservative backlash (a direct response to 1960s radicalism), Clint Eastwood plays a tough San Francisco police officer who doesn't let bureaucratic regulations stop him from doing what he knows is morally right. The film criticizes not only the then-recent Supreme Court decisions which granted new rights to criminals but also the traditional moral decay America experienced during the 1960s and 1970s. Four sequels followed suit: ''Magnum Force'' (1973), ''The Enforcer'' (1976), ''Sudden Impact'' (1983), and ''The Dead Pool'' (1988).
|$35 million
|-
|''Doctor Zhivago''
|1965
|PG-13
|Master filmmaker David Lean directed this powerful film that celebrates the natural rights of the individual as well as the triumph of charity, faith, hope, and love. His work takes an honest and uncompromising stance on the dangers of Communism as well.
|$111,721,910
|-
|''Don't Tell Mom the Babysitter's Dead''
|1991
|PG-13
|In this pro-family movie, five siblings (two are teenagers) are left alone for the summer, with no money after their elderly babysitter passes away. They realize the importance of hard work, as well the responsibilities of being indepedent, and the negative effects of drugs. Also gives an anti-regulated economy message by showing the dangers of using and relying on other people's money, as after the younger siblings stole money from their older sister's purse (which she stole from the company with petty cash), they realize this was wrong and selfish. In addition there are brief anti-taxation aspects, with Christina Applegate's character; Sue Ellen being frustrated when they took away so much of her money because of taxation. In the end the teenagers manage to clean themselves up, and quit drinking alcohol, doing drugs and smoking, and focus more on becoming successful adults.
|$25,196,249<ref>http://www.boxofficemojo.com/movies/?id=donttellmomthebabysittersdead.htm</ref>
|-
|''Dracula''
|1931
|UR
|This adaption of [[Bram Stoker]]'s novel from 1897 features one of Hollywood's first [[Christian]] protagonists: vampire hunter Dr. Abraham Van Helsing.
|
|-
|''Dredd''
|2012
|R
| Based on the comic strip ''Judge Dredd''. Anti-drug war film where villains are drug dealers and addicts who are portrayed as very sadistic individuals, the hero Judge Dredd, assisted by a Judge-in-training who is also a psychic, is forced to fight them. The film shows the bravery of the police officers who do what's right, while the film's main villain, a female drug lord nicknamed "Ma-Ma", tries to hinder their progress by calling in several corrupt Judges (akin to the corrupt liberal judges who currently populate various courts in the United States in real life to pervert justice and repeatedly violate the Constitution) to interfere with the honest Judges.
|$13,414,714
|-
|''Dunkirk''
|2017
|PG-13
|From Christopher Nolan, director of the conservative ''Dark Knight'' Trilogy, tells the dramatization of the Dunkirk evacuation. This action-packed adventure never derails in to political correctness and history revision as many liberal critics opened fire on the film for its lack of diversity and feminism.<ref>https://www.newsbusters.org/blogs/nb/melissa-mullins/2017/07/23/reminder-usa-today-critic-laments-dunkirk-lacks-gender-racial</ref>.
|$188 million
|-
|''The East''
|2013
|PG-13
|A private intelligence firm must take out an eco-terrorism organization.
|$2,301,839
|-
|''Enemy of the State''
|1998
|R
|A lawyer discovers a videotape revealing the death of a congressman and ends up a target for NSA official Thomas Bryan Reynolds (who plans on destroying the [[Fourth Amendment]]). Some say it shockingly predicted the [[Edward Snowden]] controversy and the Obama administration's crimes 15 years later.
|$111,549,836
|-
|''The Equalizer''
|2014
|R
|In this adaption of the conservative 1980s television series, Denzel Washington portrays retired intelligence agent-turned-vigilante Robert McCall, the role originated in the original series by British actor Edward Woodward.
|$101,530,738
|-
|''The Equalizer 2'''
|2018
|R
|Sequel to the 2014 film
|
|-
|''[[Escape from Hell]]''
|2000
|UR
|Drama about a doctor and near-death experience.
|NA - DVD
|-
|''Evan Almighty''
|2007
|PG
|In the stand-alone sequel to ''Bruce Almighty'', God chooses an unlikely hero named Evan to build a modern-day ark to save his town from an upcoming storm.
|$100,462,298
|-
|''Evelyn''
|2002
|PG
|True story of Irish father's legal struggle to recover his kids from an orphanage.
|$1,483,975
|-
|''The Even Stevens Movie''
|2003
|PG
|Like the TV show it was based on, the movie had pro-family values. The movie also had a massive condemnation towards [[Hollywood values]], as the main antagonist of the film was a [[Reality TV]] host who tricked the Steven family into going to an island in the Pacific and then getting them shunned by the "tribe" (all of whom were actors) and often instigating various fights between the family, one instance nearly driving Ren to nearly commit murder against Louis, with his largely being depicted in a very negative light especially after the reveal. In addition, Louis' friend makes no qualms about how she was disgusted with the Reality TV genre.
|N/A (TV movie)
|-
|''The Exorcism of Emily Rose''
|2005
|PG-13
|The film is loosely based on the story of Anneliese Michel (Americanized to probably protect the identity of the deceased) in which a priest performed an exorcism that costs a young girl's life. The movie's villain is an [[atheist]] lawyer who tries to convict the priest of negligent homicide, rather than believe it was the work of [[Satan]].
|$75,072,454
|-
|''[[The Exorcist]]''
|1973
|R
|(''not for children'') - A portrayal of pure evil against a positive characterization of [[Christianity]]. It broke the record for movie revenue and had several sequels and imitators, e.g. ''The Omen'' in 1976 and its sequels. A 2016 TV series of the same name follows up on the events of the original film.
|$441,071,011
|-
|''The Expendables''
|2010
|R
|This action-packed adventure unites such conservative stars as [[Sylvester Stallone]], [[Bruce Willis]], and former California Governor [[Arnold Schwarzenegger]].
|$103,068,524
|-
|''The Expendables 2''
|2012
|R
|The sequel to 2010's ''The Expendables'' stars returning conservative action stars Stallone, Willis, and Schwarzenegger as well as [[Chuck Norris]].
|$85,028,192
|-
|''The Expendables 3''
|2014
|PG-13
|The threequel to the conservative film franchise.
|$39,322,544
|-
|''[[Facing the Giants]]''
|2006
|PG
|The main message is straightforward: trust in [[God]], let Him take over, and good things will happen.
|$10,178,331
|-
|''Faith of My Fathers''
|2005
|PG-13
|The true story of [[John McCain]] when he served valiantly in the Vietnam War.
|
|-
|''Fat Kid Rules the World''
|2012
|R
|Based on a 2003 young adult novel of the same name, a six-foot-one and 296 pound 17-year-old boy named Troy Billings overcomes challenges, as things have been very hard on him with his mother deceased, living with his father and younger brother. It also rightfully shows the negatives of school [[bullying]] and suicide. Troy also befriends a non-conformist punk rocker named Marcus MacCrae who becomes hospitalized due to illicit drug use but he finally recovers in the end, thus giving the film an anti-drug message as well. It is also pro-family values as Troy learns the consequences of his actions. Despite all of the conservative messages, this movie is NOT for kids because it has a lot of foul language and even some violence.
|
|-
|''[[Ferris Bueller's Day Off]]''
|1986
|PG-13
|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco; and the main character is faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and comedian [[Ben Stein]] appears as one of Ferris's teachers.
|$70,136,369<ref>http://www.boxofficemojo.com/movies/?id=ferrisbuellersdayoff.htm</ref>
|-
|''Fiddler on the Roof''
|1971
|G
|Based on a timeless Broadway musical, itself inspired by a series of Yiddish-language folk tales starring Tevyeh the Dairyman, the film celebrates tradition, faith, and the importance of family against a historical background of the persecution of Russian Jews. As Tevyeh's daughters break with Jewish marriage customs in different ways one by one, their home shtetl of Anatevka becomes more vulnerable to tsarist invaders, suggesting that tradition is what keeps society strong and healthy. Even so, Tevyeh makes clear before the opening credits that, "Without our traditions, our lives would be as shaky as... as... as a fiddler on the roof!"
|$50,000,000
|-
|''The Finest Hours''
|2016
|PG-13
|This historical drama shows the virtues of the United States Coast Guards, based on their 1952 rescue of the crew of the ''SS Pendleton''.
|$27,569,558
|-
|''[[Fireproof (film)|Fireproof]]''
|2008
|PG
|Highly successful pro-Christian, pro-marriage film created by [[Sherwood Pictures]].
|$33,451,479
|-
|''First They Killed My Father''
|2017
|TV-MA
|An adaptation of Cambodian-America Loung Ung's memoir of the horrors [[Khmer Rouge]].
|Netflix film
|-
|''Flash of Genius''
|2008
|PG-13
|The intellectual property of a hard-working, solitary inventor is promoted, and his children stick by his side through enormous difficulties.
|$3,744,790
|-
|''Flight 93''
|2006
|PG-13
|Shows the bravery of the passengers on Flight 93, which was hijacked on [[September 11, 2001 attacks|September 11th, 2001]], and crashed into a Pennsylvania field. The passengers fought back against the Islamic hijackers.
|NA - TV
|-
|''Flight of the Navigator''
|1986
|PG
|A boy named David Scott Freeman is abducted by a UFO and then wakes up in a ravine, only to discover that he's been transported 8 years into the future. The series contains strong pro-family themes as David's parents are shown to be filled with overwhelming joy and happiness after seeing David for the first time in 8 years. David's little brother, Jeff, has an antagonistic relationship with David early in the movie but when David disappears for 8 years, a now-16-year-old Jeff regrets the way he treated his brother and reconciles with him. David's family is very supportive in helping him adjust to his situation. When David is in the hospital for testing to find out why he hasn't aged, one of his family stays with him at all times so he won't be alone. When David goes back in time at the end of the film, he learns to have more appreciation for his family, including Jeff. The film also depicts government bureaucrats in a negative light, as NASA treats the UFO and David as mere science experiments and is unsympathetic to David's situation. The agents take David away from his family and put him in an isolated, locked room. David's father becomes enraged when he finds out how NASA has been treating David. The agents later place the whole family under House Arrest. When David goes to his family's home in 1986, the NASA agents are there to take him away again, and that's when he decides to go back in time to 1978 despite the ship's computer, Max, insisting that it's potentially dangerous.
|$18,564,613
|-
|''For Greater Glory: The True Story of Cristiada''
|2012
|R
|The [[Catholic]] Cristeros Army fights back for religious freedom against a suppressive, [[leftist]] government. Based on the Cristeros War of the 1920s.
|$5,608,651
|-
|''[[Forbidden Planet]]''
|1956
|UR
|Please add info
|$3,000,000
|-
|''The Forgotten''
|2004
|PG-13
|A mystery film with a great [[Pro-life]] message.<ref>[http://www.decentfilms.com/reviews/forgotten.html ''The Forgotten''] at Decent Film Guide</ref>
|$67,133,509
|-
|''[[Forrest Gump]]''
|1994
|PG-13
|The film shows how the "counterculture" movements of the 1960s and 1970s, as well as drugs, lead to a miserable life. Gump has a more conservative lifestyle, while Jenny leaves her liberal lifestyle after she realizes the shortcomings of it, also suffering from AIDs from a brief relapse and dying as a result.<ref>https://www.worldlifestyle.com/sitcoms/forrest-gump-hid-from-fans-2-2/59?slides=1&utm_mediabuyer=SDJJ&utm_source=taboola&utm_campaign=TBLA_WL_JJ_GUMP0507V2_US_DT&utm_medium=cbsinteractive-gamefaqs&utm_content=84081643</ref> Finally, a main message is that Lyndon B. Johnson was largely responsible for the Vietnam War, not Richard Nixon as most liberals like [[George Lucas]] tend to think.
|$329,694,499<ref>[http://www.boxofficemojo.com/movies/?id=forrestgump.htm Forrest Gump] (1994). ''Box Office Mojo''. Retrieved July 30, 2016.</ref>
|-
|''The Founder''
|2016
|PG-13
|Michael Keaton portrays Ray Kroc, founder of the capitalistic fast-food empire [[McDonald's]]—which is painted positively, much to the chagrin of liberals—in this biographical historical drama detailing the obstacles Kroc overcame and the risks he took to succeed in business and redefine the fast food industry.
|$24 million
|-
|''[[The Fountainhead]]''
|1949
|UR
|Gary Cooper and Patricia Neal starring in Ayn Rand's classic story of the right of the individual to produce on their own terms.
|Unknown
|-
|''Frankenstein''
|1931
|UR
|James Whale directed this loose adaptation of the classic tale by [[Mary Shelley]] warning about the consequences playing [[God]] and setting a golden standard for mad scientist stock characters seen throughout popular culture.
|$12 million
|-
|''Fred Claus''
|2007
|PG
|Republican actor Vince Vaughn plays Fred Claus, the older brother of Christmas icon Santa Claus (born Nicholas "Nick" Claus in this universe), who must overcome his jealousy to remember the importance of their literally immortal family and save Christmas from being ruined. A major theme of redemption applies to Fred, the young orphan Samuel "Slam" Gibbons, and the evil efficiency expert Clyde Archibald Northcutt, all of whom learn the errors of their ways. Traditional gender roles are depicted by the elves: the men make baseball bats for the boys, the women make hula hoops for the girls, etc. There is a positive establishment of American popular culture icon Superman (he's only mentioned, but toy Supermans are shown and Clyde Northcutt is wearing a Superman cape once reformed), and mild politically incorrect humor is featured.
|$72,006,777
|-
|''Free State of Jones''
|2016
|
|A film inspired by the life of Newton Knight, a deserted Confederate soldier who revolted against the Confederacy in Jones Country, Mississippi. The film portrayed positive and accurate images of the Republicans, as there is a scene where Knight and his fellows state their will to vote only for the Republican Party despite the hostility of the presented and armed Democrats.
|
|-
|''Fury''
|2014
|R
|Follows the crew of the titular Sherman tank, most prominently a young rookie soldier, who at first, is reluctant to kill. But as time goes on, he comes to learn and appreciate the importance of the struggle against the Nazis. All the while, we see the bonds of friendship that form between warriors.
|$211,817,906
|-
|''G-Force''
|2009
|PG
|Sapient animals use technology for good, but their help is shut down by the government agents (clearly been shown in negative life), while the secret villain of the movie is pushing anti-human sentiments. In the end, he realizes the error of his ways and learns that family matters most. The movie shows that you don't need authority to stop wrongdoing, and just be willing to fight for what is right.
|$119,436,770
|-
|''[[Ghostbusters]]''
|1984
|PG
|Three parapsychologists (later joined by a fourth teammate, who acts as their voice of reason) lose their jobs at Columbia University as they fail to deal with a ghost plaguing the New York Public Library, so they develop ghost-weakening "proton packs" and go into business ridding New York City of poltergeists. The film fittingly satirizes an unfair (and likely liberal) professor, senseless academic research, paganism, and a villainous EPA regulator. One conservative sample line by Ghostbuster Raymond "Ray" Stantz (Dan Aykroyd) when asked to shift from the public to the [[private sector]] reads like this: "I don’t know about that. I’ve worked in the private sector. They expect results!" A sequel, ''Ghostbusters 2'', followed in 1989, though there is some debate as to whether it qualifies as great since it revisits many of the same plot points from the first movie. The original film was remade in 2016 as a liberal revisionist and pro-feminist piece (with the four main character all female), which bombed at the box office and had a trailer almost universally panned on YouTube.
|$242,212,467<ref>http://www.boxofficemojo.com/movies/?id=ghostbusters.htm</ref>
|-
|''Gigi''
|1958
|G
|A marvelous and beautifully-made musical film from a bygone era (the Arthur Freed Unit), ''Gigi'' condemns prostitution and the lifestyle of the snobbish, spoiled rich people. The film is also a celebratory of the essence, beauty, and power of a true love between a man and a woman who each want something more out of life than the provincial, liberal lifestyle of 1900 Paris. Winner of nine Academy Awards: Best Picture, Director, Adapted Screenplay, Cinematography (Color), Art Direction-Set Decoration, Costume Design, Film Editing, Original Song (for the title song "Gigi"), and Scoring of a Musical Picture.
|$13,208,725
|-
|''[[Gladiator (film, 2000)|Gladiator]]''
|2000
|R
|The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hanns Zimmer’s soaring soundtrack. In essence this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of "engagement" in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.
|$457.6 million
|-
|''[[God's Not Dead]]''
|2014
|PG
|A brave young Christian man stands up to his [[atheist]] bully of a professor (played by real-life conservative Christian ([[Kevin Sorbo]]) and demonstrates the strength and wholesomeness of Christianity while exposing the folly of [[professor values]]. Furthermore, it illustrates atheists as people who acknowledge that there is a God but refuse to have faith in Him for [[Causes of atheism|any number of reasons]]—in this case, self-hatred and spite; and it features conservative celebrity cameos such as Willie and Korie Robertson (of ''[[Duck Dynasty]]'' fame), plus the Christian rock band The Newsboys. Liberals were shocked when it stood strong in the box office, being in the top 5 in its opening weekend. Of course, all the world's atheists were furious because they felt unfairly portrayed, which only proves the film's thesis that atheists are more animalistic and less rational than Christians.
|$60,755,732
|-
|''God's Not Dead 2''
|2016
|PG
|In this sequel, roles are reversed, and the teacher, played by Christian conservative Melissa Joan Hart, is the protagonist as she tries to help her students reconnect their faith in God.
|$20,774,575
|-
|''Godzilla vs. Biollante''
|1989
|PG
|Although the Godzilla franchise has been politically neutral for the most part. This film does take jabs at [[genetic engineering]] and playing [[God]].
|$7 million
|-
|''Gosnell: The Trial of America's Biggest Serial Killer''
|2018
|R
|Pro-life film that, as indicated by the title, showcases the horrific aspects of the abortion industry and especially of the abortionist [[Kermit Gosnell]]. Unfortunately, despite lots of rave reviews, it was pulled from theaters early for political reasons.
|$2.5 million
|-
|''[[Gone With the Wind]]''
|1939
|UR
|This American cinema classic celebrates traditional man-and-woman relationships as well as a strongly ''feminine'' heroine who is the antithesis of a modern [[feminist]]. It held the record for the top-grossing film for decades, unadjusted for inflation, as well as the most Academy Award wins for a motion picture, until ''Ben-Hur'', another great conservative motion picture, premiered twenty years later.
|$198,676,459
|-
|''The Good, the Bad, and the Ugly''
|1966
|R
|Hollywood conservative [[Clint Eastwood]] plays an unnamed sheriff in a campaign for peace and justice in the American Old West.
|$25,100,000
|-
|''[[The Goonies]]''
|1985
|PG-13
|The adventures of teenagers trying to find a long-lost treasure, before the criminals do.
|$61,503,218<ref>http://www.boxofficemojo.com/movies/?id=goonies.htm</ref>
|-
|''The Gospel According to St. Matthew''
|1964
|
|In spite of his avowed homosexuality, Marxism and atheism, controversial Director Pier Paolo Pasolini shocked his critics and advocates alike with this surprisingly reverent portrayal of Christ in the gospel of Matthew. He expressed his sympathies for Christianity, even going as far as to portray the miracles and ultimately the resurrection of Christ in a brilliantly poetic and artistic light. The movie even received acclaim from the Vatican and is considered one of the best Christian films ever made.
|
|-
|''Gran Torino''
|2008
|R
|In this "guy-cry" feature, gun-toting, [[Korean War]] veteran Walt Kowalski (played by Clint Eastwood) is upset that his neighborhood has lost its traditional American values and turned multicultural, overflowed with gangs and violence. He takes down a violent gang terrorizing the community, turns a boy into a man, and strengthens his Catholic faith.
|$270 million
|-
|''The Great Escape''
|1963
|UR
|Based on the true story about Allied PoWs who staged a daring escape from a Nazi prisoner-of-war camp during World War II.
|
|-
|''The Great Outdoors''
|1998
|PG (PG-13)
|A pro-family film about camping in the woods. Also anti-environmentalism.
|$41,455,230
|-
|''The Greatest Story Ever Told''
|1965
|UR
|Swedish actor Max Von Sydow brilliantly portrays [[Jesus]] in this aptly-named feature.
|$8,000,000 (U.S.), $20,000,0000 (worldwide)
|-
|''The Greatest Showman''
|2017
|PG
|Based on the true story of P. T. Barnum this musical celebrates the American Dream, as he helped build and create his own circus. Besides from that there various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition it also promotes the idea of treating everyone with respect and dignity. Finally the film also promotes the concept of individualism. <ref>https://www.thegospelcoalition.org/blogs/trevin-wax/greatest-showman-captured-american-imagination/</ref>
|$174,340,174<ref>https://www.boxofficemojo.com/movies/?id=greatestshowman.htm</ref>
|-
|''The Green Berets''
|1968
|G
|American soldiers in the [[Vietnam War]] fight for their honor.
|$11,000,000
|-
|''[[Groundhog Day]]''
|1993
|PG
|While in the small Pennsylvania town of Punxsutawney to report on the annual Groundhog Day festivities, arrogant Pittsburg weather forecaster Phil Connors is trapped in a time loop that forces him to keep reliving the same February 2 over and over again. After indulging in hedonism, repeatedly failing to seduce his attractive new producer Rita, sinking into depression, and exhausting every way to commit suicide, he begins reexamining his life and priorities. He then uses his memorization of the day's events, besides the stories of various townspeople, to improve himself and help as many people in need as he can within a 24-hour limit, which ultimately allows him to win over Rita and break free from the loop. Overall, this whimsical comedy is outstandingly conservative and Christian because no explanation other than God's will is given for the loop, especially since it gives Phil a chance at redemption for his past immoral behavior.
|$70,906,973
|-
|''Hanna's War''
|1988
|PG-13
|This biographical drama follows the life of Hanna Szenes, a Hungarian Jew who volunteered to rescued her Jewish members from Nazi concentration camps during WWII.
|$139,796
|-
|''Hardcore''
|1979
|R
|A father must rescue his runaway daughter from a [[California]] porn ring. Written as well as directed by Grand Rapids, Michigan native, Paul Schrader, whose hometown is featured in its opening credits and early scenes and Susan Raye's version of the beloved Gospel classic song, "Precious Memories" is in the film's opening and closing.
|
|-
|''Harry's War''
|1981
|PG
|Anti-IRS comedy.
|Unknown
|-
|''Here Comes the Boom''
|2012
|PG
|A high school teacher played by Kevin James, tries to raise money for his school, by fighting in the MMA. To not only save certain school programs but save the job of a teacher whose wife is pregnant. Also promotes citizenship and patriotism, as Kevin James' character is also a night instructor for an adult citizenship class, which show the idea of people coming into our country legally and becoming citizens as the right thing. Kevin James also even put some elements of his Christian Faith into the movie.<ref>http://www.patheos.com/blogs/philosophicalfragments/2012/10/03/how-kevin-james-put-his-faith-into-here-comes-the-boom/</ref>
|$45,290,318
|-
|''[[Hero]]''
|1992
|PG-13
|A petty criminal does something heroic and risks his life saving passengers from a plane crash. The film shows that even those with character flaws can do good.
|$19,487,173
|-
|''The Hiding Place''
|1975
|PG
|Biopic World War II story of Corrie and Betsy (Elizabeth) ten Boom (Jeannette Clift, Julie Harris), who hid Jews in their Haarlem, Netherlands home's secret wall and were betrayed and imprisoned in Ravensbruck Women's concentration camp in Germany, until Betsy's death and Corrie's accidental release through what would years later be found to be a clerical mistake, as all the other women in Corrie's group of prisoners were gassed to death shortly afterwards. A true lesson of "no pit is so deep that God's love is not deeper still." Produced by Billy Graham Evangelical Association's, World Wide Pictures.
|unknown revenue
|-
|''Hitler's Children''
|1943
|UR/PG
|A sensational melodrama about the [[Hitler Youth]] of pre-WWII 1930s Nazi Germany, based on Gregor Ziemer's best selling "Education for Death: The Making of A Nazi".
|$3,355,000
|-
|''Hocus Pocus''
|1993
|PG
|A pro-family film in which they battle evil devil worshipping witches. The man character even risks his life in saving his sister. The ending of the film shows heaven.
|$39,514,713
|-
|''Home Alone''
|1990
|PG
|This Christmas classic is about Kevin McCallister, who accidentally gets stuck home alone and thus learns to be independent and self-reliant. Not only that, but he defends his family house from burglars by resourcefully making booby traps out of everyday items, including firearms. Kevin is shown to be a Christian, too, as he goes to church and is shown praying and giving grace before his dinner. After Kevin gets into an altercation with his older brother Buzz, he wishes his family would disappear. After he wakes up and finds his family gone, he is at first overjoyed at having no one talking down to him or telling him he can't do things, but as the film progresses, he begins to miss his family and learns how important they are. Likewise, Kevin's mother Kate is determined to get back to Chicago to see Kevin and will make any sacrifice necessary. The film shows the value of charity because the supporting character Gus Polinski (played by the late John Candy) empathizes with Kate, being a father himself, and offers Kate a ride with his Polka band.

Three sequels, the third and fourth films without its original star as Kevin, followed later on.
|$285,761,243
|-
|''Home Run''
|2013
|PG-13
|A Christian sports drama about a baseball player, who tries to overcome a serious drinking problem.
|$2,861,020<ref>http://www.boxofficemojo.com/movies/?id=homerun.htm</ref>
|-
|''Honey, I Shrunk The Kids''
|1989
|PG
|Lovable genius inventor Wayne Szalinski (Rick Moranis) accidentally shrinks his children and some of his neighbors' while testing his laser shrinking ray, sending them off on an adventure in their own yard against what would otherwise be mundane situations and creatures to normal sized people. Spawned two sequels, the obviously opposite ''Honey, I Blew up The Kid'' (1992) and the direct-to-video ''Honey, We Shrunk Ourselves'' (1997)
|$130,724,200
|-
|''Hook''
|1991
|PG
|A live-action film of an adult and now a father Peter Pan, who has lost all his memories of being Peter Pan. The film celebrates [[baseball]], fatherhood and the importance of holding onto one's [[Childlike Wonder|childlike wonder]].
|$119,654,823
|-
|''The House''
|2017
|R
|A pro-family film about parents who set up their own casino, in order to pay for their daughter’s college. While promoting capitalism, the villain of the film is a corrupt government agent, who is also shown to be a socialist (stealing all of their money, in terms of eminent domain). In fact, the whole reason they did not have money was that earlier at town meeting the government agent claimed the town could not afford the scholarship she earned, when the reality is, he stole it all to have an affair with another government worker. On a side note, the police officer of the movie is shown in a positive light (who also makes a brief pro-gun claim), eventually realizing the parents were right, and helping them take down the corrupt government official.
|$25,584,504<ref>http://www.boxofficemojo.com/movies/?id=thehouse.htm</ref>
|-
|''The Hurt Locker''
|2008
|R
|A look into the life of an American bomb disposal regiment in Iraq risking their lives for their country and for the innocent by confronting evil. Rated R for violence and language. Winner of six Academy Awards: Best Picture, Director (the first time a woman, Kathryn Bigelow, won the Academy Award for directing), Original Screenplay, Sound Mixing, Film Editing, and Sound Editing.
|$12,647,089
|-
|''I Am David''
|2003
|PG
|This motivational movie shows the power of the individual, and the triumph of charity, faith, and hope as well as showing the dangers of [[Communism]].
|$292,376
|-
|''I Confess''
|1953
|UR
|In this classic by Alfred Hitchcock, a clergyman honors his sacred vow of confidentiality with respect to a confession despite intense pressure to disclose it.
|Unknown
|-
|''I Now Pronounce You Chuck and Larry''
|2007
|PG-13
|Portrayals an inside joke of [[same-sex marriage|same-sex "marriage"]] by having [[Adam Sandler]] and Kevin James pretend to be a homosexual couple in order to receive benefits. The villains of the movies are government ranking officials out to prove with they are not really homosexual. The protagonists are also FDNY firemen. The film took place prior to the 2011 enactment of the Marriage Equality Act, which claimed to "legalize" "marriage" for same-sex couples in the state. At the time the film was released, the state allowed for residents to file for unregistered cohabitation rights, and various municipal and county governments had offered domestic partnership registries.
|$120,059,556
|-
|''[[Indiana Jones]] series''
|1981, 1984, 1989, 2008
|PG
|During the Great Depression, archaeologist and adventurer Dr. Henry "Indiana" Jones searches the world for artifacts of untold power and, along the way, combats some of America's most infamous enemies, in particular Nazis. The first and third films contain Christian themes since they are centered around the [[Ark of the Covenant]] and the [[Holy Grail]], respectively; while the second film condemns paganism due to its main villain being a pagan priest. A fourth film, ''Indiana Jones and the Kingdom of the Crystal Skull'', takes place in the early Cold War era with Soviet Communists as antagonists, although there's some debate as to how patriotic and conservative the movie is (see its entry in Debatable Whether Conservative for more details).
|1197.2 million (altogether)
|-
|''Invasion of the Body Snatchers''
|1956
|UR
|A science fiction condemnation of Communism, produced for only $420,000 and remade successfully in three additional movies in 1978, 1993 and 2007, with 1978's version the only one of the exact same title. Warner Bros. announced a fourth remake is in current development.
|$2,500,000
|-
|''The Interview''
|2014
|R
|It’s a raunchy comedy, but it has a strong pro-democracy and anti-communism premise. The main characters are CIA operatives disguised as news reporters who are assigned to visit [[North Korea]] and assassinate Kim Jong Un during an interview with the brutal dictator. The film was so controversial for its depiction of Kim Jong Un being killed that it was pulled from theatres and released straight to DVD. [[Donald Trump]] stated that The Interview was his favorite comedy of 2014.
|-
|''Invasion U.S.A.''
|1985
|R
|Features Conservative star [[Chuck Norris]] protecting America from Latin American Communist terrorists led by a [[Union of Soviet Socialist Republics|Soviet]] operative, similar to ''[[Red Dawn]]''.
|$17,536,256
|-
|''[[Iron Eagle]]''
|1986
|PG-13
|A young man's father, an Air Force pilot, is shot down over the Middle East and it's up to the young man and an Air Force colonel to save him. Three sequels followed in 1988, 1992 and 1995.
|$24,159,872 (U.S.)
|-
|''[[Iron Man 2]]''
|2010
|PG-13
|Like in the prior film, it promotes the concept of Capitalism as a force of good, due to Tony Stark deciding to develop a cure for palladium poisoning, and also forming an Stark Expo promoting various elements his father desired. His father, likewise It also deals with redemption as well, as after Tony Stark made a very big mess of himself, he worked hard to redeem himself for his past behavior, ultimately succeeding in the ending. It also promotes the concept of honoring thy father and family values, as Tony noted that his father, Howard Stark, has been distant with him, although a later film reel, which also proved instrumental to saving his life, revealed that Howard Stark, while distant, nonetheless genuinely loved his son and even gave him words of encouragement from beyond the grave. Howard, likewise, was depicted in a manner similar to famed animator and capitalist [[Walt Disney]]. It also depicts feminism in a negative light, as while Pepper Potts did run Stark Enterprises, it was solely due to anger at Tony Stark's bad behavior in the film and not because she wanted it. It also condemns nihilism as well, as the reason why Tony Stark behaved badly was due to him dying and figuring he might as well act irresponsibly for his last days living. Also like the past film, it depicted terrorism (in particular communist-based terrorism) and treason in a very negative light, as Armand Hammer, in clear envy towards Tony Stark, proceeded to break out and hire an infamous Russian terrorist, Ivan Vanko, who held a grudge against Tony Stark due to his father Howard Stark sending his father Anton Vanko back to the USSR under suspicions that he was a Communist plant, with the terrorist later proceeding to have Hammer's Iron Man knockoff suits automatically attack everyone with Hammer being arrested. Also condemns the idea of government intervention in businesses, due to Iron Man being exceedingly reluctant to sell off his Iron Man suit to the government.
|$623.9 million
|-
|''The Island''
|2005
|PG-13
|Pro-life statement against cloning to harvest organs.
|$35,799,026
|-
|''Johnny Tremain''
|1957
|NR
|A fictionalized version of the American War of Independence and the leadup to it. The titular character, after his dreams were dashed from a hand injury in an accident while working as a blacksmith's apprentice, ultimately plays a role alongside Paul Revere and various other key figures in the war in founding America.
|N/A
|-
|''Joe Dirt''
|2001
|PG-13
|Country movie, where Joe Dirt was abandoned as a kid, and even though he had nothing, he did not give up on life, and never let anything stop him. The movie contains many morals such as not giving up, always be a good person. Shows the destructive of alcoholism, with the harm done by Joe Dirt's girlfriend; Brandy’s alcoholic father. The movie also reflects the idea of true integrity lies in what one does even if he or she is not being watched but still decide to the right thing because it is the right thing to do. Included a sequel in 2015.
|$27,087,695
|-
|''The Jungle Book''
|2016
|PG
|A live action version of the 1967 animation film. Based on the novel by Rudyard Kipling of the same name, this film shows the importance of friendship and family values, and even frowns down upon misanthropy. The movie also encourages using one's talents for good in the form of Baloo (at first selfishly) encouraging Mowgli to craft human tools to collect honey for him, and Mowgli later uses these talents to defeat Shere Khan.
|$966.6 million
|-
|''Junior''
|1994
|PG-13
|A buffoonish illegal immigrant geneticist (Arnold Schwarzenegger) must carry to term a pregnancy conceived by a one night encounter in a lab with an obese man (Danny Devito). It is a polemic that excoriates immigration and birth control politics in modern America.
|$108,400,000
|-
|''[[Jurassic Park]]''
|1993
|PG-13
|Based on the eponymous 1990 novel, a billionaire philanthropist and a small team of genetic scientists operate a theme park populated by dinosaurs genetically cloned from fossils. Considered a landmark in the development of computerized visual effects in modern filmmaking, this high-caliber work of science fiction criticizes the effects of research into genetic [[cloning]], and the negative effects of playing God. Even so, one strongly moral quote reads: "Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should”. Also has more of a promotion of Capitalism compared to the book due to the movie making Hammond, the founder of the park, a significantly more sympathetic and heroic character. Four sequels followed in 1997, 2001, 2015, and 2018.
|$357,067,947
|-
|''The Killing Fields''
|1984
|R
|Shows the horrors of Communism and Pol Pot's dictatorship in Cambodia during the 1970s.
|$34,700,291
|-
|''The Kid''
|2000
|PG
|[[Bruce Willis]] plays a man who meets himself as a kid. Where is looks back at his past to see the trouble he went through as a kid and the negative effects it had on him in his adult years. He learns to become more moral and to not let the past stop him or hold him back, and he then reconnects his relationship with his father and pursues a relationship with his co-worker, who he has been interested in.
|$69,691,949
|-
|''The King's Speech''
|2010
|R
|This historical drama details the rise of England's King George VI and his striving to overcome his speech impediment in the prelude to World War II after being forced to become king due to his older brother abdicating the throne. It showcases the Nazis in a negative light and condemns the current liberal education system, as speech therapist Lionel Logue is initially fired since he does not actually have a degree in speech therapy, with him making clear in a poignant moment that he knows how to do it via first-hand experience. According to history, Logue didn't have a degree because he had to rely on first-hand experience to do so and because there was no formal education for that matter when he learned his trade. The film shocked the liberals at Hollywood when it managed to perform beyond their expectations and won the Academy Award for Best Picture of 2010, plus the awards for Best Director, Best Actor, and Best Original Screenplay.
|$414.2 million
|-
|''King of Kings''
|1961
|PG-13, originally NR
|2 hour, 51 minute widescreen epic by the great director Nicholas Ray about Jesus and his promises of spiritual redemption, as contrasted with the story of the revolutionary leader Barabbas and his promises of worldly redemption. Stars Jeffery Hunter as Jesus.
|Unknown
|-
|''The Kingdom''
|2007
|R
|One of the few pro-war on terror films released during the 2000s.
|$47,536,778
|-
|''Knute Rockne: All-American''
|1940
|UR
|Stars [[Ronald Reagan]] as courageous football player George Gipp, who dies before an important game.
|Unknown
|-
|''Ladder 49''
|2004
|PG-13
|Shows the courageousness of firefighters.
|$74,541,707
|-
|''Last Ounce of Courage''
|2012
|PG
|Family drama about the struggles that Christians suffer through politics and abolishment of religious freedom.
|$1,585,994
|-
|''The Last Stand''
|2013
|R
|Action film starring Arnold Schwarzenegger as a tough Arizona sheriff who must stop an escaped Mexican drug lord from fleeing the country.
|$12,026,670
|-
|''The Last Starfighter''
|1984
|PG
|In this pro-just war and pro-military film, a young trailer park resident Alex Rogan (Lance Guest), after breaking the high score on the Starfighter video game, is approached by Centauri (played by Robert Preston in his last film role) who wants to recruit him into the Star League where he can be a real Starfighter. While Alex initially resists the idea due to it being a sudden shock, he eventually embraces the opportunity to do something significant with his life. The film also has a family theme as Alex and his navigator Grig (Dan O' Herlihy) reminisce about their respective families.
|$28,733,290
|-
|''Lean on Me''
|1989
|PG-13
|Based on a true story this Bio-drama about Paterson, New Jersey's real life [[Joe Clark]] is about combating drug use, violence, and contempt for authority while exalting positive values like academic achievement and family values.<ref>https://www.imdb.com/title/tt0097722/</ref>
|$31,906,454
|-
|''The League of Extraordinary Gentlemen''
|2003
|PG-13
|Pro-Western Culture as Western icons Allan Quatermain, Captain Nemo, Mina Harker (the wife of ''Dracula'' character Jonathan Harker), The Invisible Man (under the alias Rodney Skinner), Tom Sawyer, and Dr. Henry Jekyll battle Professor James Moriarty (from ''Sherlock Holmes'') as he plans a world war.
|$66,465,204
|-
|''Let There Be Light''
|2017
|PG-13
|Directed by and starring [[Kevin Sorbo]] and executive produced by and also starring [[Sean Hannity]]. Sol Harkens (played by Sorbo) is an alcoholic, divorced atheist going through a near-death experience after a car accident, where he learns the error of his ways and turns to Christianity and reconnects with his family.
|$7,233,471
|-
|''Liar Liar''
|1997
|PG-13
|Surprisingly takes on an anti-feminist theme by depicting the [[father]] as the good, righteous side in a courtroom divorce trial against a greedy, avaricious and uncaring mother, who only wants the children so she can wring every cent of alimony and child support she can out of the father while keeping the children away from him and showing little regard for them herself. In addition, the film also promotes the concept of redemption and bettering oneself, as the main protagonist, an unscrupulous lawyer, despite resistance towards the wish, ultimately tries to honor his son's birthday wish to not lie for a day even under dire consequences to himself such as being hauled to jail at one point, and ultimately succeeds in keeping his promise of not lying with the ending implying he gave up lying for good, and was also pro-family as the protagonist ultimately tries to better his life for the sake of his son.
|$181,410,615
|-
|''[[The Lives of Others]]''
|2006
|R
|(''Not for children'') - This German-language film is a stinging criticism of [[Communist]] [[East Germany]] from a liberal perspective. Taking place in 1984 East Berlin about a secret police agent.
|$11,286,112
|-
|''Logan''
|2017
|R
|(not for children) Unlike the mainstream ''X-Men'' films, which focus on the struggle of mutants to gain acceptance in the world (similar to homosexual rights), Hugh Jackman's final appearance as Logan/Wolverine takes on a much more personal and realistic tone, Logan being by far the most human mutant portrayed in the movies. With mutants on the brink of extinction, Logan's healing factor beginning to fail him, and the metal coating his skeleton now poisoning him, Logan has been reduced to working as a limo chauffeur to care for an ailing Charles Xavier. He is also binging on alcohol far more than ever before, much to the chagrin of fellow mutant Caliban. He reluctantly agrees, at the behest of a nurse named Gabriela, to escort Laura, a young girl and clone-daughter of Logan, to "Eden," a safe haven (and reference to the location of the birth of mankind) for mutant children who were born within the walls of Transigen, a biomedical company that had illegally used the DNA of mutants, including Logan, to create cloned children whom they turned into soldiers.

The movie emphasizes faith at least twice, most notably when Logan and Charles view Gabriela's phone video about Transigen, in which she says that the children have never seen any of God's creations, as well as Charles saying that Eden is "real for Laura," despite Logan's skepticism. The nature of Transigen's horrific experiments also gives the movie anti-cloning and anti-God playing messages. But even more importantly, despite his losing faith with the world, his fellow mutants all but gone, Logan is reminded of the value of family, he, Charles, and Laura accepting a family's invitation to have dinner and spend the night. Charles remarks to Logan, "This is what life looks like. A house. A safe place. People who love each other. You should take a moment." Finally, in the movie's climax, Logan finds the redemption he has long sought, facing off against a clone, as well as a symbol of the violent demons within himself, giving his own life, so that the children can escape across the border into Canada.
|$535,737,200
|-
|''Logan's Run''
|1976
|PG
|A man within a future liberal society, evidenced by acceptance of a spoiled work-free existence, that kills everyone on their 30th birthdays, claiming it as "rebirth" (see [[Liberal Denial]]), escapes to find a world of hard work and aging.
|
|-
|''London Has Fallen''
|2016
|R
|In the sequel to ''Olympus Has Fallen'', when Pakistani Islamic terrorists rampage through London, Secret Service Agent Mike Banning must protect the U.S. President. Liberals accused it of promoting xenophobia in its release, but, following multiple terrorist attacks on Britain in 2017, much of what the film prophesied has become reality.
|$62,524,260
|-
|''Lone Survivor''
|2013
|R
|Docudrama of the failed 2005 mission Operation: Redwings, in which four Navy SEALs were discovered by Taliban forces, leading to a brutal and intense firefight, resulting in three of them dying. Shows the men's perseverance against overwhelming odds and determination to stand against radical Islamic terrorism. Based on the book by the titular figure, [[Marcus Luttrell]].
|$154,802,912
|-
|''The Longest Day''
|1962
|G
|Conservative star [[John Wayne]] and his co-stars, reenact the battle of [[D-Day]].
|$39,100,000
|-
|''[[The Fellowship of the Ring (film, 2001)|The Lord of the Rings: The Fellowship of the Ring]]''
|2001
|PG-13
|Clear distinction between good and evil with positive themes of friendship, bravery, honor, sacrifice and overcoming temptation as well as redemption. Based upon the literary classic by J. R. R. Tolkien.
|$314,776,114
|-
|''[[The Two Towers (film, 2002)|The Lord of the Rings: The Two Towers]]''
|2002
|PG-13
|Strong portrayals of redemption and good over evil. Based upon the literary classic by J. R. R. Tolkien.
|$340,478,898
|-
|''[[The Return of the King (2003 film)|The Lord of the Rings: The Return of the King]]''
|2003
|PG-13
|Bravery, heroism, sacrifice and good ultimately triumphing over evil. Based upon the literary classic by J. R. R. Tolkien.
|$377,027,325
|-
|''The Lost Weekend''
|1945
|UR
|Illustrates the dangers of [[alcohol abuse]] and the hope of recovery in the film's climax.
|Unknown
|-
|''[[Luther]]''
|2003
|PG-13
| Joseph Fiennes portrays the titular 16th-century reformer from his literally stormy vocational conversion to the [[Augsburg Confession]].
|$5,600,000-$5,800,000 ranges (U.S.).
|-
|''Man of Steel''
|2013
|PG-13
|[[Superman]] is portrayed as a Christ-like figure, shows the bravery of the U.S. Military and shows the theme of protecting the ones you love. The film also has an anti-illegal immigrant like message, as the villain, General Zod plans to turn Earth into his dead planet Krypton (an allegory for illegal aliens destroying American culture and changing it for their own purpose). During a climactic battle between Superman and Zod, a computer-generated avatar bearing the likeness of Jor-El, Superman's biological father, assists the Man of Steel and his human allies in fighting Zod and his forces, so there are some pro-family themes.
|$291,045,518
|-
|''The Man Who Invented Christmas''
|2017
|PG-13
|A historical drama dealing with the creation of [[Charles Dickens]]' seminal work ''[[A Christmas Carol]]'', and to a lesser extent an adaptation of ''A Christmas Carol'' in itself. It has strong redemptive themes as well as promoting to some extent the capitalist view. Forgiveness also plays a major role in the story, as well.
|$8.1 million
|-
|''Mars Attacks!''
|1996
|PG-13
|Aleins invade and attack earth in this old-school comedy film. All liberal attempts on handling the situation, such as making peace and [[pacifism]] fail, and result in more human lives being lost. Even the U..S president (played by Jack Nicholson) refuses to nuke them up until a certain point
|$37,771,017
|-
|''[[Martin Luther]]''
|1953
|NR
|Portrayal by Niall MacGinnis of the titular 16th-century reformer. Available on discs and online in both original black and white and colorized.
|$3,000,000
|-
|''Mary Poppins''
|1964
|UR
|In one of the greatest motion picture masterpieces of all time, adapted from the novel by Australian-born British author P. L. Travers, a magical nanny is hired to take care of two children, Jane and Michael Banks, while their parents are engaged in their respective duties. Embarking on a series of fantastical adventures with Mary Poppins and her Cockney jack-of-all-trades performer friend, Bert, the siblings try to pass on some of their nanny's cheerful attitude and morals to their preoccupied parents. Also has an early condemnation of feminism, as one of the reasons the mom was preoccupied and why Mary Poppins was ultimately hired to help raise the kids was because the mother attempted to fight for women liberation. In the process, the Banks family become closer and happier together than ever before. ''Mary Poppins'' is cited by many to be [[Walt Disney]]'s crowning achievement.
|$677,054,500
|-
|''[[Master and Commander|Master and Commander: The Far Side of the World]]''
|2003
|PG-13
|During the Napoleonic Wars, Captain Jack Aubrey of the British Royal Navy goes head to head with the French-hired privateer ''Acheron''. The captain and his crew stand by conservative principles throughout, including faith in God, patriotism, duty, honor, respect for authority, discipline, bravery, sacrifice, and friendship.
|$93,926,386
|-
|''[[Matilda]]''
|1996
|PG
|Film adaptation of Roald Dahl's children's novel of a bright little girl who uses her magical genius and help from a sympathetic teacher to free herself from the foolish, selfish people in her life: her self-absorbed parents, bratty brother and the horrible and brutish [[public school]] principal.
|$33,084,249
|-
|''Men in Black''
|1997
|PG-13
|A loose adaptation of the graphic novel of the same name. The film carries an implicit promotion of national borders and legal immigration/assimilation, as the titular organization keeps the existence of extraterrestrial immigrants secret and allows them in so long as the aliens specifically make sure they undergo naturalization first and that they obey certain laws. In addition, the opening scene has Kay and his partner stopping attempted illegal immigrants from crossing into the country and was implied to be working alongside the ICE and border patrol to prevent illegal immigrants into the country while trying to prevent a literal illegal alien, Mikey, from entering the country illegally, with the alien being depicted in a negative light due to him trying to kill an ICE agent before being atomized by Kay. Also condemns terrorism, as the main villain, Edgar the Bug, arrived on Earth to personally assassinate two extraterrestrial diplomats of two warring civilizations specifically to engineer a war with Earth and thus allow his kind to feast on any killed in battle. There's also a subtle mocking of the liberal news rag ''New York Times'', where one of the characters, Kay, when explaining to Jay that he was searching via tabloid articles, suggested he could use the ''New York Times'' as searching for information as "they sometimes get it right", implying that the ''New York Times'' was less reliable than tabloid articles.
|$589.4 million
|-
|''Midway''
|2019
|PG-13
|The story of the [[Battle of Midway]], told by the leaders and the sailors who fought it.
|
|-
|''The Mill and the Cross'' (Polish original)
|2011
|UR
|Persecution of Christians in Flanders region of Belgium during the 16th Century.
|$310,900
|-
|''Missing in Action''
|1984
|R
|Features Conservative star [[Chuck Norris]] as he recuses POWs from Vietnam.
|$22,812,411
|-
|''[[Miracle]]''
|2004
|PG
|Based on a true story this movie is about Herb Brooks (here played by Kurt Russell) leading the United States hockey team to win the gold medal in the 1980 Winter Olympics. Stresses the importance of hard work, resiliency, selflessness and putting your best effort forward to reach an unseen goal.
|$64,445,708
|-
|''The Miracle Worker''
|1962 movie adaptation of William Gibson's 1957 Playhouse 90 [[television]] program and Gibson's 1959 stage play, based on Helen Keller's own 1902 biography, ''The Story of My Life''.
|NR, may be PG today
|Bio of young Helen Keller (Patty Duke) and her teacher Anne Sullivan (Anne Bancroft). Followed by [[television]] remakes in 1979 and 2000.
|$2,500,000
|-
|''Moses''
|1974 Italy-U.K.
|PG
|Italian-British-American production which features [[Burt Lancaster]] playing [[Moses]] the lawgiver. Less flamboyant than Cecil B. DeMille's movie ''[[The Ten Commandments (film, 1956)|The Ten Commandments]]'' and focuses more on the Biblical figure of Moses. Originally a six-part U.S. TV mini-series in 1975, but edited to make it a U.S. movie in 1976.
|unknown money returns
|-
|''Mr. Deeds''
|2002
|PG-13
|Shows the liberal-run mainstream media in a negative light and also has a promotion of small-town values and capitalism.
|$171.3 million
|-
|''The Mummy Returns''
|2001
|PG-13
|While its predecessor stayed politically neutral, this film has pro-family message, in which father and his family must rescue their son from a Satanic cult who plans to resurrect an Egyptian demon, as well as the climax having the mother, in clear defiance of the father's insistence that she, her brother, and their son escape from the doomed temple without him, risks her life to save him, while in stark contrast, the female villain, the reincarnation of the woman whom the titular mummy had sacrificed everything to try and save, ends up abandoning him to his fate despite his begging for her help, and later ends up paying the price for her deed by falling into a pit of scarabs.
|$202,019,785
|-
|''Mr. Skeffington''
|1944
|UR
|Bette Davis portrays a socialite whose life is ruined when she turns ugly with age. Anti-Nazi and anti-materialistic.
|Unknown
|-
|''[[Mr. Smith Goes to Washington]]''
|1939
|UR
|A tale of a good, simple man rising above the pressures of [[liberals]] to do the right thing. Features perhaps the best defense of the American political system ever committed to film.
|Unknown
|-
|''My Son John''
|1952
|UR
|A small-town couple's world is turned upside-down by the discovery that their adult son is a Communist.
|amount made unknown
|-
|''The Name of the Rose''
|1986
|R
|A mystery centered around the balance between faith and science, as well as debate over the role of poverty in religion and religious orders.
|$5,595,706
|-
|''The Nativity Story''
|2006
|PG
|Title says it all about this Biblical epic.
|$37,629,831
|-
|''National Treasure''
|2004
|PG
|Benjamin Gates and his sidekick named Riley do everything they can to protect the U. S. Declaration of Independence from being destroyed. Similar to [[The Goonies]] and the [[Indiana Jones]] Series.
|$173,008,894
|-
|''Navy Seals''
|1990
|R
|A Pro-military anti-terrorist film released during the golden age of military action films.
|$25,069,101
|-
|''Nicholas and Alexandra''
|1971
|PG
|Biopic of Russia's last czar Nicholas II and his wife and family, from their only son's birth until the family's deaths by the Communists.
|$6,990,000
|-
|''Night at the Museum''
|2006
|PG
|Divorced father Larry Daley tries to keep a steady job to be a good role model for his son. He takes a job at the American Museum of Natural History where everything comes to life at night. Features conservative president [[Theodore Roosevelt]] who talks to him about manning up and not giving up as Daley faces obstacles in Museum. Also contains an inspirational quote about character and courage as, the wax Theodore Roosevelt says to Larry Daley "You gotta finish the job this time, you can't quit, I'm made of wax Larry, what are you made of?" Followed by two sequels in 2009 and 2014.
|$250,863,268
|-
|''Ninotchka''
|1939
|UR
|Anti-communism, pro-Capitalism.
|Unknown
|-
|''Nocturnal Animals''
|2016
|R
|The main character is a [[liberal]] art gallery owner who is re-examining her life as her marriage with her [[Adultery|unfaithful]] husband disintegrates. Suddenly, out of nowhere, she receives a manuscript for an unpublished book written by her first husband, who she had divorced many years earlier. The book, sharing the title with the film, tells the story of a man whose wife and teenage daughter are brutally [[rape]]d and [[murder]]ed by a [[gang]] while the family are on a road trip vacation. He blames himself for their deaths because the gang was unarmed and managed to abduct them by merely intimidating him.

After the [[Corruption|corrupt]] police department releases the leader of the gang responsible for the crime due to "lack of evidence," he seeks the help of a detective who objects to the department's decision, and the two men embark on a mission of vigilante justice, that ends in the deaths of both the man and the gang leader, as well as one of the gang members who was not released. After finishing the book, the gallery owner is tormented by her past. Not only is the book very good, despite her frequent criticisms of her ex-husband's writing abilities while they were still together, but it is implied that she also sees the book as a metaphor for her relationship with him. In real life, they married young after a whirlwind romance, but their marriage disintegrated as she became increasingly ambitious and [[greed]]y over her career aspirations. Her greed drives her to have an extramarital affair with the man who later became her second husband, and to [[Abortion|abort]] her child with her first husband without his consent.

In the book, the first husband is represented by the man who wants justice. The gallery owner is represented by two people: the man's wife (representing the gallery owner ''before'' she became consumed by greed) and the gang leader (representing the gallery owner ''after'' she became consumed by greed). The teenage daughter represents the aborted child. In both cases, the men lost their wife and child, in one form or another, because they stood by and did nothing as evil tore the family apart. In the end, both men stood up to what destroyed their families, the ex-husband by proving he can be a good writer and the man in the book by resorting to vigilante justice.

In addition to being anti-[[materialism]], anti-[[abortion]], promoting traditional family roles (by emphasizing that fathers must be strong and protective) and portraying a young liberal's descent into spiritual darkness because of her intense [[idealism]], but it also plays with Christian imagery and metaphors. When the wife in the book is found dead, her [[Christian Cross|cross]] necklace is found destroyed, presumably by the gang that is supposed to represent greed, which destroys the Christian spirit of any person it dwells in. It is also possible to argue that the detective character in the book represents [[Satan]], as both figures claim to have good intentions and yet convince people to commit horrific acts in order to satisfy their passions. However, the ex-husband in real life, by doing a much simpler and benign act than his in-book counterpart and getting back at those who wronged him by continuing what he loves best, shows that malicious revenge is not the only way, and you can come out of even the worst tragedies as a better person.
|$10 million
|-
|''Non-Stop''
|2014
|PG-13
|Liam Neeson plays an alcoholic U.S. Air Marshall named Bill Marks, who has divorced and lost his daughter to cancer. He begins to receive a series of threatening text messages during a flight, warning that unless $150 million is transferred into a specific bank account, somebody on board will die every 20 minutes. The movie shows Marks' perseverance to find those responsible, reflecting the real-life post-9/11 determination to stand against terrorism. Furthermore, his fight against both the unknown hijackers, as well as the uncooperative passengers, and even his supervisor on the ground helps to redeem himself, after his personal family tragedies, finding friendship with a fellow passenger named Jenn. This shows that even after experiencing a family tragedy, one can still move forward in life.
|$222,809,600
|-
|''Not Without My Daughter''
|1991
|PG-13
|Sally Fields is [[Betty Mahmoody]], the American wife who, along with her daughter, was tricked in 1984 by her Iranian-born husband into traveling with him on what he said would be only two weeks in his homeland to visit his relatives (he lied big time about the two weeks part!).
|$14,789,113 (U.S.)
|-
|''[[October Baby]]''
|2012
|PG-13
|A first-rate, compelling film that leaves no doubt about how wrong [[abortion]] is.
|$5,357,328
|-
|''[[October Sky]]''
|1999
|PG
|Four high school boys from a rural coal mining town, inspired by Sputnik, set out to build their own rockets and become rocket scientists.
|$32,481,825
|-
|''Of Gods and Men'' (French original)
|2010
|R
|Martyrdom of Trappist monks by Islamic terrorists in an impoverished Algerian community.
|$3,954,651
|-
|''[[Oh, God!]]''
|1977
|PG
|In this spiritually uplifting comedy, God appears as a kindly old man to a nonbeliever to spread joyful tidings of His existence. Though the young man inadvertently creates a global hysteria upon realizing God's power, his acceptance of God's calling is ultimately rewarded, the faithful are vindicated, and naysayers are proven wrong. Two sequels followed in 1980 and 1984.
|$41,687,243
|-
|''Olympus Has Fallen''
|2013
|R
|Disgraced Secret Service agent Mike Banning must protect the President from North Korean terrorists.
|$98,925,640
|-
|''On Golden Pond''
|1981
|PG
|''On Golden Pond'' presents the story of two generations of a family who have separated from each other for decades. While on a summer vacation together at the old family retreat, they finally come together and, through forgiveness and understanding, they all have become better people and a great family. It is the kind of a compassionate and understanding friendship that brings and unites generations and cultures together. It is an artistic triumph for the entire cast and crew.
|$119,285,432
|-
|''[[On the Waterfront]]''
|1954
|UR
|[[Marlon Brando]] plays Terry Malloy, who under the inspiration of a Catholic priest (Father Barry, played by [[Karl Malden]]), becomes a Christ-like figure. Betrayed by his brother and almost killed by the gang, he finds the strength to overcome and redeem his people from the slavery to the mobsters who run the waterfront. In stunning contrast to the liberals who kept silent about the Communist subversion in Hollywood, the film portrays the informer as the hero; liberal Hollywood never forgave director [[Elia Kazan]] for his stunning film. In real life, Kazan, Malden and screenwriter Budd Schulberg all testified before Congress, along with others like [[Walt Disney]] and [[Ronald Reagan]]. Together, they broke the power of the Reds in Hollywood.
|$9,600,000
|-
|''One Day In The Life of Ivan Denisovich''
|1970 Britain/Norway
|PG
|[[Aleksandr Solzhenitsyn]]'s bestselling novel brought to film as Tom Courtenay is the titular prisoner in early 1950s Siberia as punishment for surrendering to the Nazis during World War II and his struggle for small comforts to ease the harsh injustices of the Gulag. A smashing indictment of the Soviet system.
|amount unknown
|-
|''One Foot In Heaven''
|1941
|UR
|
|Unknown
|-
|''One Good Cop''
|1991
|R
|Titular [[New York City]] police detective (Michael Keaton) and his wife (Rene Russo) inherit a family of three small girls when the detective's partner (Anthony Lapaglia) dies in the line of duty. Has positive portrayals of law enforcers and clergy (one priest turns in money that was stolen from a drug dealer by the cop and left as a donation to his church and the girls talk about "going to Jesus"). Typical violent skirmishes mixed with tender sentimental ones, but also admissions of past adultery by the ill-fated partner, smoking, drinking, much profanity and, of course, illegal drugs.
|$11,276,846
|-
|''Operation Thunderbolt''
|1978 (American and British title and release year; originally an Israeli film, ''Mivtsa Yonatan'', in 1977.
|R
|Based on [[Operation Entebbe]] in 1976, the film portrays bravery and gets its anti-terrorism message across. Menahem Golan who directed, produced and wrote the film was also a former pilot for the Israeli Air Force.
|N/A
|-
|''Other People's Money''
|1991
|R
|A Pro-Capitalism Movie, which unlike most movies show [[Wall Street]] as cold, evil, villainous, and unsympathetic, this movie portrays it in a different view, as it is about a giant corporation trying to expand its business by buying another company.
|$25,682,090
|-
|''The Pacifier''
|2005
|PG
|Navy Seal Shane Wolfe (Vin Diesel) is assigned to be the guardian of five children in this pro-family and pro-military film. He learns from them the responsibilities of being in a family as they learn from him the importance of the military in protecting the country. The villains of the movie are North Korean spies. Also has a brief Anti-Nazi concept. There are plans being made for an upcoming sequel. <ref>https://www.flickeringmyth.com/2015/12/vin-diesel-reveals-that-the-pacifier-2-is-in-development/</ref>
|$113,086,868
|-
|''Parenthood''
|1989
|PG-13
|Dramedy showing the ups and downs of having a family.
|$100,047,830
|-
|''The Parent Trap''
|1961
|G
|Pro-family comedy where twin sisters try to reunite their divorced parents and learn the true meaning of family.
|$25 million
|-
|''The Parent Trap''
|1998
|PG
|A remake of the 1961 film, which is just as much Pro-family.
|$66,308,518<ref>http://www.boxofficemojo.com/movies/?id=parenttrap98.htm</ref>
|-
|''Parental Guidance''
|2012
|PG
|Two parents raise their kids in a liberal way, and as a result, the kids are unhappy and rebellious. The parents leave the kids alone with their grandparents for a weekend who bring in conservative values and helps the kids realize the importance of family.
|$119,772,232
|-
|''Patriots' Day''
|2017
|R
|Shows the heroism of the Boston and Watertown Police Departments, as well as the FBI, during and after the [[Boston Marathon Bombings]]. Also depicts a strong sense of patriotic unity and refusal to bow down to radical Islamic terrorism.
|$36,067,655
|-
|''Paul Blart: Mall Cop''
|2009
|PG
|Mall security guard Paul Blart is silly but shows dedication in keeping the mall he works at safe. Also, Paul wants to be a good father figure for his daughter, and the movie has some anti-feminism aspects as showing the father as the good parent against a mother (not present in the movie though, only seen in a photo), who only married him to get legal status in the country and then left him, which could also be seen as an anti-illegal immigrant message. This film is also somewhat anti-environmentalism.
|$146,336,178
|-
|''[[Pirates of the Caribbean]]: On Stranger Tides''
|2011
|PG-13
|Unlike the rest of the movies in the series which were just pure entertainment, this movie has some good Christian messages and a Christian missionary is presented in a positive light. The climax of the movie presents a very important message too; ''Only God can grant eternal life, not these pagan waters. Men, destroy this profane temple!''
|$1.046 billion
|-
|''Pixels''
|2015
|PG-13
|Aliens take the Earth in a war with a throwback to classic video games. The film is pro-military, and pro-integrity, as the actions of a man who cheated in the video game are shown in a negative light. Promotes joy and having and shows the wastefulness of [[nihilism]]. Also, many anti-[[feminism]] themes are present.
|$78,747,585 <ref>http://www.boxofficemojo.com/movies/?id=pixels.htm</ref>
|-
|''[[Popeye]]''
|1980
|PG
|A live-action musical film based off the Conservative TV Show. In addition, the film is pro-family with Popeye reconnecting with his father in the end.
|$9,823,037
|-
|''Pride and Prejudice''
|1995
|TV-PG
|Free-spirited Elizabeth must overcome her earlier misperceptions to find the truth about eligible bachelor Darcy, while Darcy must overcome his own pride.
|BBC <ref>https://www.imdb.com/title/tt0112130/companycredits?ref_=ttspec_sa_5</ref>
|-
|''Prisoners''
|2013
|R
|The movie's main protagonist, Keller Dover, is a deeply devout Christian man, who says the Lord's Prayer on several occasions. The movie also depicts the importance of family in a very positive light, with Keller vowing to protect and love those closest to him at all costs. However, when his daughter and best friend are kidnapped, Keller takes matters into his own hands by kidnapping, imprisoning, and torturing the man whom he believes is responsible, even though it becomes apparent that he could not have done it. This is a clear transformation from holy man to sinner, as is symbolized at one point by the filmmakers intentionally changing Keller's daughter's best friend's rat from white to black. This makes it clear that the movie is self-aware that its main protagonist is no longer a good Christian man. Furthermore, this is could be a symbolization of Jesus Christ's crucifixion, as the man being tortured is innocent, and suffering for the crimes of the real kidnapper, his aunt.
|$122,126,687
|-
|''[[The Pursuit of Happyness]]''
|2006
|PG-13
|A film that shows hard work, dedication, loyalty and trust can result in success and "happiness" for any American, regardless of race, gender or creed. It is an instructional piece about the tradition of "stick-to-it-iveness" that has made America a land of hope and opportunity for so many. This film’s main themes—the primacy of the family, the blessings of free and open markets, the necessity of staying true to one’s ideals—are all conservative concepts.
|$307,077,300
|-
|''A Quiet Place''
|2018
|PG-13
|Metaphorical pro-life horror film<ref>https://www.washingtonpost.com/news/act-four/wp/2018/04/11/a-quiet-place-isnt-just-pro-life-it-makes-us-understand-what-being-pro-life-truly-means/?noredirect=on</ref>. Notable for being one of the biggest surprise hits of 2018.
|$329,861,495<ref>http://www.boxofficemojo.com/movies/?id=aquietplace.htm</ref>
|-
|''Quo Vadis''
|1951
|UR
|The early Christian Church during the time of [[Nero]]'s regime.
|Unknown
|-
|''Race''
|2016
|PG-13
|Bio pick of American icon [[Jesse Owens]]
|$19 million
|-
|''[[Raiders of the Lost Ark]]''
|1981
|PG
|
|$242,374,454
|-
|''Ransom''
|1996
|R
|Father Tom Mullen (played by Mel Gibson) takes drastic measures to save his son after he is kidnapped. Besides being pro-family, the film's other message is not giving into criminals as Mullen refuses to pay the ransom money and tries to bring the kidnappers to justice.
|$136,492,681
|-
|''The Red Danube''
|1949, based on Bruce Marshall's 1947 novel ''Vespers in Vienna''.
|NR
|In 1945 Vienna at the end of World War II, the city is divided into four occupation zones, American, British, French and Soviet.
The British army is helping the Soviets find and return refugees from the USSR, ex. a Volga [[German]] ballerina (Janet Leigh), whose parents are Soviet dissidents, while the Vienna convent's Mother Superior (Ethel Barrymore) is friendly and says that "the Russians are cruel because they forgot God".
|$1,859,000 (worldwide-1950)
|-
|''[[Red Dawn]]''
|1984
|PG-13
|A film by conservative writer and director [[John Milius]] about American high school students resisting a Soviet invasion through guerrilla warfare.
|$38,376,497<ref>http://www.boxofficemojo.com/movies/?id=reddawn.htm</ref>
|-
|''[[Red Dawn]]''
|2012
|PG-13
|A remake of the 1984 film, although this time with [[North Korean|North Koreans]] as the villains.
|$44,806,783<ref>http://http://www.boxofficemojo.com/movies/?id=reddawn10.htm</ref>
|-
|''Reefer Madness: The Movie Musical''
|2005
|R
|Movie based on the musical, which shows the dangers of marijuana. The main character Jimmy is a high schooler who starts smoking marijuana and becomes addicted to it. In the end, his girlfriend is killed because of his mistakes. Even contains a scene where Jesus comes to talk to Jimmy and warns him not to turn his back on God. Also, pro-American and anti-political correctness, within the end; Uncle Sam, Lady Liberty, and other American characters come out and sing the song "Tell 'Em the Truth."
|-
|''Requiem for a Dream''
|2000
|R
|(not for children) Anti-drug film depicting four tales of drug addiction and the addicts going down a life of ruin. The film doesn't hold back on the brutal reality of drug addiction.
|$3,635,482
|-
|''Rio Bravo''
|1959
|UR
|Classic film with conservative star [[John Wayne]] as he and his crew battle the brother (and his outlaws) of an apprehended criminal. Also downplays alcohol abuse as Wayne's partner Dude (played by Dean Martin) is seen overcoming this throughout the film.
|$5 million
|-
|''Robin Hood''
|2010
|PG-13
|An origins tale to the character, this rendition of Robin Hood, unlike most other adaptations, takes more after how he was originally presented as a man rebelling against an unlawful government and taking back funds stolen by Prince John and returning it to the people who actually worked for it, and not the "steal from the rich to give to the poor" revisionist version by [[Joseph Ritson]] during the time of the [[French Revolution]] that was made in solidarity to the [[Jacobins]]. The Magna Carta, which brought reform to English government after a long period of feudal oppression, is portrayed positively.<ref>https://www.wnd.com/2010/05/154853/</ref>
|$321.7 million
|-
|''[[Rocky]]''
|1976
|PG
|Robert “Rocky” Balboa, a talented but down-on-his-luck prize boxer, seizes a chance to challenge himself to the ends of his ability. This film - and its sequels and remakes - reinforces man's ability to overcome challenges. Included five sequels and two spin-offs.
|$117,235,247
|-
|''Rosemary's Baby''
|1968
|R
|Higher powers intervene in this story of a young Catholic mother's devotion to her unborn infant.
|Unknown
|-
|''Rudy''
|1993
|PG
|A young man overcomes many obstacles, including dyslexia, to play for the [[Notre Dame]] football team. Shows the value of hard work and never giving up.
|$22,750,363
|-
|''The Sandlot''
|1993
|PG
|Honestly depicts 1950s America when boys acted like boys and girls acted like girls, wimps were taught to toughen up, and every boy had a chance to be great. No historical revisionism. Also celebrates America's pastime [[baseball]].
|$32,416,586<ref>http://www.boxofficemojo.com/movies/?id=sandlot.htm</ref>
|-
|''The Santa Clause'' (series)
|1994, 2002, 2006
|PG
|A divorced father of one must take on the responsibility of being Santa Claus after he is chosen. Along the way, he finds great joy and happiness in his new occupation. The film series also promotes the essence and importance of traditional marriage, family, and Christmas. Also has a strong message against the separation of the church and state. Spawned two sequels, although their quality has varied (see their entries in the Debatable whether Great section of this article more details).
|$189,800,000; $172,900,000; $110,800,000
|-
|''Saving Christmas''
|2014
|PG
|Kirk Cameron fights using the truth in the War on Christmas. Liberals tried to censor it, but ultimately became a hit among those who believe in the truth.
|$2,800,000
|-
|''Saving Private Ryan''
|1998
|R
|Promotes the military and American values during World War II, and depicts the Nazis in a negative light.
|$481.8 million
|-
|''Schindler's List''
|1993
|R
|[[Oskar Schindler]], a German Christian businessman, saves the lives of more than a thousand Jewish refugees during the Holocaust by employing them in his factories. The negative effects of [[gun control]] are shown as German citizens are shot by their Nazi oppressors without any means of self-defense.
|$96,065,768
|-
|''Scrooged''
|1988
|PG-13
|A modern-day retelling of Charles Dickens' ''A Christmas Carol'' starring Bill Murray, this story focuses on television executive Frank Cross. Promotes the same themes of redemption and the spirit of Christmas as it's source material. Also Anti-Hollywood values as well, since the main reason Frank lost his long-time love Claire was because he was furthering his television career.
|$60.3 million
|-
|''Sergeant York''
|1941
|UR
|A young American soldier during WWI overcomes an unfounded religious objection to killing and becomes a war hero.
|Unknown
|-
|''The Seventh Seal''
|1956
|NR
|Swedish film about the strength of religion.
|
|-
|''The Seventh Sign''
|1988
|R
|Starring Demi Moore, a fictional account of the return of Jesus to usher in the apocalypse and judge mankind. Catholic-themed movie has Demi Moore offering her life for the souls of others.
|$18,875,011
|-
|''Sexmission''
|1984
|R
|A Polish film about two men, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. The totalitarian female society was meant to represent Communism and feminism and the movie was meant to ridicule it.
|
|-
|''Shane''
|1953
|UR
|This Western follows a homesteading family whose patriarch fights to defend them.
|$20,000,000
|-
|''Shattered Glass''
|2003
|PG-13
|Based on the true story of Stephen Glass (Hayden Christensen), a reporter in the late 1990s for the liberal magazine ''The New Republic'', lies and distorts news stories to make them entertaining. He begins by submitting an article about the Conservative Political Action Conference, in which he fabricated stories of drinking and sexual mischief. Then, after he writes a colorful but suspicious story on a superstar web hacker, a group from a small online news site begin to question his journalistic integrity.
|$2,220,008
|-
|''Shazam!''
|2019
|PG-13
|This old-school stylized superhero film may not only be one of DC's best but it is very conservative. The movie is quite-pro family with the main character; Billy Batson, realizing end that family is what matters most, and even claims “If a superhero can’t save his family, then he’s not much of a superhero.” Also, it is pro-Christianity, with the family saying Grace and thanking and showing gratitude towards the lord for their meal (which is very rare for a superhero movie). As well as the villain being [[Nihilist|nihilistic]] and leading the demons of the seven deadly sins. In addition, the hero is played by actor Zachary Levi who is a Christian, and his faith may have cost him some roles earlier (most likely because of [[Hollywood Values]]).<ref>https://godtv.com/6-hollywood-entertainers-didnt-know-were-christians/</ref> The film also in way condemns the pro-choice agenda as well as [[feminism]], as the main character's mother abandons him on purpose and just leaves him to survive on his own Finally, there is a small anti-alcoholism message with the characters taking a sip of alcohol for the first time, and then spitting it out, only to return the rest of it, and buy candy and soda instead.

<ref>https://www.breitbart.com/entertainment/2019/04/05/shazam-review-not-another-origin-story/</ref>
|$140,371,656 <ref>https://www.boxofficemojo.com/movies/?id=untitledmovieiv.htm</ref>|-
|''Short Circuit 2''
|1988
|PG
|Unlike, its liberal predecessor, this movie is pro-capitalism. Ben Jahvri, one of the co-creators of the No. 5 robot, is now a vendor attempting to sell his robot toys on the streets of New York. When an employee of a major toy company, Sandy Banatoni, Ben's love interest, becomes interested in his toys, Ben teams up with another capitalist named Fred Ritter (played by Michael Mckean) to produce 1000 of the toy robots. After a break-in scares of Fred's workers, No. 5, now known as Johnny Five, comes to New York to help Ben.

This movie is also pro-assimilation, Ben is shown working hard and studying to pass the test required for US citizenship (a test which most native-born US citizens couldn't pass). At the end of the movie, Ben is shown taking the Vow of Citizenship, along with Johnny Five who is being recognized as the first robotic citizen of the US.
|21.6 million
|-
|''Signs''
|2002
|PG-13
|This sci-fi drama proves that sci-fi and atheism need not be synonymous. The main character; Graham Hess (played by Mel Gibson) is a former reverend who has lost his faith in God after the tragic death of his wife in a car accident. He now refuses to have anything to do with God, despite the continued desire to do so from his children. When an alien invasion hits home, he realizes that only God could have saved him and his family from death, and he rediscovers his faith in the end.
|$227 million
|-
|''Silence''
|2016
|R
|Powerful tale of faith, as Jesuits try to promote Christianity in 17th century Japan overcoming the violence and persecution they encounter.
|$7,100,177
|-
|''Sky High''
|2005
|PG
|At an airborne high school for tomorrow's superheroes, student Will Stronghold is the son of two costumed vigilantes who, while he does not appear to have superpowers at first, develop them over time, hinting at the idea of social advancement, which is the basis for the [[American Dream]]. The main lesson he learns is knowing how to use one's abilities to one's advantage and achieve a greater goal. A catchphrase in the film is: "Just because you have powers, that doesn't make you a hero," which can be related to the expression, "Guns don't kill people; people kill people."
Furthermore, the film promotes the idea that anyone can be a hero, as Will and his "sidekick" friends with seemingly unimpressive superhuman abilities eventually rise above their assigned statuses and save the school. Also, Gwen Grayson/Royal Pain, the feminist main villain, seeks to turn all the superheroes into babies, then raise them up to be evil and loyal to her (perhaps an effort to play God). In addition, Will's best friend Layla Williams, who can control plant life and ultimately becomes his girlfriend, is shown to contain many liberal beliefs, especially pacifism, but she gives up her pacifism to fight back and help defeat Royal Pain and her cronies.
|$63,946,815<ref>http://www.boxofficemojo.com/movies/?id=skyhigh.htm</ref>
|-
|''Snitch''
|2013
|PG-13
|A father becomes an informant on helping the police arrest drug dealers, so he can get his son out of prison. Pro-drug war, the villains of the movie are all drug dealers. Also pro-fatherhood and pro-family, as well.
|$42,930,462
|-
|''Solomon Kane''
|2009
|R
|A story about a Puritan on his way to redemption.
|$19,385,501
|-
|''The Song of Bernadette''
|1943
|UR
|An affectionate and beautifully filmed biography film on the life of Bernadette Soubirous. Illustrates the power and essence of faith, hope, charity, and forgiveness. Winner of four Academy Awards, including Best Actress in a Leading Role (Jennifer Jones).
|$7,000,000
|-
|''The Sons of Katie Elder''
|1965
|UR
|Brothers John Elder ([[John Wayne]]), Tom Elder ([[Dean Martin]]), Bud Elder (Michael Anderson Jr.) and Matt Elder (Earl Holliman) seek justice following the murder of their mother.
|$23 million
|-
|''Soul Surfer''
|2011
|PG
|The true story of champion surfer 13-year-old Bethany Hamilton, who loses her arm in a shark attack. Her Christian faith helps her overcome her handicap to surf once again.
|$43,853,424
|-
|''[[The Sound of Music]]''
|1965
|UR
|Solid family entertainment about Austria's von Trapp family before World War II.
|$158,671,368
|-
|''Soylent Green''
|1973
|PG
|[[Charlton Heston]] plays a futuristic detective in a dying, polluted, overcrowded dictatorial world, trying to solve its most bizarre secret of its time's only main food source for most of its people, only to find its most unspeakable answer as the recipe directly involves people.
|
|-
|''[[Spider-Man (film)|Spider-Man]]''
|2002
|PG-13
|Based on the flagship superhero of Marvel Comics, Peter Parker is a hard-working teenager, raised by his devout Aunt May and well-meaning Uncle Ben, who is bitten by a radioactive spider and gains spider-like abilities, such as climbing any surface and shooting webbing from his hands, which he vows to use to prevent crime after Uncle Ben’s murder. ''Spider-Man'' pokes fun at [[liberal]] entertainers and journalists, particularly ''Daily Bugle'' publisher J. Jonah Jameson, who goes out of his way to unfairly smear and slander Spider-Man and foolishly question his heroic deeds. For his relationship with classmate Mary Jane Watson, Peter chooses [[abstinence]]. Peter believes in individualism and capitalism as well: he rejects a job from a handout, claiming he would like to earn what he makes. This was one of the most profitable films ever made and had two sequels.
|$403,706,375
|-
|''The Star Chamber''
|1983
|R
|Michael Douglas is a [[Los Angeles]] judge whose idealism is shaken when he has to release guilty violent criminals on legal technicalities, until he meets similar judges who form a "court of last resort" to hunt down and execute deadly criminals who previously escaped on loopholes.
|$5,555,305
|-
|''Straw Dogs''
|1971
|R
|Liberal mathematician David Sumner moves to Cornwall, England with his wife to study stellar phenomena. While there, vicious criminals constantly harass him and his wife. The criminals do inhuman things such as kill his cat and rape his wife, leaving Sumner to abandon his liberal beliefs and pacifism and defend his life and all he holds dear.
|
|-
|''Strategic Air Command''
|1955
|UR
|Actor (and Brigadier [[General]]) [[James Stewart]]'s story of the real [[Strategic Air Command]] and its transition from prop planes to jet planes.
|Unknown
|-
|''Suicide Squad''
|2016
|PG-13
|Various supervillains are given a second chance to fight for the greater good. Surprisingly, the film glorifies some conservative values. The villain's a [[Pagan]] goddess named Enchantress ( a rare film where liberal Hollywood actually portrays a Pagan as evil instead of the tragic hero nonsense we've seen). Also, even throughout the film is about supervillains, many of them regret their lives of crime, such as one of the characters Deadshot abandons his opportunity to kill Batman on his daughter's behalf and another character El Diablo who used his superpower for evil ends up accidentally killing his family, which has haunted him.
Moreover, in a dream sequence villain Harley Quinn shows her deepest desires which is being a housewife (points for having the guts for showing a female character not wanting to be part of the feminist agenda, especially in this day and age, even if it not surprisingly infuriated liberal critics<ref>http://www.avclub.com/article/margot-robbie-deserves-better-suicide-squads-sexis-240618</ref>). Some could also point out Enchantress plans to bribe the squad as reference to Luke 4:6-7. More interesting enough the director David Ayer is a Christian<ref>http://www.interviewmagazine.com/film/shia-labeouf/#page2</ref> who was once in the Navy.<ref>https://www.theguardian.com/film/2014/oct/16/david-ayer-something-maternal-about-tank-in-fury-brad-pitt</ref> So it's not surprising he added these values onto his film.
|$325,100,054
|-
|''Sully''
|2016
|PG-13
|Directed by nonother than [[Clint Eastwood]], Sully tells the great morality tale on how one should rely on his/her human instincts and personal faith at any time in their lives, especially in this age where others rely more on modern technology.
|$124,643,039
|-
|''Swiss Family Robinson''
|1960
|UR
|After they were shipwrecked on a deserted island, the Robinson family courageously worked together to survive against all odds and transformed the jungle into a habitable, tropical South Seas paradise. ''Swiss Family Robinson'' is both a great family film of the highest order and one of the most beloved live-action Disney films ever made.
|$465,977,300
|-
|''Taken''
|2009
|PG-13
|Retired CIA agent and divorced father Bryan Mills risks everything to save his daughter from Albanian sex traffickers. Followed by two sequels in 2012 and 2015 and a television series in 2017.
|$145,000,989
|-
|''Teenage Mutant Ninja Turtles (1990)
|1990
|PG
|The first live-action adaptation of Peter Laird and Kevin Eastman's creations. Like the 1987 TV series, this movie greatly emphasizes the family themes with the turtles as brothers and Master Splinter as their adoptive father. The family themes are even more emphasized when Leonardo has an argument with Raphael, which results in Raph going off on his own, getting ambushed and nearly killed by the Foot Clan. Leonardo then regrets his actions and stands vigil over his unconscious brother, hoping that he will wake up so that Leo can apologize (and they do reconcile). Splinter gets kidnapped very early in the movie and the turtles are very distraught by his absence. The movie also paints hedonism and deliquency in a negative light, and the Foot Clan is shown to be a gang of teenage runaways taken in by Shredder who maintain a hideout full of vices such as smoking, drinking, and gambling. Shredder exploits them by giving them their hedonistic desires in exchange for their loyalty. this is most emphasized with the character of Danny Pennington, who is estranged from his father and runs away to join the Foot Clan. Later in the movie, Splinter reveals to Danny that Shedder is in fact Oroku Saki, the man responsible for killing his owner, Hamato Yoshi, and he convinces Danny to reconcile with his father.
|
|-
|''[[The Ten Commandments]]''
|1956
|UR
|The definitive film portrayal of [[Exodus]]. Stars Charlton Heston as main character Moses and as the voice of God (the latter role shared with Delos Jewkes), John Carradine as Moses' brother [[Aaron]], Yul Brynner as Egyptian pharaoh and main antagonist [[Ramses II]], Edward G. Robinson as corrupt Hebrew overseer and secondary antagonist Dathan, Yvonne De Carlo as Moses' wife [[Zipporah|Sephora]], Anne Baxter as Moses' original love interest (and later Ramses II's wife) Nefretiri, Nina Foch as Moses' foster mother Bithia, John Derek as Hebrew stonecutter and Moses' right-hand man [[Joshua (Biblical leader)|Joshua]], Debra Paget as Joshua's love interest Lilia, Sir Cedric Hardwicke as Pharaoh Sethi, Judith Anderson as Bithia's servant Memnet, Vincent Price as Sethi's architect Baka, Martha Scott as Moses' biological mother [[Jochebed|Yochebel]] and Olive Deering as Moses' sister [[Miriam]].
|$65,500,000
|-
|''Thor''
|2011
|PG-13
|Based upon the Marvel Comics superhero, the fourth installment of the Marvel Cinematic Universe does not attempt to convert its audience to paganism regardless of what the title implies. Instead, the titular Norse god of thunder, who is alternately thought of as a god and as an alien in this universe, learns the consequences of dishonoring his father Odin and betraying his family: after his reckless actions reignite an ancient war between the people of the kingdom of Asgard, the home of Thor’s family, and a race of frost giants, Thor is stripped of powers, banished to earth, and forced to live among humans. He then remembers the importance of honoring his father and sacrifice for a greater good when his wicked trickster brother Loki, who seeks to claim the throne of Asgard for himself, sends after him the Destroyer, a ferocious automaton. Thor’s willingness to lay down his life so his friends can kill the Destroyer proves him worthy to regain his powers, defeat the automaton, and return to Asgard to overthrow Loki, who faces his own consequences for betraying the family (namely, being dropped into the vacuum of space, only to turn up alive after the credits, setting up the plot for another great conservative Marvel film, ''The Avengers'').
|$449.3 million
|-
|''The Three Stooges''
|2012
|PG
|In a plot similar to ''The Blues Brothers'', the Three Stooges try to raise money to save their Catholic orphanage. The movie promotes capitalism, as they refuse a handout, and want to work for it. The movie also promotes the family as well.
|$44,338,224
|-
|''Thirty Seconds Over Tokyo''
|1944
|UR
|Pro-American film released after the wake of [[Pearl Harbor]] that portrays brave fighter pilots fighting the Japanese in WWII.
|$6,247,000
|-
|''To Kill a Mocking Bird''
|1962
|UR
|Based on the Harper Lee novel of the same name, this Pro-family, anti-racism movie set in the early 1930s in Maycomb, Alabama depicts a lawyer named Atticus Finch, who is given the difficult task of defending a black man wrongfully accused of rape at a time when racism against blacks was actually prevalent in American society. Atticus is also depicted as being a very caring father to his son Jem and his daughter Jean Louise, or "Scout."
|$13,129,846
|-
|''[[The Toy]]''
|1982
|PG
|This pro-family movie is about a little rich boy, who is sad and lonely because his family lacks any real family values. He buys a man as a toy when really he wants a friend, where he learns “If you want a friend, you don’t buy a friend. You earn a friend. You know, with love and trust.” In the end, the boy’s father shows he really loves his son and tries to reconnect more with him, by rebuilding more family values. Also part of the reason their father-son relationship was so messed up was because he was divorced and also was being tricked into working for the [[KKK]], which is shown in the negative light.
|$47,118,057<ref>http://www.boxofficemojo.com/movies/?id=toy.htm</ref>
|-
|''The Tree of Life''
|2011
|PG-13
|An adaptation of the Book of Job set in 1950s Texas with a narrative structure based on the nature of human memory which many viewers will find confusing.
|$13,303,319
|-
|''Transformers''
|2007
|PG-13
|The Autobots and their leader, Optimus Prime, usually do what they believe is right and fight the misanthropic Decepticons. Although the police and military fight both Transformers throughout most of this film, they learn that the Autobots are good in the end and the Autobots also learn that about them. It was followed by four sequels in 2009, 2011, 2014, and 2017, with varying quality and Conservative messages.
|$319,246,193
|-
|''Tremors''
|1990
|PG-13
|Giant sand worms called "Graboids" begin attacking the residents of a small isolated town in the Nevada desert and block the only road out of town. One of the few Hollywood films to portray personal firearm ownership in a positive light as Burt Gummer and his wife Heather fight off one of the Graboids with a variety of firearms, including semi-automatic AR-15s. Burt also creates the explosives that are used to kill the last two Graboids. Ironically, Burt is played by Michael Gross, the same actor who played the super liberal Steven Keaton in Family Ties.
|$16,667,084
|-
|''True Grit''
|1969
|NR
|Western film that deals with trying to bring justice against a murderer, and promotes courage in the face of danger as well as perseverance. Was also notable as being one of the few films during that time that still dealt with the concept of a classical hero, whether in westerns or other genres, in an era where Hollywood was being taken over by the radical left and including as a fad anti-heroes, and inspired Russ Dvonch to be a filmmaker.<ref>https://web.archive.org/web/20090430053837/http://bighollywood.breitbart.com/rdvonch/2009/04/28/heroic-hollywood-american-exceptionalism-and-the-hollywood-hero/</ref>
|$48 million
|-
|''True Lies''
|1994
|R
|Stars the future Republican governor of California, [[Arnold Schwarzenegger]]. Teaches conservative values like marital loyalty, and politically incorrect facts such as the fact that most terrorists are Middle Eastern Islamic radicals who don't value human life.
|$146,261,000
|-
|''The Tunnel'' (''Der Tunnel'')
|2001
|
|Based on a true story a group of East Berliners escaping harsh Communist rule and hatch a plan to help others escape that same oppressive regime.
|$10,890
|-
|''Twelve O'Clock High''
|1949
|UR
|A thrilling movie about the heroics of fighter pilots during [[World War II]]; used as an educational film for management training seminars.
|$3,225,000
|-
|''Twins''
|1988
|PG
|Pro-family film about fraternal twins who are separated at birth, and once they have reunited with each other they go to find their mother. In addition contains the many morals, including the importance of doing what right over getting what wants. In addition this is a rare Hollywood film to actually show the moral character as the happier character, as Arnold Schwarzenegger's character is both moral and joyful (he is said to have the ideal human trait, where Danny Devito's character was initially a small-town crook and learns the error of his ways becoming more happy and moral, and even claiming at the end "It feels great to be a good guy".
|$111,938,388
|-
|''Unbroken
|2014
|PG-13
|Tells the story of how WWII hero and Olympic runner Louis Zamperini, who died on July 2 of the original's release year, overcame the Japanese while in one of their prison camps. Followed by a post-war-set sequel in 2018.
|$115,637,895
|-
|''[[Uncle Buck]]''
|1989
|PG-13
|A slovenly bachelor babysits his rebellious teenage niece and her younger brother and sister, and they learn the true importance of family. The villain of the movie is a teenager who is only interested in his girlfriend for sexual purposes.
|$66,758,538<ref>http://www.boxofficemojo.com/movies/?id=unclebuck.htm</ref>
|-
|''Under Siege''
|1992
|R
|American Patriot and Ex-Navy SEAL Casey Ryback (Steven Seagal) fights against Saul Alinsky-type liberal and ex-CIA operative Bill Strannix (Tommy Lee Jones) after Strannix's team of terrorists hijack the USS Missouri, being helped by the traitorous First Officer Commander Krill (Gary Busey). The film depicts Ryback's heroism and patriotism in a positive light, while depicting Strannix and Krill's Anti-American treachery in a negative light.
|$83,563,139<ref>http://www.boxofficemojo.com/movies/?id=undersiege.htm</ref>
|-
|''[[Unplanned]]''
|2019
|R
|Major pro-life movie showing Abby Johnson's shift from an abortion clinic director to a pro-life activist.
|
|-
|''Vampires''
|1998
|R
|Conserative star James Woods and his team of mercenaries hunt vampires for the [[Vatican]]
|$20 million
|-
|''Voiceless''
|2015
|PG-13
|War veteran and minister Jesse Dean stands up against [[Planned Parenthood]] when an abortion clinic moves across the street from his Church.
|$418,940
|-
|''The War of the Vendee''
|2012
|N/A
|As indicated by the title, it depicts the events of the [[Vendée rebellion]] in a manner more suitable for children by having the cast of the films be exclusively composed of children. Although family friendly overall, it pulls no punches in showcasing the horrors of the French Revolution as well as the anti-Christian ideology behind it, including two of the key characters giving a full list of the various atrocities indulged by the French Revolution, including but not limited to the raiding of the Bastille, the September Massacres, and the unlawful execution of King Louis XVI, as well as heavily implying Satan's role in the revolution by frequently showing at various points, especially in scenes with Robespierre, a black hooded figure.
|N/A
|-
|''War Room''
|2015
|PG
|Pro-Christian film where a woman turns to Christ to help fix her marriage. The film was one of the biggest box office surprises, even with biased reviews.<ref>https://kendrickbrothers.com/news/war-room-coming-theaters-august-28</ref>
|$67,790,117
|-
|''Wanted: Dead or Alive''
|1987
|R
|A modernization of the 1958-61 Western TV series with Steve McQueen (see also ''[[Greatest Conservative TV Shows]]''), where the outlaws are replaced with Islamic terrorists (the film also does a good job of not being politically correct on the subject of Islamic fundamentalism). Stars Rutger Hauer as CIA agent-turned-bounty hunter Nick Randall, the descendant of McQueen's TV character Josh Randall.
|$7,555,000
|-
|''We Were Soldiers''
|2002
|R
|Pro-war story film based on the soldiers and families fighting in [[Vietnam War|Vietnam]].
|$114,660,784
|-
|''War of the Worlds''
|2005
|PG-13
|This rendition of H.G. Wells' classic 1898 novel without "The" in its title features Tom Cruise as Ray Ferrier, an initially easygoing and selfish working class man, who must watch his teenage son, Robbie and young daughter, Rachel, while his ex-wife and new husband visit her parents for the weekend. The movie's pro-family message comes entirely into focus, when the aliens arrive and force Ray and his children to flee. Throughout their time together, Ray clashes with Robbie, the latter critical of him as a father, but in the end, they reconcile, after the invaders are eliminated. The movie is also pro-military and highlights Robbie's bravery to join them in the fight against the invaders, despite Ray's protests.
|$234,280,354
|-
|''The Wilderness Family'', aka ''Adventures of the Wilderness Family''
|1975
|G
|These Robinsons are a 1970's American family fed up with the hassles of modern big city-Los Angeles in their case-living, so they hightail it to the Rockies, vowing never to return. Wholesome scenic entertainment with two sequels in 1978 and 1979 and indeed an example of California being paradise lost.
|-
|''The Wicker Man''
|2006
|PG-13
|Shows the dangers of feminism and [[Neo-Paganism]].
|$23,649,127
|-
|''Wild Wild West''
|1999
|PG-13
|Western about two U.S. Secret Service agents teaming up together to protect [[President Grant]], no feminism.
|$113,804,681
|-
|''Willy Wonka and the Chocolate Factory''
|1971
|G
|Showing the importance of having character. Willy Wonka gives each of the kids on tour an Everlasting Gobstopper, which is a potential goldmine, given that a rival spy had earlier offered each of the kids money in exchange for handing over this new invention. Also, every single kid, except Charlie, misbehaves in such a way that injures or deforms them in some way. The film also promotes capitalism, with Wonka being such a successful business leader in the world of candy. In addition, this film is surely to annoy liberals, who want to ban chocolate candy and sweets.<ref>http://www.toberight.com/2012/02/liberals-banning-sweets-on-valentines-day/</ref>

The hidden message in this film is one of redemption. It is hidden because it is conveyed through the imagery of the film's final scene. Charlie has made it to the end of his journey. Despite having the urge, and a clean opportunity, to sell Wonka out to his rival, Charlie ends up giving the Everlasting Gobstopper back to Wonka. For this act of integrity, he is rewarded beyond his wildest expectations—he is given ownership of the factory. Incidentally, while he is riding in the Wonkavator, it crashes through the ceiling up into the sky. The [[allusion]] to [[Heaven]] and [[salvation]] is unmistakable.
|$4 million
|-
|''The Winning Team''
|1952
|UR
|[[Ronald Reagan]] stars as a baseball pitcher who overcomes his problems to help his team win. This was one of Reagan's own favorites.
|Unknown
|-
|''Witness''
|1985
|R
|Highlights the virtues of strong moral values, with more substance than ''High Noon''.
|$65,500,000
|-
|''Won't Back Down''
|2012
|PG-13
|A brilliant movie that criticizes public schools.
|$5,310,554
|-
|''[[World Trade Center]]''
|2006
|PG-13
|Highlights the bravery of NYC's firemen, paramedics, and police in [[9/11]].
|$70,236,496
|-
|''Zero Dark Thirty''
|2012
|R
|Docudrama about the hunt and [[Abbottabad raid|eventual operation]] that killed [[Osama bin Laden]] on May 1, 2011. The movie generated controversy, due to its depiction of enhanced interrogation techniques, including waterboarding. In addition, the movie put political correctness aside in its depictions of radical Islamic terrorism, showing several of Al-Qaeda's attacks from 2004-2011.
|$132,820,716<ref>http://www.boxofficemojo.com/movies/?id=binladen.htm</ref>
|-
|''[[Zulu]]''
|1964
|UR
|Courageous, Duty, Patriotism. A defending of Western Civilization.
|
|}

==Animated films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''101 Dalmatians''
|1961
|G
|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie portray the importance of family well in the form of Pongo and Perdita stopping at nothing until they rescue their puppies, and they adopt the other eighty-four puppies Cruella had stolen. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also positively portrays heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them get home.
|$215.8 million
|-
|''A Bug's Life''
|1998
|G
|Based on the Aesop fable "The Ant and the Grasshopper", a young and inventive, if clumsy, ant named Flik plans to recruit a military force of warrior insects to save his colony from being oppressed by evil grasshoppers who have enslaved the ants to harvest food for them, lest they may be punished. Flik is a model for individualism as well as a strong work ethic who believes in bettering himself and his colony with his impressive harvesting inventions. To some extent, the film pokes fun at the homosexual agenda, in particular transvestitism: the male ladybug Francis frequently mistaken for a woman because of his species' name, and he routinely corrects other characters about this confusion, at one point even launching into a tirade with several flies before having to be restrained.
|$363.3 million
|-
|''All Dogs go to Heaven''
|1989
|G
|The film's protagonist, a talking dog named Charlie B. Barkin (Voiced by Burt Reynolds), is a gambler and a swindler. After being murdered by his former partner, Carface, he comes back to life by winding his "life watch" and plans to get revenge on Carface. He "rescues" a girl named Anne-Marie (voiced by the late Judith Barsi) from Carface and exploits her ability to talk to animals in order to win at gambling. As the film progresses, Charlie begins to be influenced by Anne-Marie's kindness and love. In the end, he must choose between saving Anne-Marie's life and protecting his "life watch" (he will die if it ever stops) and he chooses the former.

The film depicts Christianity in a positive light. In addition to the obvious references to Heaven and Hell, Anne-Marie is also shown praying before she goes to bed, thanking God for Charlie's "rescue" (which, even though he had his own selfish purposes, did get her away from Carface's abuse).

The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.
|$27.1 million
|-
|''An American Tail''
|1986
|G
|A movie dealing with immigration, the movie is pro-family due to Fieval, the main character, being separated from his family due to a storm, and him and his family going out of their way to find each other. Also has a subtle condemnation of machine politics ([[Tammany Hall]], in this case) and voter fraud due to one of the characters, "Honest" John, the implied mouse mayor of New York City, declaring a then-recently deceased mouse (who was implied to have died before he was old enough to vote) to be able to "vote from now on" before adding the mouse's name to a book (a clear allusion to ghost voters), with the mouse not being painted in a particularly good light. Also promotes legal immigration, and a redemption theme due to one of the antagonists, an orange tabby cat named Tiger, ultimately being befriended by Fieval and becoming an ally to the mice.
|$84 million
|-
|''The Angry Birds Movie''
|2016
|PG
|Based on the video game app of the same name, the film has its moments of rude humor but surprisingly has a strong Anti-Illegal Immigration message with the pigs practically representing Islamic migrants (the villain, King Mudbeard, even looks like a Middle Eastern man). The pigs trick the birds into accepting them to live on their island and once they have their respect, steal their eggs and blow up their island (part of the collateral damage is a statue of a [[bald eagle]] no less). Red, the only bird who was suspicious of them from the beginning, is first demonized by the community because of this, but later forgiven after he is proven right and decides to fight back and rescue their eggs from the pigs.
|$107,509,366
|-
|''Animal Farm'' (animated film)
|1954
|Not Rated
|Animated film adaptation of the conservative text of the same name from George Orwell. Just like in the novel, it uses animals in the pretext of leveling harsh criticism against Communism and against Josef Stalin. Unlike in the book, which heavily implies that the pigs ultimately succeed in taking power with the animals being left unable to do anything against them, the film ends with the animals doing a successful revolt against the pigs, although the ending leaves it ambiguous as to whether the animals will learn their lesson on communism from the experience. It was also made in part by the [[CIA]].
|NA
|-
|''Ben and Me''
|November 10, 1953
|Not Rated
|Animated adaptation of the book of the same name. As indicated by the title, the story involves the founding of America in the onset of the American War of Independence, with founding father [[Benjamin Franklin]] being aided by a mouse named Amos to ultimately draft what would become the Declaration of Independence. Was made when Disney was still a conservative company.
|NA
|-
|''Cars''
|2006
|G
|Unlike its second installment, it promotes friendship and family values, and is about overcoming certain hardships.
|$462.2 million
|-
|''Cars 3''
|2017
|G
|A huge improvement over ''Cars 2'' and is often considered to be the true sequel to the first film. Cars 3 is a great family movie. If it didn't have such liberal producers, Cars 3 would have been a much better film; this suggests liberals can't even get film-making right.
|$108,667,133
|-
|''Chicken Little''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that shows the dangers of listening to lies and rumors, and falling prey to persuasive leaders. The studio originally wanted to have the villain of the short, Foxy Loxy read Hitler's ''Mein Kampf'' to make sure no one missed the point, but in the end they changed it to just a generic psychology book in attempt to prevent the short from becoming dated after the war, although in the actual film, the passages he was heard reading were taken directly from ''Mein Kampf'', thus preserving the scene's original message overall.<ref>http://1.bp.blogspot.com/-w2rTnQ7x68M/UkZ7sfQmfoI/AAAAAAAAHzE/SM9wrZ6A4vE/s1600/CLSB+9.jpg</ref> On a related note, the short is further evidence disproving various liberal claims that Walt Disney had been a fascist/Nazi supporter.
|
|-
|''Cinderella''
|1950
|G
|Based on the internationally-known rags-to-royalty fairy tale, this Disney animated feature teaches how perseverance even when things look bleak can pay off and stresses the importance of retaining a good character even when hope dwindles.

In 2015, ''Cinderella'' received a live-action remake that keeps to some of the story.
|$263.6 million
|-
|''Coco''
|2017
|PG
|A beautiful animated film about tradition and family. In Santa Cecilia, Mexico, 12-year-old Miguel Rivera secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor, and singer of his great-grandmother Coco's generation, despite all music being despised by his family. After entering the Land of the Dead, Miguel encounters Héctor, a down-on-his-luck skeleton who once played music with Ernesto. Héctor offers to help Miguel reach Ernesto; in return, he asks Miguel to take his photo back to the Land of the Living, so that he might visit his now-elderly daughter before she forgets him and he disappears completely.
|$591.4 million
|-
|''Der Fuerher's Face''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that showcased the horrors of Nazi Germany and fascism. Alongside ''Education of Death'', it proves that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Dog of Flanders''
|1997 (Japan) 2000 (USA)
|
|An anime film adaptation of the Christian book ''A Dog of Flanders'' by Ouida. The film is pro-Christianity.
|¥243,543,645 (Japan) N/A (USA; Direct to Video)
|-
|''Dr. Seuss' The Grinch''
|2018
|PG
|Like the animated special and live-action film before it, the film retains the anti-nihilism and redemptive themes in the movie. The anti-materialism message also is further reinforced as Grinch's chance encounter with Cindy Lou Who has him learning that she didn't even intend to ask for presents, but rather to ease her mom's burden due to doing so many things for so many people, which ultimately acted as the catalyst for his redemption. Also has a promotion of family values, since as noted above, Cindy Lou Who expressed concern for her mom barely spending time being a mom and burning the wick at both ends, and a primary part of the Grinch's hatred for the holiday dealt with his time as an orphan, with it being heavily implied that he was alone even in the orphanage. Due to several scenes in the film with Christmas carols being sung, it is also one of the few movies to explicitly note that the point of Christmas was also a celebration of the birth of Jesus Christ.
|$511.60 million
|-
|''Dumbo''
|1941
|G
|Exploiting the classic liberal trap of over analyzing. Illustrates the effective management of a business that treats people and animals as equals. Also includes jolly birds that encourage the main character, a baby elephant named Dumbo, to pull himself up by his bootstraps and learn to fly.

In March 2019, ''Dumbo'' gets a live-action remake directed by Tim Burton.
|$29,647,974
|-
|''Education for Death''
|1943
|
|A Short cartoon made by Disney (back when the conservatives were in charge). Showing the horrors of Nazi Germany, shockingly very similar to what liberals are doing to America right now. Also acts as proof alongside ''Der Fuerher's Face'' that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Emperor’s New Groove''
|2000
|G
|A self-centered emperor named Kuzco gets turned into a llama and befriends a hard-working villager, where he learns how hard the villagers, work to support him and kingdom. Also has an anti-eminent domain lesson, with Kuzco realizes it would be wrong of him to steal the land from the villagers. The villain is also a feminist, with it being heavily implied that her methods of raising Kuzco are the primary reason why he turned out a spoiled brat. Is also a rare example of a comedy film churned out of Hollywood that actually does use witty humor and not low-hanging fruit-type jokes for its humor. It also has a humorous condemnation of homosexuality, as when Kuzco is knocked unconscious from the rapids, Pacha attempted to perform CPR only for Kuzco to regain consciousness just as Pacha was about start CPR, causing both to recoil in disgust from the near-kiss, as well as Kuzco explicitly making clear such was disgusting. Although the ending was slightly altered due to songwriter Sting, an environmentalist, taking offense at the implication that Kuzco built his summer retreat in the Jungle and cleared them away, it nonetheless retained the hints that Kuzco ultimately was a changed man from the experience.

Had an animated spinoff sequel featuring ''Kronk's New Groove'' as well as an animated TV series called ''The Emperor's New School''.
|$89,302,687
|-
|''Ferdinand''
|2017
|PG
|Based on a great conservative novel known as ''Ferdinand the Bull'', this film promotes friendship and family values, as Ferdinand sticks up for a scrawny bull named Bones who gets picked on and has touching moments with a young Spanish girl named Nina. He also shows off his dance moves with other bulls to snobbish horses, and even helps a Scottish bull named Angus be able to see by moving back the hair in front of his face. Ferdinand also inspires to be like his father who gets killed in a bullring, which could be seen as an anti-feminist message, especially considering that his father wasn't present in the original novel.
|$29,601,410
|-
|''Finding Dory''
|2016
|PG (Should be G)
|A sequel to the Greatest Conservative Film ''Finding Nemo'', which shares the same pro-Family and anti-Environmentalist messages as the first film.
|$1.029 billion
|-
|''Finding Nemo''
|2003
|G
|The film is pro-family, as Marlin, a clownfish, embarks on a quest to save his son Nemo (with assistance from Dory, an absent-minded blue tang) after he was captured by humans, even after Nemo disobeyed his warning to not go near a fishing boat. Also has a subtle condemnation on environmentalism, as the divers captured Nemo thinking Nemo was injured and needed medical assistance.
|$940.3 million
|-
|''G.I. Joe: The Movie''
|1987
|NR
|Animated film version of the conservative cartoon of the same name.
|direct-to-video
|-
|Gekijōban Haikara-san ga Tōru Zenpen - Benio, Hana no 17-sai
|2017
|G
|Benio Hanamura lost her mother when she was very young and has been raised by her father, a high-ranking official in the Japanese army. As a result, she has grown into a tomboy - contrary to traditional Japanese notions of femininity, she studies kendo, drinks sake, dresses in often ridiculous Western fashions instead of the traditional kimono, and isn't as interested in housework as she is in literature. She also rejects the idea of arranged marriages and believes in a woman's right to a career and to marry for love. Benio's best friends are the beautiful Tamaki, who is much more feminine than Benio but equally interested in women's rights, and Ranmaru, a young man who was raised to play female roles in the kabuki theater and as a result has acquired very effeminate mannerisms. One day, Benio has a series of embarrassing encounters with the handsome army lieutenant Shinobu Ijuin, only to receive a shock when her father tells her that Shinobu is to be her husband, due to a pact made between the Hanamura and Ijuin families before Benio's birth. At first Benio tries to fight against her father's wishes, attempting to elope with her friend Ranmaru and eventually deliberately erring in her wifely duties in every way imaginable, hoping the families will cancel the engagement. However, her scheme fails - Shinobu genuinely loves Benio and patiently forgives her for her many blunders, and Benio soon realizes that in spite of herself, she is also falling in love with him. However, a major in the army who holds a grudge against Shinobu then sends the young lieutenant to fight in Manchuria. At the end of the film, Benio stays on in the Ijuin home to care for Shinobu's grandparents and wait for his return. cutting her waist-length hair short and decides to get a job to help out with the family's dire financial situation. A sequel is being released in the summer of 2018
The film is pro-traditional gender roles, as well as pro-military, since both Shinobu and Benio's father are both military men.
|N/A
|-
|''A Goofy Movie''
|1995
|G
|Based upon the series ''Goof Troop'', starring classic Disney characters Goofy and Pete as well as their sons in a suburban sitcom-type setting, this pro-family feature sees Goofy take his son Max on a camping trip to bond with the latter out of concern that Max may have been involved in a gang. It pokes fun at the public school system, too: in an early scene, Principal Mazur overreacts and makes Max's actions out to be even worse than they actually are, telling Goofy that Max could face capital punishment if he fails to turn his son good. Ultimately, father and son reconcile when Goofy tells Max that, no matter how old he grows, he will always be his beloved son.
|$35.3 million
|-
|''Hotel Transylvania''
|2012
|PG
|After humans kill his wife Martha, Count Dracula opens a ritzy hotel for classic Hollywood horror film-type monsters and tries to protect his daughter Mavis from entering the world of humans. As a teenager, Mavis meets a human stranger named Jonathan and starts to like him, much to Dracula's chagrin. The count then realizes not only is Jonathan a good person but that Mavis, a model for individualism, truly loves him. Overall, this pro-family feature teaches that parents have to eventually let their children grow up.
|$148,313,048
|-
|''Hotel Transylvania 2''
|2015
|PG
|Similar to the first film, individualism and standing up for what is right are central themes. Dracula fails to force his grandson to be an evil vampire, then realizes that he can only a good role model to his grandson and cannot force him to be something he is not. Another major theme is having good character, as Dracula talks to his human son-in-law Jonathan of his grandson's great character and how he should not reject his love for him because he is different. In the end, the grandson uses his vampiric powers to battle giant bats who attack the Dracula family for including humans in their lineage. Also makes fun of liberal styles, as Dracula is unhappy with the lowering of the standards in the schools.
|$169,700,110
|-
|''Hotel Transylvania 3''
|2018
|PG
|The threequel to the conservative film franchise.
|
|-
|''How to Train Your Dragon''
|2010
|PG
|In this dazzling DreamWorks animation, young Vikings end up learning the truth about dragons and start training them in the end. It promotes friendship and family values. Hiccup, the boy protagonist, stands up for what he believes is right, and Viking girl Astrid is the antithesis of a modern feminist.
|$217,581,231
|-
|''Ice Age''
|2002
|PG
|In prehistoric times, a woolly mammoth, a giant ground sloth, and a ''Smilodon'' (i.e., saber-toothed tiger) work together to return a nomadic human chief's infant son to his tribe. Better than any of its four increasingly poorly-made sequels, this film promotes friendship and family values, especially on the part of Diego the ''Smilodon'', who learns that revenge does not solve anything: he first wants to eat the infant as payback for losing half of his pack to human hunters but grows to like the child and appreciate the innocence he represents. Manny also undergoes similar development, originally not being fond of the infant and overall being cynical and unpleasant for reasons later revealed by a cave painting to be due to his own mate and child having been slaughtered by a tribe of humans, but then ultimately forms a bit of a bond with him for similar reasons to why Diego grew to like the child. There are a couple of characters named Carl and Frank who are heavily implied to be homosexual, although they were depicted in a very negative light, having a murderous hatred of Sid for very trivial reasons (namely, the fact that Sid accidentally ruined their salad due to trying to wipe off poop he stepped on by accident as well as obliviously eating a dandelion, with Manny having some disgust for them when learning they wanted to kill Sid for pleasure, and later after Sid called them "ladies" upon reaching the wrong spa, and only failed to kill him that time due to Sid and Diego tricking them into believing the latter killed him.).
|$176,387,405
|-
|''[[The Incredibles]]''
|2004
|PG
|The world's superheroes are forced to give up their heroics and go into hiding after Bob Parr/Mr. Incredible saves a suicidal man as well as a derailed train from a bridge destroyed by one of his enemies (who ironically gets away with it). The populace misguidedly turns on superheroes and turn to unscrupulous lawyers to sue them, despite the real damage being caused by the supervillains.

The film celebrates the importance of the family unit: Helen Parr/Elastigirl fails at parenting when Bob neglects to help her raise their children. A traditional family of superheroes is portrayed as the saviors of society, whose importance and presence has been unfairly suppressed thanks to the liberal-dominated mainstream media and its preference to see the worst in people. In addition, Mr. Incredible is shown from the start to take marriage to Helen seriously, immediately heading over to his wedding when he realizes he may be running late and doing various crime-stopping when he has time before it.

The movie also contains the conservative idea that recognition should be based on merit rather than on unsubstantiated expectations of equality. Out of sheer jealousy, the villainous Syndrome, formerly Mr. Incredible's biggest fan, attempts to kill off real superheroes so he can use technology to pretend to be one, later planning to sell his gadgets so everyone in the world can have superpowers. "And when everyone is super," he explains, "no one will be." Earlier in the film, Dash, when explaining he pulled a prank on the school teacher simply so he could demonstrate his super-speed, echoes what Syndrome says later on: Helen states everyone was special in their own way by saying that it was simply another way of saying no one was truly special. When Mr. Incredible is asked to attend his son's fifth-grade graduation, he criticizes society for "celebrating mediocrity" instead of those who are "genuinely exceptional."

At Bob Parr's civilian job, employer Gilbert Huph is shown to be heartless but not because of capitalism: when Bob asks if he should help his customers, Gilbert tells him, "The law requires that I answer no", which shows the negativity of government regulation in business.

Overall, the film teaches against government-enforced mediocrity. This film may be the most conservative animation film ever made, in fact it is ranked Number 2 by National Review for the most conservative movies within the last 25 years. <ref>https://web.archive.org/web/20150122222200/https://www.nationalreview.com/corner/177317/2-best-conservative-movies-last-25-years/frederica-mathewes-greene</ref> A sequel was released in 2018.
|$631,442,092<ref>http://www.boxofficemojo.com/movies/?id=incredibles.htm</ref>
|-
|''Inside Out''
|2015
|PG
|Inside Out is a largely Pro-Family movie. The movie sheds light on what children think and feel, while keeping liberal progressive views out of the way. The main character, Riley, is shown to love her parents, and the importance of family values is shown multiple time throughout the movie. The parents have to deal with real life problems such as unemployment and moving to find jobs. The movie portrays the family as a nice, family-oriented, hard-working family trying to succeed in the United States.
|$857.6 million
|-
|''Isle Of Dogs''
|2018
|PG-13
|Set in the fictional Japanese city Megasaki, Mayor Kobayashi issues a decree that all of the city's dogs, pet or stray, are to be quarantined and taken to Trash Island until a cure for "dog flu" comes around. The mayor's nephew and ward, Atari, heads over to the island to find his dog Spots and is befriended by five dogs (Chief, Rex, King, Boss, and Duke), who all decide to help him find Spots. Along the way, they discover that the mayor has hidden sinister motives behind banning all dogs from Megasaki. The movie condemns totalitarian rule and animal cruelty, the latter shown in the case of Kobayashi's anti-dog propaganda and Gondo's "cannibal" pack, who have been subjected to scientific experiments until an "act of God" rescued them. It also shows family and redemption in a positive light, for Mayor Kobayashi has taken Atari in after his parents were killed and decides to abandon his anti-dog plans once he sees how much Atari has gone through, even donating a kidney once the boy's remaining kidney fails.
|$64.20 million
|-
|''Jimmy Neutron: Boy Genius''
|2001
|G
|Brilliant but naive young inventor Jimmy Neutron tries to make contact with extraterrestrial civilizations. However, his efforts cause all parents in his hometown of Retroville to be abducted by egg-like aliens known as the Yolkians. While the children initially rejoice, they soon learn the harsh realities of living in a nihilistic world as well as the importance of family, so they embark on a celestial mission to rescue their parents. The film condemns paganism to a degree as the Yolkians worship Poultra, a chicken-like monstrosity believed to be an incarnate god to which they seek to sacrifice the parents of Jimmy and his friends.
|$80,936,232
|-
|''Joseph: King of Dreams''
|2000
|NR
|A direct-to-video animated telling of the biblical story of Joseph and his brothers.
|N/A
|-
|''The Jungle Book''
|1967
|G
|Young Indian boy Mowgli searches for his place in the world with the help of various talking animals in this Disney classic based on the novel by Rudyard Kipling of the same name, albeit significantly toned down to make the film a bit more family friendly.

A CGI/live-action remake was released in April 2016, directed by Jon Favreau.
|$205.8 million
|-
|''[[Lady and the Tramp]]''
|1955
|G
|In this beloved Disney classic, which was known as Walt Disney’s Happiest Motion Picture, Lady a cocker spinal meets and falls in love with a male stray mongrel known as the Tramp. While aside from the film being pro-family, the dogs to whatever they can to protect the human baby from the rat, in showing [[chivalry]]. In addition, Lady condemns Tramp for having other girlfriends, after finding out from the pound dogs that his only weakness is that he is a womanizer, thus showing infidelity and promiscuity in a very negative light. In the end, he becomes faithful to her and joins her human family. There also anti-environmentalist aspects as well, with the dogs learning to understand their place, that although humans come first they still have a place in their heart, as the beliefs Tramp had on humans being so cruel turned out to be false. Also, the iconic Bella Notte scene where they accidentally kiss by eating the same spaghetti took place and was served by the kind-hearted capitalist restaurant owner Tony. On top of that, this is a rarity in Disney Animation to have Christmas depicted in the film and shown in a positive light.

A live-action remake was released and streamed on Disney+ in November 2019.
|$36,359,037<ref>http://www.boxofficemojo.com/movies/?id=ladyandthetramp.htm</ref>
|-
|''The Land Before Time''
|1988
|G
|In this film that promotes family values and friendship, the main character (Littlefoot) is a dinosaur that loses his mother. This sparked some controversy, because the killing of a family member is quite violent for a movie with a kid-targeted audience, but this movie redeems itself through the plot. Littlefoot finds friends throughout the movie that show team work, cooperation, hard work, and diligence are the key to living a successful life, even in the dinosaur world.
|$84.4 million
|-
|''Lilo & Stitch''
|2002
|PG
|In this heartwarming Disney animation, Experiment 626—a short but mischievous, [[koala]]-like beast created by an alien mad scientist (an origin similar to the monster's in the conservative novel ''Frankenstein'' and its 1931 film adaptation)—escapes from an interstellar prison and crashes down in Hawaii, where a lonely girl mistakes him for a dog, adopts him, and names him "Stitch." Stitch then gradually abandons his destructive ways and begins seeking love and friendship. The film is so delightfully pro-family that the tagline is, "''Ohana'' means family [in Hawaiian]. Family means nobody gets left behind, or forgotten." Also briefly pokes fun at environmentalist policies, as the climax reveals that Earth was nearly subject to an alien invasion in 1973, but the CIA Agent-turned child welfare services agent Cobra Bubbles managed to thwart it by claiming that the Earth was designated a breeding ground for an endangered species called [[mosquito]]es (which obviously weren't endangered at all).
|$273.1 million
|-
|''[[The Lion King]]''
|1994
|G
|Based mainly upon the Shakespearean play ''Hamlet'', the main message of this box office smash hit is about the power of the individual and the triumph of faith, friendship, hope, and heroism. ''The Lion King'' also features subtle Christian messages, such as honoring one's father and reconciliation.

Its story takes partial inspiration from Scripture, particularly the stories of [[Joseph]] and [[Moses]]. On a side note, the film features the power-hungry main antagonist Scar, who kills his own brother, the ruling king Mufasa, to usurp the throne, then manipulates his nephew, Mufasa's young son Simba, into thinking that Simba is responsible for his father's death and forces him into exile. Scar is a model liberal because, once he becomes ruler, he favors [[Communism|Communistic]]/[[Fascism|fascistic]] big government, pushes [[liberal values]], and lets their Pride Lands territory fall to ruin. In addition, when rallying up the Hyenas to aid him in killing Mufasa, he vows that they will never starve under his rule, mirroring what various Communist and other leftist insurgents often vow when trying to get people to aid them in taking over a government. The song "Be Prepared" also shows the Hyenas [[goose step|goose stepping]] past Scar as he looks down from a cliff in a clear reference to Nazism. On a similar note, the Hyenas also act as a subtle condemnation against illegal immigration and the concept of open borders, as once the Hyenas merge with the Pride Lands and take it over upon Scar becoming king, it is heavily implied that they forced the Lionesses to overhunt and that ended up causing the Pride Lands territory to become a wasteland by driving out any remaining animals, with Scar indicating that they should "eat Zazu" if they want food.

At several points in the film, Scar delusively believes he is still a very good king, even claiming "I'm ten times the king Mufasa was!", which is similar to liberal delusions of their own skills in governing (i.e., Obama's later claim that he would have "won" reelection into a third term if he was able to run again, despite never being legally qualified to run in the first place, not to mention his being legally barred from running for a third term even if he were legally qualified to run in the first place per the [[Twenty-Second Amendment]] to the United States Constitution). He unsuccessfully attempts to orchestrate the assassination of Simba by using hyena minions and even attempts to kill him himself, to ensure that he will be king and remain so forevermore, but he is thwarted by Simba once the cub reaches adulthood. Simba effectively becomes King and restores the Pride Lands after Scar, who tries to save his own skin by blaming his minions for everything he orchestrated himself, has the hyenas turn against and kill him.

There is a slight condemnation towards anarchy in the film as well: during the song "Be Prepared", the hyena Shenzi, upon learning that Scar is planning to kill Mufasa and Simba, entertains the possibility of a kingless society before Scar sternly tells the laughing hyenas that he intends to be the king. Finally, the film condemns hedonism, as the misfit meerkat and warthog comic reliefs Timon and Pumbaa, while depicted as genuinely heroic at times, engage in a philosophy of "Hakuna Matata" ("No Worries" in Swahili), which is shown overall to be negative.

In addition, the film proved to be a massive runaway hit despite having a completely new production team working on it due to then-Disney Chairman Jeffrey Katzenberg believing it to end up a flop due to it featuring "talking animals" while he thought the Worst Liberal Movie ''Pocahontas'', which he helmed with the usual production team, would be the financial hit and Oscar winner (in reality, ''Pocahontas'' got mixed reviews and did fairly badly at the box office).

The movie spawned two direct-to-video sequels and two TV series, as well as a broadway musical that retained much of the same themes as the movie. A photorealistic remake was released in July 2019, directed by Jon Favreau due to his success with the 2016 remake of ''The Jungle Book''.
|$968.5 million
|-
|''The Little Mermaid''
|1989
|G
|An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. In addition, it also contains a pro-traditional marriage theme and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.

Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie (some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterward to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.

It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away. Likewise, Ursula, besides her blatant interference with the deal by disguising herself as Vanessa and brainwashing Eric, also arranged to have Flotsam and Jetsam overturn Eric and Ariel's boat specifically to ensure that Eric and Ariel couldn't kiss when it looked like Ariel could in fact win her end of the deal fair and square, and after she curses Triton and Ariel attempts to attack Ursula in retaliation, Ursula heavily implies before Eric saved Ariel that she's going to kill the latter despite having promised to not harm Ariel.

The movie's box office success also led directly to a rejuvenation in Disney's animated features called the Disney Renaissance, and the film also had a prequel TV series carrying much of the same themes airing on CBS and later on the Disney Channel from 1992 to 1994, as well as two comic book series by Disney Comics and Marvel that carried many of the same themes, and a sequel and prequel film that, although overall promoting many of the same themes, had questionable production quality. A live-action remake is currently in production.
|$111,543,479
|-
|''Make Mine Freedom''
|1948
|
|A short cartoon, which shows how [[Capitalism]] works and how [[Communism]] steals [[freedom]].
|Unknown
|-
|''Meet the Robinsons''
|2007
|G
|A child does not seem to fit into society, his main hobby is inventing. He travels to the future to see meet his family, and he realizes persistence pays off in the end and he discovers that his inventions ultimately do change society, and his own life, for the better. The movie shows a message about the value of life, family, and considers the contributions and possibilities lost by every child that is aborted.
|$169,333,034
|-
|''Our Friend, Martin''
|1999
|N/A
|In this educationally entertaining work of genius, two interracial best friends travel through time and meet the Reverend Dr. Martin Luther King, Jr., at several points in the Civil Rights activist's life. Dr. King's second son, Dexter Scott King, voices the animated version of his father at age 34.
| N/A
|-
|''Persepolis''
|2007
|PG-13
|A French film based on Marjane Satrapi's graphic novel of the same name. The film depicts life in Iran after the 1979 revolution, eschewing political correctness and depicting the oppression and restrictions brought on by Islamic Sharia Law in the country.
|
|-
|''Pinocchio''
|1940
|G
|Kindhearted craftsman Geppetto wishes for his own son, so a blue fairy (resembling the Blessed Virgin Mary) grants his wish and brings one of his wooden puppets to life, promising that she will make him a real boy if he proves himself brave, truthful, and unselfish. As he tries to fit in with humans, the wooden boy is soon tricked and kidnapped by the evil puppet master Stromboli. Over the course of his journey of self-discovery, Pinocchio's morals, which his creator gave him, are tested, and he must escape being manipulated by the bad boys of the cursed Pleasure Island who have [[Hollywood values]] and, because of their actions, are turned into donkeys (which, coincidentally, is the mascot for the Democratic party). Finally, he altruistically saves Gepppetto from being trapped inside a whale and proves himself worthy to become a real boy.
|$84,254,167
|-
|''Pokémon: The First Movie: Mewtwo Strikes Back''
|1998 (Japan) 1999 (USA)
|G
|The movie showcases the consequences with the concept of playing God where the main antagonist Mewtwo, a clone, was shown to be disturbed at the revelation that he may have only been created to be the purposes of being a tool (with the message being more pronounced in the Japanese version due to religious censorship during dubbing). It also promotes the idea of self-worth and how the circumstances of one's birth don't matter so much as they try to push good, with Mewtwo ultimately being reformed upon learning this message. It also has an anti-cloning message, due to Mewtwo's aforementioned disturbance at his origins. A CGI remake of the film ''Mewtwo Strikes Back Evolution'', was released in 2019, nearly two decades after its release in America.
|$163.6 million
|-
|''Pokémon: The Movie 2000: The Power of One''
|1999 (Japan) 2000 (USA)
|G
|As implied by the title, it promotes the concept of individualism, at least in the English Dub. In addition, the character of Misty proceeds to risk her life to save Ash when he was nearly killed nearing the climax (with the Japanese version making a bit more blatant on the motivation by stating to Melody that "[Ash] is [her] burden."). The ending theme was famously quoted by [[Herman Cain]] during the 2012 Presidential Primaries.
|$133.9 million
|-
|''Pokémon 3: Mystery of the Unknown Tower''
|2000 (Japan) 2001 (USA)
|G
|Has a pro-family message, as the main antagonist's motives were to regain her family due to her father disappearing during his research for the Unown and her mother being implied to have been hospitalized, with her motives being treated sympathetically and tragically in the storyline, and Ash spends his time trying to find and rescue his mom, Delia Ketchum, after she ended up abducted by Entei. The Entei also proceeds to sacrifice himself late in the movie to stop the Unown from wreaking further havoc.
|$68.4 million
|-
|''Pokémon 4Ever - Celebi: Voice of the Forest''
|2001 (Japan) 2002 (USA)
|G
|Has some implicit pro-Christian messages due to Celebi ending up being raised from the dead after barely rejecting the Dark Ball's influence on it.
|$28 million
|-
|''Pokémon: Jirachi: Wish Maker''
|2003 (Japan) 2004 (USA)
|G
|Has a message against meddling with nature in the name of environmentalism due to the main villain Butler, a former member of the ecoterrorist group Team Magma, trying to revive a Groudon and it ultimately causing problems in the climax.
|N/A (America; Direct-to-Video)
|-
|''Pokémon: Lucario and the Mystery of Mew
|2005 (Japan) 2006 (USA)
|G
|Some implicit Christian themes were present via Lucario as well as his former master, who sealed the former away specifically so he could sacrifice himself to stop the Tree of Life from destroying the world.
|N/A (America; Direct-to-Video)
|-
|''[[The Prince of Egypt]]''
|1998
|PG
|An animated telling of the life of [[Moses]].
|$101,217,900
|-
|''Reason and Emotion''
|1943
|
|A Disney cartoon that explains the happenings of people doing things based on logic and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, it's a reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that Walt Disney, despite various leftist claims post-mortem, was never a Nazi supporter.
|
|-
|''Robots''
|2005
|PG
|A movie based on the children's book of the same name by William Joyce, the film has a promotion of family values, as the very beginning of the film features the main character's father celebrating that he is to become a father, and doing everything he can to bring his son into the world alongside his wife, and his family was encouraging of their son to be the best he can be. It also promotes the concept of the American Dream as well as capitalism, as the main protagonist dreams of becoming an inventor like Bigweld (who is depicted in a similar manner to Walt Disney) and also left to try and get his family to have a greater opportunity. It also manages to condemn corporate corruption without advocating for more government control or demonizing Capitalism, as while the new management of Bigweld industries was shown to be extensively corrupt and cynical, Bigweld himself, as well as the company that it originally stood for, was painted in a very positive light.
|$260.7 million
|-
|''The Secret of NIMH''
|1982
|G
|This family-friendly film includes Mrs Brisby, who is a widowed mouse. She lives on a farm owned by a man named Fitzgibbons. She and her 4 children, Martin, Theresa, Cynthia and Timmy live in a cinderblock in one of Fitzgibbons' fields. Every year, before Fitzgibbons plows the field to plant his crops, the family moves to their summer home to avoid the tractor. Nearby is another mouse, Dr Ages, who is the family doctor. Brisby visits Ages to get a remedy for Timmy, who has come down with pneumonia, potentially delaying the summer move. Fitzgibbons decides one day to begin plowing the field early. Brisby desperately tries to disable the farmer's tractor and freezes while climbing up the mechanism. Auntie Shrew intervenes and pulls out the tractor's gas line, halting the machine. While Mrs Brisby sobs over her predicament, Auntie tells her to be braver for her family's sake and suggests she visit the Great Owl, the wisest creature in the forest. Brisby is hesitant, since owls eat mice, but she goes. With the help of a new found friend, Jeremy, a crow hoping to meet Miss Right, and whom Mrs Brisby untangled from a pile of string he was trapped in, she meets with the fearsome owl, who merely tells her that she must move her family. Mrs Brisby explains the complication with her son Timmy and the owl tells her he has no solution. As he leaves, he learns her last name and becomes more helpful because her husband, Jonathan, was well known and respected throughout the woods. The Owl tells Mrs Brisby to go to the colony of rats that live in the farmer's rose bush and ask them for help. He specifically tells her to have the rats move her house to "the lee of the stone", the protected side of a large rock in the field that Fitzgibbons avoids when plowing. Mrs Brisby sneaks into the rose bush and finds that the rats have built a very modern colony that makes use of electricity that they pilfer from Fitzgibbons. She also meets Dr Ages there, whom at first tells her the rose bush is off-limits but is astonished that she had met with the Great Owl and lived. They are discovered by the rats' captain of the guard, Justin, who takes them to the rats' Senate room. As they enter, a charismatic rat, Jenner, is railing to the council about the plan of the rats' leader, Nicodemus, who wants to abandon the rose bush and move to a location called Thorn Valley where they'll found a new colony based on their own labors, rather than stealing supplies from the farmer. Jenner is opposed to the idea and even suggest that they wage war against any humans who attempt to drive them out. Justin and Ages make Mrs Brisby's case to the council, who agree to the request because she is Jonathan Brisby's wife. In a sinister private meeting with his associate, Sullivan, Jenner plots to have Nicodemus killed during the operation and make it look accidental. Justin takes Mrs Brisby to meet with Nicodemus. A very old, kind and wise leader, he tells Mrs Brisby the rats' history: they were all lab animals imprisoned in NIMH, the National Institutes of Mental Health. Injected with experimental compounds, the rats developed intelligent brains and were able to escape their cages, along with several mice including Jonathan and Mr Ages. During their escape, all but two of the mice, Johnathan and Mr Ages, were sucked into the ventilation system by strong air gusts. When the party were trapped by a vent grating, Jonathan was small enough to crawl through and open the grate. The rats subsequently owed Jonathan their lives and he continued to work with them while they built their colony. Some months prior to Mrs Brisby's visit to the rose bush, Jonathan had been killed by Fitzgibbons' ornery and fearsome cat, Dragon, whom the rats had been trying to drug. Nicodemus gives Brisby a large red amulet and tells her that it has great supernatural powers when someone shows true courage of the heart. Nicodemus says that the rats will be happy to repay their life debt to Jonathan's family and will move her home. For the operation to succeed, Dragon will have to be drugged. Mrs Brisby, feeling she should participate, volunteers to spike Dragon's feeding dish. The only way into Fitzgibbons' kitchen is through a small hole under a sideboard, a hole too small for any rat. The plan goes well until Mrs Brisby runs back and is trapped by Fitzgibbons' son. Justin leaves her, having to supervise the operation, promising to come back for her. While she's trapped in a bird cage, Brisby overhears Fitzgibbons on the phone with NIMH, who want to come to his farm and capture the rats. Brisby realizes the situation is now more desperate and escapes the bird cage by knocking out its small water cup. At the site of the Brisby home, the rats have constructed an elaborate system of ropes and blocks and tackles to lift the cinderblock. While the block is being swung towards the stone, Jenner cuts the anchoring lines with his sword and the block falls, narrowly missing Nicodemus, however, the heavy gears and rope fall on him, killing him. Jenner declares the operation a failure and suggests they leave when Mrs Brisby arrives. Justin tells her that her family is alive but Nicodemus is dead. She suddenly remembers her urgent news that NIMH will be at the farm tomorrow and tells the rats they must leave tonight. Jenner refuses to believe her and tells the rats that he will take over leadership of the colony. When Mrs Brisby insists she's telling the truth, Jenner strikes her and notices that she's wearing the amulet. Attempting to seize it from her, Justin intervenes and fights with Jenner until he wounds him. Jenner admits that he'd caused the accident that killed Nicodemus, saying that the plan to move the colony would fail. As he moves in to kill Justin, Sullivan kills Jenner with a thrown dagger and succumbs to his own wound, inflicted by Jenner himself when he'd given his own sword to Justin during the fight. Moments later, Mrs Brisby sees that her house has begun to sink into the mud, taking her children with it. A futile attempt to rig a new roping system fails and Brisby herself vainly pulls at the remaining ropes as the house sinks under the surface. Justin rescues her, holding her back. As she looks on in horror, the amulet suddenly bursts from the mud, brightly glowing, and places itself around her neck. Using the power that Nicodemus spoke of, she raises the house from the mud and moves it to the lee side of the stone. Brisby's children are safe and she faints from exhaustion. The next morning, with Timmy on the mend from his pneumonia and the now-abandoned rose bush being inspected by NIMH, Jeremy arrives with mounds of string that he'd been collecting to build a love nest and finds the Brisby home already moved and even camouflaged by the natural vegetation. He asks Brisby for the amulet, however, she'd given it to Justin before they'd left the rose bush. While he laments that he wasn't able to help move the house, a female crow suddenly flies into him. The two become immediately infatuated. While Brisby's daughter wraps her mother's hands which were burned by the amulet, Auntie Shrew arrives for a visit, bringing groans from Martin as Jeremy and his new love fly off. This movie's interesting plot, and its complicated themes that are apparent are both entertaining for adults and kids alike. Although there are some references to violent themes, it does not paint them in good lighting and shows the harsh consequences. Because of their wide audience appeal, this movie was wildly successfully in movie theaters. The Secret of NIMH is considered to be one the best children's movies of the 20th century.
|$14.7 million
|-
|''Sleeping Beauty''
|1959
|G
|Paints evil in a very serious light in the form of Maleficent, and also showcases loyalty to family and duty in a positive light, as despite Aurora wanting to meet with the man she met in the woods, she ultimately honored her stepfamily in being returned to her birth family. Is also inherently anti-feminist in its messaging and for traditional marriage. It is also pro-family, as King Stefan and Queen Leah ultimately gave up their baby to protect her from the main villain, and the narration explicitly stated that the royal family and the kingdom awaited the day of her 16th birthday to allow her back into their family when the curse seemed to be averted. Unfortunately, it ended up being ruined in 2014 with a revisionist retelling starring the main villain and pushed the exact opposite messages in that film.
|$51.6 million
|-
|''Snow White and the Seven Dwarfs''
|1937
|G
|The Disney animated classic that started it all. Walt Disney and his staff of talented filmmakers, animators, and musicians overcame many challenges to create one of the greatest cinematic masterpieces of all time: a masterpiece of solid family entertainment and a perfect film recommendation for everyone around the world. It is one of the few Disney films to date to feature an openly [[Christian]] princess: Snow White. In addition, as evidenced by the Evil Queen's overall character, it paints parental abuse, including attempted infanticide, in a very negative light.
|$418,200,000
|-
|''Spider-Man: Into the Spider-Verse''
|2018
|PG
|Based on the [[Marvel Comics]] superhero [[Spider-Man]],
|$190,241,310
|-
|''The SpongeBob SquarePants Movie''
|2004
|PG
|Exposes the evils of lying, stealing, and cheating for your personal gain and at the expense of others. SpongeBob SquarePants and Patrick Star show great courage and dedication in order to retrieve King Neptune's crown and bring it back in order to save Mr. Krabs. They also save everyone else in Bikini Bottom who is put under a trance by Plankton. There are even some brief anti-feminist and anti-environmentalist messages. It is based on a TV show where episodes can have either a conservative agenda, liberal agenda, or even be politically neutral. However, this film is very good and conservative!
|$85,417,988
|-
|''Spookley the Square Pumpkin''
|2005
|G
|In this kid-friendly direct-to-video Halloween movie, a square pumpkin named Spookley overcomes hardships as round pumpkins are teasing him for the way he looks. A scarecrow, two bats, and three spiders stick up for him and are good role models just like Spookley himself. In the end, Spookley saves everyone and the round pumpkins confess. Not only does it have an anti-racist message but also anti-environmentalist as a bat named Boris refuses to give up eating insects in a comical and well-done fashion. A female bat named Bella can also be seen as the antithesis of a modern feminist.
|N/A
|-
|''The Star''
|2017
|PG
|This animated story of the [[The Nativity]] is told from the perspective of anthropomorphic animals.
|$40,852,824
|-
|''Tangled''
|2010
|PG
|In its own strange way, ''Tangled'' stands as a perfect allegory for the Gospel of Christ. Teenage heroine Rapunzel represents humanity, who has grown comfortable in her prison but can’t ignore the light that shines in the darkness. [[Satan|The devil]] is signified by Mother Gothel, who tries to convince Rapunzel to forget the outside world and stay locked away in her tower. Lastly, [[God]] can be found in Rapunzel's real parents, who without fail, continue to shine their light in the hopes of bringing their lost child back home. A TV series sequel to this movie, ''Tangled: The Series'', debuted in 2017.
|$591,794,936
|-
|''Teen Titans Go! to the Movies''
|2018
|PG
|Although it's goofy just like the 2013 onward cartoon spinoff of the 2003-2006 ''Teen Titans'', it takes a jab at Hollywood values as Robin ends up realizing that he doesn't need a movie in order to be a real superhero. It also promotes friendship values as Cyborg, Raven, Starfire, and Beast Boy stay loyal to him, even after he ditches them and they come back for him once he starts to realize he's been tricked by a movie producer, who turns out to be the film's main villain named Slade.
|$11,600,615
|-
|''Toy Story'' tetralogy
|1995, 1999, 2010, 2019
|G
|Altogether, the four films celebrate friendship and family unity, even if it focuses more on a figurative family with the boy Andy as a father-figure to his toys, who come alive in humans' absence and praise Andy for loving and playing with them as though they were his children.

In the first installment, the world's first computer-animated theatrical feature, pull-string cowboy doll Sheriff Woody grows jealous when science fiction hero action figure Buzz Lightyear, who initially believes he is a real space hero, becomes young Andy's favorite toy among the toy community. Woody's efforts to make himself Andy's favorite toy again cause both him and Buzz to be separated from their owner, but teamwork allows them to find their way back to Andy just before he and his family move to a new house. The film's overall development was especially notable due to then-Disney Animation chairman [[Jeffrey Katzenberg]] initially ordering for ''Toy Story'' to be made significantly more liberal in its values by being more "adult, cynical, [and] edgy". This included depicting Woody and the other toys in a significantly more mean-spirited light, with Woody going so far as to actually attempt to murder Buzz with no remorse whatsoever (instead of accidentally knocking Buzz out of the window, as he does in the final film). This caused Toy Story to be almost canceled and Pixar itself to be nearly shut down until the company was given a second chance.<ref>https://www.breitbart.com/big-hollywood/2010/07/07/we-love-pixar-how-hollywood-cynicism-almost-ruined-toy-story-and-pixar/</ref>

In ''Toy Story 2'', while Andy is away at summer camp, Woody is stolen by a greedy toy collector and is tempted by the idea of being immortalized in a museum, only to be rescued by his friends and reminded of a toy's true purpose: for a child to play with it. Once again, the film positively portrays teamwork and family unity using a metaphor of unity between toys and their owners.

''Toy Story 3'' sees a nearly-grown Andy ready to leave for college and leave most of his toys except Woody in a garbage bag to be stored in his attic, but his mother mistakes it for a bag of real trash. Woody follows the toys as they make their way to a dreadful daycare center, unable to convince them of the misunderstanding. Nihilism and totalitarianism are portrayed in a strongly negative light in the form of Lotso the jealous teddy bear, who denounces all toys as being "destined for the scrapheap" and acts as a brutal dictator over the daycare toys.

''Toy Story 4'', the final movie in the series, shows Woody taking on a guardian role for Bonnie's newly-made toy, Forky. When Forky gets lost, Woody finds him and tries to take him back home, but they end up at a carnival. There, Woody reunites with his lost love Bo Beep (who had been absent from the third movie and had run away) and has to make a choice: stay with Bo Peep at the carnival, or stick with his friends and Bonnie. Like with the other three films, this film shows family, friendship, and teamwork in a positive light.
|-
|''Up''
|2009
|PG
|This tear-jerking, pro-family Pixar animation stars Carl Fredricksen, an elderly widower balloon salesman who is about to be forced off his land but refuses to sell his house (likely promoting individualism triumphing over a liberal collectivist government). Carl ties thousands of balloons to his house and sets off on the South American vacation that he promised his wife Ellie while she was still alive, showing the inherent sacredness of marriage and how it should be continuously honored even after a spouse dies. In the end, he adopts young Russell, a fatherless Wilderness Explorer (a spoof of the Boy Scouts) who joins him on his adventure, as his surrogate grandson, which celebrates family unity. The film takes a light jab at divorce, too, as it is implied that Russell's parents no longer live together, leaving the boy heartbroken until Carl adopts him. Lastly, an overarching theme of the film states that a person is never too old or too young to follow his or her dreams.
|$735.1 million
|-
|''Wreck-It Ralph''
|2012
|PG
|Ralph, a villain from a retro, 1980s-esque video game who wants to escape after being typecast for about 30 years as the poor and medal-less guy, is encouraged to use his equal opportunities to do better and pursue his own successes. This is the basis of the American Dream: the goal of overcoming one's present, lowly circumstances to achieve a state of greatness. Trying to achieving this goal by theft is shown as the wrong way to do so. In addition, the main antagonist is a competition-hating villain who has deceitfully hidden his true identity and origin, who has pushed liberal values in the video game where he rules and established what looks like a fixed economy because only he can win. The film also pushes anti-illegal immigrant messages as well, with the main villain and minor villains trying to take over other worlds.
|$189,422,889<ref>http://www.boxofficemojo.com/movies/?id=rebootralph.htm</ref>
|-
|''Zootopia''
|2016
|PG
|This Disney film set in a city inhabited by anthropomorphic mammals explores the relationship between ambitious young rabbit police officer Judy Hopps and sneaky con artist fox Nick Wilde as they investigate the disappearance of some of the city's predator residents. It promotes the American Dream, individuality, racial equality, and subtle Christian values such as forgiveness and reconciliation, as well as responsible capitalism. Despite having a brief appearance by a homosexual couple, they're only very, ''very'' minor characters, and the movie largely downplays their sinful beliefs about their sexuality. It won the Academy Award for Best Animated Feature of 2016.
|$341,264,012
|}

==Documentaries==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''[[2016: Obama's America]]''
|2012
|PG
|Conservative author [[Dinesh D'Souza]] explores the disturbing origins of [[Barack Hussein Obama]], including his inherited philosophy with his [[Barack Obama Sr.|drunken father]] and his inspiration from [[Communist]]s [[Frank Marshall Davis]] and [[William Ayers|Bill Ayers]]. It performed very well in the box office, becoming the second most successful political documentary ever.
|$33,349,941
|-
|''[[America: Imagine the World Without Her]]''
|2014
|PG-13
|Conservative author [[Dinesh D'Souza]] shows that left-wing criticisms and versions of United States history are wrong and inaccurate. This staunchly patriotic film dispels [[Liberal Fables]] about the country and showing that the leftist agenda will destroy America. While not as successful in the box office as ''Obama's America'', it performed very well in theaters.
|$14,444,502<ref>[http://www.boxofficemojo.com/movies/?id=america2014.htm America (2014)]. ''Box Office Mojo''. Retrieved July 29, 2016.</ref>
|-
|''An Inconsistent Truth''
|2012
|PG
|This documentary was made in response to [[Al Gore]]'s ''An Inconvenient Truth'', revealing that global warming is a hoax and how Al Gore himself was hypocritical about his insistence at reducing the world's carbon footprint.
|
|-
|''An Open Secret''
|2014
|PG-13
|Whistleblower film that exposes pedophilia in Hollywood
|
|-
|''Blocking the Path to 9/11''
|2008
|NR
|As indicated by the title, this film by Citizens United unmasks the Democrats' attempt at preventing the airing of the documentary ''The Path to 9/11'', as well as their role in cutting a vital scene revealing that Bill Clinton had partially been responsible for 9/11 due to failing to give the order to kill Osama bin Ladin when they had the chance. Also takes down the various liberal critiques that occurred. Aside from the obvious condemnations against Clinton and his followers, it also has a brief criticism of Obama for repeating several falsehoods about how they stopped the terrorists responsible for the 1993 World Trade Center attack (in particular, claiming they just arrested the terrorists and treated them to a court of law like any other criminal).
|N/A
|-
|''The Clinton Chronicles: An Investigation into the Alleged Criminal Activities of Bill Clinton''
|1994
|NR
|This documentary examines various crimes conducted by then-president Bill Clinton, in particular, those that occurred during his time as Governor of Arkansas, including the Mena operation, being a draft dodger who deliberately misled his commanding officer, Whitewater, Arkancide, and his sexual proclivities including at least one instance of rape. It condemns the media for hiding these facts and is widely considered the turning point for the 1994 Republican Revolution.
|N/A
|-
|''[[Death of a Nation: Can We Save America a Second Time?]]''
|2018
|PG-13
|[[Dinesh D'Souza]] exposes the truth about the fascism of [[Benito Mussolini]] and [[Adolf Hitler]], as well as their direct connection to the Democrat Party. It also makes clear the racism that motivated the latter had direct roots to the Progressive movement of the United States and by extension, the Democrat Party, and that the conventional wisdom of Fascism was of the right-wing of politics was one of the left's biggest lies and that fascism if anything was of the left. On a similar note, it also makes clear the connection between Mussolini's fascism and Marxism, and also indicates that the issue of slavery was another form of socialism. Also makes clear that the white supremacist founder of the alt-Right [[Richard Spencer]] and the Charlottesville Rally organizer [[Jason Kessler]] had in fact been left-wingers posing as right-wingers. Similarly it also makes clear that Antifa and George Soros, despite claiming they were "anti-Fascist", were in fact fascists (also exposing the latter's role in the confiscation of objects held by his neighbors by the Nazis). As implied by the title, it also compares the turbulent times that was orchestrated by the left after Donald Trump was elected to the events of the Civil War under Lincoln. It also has a positive depiction of the [[White Rose Rebellion]].
|
|-
|''[[Expelled | Expelled: No Intelligence Allowed]]''
|2008
|PG
|Conservative commentator, comedian, economist, and author [[Ben Stein]] investigates the persecution of scientists and others who challenge [[Social Darwinism]] and unravels [[evolution]]ists' scientific and education system [[deceit]]. Liberals scorned it for presenting this issue as political rather than scientific while ignoring the reality that Darwinists do, in fact, use their theories as a weapon against people's freedom of religion. Liberal biased critics hated this movie and panned it, but audiences raved about it.
|$7,690,545
|-
|''Fahrenhype 9/11''
|2004
|
|This video response by Alan Peterson debunks everything from [[Michael Moore]]'s schlockumentary ''Fahrenheit 9/11''.
|
|-
|''[[The Great Global Warming Swindle]]''
|2007
|UR
|As implied by the title, it unmasks one of the greatest frauds in the history of science.
|NA - TV
|-
|''The Hidden Rebellion''
|2016
|
|This historical documentary highlights the French Revolution's destruction of the [[Vendée rebellion|Rebellion at Vendée]] (which is shown positively) as well as the specific connections between the French Revolution and various Communist Revolutions.
|
|-
|''Hillary: The Movie''
|2008
|UR
|This Citizens United film unveils Hillary Clinton's dark side and was the impetus of the lawsuit which overturned the McCain-Feingold legislation by the [[U.S. Supreme Court]] in ''[[Citizens United v. FEC]]''.
|NA - TV
|-
|''Hillary's America: The Secret History of the Democratic Party''
|2016
|PG-13
|[[Dinesh D'Souza]] analyzes Hillary Clinton's dark side and, as indicated by the title, the dark history of the Democrat Party. Donald Trump urged his supporters to see this documentary, and it is believed to have helped him win the 2016 presidential election. Like all of D'Souza's documentaries, this movie was absolutely despised by liberal-biased critics. In fact, the mainstream media hated this documentary so much that it became the worst-reviewed film on 3 different review aggregator websites. That is how crazy liberals go when their arguments are countered with facts, logic, and truth. The craziest part of all is how this documentary won 5 [[Golden Raspberry Awards]] because the leftists in Hollywood wanted revenge for Trump winning the election. D'Souza said he was honoured to be receiving so much hate because it is proof that he got his point across.
|$13,099,931
|-
|''How Should We Then Live''
|1976
|UR
|By the theologically conservative Christian theologian [[Francis Schaeffer]], this Christian film traces Western history from Ancient Rome until 1976, studying philosophic, scientific, and religious movements reflecting changing patterns.
|NA - TV
|-
|''I Want Your Money''
|2010
|PG
|It supports the triumph of [[Reagan]]-economics over [[Obamanomics]].
|$433,588
|-
|''Indoctrinate U''
|2007
|UR
|Political correctness, plus racial and ethnic politics, in the academic setting are examined.<ref>[http://video.yahoo.com/watch/3624795/9994231 Indoctrinate U -Part 1/3, Yahoo]</ref>
|Unknown
|-
|''Inside North Korea''
|2006
|NR
|Although made by liberal Lisa Ling and aired on the liberal [[National Geographic]] channel, the documentary nonetheless shows the truly horrific nature of North Korea and its communist leaders and showcases the high risks that anyone in North Korea is willing to take to escape via the DMZ at the border.
|N/A (Made for TV movie)
|-
|''[[Is Genesis History?]]''
|2016
|NR
|This documentary showcases how the [[Young Earth]] view of creation is more feasible than the [[Old Earth]] view, proving that [[Evolutionism]] is unfeasible with reasoned arguments. The narrator, Del Tackett, interviews thirteen [[creation scientists]], each with a Ph. D., who provide very strong evidence for a young Earth in affirmation of the Biblical creation account. It was originally released in theaters for one day but became so successful that it was shown two for more nights.
|
|-
|''Kids Aren't Cars''
|2011
|UR
|It shows how teachers' unions are destroying America's public schools.<ref>[http://www.kidsarentcars.com/blog/wp-content/uploads/2011/01/KACOneSheet.pdf KAC Summary]</ref>
|Unknown
|-
|''[[Maafa21]]''
|2009
|UR
|This film explores the inception of [[Planned Parenthood]] as an organization created to exterminate African-Americans. It exposes the words of its racist founder [[Margaret Sanger]] and their impact on black genocide more than a century later.<ref>[http://www.maafa21.com www.maafa21.com]</ref>
|NA - DVD
|-
|"MARGARET THATCHER - Death of a Revolutionary"
|2013
|
|This documentary shows how British Prime Minister Margaret Thatcher's economic liberalism helped Britain turn from the figurative sick man of Europe and the only socialist country outside of the [[Iron Curtain]] to one of Europe's best economies. Furthermore, it reveals that, contrary to popular belief (which is mostly likely lies spread by socialists, liberals, and impostors posing as conservatives), the working classes actually liked her more than the upper classes.
|N/A
|-
|''[[Michael Moore Hates America]]''
|2004
|R
|As the title implies, this satirical documentary criticizes Michael Moore's hatred towards all things American. Directed by a [[libertarian]].
|N/A
|-
|''Monumental: In Search of America's National Treasure''
|2012
|N/A
|Hollywood conservative Kirk Cameron talks about the evils of dictators and their roles in U.S. history.
|$500,000
|-
|''The Obama Deception: The Mask Comes Off''
|2009
|
|Paleoconservative [[Alex Jones]] tells the truth about Obama.
|-
|''Occupy Unmasked''
|2012
|Not rated
|The [[Occupy Wall Street]] movement's dark origins are revealed.
|
|-
|''Sand and Sorrow''
|2007
|
|Although it's produced by liberal elitist George Clooney, the film does bring awareness to the genocide in Darfur, Sudan.
|
|-
|''[[The Soviet Story]]''
|2008
|
|The crimes of [[Communism]] and the [[Soviet Union]] are explored.
|Unknown
|-
|''The Thin Blue Line''
|1988
|
|Exposed abuse of power and disregard for truth which resulted in an innocent man being on death row, because the real killer had been under the (liberal) minimum age for the [[death penalty]]; to the credit of law enforcement, the innocent man was freed after the movie was released.
|
|-
|''They Shall Not Grow Old''
|2018
|
|Highlights the bravery and sacrifice of WWI veterans
|
|-
|''Waiting for Superman''
|2010
|PG
|It highlights the failures of the U.S.' public school system.
|$6,410,257
|-
|}

== Debatable Whether Conservative ==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''12 Strong: The Declassified True Story of the Horse Soldiers''
|2018
|R
|Based on the real life declassified mission of the Horse Men that were deployed to Afghanistan after the September 11 terror attacks. On the one hand, the film is pro-America and depicts the Taliban and Al Qaida in a very negative light. But on the other, one of the stars of the film, Michael Shannon, was extremely anti-American, and a couple of the members of the unit had their ethnicities changed in what seemed to be an attempt at forced [[diversity]].
|
|-
|''The 40-Year-Old Virgin''
|2005
|R
|A bawdy sex comedy about a man who is ridiculed by his peers for his indifference to sex as an adult. His friends, feeling that he isn't "normal", try to encourage him to lose his virginity, starting with pornography, sex toys, and even prostitution. However, their personal attitudes towards women ruin their own relationships, and the man remains steadfast in his abstinence. Later, he meets a woman who connects with him, but is no longer a virgin, as she has a teenage daughter. At one point, her daughter confesses only to him that she is also a virgin and encourages him not to feel bad about it. However, her mother, who has been on multiple dates with him, is still unaware of his virginity. After their proposed deadline by which the two agreed to eventually have sex, he tells her of his virginity and stays reluctant about giving in. There is some drama and confusion between them, but she eventually comes to accept him and the two are happily married at the end before having sex.
|$177.4 million
|-
|''21 Jump Street''
|2011
|R
|Two police officers try to take down a drug ring in high school where the villains are environmentalists and drug dealers. But contains many sexual references, full profanity, and many religious insults. A parodic comedy remake of the 1987–91 [[Fox Network]] police drama of the same name.
|$201,585,328
|-
|''Accepted''
|2006
|PG-13
|It criticizes the [[Department of Education]] (or colleges and universities in general) and our protagonist lives the America dream by starting his own college, but then the juvenile humor, gross-out humor and drug abuse steps in.
|$36,323,505
|-
|''Aeon Flux''
|2005
|PG-13
|Anti-cloning film, but also pro-feminism as well.
|$25,874,337
|-
|''Air Force One''
|1997
|R
|On the one hand, the strong and courageous U.S. President James Marshall (Harrison Ford), a military veteran, takes an uncompromising stance against Russian terrorists who hijack his airplane. The major themes include family, authority, respect for the military, and sacrifice for the greater good. On the other hand, however, the script-writer for the film has admitted that he made the film largely to promote then-president [[Bill Clinton]].<ref>https://www.salon.com/july97/entertainment/movieair970725.html "But Bill Clinton is the first president to spawn movies that feature fictional presidents functioning as his stand-ins, movies made by directors fighting to define, and redefine, his image.....Air Force One" is a fantasy of what it might take for President Clinton to become all things to all people. The movie's Clinton stand-in, President James Marshall (Harrison Ford, appropriately displaying the facial mobility of Mount Rushmore), is a leader who defies his timid advisors in his efforts to set policies against injustice and tyranny and is willing to take on Congress to enforce those policies. But this is a fantasy designed to silence Clinton's conservative critics, so not only is Jim Marshall a dedicated family man, but he's a Vietnam War hero to boot. There's a combo you can't beat, a guy who knows how to kill a Commie and keep his pecker in his pocket."</ref> In addition, it also shoe-horned a cameo appearance from Bill Clinton himself at the latter's request.<ref>http://vikingphoenix.com/news/archives/1997/hdot9702.htm</ref>
|$172,956,409
|-
|''Aladdin''
|1992
|G
|Based on the classic Arabian folk tale ''Aladdin and the Magic Lamp'', a poor but charitable thief is sent by Jafar, a sinister vizier to a sultan, to search for a mysterious oil lamp rumored to contain unbelievably powerful magic. Upon finding this, he accidentally releases the comical genie inside, who grants his wish to become a prince so he can legally court Jasmine, the sultan's daughter. On the one hand, the film is set within what is implied to be a Muslim state, and Aladdin does resort to lying to try and marry Jasmine. A slight feminist bent is present because Jasmine refuses to marry, ignoring the law requiring it (although not nearly to the same extent as with Belle and ''Beauty and the Beast''.). In addition, some lyrics to the opening song were notably cut due to fears of offending the Muslim populace, implying the film is politically correct in nature. The Sultan is shown to be a massive bumbler and overgrown child, which may hint at an anti-parenthood agenda. But on the other hand, the film does ultimately push character integrity because Aladdin ultimately decides against lying and tells Jasmine the truth about himself. Disregarding the film's politically correct treatment of Islam, it ultimately showcases some more negative elements of Islamic culture via a vendor nearly chopping Jasmine's hand off when she "steals" some food to feed a starving child, as well as depicting Prince Achmed in a very negative light via his cruelty to Aladdin and children attempting to stop him. The prince is implied to be a poor example of a husband, so it is subtly implied that Jasmine refused to marry because all the princes she encountered had in fact been as bad as Achmed. She then falls for Aladdin because he saves her life and shows kindness to her. In addition, it is made clear that while Aladdin does steal and initially had an infamous reputation for his thefts, it's solely in order to survive on the streets, with it being heavily implied that he was an orphan, and he also selflessly gives his stolen food to starving children after initially planning to eat it. There is a lesser condemnation against the occult as the only explicit magic-user besides Aladdin's Genie is Jafar, the main villain who dreams of becoming the world's most powerful dark sorcerer.
|$504.1 million
|-
|''Antz''
|1998
|PG
|It's produced by [[Jeffrey Katzenberg]] (and was rather notorious for being plagiarized from the then-in-development Pixar film ''A Bug's Life''), downplays the military, and possesses an implicit promotion of Communism via the main character, but also has an Anti-Eugenics message too.
|$90,757,863
|-
|''Army of Darkness''
|1993
|R
|Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film.
|$11,502,976
|-
|''Atlantis: The Lost Empire''
|2001
|PG
|Released during the [[Michael Eisner]] era of [[Disney]]. On the one hand, the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. The theft of the crystal to become rich could be seen as a condemnation of capitalism. That being said, however, capitalism has also been promoted in a more positive light in the form of Preston B. Whitmore, an eccentric but ultimately good-hearted billionaire who funded the expedition in the first place, and in addition, most of the principal cast was shown to have dreams of getting a better lot in society, with it being heavily implied in the ending that they ultimately succeeded in achieving those dreams after selflessly trying to save Atlantis, which acts as an implicit promotion of both capitalism and the American Dream.
|$84,056,472
|-
|''Austin Powers'' franchise
|1997, 1999, 2002
|PG-13
|A series of films that parodied spy films such as the [[James Bond]] franchise. On the one hand, liberal values are promoted such as Austin Power's promiscuous swinger nature being promoted as a positive, as well as usage of scatological humor throughout. In addition, one of the villains, Frau Farbissina, is mentioned to have been a founder of the militant faction of the Christian organization [[The Salvation Army]]. The first film also downplays the Cold War and the death of Communism by mentioning that the 1980s were among the "unimportant decades" in Austin Power's crash course. On the other hand, it does promote some chivalrous aspects, as Austin in the first film made it very clear to Vanessa Kinsington, the daughter of his former partner that not even he was willing to have sex with a woman who had too much to drink, and there is an implicit promotion of [[Gay Conversion Therapy]], as Farbissina was established as a lesbian in the second movie, yet after sleeping with Dr. Evil (a parody of [[Ernst Stavro Blofeld]], in particular the version from ''[[You Only Live Twice (film, 1967)|You Only Live Twice]]'' portrayed by Donald Pleasance.) in the past, she ended up becoming pregnant (with Scott Evil, Dr. Evil's son, being the byproduct of the affair), and it is implied afterward as well as in the third movie ''Goldmember'' that she became straight afterward and genuinely loved Dr. Evil, enjoying a kiss that with him that was otherwise meant to slip a key to him to aid in his escape. Family values are also given a slight promotion, as Farbissina defended Scott Evil from Dr. Evil's otherwise abusive actions to him, and part of the third movie involved Scott and Dr. Evil growing closer to their relationship, and it is also revealed that Dr. Evil was in fact Austin's brother, leading to some redemption for the latter, and the third movie makes clear that some of Austin's problems were the result of his father Nigel being a neglectful father. The second movie also has an anti-body positive message as well with Fat [censored].
|$876.3 million (all three films)
|-
|''Back to the Future''
|1985
|PG
|Musically gifted but slacking highschooler Marty McFly is invited by his energetic, quirky scientist friend Dr. Emmett "Doc" Brown to witness the birth of his greatest invention: a time-traveling DeLorean automobile. After Doc Brown is shot and killed by Libyan terrorists, whom he tricked to gain plutonium fuel needed to make his car travel through time, Marty escapes in the DeLorean and travels 30 years into the past, where he meets his parents as teenagers and accidentally becomes his mother Lorraine's new love interest. He then meets with the young Doc Brown, who volunteers to help him return to 1985 and warns him that he will cease to exist if he does not ensure that his parents fall in love at their high school prom. Marty ultimately succeeds in reuniting his future parents by encouraging his teenage father George to stand up to bully Biff Tannen in Lorraine's honor. In the process, he saves Doc Brown by sending him a note warning of the terrorist attack. Overall, the movie contains some conservative messages such as the triumph of chivalry, the evils of terrorism, and the negative effects of deviancy and drug/alcohol addiction. At the same time, it promotes premarital sexual activity and disregard for chastity. Included two sequels in 1989 and 1990.
|$210,609,762
|-
|Bambi
|1942
|G
|Animated adaptation of the German children's book of the same name. Environmental and anti-hunting messages are pushed (although it should be noted that the main antagonist, "Man", is technically closer to a poacher than a true hunter due to his killing a nursing doe and also trying to kill Bambi, a fawn, both of which are strictly prohibited by hunters), but it is also pro-family due to Bambi's mother giving her life to save her son, and the Great Forest Prince, who is heavily implied to be Bambi's father, went out of his way to protect Bambi from the hunter three times, even rescuing his son from a forest fire. It also was anti-homosexual agenda and way ahead of its time in refuting claims of [[animal homosexuality]], as the character Flower, a skunk, is depicted in childhood as a very effeminate male, yet when he became an adult, he evidently was aroused by a female skunk and ultimately became a father as well.
|$102,247,150
|-
|''Batman: The Dark Knight Returns Part 1'' and ''2''
|September 25, 2012 (Part 1) January 29, 2013 (Part 2) October 8, 2013 (Deluxe Edition)
|PG-13
|An animated two-part adaptation of Frank Millar's comic book Elseworld story of the same name where Batman is forced to resume his duties after crime reached record highs in Gotham. The movie is anti-Crime, and also depicts homosexuality and sexual deviancy in a very negative light, including making a connection between homosexuality and Nazis via a transgendered Nazi criminal, and the Joker is portrayed in a similar manner to Paul Lynde. It also mocks to a certain degree anti-war politicians, as the mayor (a likely democrat) attempts to negotiate with the Mutant leader in jail to get him to call off the Mutants' war on Gotham only to have his throat torn out, with his vice-mayor repeating the same concessions. On the same note, it also showcases the negatives of pseudo-sciences as a psychologist was depicted as being a quack who ended up making Two-Face's insanity even worse despite repairing his face, and was ultimately responsible for letting the Joker escape Arkham Asylum due to the latter faking being cured. That all being said, however, it does feature some anti-Reagan messaging, and also condemns the military due to Joker trying to instigate a nuclear war between America and the Soviets, and America striking first as a result, and it was also revealed that a military general had provided the mutant gang with enough military arms to start a small war.
|$5,589,376 (Part 1) $4,059,217 (Part 2) $9,648,593 (Total)
|-
|''Beauty and the Beast''
|1991
|G
|A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to [[feminism]] to the [[liberal]] movies churned out by [[Disney]] since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault (specifically, her deliberate disobedience towards Beast and the servants by going into the West Wing as soon as she found out where it was located) and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.<ref name="Woolverton and Belle">https://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>https://www.yahoo.com/news/belle-beauty-beast-became-disneys-155053182.html</ref> In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what ''they've'' got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",<ref>http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle</ref> which had partly been done in response to negative criticisms towards Ariel in the previous movie by liberal critics,<ref name="Woolverton and Belle" /> and the feminist writer [[Linda Woolverton]] made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.<ref name="Beauty and Maleficent">{{Cite web|url = http://time.com/2798136/maleficent-beauty-beast-writer/|title = The Same Woman Wrote Maleficent and Beauty and the Beast—Here’s How They’re Linked|date = May 30, 2014|accessdate = January 16, 2014|website = Time|publisher = |last = Rothman|first = Lily}}</ref><ref>http://www.ew.com/article/2016/05/26/linda-woolverton-alice-belle-disney-heroines?xid=entertainment-weekly_socialflow_twitter</ref><ref>https://www.bustle.com/articles/163686-the-one-thing-beauty-and-the-beast-fans-probably-dont-know-about-the-creation-of-belle</ref><ref>http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>http://articles.latimes.com/1992-01-19/entertainment/ca-544_1_disney-film</ref> On that note, this made it the first ''Disney'' animated adaptation of a fairy tale to radically alter the story specifically to promote a left-wing socio-political agenda onto the audience regardless of whether such was actually appropriate for the audience or an actual good message (as prior Disney films generally made alterations specifically to tone down anything that was otherwise inappropriate for the age group for the audience). Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it, the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light. Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting and anti-second amendment sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter, as well as Gaston's villainous nature being first highlighted in his debut scene where he shot a duck out of the sky. According to Don Hahn, there were also several overtones of a pro-homosexual agenda within the film, including choice lyrics of the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made and wanting to push the idea of being "ostracized" for his suffering from AIDS.<ref>https://www.vanityfair.com/hollywood/2017/03/beauty-and-the-beast-gay-lefou-howard-ashman</ref><ref>https://www.denofgeek.com/movies/16583/don-Hahn-interview-beauty-and-the-beast-howard-Ashman-the-lion-king-south-park-and-frankenweenie</ref> Similarly, during the battle in the castle, there was a brief instance of transgenderism that was treated as a joke where the wardrobe proceeded to dress one of the male villagers in a Hawaiian outfit. One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the [[Essay:Worst Liberal Movies#Social|definitely liberal]] ''Maleficent'' movie.<ref name="Beauty and Maleficent" />
|$218,967,620
|-
|''Beauty and the Beast'' (2017 remake)
|2017
|PG
|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it never specifies that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle (who, unlike the original film, actually enjoys it). Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran, in addition to the implied anti-hunting messages from the original film via his profession (which if anything was expanded on by their hinting at Gaston being evil in the Gaston song when he, in reference to LeFou's question about whether shooting his prey from behind was "fair", states he didn't care if it was, even though killing prey when they least expect it is the entire point behind hunting, which was based on a deleted lyric from one of the earlier drafts of what would become the 1991 film.).

All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood is currently out of ideas for motion pictures. It also re-establishes the fact that Disney would, at times, forsake genuine family entertainment in favor of blatant liberal propaganda.

On the other hand, there were also several surprisingly Conservative messages in the film, significantly more than in the 1991 version. Namely, Christianity is treated in a far more positive light in this film than in the 1991 version as one of the few friends Belle has in this version is the village Chaplain named Pere Robert who is shown to be sympathetic to her bibliophilic nature and also attempts to prevent Maurice from being sent to the Asylum, and later is shown to be horrified at the formation of the mob against the Beast (it is to be noted that in the original 1991 film, the character in question was merely a bookseller, not a priest, and most of the villagers, implied to be devout Christians, were demonized in the film), which was also surprisingly accurate to history despite the aforementioned changing of history in the film (in real history, Christianity, especially the Catholic Church, actively encouraged literacy, writing, and arithmetic among both genders, with girls being taught in convents or at the home.). In addition, Maurice actually is shown to be more proactive in this film, such as directly refusing Gaston's attempt at marrying Belle and even attempting to expose Gaston as an attempted murderer and psychopath, and also plays a direct role in saving Belle and himself from the paddywagon after she exposes Beast to the villagers (in the original film, although he does set out to try and find Belle and save her after trying to get the villagers to help failed, he ultimately required saving by her due to catching an illness during his trek, and ultimately needed saving alongside Belle via Chip). In addition, Lumiere as well as the featherduster (named Plumette in this version) are shown to be an actual loving couple (in the original film, it is heavily implied that Lumiere was a frequent womanizer and that the featherduster was also sexually loose), and the remake also doesn't demonize traditional marriage nearly as much as in the 1991 version (notably, the remake cut out Gaston's wedding proposal as well as Belle shoving Gaston into mud in front of attendees). The forgiveness and redemption theme was also significantly more emphasized in the remake, due to Beast ultimately forgiving Maurice after learning why he had tried to steal the rose and even allowing Belle to save Maurice specifically to make up for his past behavior, with Maurice also forgiving Beast upon Belle showing him the baby rattle (originally, Maurice was a bit more hesitant to forgive the Beast). It is also shown to be significantly more pro-family as well, as not only is Belle shown to be loyal to her father like in the 1991 original, but as noted above, Maurice himself took measures to protect Belle and notably agreed with Belle that Gaston would not have worked out for her (originally, Maurice also thought Gaston was alright for her), and he also was shown to be very protective of Belle after his wife had died from the plague, with Belle's mom specifically sacrificing herself by telling them to leave her behind to allow Belle a healthy life. In addition, the triplets (renamed to "Village Lasses") in the remake were depicted as having haughtiness, arrogance, being jealous of Belle, as well as overall being nasty people, including briefly smirking at Belle when she was locked up in the paddywagon as well as being actively involved in the arrest of Maurice as well as the later attack on Beast's castle (in the original film, the triplets were not shown to have any negative behavior to them besides their crushing on Gaston [not participating in the later arrest of Maurice, let alone the attack on Beast's castle shortly afterward during the climax, and also implying at one point that they were willing to give their blessing to Gaston marrying Belle when Belle refused him in the beginning of the film, and while they were present during the final lyrics for the Gaston reprise where Gaston explicitly divulged key details for his blackmail plan, the way it was framed could easily be interpreted as the triplets genuinely not knowing about the plan due to their absence from Maurice's arrival up to the scene where Gaston whispers the plan to LeFou.], and it is also heavily implied that they supported traditional marriage and were demeaned in the film by being referred to in the script as The Bimbettes and treated as dumb blondes for this reason). In addition, according to the film's director Bill Condon as well as one of the triplets' actresses, Rafaelle Cohen, the reason the triplets were intensely jealous and spiteful of Belle was because their mother neglected them while doting on Belle, showcasing the dangers of parental neglect. In addition, at least regarding Maurice, the villagers' actions to him were toned down, where their arresting him was simply due to their being tricked by Gaston into thinking he was a dangerous madman and not out of malicious intent (in the original film, it is heavily implied via the Gaston reprise that most, if not all of the villagers were in fact fully aware that Gaston knew, as did themselves, that Maurice was not actually dangerous and that Gaston was having him arrested specifically to blackmail Belle into marrying him and gave full support to the plan.).
|$1.248 billion
|-
|''Beauty and the Beast: The Enchanted Christmas''
|1998
|G
|Paints Christmas in a positive light, and has Beast learning the meaning behind it, as well as putting aside the past relating to it being the reason he was cursed. Also significantly tones down the more feminist messaging from the original film. However, the manner in which Christmas was depicted was closer to the secular view of Christmas than the actual intended meaning of the holiday being a celebration of Jesus Christ's birth.
|N/A (Direct to video movie)
|-
|''The Bee Movie''
|2007
|PG
|Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie.
|$287,600,000
|-
|''Beowulf''
|2007
|PG-13
|Based on the epic poem of the same name from the Middle Ages, it portrays Christianity in a positive light (as evidenced with the character of Unferth, who wasn't that in the original tale), and the hero, Beowulf, does what he believes is right. However, a significant portion of the film has Beowulf doing anti-Christian things, including mating with Grendel's mother over killing her (a stark contrast with the original tale where he does in fact kill her), and also implies that the dragon that ultimately killed him in the original tale was the result of his sleeping with her (when originally, the dragon had no relation at all to Grendel, his mom, or Beowulf). In addition, it also depicted Hrothgar as a drunken womanizer.
|$82,280,579
|-
|''The Birth of a Nation''
|2016
|
|A drama film about Nat Turner, an enslaved man who led a slave rebellion in Southampton County, Virginia. The film focuses on Turner's life as a slave but also a Christian. There are many scenes where he preaches to his fellow slaves in different plantations, even conduct Baptist services, at the same time, he exposes to the crimes related to slavery, which eventually force him to rebel. The film likewise was also deliberately named after D.W. Griffith's film of the same name in a form of irony due to it pushing the opposite message. However, there is a line at the end of the movie downplaying the deaths of the white slave owners compared to the black slaves, something done by the Hollywood elites and unfortunate because all people are equally valuable.
|
|-
|''Bohemian Rhapsody''
|2018
|PG-13
|A biopic of [[Freddie Mercury]], the lead singer of the band Queen. While it does show elements of the practice of homosexuality and hedonism, at the same time, the film largely condemned the practice since it was made clear that Mercury's embracing of these things was what ultimately ruined Queen and his personal relationships, and is what ultimately killed him via AIDS. In addition, Paul Prenter, the only other major character to embrace homosexuality in the movie, was depicted in a very negative light, as he was one of the reasons Mercury went down a bad path, with it being made clear later on that Paul largely was using Mercury for his own gratification, blamed others for his bad ideas, and even hid vital information from Mercury deliberately such as the Live Aid concert plans as well as Mary Austin calling him. It also had a promotion of redemption, as Mercury, inspired largely by his former girlfriend/wife, Mary Austin nearing the end of the film, attempts to reconnect with his band and family and make amends in the time he had left before dying from AIDS. That all being said, however, it's debatable whether the film intended to paint his homosexual escapades in a negative light, as several members of the production company, including Freddie Mercury's actor Rami Malek, indicated that it was a "regrettable" decision as a result of not having enough time to give a "more balanced" view of (ie, promoting) his bisexual lifestyle.
|
|-
|''The Campaign''
|2012
|R
|Political comedy depicts the Democrat candidate (Will Ferrell) as an obnoxious, drunken womanizer and satire of [[John Edwards]], although the Republican candidate (Zach Galifianakis) is portrayed just as negatively as a corrupt capitalist.
|$33,165,738
|-
|''Casablanca''
|1942
|NR
|A film based on the play "Everybody Comes to Rick's". On the one hand, the film depicts the Nazis in a negative light, as well as Vichy France being depicted in a negative light, and it does promote the idea of self-sacrifice and doing what's right even at expense to oneself via Rick. On the other hand, incidental dialogue implied that Rick had aided and supported the cause of the Communists during the Spanish Civil War (it should be noted that such dialogue was exclusive to the film and not present in the original play<ref>http://www.pages.drexel.edu/~ina22/splaylib/Screenplay-Everybody_Comes_to_Rick's.pdf</ref>), and Lazlo being an "international leader" of a resistance movement against the Nazis hints at him being a Soviet plant. In addition, one of the screenwriters for the film, Howard Koch, was a notorious communist who was later blacklisted from Hollywood via the House of Un-American Activities Committee.
|$3.7 million
|-
|''Chicken Run''
|2000
|G
|Produced by [[Jeffrey Katzenberg]], this vegan propaganda film compares a chicken farm to the [[Holocaust]].<ref>https://www.youtube.com/watch?v=ynn_A73hcfs</ref> The main villain of the movie is a capitalist who wants to make chicken pies. On other hand the main villain of the movie is a feminist as well as she called her husband's ancestors "poor worthless nothings". The film also has some anti-animal cruelty elements as one of the main characters, Rocky mentions that cockfighting is illegal where he comes from.
|$106,834,564
|-
|''Coming to America''
|1988
|R
|When this movie was released in 1988, it was most likely not only considered liberal but praised by liberals. As it had feminist themes (even with a male protagonist), going against tradition, and was about foreigners from an African country. However as liberals moved more and more to the left, they had abandoned ideas in this movie that are considered conservative today. Such an individualism and family, not to mention it is debatable if it supports the American Dream as the proagonist, came to America to look for love.
|$128,152,301
|-
|''The Crow''
|1994
|R
|The tagline claims that our hero is an angel, but he doesn't display any Christian values. However, there is an anti-drug scene were Eric Draven (the hero) makes a drug addict mother realize that her daughter needs her & gets her off drugs. On top of that the film's villains are nihilist anarchists. The film is notable for being Brandon Lee's last film, as an accident on the set killed him during production.
|$50,693,129
|-
|''Ed Wood''
|1994
|R
|Although it does glorify cross-dressing and the [[homosexual agenda]]. It still is pro-capitalism and the film also glorifies the American dream. As despite the obstacles Wood faces, he still continues doing what he loves in making movies.
|$5,887,457
|-
|''Edward Scissorhands''
|1990
|PG-13
|Endorsed by the Christian website ChristianAnswers.net with a 4 out of 5 star rating. Conversely however, a prominently featured Christian character - the only character in the movie ever identified as Christian - is portrayed as fanatical and bigoted against people with scissors for hands.
|$56,362,352
|-
|''Falling Down''
|1993
|R
|Film takes jabs at many [[liberal values]], [[illegal immigration]], union workers, multiculturalism, (one scene were Bill tells his ex-wife that the ice cream shop him and his family used to go to is now a Mexican store) and foreign aid (in one scene Bill asks an illegal Korean immigrate a rhetorical question on how much America has given his country and yells at him after he refuses to learn the language).<ref>https://www.youtube.com/watch?v=Z4tC4qfv92Q</ref> It's also one of the very few films to be truthful in the "Nazis were right wingers" myth perpetrated by liberals, in which Bill informs a Neo-Nazi that he's an American and the Nazi is a sick a-hole. As well as many shots where the America flag is trashed upon (which could symbolize how liberalism has trashed everything America has stood for).<ref>https://www.youtube.com/watch?v=piPzExBdfIg</ref> But at the same time it also takes jabs at capitalism, where Bill believes he's no longer commercially valuable. And although the plot is about man trying to reach his daughter's birthday party, the film seems to toy with its audience in suggesting whether he's mentally ill or not, as opposed to a pro-family message.
|$40,903,593
|-
|''[[Fargo]]''
|1996
|R
|Pregnant sheriff with traditional American family values solves an elaborate criminal embezzlement, kidnapping and murder scheme.
|$24,611,975
|-
|''Fritz the Cat''
|1972
|X (NC-17)
|The movie has a brief moment that promotes shipping weapons to Israel, and it also showcases left-wing elements in a negative light, with the climax having the titular character attempting to stop a bombing plot against a power plant that he tried to accomplish. That being said, however, the film is also pro-drugs and promotes sexual infidelity, and also mocks a few right-wing elements as well, and is rather infamous for being the first X-rated cartoon to be made.
|$90 million
|-
|''Full Metal Jacket''
|1987
|R
|Although including a scene that seemed more catered to the anti-War ideology featuring a door gunner slaughtering civilians during the Vietnam War with obvious glee, the boot camp sequence was nonetheless shown in a realistic and to some extent inspiring light, with Vietnam Veterans also frequently stating that the Gunnery Sergeant's advice saved them during Vietnam, and also features a female Vietcong soldier who is not shown in a positive light at all.
|$46.4 million (North America)
|-
|''Gattaca''
|1997
|PG-13
|A condemnation of human genetic engineering, and a wonderful triumph of individualism in an extremely totalitarian regime. Unfortunately the movie ends with a materialistic message: "They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home" (A phrase said when the protagonist finally managed to go to space).
|$12,339,633
|-
|''Ghost''
|1990
|PG-13
|The [[Bible]] claims ghosts don't exist. Still this film toys with idea that they do, also it has liberal actress Whoopi Goldberg as a psychic medium. Nevertheless, the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, when he does convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being cared away helplessly by evil spirits after they die. It also acknowledges that heaven & hell exists.
|$217,631,306
|-
|''Good Kill''
|2014
|R
|Ethan Hawke plays a man who questions the ethics of his job as a drone pilot, while it is taking a jab at the [[Barack Obama]] regime (Obama has droned more people in the Middle East than George W. Bush, most of whom were innocent bystanders and the left has ignored it or claimed it was a "Fox News conspiracy"). It could also be against the War on Terror too.
|$316,472
|-
|''[[Grease]]''
|1978
|PG
|Some [[conservative]] messages and no [[feminism]] or other [[political correctness]]; jokes about [[public school]] and even [[television]] during the 1950s. Followed in 1982 by a much panned sequel, "Grease 2".
|$153,113,000
|-
|''Grave of the Fireflies''
|1988
|UR
|While the film has been labeled anti-war, the director Isao Takahata stated the actual meaning was about growing up. The film's message is still debatable to this day.
|
|-
|''Hacksaw Ridge''
|2016
|R
|It tells the story of how World War II hero, Desmond Doss became a combat medic hero. However, its stances on gun rights is rather mixed to negative.
|$67,209,615
|-
|''Halloween III: Season of the Witch''
|1982
|R
|Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.<ref>https://www.nytimes.com/1982/10/22/movies/haloween-iii-plotting-a-joke.html</ref> The film's "hero" is also an adulterer.
|$14,400,000
|-
|''Hansel & Gretel: Witch Hunters''
|2013
|R
|Western fairy tale characters Hansel and Gretel are now adults and have their own private bounty hunting organization in hunting witches. Portrays witchcraft in a negative manner, and guns in good light. But the gore, graphic violence and brief nudity is rather unnecessary.
|$55,703,475
|-
|''Hellboy''
|2004
|PG-13
|A live action film adaptation of the Mike Mignola graphic novel of the same name. It is ultimately pro-Christian principles, as the climax had the character John Myers supplying Hellboy (who at that point became Anung un Rama) with a crucifix and reminding him of his upbringing, which ultimately had him rejecting Rasputin's plan of unleashing Hell on the world, and the character Bruttenholm is explicitly depicted as a Christian and portrayed positively for it. It is also anti-Nazi as well. However, whether it's anti-occult is debatable, and the director was the Marxist Guillermo del Toro.
|$99.3 million
|-
|''High Noon''
|1952
|UR
|A favorite of both Presidents [[Dwight Eisenhower]] and [[Bill Clinton]]; [[John Wayne]] said it was "the most un-American thing I've ever seen in my whole life";<ref>http://www.brightlightsfilm.com/47/highnoon.php</ref> though susceptible of various interpretations, most of all it seems to scare people into wanting more government.
|$3,750,000
|-
|''Hoot''
|2006
|PG
|A movie about a bunch of kids who stand up to a CEO company that is trying to put one of its restaurants on a burrowing owl habitat. However the movie contains many morals, and promoting friendship. It does give kids the great inspiration to stand up for what they believe is right.
|$8,117,637
|-
|''Horrible Bosses 2''
|2014
|R
|Sequel to the Worst Liberal Film ''Horrible Bosses''. Though this film could be argued to actually support the American Dream and capitalism, which its processor clearly did not.
|$54,445,357
|-
|''[[The Hunger Games]]''
|2012
|PG-13
|Futuristic totalitarians plan titular annual televised "games" as punishment on the descendants of failed revolutionaries from a past uprising. Although technically a message against totalitarianism and for individualism, Leftist actor Donald Sutherland, who played President Snow, implied that the struggles of the films' protagonists were supposed to be derived from the Occupy Wall Street movement, and the book's author also indicated that the events of the book were based on the George W. Bush administration.
|$406,267,858
|-
|''Independence Day''
|1996
|PG-13
|Although made by liberal director Roland Emmerich with the intention of getting then-President [[Bill Clinton]] re-elected into office as well as having a few liberal values (such as Marty Gilbert, David Levinson's boss, being implied to be homosexual and the fact that Jasmine Dubrow's an unrepentant stripper), it nonetheless manages to push patriotism for America and, due to an ad-lib by actor Bill Pullman, manages to have him bring context of honoring the American holiday Independence Day during President Whitmore's rousing speech before fighting off the alien invaders in a climactic battle. It also has some condemnation towards divorce, as evidenced by David Levinson and Constance Spano's divorce is treated in a negative light, and also is pro-family due to Russell Casse sacrificing himself during battle to save his family. It was followed by a sequel, ''Independence Day Resurgence'', which went fully to the left.
|$817.4 million
|-
|''Indiana Jones and the Kingdom of the Crystal Skull''
|2008
|PG-13
|Although the film does depict the Communists as bad guys (to such an extent that the Russian Communist Party in Moscow was angered by the decision), and implies that Indiana Jones is a Republican or at the very least an [[Dwight D. Eisenhower]] fan, the film also depicts McCarthyism in a negative light, with one character implying that the American Government was simply being paranoid, as well as overall downplaying the true scope of the Soviet menace by having the same character denying there being a sizeable Communist infiltration in America, and also seems to promote paganism in the form of the Crystal Skull.
|$786.6 million
|-
|''Inglourious Basterds''
|2009
|R
|Despite vulgarity and historical revisionism, and also promoting to some degree moral relativism, the film does acknowledge that the Nazis were socialists.
|$120,540,719
|-
|''The Iron Giant''
|1999
|PG
|This animation espouses anti-war themes and also brief but strong anti-hunting sentiments. Firearms in general are shown in a negative light, with the phrase "guns kill" being repeated a total of three times (which was considered a "positive message" by the ultra-liberal media watchdog group [[Common Sense Media]]). The titular giant is referred to as a "big gun that walks." From a conservative viewpoint, he is a poor metaphor for a real gun; unlike a law-abiding citizen who is a gun owner, the giant has no choice in his actions because he is a war machine programmed with the inability to use his weapons for good, but only to use them thoughtlessly and senselessly. The story involves him learning to hide his weapons and "not be a gun". The conclusion is that, in order to protect the public from an incoming missile, he must fly into it and kill himself rather than use his guns against it. As it is explained, "It's bad to kill, but it isn't bad to die." In addition, despite being set during the Cold War, it largely downplays the Soviet menace that was occurring during that time, as the main antagonist, Kent Mansley, is a government agent (implied to be part of the NSA) investigating the titular Iron Giant who at one point while launching a tirade against Hogarth Hughes alludes to the possibility that the Communists may have been responsible for the Giant's creation as a means to destroy America and that they must destroy it before "it destroys us" and is treated negatively for it. Also features some foul language.

That all being said, however, despite the definite anti-gun and anti-hunting themes, the film does portray the military in a fairly positive light, as General Rogarth was shown to be even-headed and only willing to use military force if confronted with evidence requiring for it, also making clear that he was not happy about bringing out an implied large military force for what was apparently a hoax, and while the military does try to attack the Iron Giant late into the film, it was only because they had been manipulated into doing so by Kent Mansley by the latter lying about the giant killing Hogarth Hughes, and only when confronted with evidence that Hogarth had in fact been alive did the military stand down. In addition, when Hogarth left to investigate the evidence of a "martian" taking out an antenna, he proceeded to salute a photograph of his father, who was implied to have died during World War II. Also has a positive portrayal of the American icon Superman in it. There's also an anti-materialist message in it as well as an implicitly Christian message, as Hogarth talks to the Giant about how humans and other forms of life possess souls that live on even after their mortal bodies die. In addition the film also promotes individualism, promoting the idea of the individual choosing how to live their life, which may also support the American Dream as well, as Dean the film's tritagonist is a capitalistic artist.
|$5,732,614
|-
|''The Iron Lady''
|2011
|PG-13
|The British biopic of [[Conservative Party]] leader and 1979-90 [[Prime Minister of the United Kingdom|British Prime Minister]], Margaret Thatcher, showing the effects of conservative economic policy on Britain, helping to lift the country out of its recession. However, it also showed Margaret Thatcher in a somewhat negative light, depicting her during her late years as becoming slightly addled.
|$80,554,188 (international including UK), $27,081,674 (US - domestic)
|-
|''[[Iron Man (film, 2008)|Iron Man]]''
|2008
|PG-13
|The first installment of the Marvel Cinematic Universe stars Robert Downey, Jr., as comic book hero Tony Stark, an initially unsympathetic, billionaire weapons developer with hedonistic habits such as alcoholism, extramarital sex, gambling, and drug use. A theme of redemption then follows when, on a tour in the Middle East, Stark is almost mortally wounded by the evil Islamic terrorist group the Ten Rings, inspiring Stark to turn his life around and build weapons for just causes, not solely for making money. Though he considers giving up weapons development altogether, Stark decides to stand by his Second Amendment rights and builds his first electromechanical suit of armor to escape the Ten Rings upon realizing that his supposed friend Obadiah Stane has been issuing guns to the terrorists behind his back. Overall, ''Iron Man'' teaches that capitalism and the military can be used for good. That being said, the aforementioned revelation that Obadiah Stane had been issuing weapons to the Ten Rings as well as orchestrating Stark's abduction by them earlier could be interpreted as subtle anti-War on Terror messaging.
|$585.2 million
|-
|''Iron Man 3''
|2013
|PG-13
|Overall, it promotes most of the same values as the first two ''Iron Man'' films. However, a plot twist later in the film hints at an anti-[[War on Terror]] message due to it revealing that the "Ten Rings" terrorist organization was a hoax engineered by someone in America, a plot development which was negatively received. Similarly, there was some controversy over the plot development of disabled veterans being used for terrorist attacks against fellow Americans.
|$1.215 billion
|-
|''[[It's a Wonderful Life]]''
|1946
|UR
|It promotes the concept of self-worth and individualism ultimately, and that choices do in fact matter and have consequences, and ultimately promotes faith to a certain extent. However, it also falsely teaches that humanism is what makes life worthwhile; marginalizes [[faith]] with a cartoonish depiction and demonizes capitalism as sadistic and greedy.
|$3,300,000
|-
|''Jaws''
|1975
|PG
|Anti-environmentalism film, the heroes are police chief Brody, WWII vet Quint and Marine Biologist Hooper who team up to take on a monstrous, man-eating great white shark. However, there is a part where (despite the warning) the Mayor keeps the beaches open for the sake of money, which some may say is an anti-capitalism statement. Notable for being one of the first summer blockbusters. It was followed by three sequels in 1978, 1983 and 1987.
|$260,000,000<ref>http://www.boxofficemojo.com/movies/?id=jaws.htm</ref>
|-
|''Juno''
|2007
|PG-13
|A pregnant teenage woman rejects [[abortion]] and decides for an adoptive birth instead. This movie pushes [[feminism]] and marginalizes the essential role of fatherhood.
|$143,492,840
|-
|''Jurassic World''
|2015
|PG-13
|Jurassic Park is now functioning and open for business and the new boss is a woman, an obvious feminist message. Also the military is downgraded as they plan to weaponize dinosaurs. Despite all this feminists weren't impressed and labeled it sexist<ref>https://www.thedailybeast.com/articles/2015/06/10/jurassic-world-a-big-dumb-sexist-mess.html</ref> and even liberal critics called the weaponizing dinosaurs plot asinine.<ref>http://thoughtcatalog.com/olos-nah/2015/06/ill-just-say-what-everyone-is-thinking-jurassic-world-is-terrible/</ref> In addition, there was at least one implicit anti-feminist message in the film, as after the boss's secretary was brutally killed by dinosaurs, Owen indicated that she ultimately deserved her death due to her not acting like a mother.
|$652,270,625
|-
|''Kiki's Delivery Service''
|1989
|G
|The coming-of age story of a young half-witch who only inherited the ability to fly, and she makes the best of it. The film does show the value of hard work and is pro-capitalism (Kiki owns her own delivery business), as well as strong pro-family sentiments, mainly in the form of the baker Osono and her quiet husband, who are excited for the birth of their child, but at the same time it does depict feminism and witchcraft in a positive light.
|$18 million
|-
|''Kingdom of Heaven'' (Director's Cut)
|2005
|R
|A story set in the Crusades period about a young knight who embarks on a journey to realize his destiny. The Director's Cut version of ''Kingdom of Heaven'' is a prime example of how a Director's Cut can significantly improve the entire film. While the theatrical version featured terrible screenwriting and directing (as a result of studio interference), the Director's Cut drastically changes the entire film, significantly fleshes out, ties together, and grounds the story and brings the characters, their motivations, the different themes at play and the world to life. While the theatrical version was seen more or less as pure liberal media, the Director's Cut presents a story about humanity, belief, faith, and God. It also makes a statement about how people of different religious faiths can live together in peace and harmony and also be respectful of different religious beliefs. In addition, it promotes honor, duty, and the importance of doing the right thing, and it also portrays the noble Knights Hospitallers in a positive light. That being said, the film still portrays the Knights Templars in a negative light.
|$47,398,413
|-
|''Kingsman: The Secret Service''
|2015
|R
|Anti-environmentalist, the villain attempts to eradicate the human race because of his belief in man-made global warming. Though the film is full of language and violence as well as a brief nudity scene. There's also one scene were one of the characters gets into a bloody fight with a group of Christians whom are portrayed as "racists".
|$128,261,724
|-
|''Knocked Up''
|2007
|R
|Unemployed, immature and childish 23-year old Ben Stone (Seth Rogen) has a one-night stand with serious career woman Alison Scott (Katherine Heigl), with the unintended consequence of pregnancy. Alison's mother (Joanna Kerns) says she should get the pregnancy "[[abortion|taken care of]]", while Ben's best friend Jonah (Jonah Hill) suggests that "I won't say the A-word, but it rhymes with abortion." Alison decides to keep the child, while Ben decides to find a real job, grow up, and become a father.
|$148,768,917
|-
|''Labyrinth''
|1986
|PG
|It's debatable if the film is pro-family. While the main story is about a girl who has to rescue her baby brother from the Goblin King, our hero Sarah doesn't really learn the importance or responsibly of being an older sibling.
|$12,729,917
|-
|''The LEGO Movie''
|2014
|PG
|In a world of LEGO toys, an ordinary guy named Emmet Brickowski is told that he has the power to save the world from a villain named Lord Business. He gathers as much friends and allies as he can along the way while learning to put his talents - namely building things - to good use. The movie takes a jab at big government, teaching that anyone has the potential to be extraordinary. However, the movie also takes a jab at capitalism in the form of the main villain Lord Business; ironically, the LEGO company is a champion of capitalism.
|$469.2 million
|-
|''Lincoln''
|2012
|PG-13
|Bio film on conservative icon [[Abraham Lincoln]], played wonderfully by Daniel Day-Lewis. Although overall very positive towards Lincoln and the Republican Party, it nonetheless downplays the role the Democrat Party played in the institution of slavery during the Civil War.
|$182,207,973
|-
|''Lionheart''
|1990
|R
|Pro-family as Jean-Claude Van Damme plays Lyon Gaultier (nicknamed Lionheart) who becomes a street fighter to help pay his sister-in-law's expenses after her husband is killed. During this time he also tries to reconnect with his estranged family. However he gets into the country illegally, which some could point out is a pro-illegal immigration statement.
|$24,078,196
|-
|''The Lorax''
|2012
|PG
|Although it has an environmentalist agenda, it also states that monopolies are wrong.
|$214,030,500
|-
|''Mrs. Doubtfire''
|1993
|PG-13
|Robin Williams plays Daniel Hillard; a father who cross-dresses as a nanny with the help of his gay brother (Hollywood trying to shoehorn the [[homosexual agenda]] one might say.) to be with his children. However, on ''Louder with Crowder'' it was one of the films (#1 actually) on TOP 5: Triggering Movies That Couldn’t Be Made Today, due to rampant gender confusion that's been happening recently.<ref>https://www.youtube.com/watch?v=FWfSjyGNRPE</ref>. Also on a conservative note; it is a clear pro-family film, that is pro-fatherhood. There is also some condemnation to smoking as it shown to be [[taboo]], with Daniel refusing to promote it to children, and Miranda, getting upset when she thought Mrs. Doubtfire smokes.
|$219,195,243
|-
|''Mulan''
|1998
|G
|The film has Liberals changing history to suit their feminist agenda similar to what they did in Pocahontas as well as some historical revisionism (In the film the Huns are at war with China, even though this never happened) and there was a scene in the climax where most of the soldiers cross-dressed as concubines in order to infiltrate the Imperial Palace. However, the central theme of [[Filial piety]] from work it was based on, [[The Ballad of Mulan]], is still present ultimately, as the main reason Mulan joined the military was because her father suffered a severe injury that made him unfit for combat, and the film is pro-Military.
|$120,620,254
|-
|''Munich''
|2005
|R
|Tells the story of the 1972 [[Munich massacre]] and is not politically correct about Islamic terrorism, much to the dismay of liberals. On the other hand, Conservatives have been critical of the film due to it being considered too sympathetic to the terrorist group in question.
|$47,403,685
|-
|''The Muppet Christmas Carol''
|1992
|G
|A live action adaptation of Charles Dickens' seminal work ''A Christmas Carol'' with various Muppets playing the role of various characters in the story (and Gonzo as Charles Dickens himself) as well as Michael Caine as Ebeneezer Scrooge. Promotes many of the same themes of redemption and the spirit of Christmas as the original story. Also has a rather humorous promotion of the American dream, as in a scene exclusive to the movie, the headmaster of Scrooge's boarding school, portrayed by Sam the Eagle, suggests he go into the work force and tells him that it's the "American way", causing Gonzo to break character to inform Sam of the true setting of the story, causing Sam to correct himself by saying it is "the British way". That said, however, the ending song does have slightly Marxist overtones.
|$27.2 million
|-
|''The Muppet Movie''
|1979
|G
|This movie promotes the American dream, however, the Muppets look for that dream in liberal Hollywood. It also has an anti-capitalist message with the villain of Doc Hopper, who is also a southerner. In another scene though, Fozzie Bear sings "America the Beautiful" and says "Patriotism swells in the heart of the American bear."
|$76.6 million
|-
|''P.C.U.''
|1994
|PG-13
|College students fight back against a campus where the administration promotes official [[diversity]] awareness weekends and radical [[feminism]], [[veganism]], and [[political correctness]] run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups.
|$4,350,774
|-
|''[[The Passion of the Christ]]''
|2004
|R
|Downplays the [[Resurrection]]<ref>The original version of the film had no references at all to the Resurrection.</ref> and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the [[Shroud of Turin]] and confirmed by modern science.

On the other hand, it nonetheless does attempt to promote Christianity and Christ, and its success also resulted in liberals [[Jeffrey Katzenberg]] and David Geffen revealing their true natures by blacklisting Mel Gibson from future productions.<ref>http://www.theamericancause.org/patgibson.htm</ref>
|$370,782,930
|-
|''The Path to 9/11''
|2006
|NR (TV Documentary)
|Although the film largely pans George W. Bush's efforts during the War on Terror, it does depict the Taliban, al-Qaida, and Osama bin Ladin in a negative light, and there was a scene that appropriately places blame on then-President Bill Clinton for why 9/11 happened when he refused to give the order to kill Osama bin Ladin (a claim that was later vindicated by the CIA). Unfortunately, Clinton-aligned Democrats forced ABC via [[Robert Iger|Bob Iger]] to cut the footage in question via staged negative responses, and a planned DVD release for the Documentary itself was later shelved at the order of Iger during the 2008 election, neither being released to DVD by Disney itself and its associates, nor even having its rights sold to another company altogether, for reasons that were heavily suspected by various people, including the man who made the documentary in the first place, to be done at the order of Hillary Clinton in order to ensure she succeeded in her attempt at winning the Democrat primary and President of the United States during the 2008 election.<ref>https://web.archive.org/web/20120523041134/https://www.breitbart.com/big-hollywood/2012/05/18/cia-vindicates-path-911-clinton-claim</ref>
|NR (TV Documentary)
|-
|''Pillow Talk''
|1959
|UR
|A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones. There are no distortions by feminist ideology. Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it!
|$18,750,000
|-
|''Pokémon Ranger and the Temple of the Sea
|2006 (Japan) 2007 (USA)
|G
|Debatable as to whether the film is pro-parenthood or not. On the one hand, it does showcase May's mother status with Manaphy in a positive light. But on the other hand, it also is implied by the titular Pokémon Ranger Jack Walker to be a negative due to interfering with the mission, and in the climax, May ends up not doing a thing to attempt to save or even aid in saving Manaphy from Captain Phantom when the latter abducts it despite it being within her ability, which hints at parenthood being a negative.
|N/A (America; Direct-to-Video)
|-
|''Pocahontas II: Journey to a New World''
|1998
|G
|A sequel to the Worst Liberal Movie ''Pocahontas'' released during the infamous Eisner-era direct to video sequel line. It still has some elements to feminism as well as some degree of Historical Revisionism (due to showing William Shakespeare present in the opening song despite being dead by the time of the setting of the film). That being said, however, the British as well as the former colonists are depicted in a significantly more positive light compared to the original film, and the ending also has an implicit promotion of marriage. Likewise, it also notably ends with John Rolfe marrying Pocahontas like their real life selves.
|N/A (Direct-to-Video)
|-
|''Pulp Fiction''
|1994
|R
|Despite saying the F-word in almost every sentence, the film (surprisingly) has a pro-Christian message as after being shot at, every bullet misses mob hit men Jules Winnfield and Vincent Vega. Winnfield believes it was a divine intervention and message from God to stop his life of crime. His partner doesn't believe this but it's later proven to be true as he perished later on in the movie. Also has sadomasochistic homosexuals as the bad guys. And (sort of) has an anti-drug message as mob boss's girlfriend Mia Wallace is seen also overdosing (a negative side to drugs) on heroin.
|$107,928,762
|-
|''The Rescuers''
|1977
|G
|The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich. To add insult to injury, the villains are Southerners. The United Nations is shown in a positive light. On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped). This is one of the rare Disney films feature a [[Christian]] character that's treated in a positive light.
|$29 million
|-
|''Recess: School's Out''
|2001
|G
|The animated movie of the cartoon series of the same name. On the one hand, the film implicitly promotes the decadent era of the 1960s (in particular, 1968) where it depicts characters Muriel Finster and Peter Prickly as hippies during their teacher training in a flashback, and also implies that the concept of recess was developed by the hippies. On the other hand, it also encourages at one point allowing children to act like children, and ultimately promotes Recess and Summer Vacation as a concept, and the main villain, Phillium Benedict, is a radical former head of the liberal Department of Education who wished to eliminate recess and later summer vacation to raise test scores with the implication of wanting to become President (who was fired largely because he proved to be too extreme even for that department), and also represents [[liberal values]]. Also has a slight condemnation of the public school system's mistreatment of children, as Peter Prickly in the ending thanks TJ for having him remember that he originally became a teacher and (albeit unintentionally) principal of Third Street out of a desire to help children, and had largely forgotten that bit until that time.
|$44.5 million
|-
|''Robin Hood''
|1973
|G
|Animated Disney adaptation of the iconic story, depicting all of the characters as anthropomorphic animals. Although the story itself was based on [[Joseph Ritson]]'s revised version of the character that was in support of the Jacobin cause and thus was a liberal icon (steals from the rich, gives to the poor), the villain is Prince John who makes his money from taxes, suggesting Robin Hood is only giving money the government demanded back to people who actually worked for it, and thus was implicitly closer in themes to the original, pre-Ritson revision version of the character. It also features a condemnation of government encroachment of the church, as a pivotal scene featured the Sheriff of Nottingham explicitly stealing a coin from the poor box and his later arresting Friar Tuck for trying to stop him, and the Sheriff's actions were clearly being framed in a horrible light.
|$32 million

|-
|''Shame''
|2011
|NC-17
|While the movie shows [[Hollywood Values]], such as sex addiction, in a negative light and is clearly anti-[[homosexual agenda]], as the main character reaches his lowest point by partaking in such acts, the film is graphic in its nature leaving one to question how conservative it really is.
|$3,909,002
|-
|''Shrek''
|2001
|PG
|Loosely based on a 1990 fairytale picture book by William Steig, the first feature-length computer animation by DreamWorks SKG stars Shrek, a socially challenged ogre who becomes an unlikely hero when he forms an alliance with a pesky, talking donkey to rescue a princess at the behest of the evil Lord Farquaad of Duloc, who hates fairytale-type beings and has forced a host of them to live in Shrek's swamp. Not long after they rescue Princess Fiona, Donkey learns that she was cursed as a child to transform into an ogre herself by night and that only marriage can break the curse. Shrek does not hear this message clearly at first and thinks Fiona is calling him an "ugly beast" before he realizes she actually despises her own ogre form and stops her marriage to Farquaad, preventing him from becoming a tyrannical king and continuing to oppress fairytale beings. Although DreamWorks is liberal, the dialogue occasionally resorts to adult humor (such as Shrek and Donkey cracking jokes at Farquaad's expense that implied that he had small gonads when explaining what he's like), and Fiona sometimes behaves like a feminist (as when she effortlessly uses martial arts against Robin Hood and his Merry Men), it is implied that most of the characters are Christians as the gingerbread man says "God Bless Us Everyone" (a reference to the character Tiny Tim in ''A Christmas Carol''). The gospel song "I'm a Believer" at the end of the feature, and the scene where Shrek and Fiona are silently upset about being separated has the version of "Hallelujah" by Leonard Cohen. Robin Hood is a secondary antagonist, but he is at least implied to be based on the infamous revisionist version by [[Joseph Ritson]] that was made in solidarity to the [[Jacobin]]s during the French Revolution). Lord Farquaad, intended to be based on Liberal [[Disney]] CEO [[Michael Eisner]]<ref>http://articles.chicagotribune.com/2001-04-06/features/0104060008_1_lord-farquaad-dreamworks-jeffrey-Katzenberg</ref> (which adds to the whole film's existence as a reverent parody of Disney fairytale animation conventions), is likewise a lampoon of materialism because he only desires Fiona's marriage so he can officially become the King of Duloc. Finally, shortly after Farquaad meets his end at the jaws of Donkey's dragon love interest, Donkey jokes about [[Hollywood values]]: "Celebrity marriages, they never last, do they?"
|$484.4 million
|-
|''Shrek 2''
|2004
|PG
|The sequel to the above film. On the one hand, aside from DreamWorks being liberal, there are some jokes that could be interpreted as promoting gender confusion (such as the revelation that Pinocchio was wearing women's underwear while he and the other fairy tale creatures save Shrek and Donkey from imprisonment). On the other hand, there is also an anti-racism message for the film, since Fiona's father, the king of Far Far Away, is initially distrusting of Shrek largely due to the latter's Ogre status, and eventually comes to accept him upon realizing Fiona does truly love him, even going as far as to save his son-in-law from Fairy Godmother at the end, and the main villain, Fairy Godmother, is explicitly racist against Shrek for his species, insisting that "Ogres do not get happy endings" repeatedly. Also like the prior movie, it has a more anti-materialist message, as Fairy Godmother as well as her son, Prince Charming, both only intended to use Fiona in order to gain control over Far Far Away, similar to Lord Farquaad in the preceding movie. It also has a redemption message in the form of Puss in Boots, who initially was hired to kill Shrek, but after Shrek spares him, he ultimately became a loyal ally to Shrek, even willingly holding off several soldiers to allow Shrek and Donkey (who at that time had been transfigured into a handsome man and a white stallion, respectively) enough time to stop Prince Charming and Fairy Godmother from having Fiona "wed" the former (due to thinking that Fiona ingested a brainwashing serum inside her tea that had been laced on Fairy Godmother's orders). Also has a degree of anti-feminist messaging due to Fairy Godmother clearly adhering to the feminist view on things.
|$919.8 million
|-
|''[[The Simpsons]] Movie''
|2007
|PG-13
|Portrays the liberal [[Environmental Protection Agency|EPA]] as a villainous and devious agency, and portrays the Government in general as intrusive and corrupt, and also features a key element of the story where Homer attempts to redeem himself of his more unpleasant nature, and Flanders' attempts at helping the Simpson family, in particular Bart, are treated positively. On the other hand, it also promotes [[environmentalism]] in the beginning, and also had Arnold Schwartzenegger as the president of the United States despite his legally not being eligible for the presidency due to being Austrian. There is also a brief sight gag where two homosexual policemen proceeded to make out in an alley by the motel the Simpson family was hiding at, with Marge narrowly escaping being spotted by them. In addition, the early part of the film has Homer twice making statements that implied a more atheistic outlook relating to Christianity: The first just as the Simpsons arrive at Church while running late where Homer mouths off "Relax, those pious morons are too busy talking to their phony-baloney God."; the second when Abraham Simpson ends up getting a divinely inspired vision about Springfield's potential future, where Homer, consulting the bible in a panic, yells "I can't! This book has no answers!" Overall, it's as debatable in terms of its Conservativism as the TV show it acted as a movie for.
|$183,135,014
|-
|''Soul Man''
|1986
|PG-13
|A white student cheats the [[affirmative action]] system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portrays the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect.
|$27,820,000
|-
|''Starship Troopers''
|1997
|R
|Although it overall depicts the Military in a protagonistic light and arguably is pro-war and pro-military, the director of the film, Paul Verhoeven, implied it was actually supposed to push an anti-military, anti-war message where it implied that America during the Cold War were automatically fascists simply because they are entering war, and specifically stated it was "a natural evolution for post-World War II America." In addition, to reinforce Verhoeven's message, he deliberately modeled various scenes after ''Triumph of the Will'' and other pro-Nazi propaganda scenes, as well as modeled the protagonists' uniforms after the uniforms utilized by the Nazis (i.e., the character Carl, played by Neil Patrick Harris, wearing a uniform that was modeled after the [[SS]]). When asked by Michael Ironside, who was one of the people who had a role in the movie and had read the original book, about why he made the movie despite Verhoeven's leftist politics, he answered "If I tell the world that a right-wing, fascist way of doing things doesn't work, no one will listen to me. So I'm going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it's only good for killing ******* bugs!" (note that fascism is not "right wing", it is left wing, so Verhoeven's incorrect regarding which wing the Nazis/fascists were part of).
|$54,814,377
|-
|''Sudden Death''
|1995
|R
|Disgraced firefighter now becomes a laughingstock fire marshal uncovers a terrorist plot, at a Hockey game, plans to redeem himself and protect his children and the Vice President from said terrorists. However, they're not Islamic, which may have been because the film was trying to be politically correct.
|$20,350,171
|-
|''Super''
|2010
|R
|Main character becomes a superhero after a vision from God. He also frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole movie. Although contains foul language, violence, and brief nudity scenes.
|$327,716
|-
|''S.W.A.T''
|2003
|PG-13
|Film adaptation of the conservative TV show from the 70's does still share the same pro-law enforcement messages, but has a female character named Chris (played by Michelle Rodriguez) who was never in the television show. Which some may point out was only put there to be more "progressive" and promote feminism.
|$116,934,650
|-
|''Team America: World Police''
|2004
|R
|While it is clearly pro-military, pro-America, and anti-Hollywood (notably, there was a scene where [[Michael Moore]] had a cameo as a suicide bomber, with his death being made especially graphic by stuffing his dummy with ham as revenge towards his "A Short History on America" segment from ''[[Bowling for Columbine]]'' that falsely attributed the creators of the film to the segment.), the movie is riddled with liberal values, including toilet humor and vulgar language throughout. Also, in the movie's foul-mouthed theme song, it favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans. Penned by the creators of ''[[South Park]]'' and ''The Book of Mormon'' musical.
|$32,786,074
|-
|''Terminator 2: Judgement Day''
|1991
|R
|The second film in the Terminator Franchise by Liberal director James Cameron. While it does have anti-war, anti-capitalist and pro-feminism themes, it is also pro-family. John Connor reconnects with his mother and the Terminator who serves as his protector becomes like a father to him, so much so that John cries when the Terminator chooses to sacrifice himself to ensure that Skynet would never be built.
|$523.7 million
|-
|''[[Titanic]]''
|1997
|PG-13
|Every life had value and the most powerful men gave up their seats on lifeboats to women and children first; the media and a young [[RINO]] are rightly criticized; broke the record in movie revenues. However, it also gave some hints at a pro-socialist view, and a key scene involving Rose being drawn in the nude is invocative of pornography.
|$600,779,824
|-
|''Top Gun''
|1986
|PG (Should be PG-13)
|Please add info.
|$356.8 million
|-
|''[[Trainspotting]]''
|1996
|R
|It's been debatable if the film is anti-drug.
|$16,491,080
|-
|''Transformers: Dark of the Moon''
|2011
|PG-13
|The film has an implicit denouncement of illegal immigration, due to the main villain, Sentinel Prime, tricking the protagonists into allowing for more Transformers to take over Earth as well as forcing them to recreate Cybertron. Also has a bit of a condemnation on feminism, as the current head of the Sector 6, a female, is depicted in a fairly negative light, and takes offense to being called a woman despite Sam Witwicky's girlfriend innocently pointing out that this is in fact her gender. On the other hand, it depicts Barack Obama and Republicans in a positive and negative light, respectively, and one of the main villains is a Capitalist.
|$1.124 billion
|-
|''[[The Twilight Saga]]''
|2008-2012
|PG-13
|Mocks [[public school culture]] and promotes [[abstinence]] until marriage, traditional courtship, and the [[pro-life]] movement, but it glorifies vampires and werewolves in a way that doesn't attack Christianity but is still incompatible with Christianity. The star, Kristen Stewart, is a liberal who has made remarks insulting the U.S. Military.
|$1,365,922,346
|-
|''U-571''
|2000
|PG-13
|Had a plot which was based on the first capture of a [[German]] [[Enigma machine]] in [[World War Two]]. Despite the film being patriotic to America, the facts are wrong as the Enigma machine was captured by the [[British]] in 1941 prior to the Americans entering the war.
|$77,122,415
|-
|''U.N. Me''
|2009
|
|Although it utilizes several of the same methods as [[Michael Moore]]'s schlockumentaries, it nonetheless does expose the very corrupt nature of the [[United Nations]].
|
|-
|''Van Helsing''
|2004
|PG-13
|Thanks to [[Hollywood values]], Van Helsing isn't portrayed as the Christian character he should be, but the film still gets its good vs. evil message across. As well as portraying the Catholic church in a positive light. The director Stephen Sommers has made conservative films ''The Mummy Returns'' and ''G.I. Joe: The Rise of Cobra'' though.
|$120,177,084<ref>http://www.boxofficemojo.com/movies/?id=vanhelsing.htm</ref>
|-
|''Wall-E''
|2008
|G
|The movie shows the dangers of big government (BNL), however it is also anti-capitalist and pro-environmentalism as BNL is a corporation.
|$223,808,164
|-
|''The Way We Were''
|1973
|PG
|Unique in the way that it appears liberal to liberals while unintentionally sending a [[conservative]] message to young women. Stars uber-liberal [[Barbra Streisand]].
|$49,919,870
|-
|''We're the Millers''
|2013
|R
|A drug dealer, stripper, runaway, and average loser pretend to be a family to sneak marijuana out of Mexico. However, they learn the value and importance of family. The villains of the movie are all drug gang men, the film also features a stripper scene, and whether or not the film is anti-drug in the end is debatable.
|$150,394,119
|-
|''Who Framed Roger Rabbit''
|1988
|PG (Should be PG-13)
|A loose live-action/animation adaptation on the book ''Who Censored Roger Rabbit?'' by Gary Wolf. On the one hand, the movie contains many innuendos and crude humor, the antagonist Judge Doom is a capitalist, and the relationship between a toon rabbit and a toon human may be seen as promoting bestiality. On the other hand, the movie depicts marital fidelity in a positive light, as initial signs of Jessica Rabbit's infidelity are in fact part of the antagonist's plot and in reality she actually cares very deeply about her husband (it should also be noted that in the book the film was based on, Jessica was extremely unfaithful to Roger Rabbit, and enjoyed being a porn star, even outright using Roger for stardom. Later additions to the story altered this characterization to be closer to the film and had the initial version be part of a nightmare Jessica had). The film also contains an anti-alcoholism message not present in the original novel in which Eddie Valiant becomes a heavy drinker after the death of his brother (in the original novel, Eddie was just a drinker and didn't have a brother) but eventually pours the alcohol out of the flask that he carries in his holster.
|$349,200,000
|-
|''Yours Mine and Ours''
|2005
|PG
|A remake to the 1968 film of the same name (itself derived from Helen Beardsley's then-in-development autobiography ''Who Gets the Drumstick?''), the film is about a widower father of a conservative family who marries a widowed mother of a liberal family. Their two difference lifestyles contradict with each other, and the film does not really pick a side of on whose lifestyle is better. However, it does have a scene where the liberal kids outsmart the conservative kids (By tricking them into thinking there is a fire and then getting to use the bathrooms to themselves). Also, has a scene where the kids work together and use conservative tactics to end bullying without the help of an authority figure. In the end, the kids learn to put their differences aside and realize that family is what matters more.
|$53,412,862
|}

== Debatable Whether Great ==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''10 to Midnight''
|1983
|R
|Charles Bronson plays Leo Kessler, a cop trying to catch a serial killer rapist, while the bureaucrats do everything to defend him. The film feels like a poor man's Dirty Harry and many critics pointed out that Charles Bronson seemed to be playing a clone of his former character Paul Kersey from the ''[[Death Wish]]'' franchise.
|$7,175,592
|-
|''A Good Day to Die Hard''
|2013
|R
|Although the previous ''Die Hard'' movies were largely politically neutral, this film portrays the CIA in a positive light, and both the main and surprise villains are unrepentant, anti-American former Soviet Communists who intended to access Cold War-era weapons grade uranium and sell them on the black market. Plus, the film is pro-family due to John McClain trying to reconnect with his son Jack. Despite this, it was largely a box office failure, and it has fairly weak story elements.
|$304.7 million
|-
|''Aladdin and the King of Thieves''
|1996
|G
|Was another entry into then-Disney CEO Michael Eisner's infamous Direct to Video sequel line, and as such also has evidence of it being poorly made. But on the other hand, it also has similar themes to ''Return of Jafar'' regarding forgiveness and redemption in regards to the titular character. It also is notable as having a pro-traditional marriage message due to Aladdin and Jasmine's wedding factoring into a large part of the plotline, with it also being implied that the kingdom of Agrabah may have held Coptic Christianity as its main religion, one of the few Disney productions during this time to feature such a message on marriage since ''The Little Mermaid'' back in 1989. In addition, it ultimately is pro-fatherhood in the form of Cassim, the titular king of thieves, who was Aladdin's father, and while the central antagonist, he is nonetheless depicted in a more sympathetic light as he became the King of Thieves simply so he could provide for his family, and ultimately was redeemed in the ending of the film.
|
|-
|''Armageddon''
|1998
|PG-13
|Though this film promotes patriotism and mocks environmentalism, the overall plot is fairly nonsensical and the action sequences bombastic. Bruce Willis even won the Razzie award for Worst Actor for making this movie, and this movie also received six other Razzie nominations, though it didn't win any.
|$201 million
|-
|''Auschwitz''
|2011
|R
|Isn't politically correct on the topic of gun control as Nazi officers are seen shooting Jewish citizens and forcing them into concentration camps. However, its low budget and poor production value really hurts the film.
|
|-
|''Battle Los Angeles''
|2011
|PG-13
|Pro-military, but alien invasion plot has gone stale in this day and age.
|$83,552,429
|-
|''Battleship''
|2012
|PG-13
|The U.S. military may be depicted positively, but the overused alien invasion plot and the fact that it's based on a board game really makes it hard to consider good.
|$65,422,625
|-
|''The Black Cauldron''
|1985
|PG
|The film has some subtle Christian messages, as the Horned King, the main antagonist who tries to gain the Black Cauldron to rule the world, is depicted in a very Satanic light, and the character Gurgi ultimately sacrifices himself in order to stop the Horned King, eventually being revived shortly thereafter. Also shows a promotion of the concept of being humble, as Taran still considers himself a pig herder even with his role in saving the world. However, the film was a massive box office bomb, with a large part of the reason for it being underperforming being due to both the dark elements of the film, especially for a Disney-made film, and due to a huge amount of footage (at least ten minutes worth) being cut from the film by then-Chairman of Disney Animation [[Jeffrey Katzenberg]].
|$21.3 million
|-
|''Blood Freak''
|1972
|NC-17
|This cult horror film stars a Vietnam veteran named Herschell who is tempted by a young Christian girl's marijuana-addicted sister to smoke a joint himself, then hallucinates himself going on a killing spree. Once free from his hallucinations, Herschell is rehabilitated and finds God. Overall, the film stands up for Christianity and against drugs but focuses more on the spectacle of violence than creating well-rounded characters and a coherent storyline.
|$25,000
|-
|''The Brave One''
|2007
|R
|Although it stands up for the freedoms guaranteed by the [[Second Amendment]], its plot is almost identical to ''[[Death Wish]]''.
|$36,793,804
|-
|''Camelot''
|1967
|G
|The famous jousting scene is a powerful display of Christianity, chivalry, and other virtues, but the movie seems lost afterward.
|$31,102,578
|-
|''Carnosaur''
|1993
|R
|The villain is an environmentalist who believes that the earth was made for the dinosaurs, so he tries to wipe out the human race and allow dinosaurs to reclaim the Earth as their own. However, the film is considered a copy of ''[[Jurassic Park]]''.
|$1,753,979
|-
|''Captain America''
|1990
|PG-13
|As implied by the title, the Marvel Comics adapdation gets its [[Patriotism|patriotic]] message across. However, due to a low budget, poor production values, and disjointed editing, the film becomes tedious and sometimes laughable. It would be twenty-one years before another adaptation of the conservative superhero's adventures would be made.
|$10,173
|-
|''Collateral Damage''
|2002
|R
|[[Arnold Schwarzenegger]] stars in this pro-War on Terror (released shortly after 9/11 no less) film were he avenges his family after a terrorist attack. However, the story feels formulaic. Even though the film was made and completed before the September 11 attacks, it was set for an October 2001 release and then pushed back four months.
|$40,077,257
|-
|''Commando''
|1985
|R
|Former Republican California governor [[Arnold Schwarzenegger]] stars as former Delta Force leader John Matrix as he rescues his daughter from Communist insurgents (and the freelance soldier working for them, a former colleague of Matrix's who was fired from Delta Force for brutality) who plan to bring Communism back to their now liberated country. Despite this celebration of family, the action is goofy and cheesy, making it an unintentional comedy.
|$35,100,000
|-
|''Ernest Goes to Camp''
|1987
|PG
|Ernest P. Worrell (played by the late Republican actor Jim Varney) is a camp counselor put in charge of a group of Juvenile convicts from a corrective institute. Ernest manages to change the boys' ways by showing unconditional love, despite their reputations. In this, the film shows the conservative values of loving your enemy, with Ernest being the only one in camp who is nice to the boys. However, like most movies in the Ernest series, the humor is very campy and juvenile, and its clearly a kids movie.
|$23,500,000
|-
|''The Fallen Ones''
|2005
|NR (TV movie)
|The film portrays demons in a very negative light and teaches Judeo-Christian principles, but the production was so low-quality that it comes across at times as being very cheesy.
|N/A (TV movie)
|-
|''G.I. Joe: The Rise of Cobra''
|2009
|PG-13
|This live-action adaptation of the conservative cartoon from the 1980s is nevertheless a disappointment largely due to the acting, directing, screenplay, nonsensical action, and mediocre visual effects. The film followed by an equally forgettable sequel in 2013. This led to the franchise being rebooted in 2020.
|$150,201,498
|-
|''Godzilla''
|2014
|PG-13
|The film does warn against the consequences of playing God because it's about a scientist who accidentally creates a destructive reptilian monstrosity, but it is poorly made regardless. The idea of seeing the destitution from a soldier's point of view works on paper, but the characters are too underdeveloped, Godzilla is barely on camera, and the scenes of destruction (what first made the ''Godzilla'' films famous) are practically missing.
|$200,676,069
|-
|''Hercules''
|1997
|G
|Loosely based on the Greco-Roman myth of the demigod strongman Hercules, this Disney animation has some Christian messages like honoring one's father and the triumph of good over evil. In addition, contrary to how he is depicted in regular mythology, Zeus's characterization in the film was closer to that of the Biblical God. Unlike the original myth, in which Hercules was born as a result of Zeus's infamous womanizing actions with mortal women and Hera hated him due to this, Hercules in this film is the actual offspring between Zeus and Hera, putting family values first. Plus, he is raised a mortal this time because the main villain, Hades, has his minions abduct the then-infant Hercules and feed him a potion that drains him of virtually all of his godly potential in order to assassinate him and prevent him from striking down Hades in the future. Another reason why family is a major theme is that Hercules' disappearance greatly devastates both Zeus and Hera, and Zeus, upon learning that Hercules was alive, is greatly overjoyed to learn of his son's survival and admits he is his father. Lastly, the main villain, Hades, while humorous, is nonetheless depicted in a satanic light, and was reported to be based on former Disney animation chairman and staunch liberal [[Jeffrey Katzenberg]].<ref>http://community.seattletimes.nwsource.com/archive/?date=19970622&slug=2545749</ref> However, it underperformed in theaters and with critics.
|$252.7 million
|-
|''Home Alone 2: Lost in New York''
|1992
|PG
|In the sequel to the first ''Home Alone'', Kevin McCallister is once again accidentally separated from his family while being laid over in New York City and must be self-reliant to survive. He takes advantage of an opportunity to save a children's charity from being robbed by the Wet Bandits from the previous film, using man-made traps against them once more with some modifications. [[Donald Trump]] makes a brief, positive cameo, too, to help Kevin navigate his way through the Plaza Hotel. Family values return as Kevin once again wishes his family away but then misses them. Kate's maternal instinct returns as well because she is determined to find Kevin, even when others tell her there is no hope. Kate once again finds help from a charitable, sympathetic person (in this case, an NYPD officer), who helps her by bringing her to Rockefeller Center, where she finds Kevin. However, it was not as well-received as the first film: most of the criticism was directed towards the fact that it recycles most of the story elements of the previous film.
|$359 million
|-
|''Home Alone'' 3, 4, and 5
|1997, 2002, 2012
|PG
|Installments 3 and 5 in these sequels to the Christmas classic ''Home Alone'' do not involve the original cast, while the fourth only features part of the original cast. They each have a similar story and themes to the original, with the third featuring Communist North Korea and terrorism in a negative light since the antagonists are internationally wanted hitmen tied to North Korea. However, they were nowhere near as popular as the first two because they are considered lesser versions of the originals.
|$30,882,515, N/A straight to DVD, Made for TV Film
|-
|''How the Grinch Stole Christmas''
|2000
|PG
|A live-action remake of the animated TV adaptation of the [[Dr. Seuss]] book of the same name. Overall, the film promoted many of the same themes as in the special and book, and also expanded on the implied redemptive themes of the special by revealing that the Grinch's hatred of Christmas dealt with being bullied, and ultimately overcoming that past and learning to enjoy Christmas. That all being said, however, the film suffered from production problems where studio heads forced in some raunchy, age-inappropriate jokes into the storyline, in spite of both director Ron Howard and Jim Carrey's insistence that they keep the film family friendly (and in the case of the latter, was careful to keep any ad-libbed humor family friendly) that ultimately harmed the quality of the film. This, alongside the Worst Liberal Movie Live Action Adaptation of another [[Dr. Seuss]] story, ''The Cat in the Hat'', doubling down on many of the aforementioned raunchy elements and pushing more left-wing material, eventually resulted in the Seuss estate placing a ban on Live Action adaptations of various ''Dr. Seuss'' stories.
|-
|''It Takes Two''
|1995
|PG
|Twins Mary Kate and Ashley Olsen star as two unrelated but identical-looking girls who try to get one's father and the other's social worker to fall in love. Though ''It Takes Two'' teaches how important it is for a family to have a mother and a father, it has been criticized for having too similar a story to ''The Parent Trap''.
|$19,474,589
|-
|''Jack and Jill''
|2011
|PG
|Adam Sandler stars as both Jack and his "identical twin sister" Jill in this family comedy that features pro-capitalism and pro-family values. That aside, ''Jack and Jill'' is an aggressively poorly acted (apart from a strangely committed performance from Al Pacino), poorly written, poorly directed film with an appalling premise (the idea of a man having an "identical twin sister" is nightmarish at best) that received overwhelmingly negative reception from critics and audiences alike, who often called it the worst film of 2011. At the 32nd Golden Raspberry Award ceremony in 2012, ''Jack and Jill'' "won" in all twelve categories, even beating the liberal propaganda piece ''Battlefield Earth''.
|$149,673,788
|-
|''Kidnap''
|2017
|R
|Mother Karla Dyson stops at nothing to save her kidnapped child. The plot, while supportive of family and traditional motherhood roles, has been already seen in other conservative films such as ''Prisoners'', Ransom'', and ''Taken''.
|
|-
|''The Land Before Time'' sequels
|1994-2016
|G
|The films deal with various conservative themes such as reconciliation, anti-racism, family values, friendships being important, and the like. That being said, however, the films' actual quality and their being direct to video sequels tend to leave much to be desired regarding the plotlines.
|N/A (Direct to Video)
|-
|''Lady and the Tramp 2''
|2001
|G
|Lady and Tramp’s son, runs away to join the Junkyard dogs (a clear allegory for criminals), where he Angel, who encourages him to return home after realizing he has a family. Also the film takes place within the Independence Day holiday, making it what might be the only Disney film to acknowledge and celebrate this patriotic holiday. However this film like most Disney sequels went straight to video.
|N/A (Direct to Video film)
|-
|''Legend of the Guardians: The Owls of ''Ga'Hoole''
|2010
|PG
|In a world where owls live in different kingdoms, young barn owl Soren grows up being inspired by the Guardians of Ga'Hoole, knightly owls who perform noble deeds. One night, he and his brother Kludd are snatched away from home while practicing flying, and they're taken to a facility that makes owlets build a contraption for world domination for the Pure Ones (which are barn owl supremacists). Escaping with an intelligent elf owl named Gylfie, Soren goes on his way to find the Great Ga'Hoole tree (meeting friends like eccentric burrowing owl Digger and boisterous great gray owl Twilight) and warn its guardians of the danger awaiting their kingdom. Like the ''Guardians of Ga'Hoole'' books the movie is based on, the movie shows friendship and a story of [[good and evil]] in a positive light, where the Guardians fight for the security and freedom of their home and the other owl kingdoms against the tyranny of the Pure Ones. It also condemns abandoning family, for Kludd is easily won over to the Pure Ones side due to falling for the High Tyto Metal Beak's queen, Nyra, abandoning Soren to be forced to work alongside the other brainwashed owlets. Another case is Kludd going so far as to kidnap his baby sister and brainwash her for Metal Beak's cause. However, the movie suffers from rather weak storytelling and did not perform well in theaters.
|$140.10 million
|-
|''Leonard Part 6''
|1987
|PG
|The villain is a militant vegan who plans to destroy the human race, but there are a number of confusing or outright silly plot points such as Bill Cosby's character Leonard Parker being tortured by lobsters, a henchman having his head blow up after eating a hot dog, and Cosby riding an ostrich like a horse, just to name a few. Even though he produced and wrote it, Bill Cosby has disowned the film and even begged people not to see it.
|$4,615,255
|-
|''The Lion King''
|2019
|PG
|This photorealistic CGI remake of the 1994 film ''The Lion King'' contains the same messages as the original film, from faith and heroism to honoring one's father. Totalitarian rule is shown as negative in the form of Scar, who makes an alliance with the hyenas to take over the Pride Lands and overhunts alongside them (which is also a condemnation of poaching); this sets him up as an opposite to Mufasa when the latter earlier says, "While others search for what they can take, a true king searches for what he can give." Similarly, the movie expands upon the overhunting element from the original movie by revealing it had been done deliberately on Scar's orders, both to cull the numbers to ensure he remained on top as well as out of spite for Sarabi refusing him, showcasing even more blatantly the negatives of megalomania and such being etched into totalitarian ideologies such as Communism. Hakuna Matata is also a lot more nihilistic in this remake, Timon and Pumbaa explaining how life is a "meaningless line of indifference", until Simba finally manages to shake it off and take responsibility. That being said, the movie suffers from flaws like faces not being expressive enough to several important parts of the original being removed.
|$1,651,825,190
|-
|''The Lion King II: Simba's Pride''
|1998
|G
|In the sequel to the great conservative animation ''The Lion King'', protagonist Simba and his wife Nala are now raising a daughter of their own, Kiara, but Simba has exiled those lions in his pride who were loyal to his late evil uncle Scar, dubbing them "Outlanders". Tensions rise when Kiara falls in love with an Outlander. Although made during the infamous Michael Eisner era and was part of that era's direct to video sequel line, it also features the same pro-family and Christian messaging as in the original movie. Also features a condemnation against parental neglect/abuse and infanticide, as the main antagonist Zira frequently neglects one of the other antagonists, her eldest son Nuka (who is implied to be the actual male offspring for Scar unlike Kovu), and ultimately gets killed trying to win over her favor; and late in the film, when Vitani takes Kiara's words to heart and joins with the pride landers, Zira proceeds to threaten to kill her daughter in turn, which results in the remainder of the Outlanders proceeding to defect to the Pride Lands out of disgust towards the threat to her own daughter.
|N/A (Direct to Video film)
|-
|''The Little Mermaid: Ariel's Beginning''
|2008
|G
|The last of the Direct to Video sequels before an embargo was placed upon them largely due to the negative reception to the sequels. The overall plot, acting as a prequel to the original film, deals with letting go of the past and moving forward, and also honoring your parents, as Ariel's reason for bringing back music to Atlantica was because she realized her deceased mother, Queen Athena, would never have wanted music to be banned. Also has some condemnation towards totalitarianism as King Triton, due to his grief of his wife's untimely death, proceeded to enforce big government style control over the kingdom, which was not depicted in a positive light at all. That said, however, the film also conflicted with several plot details regarding the later film (namely, Ariel desiring to become human and frequently disobeying her father to pursue that dream being left out entirely, and Ariel's sisters' birth order being swapped around from what was implied in the Daughters of King Triton musical number), and overall downplays the anti-misanthropy messages the original film had.
|N/A (Direct to Video film)
|-
|''The Little Mermaid II: Return to the Sea''
|2000
|G
|Although it to some extent retreads the plotline of the conservative film ''The Little Mermaid'' and was part of the infamous direct-to-video sequel line of the [[Michael Eisner]] era, it has a similar pro-family message and depicts the villain in a truly horrific light (such as trying to murder the main protagonist, a child, twice, once while she was a baby which acted as the primary reason why her parents, Ariel and Eric from the first film, went to great lengths to prevent her from learning about her heritage or even allowing her into the sea, and the other time when she was 12). It condemns parental neglect, too, because the main villain in question, Morgana, is largely motivated by being neglected by her mother over her elder sister, the previous main villain Ursula, which was most showcased in the special edition re-release via the added in song "Gonna Get My Wish."
|N/A (Direct to Video film)
|-
|''The Lord of the Rings''
|1978
|PG
|This early attempt to bring J. R. R. Tolkien conservative text to the silver screen still stands up for friendship, bravery, honor, sacrifice etc., but the animation (and pretty much everything else) has aged very poorly. Was remade into a live action trilogy in 2001-2003.
|$30,471,420
|-
|''Max Keeble's Big Move''
|2001
|PG
|Similar to ''Ferris Bueller's Day Off'', the film showcases the public school system in a more negative light, due to one of the teachers letting one of the bullies, Dobbs, get away with stealing lunch money and later the same teacher punishing Max Keeble with a significantly and unreasonably large essay about rules for being tardied despite it being obvious that the only reason he was late was because one of the bullies, Troy McGinty, forced him into a swirly (due to his being dripping wet when he entered), as well as the principal of the school, Elliot Jindrake, who also acts as one of the main antagonists, explicitly hating children and only putting up with the school so he could get promoted to superintendent, as well as explicitly embezzling the school's budget, and also proceeding to punish Max for turning up late for an auditorium event even when, similar to the swirly incident mentioned above, it was very obvious that he only ended up late because McGinty proceeded to, in a similar manner to a cooking show, humiliate him by throwing him into a mud pool, putting saw dust on him, and then forcing him into a dumpster (due to his being littered with trash when he walked in). It also has a bit of an anti-socialist message due to the Evil Ice Cream Man being implied at one point to be a socialist (due to his insulting fellow antagonist Dobbs as a "capitalist tool.") and, as indicated by his nom de guerre, was not depicted in a positive light. Also has an allegory for the liberal elements of modern-day journalism as well, due to two of the characters who worked for the school yearbook proceeding to make events out to be even worse than they actually are (such as titling the first day as "Sheep Arrive for Slaughter"), not to mention usually uses the opportunity to actually photograph events of bullying rather than actually making any attempt to prevent it. Despite that, however, it largely was criticized for being bland and unoriginal, at least among adults, including some critics citing it as being too similar to ''Ferris Bueller's Day Off''.
|$18.6 million
|-
|''The Mummy: Tomb of the Dragon Emperor''
|2008
|PG-13
|Still has the same pro-family message, along with a [[Mao Zedong|Mao]]-like rogue army as the side villains. That being said, however, it was a box office bomb that caused the movie franchise to be cancelled despite leaving a hint at a sequel at the end, and there was also evidence of it being poorly made.
|$102,491,776
|-
|''[[The Patriot]]''
|2000
|R
|Mel Gibson plays Benjamin Martin; a patriot and a father that fights for American freedom during the [[American Revolution]]. Although it promotes America in a positive light and promotes patriotism, the film alongside several other films released around the same time (such as ''Hollow Man'', ''The Animal'', ''A Knight's Tale'', and ''Vertical Limit''), was also involved in a scandal by Sony Pictures where fake reviews by a fictitious reviewer named David Manning were made as a form of movie marketing, as well as being involved in a scandal about how various trailers had Sony using employees posing as moviegoers to go see the film and give excellent reviews.<ref>https://web.archive.org/web/20010609225327/http://www.msnbc.com/news/581770.asp?cp1=1</ref><ref>https://www.thoughtco.com/sony-fake-film-critic-story-4062655</ref><ref>https://www.telegraph.co.uk/news/worldnews/northamerica/usa/1495591/Sony-ordered-to-pay-1.5m-for-film-goer-hoax.html</ref>
|$215,294,342
|-
|''Pearl Harbor''
|2001
|PG-13
|This military action film gets its [[Patriotism|patriotic]] message across, but the directing, screenplay, acting, romance among the three leads, and the overall historically inaccurate portrayal one of the most horrific, tragic moments in world history for the sake of copying James Cameron's 1997 film ''Titanic'' are questionable. Then again, director Michael Bay does have a history of favoring spectacle over substance most of the time.
|$198,542,554
|-
|''Pokémon Heroes: Latios & Latias''
|2002 (Japan) 2003 (USA)
|G
|Like with ''4Ever'', it has some implicit pro-Christian messages, as after the villains proceeded to hijack an ancient doomsday weapon, Latios proceeded to sacrifice himself to save Alto Mare from destruction. However, it got very low box office records due to a limited release in America which ultimately led to most other Pokémon films after it to be released as direct to video features (with only the dual-feature fourteenth movie, ''White—Victini and Zekrom'' and ''Black—Victini and Reshiram'', the 20th movie, ''Pokémon The Movie: I Choose You'', and the 21st movie, ''The Power of Us'', ever seeing releases in theaters outside Japan since then, and even then only as limited theatrical releases), and its Japanese premiere was, until the Japanese release of the movie ''Hoopa and the Clash of Ages'', the worst performing Pokémon film ever.
|$20.9 million
|-
|''The Return of Jafar''
|1994 (VHS) 2006 (DVD)
|G
|It is the first of the infamous Direct to Video sequel era within Eisner's Disney, and has elements of very poor production values. On the other hand, the film has redemption and forgiveness as major themes of the story due to Iago, Jafar's henchman from the original film, ultimately embracing a change of heart and, after initially saving Aladdin simply so he could get into the palace, eventually proceeding to save Aladdin from Jafar twice with no expectation of a reward, and redeeming himself for betraying Aladdin out of cowardice. It also depicts people who steal from others for their own selfishness in a very negative light in the form of the co-villain Abis Mal.
|
|-
|''The Return of the King''
|1980
|UR
|This early attempt to bring the third book of the conservative book saga ''The Lord of the Rings'' was plagued by low budget animation due to being a made-for-TV film.
|
|-
|''Rise of the Guardians''
|2012
|PG
|Four immortal guardians appear as Christ-like creatures, who jobs are to protect those children who believe in them. Two of the guardians are Santa Claus and the Easter Bunny, based on Christian allegories. Also, contains a guardian leader known as "Man on Moon" a clear allegory for [[God]]. Despite this, however, the film was largely a box office failure despite making double of its $145 million budget due to its high production and marketing costs, being the first DreamWorks animated movie to lose money on a film since ''Sinbad: Legend of the Seven Seas''.<ref>https://www.theguardian.com/film/2013/feb/27/dreamworks-animation-job-cuts-guardians</ref> which ultimately served as one of the reasons why DreamWorks ended up laying off 350 employees.<ref>http://www.thewrap.com/movies/article/dreamworks-animation-lay-350-employees-79381</ref>
|$103,412,758<ref>http://www.boxofficemojo.com/movies/?id=guardians.htm</ref>
|-
|''[[The Room]]''
|2003
|R
|This independent drama takes place in one room and explores the love triangle among an amiable banker, his deceptive fiancée, and his conflicted best friend. It teaches against alcoholism and adultery, showing the destructive nature of liberal values. However, ''The Room'' has been critically panned for its acting, screenplay, dialogue, production values, score, direction, cinematography, and handful of unrelated and unresolved subplots. Regardless of its low domestic gross from its initial theatrical run, it has done much better in recent re-screenings, becoming a cult classic of sorts.
|$1800
|-
|''Shrek the Third''
|2007
|PG
|The movie has a condemnation against totalitarian dictatorships and Hollywood values in the form of Prince Charming, who after recruiting various villains into aiding him in taking over Far Far Away, he had the kingdom become dystopic and forced the kingdom to watch a "play" he made as a subtle method of executing Shrek. In addition, it's also pro-family, as Shrek sought out Arthur, Fiona's cousin, to take the throne after her father died of an ailment and gives some heart-felt advice regarding taking up the responsibility, and Shrek ultimately resolves to be a father to his to-be-born kids after learning that Fiona was pregnant despite having misgivings regarding being a father due to his own experiences with his father (who nearly attempted to eat him). It also has condemnation of notions of revenge and has a redemption theme, as many of the villains ultimately gave up on being villains after Arthur convinced them not to be consumed by desires for revenge and seek their original goals. Despite this, however, the film had some very questionable production methods, and the plotline was fairly weak.
|$799 million
|-
|''The Santa Clause 2''
|2002
|G
|Promotes many of the same values as in ''The Santa Clause'', namely pro-Christmas and pro-family, and also has a redemption and forgiveness theme as well. However, the plot is left somewhat weak.
|
|-
|''The Santa Clause 3''
|2006
|G
|Like in the first two films, it promotes Christmas as well as family, and also has an anti-Envy message. However, the film returned poor sales, the overall plotline was very weak, and it was also criticized as only being made to make a quick buck.
|
|-
|''Space Jam''
|1996
|PG
|Basketball star Michael Jordan uses the help of the Looney Tunes to beat back alien invaders from outer space who wish to take away their freedoms. Though the film hints at an anti-illegal immigration message, it suffers from messy animation and a lack of depth, and it is often cited as feeling more like a commercial than a film.
|$90,443,603
|-
|''Stealth''
|2005
|PG-13
|The film is pro-military and pro-American, with the North Koreans being portrayed in a negative manner. Also shows government corruption in a negative light in the form of a Washington lobbyist and the treacherous CO of the protagonists. Also has hints at a pro-War on Terror message as well. That being said, however, the movie was a critical and financial bomb, reputed to be among the worst box office losses at the time.
|$76 million
|-
|''Superman Returns''
|2006
|PG-13
|America icon Superman is seen as an angel-like figure, who helps those in need. Also condemns to some extent the liberal values within the news media, as Lois Lane's Pulitzer prize was earned due to her making a scathing article on Superman and implying the world doesn't need him, and it's revealed she made the article due to being upset at Superman leaving her behind before the events of the film. It is also pro-family, as the arc words throughout the film with Jor-El telling baby Kal-El via flashback that, even though he himself will die from the destruction of Krypton, he will not leave Superman's side, and that they'll grow stronger as one, with Superman giving a similar speech to his and Lois's son in the ending, and in addition, Lois Lane's husband, Richard White, was shown to be very protective of his family, even going as far as to take a chopper to save them while Superman was incapacitated. However, the movie also had some controversy over the director Bryan Singer's homosexuality, and while it did initially receive positive reviews, it ultimately became negative overtime, and resulted in there not being another Superman film until 2013 with ''Man of Steel'', which was treated as a reboot.
|$200,081,192
|-
|''Super Mario Bros.''
|May 28, 1993
|PG
|Loosely based on the classic video game series from Nintendo, two fraternal plumbers from Brooklyn, New York must rescue the younger's girlfriend from a parallel dimension ruled by humans descended directly from dinosaurs. The film may support the Second Amendment when an old lady, before mugging the brothers, explicitly states they need to have a weapon to survive on the streets of Dinohattan (a parody of Manhattan depicted as a lawless hellhole). Furthermore, the movie seems to condemn Communistic/fascistic big government in the form of King Koopa (a human-looking dictator loosely based on Bowser, the turtle-dragon hybrid who serves as the main villain of most Super Mario games). The aforementioned lawlessness of Dinohattan is heavily implied to be caused by King Koopa's using liberal values and big government (à la Scar from ''The Lion King'') to grossly mismanage the location to such an extent that he and his minions ran out of resources after taking over Dinohattan via a coup and "reformed" it into a people's republic with false elections. To some extent, the movie condemns evolution and social Darwinism: although the backstory does involve dinosaurs evolving into humanoid creatures since they were sent to a separate dimension from that of humans, only the villains focus on this aspect and thus want to eliminate true humans.

All that aside, the film was largely panned and recouped less than half its budget at the box office, and it is considered one of the more infamous examples of the inherent difficulties of adapting a video game into a film. Effectively, ''Super Mario Bros.'' scared Nintendo into never allowing the West to make another film based on any one of its game franchises or letting Disney have any direct role in any of its franchises besides distributing games based on them, instead granting Universal Studios the rights to build a Nintendo theme park at Universal Studios Orlando; and it ruined the directorial careers of Rocky Morton and Annabel Jankel. Making the film took its toll on the actors, too, particularly Bob Hoskins (Mario), who stated in an interview years later that it was "…the worst thing I ever did", noting that he was stabbed four times, electrocuted, injured in one finger, and almost drowned during production. Likewise, in an autobiography, John Leguizamo (who played Luigi, Mario's younger brother) dedicates an entire chapter to the horrors of working on ''Super Mario Bros.'' and comments that he and Hoskins drank heavily during breaks to deal with the traumatic experience. Among the handful of editing errors is a specific shot that shows one of Koopa's guards slipping on slime that wasn't even present originally when the Mario Bros. revolted. This was the result of a deleted scene where Koopa, both due to his germophobic nature and as a further demonstration of the de-evolution chamber's properties, executes a technician by de-evolving him into primordial ooze for sneezing in his presence, explaining where the slime came from.
|$20.9 million
|-
|''Toy Soldiers''
|1991
|R
|Trouble making boys at a boarding school must wise up and fight as their school is taken over by terrorists. However, the script is weak and borrows elements of ''Die Hard'' and ''Red Dawn''.
|$15,073,942
|-
|''Under Siege 2: Dark Territory''
|1995
|R
|Casey Ryback, while on a train with his niece, Sarah, gets caught in the middle of another hijacking as the train is taken over by ex-military American mercenaries led by Marcus Penn. Their employer, Travis Dane, is a former weapons designer who uses the train as a mobile base to hack into his creation, the WMD satellite Grazer One, and use it to destroy Washington DC. Dane and Penn are revealed to have an extensive network of contacts with America's worst enemies, who pay them lots of money for their terrorist activities and Dane is especially amoral and depraved. He is willing to destroy a chemical weapons plant in Guanzhou, China, killing thousands, just to demonstrate the power of his weapon. He then uses it to destroy an entire passenger airplane just to kill a customer's ex-wife for extra money.

The film overall depicts Ryback's heroism in a positive light and the villains' treachery and depravity in a negative light like the first movie. It also has a pro-family theme demonstrated by Casey's relationship with Sarah as well as Casey's regret for not making amends with his brother before his brother's death. However, it's very derivative of the first film, and also has an anti-WMD message with Grazer One and Tom Breaker's line "Sane people do not build weapons like this."
|$104,324,083
|-
|''The Wild''
|2006
|G
|The main moral is that character and strength comes from within, and that it does not matter where one comes from, to achieve this. This is also a pro-family film about a father of the lion who along with his animal friends goes to search for his son after he is accidentally taken away. The villains of the movie are wildebeests that are trying to change the food chain, by planning to eat the lions, and one could argue this could give the film anti-environmentalist message. However the movie did receive poor reviews, and the movie’s main plot about Central Park Zoo animals that go on adventures was unfavorably compared to the more successful and politically neutral animation film ''Madagascar'' which had been released the year before.
|$37,384,046
|-
|}

== References ==
<references/>

== See also ==
*[[Essay:Worst Liberal Movies]]
*[[Essay:20 Greatest Conservative Movies of the Last 20 Years]]
*[[Essay:Greatest Conservative Songs]]
*[[Essay:Greatest Conservative TV Shows]]

{{Conservatism}}

[[Category:Essays about Conservatism]]
[[Category:Hollywood]]
[[Category:Greatest Conservative Movies]]
[[Category:Movies]]
{{DEFAULTSORT:Greatest Conservative Movies}}

Talk:Essay:Greatest Conservative Movies

2020-01-04T17:01:39Z

SaltLakeCityLover: Added a note

[[Talk:Essay:Greatest Conservative Movies/archive1|Archive 1]]
 [[Talk:Essay:Greatest Conservative Movies/archive2|Archive 2]]

== Public Discussion Here ==

(post comments here by clicking "Edit this page")

Okay who keeps mispelling "Mr. Skeffington"? THERE IS A G IN THE NAME see www.imdb.com/title/tt0037094/

The Conservapedia entry for "Gen. George S. Patton" has a great section on the classic 1969 film, "Patton;" why is it not on the list?? A few years back "National Review" listed 100 great conservative films ("A Man for All Seasons" led NR editors' list). Immediately readers (including me) sent in their own nominations and "Patton" came in #1!!!!

CW Miller PhD

:It should be. Would you like to add it? Note, however, that the film was not as conservative as the person it featured!--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)

I think 'Tears of the Sun' should've definitely been on the list. Its extremely pro-military.

:Perhaps, would you like to add it with an explanation of why?--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)

What is the conservative message taught by "The Way We Were"? Just curious.

:Pretty obvious, isn't it? The [[liberal]] rants predictably got too tiresome for the man to put up with, and he inevitably broke off the relationship with the woman in order to find a replacement.--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)
::And in the process of breaking off the relationship, he broke his marriage vows and committed adultery. --[[User:SharonW|SharonW]] 23:44, 30 August 2011 (EDT)

I think The Graduate (1967) needs to be on this list. This is a film about a boy growing up, by facing harsh reality, owning up to his mistakes, and making a decision about his life, thus becoming a man. It's also about how we can overcome sin and corruption by taking control of our lives. --[[User:Wayfinder|Wayfinder]] 14:47, 3 November 2011 (EDT)

:I'm not too sure about that one. A common interpretation of the ending is that Benjamin has actions in the climax were purely spur-of-the-moment, at that he's just figuring out in doing so he's failed to accomplish anything meaningful and is left with a wholly uncertain future. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

Another film is the 1948 Alfred Hitchcock film Rope, starring James Stewart, John Dall, and Stewart Granger. Based loosely on the Leopold-Loeb killing, Rope is about two Harvard scholars who decide to kill an acquaintance of their simply for the sake of killing, because they believe they are superior to others, all taught from one of their headmasters (James Stewart). This film goes into one of the reasons why we have laws, why we cherish human life, and slightly goes into the immorality taught by ivory tower intellectuals that seems so prevalent today.--[[User:Wayfinder|Wayfinder]] 22:00, 3 November 2011 (EDT)

Hud (1963), starring Paul Newman, Melvyn Douglas, and Patricia Neal, needs to be in this roster too. At the heart of Conservative Philosophy lies the strength of a man's character and how that character influences others. Hud, played by Newman, is a man who's completely selfish in a way that liberals are. He doesn't care about anyone but himself, and his own ego, and he gives no restraint to his appetites. He doesn't give a damn about anything, because to him the world is full of excrement. And that sooner or later, you're going to have to swim in that muck like everybody else. A great line is said that "The look of the country changes by the people we admire." As you watch this film, things get progressively worse for the ranch that Hud lives on, part and parcel because of his own crass behavior. Hud's willingness both to pass bad beef off onto his neighbors and take the ranch out from his old father indicates the sourness of his character. A brilliant film about human character.--[[User:Wayfinder|Wayfinder]] 22:28, 3 November 2011 (EDT)

== Man of Steel ==
Could it not be argued that the movie is promoting idolatry by having the people of Earth view Superman, a non-human, as a "Christ-like redeemer?"

Not likely. Superman never sought the worship of people. Neither did Zod for that matter. Interestingly, in this movie, Zod is an anti-hero. He may have intended well, as his patriotism is to be admired, and I really don't blame him for killing some corrupt self-absorbed Kryptonian government officials that had doomed the planet due to their own self-interest, but, tragically, in the planned economy, he was predesigned to be a warrior to continue the corrupt planned economy of Krypton. True, there is free will in the predesigned society (Jor El and his wife did break the law by having Kal naturally and Jor El broke the law by taking Kal from the Genesis chamber and sending him to earth. It was that Jor El believed that the whole society was too corrupted to be continued along the Krypton way and thus that Zod's idea of only keeping the good bloodlines, as he put it, wouldn't solve the problem. What made Zod a villain wasn't his efforts to save Krypton, but his efforts to kill everyone on earth when he could have just assimilated like Kal. (So the movie isn't pro-open borders either (though I heard a super man comic was lately!!!) as Kal adjusts but the alien Zod comes in and tries to transform the planet to his liking just like the illegals and Muslims are trying to transform the USA.) Also, Kal El/Clark Kent just wanted to be left alone (even ticking off the military when they tried to track him and he destroyed some pricey equipment to get them off his back). [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 01:53, 13 October 2017 (EDT)

== Bio-Dome ==
Granted this film is a blunt crude stoner comedy. However upon analysis, years later the film reigns true the themes of inconsistancy of modern environmentalism.
Namely despite the stupidity and antics..... the films message is that the environment is salvageable with a lot of hard work.
The film ridicules contemporary education especially college, modern environmentalism (and what weve seen 20 years later) and social trending.
Despite being college students, the two girlfriends are for lack of better word poorly educated on environment around them. They question the tactics of "raising awarness" of those who think sit ins and hackey sack are suitable ways for environmental stewardship yet contribute no actual work. Their concerns are only satiated by activism; not labor. Environmentalism is a very labor intensive practice. Meanwhile the two slackers inherit a mess (admittedly one of their doing) and when their backs are against the wall; work very hard to fix it all whilst gaining social outlook, popularity and press attention. The film brings to light public/celebrity endorsement of environmental awareness, where it's popular and trendy. The dissertation from the Pope and various media outlets when Bud/Doyle are known for locking themselves inside.
The film attacks the insanity of utopian dreamers (Faulkner and the other scientists) who have grand visions for the environment and world around them only to break down and quit at the sight of reality. Doyle (stephen baldwin) passionate plea.
"Now, you guys have spent your whole lives trying to make the world a better place, right? Well, here's your chance. Only its not perfect. Its like it is out there." With passion and now incentive, they fix the calamity with a lot of hard work, ingenuity. Incentive and hard work are more important than facts and data crunching; they turn their focus on cleaning a degraded environment around them unlike the scientists that began having shuttered themselves in a pristine one.

== Leaving Las Vegas ==
While clearly not originally intended to portray a conservative message, I feel that one strongly comes across in the film. Semi-autobiographical story of an alcoholic writer who loses everything because of his drinking and continues to spiral until it eventually costs him his life. opinions? [[User:Fnarrow|Fnarrow]] 11:07, 6 April 2013 (EDT)

:Not quite sure as to how this portrays a 'conservative message' of any kind. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

== The Blind Side ==
It's a story about the shortcomings of public education and how the power of private Christian charity helped a young homeless man overcome his disadvantages and play in the NFL.[[User:AdamDiscordia|AdamDiscordia]] 19:03, 14 May 2011 (EDT)

== Brokeback Mountain ==

I was thinking about this topic earlier and had an interesting thought about a seemingly non-conservative movie that, in a way, is actually quite so. I'm going to throw this out there for some (hopefully productive and civil) debate and see what people think.

The movie is Brokeback Mountain. Now hold on to your outrage, people. I have justifications for my point. Please hear me out. (Oh, and spoilers, just in case you planned to see/read it and hadn't)

As you probably know, the movie (and the novella on which its based) is about two men who fall into a homosexual lifestyle. But what struck me as conservative about this film is that it doesn't glorify the lifestyle; the two mens' choice to indulge in homosexuality is a disastrous choice that ends up ruining both their lives. One man's marriage is destroyed and his relationship with his child is forever tainted. The other man's choice actually leads to his violent death (Incidentally, I'm not saying that killing someone for being gay is a conservative value. But the point is that this movie is actually very up-front about acknowledging the catastrophic consequences of a homosexual lifestyle).

Considering all that, my next though was whether this movie might be unintentionally conservative, in which case it certainly doesn't belong on this list. But I don't think it is (haven't seen it since it first came out though, so I could be wrong).

So, there's my point. I would appreciate some discussion. I imagine some CPers will think I'm trolling or just trying to start an argument. Not so. I feel like it's a valid point but that there are probably strong arguments for and against, and I'd really like to hear what other people think. [[User:EMorris|EMorris]] 17:11, 25 June 2010 (EDT)

:You are partially right, but I think the homosexuals were meant to be sympathetic and on that basis alone, I don't think that movie belongs on this list. [[User:AdamDiscordia|AdamDiscordia]] 19:05, 14 May 2011 (EDT)

: I agree that the movie is anti-homosexuality. Based on the publicity, I expected the movie to be pro-homosexuality, but I was quite surprised by what was actually in the movie. [[User:RSchlafly|RSchlafly]] 16:15, 31 August 2011 (EDT)

:This would be true, except that you have to consider the film's intent. It's not necessarily suggesting that what these men did is the result of their choice. It's suggesting that what happens to these men is the result of bigotry, prejudice, and hate on the part of the world around them. That they are blameless, in spite of their choices. A stark contrast, which I think also ought to be listed as a Conservative Film, would be Midnight Cowboy. In Midnight Cowboy, Joe Buck (played by Jon Voight) recognizes that the life he chose, as a male prostitute, and begins to make an effort to change, to get out of New York, with Ratso (Dustin Hoffman). Ratso's death underscored the decadent life they had led in NYC, and how Joe barely escaped with his own. In Brokeback Mountain, you do not see such recognition on the part of Ennis and Jack. They don't really consider what they did as wrong, necessarily. So where Midnight Cowboy underscores the devastation the immoral life can lead, Brokeback Mountain places the responsibility for that devastation on everyone else but the two men most responsible. --[[User:Wayfinder|Wayfinder]] 19:56, 3 November 2011 (EDT)

== U-571 ==

I deleted U-571 from this list. It portrays the capture of an Enigma machine from a German U-boat by US forces. As pretty much everyone with any interest in WW2 knows, the naval Enigma machine was stolen by Polish forces and decoded by British code-breakers at Bletchley. My Brit friends think U-571 is a joke because it minimises the role of the British ("you arrogant Yankees"). Poles are offended because it cuts out the Polish involvement altogether - including the very brave men who risked their lives to steal an Enigma machine and hand it over to British Intelligence. (BTW, Britain and Poland were allies of ours in WW2 and still are now.) Deceit isn't a conservative virtue - so I crossed U-571 off the list. [[User:BenjyB|BenjyB]] 16:51, 20 September 2010 (EDT)

: I'd say it's very questionable whether there's any deceit involved. The movie makes an on-screen written acknowledgment that the the first (and the majority) of enigmas were captured by British sailors. The whole movie is so over-the-top that nobody with a lick of intelligence would believe it's true. American sailors did capture an enigma machine during the war too, so this movie is obviously "inspired by a true story" even if it's not especially true. Most of the movie-going public knows that Hollywood "true" stories are highly fictionalized. [[User:EMorris|EMorris]] 13:13, 21 September 2010 (EDT)

==The Lives of Others==

Where on earth is The Lives of Others? it is, surely, the best recent critique of Communism and, for that matter, one of the best films ''of any type'' released in the past five years. It certainly deserves a place ahead of, for example, the obscure Dark Matter. --[[User:Jdixon|Jdixon]] 12:13, 28 November 2010 (EST)

: It's in German, right, and about the former [[East Germany]]? I'll add it on your recommendation, but I can't agree it ranks higher than the English-language Dark Matter, which speaks to today and not just the past.--[[User:Aschlafly|Andy Schlafly]] 12:41, 28 November 2010 (EST)

::Fair enough, Andy. Though I don't quite understand the argument against foreign-language films. If the issue is obscurity, The Lives of Others was seen by far more people in the US than Dark Matter. A glance at Box-Office Mojo confirms that Dark Matter took in a staggeringly tiny $30,591 on its domestic run. The Lives of Others took in $11,286,112 in the US (plus another $66 million in the rest of the world). I am, however, content to abide by your criteria. --[[User:Jdixon|Jdixon]] 15:40, 28 November 2010 (EST)

:::Oprah Winfrey's daytime talk show rakes in far higher revenues than both, but I'm not sure what that proves. Dark Matter was apparently victimized and downplayed by liberals who finally figured out its conservative message, after it won first place in one of the Sundance Film Festival categories. The liberal backlash against Dark Matter is particularly surprising given that Meryl Streep starred in it.--[[User:Aschlafly|Andy Schlafly]] 18:48, 28 November 2010 (EST)

::::P.S. Your suggestion of "The Lives of Others" is a fine addition. Thanks.--[[User:Aschlafly|Andy Schlafly]] 19:02, 28 November 2010 (EST)
http://www.conservapedia.com/skins/common/images/button_sig.png
::::No problem. Keep up the good work. --[[User:Jdixon|Jdixon]] 20:47, 28 November 2010 (EST)

== Fiddler on the Roof? ==

A film celebrating the value of community, tradition, family, and faith, all against the historical context of the harm done by the rise of Communism in Russia...worthy of a spot on the list? --[[User:Benp|Benp]] 18:30, 6 January 2011 (EST)

:Sounds good to me ... please add it as you think best!--[[User:Aschlafly|Andy Schlafly]] 18:48, 6 January 2011 (EST)

:I disagree. Look at the overall film/play. This was definitely a counter-culture film thinly disguised as a quaint musical drama. The message was that Tradition is bad, illogical, and keeps people stuck in their ways when they should embrace the new, simply because it's new. When Tevye explains the traditions and why they're there in the beginning, he mentioned that they keep their heads covered and they wear their prayer shawl. He then asks, "How did this tradition get started?," and he responds, "I don't know." This sets up the rest of the show. Because never do they explain why they use a Matchmaker, or why they don't let people arrange their own matches, or why men and women dance separately. They even have the old rabbi getting down with the new changes, never defending what was before. Message: Traditions are stale and old and have no place in the modern world. Relax and just let things happen. Then the film gives us the drama of Chava marrying a Christian, marrying outside of her faith, and that's where Tevye can't abide it. By then, it seems that Tevye's objection is only based on ridiculous emotion, rather than anything objective. All this, in spite of the fact that change is coming, one that cannot be stopped by the traditions these people hold. This is not a Conservative message at all, but one that is quite subversive. If this had been written from a Conservative approach, we would've gone into the reasons behind the traditions, because they're not irrational or unreasonable. The reason for a Matchmaker, the way they dress, and the way they eat, and the dancing, all is meant to preserve their heritage as Jews living in Tsarist Russia. The Matchmaker keeps the Jewish men and women within the community, and within the faith, all the while helping to maintain peace and stability within the community itself. The point I'm making is that Traditions have a purpose, even if we disagree with them. And the notion that happiness comes from something material, as in the case of the marriage between Motel and Tzeital, is a direct message against a person's obligations to his or her duty, both to themselves and their community they live in. No, I'd say Fiddler on the Roof is not a Conservative film. --[[User:Wayfinder|Wayfinder]] 20:15, 3 November 2011 (EDT)

: I disagree Wayfinder. Much of Jewish culture is based around the concept that Jews follow tradition for no other reason than because God expects us to. Take Kosher laws. Certainly, there can health reasons for being Kosher, but that is not why Jews become Kosher; it is because it is expected by God. Kosher laws don't change or update with new dietary findings. There are no Kosher fad diets. Ask a random Jewish person who keeps Kosher why he/she does and, 9 times out of 10, they will either say, "Because I always have" or "Because God expects me to". In the later case, performing an act because God expects it is logical, in an of itself.

And in Fiddler, there is an extra point to tradition. As Tevye says, "Because of tradition, we've kept our balance for many, many years." To wit, tradition is the only thing keeping Jews from falling into the abyss. And, in fact, the more Tevye gives in to the modern times, the more his culture is ravaged until he is forced to leave his homeland. Tradition is deeply respected in the film, as much as, and for the same reasons as, it is in the Jewish culture. And for that reason, I would consider it a Conservative film. --[[User:Sirreality|Sirrealtiy]] 12:16, 7 July 2012 (EDT)

: You make some good points, Sirrealtiy, but I must reiterate that the film isn't about Tradition's strengths, but giving into change for its own sake. Not once does Tevye ever consider why there are these traditions in the first place. When he argues with himself over Tzeitel marrying Motel or Hodel marrying Perchik, and so forth, he never considers the traditions at all or even explains their use. He almost casually disregards them. When it comes down to Chava, though, he can't get around it, and, again, he has no real good reason for any of them. So Tevye comes off as rigid and petty. This is important because Fiddler on the Roof came out at the height of the first wave of hippy counter-culture in America, and it ran with it. By the time the film gets to the conclusion, that the Tsar is running them out of Anatevka, the message is loud and clear: You can't resist change at all, so don't even try. This would, on the other hand, be more of a conservative film if we went into the reasons for these traditions, a lot of which would've been known, especially to the likes of the Rabbi, before casually discarding them. : --[[User:Wayfinder|Wayfinder]] 01:45, 24 January 2013 (EST)
Fiddler on the Roof is a classic movie.

A remember this: "Jesus replied, “And why do you break the command of God for the sake of your tradition? 4 For God said, ‘Honor your father and your mother’ and ‘Anyone who curses his father or mother must be put to death.’ 5 But you say that if a man says to his father and mother, ‘Whatever help you might otherwise have received from me is a gift devoted to God,’ 6 he is not to ‘honor his father’ with it. Thus you nullify the word of God for the sake of your tradition. 7 You hypocrites! Isaiah was right when he prophesied about you: 8 ‘These people honor me with their lips, but their hearts are far from me. 9 They worship me in vain; their teachings are but rules taught by men’.” 10 Jesus called the crowd to him and said, “Listen and understand. 11 What goes into a man’s mouth does not make him ‘unclean,’ but what comes out of his mouth, that is what makes him ‘unclean’.” 12 Then the disciples came to him and asked, “Do you not know that the Pharisees were offended when they heard this?” 13 He replied, “Every plant that my heavenly Father has not planted will be pulled up by the roots. 14 Leave them; they are blind guides. If a blind man leads a blind man, both will fall into a pit.”

So not all traditions are good.

I love Thanksgiving though. And I like eggnog on December 25. :) [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 19:54, 10 July 2017 (EDT)

== Gattaca ==

A condemnation of genetic experiments on humans, and a wonderful triumph of individualism in an extremely controlled society. No matter how much scientists play to be God, and try to improve the human race by using genetics, there will always be an individual, based on original God design, who, despite his health shortcomings, will triumph over this genetically modified, supposedly perfect human beings.

I don’t immediately put it on the list because the movie is a bit atheist. In the final scene, the hero finally managed to travel to space and cites the phrase: “They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home."

So, I’ll say that the movie has a conservative message, unfortunately diluted with atheist overtones. I’ll wait for someone else opinion before posting this. --[[User:AlejandroH|AlejandroH]] 23:03, 10 March 2011 (EST)

:Feel free to post this with the caveat you mention. Thanks for explaining it.--[[User:Aschlafly|Andy Schlafly]] 00:33, 25 March 2011 (EDT)
::We talked about this movie at my fellowship a few months ago - pure hokum about a guy who might have been alright on his own but for a disgusting patriarchy forcing human engineering. I'll write this if AlejandroJ doesn't. [[User:NKeaton|Nate]] 00:51, 25 March 2011 (EDT)
:::Thanks, I posted it. --[[User:AlejandroH|AlejandroH]] 15:31, 25 March 2011 (EDT)

The argument that this film has atheistic overtones actually adds to this film. It shows how we have reduced a person not to his ability but to purely material characteristics, and the effects this has on society. In Gattaca, people are judged not by their ability, not by their merit or accomplishments, but their potential. Gore Vidal, who plays the director of Gattaca, says "No one exceeds their potential." This is, I think, a fundamental statement in the whole movie; that it is the potential that is important, not the action, not the accomplishment. If Vincent became exposed even after he is confirmed to go to Titan, we know what would happen; he would be expelled from Gattaca, and possibly imprisoned for using a "borrowed ladder." Which also points to Eugene's suicide and why he took his own life. Eugene doesn't value his life, but his potential. "Jerome Morrow," he said, "was never meant to be one step lower on the podium." In such an atheistic society that only values the material, the potential, the beautiful, but not the competent or the accomplished, Eugene's suicide underscores this conceit. Eugene could not be anything less than what he felt his potential was. Or, put it another way, he could not be anything less but what others said he should be. --[[User:Wayfinder|Wayfinder]] 14:58, 3 November 2011 (EDT)

== Disney cartoons ==

Most, and perhaps all, of the Disney cartoons for the past 15 or so years have pushed the [[feminist]] ideology. I welcome any counterexamples, but doubt there are any. Hence the reversion of the "Princess and the Frog (2009)" addition.--[[User:Aschlafly|Andy Schlafly]] 00:31, 25 March 2011 (EDT)
:''The Lion King'', a 1994 Disney movie, is definitely conservative. A main message of the movie is honoring thy father, and the power-hungry main antagonist, once he becomes ruler, favors big government, pushes [[liberal values]] and destroys their territory. I'll add it with your approval. [[User:DennyW66|DennyW66]] 15:45, 25 March 2011 (EDT)

::Sounds like a good choice. Please add and if anyone has a different view of the movie, then he can let us know.--[[User:Aschlafly|Andy Schlafly]] 16:26, 25 March 2011 (EDT)

:::Added. [[User:DennyW66|DennyW66]] 16:41, 25 March 2011 (EDT)

Mr Schlafly I would agree with your reversion of my contribution of the Princess and the Frog if that movie were feminist-ideology-promoting (like, for instance Mulan (1998)) but frankly, it is not a feminist movie. I am not a woman, nor a feminist - I am staunchly conservative. The Princess and the Frog promotes monogamous marriage (which feminism does not) as well as the other conservative values I listed (such as saving money, hard work, free enterprise etc). In fact, the main character is so pro-marriage that she changes her licentious friend's behavior from debauchery (which feminism promotes) to monogamy. It is possibly the most conservative-value-laden animated movie I have ever seen.

''The Lion King'' on the other hand promotes re-incarnation with its "Circle of Life" song. Jack, the hero of ''Titanic'' commits fornication and mocks a man reciting the 23rd Psalm; Cal, the main antagonist is depicted as a church-service-attending hypocrite.

You are doubtless correct about the feminist ideology pushed by many Disney animations, but this is not one of them. I respectfully request that you consider returning my contribution of 'The Princess and the Frog'. [[User:Spotsbunch|Spotsbunch]] 23:17, 25 March 2011 (EDT)

:I have to disagree with you about The Lion King. As far as I can interpret, "The Circle of Life" is either about the bond all humans share or the journey from life to death and the afterlife, not reincarnation. [[User:DennyW66|DennyW66]] 00:36, 26 March 2011 (EDT)

::Spotsbunch, I think you have a valid point about the Lion King, but from what I've heard about the "Princess and the Frog," it's feminist claptrap with the woman wearing the pants and doing everything except having children and homeschooling her kids. It's more Disney tripe about a successful businesswoman towing along an inept man, which is hardly typical in the real world.--[[User:Aschlafly|Andy Schlafly]] 00:56, 26 March 2011 (EDT)

:::Arguably, any movie where people turn into frogs, or where in Beauty and the Beast, people have transmogrified into furniture is not "real world". Fantasies they may be, (like many movies listed here) but they are still conservative. I (finally) put it to your kind consideration that if you would watch the Princess and the Frog, you would find it contains less feminism and more conservativism than Beauty and the Beast. Whatever your judgment, I respect your decision and will refrain from further debate, even though I (thus far) disagree. Kindest regards [[User:Spotsbunch|Spotsbunch]] 08:43, 26 March 2011 (EDT)

::::[[Feminism]] is unmistakable: it has women acting like men and vice-versa, contrary to reality. Disney cartoons have been ''heavily'' feminist for at least 15 years. ''Beauty and the Beast'', made 20 years ago, was not feminist in any way. But having a "Princess" act like a businessman and aspire to run a restaurant is feminist. What's next - Cinderella aspires to be a CEO of a Fortune 500 company???--[[User:Aschlafly|Andy Schlafly]] 10:10, 26 March 2011 (EDT)

:::::Is there any reason a woman can't run a restaurant or a fortune 500 company? No really, Andy, I want to know. Why is it feminist to portray a woman doing anything but cooking, cleaning, and rearing children? [[User:TerryB|TerryB]] 13:40, 26 March 2011 (EDT)

::::::Who said anything about cooking and cleaning? And, no, there isn't a reason why a woman can't aspire to any field, such as plumbers (almost no women plumbers), gas station attendants (ditto), or professional football players (ditto). The fact is that the vast majority of women ''do not aspire'' to do such activities (or running a restaurant or a Fortune 500 company), and it's false for feminists or feminist movies to repeatedly pretend otherwise.--[[User:Aschlafly|Andy Schlafly]] 13:48, 26 March 2011 (EDT)

:::::::I apologize for my abrasiveness, it just seemed that you were implying that's all they're supposed to do. I can see where you're coming from. While a woman can do what she wants, feminists are wrong for telling woman that they should only aspire to do things traditionally done by men. Men normally aren't beauty consultants, clothing designers, or nail salon technicians, so why don't we see any men urging more men to do these things? [[User:TerryB|TerryB]] 14:00, 26 March 2011 (EDT)

::::::::[[Feminism]] repeatedly tries to persuade women not to have children and raise them, pretending that aspiring to work in a job is somehow better. I can't think of a single Disney movie in the last 15 years that has been realistic about the homemaker role that most women prefer.--[[User:Aschlafly|Andy Schlafly]] 15:00, 26 March 2011 (EDT)
::::::::::Up. A key part of the story is that the old man's wife had given up her dreams of being an explorer as real life concerns around the home took precedence. [[User:Martyp|Martyp]] 15:03, 26 March 2011 (EDT)

:::::::::::As promised, I will make my petition no further. However, as others have continued this debate, I will contribute to that. The Bible, our ultimate authority, disagrees (as I read it) that "a woman aspiring to run a business" (restaurant or otherwise) is feminist. Proverbs 31:10-31 describes at length "the wife of noble character" to be involved in business by working with eager hands; importing food from merchant ships; providing food for her family; purchasing property for farming; trading profitably; making and selling expensive cloth and having enough money left over to give to the poor. Anyone with a definition of feminism which includes activities like these, who also respects the Bible as God's authoritative Word should reconsider his definition. Respectfully and with kindest regards, [[User:Spotsbunch|Spotsbunch]] 19:15, 26 March 2011 (EDT)

::::::::::::Not surprisingly, you left out the verse saying "her children wake up, and call her 'blessed,' so does her husband" ([[CBP]] version), as well as several other verses that feminist movies do not include.--[[User:Aschlafly|Andy Schlafly]] 00:06, 27 March 2011 (EDT)

:::::::::::::Then would it be acceptable to put the Princess and the Frog in the "Debatable Whether Conservative" section of this page? [[User:Spotsbunch|Spotsbunch]] 15:44, 30 March 2011 (EDT)

::::::::::::::There are high quality movies in the "Debatable" section. The [[feminist]] "Princess and the Frog" doesn't even come close to that level of quality and arguably conservatism.--[[User:Aschlafly|Andy Schlafly]] 17:46, 30 March 2011 (EDT)

:::::::::::::::Since we're talking Disney cartoons here, would films like The Little Mermaid qualify under Conservative or Liberal? I want to make sure so I don't end up making a big mistake later on. [[User:Pokeria1|Pokeria1]] 16:56, 29 June 2013 (EDT)

:::::::::::::::Actually, I think Beauty and the Beast would qualify as feminist propaganda, and thus make its Conservative status debatable. True, it didn't have Belle trying to work as a CEO or something (then again, given the time period, I don't think "CEOs" even existed at that time) unlike the films for the past 15 years, but it does push the feminist propaganda that women couldn't get an education until the 1960s, and all education was supplied to rich white males, and that Belle was somehow breaking societal standards by reading (which there have been women who read during that time as well and wasn't even looked down upon. Marie Antoinette for one.). Trust me, I'd recognize that propaganda when I see it because I had to be subject to that propaganda from a militant feminist professor by the name of Heather Lucas (who did actually imply the above thing about women not getting an education until the 1960s). Plus the fact that she was refusing to marry for children can easily be construed as being anti-family. Also, as some people pointed out, there were some left-wing stuff in Titanic as well (I think Jack basically made some comments that were negative towards capitalism in that film. That as well as the aforementioned scene with Rose qualifying as pornography, and heck, technically she was committing pedastry with Jack as well). I took the liberty to moving them to the debatable whether Conservative section. [[User:Pokeria1|Pokeria1]] 22:36, 10 December 2013 (EST)
:::::::::::::::Edit: It should also be worth mentioning that the village, while "shallow," was not really materialistic, not under the definition of matter being the most important thing, and certainly not in regards to the aspect of wealth, race, and jobs. Probably the closest they've gotten to materialism was their considering Belle to be "odd" due to her reading a book all the time, which even then seems to speak more to the feminist propaganda of Women not being educated at all until the 1960s. There wasn't exactly anything materialistic about the village. I had removed the reference to the village as being materialistic since it really didn't fit the definition at all. Also, the so-called "wedding" had a brief shot of a priest (specifically when Gaston makes that opening joke), making materialism in the village even less likely (materialism is atheistic, and the presence of a priest likewise implies the village was Christian, something that cannot intermingle with each other). [[User:Pokeria1|Pokeria1]] 17:26, 17 December 2013 (EST)

:Actually, after giving it some thought, I think The Princess and the Frog would qualify more as conservative at this point (certainly far more than the 1991 ''Beauty and the Beast'' ever did, which even Linda Woolverton, its screenwriter, not to mention Don Hahn, has admitted to being feminist claptrap since Jeffrey Katzenberg demanded for its third rewrite.). Technically, at least from what I gather as I haven't actually seen the film, the only reason why Tiana is even trying to run a shop is because her dad was dead and there was no male heir to run it, so under that sense, it's not actually feminist (and aside from that, it also somewhat condemns her obsession with trying to act as a CEO, especially when the main villain Dr. Facilier actually does try to convince her to pursue her dreams as a form of tempting her, and her ultimately rejecting it upon realizing what truly matters). I might as well point out that the film has Charlotte LeBeouf, a girl who most certainly is not a feminist, and if anything very traditionally feminine, who is actually portrayed in a very positive light, being a genuine friend for Tiana, and even attempting to restore Tiana and Naveen from the curse when granted the opportunity to do so (and only failed because Marti Gras ended at the worst possible time). And as another person pointed out, The Princess and the Frog actually DOES promote traditional marriage, and as a matter of fact, is the first Disney Feature Length film to actually do so since ''The Little Mermaid'' two decades before. Not saying it really should be listed as one of the greatest conservative films of all time (it's got evidence of plagiarizing ''The Little Mermaid'' at times, and aside from that, it did depict Voodoo in an ambiguous light, meaning that at best it can go under debatable whether Conservative or debatable whether Great), but it definitely shouldn't really be listed as a liberal film, period. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:33, 1 January 2019 (EST)

== Titanic ==

The movie ''Titanic'' also shows the rich and privileged getting on the half-empty life boats while the poor and lower class passengers are locked below (which is actually historical). Should it truly be included in this list? [[User:SharonW|SharonW]] 16:50, 6 April 2011 (EDT)

:No, I disagree. The movie accurately portrays the wealthiest men on the boat (Guggenheim, Astor, etc.) giving up their lives so that poorer women and children could be saved.--[[User:Aschlafly|Andy Schlafly]] 21:53, 6 April 2011 (EDT)

::While I'm ''not'' denying there were individual acts of chivalry and that Guggenheim et al declined seats (although there is historical conflicting testimony about Astor) on the lifeboats (of which there were too few given the number of people on the ship), the numbers show a definite declining survival rate by class. This was also a theme in the movie and not one that should be ignored.

::The movie showed the lower class passengers being locked in the bowels of the ship, blocking escape. There is historical conflicting testimony on this subject as well: several people reported gates between decks being locked and armed guards blocking passageways while one steerage passenger testified that the gates were not locked. Another passenger stated that not only did the staff ''not'' sound an alarm in third class, but that steerage passengers who came up on deck were told to return to their rooms because there was no danger.

::'''First Class''' Women - 4/141 died (97% survival rate)1; Children: 1/7 died2 (86% survival rate); Men - 104/171 died (39% survival rate); Totals: 109/319 died (66% overall survival rate)

::12 of the 4 first class female passengers who died chose to remain with their husbands. *corrected mistype.

::2Lorraine Allison remained on board with her family because they had been separated from her infant brother, who was on a lifeboat with his nurse. The entire family died, with the exception of the baby.

::'''Second Class''' Women: 13/92 died (86% survival rate); Children: 0/25 died (100% survival rate); Men: 135/152 died (11% survival rate); Totals: 148/269 died (45% overall survival rate)

::'''Third Class''' Women: 91/179 died (49% survival rate); Children: 55/80 died (31% survival rate); Men: 381/440 died (13% survival rate); Totals: 527/699 died (25% overall survival rate)

::'''Staff and crew''' Female: 2/22 died (91% survival rate); Male: 701/896 died (22% survival rate); Overall: 703/918 died (23% overall survival rate)

::There are some servants left out of these numbers due to confusion

::Sorry for the over-long reply, but the ''Titanic'' has been a subject of fascination to me since my teenage years (about a century ago!) so I'm rather verbose about it. 8^) I don't agree with you on the subject, but I won't remove the movie from the list. [[User:SharonW|SharonW]] 11:51, 7 April 2011 (EDT)

Conservative? Some guy says all the right words to a vulnerable girl, then gets her to strip naked so he can draw her (that's porn). Then he gets her into the back of a car and they fornicate. Not exactly my definition of conservative. --[[User:Crubs|Crubs]] 15:58, 30 April 2013 (EDT)

==Move The Dark Knight To the Debatable category?==
I'm wondering whether of not The Dark Knight should be truly considered conservative-while it does have the message of not giving in to terrorist, it also includes themes of everyone being corruptible and having their limits (like the good public defendant, Harvey Dent, turning into a villain, Two Face) and seems fascinated with darkness and chaos ("Madness is like gravity all you need is a little push"). Given this all, and the fact that Patrick Leahy had a cameo in it, I think this might well be reconsidered. Thoughts?
Armond White, who generally sees through liberal bias and is a more conservative viewer, wrote this about it: [http://webcache.googleusercontent.com/search?q=cache:fTJ_tj1IKooJ:www.nypress.com/article-18545-knight-to-remember.html+armond+white+the+dark+knightr&cd=1&hl=en&ct=clnk&gl=us&client=firefox-a&source=www.google.com]

:Thanks for your comments. I'll move "Dark Knight" to the debatable category as you suggest.--[[User:Aschlafly|Andy Schlafly]] 23:22, 13 April 2011 (EDT)

::I watched it when it came out, and I didn't notice anything particularly Conservative about it. The only thing really good about it was the citizen response to the terrorist dilemma the arch-villain sets up, whereby two boatloads of passengers "must" each ensure their own survival by blowing up the other's boat; a quick-witted passenger takes the remote control and throws it overboard. But this has nothing to do with Batman.

::The movie shows how vicious bad people can be, and how bullies support (and recruit) other bullies. But that is hardly fodder for the liberal-conservative debate. Both sides claim to despise bullying.

::I daresay the [[Batman]] character of the 1960s comic books had some "[[conservative]]" qualities, such as the ''noblesse oblige'' of the superior man and idea that society can be benefited by the actions of a heroic individual. Both of these run counter to Communist ideas of history. But the Batman movies I've seen are about a different, darker man. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 11:45, 14 April 2011 (EDT)

:Let me help explain why this film needs to be in the list. At the beginning of this film, crime had been quelled enough that when you saw the Bat-Signal a drug dealer, who probably would've made a quick buck and easily got away with it, chose not to make a deal (you see this guy just refuse a deal to some other man in a car). But this didn't mean that the city was totally crime free, or that corruption was gone. Bruce realized that Batman could not change Gotham. He could help, but he was only one man. Gotham needed someone to be the influence Batman could never be. And that man was Harvey Dent. This speaks to how important culture is to a society. There's a great saying from another film, called Hud, which says "The look of the country changes by the people we admire." Meaning, that if you want a good, upstanding, moral society, you back people who are good, upstanding, and moral. You choose good, even if it means your death. I think the best moment in this film is where the Joker has got the two ferries, one loaded with convicts and the other loaded with civilians, each rigged to blow. But it's a convict that understands the problem, and makes a decision not to play Joker's game. What does this mean? I nearly cried when I saw that scene. It meant that someone understood that there's more to life than living. There's more to life than just existing. There's more to life than doing what is expected, rather than doing what is GOOD. Because GOOD has VALUE, which, I believe, is at the heart of the Conservative Philosophy. Liberals believe quite the opposite. Or rather, they believe that there is no Good or Evil, that everything is relative. Just as the Joker believes. It is what we stand for, and are willing to die for, that make us good or evil. This is what Christ said. To take up your Cross, even if it means your death, even if it means the deaths of others, because Life is not predicated strictly on comfort or survival, but on the propagation of Good. That's why The Dark Knight needs to be here. --[[User:Wayfinder|Wayfinder]] 22:20, 3 November 2011 (EDT)

::He may be darker in the movies, that's not to say he still doesn't have conservative values, and he does whatever he can so other people don't go through what he want through. [[User:Jm920|Jm920]] 19:00, 15 September 2011 (EDT)

== "The Sandlot" as 1950s America as a time when "every boy had a chance to be great." ==

I suppose, maybe. It's harder to achieve greatness when one couldn't necessarily ride at the front of the bus/use the same drinking fountain/eat at the same counter/go to the same university as other folks. [[User:LloydR|LloydR]] 14:15, 28 May 2011 (EDT)

: Your point is valid. Feel free to include your point in the entry itself. I don't think the 1950s were as [[conservative]] as today. In addition to your comment, [[homeschooling]] was prohibited in the 1950s, for example.--[[User:Aschlafly|Andy Schlafly]] 14:29, 28 May 2011 (EDT)

== Rollerball (1975) ==

Rollerball (1975) is frequently overlooked as one of the great conservative films. A dystopian tale in which a corporate oligarchy maintains control over the peoples of the world by distracting them with a hedonistic culture of sex, drugs, and violent entertainment. Rollerball was designed by the corporations to hypnotize and distract the minions with gladiatorial combat disguised as sport. The world watches these spectacles and subconsciously receives the message their corporate masters are feeding them - that individual achievement is not possible, because every Rollerballer ultimately faces the same gruesome fate. However, when Jonathan E (James Caan) proves dominate and (more importantly) invincible in the sport - the corporations attempt to force him to retire through an ever horriflying series of rule changes designed to bring about his death or capitulation.
Jonathan E's defiance is a captivating and uplifting example of a man asserting the freedom of the individual in the face
of totalitarianism. JFarren 17:38, 7 June 2011 (EDT)

== Indiana Jones ==

I am very surprised that the Indiana Jones films are not included in here, when they are certainly conservative. [[User:NickP|NickP]] 23:25, 28 July 2011 (EDT)

:Would you like to add them?--[[User:Aschlafly|Andy Schlafly]] 20:25, 5 August 2011 (EDT)

== Rebuilt ==
I've rewritten the page as a table. Everything is sortable now. The gross is the US gross value, not worldwide (with one referenced exception). Everything else is the same. Films listed with NA - TV means that they were a TV program, and thus did not have a gross. NA - DVD means that they were released straight to DVD. None of the values are adjusted for inflation. While that would be interesting to do, I don't think wikis support computed columns, and it seems like a waste of time to update every number here. [[user:CGoodwin|CGoodwin]]

: Well done. Your format is better, and your additional information about revenues is interesting, although not of great significance due to (1) inflation and (2) popularity typically doesn't mean much.--[[User:Aschlafly|Andy Schlafly]] 20:24, 5 August 2011 (EDT)

==Space Jam is not a "Great" film==
Conservative or not, Space Jam sucks! It must be removed.

== Two Thoughts ==

1. What about "Fiddler on the Roof"? About the important role of tradition in societies.

2. Also, the caption for "Hilary: The Movie" is awkward if not misleading. It didn't result in the McCain-Feingold Act being overturned so much as it was the impetus for the lawsuit. The current description seems to imply that it was a crucial piece of evidence or something similar.

Would anyone be opposed to these changes? [[User:Ayzmo|Ayzmo :)]] 14:17, 1 November 2011 (EDT)

==Film suggestions==

The Whit Stillman film, "Metropolitan", has been included on various lists of conservative films, including one by National Review. The story is of a group of bourgeois college students who meet a middle-class socialist peer. he later becomes good friends with them. Another National Review's list is "Ghostbusters" for its portrayal of an EPA bureaucrat as the main antagonist human antagonist and a message that "the solution to a public menace comes from the private sector". Another on the list I think may be worthy of inclusion is "Groundhog Day."

The full article from National Review can be viewed here [http://www.nationalreview.com/nrd/article/?q=YWQ4MDlhMWRkZDQ5YmViMDM1Yzc0MTE3ZTllY2E3MGM=] --[[User:TedM|TedM]] 22:42, 10 March 2012 (EST)

:update; Another film I saw a while ago, while containing some crude humor, may still qualify. It would probably fit in the "debatable whether great" category. The film is "House Arrest" and is about some teenagers who go to extreme lengths (locking them in the basement) to stop their fighting parents from getting a divorce. --[[User:TedM|TedM]] 13:46, 12 March 2012 (EDT)

== The Iron Lady ==

I highly suggest seeing The Iron Lady. I'm not sure how widespread the release was but it received critical acclaim in Britain, and a good insight into the other side of the Atlantic during the time of Reaganism. [[User:HumanGeographer|HumanGeographer]] 15:06, 12 March 2012 (EDT)

== Add "Back to the Future" to the Debatable category? ==

According to the article for [[Back to the Future]], the film contains both positive and negative values. Should it be included in the "Debatable" category?--[[User:GOPFan2011|GOPFan2011]] 23:52, 16 March 2012 (EDT)

==Batman 3==

This review [http://www.wnd.com/2012/07/occupy-batman-storms-gotham-city/] calls "The Dark Knight Rises" a conservative film which compares the Occupy movement to the ill-fated French Revolution. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 21:04, 23 July 2012 (EDT)

==Zulu==

Zulu is definitely a Conservative film. Since when do Leftists (I never call them Liberals) have the character to do their duty even if it means their death? What you see here is an emergency situation, where the officers in command put aside both their differences and their peculiar ways of life to do what was important. Chard put away being an engineer for a couple of days, and Bromhead put aside being a societal-gentleman/officer. They were determined not only to do their duty, but to win. If they abandoned their post, they cede it to the enemy and they probably would've been hunted down and destroyed, as the force at Isandwana was. They fought for reasons a bit higher than themselves, and in the end they prevailed. --[[User:Wayfinder|Wayfinder]] 15:34, 11 February 2013 (EST)

== Additional films to consider ==

*Saving Private Ryan-World War II, June 1944.
*We Were Soldiers-based on the memoir by Lt. Col. Hal Moore; 1965, Vietnam.
*Cinderella Man-The story of James Braddock; heavyweight champion from 1935–37.
--[[User:JohnJustice|JohnJustice]] 23:32, 9 February 2013 (EST)
:I still believe the three above should be included. --[[User:JohnJustice|JohnJustice]] 20:36, 3 June 2015 (EDT)
::I suggest that you bring this up on the [[Community Portal]] page. Pages sometimes find themsevles in a frenzy of vandalism, and the administrators lock the page. Then the vandalism stops, obviously, and people forget that the page was locked. This page has been locked long enough that it's probably safe to unlock it, and so you should request that. Or at least the admins could directly act on your three requests. [[User:SamHB|SamHB]] 22:42, 3 June 2015 (EDT)

== Bee Movie ==

Why is Bee Movie a conservative Movie?--[[User:JoeyJ|JoeyJ]] 06:27, 7 December 2013 (EST)

== 187 ==

I thought 187 should be on this list --[[User:Burkean|Burkean]] 17:44, 16 February 2014 (EST)

:Don't know about that. Doesn't ''187'' portray [[public schools]] as a victim, rather than the cause of the problems?--[[User:Aschlafly|Andy Schlafly]] 19:26, 16 February 2014 (EST)

I suppose one could see it that way. And obviously in real life I detest Samuel Jackson's radical racial politics. I don't remember much whining in the film about more money being the solution or celebration of teacher's unions. To me the overriding message was that we have degenerate youth in this country who wish to be decadent and apathetic and do not value a good education and a teacher who believes that students should be motivated and want to learn has finally had enough. Thomas Sowell has discussed the youth in inner city schools who actually want to learn being denied that by the thugs ruining the learning environment or because they get beat up for wanting to achieve. The film captures this unacceptable state of affairs wonderfully. That part struck a chord with me as a conservative. I certainly didn't see apologia for the public school system going on. The lack of discipline and the complicity of bureaucratic nonentities is thoroughly critiqued. Obviously, I would agree with you that breaking the public school government created monopoly is the solution. But this film as I see it is more about the problem than the solution. --[[User:Burkean|Burkean]] 21:15, 16 February 2014 (EST)

:You make great points, and please feel free to add the movie to the entry. That said, I doubt that outside gangs are a major reason why so many kids are not learning basic skills in public school. The real problem is that the liberals who control public schools don't want kids to learn and be able to think for themselves. Someone who can't read is more likely to vote a straight Democratic Party-line ticket than someone who can.--[[User:Aschlafly|Andy Schlafly]] 00:06, 17 February 2014 (EST)
You're absolutely right. Most of the time, there's no difference between the hooligan thugs and the liberals, as lack of discipline in our public school system facilitates their existence. Also, with bureaucratic control, and the war on homeschooling, cadres of teachers who care about their job and not education are protected and those who could provide a better education (because they are motivated, because they don't teach a mindless curriculum and because they believe in discipline) see their schools shutdown by teachers who would sacrifice a child's future (much like a child sacrifice in the heathen societies of old) on the altar of their precious careers. It's high time parents held them accountable. And for that, we will need an end to the century old progressive inspired idiocy of government control of schools and a free market in education. At least the progressives were honest about their intentions back then, as they quite explicitly stated that their purpose was to mold, indoctrinate, and otherwise turn children into loyal and obedient servants of the state, as opposed to God or family or their own individuality. Children are taught to lap up content free curriculum like cattle. It's disgusting. --[[User:Burkean|Burkean]] 17:26, 7 May 2014 (EDT)

==National Treasure==

It has positive messages of patriotism, respect for history and the founding fathers, standing up for what you believe in rather than going alone with the crowd, and many others.
:It also promotes the Free Masons, so I'm not confident this should be here. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:40, 27 June 2016 (EDT)

== Star Wars conservative? ==

Hi.

Can we really list the entire Star Wars films as being solidly conservative? I'll give you the first film and Empire Strikes Back (original releases, at least: The first film's rerelease may be debatable now thanks to George Lucas deciding to rework a certain scene to effectively promote gun control), but Return of the Jedi is debatable as while it ''does'' promote good over evil, and actually features redemption in the form of Vader giving up his life to save Luke from the Emperor, it also was mentioned by George Lucas to promote the Vietcong's exploits against American soldiers during the Vietnam War via the Ewoks. Similarly, the Prequel Trilogy seems to hint at a morally relativistic view, and ironically the bad guys are stated to believe in moral absolutes at one point (Obi-Wan, shortly before dueling with Anakin Skywalker-turned-Darth Vader, mentioned "Only a Sith deals in absolutes" after Vader said that Obi-Wan's his enemy if he's not with him), and there have been quite a few unsubtle jabs at the Bush administration in the Prequel Trilogy (and in the case of Return of the Jedi, the Nixon administration, even though Nixon was the one who ended the Vietnam War, while Johnson was the one who pretty much expanded the conflict and Kennedy was effectively the one who started it). [[User:Pokeria1|Pokeria1]] 08:07, 5 June 2015 (EDT)

== Reopening the page ==

Hi.

Can someone reopen the page? I think it's been long enough for that person to have lost interest. And besides, there have been several movies that came out anyways. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:08, 8 August 2015 (EDT)

:Unlocked as requested. Thanks for asking.--[[User:Aschlafly|Andy Schlafly]] ([[User talk:Aschlafly|talk]]) 15:31, 8 August 2015 (EDT)

::You're welcome. I took the liberty of moving Star Wars to "Debatable whether conservative" largely because there actually have been some hints at a left-wing agenda in the film (I think Empire Strikes Back is the only film with narely a shred of leftism, actually), including promotion of the Vietcong and demonizing American involvement in the Vietnam War, as well as adding in some sources and additional stuff to the Beauty and the Beast thing (that reminds me, I may need to make a new topic regarding that). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:10, 8 August 2015 (EDT)

== Should Beauty and the Beast really be on here? ==

Hi.

Should Beauty and the Beast really be among even the Debatable whether Conservative page, let alone the Greatest Conservative Movies section?

I initially moved it from the Greatest Conservative movies section to Debatable whether Conservative section due to certain things that were being subtly pushed in the film (and speaking as someone who had to be forced to ingest a lot of tripe in college that was the same as what BATB pushed, I can recognize it when I see it and am doubtful it makes for conservative material), but right now, I'm not sure whether it even belongs there, either. If anything, it's probably a better fit for the Worst Liberal Movies article.

The first reason why I think this is simple: [http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle There] [http://time.com/2798136/maleficent-beauty-beast-writer/ are] [http://articles.orlandosentinel.com/1992-01-25/lifestyle/9201241028_1_linda-woolverton-belle-show-scripts more] [http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle than] [http://girlsincapes.com/2014/04/07/princess-evolution/ a] [https://web.archive.org/web/20111009063303/http://www.thedailybeast.com/newsweek/1991/11/17/just-the-way-walt-made-em.html few] [http://www.urj.ucf.edu/vol5issue2/dickens/essay.php articles] on the development process that make it pretty clear from the writing staff, especially Linda Woolverton, that the film was supposed to push the feminist agenda (heck, Woolverton herself even explicitly stated that she modeled Belle after the Women's Movement in Time Magazine), and Woolverton also made it pretty clear in interviews that she believed the princesses before her were weak, insipid creatures that only wanted marriage and love as goals, and only waited for their prince to come (she even included, rather insultingly, Ariel from ''The Little Mermaid'' among those characters despite that character being very proactive). There was also a rather subtle anti-family/anti-marriage agenda being pushed considering Belle reacted with disgust to the idea of even having children and also being treated as being in the right for shoving her suitor into the mud instead of just saying no and apparently taking amusement in ruining a wedding. It also doesn't help that the opening song and Gaston himself strongly implied that Belle's literacy was not supported at all by the rest of the village. It also doesn't help that most of the men aren't really treated in a very flattering light (let's see, Gaston, LeFou, and most of the village males are painted in a rather negative light, Cogsworth was depicted as a pompous jerk, Lumiere's a womanizer, and Beast was mostly a jerk even with his complexity), and the women who actually seem to value marriage weren't treated well either (those blonde triplets were called the bimbettes despite their not actually doing anything that would mandate them being called bimbos besides supporting marriage). Heck, Lumiere's womanizing is treated as an implied virtue as well, and Belle ends up being treated as being in the right far too many times especially in instances that actually were largely her own fault (like the wolf attack scene). Heck, the film actually seems to push [[misandry]], and the [http://beautybeast.enchanted-rose.org/library/displayimage.php?pid=13702&fullsize=1 Disney Comics] and [http://img2.wikia.nocookie.net/__cb20141210031917/disney/images/2/20/Tumblr_ng92xaGNbc1r2nlopo1_500.jpg WDW pins] don't exactly help in quelling any concerns for the film's agenda either. Heck, Belle was even cited by Woolverton to be based on herself. If feminism could get Princess and the Frog and Pocahontas onto the Worst Liberal Movies page, this most certainly can as well.

Probably the second reason, and probably the most damning, is the fact that Beauty and the Beast and some of its writing was actually reused for the 2014 ''Maleficent'' movie (which, BTW, both films were even written by the same person: Linda Woolverton). Keep in mind, the ''Maleficent'' movie was the kind of film that ''The Federalist'' actually [http://thefederalist.com/2014/06/06/maleficent-once-upon-a-screed/ denounced] as pushing an extreme left-wing agenda, so if Beauty and the Beast inspired a movie in writing that was probably undebatably one of the worst liberal movies, that's a strong case going against Beauty and the Beast being even a slightly conservative film. Maybe I'm a bit screwed up in my thinking, maybe I am actually right. I don't know. But what I do know is that there's plenty in the film that would strongly suggest against it even being debatably conservative, let alone fully conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:48, 8 August 2015 (EDT)

== Politics of ''Captain America: Civil War'' ==

I'm debating whether ''Captain America: Civil War'' should be included on this list, similar to the first two films in the ''Captain America'' trilogy, as even though the film contains some obvious conservative messages due to Captain America refusing to give into intimidation by the government and the United Nations by signing the Zakovia Accords, in addition to both the federal government and international governments shown to be corrupt with the villain Baron Zemo infiltrating the facility in Europe to brainwash the Winter Soldier and unleash chaos (in that regard showing proof that regulating the Avengers is illogical when the superheros are banned from taking action in the event a threat emerges on the inside which the government is unaware of, as I viewed it).

However, the film also arguably contains some liberal messages as demonstrated by Iron Man's side in agreeing to the Zakovia Accords as a consequence for the civilian deaths caused by the Avengers, which presents an "anti-war" message, which is further pushed by the villain's actual plot to initiate conflict between the Avengers as revenge for the death of his family during the events of "Avengers: Age of Ultron".

Should the film be included in the list, or under the "Debatable" section? --[[User:GOPFan2011|GOPFan2011]] ([[User talk:GOPFan2011|talk]]) 12:50, 13 May 2016 (EDT)

:I haven't seen it, but from what you say, it sounds a bit questionable. Even the liberals admit the government is corrupt--they just blame it on the conservatives while the same liberals continue making it worse. I'd call it "Debatable" at best, but I can't say for sure, since as I said, I haven't seen it. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:23, 27 June 2016 (EDT)

== Gods and Generals ==

I don't know if any of you have seen it, but should Gods and Generals be on this list? It's a hard movie to find (after release, it was "censored" by a number of companies, which means few people know much about it) but it shows loyalty to God, country, and beliefs. It takes place during the Civil War, I believe, though it's been a long time since I've seen it. --[[User:DavidB4|David B]] ([[User talk:DavidB4|talk]]) 13:04, 13 May 2016 (EDT)

==Star Wars==
While it is clear that Star Wars is, as this page speaks of, about good vs. evil, I question whether it should really be labelled as even a "Greatest Conservative Movie." I find a number of things concerning, including:
*The teaching of a universal force, ''which is neither good nor evil'' (There is no such thing as a neutral God-like power)
*The general idea there there is no God and Satin, but just a neutral power that can be used by men (and aliens) for God-like or Satan-like purposes
*The teaching of "trust your feelings" and that what is needed can be found withing you (see Jeremiah 17:9, and others)
*The trance-like state which is required to learn from and use the force (demon possession, anyone?)
*The "worship" of "the force." (They do call it a Jedi ''temple'', after all)
*And while I'm making points against this series: almost all Sci-Fi fiction implies if not states that there is not God. Life of many different kinds simply appeared or evolved on many different planets, and there are many life-supporting planets on which there being live.
Need I go on? I could, but I think I've made my point. If everyone wants to keep this on the list, I will not argue about it, but I would not have put this movie here. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:14, 27 June 2016 (EDT)
:In all fairness, I had moved it to the Debatable whether Conservative section for a reason.
:And technically, Star Wars isn't "sci-fi", it's "space fantasy," so the bit about there lacking a god or supernatural elements won't apply.
:I do agree that it's status as a conservative film is debatable, though. Heck, the heroes were explicitly derived from the Vietcong in the original trilogy, which alongside the Empire being explicitly based on America during that time period would alone destroy any ideas of it being conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:26, 27 June 2016 (EDT)
:EDIT: BTW, think you can comment on my topic regarding whether Beauty and the Beast can truly be considered even debatably a conservative film, let alone one of the greatest conservative films? [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:29, 27 June 2016 (EDT)

::You're right--I'd missed the section break there at first, but still thought I'd argue the point. I forgot to go back and change that. I must say I didn't know there was a difference between "sci-fi" and "space fantasy," but I still say that it does matter somewhat how they present the fantasy, as to whether with or without God. 
''"...the heroes were explicitly derived from the Vietcong...alongside the Empire being explicitly based on America during that time period..."'' 
::You've got to be joking... So why is this still on the list? 
::Also, you're welcome, but I don't know how helpful I can be. I really don't watch a lot of television. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:35, 27 June 2016 (EDT)
:::No, I'm not joking about the Rebels and Empire's inspiration. That said, I really WISH I were. You can read more here:
*http://www.yomyomf.com/star-wars-is-a-metaphor-for-the-vietcong-kicking-american-ass-in-the-vietnam-war/
*http://www.inquisitr.com/1491688/star-wars-was-meant-as-protest-against-vietnam-war-new-book-claims/
:::In fact, it's precisely BECAUSE of that bombshell that I am even an Empire supporter now after years of loyalty to the Rebel Alliance under the naïve belief that they were derived from the American Minutemen or even the French Resistance during World War II.
:::Probably the only reason why it's still on the list is because ultimately, it's still a film about good vs. evil, which is a conservative viewpoint. That, and possibly Ronald Reagan invoking Star Wars when denouncing the USSR as the Evil Empire.
:::As far as Beauty and the Beast, I was meaning the Disney version, not the TV series. You can read up my commentary on why it may need to be removed from the article altogether here: http://www.conservapedia.com/Talk:Essay:Greatest_Conservative_Movies#Should_Beauty_and_the_Beast_really_be_on_here.3F [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:43, 27 June 2016 (EDT)
=== I removed Star Wars ===

I removed Star Wars. See editors commentary above. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 14:11, 20 February 2017 (EST)

:Thanks. BTW, think you can look over Beauty and the Beast and see whether it should stay or begone? It seems to have more liberal values than conservative values in there, especially given what Linda Woolverton repeatedly stated. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 14:54, 20 February 2017 (EST)
::I will remove it. As far as future edits, you can remove any movie you wish as you have good judgment and have been a productive editor for some time.

::In addition, I haven't watched a lot of movies for awhile. I just haven't liked the quality of many movies that Hollywood has put out in recent times.

::Lastly, I don't have much interest in this topic/article. I don't want to edit that article for the foreseeable future given my knowledge of recent movies and my interest level of this topics. I do realize that entertainment effects the culture though and would appreciate your edits. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 15:02, 20 February 2017 (EST)

:::Okay, fair enough. I'm not sure we should automatically dismiss any Disney films from being Conservative due to Disney being left-wing right now, though (which is what you implied when you removed it in the comment section). The Lion King and The Little Mermaid did push definite conservative themes in there, and I do know The Incredibles pushed very conservative ideas. And that's not even counting the three original DP movies (ie, Cinderella, Snow White, and Sleeping Beauty).

:::I'll also keep your suggestion about not needing to ask for permission in mind. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:10, 20 February 2017 (EST)

== Wall E duplication ==

We seem to have some disagreement as to whether Wall-E is a liberal or conservative movie. As a result, it is listed both here and [[Essay:Worst Liberal Movies]]. I'm in no position to say one way or the other, but someone should probably remove it from one list, or perhaps both, if it can't be either "greatest conservative" or "worst liberal." --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 02:33, 24 July 2016 (EDT)

== Why is the room here? ==

To me this seems to be the work of trolls.The Room is an absolutely awful film and even if it was conservative, (which it isn't, the main character has premarital sex) it cannot be considered "great" in any regard. Terrible acting, subplots that lead to nowhere, rampant sex and hedonism as well as a poorly written story. I'm starting to doubt the integrity of this page if a film of such poor constitution made it on the list of Greatest Films. If anything the film should be considered an accidental comedy.

:Sure is entertaining though. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

== The Incredibles is extremely conservative, and should not be in the debatable section ==

Recently The Incredibles, was moved to the debatable section, for one slight detail. I do not believe it should remain in this section, I believe that it should be put back in the Greatest Conservative Movies sections for many reasons. First of all it might be the most conservative animation film ever made. Second it's only reason for being debatable is very minor. Almost every film has at least one conservative and liberal aspect. Third you really have to push it, to say that the boss; Gilbert Huph is a demonization of Capitalism. Yes he is heartless, but he is just a person, and to be fair to him he does not know that Bob Parr has superhero powers, all he knows that Bob Parr is not focusing on his work, with that logic, you could argue that J. Jonah Jameson is demonization of capitalism, as he is Peter Parker's boss, and he twists the paper, and often displays Spider-man in the paper as a bad guy, (and he too is unaware of his worker's powers). Fourth one of the reasons that Gilbert Huph, tells Bob not help his costumers, is because when Bob asks if he should, Gilbert Huph tells him that "the law requires that I answer no", which in no ways a negativity on capitalism, as the government is requiring him not help people and not the business. Finally the movie does promote capitalism, as the main lesson of the movie is to shown the negativity of an enforced mediocrity, from the government, which highly mocks socialism, not capitalism.
*Okay, fair enough. Feel free to revert, I just was concerned especially when [http://pixar.wikia.com/wiki/Gilbert_Huph#Trivia Gilbert Huph's page] on Pixar Wiki made it sound as though he WAS a demonization of capitalism (and it doesn't help that Wallace Shawn was specifically mentioned to not only be the opposite of Huph, but also implied he was a socialist due to his appearing in Michael Moore's film "Capitalism: A Love Story" and being a friend of Moore). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 14:39, 10 December 2016 (EST)

== There needs to be some kind of criteria for inclusion here ==

I'd seriously like to know how so many rated "R" movies, especially slasher films like Halloween, classify as "conservative movies." It seems someone has been adding just about everything which doesn't hug trees or glorify liberalism to this list. Do any senior administrators have any objection to me removing some of these apolitical films from the list? [[User:DMorris|DMorris]] ([[User talk:DMorris|talk]]) 12:55, 31 December 2016 (EST)

:I removed Halloween, Scarface and Saw. See paragraph below about gratuitous violence and movies.

:Biblical criteria for Christian behavior could be used since Christianity has been a very influential force in the West for an extended time. For example, the Apostle Paul says to dwell on good things. While I understand that there is violence in war movies, the is the concept of Just War in Christendom. Horror movies are just violence for entertainment sake.

:The article [[conservative]] probably would be helpful in establishing criteria too.

:One problem is just the sufficient policing of the article.

:Another problem is that there was no very dominant founder or founders of conservatism who defined what exactly what it means to be a conservative. So you have competing notions of what is truly conservative. You also have completing notions due to differing notions of what it is to be a conservative due to countries/regions having different political definitions of what it means to be a conservative. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]])

:Fair enough about removing Saw. I realize more or less shut down my own argument, when I said that Jigsaw was playing God. [[User:newconservative|newconservative]] ([[User talk:newconservative|talk]])
::Then most of these belong in the debatable section, because it is debatable depending on how one defines "conservative." Many of these have conservative elements, but few of them are strictly conservative. [[User:DMorris|DMorris]] ([[User talk:DMorris|talk]]) 23:48, 14 June 2017 (EDT)

== Suggestion to remove suicide squad and zootopia. ==

I feel both should be removed for their own respective reasons. Zootopia's themes are decidedly liberal, and as critics pointed out there seems to be quite a bit of anti-Donald Trump, pro-gay subtext that I feel effectively rules this film out as "conservative.]," so to speak. While certain "conservative" themes may or may not be present, the general intent of the filmmakers have to be taken into account, and this film certainly leans to the left in that regard (still a great movie though). At the very least, I believe this should be moved to 'debatable.' I'm also quite confused to the addition of Suicide Squad. Besides the obvious fact that the received, at best, mixed critical and audience reception, the movie doesn't appear to have any sort of real political agenda aside from making money. Harley Quinn's fantasies about becoming a housewife become less inspiring when you take into a account that she's a deluded psychopath trapped in an abusive relationship with an equally insane partner who also happens to be underworld crime boss, and that the scene was more likely intended as a satirical jab at the "nuclear family" stereotype.--[[User: Lord Zedd|Lord Zedd]] 11 January 2017

== Fake news in "Pride and Prejudice" ==

Elizabeth is tricked by Mr. Wickham's lies about Mr. Darcy. This is akin to CNN and other media presenting false, disparaging information based on a single source. I won't roll back your edit, but I don't agree with it. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 12:07, 8 July 2017 (EDT)

:I think a better way to describe it is that Wickham lied to her about Darcy. People lie all the time, including in works of fiction. Fictional stories would be much less interesting (and real life would be less interesting too!) if everyone told the complete truth. Wickham and Darcy told very different stories about each other, and Elizabeth had to decide who was telling the truth. She made the wrong decision at first.

:Elizabeth's low opinion of Darcy came from two sources, apparently equally: what Wickham said, and the fact that Darcy separated Jane from Mr. Bingley, which neither Darcy nor anyone else lied about. Elizabeth's "who's telling the truth?" instincts failed her. Darcy's cold and aloof manner contributed to this.

:I can't believe that two men are discussing ''Pride and Prejudice''! :-) :-) :-) You realize that this is a women's story, a "chick flick", right? In fact, the fact that men can't relate to the story is discussed in the movie ''You've got Mail''. But I do like the story and the BBC serialization, even if Colin Firth in wet clothing doesn't do it for me. :-) Now I guess I have to go watch a baseball game to reset my equilibrium, [[User:SamHB|SamHB]] ([[User talk:SamHB|talk]]) 13:02, 8 July 2017 (EDT)

::I daresay the notion that men can't understand a women's story is [[fake news]]. Eh, what? ;-) --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 20:35, 8 July 2017 (EDT)

== Debatable whether conservative movies and debatable whether great movies were piles of junk ==

With the exception of Frank's Capra's classic movie ''It's a Wonderful Life'' the "Debatable whether conservative" movies and "debatable whether great" movies were piles of junk. I deleted those sections. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 06:21, 9 July 2017 (EDT)

:If they aren't allowed, I guess they aren't allowed. Don't know why they were created in the first place, if they weren't going to be anything more than junk. Must admit, some of them did have some conservative principles. Also, wouldn't pro-War, being the opposite of anti-War, be Conservative while the latter's more liberal? Just asking... [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:38, 9 July 2017 (EDT)
::I don't see the point of having a "Essay:Greatest Conservative Movies" and then having a big list of movies that are debatable. Newspapers don't publish "Best vacation spots" or "Best stocks to buy" and then also include a big list of debatable contenders in those type of articles.[[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 00:30, 10 July 2017 (EDT)
:::Fair point. Think we can create separate articles dealing with each debatable category? [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 05:30, 10 July 2017 (EDT)
::::Go for it if you want. I don't think they will be popular articles though. It is kind of like people abandoning liberal Christianity. People want the real thing or not be bothered with it. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 16:21, 10 July 2017 (EDT)
:::::Well, okay, I probably won't bother with a debatable whether conservative article (as you said, most people wouldn't want an article that doesn't even deal with real and pure conservativism, like how people don't want Liberal Christianity). But I can create a "debatable whether great" article. At least those films conservative principles are not in question, just whether they are actually good films. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 17:01, 10 July 2017 (EDT)
These edits may be good, but they removed about 70,000 bytes of information, possibly that other editor might find useful. I am recording the edits here before they got lost in the page history. Here they are: [http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359742&oldid=1359725][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359743&oldid=1359742][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359744&oldid=1359743][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359746&oldid=1359744][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359748&oldid=1359747][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359749&oldid=1359748] --[[User:1990'sguy|1990'sguy]] ([[User talk:1990'sguy|talk]]) 02:37, 10 July 2017 (EDT)

== Inside Out? ==

Other than some celebration of family unity in the end, that movie seems politically neutral to me. Who put it on the list, and why is it conservative?
--[[User:MacTavish|MacTavish]] ([[User talk:MacTavish|talk]]) 14:53, 10 July 2017 (EDT)

== Bambi ==

How exactly is Bambi pro-family? Now I am not saying that it is not, but is it conservative enough to even be the debatable section? --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:40, 1 September 2017 (EDT)
*Well, for starters, Bambi's mom gave her life to make sure Bambi survived when the hunter killed her. There's also the fact that the Prince and the Forest escorted both Bambi and his mom away in Man's first appearance. Plus, the Prince of the Forest, who is heavily implied to be Bambi's father, goes out of his way to save him in the climax during the forest fire. Actually, I think there's at least one other thing that makes it conservative: It also refutes the homosexual agenda with the character Flower, who is initially shown as a very effeminate skunk despite being male, yet by adulthood, he clearly is in love with a female skunk, thus being ahead of its time in proving that animals do not embrace homosexuality by nature contrary to what gay activists might claim. And to be fair, technically, "Man" is closer to a poacher than a true hunter (a true hunter does NOT target fawns or any does that are nursing fawns). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:33, 18 February 2018 (EST)

==Lion King should be labeled conservative==

There is another reason for it. It is a very good at showing why some people (like the hyenas) should be kept OUT of a country (and so isn't open borders) because they will only hurt the place (quite unlike the "let the Muslims and the illegals in" message being given today.). Furthermore, Scar's speech to the hyenas about getting even and what is owed to them could have a few words altered from "Be Prepared" and be an Obama speech. Scar essentially brings in foreigners who will back him and in exchange he gives them goodies, though, he openly admits he'll get most of them (which is true that politicians and the elite are the ones REALLY benefiting from open borders.). What the hyenas get is, presumably, the lionesses to get all the food for them and deplete the food supply and turn the ones great Pride Lands into a ruin (a great picture of what the Democrats and open borders are doing to America!) and, then, when things get low, kinda like Venezuela, he coldly tells his own hyena allies to "eat Zazu" (they don't do it, luckily) when they are hungry. And he even sells out his own allies, blaming them for Scar's death, when it is convenient for him (just like the Left), a move that, ironically, leads to his own demise. All in all, I think the movie has a very anti-open borders message, something that is needed nowadays! [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

Note, I don't know about Lion Guard, the latest TV Series with Lion King, if it's conservative (it's probably not with Iger at the helm). I do know that the statement that Timon and Pumba are gay, which I've seen going around, is false. Timon had a girlfriend in one the Timon and Pumba TV Series episodes. What caused him to leave is that he could never see Pumba again, and Pumba was his best friend and the meerkat village was bigoted against warthogs. (Also, his girlfriend could have come with him if she loved him enough, but she didn't, so it's HER fault then.) However, that said, I would NOT be surprised if Iger made Timon and Pumba gay in the upcoming Lion King live action. (After the gay LeFou, I wouldn't put it past him.) [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

Also, I do think Finding Nemo and Finding Dory are conservative. Ellen DeGeneres at least makes a good Dory, if not a human being. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

:I'll make sure to note the bit about it being anti-open borders on The Lion King's entry.

:So far as Lion Guard and/or The Lion King With Timon & Pumbaa, that's better fit with [[Essay:Greatest Conservative TV Shows]], so you might want to note that bit there.

:As far as Finding Nemo and Finding Dory, Finding Nemo is definitely already listed on here. I'll see if I can list Finding Dory on here (though given that it's technically a retread of Finding Nemo due to being a sequel, I'm not sure if it qualifies as truly great.). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:06, 12 October 2017 (EDT)

I believe that Finding Dory should be considered great, despite being a sequel. There are other sequels on this list that are considered great. Plus it got great reviews and is the fourth highest grossing animated film of all time. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 10:25, 12 October 2017 (EDT)

:Okay, point taken. Moved it. May need an expansion, though. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:31, 12 October 2017 (EDT)

:BTW, Speaking of Iger and Lion King and gays, I just uncovered something very interesting. Turns out, the oft-reported bit about how LeFou was gay in the movie, according to Josh Gad, [https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/ wasn't even in the actual script for the film], which strongly suggests that the whole "gay promotion" thing was on the part of the producers like Bill Condon mouthing off and not the actual film itself (and may also imply that the brief scene with Stanley and LeFou was an ad-lib added in by Condon.). Not that this is at all a good thing because it isn't, but in that light, we can probably assume that the script at least didn't intend to promote the gay agenda. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:47, 12 October 2017 (EDT)

==What about the Movie "Up"?==

It's kinda borderline. It does promote faithfulness in marriage and other good traits. The beginning part of them trying to force him out of his house could be considered anti-capitalism, but, on the other hand, eminent domain was only supposed to be used for public use, but it appeared that some company wanted the land and he wasn't willing to sell so they went and tried to make him look like he was getting senile or something so they could take him away and use his land, which is little better than the government doing the same to someone with the EPA and they, like the Obamacare panels, ruled him a burden on society rather than a human being with value. Also, it could possibly have an environmental theme, as they did try to save a rare bird. On the other hand, with the kind of brain to develop the talking device for the dogs, Mentz could have done other things with his life than spend all of those years trying to get that bird and be willing to take her away from her children. Also, I don't think the movie is really anti-capitalistic as it was left open if Mentz was good or bad until the moment he went after the bird and even went so far as to try and kill Russel and Fredrickson to do it. Also, on the other hand, Fredrickson was a sort of father figure to Russel as his father was never around. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 20:15, 13 October 2017 (EDT)

"Up" is actually on this list, you do make some good points on the film being borderline. Yes, they try to save the bird, but it's not really in an environmental way, it's more in a human saving a pet way as Russell found this specific bird, and he was saving that bird because it was like his friend, not because it was an endangered bird. Plus Mentz was almost like a poacher, so I do really think the film could be considered environmental. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 21:12, 13 October 2017 (EDT)

==I think All Dogs Go to Heaven should be removed==

I don't know why All Dogs Go to Heaven is on here. Generally I'd put all of the Don Bluth works on here, but this one is the EXCEPTION, due to the fact that pretty much all scoundrels (Charlie, Itchy, Car Face, etc) are able to get into heaven and the concept of damnation is pretty much an afterthought. Now if Charlie had reformed at the end of the first movie, that would be one thing, but apparently, in the sequel, he's back to his old ways again. All in all, it's generally not good if the "hero" of your story is little better morally than your villain. Also, it does send the liberal message that you can do whatever the heck you want in life and there are no consequences for it (save that Car Face finally got his at the end of the second movie, though Charlie kept getting breaks for his bad behavior.) [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 23:47, 13 October 2017 (EDT)

I am confused are you saying that is not good if the hero is more moral than the villain? --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 00:09, 14 October 2017 (EDT)

The opposite. I'm saying it's not good if the hero is little more moral than the villain. Now, it would be one thing if the hero was more of an antihero and learned their lesson at the end and changed and became better in the sequels, but that's not the case with Charlie. If anything, we could argue he was even worse in a way in the sequel. (In the first movie, the most damage he did was to himself, but in the second movie, his actions allowed one of the devil creatures to imprison most of the dogs in dog heaven and his actions were more selfish than noble that led him to giving away that horn. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 21:43, 14 October 2017 (EDT)

==I think the Princess and the Frog deserves a chance===

Here is another reason: the portrayal of Tiana's father. While Lotti's (I think that's her name) father spoils her rotten, Tiana's father teaches her the value of hard work, that love is more important than money or possessions, was the one who inspired her to open her own restaurant (it was her father's dream and she finished what he started after he died) and he was in the military and was killed in action in WWI (good portrayal of the military in this movie). You don't often see the father portrayed in a good light in Disney movies, or, indeed, many modern movies in general. Triton seemed always to always be holding Arial back, Aladdin's father Kassim was the King of Thieves and had abandoned him and his his mother to go after the Hand of Midas, (Mufasa was good to Simba, I admit, but, then again, Lion King was listed as conservative on this list), Marlin, albeit too paranoid, was good (but Finding Nemo was also on this list), Lilo's parents weren't around in Lilo and Stitch (though they both died in some accident I think), Russel's father wasn't really around for him in Up, we never see Andy's father in Toy Story (only his mother and sister) (Heck, we don't see Sid's father either and we only see the mother of Jessie's former owner, never her father, so apparently fathers were unimportant in Toy Story (yeah, I know it's about the toys, not the people, but that still is disturbing if you look at it.), etc.

Come to think of it, that is a good argument against the claim that Princess and the Frog is a feminist movie. It was also later stated by Dr. Facilier that Tiana's father would sometimes do double and triple shifts to try and aim for his planned restaurant, yet he always made sure, despite being bone tired, to find time for his family.

Also, another thing to consider is Lottie, though spoiled, rich, and white, she is NOT a villain, but was actually the one who bought a lot of stuff (admittedly with daddy's money) to help Tiana get enough money for her restaurant. (They even said so in the director's commentary that she was designed that way.). That's another thing that makes the film anti-liberal. If it'd been a liberal film, Lottie and her father would have been villainous jerks, not supporting good guys.

Also, lest someone bring in that the film's agenda is racist, it should be noted that it appears that the film's villain, Dr. Facilier, is darker skinned (not quite black, but not white either).

Also, I might add that originally, Louis the alligator, was going to be a human turned into an alligator by Dr. Facilier, but the plot was dropped on that part. However, that said, Lois the alligator and Ray the firefly (who actually died fighting Facilier), were also portrayed in a good light and not as incompetent. That is another strike against it being a feminist movie. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:27, 28 October 2017 (EDT)

Also, I might add that Tiana and Naveen do seem more like a reasonable couple. Naveen is lazy and rich. Tiana, though poor and hardworking, perhaps is quite possibly going over the line on working TOO hard, as even her own mother points out to her. And she never bothers to spend time with her friends as she's always busy working. In the end, Naveen becomes less lazy and Tiana learns to have fun once in a while. If it was a more feminist film by the way, it would have Tiana remain the same while Naveen became less lazy. However, Naveen changed Tiana too for the better. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:34, 28 October 2017 (EDT)

:Even King Triton at least was willing to trade his freedom for Ariel's when push came to shove, so he wasn't all that bad (I'd argue Sultan and to a lesser extent Maurice got far more raw of a deal, TBH). I'm still not sure about Louisiana Voodoo being treated in a positive light though. We probably could move it to Debatable, IF Aschlafly allows it. Ultimately, he has the final say since he was the one who had it be designated liberal in the first place. And personally, even with the whole restaurant bit, Tiana came across as less feminist than Belle did in Beauty and the Beast. Plus, it's actually one of the few Disney feature movies that DOESN'T demonize marriage outright (and the first Disney Princess feature movie to actually treat traditional marriage in a positive light since The Little Mermaid two decades prior), so that's probably another aspect pointing to it being conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 22:54, 28 October 2017 (EDT)

I think that even one movie you called conservative (Lion King 2: Simba's Pride) could be considered feminist. Both the central protagonist (Kiara) and the central antagonist (Zira) are females and generally seem to be portrayed to be the most competent. On the flip side, the only male, other than Rafiki of course, portrayed in a good light was Kovu (and he was originally bad but turned good when he fell in love with Kiara. Also, after being unjustly banished, Kovu suggested that they run away together and escape their problems. It was Kiara who suggested that they go back and stop the fighting. Again, another arguement that Lion King 2: Simba's Pride could be labeled feminist.). (Also, I might add that poor Nunca was allowed to be neglected, try and take out Simba to get Zira's love, and die trying. Vitani, on the other hand, was allowed to live to see Zira for what she was and to be able to get redemption.) Even Simba was portrayed as a father who just didn't seem to want what's best for his daughter (however, to Simba's defense, I don't recall Nala having that many lines at all in Lion King 2). If Lion King 2 can be labeled conservative, so should The Princess and the Frog. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 23:57, 28 October 2017 (EDT)

:To be fair regarding Simba, he actually DID have a valid point considering the Outlanders had served Scar earlier (and quite frankly, he's still an A-Okay Dad overall compared to Maurice and Sultan (who many times actually NEEDED rescuing by their daughters and usually don't succeed in saving their daughters even once. Not to mention more than once were largely depicted as doofuses.), or ESPECIALLY King Stefan from Maleficent). Besides, not all females were depicted as being good or even redeemable in the film. Zira most certainly wasn't. But yeah, like I said, we probably should wait for Aschlafly's response, since he's the one who decreed it a worst liberal film in the first place. For that matter, I'll see what Asclafly's response regarding Simba's Pride is. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 08:20, 29 October 2017 (EDT)

==I think Hacksaw Ridge should be removed from debatable==

While the film's main protagonist is against the practice of killing and the handling of a weapon (attributed because of his strong faith) the film at no point espouses gun control. At worst, it espouses gun ownership preference, as the film does take time to demonstrate and explain the necessity for firearms and killing in accordance with war. Hacksaw ridge was based on the real life of Desmond Doss and to change that aspect of his character would invoke historical revisionism and strike face of his moral christian beliefs. --[[User:AirForceMan92|AirForceMan92]] ([[User talk:AirForceMan92|talk]]) 01:36, 1 November 2017 (EDT)

== TV specials go under Movies or TV Shows? ==

Hi.

I was thinking of adding in some TV specials of various conservative and liberal stripes (and will go in the respective articles). However, I need to know, where do TV specials best qualify? Are they movies, or TV shows? I know made-for-TV movies are best placed here, but I'm not sure about TV specials. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:02, 11 December 2017 (EST)

That is a tough one, I know we have A Charlie Brown Christmas listed here. But Perhaps to avoid confusion on the TV Shows page, we could add another section labeled "TV Specials." Also maybe we should add A Charlie Brown Christmas to that section as well. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 16:47, 11 December 2017 (EST)

:Yeah, that might work. For now, I added various specials on the animated films section here. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:57, 11 December 2017 (EST)

I fixed it and added a TV Specials section because they really belong in the TV page not the Movie Page. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 14:44, 15 December 2017 (EST)

:Fine by me. Seemed odd that they'd be here anyways. BTW, speaking of TV specials, should ''[https://youtu.be/S3a5j8PgQxg The Star Wars Holiday Special]'' go under Greatest Conservative TV shows or Worst Liberal TV shows? I'm tempted to put it under the latter due to Itchy basically... well, let's just say he ends up doing something EXTREMELY inappropriate in front of his own family, ESPECIALLY considering the family nature of the special. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:00, 15 December 2017 (EST)

That I do not know I have never seen the movie. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:09, 15 December 2017 (EST)

== Home Alone 2 a critical failure? ==

Home Alone 2 was recently moved into the debatable whether great section for being a critical failure, but I do not believe this is true. I believe both the original and the sequel have gained popularity throughout the years and became cult classics. Yes, it recycles the same format, but it introduces new characters, new jokes, and some other new situations. If anything its the sequels after the second film, that are debatable whether great. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:41, 12 December 2017 (EST)

:Thank you for saying that. Tell that to MacTavish if he changes it again. [[User:Shobson20|Shobson20]] ([[User talk:Shobson20|talk]]) 18:35, 28 December 2017 (EST)

::I also lean towards keeping it out of the "debatable" section, but I'm open to counter-arguments. I haven't thoroughly thought it through, so I could be missing something.
::I thought it was cute how they made it obvious that it was a play on the first, and added too it. (i.e. rather than just two paint cans at the stairs, it was those then a pipe. If you have the extended version, he also cuts the rope, dropping the pipe on them afterwards.) I think it was their intention to play on and too the first. Doing that with the third might have been pushing it, but they didn't. In the fourth, I think they went too far in the other direction, and made it too different. It didn't have the same creative flair as in its prequels. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 19:06, 28 December 2017 (EST)

==Correction on Alladdin 3==

I think that whoever wrote that article calling Alladin's father the main villain didn't really pay much attention to the movie. Even a casual watching of the movie would show that Saluk (and perhaps, to a lesser extent, the other thieves) was the actual villain. At worst, Kassim was like Iago in Return of Jafar, more like an anti-hero who couldn't be quite called good or bad. (Heck Iago isn't perfect in this one here as he helps Kassim try to steal the Oracle.) --Unsigned comment by [[User:PatriotMongoose]]

:I know, and I did actually watch the film pretty closely as a kid (and yes, Iago does help steal the Oracle as well, I can confirm that), but Cassim technically was the central antagonist to the story since a large part of the story involved Aladdin trying to redeem him. Think of it like the Original Trilogy of Star Wars. Technically, Palpatine was the main antagonist of the three films, but the central antagonist was Darth Vader, the one who gets the most screentime and played a large prominent role in the overall plot. That's what the edit was trying to convey. I'll reword it to "central antagonist" rather than "main antagonist" since that's more accurate. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:29, 17 December 2017 (EST)

== Where does RoboCop fit on the spectrum? ==

It's pro-law and order, anti-crime and anti-drugs. But it's also anti-capitalism with the way OCP is represented and its creators are very liberal.

== Songs of the South ==

Hi.

I was thinking of adding the movie Songs of the South by Disney (which unfortunately thanks to race-baiters can't be watched other than via bootleg, which is a shame, as Uncle Remus actually seemed like a very good role model for his race), which effectively acted as an adaptation of the Uncle Remus stories. Problem is, I'm not entirely sure where to place it due to the split between live-action and animated films. After all, Songs of the South technically has elements of both, so I can't exactly place it in one category only. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:12, 30 October 2018 (EDT)

== Some suggestions ==

A suggestion:
- '''The Aviator''' (2004) - yes, it is directed by Martin Scorsese, whose films are often quite violent and include a lot of profanity, but this film is almost entirely free of both and seems to advance a conservative agenda. It is a biopic that lauds the life of Howard Hughes (a Republican and supporter of Richard Nixon), portraying him as exemplifying American values of commerce, vision and entrepreneurialism. Hughes is a tragic figure who struggles with mental illness, obsessive-compulsive disorder and politically-motivated and fabricated allegations of war profiteering (which were levied against him by the corrupt senator Owen Brewster, who was formerly associated with the Ku Klux Klan). Despite never overcoming his mental illness, Hughes does manage to expose Brewster's corruption and double-dealing - a victory for an individualist, capitalist entrepreneur against bureaucratic government authority and cronyism. The film also portrays left-wing actress Katherine Hepburn in a negative light, ironically juxtaposing her belief in socialism with the luxurious life she enjoys in the New York 'jet set' (a 'champagne socialist'), and depicting how she treats Hughes coldly and abandons him when his obsessive-compulsive disorder worsens. - [[User:LibertyMatters]] 17:29, 06 November 2018 (GMT)

In fact, I have a couple more suggestions now:
- '''The Hunt for Red October''' (1990) - an atmospheric and tense thriller about a Soviet naval captain trying to defect to America during the Cold War. The film overall has a very positive view of America as an oasis of freedom, with the Soviet officers desperate to escape the totalitarian communist police state - one of the Soviets is surprised when he learns that in America, unlike in Soviet Russia, one is allowed to travel between states, a vivid illustration of just how repressive the USSR must have been. Based on a thriller by conservative author Tom Clancy.

- '''Inception''' (2010) - Christopher Nolan, who directed this well-received science fiction film about lucid dreaming, is considered one of the most conservative Hollywood directors (he directed the war film Dunkirk, which already appears on this list). Inception at first appears a completely apolitical film, but some reviewers have pointed out a subtle but definite Christian allegory at play here.

Buckle up, because this one - as befits a complex film - is a complicated one. But I really don't think I'm reading more into it than is actually there, and plenty of people have pointed this out. Spoilers are very much coming up, too, as a warning.

A quick précis of the plot - Cobb, the main character, is an 'extractor', who performs corporate espionage by attempting to infiltrate the subconscious of targets while they are dreaming and extract information. He has been hired by Saito, an unscrupulous businessman, to perform an act of 'inception' - placing the germ of an idea in someone's subconsciousness. In return, Saito will clear Cobb of a (false) murder charge and allow him to come back home to his children in America.

To embed an idea in someone's subconsciousness, it requires creating a 'dream within a dream within a dream' and embedding the idea deep within the bottom layer so that the person will not reject it as foreign. The way to wake up from a deeper dream layer into the one above it is to die in that layer (the idea that we have to die to wake up should suggest where this might be going). But there is also the possibility of getting lost in 'limbo' - a world so deep in the subconscious that the dreamer can construct the entire world with their own mind, and risks forgetting they are in a dream at all. Cobb, as is revealed later on, was once trapped in limbo with his now-deceased wife Mal, who spent years in limbo (the equivalent of hours in the real world) constructing a world out of their own memories.

The film opens with a shot of a fake vision of Cobb's children in Limbo, who are building sandcastles on a beach. It ends with a shot of Cobb reunited with his real children, James and Philippa (both named after Christian apostles), who, in the final line of dialogue in the film, say that they are building a house 'on the cliff.' Some reviewers have puzzled over the meaning of this line. To me, it's pretty clear. The film is bracketed by the two halves of the parable of the wise and foolish builders (Matthew 7:24).

What does this mean in context? It means that limbo is identified with the mortal world, where the foolish builders construct their lives on materialism rather than faith. In limbo, people have the power to use their imagination to make the world whatever they want it to be, as Cobb and Mal did for years - but none of it is real, it is just a figment of the subconscious. Near the end of the film, Cobb encounters a subconscious projection of Mal (malevolent?), who tries to persuade him to stay with her in limbo - not on the grounds that it is real, but that "you don't believe in anything anymore." Cobb rejects this materialistic relativism, in favour of an affirmation in the objective reality that his children do exist in the real world, 'up above' - in other words, he repudiates the temptation to live in a faithless world where mankind sets himself up as all-powerful and can build whatever he wants, instead having faith in the idea that there's something more real and meaningful than this.

The film is thus metaphorical. Cobb starts as essentially a glorified thief, obsessed with the idea of 'buying his way home' back to his children through his deal with Saito. Having failed to get his way into heaven (which, for him, is a return to his children) this way, he takes a leap of faith. He rejects Mal's temptation, refuses to use violence against a character who betrays the team, and risks his life to save that of Saito (who is in danger of getting lost in limbo). After this act of self-sacrifice, he dives into a river (a metaphorical baptism promising both death and rebirth), wakes up in reality on a plane, passes through immigration and customs (a metaphorical judgment of one's sins), is reunited with his father-in-law and finally returns to an Eden-like garden where his children are waiting for him. Whether this is intended to be a literal journey to heaven or a more metaphorical spiritual experience, the symbolism is all pretty clear. Once more, we end with the dialogue of constructing a house on the cliff - on the real and tangible substance of faith, a line that makes no sense without being viewed in a Christian context.

Christianity is admittedly not synonymous with conservatism, but I think the religious metaphor of this film is something conservatives would tend to appreciate. There is plenty more symbolism, which is summarised best in this article:
http://popupchinese.com/Inception.pdf
If we pop this one on the list it might be better to link to the article as this takes so long to explain. But I thought I'd lay out all the reasoning for you.

[[User:LibertyMatters]] 23:14, 10 November 2018 (GMT)

== Letters From Iwo Jima ==

I've been thinking about putting letters from Iwo Jima on one of these lists. If you truly understand it, it is a film that, while it paints the rank-and-file Japanese field soldier in a sympathetic light, it depicts the higher Japanese leadership in a negative light. For instance, it depicts Japan's "Kenpeitai" (the Japanese equivalent of the Russian Commissars) in a very negative light. The impression given by the movie is that young Japanese men are being drafted against their will to fight in a war that they don't understand. With all of the anti-war films that Hollywood makes, I think this one is different in that it shows the terrible battlefield conditions faced by the country that actually really started the war in the first place. [[User:Shobson20|Shobson20]] ([[User talk:Shobson20|talk]]) 01:14, 24 December 2018 (EST)

== Ace Ventura: Pet Detective Not Great? ==

Should Ace Ventura Pet Detective really be in the debatable if great section? It is one of my favorites, it was moved there for its crude behavior and because it stars liberal Jim Carrey, but there are other movies on this list, with crude behavior and other Jim Carrey movies.
--[[User:SaltLakeCityLover|SaltLakeCityLover]] ([[User talk:SaltLakeCityLover|talk]]) 10:06, 7 June 2019 (EDT)

I think it's definitely conservative (in fact, given how Pixar is going Left, it may be the LAST conservative one they ever make as they've fallen a long way from the conservative days of Toy Story and A Bugs Life)) but it also has a weak storyline and was Pixar's first box office disappointment. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 15:15, 17 August 2019 (EDT)
:Wait, I don't see how Ace Ventura has anything to do with Pixar. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:55, 17 August 2019 (EDT)

Okay, I am going to move it back.
--[[User:SaltLakeCityLover|SaltLakeCityLover]] ([[User talk:SaltLakeCityLover|talk]]) 12:01, 4 January 2020 (EST)

==A mild concern about a Dog's Purpose and a similar recent film (also mostly conservative), The Art of Racing in the Rain (2019)==

Both of them seem to promote reincarnation. In A Dog's Purpose, Bailey comes back as several other dogs (including a female, once, which I wondered if it was a subtle transgender reference). In Art of Racing in the Rain, Enzo dies (off screen) at the end and, per his long time desire, appears to have come back as a human boy named Enzo. I'm just wondering if these movies are secretly pushing Hinduism or that mentality. I suppose every film has it's questionable elements, though. Otherwise two good movies.

[[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:52, 28 August 2019 (EDT)

Talk:Essay:Greatest Conservative Movies

2019-06-07T14:07:15Z

SaltLakeCityLover: Renamed section

[[Talk:Essay:Greatest Conservative Movies/archive1|Archive 1]]
 [[Talk:Essay:Greatest Conservative Movies/archive2|Archive 2]]

== Public Discussion Here ==

(post comments here by clicking "Edit this page")

Okay who keeps mispelling "Mr. Skeffington"? THERE IS A G IN THE NAME see www.imdb.com/title/tt0037094/

The Conservapedia entry for "Gen. George S. Patton" has a great section on the classic 1969 film, "Patton;" why is it not on the list?? A few years back "National Review" listed 100 great conservative films ("A Man for All Seasons" led NR editors' list). Immediately readers (including me) sent in their own nominations and "Patton" came in #1!!!!

CW Miller PhD

:It should be. Would you like to add it? Note, however, that the film was not as conservative as the person it featured!--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)

I think 'Tears of the Sun' should've definitely been on the list. Its extremely pro-military.

:Perhaps, would you like to add it with an explanation of why?--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)

What is the conservative message taught by "The Way We Were"? Just curious.

:Pretty obvious, isn't it? The [[liberal]] rants predictably got too tiresome for the man to put up with, and he inevitably broke off the relationship with the woman in order to find a replacement.--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)
::And in the process of breaking off the relationship, he broke his marriage vows and committed adultery. --[[User:SharonW|SharonW]] 23:44, 30 August 2011 (EDT)

I think The Graduate (1967) needs to be on this list. This is a film about a boy growing up, by facing harsh reality, owning up to his mistakes, and making a decision about his life, thus becoming a man. It's also about how we can overcome sin and corruption by taking control of our lives. --[[User:Wayfinder|Wayfinder]] 14:47, 3 November 2011 (EDT)

:I'm not too sure about that one. A common interpretation of the ending is that Benjamin has actions in the climax were purely spur-of-the-moment, at that he's just figuring out in doing so he's failed to accomplish anything meaningful and is left with a wholly uncertain future. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

Another film is the 1948 Alfred Hitchcock film Rope, starring James Stewart, John Dall, and Stewart Granger. Based loosely on the Leopold-Loeb killing, Rope is about two Harvard scholars who decide to kill an acquaintance of their simply for the sake of killing, because they believe they are superior to others, all taught from one of their headmasters (James Stewart). This film goes into one of the reasons why we have laws, why we cherish human life, and slightly goes into the immorality taught by ivory tower intellectuals that seems so prevalent today.--[[User:Wayfinder|Wayfinder]] 22:00, 3 November 2011 (EDT)

Hud (1963), starring Paul Newman, Melvyn Douglas, and Patricia Neal, needs to be in this roster too. At the heart of Conservative Philosophy lies the strength of a man's character and how that character influences others. Hud, played by Newman, is a man who's completely selfish in a way that liberals are. He doesn't care about anyone but himself, and his own ego, and he gives no restraint to his appetites. He doesn't give a damn about anything, because to him the world is full of excrement. And that sooner or later, you're going to have to swim in that muck like everybody else. A great line is said that "The look of the country changes by the people we admire." As you watch this film, things get progressively worse for the ranch that Hud lives on, part and parcel because of his own crass behavior. Hud's willingness both to pass bad beef off onto his neighbors and take the ranch out from his old father indicates the sourness of his character. A brilliant film about human character.--[[User:Wayfinder|Wayfinder]] 22:28, 3 November 2011 (EDT)

== Man of Steel ==
Could it not be argued that the movie is promoting idolatry by having the people of Earth view Superman, a non-human, as a "Christ-like redeemer?"

Not likely. Superman never sought the worship of people. Neither did Zod for that matter. Interestingly, in this movie, Zod is an anti-hero. He may have intended well, as his patriotism is to be admired, and I really don't blame him for killing some corrupt Krypton, but, tragically, in the planned economy, he was predesigned to be a warrior to continue the corrupt planned economy of Krypton. True, there is free will in the predesigned society (Jor El and his wife did break the law by having Kal naturally and Jor El broke the law by taking Kal from the Genesis chamber and sending him to earth. It was that Jor El believed that the whole society was too corrupted to be continued along the Krypton way and thus that Zod's idea of only keeping the good bloodlines, as he put it, wouldn't solve the problem. What made Zod a villain wasn't his efforts to save Krypton, but his efforts to kill everyone on earth when he could have just assimilated like Kal. (So the movie isn't pro-open borders either (though I heard a super man comic was lately!!!) as Kal adjusts but the alien Zod comes in and tries to transform the planet to his liking just like the illegals and Muslims are trying to transform the USA.) Also, Kal El/Clark Kent just wanted to be left alone (even ticking off the military when they tried to track him and he destroyed some pricey equipment to get them off his back). [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 01:53, 13 October 2017 (EDT)

== Leaving Las Vegas ==
While clearly not originally intended to portray a conservative message, I feel that one strongly comes across in the film. Semi-autobiographical story of an alcoholic writer who loses everything because of his drinking and continues to spiral until it eventually costs him his life. opinions? [[User:Fnarrow|Fnarrow]] 11:07, 6 April 2013 (EDT)

:Not quite sure as to how this portrays a 'conservative message' of any kind. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

== The Blind Side ==
It's a story about the shortcomings of public education and how the power of private Christian charity helped a young homeless man overcome his disadvantages and play in the NFL.[[User:AdamDiscordia|AdamDiscordia]] 19:03, 14 May 2011 (EDT)

== Brokeback Mountain ==

I was thinking about this topic earlier and had an interesting thought about a seemingly non-conservative movie that, in a way, is actually quite so. I'm going to throw this out there for some (hopefully productive and civil) debate and see what people think.

The movie is Brokeback Mountain. Now hold on to your outrage, people. I have justifications for my point. Please hear me out. (Oh, and spoilers, just in case you planned to see/read it and hadn't)

As you probably know, the movie (and the novella on which its based) is about two men who fall into a homosexual lifestyle. But what struck me as conservative about this film is that it doesn't glorify the lifestyle; the two mens' choice to indulge in homosexuality is a disastrous choice that ends up ruining both their lives. One man's marriage is destroyed and his relationship with his child is forever tainted. The other man's choice actually leads to his violent death (Incidentally, I'm not saying that killing someone for being gay is a conservative value. But the point is that this movie is actually very up-front about acknowledging the catastrophic consequences of a homosexual lifestyle).

Considering all that, my next though was whether this movie might be unintentionally conservative, in which case it certainly doesn't belong on this list. But I don't think it is (haven't seen it since it first came out though, so I could be wrong).

So, there's my point. I would appreciate some discussion. I imagine some CPers will think I'm trolling or just trying to start an argument. Not so. I feel like it's a valid point but that there are probably strong arguments for and against, and I'd really like to hear what other people think. [[User:EMorris|EMorris]] 17:11, 25 June 2010 (EDT)

:You are partially right, but I think the homosexuals were meant to be sympathetic and on that basis alone, I don't think that movie belongs on this list. [[User:AdamDiscordia|AdamDiscordia]] 19:05, 14 May 2011 (EDT)

: I agree that the movie is anti-homosexuality. Based on the publicity, I expected the movie to be pro-homosexuality, but I was quite surprised by what was actually in the movie. [[User:RSchlafly|RSchlafly]] 16:15, 31 August 2011 (EDT)

:This would be true, except that you have to consider the film's intent. It's not necessarily suggesting that what these men did is the result of their choice. It's suggesting that what happens to these men is the result of bigotry, prejudice, and hate on the part of the world around them. That they are blameless, in spite of their choices. A stark contrast, which I think also ought to be listed as a Conservative Film, would be Midnight Cowboy. In Midnight Cowboy, Joe Buck (played by Jon Voight) recognizes that the life he chose, as a male prostitute, and begins to make an effort to change, to get out of New York, with Ratso (Dustin Hoffman). Ratso's death underscored the decadent life they had led in NYC, and how Joe barely escaped with his own. In Brokeback Mountain, you do not see such recognition on the part of Ennis and Jack. They don't really consider what they did as wrong, necessarily. So where Midnight Cowboy underscores the devastation the immoral life can lead, Brokeback Mountain places the responsibility for that devastation on everyone else but the two men most responsible. --[[User:Wayfinder|Wayfinder]] 19:56, 3 November 2011 (EDT)

== U-571 ==

I deleted U-571 from this list. It portrays the capture of an Enigma machine from a German U-boat by US forces. As pretty much everyone with any interest in WW2 knows, the naval Enigma machine was stolen by Polish forces and decoded by British code-breakers at Bletchley. My Brit friends think U-571 is a joke because it minimises the role of the British ("you arrogant Yankees"). Poles are offended because it cuts out the Polish involvement altogether - including the very brave men who risked their lives to steal an Enigma machine and hand it over to British Intelligence. (BTW, Britain and Poland were allies of ours in WW2 and still are now.) Deceit isn't a conservative virtue - so I crossed U-571 off the list. [[User:BenjyB|BenjyB]] 16:51, 20 September 2010 (EDT)

: I'd say it's very questionable whether there's any deceit involved. The movie makes an on-screen written acknowledgment that the the first (and the majority) of enigmas were captured by British sailors. The whole movie is so over-the-top that nobody with a lick of intelligence would believe it's true. American sailors did capture an enigma machine during the war too, so this movie is obviously "inspired by a true story" even if it's not especially true. Most of the movie-going public knows that Hollywood "true" stories are highly fictionalized. [[User:EMorris|EMorris]] 13:13, 21 September 2010 (EDT)

==The Lives of Others==

Where on earth is The Lives of Others? it is, surely, the best recent critique of Communism and, for that matter, one of the best films ''of any type'' released in the past five years. It certainly deserves a place ahead of, for example, the obscure Dark Matter. --[[User:Jdixon|Jdixon]] 12:13, 28 November 2010 (EST)

: It's in German, right, and about the former [[East Germany]]? I'll add it on your recommendation, but I can't agree it ranks higher than the English-language Dark Matter, which speaks to today and not just the past.--[[User:Aschlafly|Andy Schlafly]] 12:41, 28 November 2010 (EST)

::Fair enough, Andy. Though I don't quite understand the argument against foreign-language films. If the issue is obscurity, The Lives of Others was seen by far more people in the US than Dark Matter. A glance at Box-Office Mojo confirms that Dark Matter took in a staggeringly tiny $30,591 on its domestic run. The Lives of Others took in $11,286,112 in the US (plus another $66 million in the rest of the world). I am, however, content to abide by your criteria. --[[User:Jdixon|Jdixon]] 15:40, 28 November 2010 (EST)

:::Oprah Winfrey's daytime talk show rakes in far higher revenues than both, but I'm not sure what that proves. Dark Matter was apparently victimized and downplayed by liberals who finally figured out its conservative message, after it won first place in one of the Sundance Film Festival categories. The liberal backlash against Dark Matter is particularly surprising given that Meryl Streep starred in it.--[[User:Aschlafly|Andy Schlafly]] 18:48, 28 November 2010 (EST)

::::P.S. Your suggestion of "The Lives of Others" is a fine addition. Thanks.--[[User:Aschlafly|Andy Schlafly]] 19:02, 28 November 2010 (EST)
http://www.conservapedia.com/skins/common/images/button_sig.png
::::No problem. Keep up the good work. --[[User:Jdixon|Jdixon]] 20:47, 28 November 2010 (EST)

== Fiddler on the Roof? ==

A film celebrating the value of community, tradition, family, and faith, all against the historical context of the harm done by the rise of Communism in Russia...worthy of a spot on the list? --[[User:Benp|Benp]] 18:30, 6 January 2011 (EST)

:Sounds good to me ... please add it as you think best!--[[User:Aschlafly|Andy Schlafly]] 18:48, 6 January 2011 (EST)

:I disagree. Look at the overall film/play. This was definitely a counter-culture film thinly disguised as a quaint musical drama. The message was that Tradition is bad, illogical, and keeps people stuck in their ways when they should embrace the new, simply because it's new. When Tevye explains the traditions and why they're there in the beginning, he mentioned that they keep their heads covered and they wear their prayer shawl. He then asks, "How did this tradition get started?," and he responds, "I don't know." This sets up the rest of the show. Because never do they explain why they use a Matchmaker, or why they don't let people arrange their own matches, or why men and women dance separately. They even have the old rabbi getting down with the new changes, never defending what was before. Message: Traditions are stale and old and have no place in the modern world. Relax and just let things happen. Then the film gives us the drama of Chava marrying a Christian, marrying outside of her faith, and that's where Tevye can't abide it. By then, it seems that Tevye's objection is only based on ridiculous emotion, rather than anything objective. All this, in spite of the fact that change is coming, one that cannot be stopped by the traditions these people hold. This is not a Conservative message at all, but one that is quite subversive. If this had been written from a Conservative approach, we would've gone into the reasons behind the traditions, because they're not irrational or unreasonable. The reason for a Matchmaker, the way they dress, and the way they eat, and the dancing, all is meant to preserve their heritage as Jews living in Tsarist Russia. The Matchmaker keeps the Jewish men and women within the community, and within the faith, all the while helping to maintain peace and stability within the community itself. The point I'm making is that Traditions have a purpose, even if we disagree with them. And the notion that happiness comes from something material, as in the case of the marriage between Motel and Tzeital, is a direct message against a person's obligations to his or her duty, both to themselves and their community they live in. No, I'd say Fiddler on the Roof is not a Conservative film. --[[User:Wayfinder|Wayfinder]] 20:15, 3 November 2011 (EDT)

: I disagree Wayfinder. Much of Jewish culture is based around the concept that Jews follow tradition for no other reason than because God expects us to. Take Kosher laws. Certainly, there can health reasons for being Kosher, but that is not why Jews become Kosher; it is because it is expected by God. Kosher laws don't change or update with new dietary findings. There are no Kosher fad diets. Ask a random Jewish person who keeps Kosher why he/she does and, 9 times out of 10, they will either say, "Because I always have" or "Because God expects me to". In the later case, performing an act because God expects it is logical, in an of itself.

And in Fiddler, there is an extra point to tradition. As Tevye says, "Because of tradition, we've kept our balance for many, many years." To wit, tradition is the only thing keeping Jews from falling into the abyss. And, in fact, the more Tevye gives in to the modern times, the more his culture is ravaged until he is forced to leave his homeland. Tradition is deeply respected in the film, as much as, and for the same reasons as, it is in the Jewish culture. And for that reason, I would consider it a Conservative film. --[[User:Sirreality|Sirrealtiy]] 12:16, 7 July 2012 (EDT)

: You make some good points, Sirrealtiy, but I must reiterate that the film isn't about Tradition's strengths, but giving into change for its own sake. Not once does Tevye ever consider why there are these traditions in the first place. When he argues with himself over Tzeitel marrying Motel or Hodel marrying Perchik, and so forth, he never considers the traditions at all or even explains their use. He almost casually disregards them. When it comes down to Chava, though, he can't get around it, and, again, he has no real good reason for any of them. So Tevye comes off as rigid and petty. This is important because Fiddler on the Roof came out at the height of the first wave of hippy counter-culture in America, and it ran with it. By the time the film gets to the conclusion, that the Tsar is running them out of Anatevka, the message is loud and clear: You can't resist change at all, so don't even try. This would, on the other hand, be more of a conservative film if we went into the reasons for these traditions, a lot of which would've been known, especially to the likes of the Rabbi, before casually discarding them. : --[[User:Wayfinder|Wayfinder]] 01:45, 24 January 2013 (EST)
Fiddler on the Roof is a classic movie.

A remember this: "Jesus replied, “And why do you break the command of God for the sake of your tradition? 4 For God said, ‘Honor your father and your mother’ and ‘Anyone who curses his father or mother must be put to death.’ 5 But you say that if a man says to his father and mother, ‘Whatever help you might otherwise have received from me is a gift devoted to God,’ 6 he is not to ‘honor his father’ with it. Thus you nullify the word of God for the sake of your tradition. 7 You hypocrites! Isaiah was right when he prophesied about you: 8 ‘These people honor me with their lips, but their hearts are far from me. 9 They worship me in vain; their teachings are but rules taught by men’.” 10 Jesus called the crowd to him and said, “Listen and understand. 11 What goes into a man’s mouth does not make him ‘unclean,’ but what comes out of his mouth, that is what makes him ‘unclean’.” 12 Then the disciples came to him and asked, “Do you not know that the Pharisees were offended when they heard this?” 13 He replied, “Every plant that my heavenly Father has not planted will be pulled up by the roots. 14 Leave them; they are blind guides. If a blind man leads a blind man, both will fall into a pit.”

So not all traditions are good.

I love Thanksgiving though. And I like eggnog on December 25. :) [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 19:54, 10 July 2017 (EDT)

== Gattaca ==

A condemnation of genetic experiments on humans, and a wonderful triumph of individualism in an extremely controlled society. No matter how much scientists play to be God, and try to improve the human race by using genetics, there will always be an individual, based on original God design, who, despite his health shortcomings, will triumph over this genetically modified, supposedly perfect human beings.

I don’t immediately put it on the list because the movie is a bit atheist. In the final scene, the hero finally managed to travel to space and cites the phrase: “They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home."

So, I’ll say that the movie has a conservative message, unfortunately diluted with atheist overtones. I’ll wait for someone else opinion before posting this. --[[User:AlejandroH|AlejandroH]] 23:03, 10 March 2011 (EST)

:Feel free to post this with the caveat you mention. Thanks for explaining it.--[[User:Aschlafly|Andy Schlafly]] 00:33, 25 March 2011 (EDT)
::We talked about this movie at my fellowship a few months ago - pure hokum about a guy who might have been alright on his own but for a disgusting patriarchy forcing human engineering. I'll write this if AlejandroJ doesn't. [[User:NKeaton|Nate]] 00:51, 25 March 2011 (EDT)
:::Thanks, I posted it. --[[User:AlejandroH|AlejandroH]] 15:31, 25 March 2011 (EDT)

The argument that this film has atheistic overtones actually adds to this film. It shows how we have reduced a person not to his ability but to purely material characteristics, and the effects this has on society. In Gattaca, people are judged not by their ability, not by their merit or accomplishments, but their potential. Gore Vidal, who plays the director of Gattaca, says "No one exceeds their potential." This is, I think, a fundamental statement in the whole movie; that it is the potential that is important, not the action, not the accomplishment. If Vincent became exposed even after he is confirmed to go to Titan, we know what would happen; he would be expelled from Gattaca, and possibly imprisoned for using a "borrowed ladder." Which also points to Eugene's suicide and why he took his own life. Eugene doesn't value his life, but his potential. "Jerome Morrow," he said, "was never meant to be one step lower on the podium." In such an atheistic society that only values the material, the potential, the beautiful, but not the competent or the accomplished, Eugene's suicide underscores this conceit. Eugene could not be anything less than what he felt his potential was. Or, put it another way, he could not be anything less but what others said he should be. --[[User:Wayfinder|Wayfinder]] 14:58, 3 November 2011 (EDT)

== Disney cartoons ==

Most, and perhaps all, of the Disney cartoons for the past 15 or so years have pushed the [[feminist]] ideology. I welcome any counterexamples, but doubt there are any. Hence the reversion of the "Princess and the Frog (2009)" addition.--[[User:Aschlafly|Andy Schlafly]] 00:31, 25 March 2011 (EDT)
:''The Lion King'', a 1994 Disney movie, is definitely conservative. A main message of the movie is honoring thy father, and the power-hungry main antagonist, once he becomes ruler, favors big government, pushes [[liberal values]] and destroys their territory. I'll add it with your approval. [[User:DennyW66|DennyW66]] 15:45, 25 March 2011 (EDT)

::Sounds like a good choice. Please add and if anyone has a different view of the movie, then he can let us know.--[[User:Aschlafly|Andy Schlafly]] 16:26, 25 March 2011 (EDT)

:::Added. [[User:DennyW66|DennyW66]] 16:41, 25 March 2011 (EDT)

Mr Schlafly I would agree with your reversion of my contribution of the Princess and the Frog if that movie were feminist-ideology-promoting (like, for instance Mulan (1998)) but frankly, it is not a feminist movie. I am not a woman, nor a feminist - I am staunchly conservative. The Princess and the Frog promotes monogamous marriage (which feminism does not) as well as the other conservative values I listed (such as saving money, hard work, free enterprise etc). In fact, the main character is so pro-marriage that she changes her licentious friend's behavior from debauchery (which feminism promotes) to monogamy. It is possibly the most conservative-value-laden animated movie I have ever seen.

''The Lion King'' on the other hand promotes re-incarnation with its "Circle of Life" song. Jack, the hero of ''Titanic'' commits fornication and mocks a man reciting the 23rd Psalm; Cal, the main antagonist is depicted as a church-service-attending hypocrite.

You are doubtless correct about the feminist ideology pushed by many Disney animations, but this is not one of them. I respectfully request that you consider returning my contribution of 'The Princess and the Frog'. [[User:Spotsbunch|Spotsbunch]] 23:17, 25 March 2011 (EDT)

:I have to disagree with you about The Lion King. As far as I can interpret, "The Circle of Life" is either about the bond all humans share or the journey from life to death and the afterlife, not reincarnation. [[User:DennyW66|DennyW66]] 00:36, 26 March 2011 (EDT)

::Spotsbunch, I think you have a valid point about the Lion King, but from what I've heard about the "Princess and the Frog," it's feminist claptrap with the woman wearing the pants and doing everything except having children and homeschooling her kids. It's more Disney tripe about a successful businesswoman towing along an inept man, which is hardly typical in the real world.--[[User:Aschlafly|Andy Schlafly]] 00:56, 26 March 2011 (EDT)

:::Arguably, any movie where people turn into frogs, or where in Beauty and the Beast, people have transmogrified into furniture is not "real world". Fantasies they may be, (like many movies listed here) but they are still conservative. I (finally) put it to your kind consideration that if you would watch the Princess and the Frog, you would find it contains less feminism and more conservativism than Beauty and the Beast. Whatever your judgment, I respect your decision and will refrain from further debate, even though I (thus far) disagree. Kindest regards [[User:Spotsbunch|Spotsbunch]] 08:43, 26 March 2011 (EDT)

::::[[Feminism]] is unmistakable: it has women acting like men and vice-versa, contrary to reality. Disney cartoons have been ''heavily'' feminist for at least 15 years. ''Beauty and the Beast'', made 20 years ago, was not feminist in any way. But having a "Princess" act like a businessman and aspire to run a restaurant is feminist. What's next - Cinderella aspires to be a CEO of a Fortune 500 company???--[[User:Aschlafly|Andy Schlafly]] 10:10, 26 March 2011 (EDT)

:::::Is there any reason a woman can't run a restaurant or a fortune 500 company? No really, Andy, I want to know. Why is it feminist to portray a woman doing anything but cooking, cleaning, and rearing children? [[User:TerryB|TerryB]] 13:40, 26 March 2011 (EDT)

::::::Who said anything about cooking and cleaning? And, no, there isn't a reason why a woman can't aspire to any field, such as plumbers (almost no women plumbers), gas station attendants (ditto), or professional football players (ditto). The fact is that the vast majority of women ''do not aspire'' to do such activities (or running a restaurant or a Fortune 500 company), and it's false for feminists or feminist movies to repeatedly pretend otherwise.--[[User:Aschlafly|Andy Schlafly]] 13:48, 26 March 2011 (EDT)

:::::::I apologize for my abrasiveness, it just seemed that you were implying that's all they're supposed to do. I can see where you're coming from. While a woman can do what she wants, feminists are wrong for telling woman that they should only aspire to do things traditionally done by men. Men normally aren't beauty consultants, clothing designers, or nail salon technicians, so why don't we see any men urging more men to do these things? [[User:TerryB|TerryB]] 14:00, 26 March 2011 (EDT)

::::::::[[Feminism]] repeatedly tries to persuade women not to have children and raise them, pretending that aspiring to work in a job is somehow better. I can't think of a single Disney movie in the last 15 years that has been realistic about the homemaker role that most women prefer.--[[User:Aschlafly|Andy Schlafly]] 15:00, 26 March 2011 (EDT)
::::::::::Up. A key part of the story is that the old man's wife had given up her dreams of being an explorer as real life concerns around the home took precedence. [[User:Martyp|Martyp]] 15:03, 26 March 2011 (EDT)

:::::::::::As promised, I will make my petition no further. However, as others have continued this debate, I will contribute to that. The Bible, our ultimate authority, disagrees (as I read it) that "a woman aspiring to run a business" (restaurant or otherwise) is feminist. Proverbs 31:10-31 describes at length "the wife of noble character" to be involved in business by working with eager hands; importing food from merchant ships; providing food for her family; purchasing property for farming; trading profitably; making and selling expensive cloth and having enough money left over to give to the poor. Anyone with a definition of feminism which includes activities like these, who also respects the Bible as God's authoritative Word should reconsider his definition. Respectfully and with kindest regards, [[User:Spotsbunch|Spotsbunch]] 19:15, 26 March 2011 (EDT)

::::::::::::Not surprisingly, you left out the verse saying "her children wake up, and call her 'blessed,' so does her husband" ([[CBP]] version), as well as several other verses that feminist movies do not include.--[[User:Aschlafly|Andy Schlafly]] 00:06, 27 March 2011 (EDT)

:::::::::::::Then would it be acceptable to put the Princess and the Frog in the "Debatable Whether Conservative" section of this page? [[User:Spotsbunch|Spotsbunch]] 15:44, 30 March 2011 (EDT)

::::::::::::::There are high quality movies in the "Debatable" section. The [[feminist]] "Princess and the Frog" doesn't even come close to that level of quality and arguably conservatism.--[[User:Aschlafly|Andy Schlafly]] 17:46, 30 March 2011 (EDT)

:::::::::::::::Since we're talking Disney cartoons here, would films like The Little Mermaid qualify under Conservative or Liberal? I want to make sure so I don't end up making a big mistake later on. [[User:Pokeria1|Pokeria1]] 16:56, 29 June 2013 (EDT)

:::::::::::::::Actually, I think Beauty and the Beast would qualify as feminist propaganda, and thus make its Conservative status debatable. True, it didn't have Belle trying to work as a CEO or something (then again, given the time period, I don't think "CEOs" even existed at that time) unlike the films for the past 15 years, but it does push the feminist propaganda that women couldn't get an education until the 1960s, and all education was supplied to rich white males, and that Belle was somehow breaking societal standards by reading (which there have been women who read during that time as well and wasn't even looked down upon. Marie Antoinette for one.). Trust me, I'd recognize that propaganda when I see it because I had to be subject to that propaganda from a militant feminist professor by the name of Heather Lucas (who did actually imply the above thing about women not getting an education until the 1960s). Plus the fact that she was refusing to marry for children can easily be construed as being anti-family. Also, as some people pointed out, there were some left-wing stuff in Titanic as well (I think Jack basically made some comments that were negative towards capitalism in that film. That as well as the aforementioned scene with Rose qualifying as pornography, and heck, technically she was committing pedastry with Jack as well). I took the liberty to moving them to the debatable whether Conservative section. [[User:Pokeria1|Pokeria1]] 22:36, 10 December 2013 (EST)
:::::::::::::::Edit: It should also be worth mentioning that the village, while "shallow," was not really materialistic, not under the definition of matter being the most important thing, and certainly not in regards to the aspect of wealth, race, and jobs. Probably the closest they've gotten to materialism was their considering Belle to be "odd" due to her reading a book all the time, which even then seems to speak more to the feminist propaganda of Women not being educated at all until the 1960s. There wasn't exactly anything materialistic about the village. I had removed the reference to the village as being materialistic since it really didn't fit the definition at all. Also, the so-called "wedding" had a brief shot of a priest (specifically when Gaston makes that opening joke), making materialism in the village even less likely (materialism is atheistic, and the presence of a priest likewise implies the village was Christian, something that cannot intermingle with each other). [[User:Pokeria1|Pokeria1]] 17:26, 17 December 2013 (EST)

:Actually, after giving it some thought, I think The Princess and the Frog would qualify more as conservative at this point (certainly far more than the 1991 ''Beauty and the Beast'' ever did, which even Linda Woolverton, its screenwriter, not to mention Don Hahn, has admitted to being feminist claptrap since Jeffrey Katzenberg demanded for its third rewrite.). Technically, at least from what I gather as I haven't actually seen the film, the only reason why Tiana is even trying to run a shop is because her dad was dead and there was no male heir to run it, so under that sense, it's not actually feminist (and aside from that, it also somewhat condemns her obsession with trying to act as a CEO, especially when the main villain Dr. Facilier actually does try to convince her to pursue her dreams as a form of tempting her, and her ultimately rejecting it upon realizing what truly matters). I might as well point out that the film has Charlotte LeBeouf, a girl who most certainly is not a feminist, and if anything very traditionally feminine, who is actually portrayed in a very positive light, being a genuine friend for Tiana, and even attempting to restore Tiana and Naveen from the curse when granted the opportunity to do so (and only failed because Marti Gras ended at the worst possible time). And as another person pointed out, The Princess and the Frog actually DOES promote traditional marriage, and as a matter of fact, is the first Disney Feature Length film to actually do so since ''The Little Mermaid'' two decades before. Not saying it really should be listed as one of the greatest conservative films of all time (it's got evidence of plagiarizing ''The Little Mermaid'' at times, and aside from that, it did depict Voodoo in an ambiguous light, meaning that at best it can go under debatable whether Conservative or debatable whether Great), but it definitely shouldn't really be listed as a liberal film, period. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:33, 1 January 2019 (EST)

== Titanic ==

The movie ''Titanic'' also shows the rich and privileged getting on the half-empty life boats while the poor and lower class passengers are locked below (which is actually historical). Should it truly be included in this list? [[User:SharonW|SharonW]] 16:50, 6 April 2011 (EDT)

:No, I disagree. The movie accurately portrays the wealthiest men on the boat (Guggenheim, Astor, etc.) giving up their lives so that poorer women and children could be saved.--[[User:Aschlafly|Andy Schlafly]] 21:53, 6 April 2011 (EDT)

::While I'm ''not'' denying there were individual acts of chivalry and that Guggenheim et al declined seats (although there is historical conflicting testimony about Astor) on the lifeboats (of which there were too few given the number of people on the ship), the numbers show a definite declining survival rate by class. This was also a theme in the movie and not one that should be ignored.

::The movie showed the lower class passengers being locked in the bowels of the ship, blocking escape. There is historical conflicting testimony on this subject as well: several people reported gates between decks being locked and armed guards blocking passageways while one steerage passenger testified that the gates were not locked. Another passenger stated that not only did the staff ''not'' sound an alarm in third class, but that steerage passengers who came up on deck were told to return to their rooms because there was no danger.

::'''First Class''' Women - 4/141 died (97% survival rate)1; Children: 1/7 died2 (86% survival rate); Men - 104/171 died (39% survival rate); Totals: 109/319 died (66% overall survival rate)

::12 of the 4 first class female passengers who died chose to remain with their husbands. *corrected mistype.

::2Lorraine Allison remained on board with her family because they had been separated from her infant brother, who was on a lifeboat with his nurse. The entire family died, with the exception of the baby.

::'''Second Class''' Women: 13/92 died (86% survival rate); Children: 0/25 died (100% survival rate); Men: 135/152 died (11% survival rate); Totals: 148/269 died (45% overall survival rate)

::'''Third Class''' Women: 91/179 died (49% survival rate); Children: 55/80 died (31% survival rate); Men: 381/440 died (13% survival rate); Totals: 527/699 died (25% overall survival rate)

::'''Staff and crew''' Female: 2/22 died (91% survival rate); Male: 701/896 died (22% survival rate); Overall: 703/918 died (23% overall survival rate)

::There are some servants left out of these numbers due to confusion

::Sorry for the over-long reply, but the ''Titanic'' has been a subject of fascination to me since my teenage years (about a century ago!) so I'm rather verbose about it. 8^) I don't agree with you on the subject, but I won't remove the movie from the list. [[User:SharonW|SharonW]] 11:51, 7 April 2011 (EDT)

Conservative? Some guy says all the right words to a vulnerable girl, then gets her to strip naked so he can draw her (that's porn). Then he gets her into the back of a car and they fornicate. Not exactly my definition of conservative. --[[User:Crubs|Crubs]] 15:58, 30 April 2013 (EDT)

==Move The Dark Knight To the Debatable category?==
I'm wondering whether of not The Dark Knight should be truly considered conservative-while it does have the message of not giving in to terrorist, it also includes themes of everyone being corruptible and having their limits (like the good public defendant, Harvey Dent, turning into a villain, Two Face) and seems fascinated with darkness and chaos ("Madness is like gravity all you need is a little push"). Given this all, and the fact that Patrick Leahy had a cameo in it, I think this might well be reconsidered. Thoughts?
Armond White, who generally sees through liberal bias and is a more conservative viewer, wrote this about it: [http://webcache.googleusercontent.com/search?q=cache:fTJ_tj1IKooJ:www.nypress.com/article-18545-knight-to-remember.html+armond+white+the+dark+knightr&cd=1&hl=en&ct=clnk&gl=us&client=firefox-a&source=www.google.com]

:Thanks for your comments. I'll move "Dark Knight" to the debatable category as you suggest.--[[User:Aschlafly|Andy Schlafly]] 23:22, 13 April 2011 (EDT)

::I watched it when it came out, and I didn't notice anything particularly Conservative about it. The only thing really good about it was the citizen response to the terrorist dilemma the arch-villain sets up, whereby two boatloads of passengers "must" each ensure their own survival by blowing up the other's boat; a quick-witted passenger takes the remote control and throws it overboard. But this has nothing to do with Batman.

::The movie shows how vicious bad people can be, and how bullies support (and recruit) other bullies. But that is hardly fodder for the liberal-conservative debate. Both sides claim to despise bullying.

::I daresay the [[Batman]] character of the 1960s comic books had some "[[conservative]]" qualities, such as the ''noblesse oblige'' of the superior man and idea that society can be benefited by the actions of a heroic individual. Both of these run counter to Communist ideas of history. But the Batman movies I've seen are about a different, darker man. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 11:45, 14 April 2011 (EDT)

:Let me help explain why this film needs to be in the list. At the beginning of this film, crime had been quelled enough that when you saw the Bat-Signal a drug dealer, who probably would've made a quick buck and easily got away with it, chose not to make a deal (you see this guy just refuse a deal to some other man in a car). But this didn't mean that the city was totally crime free, or that corruption was gone. Bruce realized that Batman could not change Gotham. He could help, but he was only one man. Gotham needed someone to be the influence Batman could never be. And that man was Harvey Dent. This speaks to how important culture is to a society. There's a great saying from another film, called Hud, which says "The look of the country changes by the people we admire." Meaning, that if you want a good, upstanding, moral society, you back people who are good, upstanding, and moral. You choose good, even if it means your death. I think the best moment in this film is where the Joker has got the two ferries, one loaded with convicts and the other loaded with civilians, each rigged to blow. But it's a convict that understands the problem, and makes a decision not to play Joker's game. What does this mean? I nearly cried when I saw that scene. It meant that someone understood that there's more to life than living. There's more to life than just existing. There's more to life than doing what is expected, rather than doing what is GOOD. Because GOOD has VALUE, which, I believe, is at the heart of the Conservative Philosophy. Liberals believe quite the opposite. Or rather, they believe that there is no Good or Evil, that everything is relative. Just as the Joker believes. It is what we stand for, and are willing to die for, that make us good or evil. This is what Christ said. To take up your Cross, even if it means your death, even if it means the deaths of others, because Life is not predicated strictly on comfort or survival, but on the propagation of Good. That's why The Dark Knight needs to be here. --[[User:Wayfinder|Wayfinder]] 22:20, 3 November 2011 (EDT)

::He may be darker in the movies, that's not to say he still doesn't have conservative values, and he does whatever he can so other people don't go through what he want through. [[User:Jm920|Jm920]] 19:00, 15 September 2011 (EDT)

== "The Sandlot" as 1950s America as a time when "every boy had a chance to be great." ==

I suppose, maybe. It's harder to achieve greatness when one couldn't necessarily ride at the front of the bus/use the same drinking fountain/eat at the same counter/go to the same university as other folks. [[User:LloydR|LloydR]] 14:15, 28 May 2011 (EDT)

: Your point is valid. Feel free to include your point in the entry itself. I don't think the 1950s were as [[conservative]] as today. In addition to your comment, [[homeschooling]] was prohibited in the 1950s, for example.--[[User:Aschlafly|Andy Schlafly]] 14:29, 28 May 2011 (EDT)

== Rollerball (1975) ==

Rollerball (1975) is frequently overlooked as one of the great conservative films. A dystopian tale in which a corporate oligarchy maintains control over the peoples of the world by distracting them with a hedonistic culture of sex, drugs, and violent entertainment. Rollerball was designed by the corporations to hypnotize and distract the minions with gladiatorial combat disguised as sport. The world watches these spectacles and subconsciously receives the message their corporate masters are feeding them - that individual achievement is not possible, because every Rollerballer ultimately faces the same gruesome fate. However, when Jonathan E (James Caan) proves dominate and (more importantly) invincible in the sport - the corporations attempt to force him to retire through an ever horriflying series of rule changes designed to bring about his death or capitulation.
Jonathan E's defiance is a captivating and uplifting example of a man asserting the freedom of the individual in the face
of totalitarianism. JFarren 17:38, 7 June 2011 (EDT)

== Indiana Jones ==

I am very surprised that the Indiana Jones films are not included in here, when they are certainly conservative. [[User:NickP|NickP]] 23:25, 28 July 2011 (EDT)

:Would you like to add them?--[[User:Aschlafly|Andy Schlafly]] 20:25, 5 August 2011 (EDT)

== Rebuilt ==
I've rewritten the page as a table. Everything is sortable now. The gross is the US gross value, not worldwide (with one referenced exception). Everything else is the same. Films listed with NA - TV means that they were a TV program, and thus did not have a gross. NA - DVD means that they were released straight to DVD. None of the values are adjusted for inflation. While that would be interesting to do, I don't think wikis support computed columns, and it seems like a waste of time to update every number here. [[user:CGoodwin|CGoodwin]]

: Well done. Your format is better, and your additional information about revenues is interesting, although not of great significance due to (1) inflation and (2) popularity typically doesn't mean much.--[[User:Aschlafly|Andy Schlafly]] 20:24, 5 August 2011 (EDT)

==Space Jam is not a "Great" film==
Conservative or not, Space Jam sucks! It must be removed.

== Two Thoughts ==

1. What about "Fiddler on the Roof"? About the important role of tradition in societies.

2. Also, the caption for "Hilary: The Movie" is awkward if not misleading. It didn't result in the McCain-Feingold Act being overturned so much as it was the impetus for the lawsuit. The current description seems to imply that it was a crucial piece of evidence or something similar.

Would anyone be opposed to these changes? [[User:Ayzmo|Ayzmo :)]] 14:17, 1 November 2011 (EDT)

==Film suggestions==

The Whit Stillman film, "Metropolitan", has been included on various lists of conservative films, including one by National Review. The story is of a group of bourgeois college students who meet a middle-class socialist peer. he later becomes good friends with them. Another National Review's list is "Ghostbusters" for its portrayal of an EPA bureaucrat as the main antagonist human antagonist and a message that "the solution to a public menace comes from the private sector". Another on the list I think may be worthy of inclusion is "Groundhog Day."

The full article from National Review can be viewed here [http://www.nationalreview.com/nrd/article/?q=YWQ4MDlhMWRkZDQ5YmViMDM1Yzc0MTE3ZTllY2E3MGM=] --[[User:TedM|TedM]] 22:42, 10 March 2012 (EST)

:update; Another film I saw a while ago, while containing some crude humor, may still qualify. It would probably fit in the "debatable whether great" category. The film is "House Arrest" and is about some teenagers who go to extreme lengths (locking them in the basement) to stop their fighting parents from getting a divorce. --[[User:TedM|TedM]] 13:46, 12 March 2012 (EDT)

== The Iron Lady ==

I highly suggest seeing The Iron Lady. I'm not sure how widespread the release was but it received critical acclaim in Britain, and a good insight into the other side of the Atlantic during the time of Reaganism. [[User:HumanGeographer|HumanGeographer]] 15:06, 12 March 2012 (EDT)

== Add "Back to the Future" to the Debatable category? ==

According to the article for [[Back to the Future]], the film contains both positive and negative values. Should it be included in the "Debatable" category?--[[User:GOPFan2011|GOPFan2011]] 23:52, 16 March 2012 (EDT)

==Batman 3==

This review [http://www.wnd.com/2012/07/occupy-batman-storms-gotham-city/] calls "The Dark Knight Rises" a conservative film which compares the Occupy movement to the ill-fated French Revolution. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 21:04, 23 July 2012 (EDT)

==Zulu==

Zulu is definitely a Conservative film. Since when do Leftists (I never call them Liberals) have the character to do their duty even if it means their death? What you see here is an emergency situation, where the officers in command put aside both their differences and their peculiar ways of life to do what was important. Chard put away being an engineer for a couple of days, and Bromhead put aside being a societal-gentleman/officer. They were determined not only to do their duty, but to win. If they abandoned their post, they cede it to the enemy and they probably would've been hunted down and destroyed, as the force at Isandwana was. They fought for reasons a bit higher than themselves, and in the end they prevailed. --[[User:Wayfinder|Wayfinder]] 15:34, 11 February 2013 (EST)

== Additional films to consider ==

*Saving Private Ryan-World War II, June 1944.
*We Were Soldiers-based on the memoir by Lt. Col. Hal Moore; 1965, Vietnam.
*Cinderella Man-The story of James Braddock; heavyweight champion from 1935–37.
--[[User:JohnJustice|JohnJustice]] 23:32, 9 February 2013 (EST)
:I still believe the three above should be included. --[[User:JohnJustice|JohnJustice]] 20:36, 3 June 2015 (EDT)
::I suggest that you bring this up on the [[Community Portal]] page. Pages sometimes find themsevles in a frenzy of vandalism, and the administrators lock the page. Then the vandalism stops, obviously, and people forget that the page was locked. This page has been locked long enough that it's probably safe to unlock it, and so you should request that. Or at least the admins could directly act on your three requests. [[User:SamHB|SamHB]] 22:42, 3 June 2015 (EDT)

== Bee Movie ==

Why is Bee Movie a conservative Movie?--[[User:JoeyJ|JoeyJ]] 06:27, 7 December 2013 (EST)

== 187 ==

I thought 187 should be on this list --[[User:Burkean|Burkean]] 17:44, 16 February 2014 (EST)

:Don't know about that. Doesn't ''187'' portray [[public schools]] as a victim, rather than the cause of the problems?--[[User:Aschlafly|Andy Schlafly]] 19:26, 16 February 2014 (EST)

I suppose one could see it that way. And obviously in real life I detest Samuel Jackson's radical racial politics. I don't remember much whining in the film about more money being the solution or celebration of teacher's unions. To me the overriding message was that we have degenerate youth in this country who wish to be decadent and apathetic and do not value a good education and a teacher who believes that students should be motivated and want to learn has finally had enough. Thomas Sowell has discussed the youth in inner city schools who actually want to learn being denied that by the thugs ruining the learning environment or because they get beat up for wanting to achieve. The film captures this unacceptable state of affairs wonderfully. That part struck a chord with me as a conservative. I certainly didn't see apologia for the public school system going on. The lack of discipline and the complicity of bureaucratic nonentities is thoroughly critiqued. Obviously, I would agree with you that breaking the public school government created monopoly is the solution. But this film as I see it is more about the problem than the solution. --[[User:Burkean|Burkean]] 21:15, 16 February 2014 (EST)

:You make great points, and please feel free to add the movie to the entry. That said, I doubt that outside gangs are a major reason why so many kids are not learning basic skills in public school. The real problem is that the liberals who control public schools don't want kids to learn and be able to think for themselves. Someone who can't read is more likely to vote a straight Democratic Party-line ticket than someone who can.--[[User:Aschlafly|Andy Schlafly]] 00:06, 17 February 2014 (EST)
You're absolutely right. Most of the time, there's no difference between the hooligan thugs and the liberals, as lack of discipline in our public school system facilitates their existence. Also, with bureaucratic control, and the war on homeschooling, cadres of teachers who care about their job and not education are protected and those who could provide a better education (because they are motivated, because they don't teach a mindless curriculum and because they believe in discipline) see their schools shutdown by teachers who would sacrifice a child's future (much like a child sacrifice in the heathen societies of old) on the altar of their precious careers. It's high time parents held them accountable. And for that, we will need an end to the century old progressive inspired idiocy of government control of schools and a free market in education. At least the progressives were honest about their intentions back then, as they quite explicitly stated that their purpose was to mold, indoctrinate, and otherwise turn children into loyal and obedient servants of the state, as opposed to God or family or their own individuality. Children are taught to lap up content free curriculum like cattle. It's disgusting. --[[User:Burkean|Burkean]] 17:26, 7 May 2014 (EDT)

==National Treasure==

It has positive messages of patriotism, respect for history and the founding fathers, standing up for what you believe in rather than going alone with the crowd, and many others.
:It also promotes the Free Masons, so I'm not confident this should be here. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:40, 27 June 2016 (EDT)

== Star Wars conservative? ==

Hi.

Can we really list the entire Star Wars films as being solidly conservative? I'll give you the first film and Empire Strikes Back (original releases, at least: The first film's rerelease may be debatable now thanks to George Lucas deciding to rework a certain scene to effectively promote gun control), but Return of the Jedi is debatable as while it ''does'' promote good over evil, and actually features redemption in the form of Vader giving up his life to save Luke from the Emperor, it also was mentioned by George Lucas to promote the Vietcong's exploits against American soldiers during the Vietnam War via the Ewoks. Similarly, the Prequel Trilogy seems to hint at a morally relativistic view, and ironically the bad guys are stated to believe in moral absolutes at one point (Obi-Wan, shortly before dueling with Anakin Skywalker-turned-Darth Vader, mentioned "Only a Sith deals in absolutes" after Vader said that Obi-Wan's his enemy if he's not with him), and there have been quite a few unsubtle jabs at the Bush administration in the Prequel Trilogy (and in the case of Return of the Jedi, the Nixon administration, even though Nixon was the one who ended the Vietnam War, while Johnson was the one who pretty much expanded the conflict and Kennedy was effectively the one who started it). [[User:Pokeria1|Pokeria1]] 08:07, 5 June 2015 (EDT)

== Reopening the page ==

Hi.

Can someone reopen the page? I think it's been long enough for that person to have lost interest. And besides, there have been several movies that came out anyways. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:08, 8 August 2015 (EDT)

:Unlocked as requested. Thanks for asking.--[[User:Aschlafly|Andy Schlafly]] ([[User talk:Aschlafly|talk]]) 15:31, 8 August 2015 (EDT)

::You're welcome. I took the liberty of moving Star Wars to "Debatable whether conservative" largely because there actually have been some hints at a left-wing agenda in the film (I think Empire Strikes Back is the only film with narely a shred of leftism, actually), including promotion of the Vietcong and demonizing American involvement in the Vietnam War, as well as adding in some sources and additional stuff to the Beauty and the Beast thing (that reminds me, I may need to make a new topic regarding that). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:10, 8 August 2015 (EDT)

== Should Beauty and the Beast really be on here? ==

Hi.

Should Beauty and the Beast really be among even the Debatable whether Conservative page, let alone the Greatest Conservative Movies section?

I initially moved it from the Greatest Conservative movies section to Debatable whether Conservative section due to certain things that were being subtly pushed in the film (and speaking as someone who had to be forced to ingest a lot of tripe in college that was the same as what BATB pushed, I can recognize it when I see it and am doubtful it makes for conservative material), but right now, I'm not sure whether it even belongs there, either. If anything, it's probably a better fit for the Worst Liberal Movies article.

The first reason why I think this is simple: [http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle There] [http://time.com/2798136/maleficent-beauty-beast-writer/ are] [http://articles.orlandosentinel.com/1992-01-25/lifestyle/9201241028_1_linda-woolverton-belle-show-scripts more] [http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle than] [http://girlsincapes.com/2014/04/07/princess-evolution/ a] [https://web.archive.org/web/20111009063303/http://www.thedailybeast.com/newsweek/1991/11/17/just-the-way-walt-made-em.html few] [http://www.urj.ucf.edu/vol5issue2/dickens/essay.php articles] on the development process that make it pretty clear from the writing staff, especially Linda Woolverton, that the film was supposed to push the feminist agenda (heck, Woolverton herself even explicitly stated that she modeled Belle after the Women's Movement in Time Magazine), and Woolverton also made it pretty clear in interviews that she believed the princesses before her were weak, insipid creatures that only wanted marriage and love as goals, and only waited for their prince to come (she even included, rather insultingly, Ariel from ''The Little Mermaid'' among those characters despite that character being very proactive). There was also a rather subtle anti-family/anti-marriage agenda being pushed considering Belle reacted with disgust to the idea of even having children and also being treated as being in the right for shoving her suitor into the mud instead of just saying no and apparently taking amusement in ruining a wedding. It also doesn't help that the opening song and Gaston himself strongly implied that Belle's literacy was not supported at all by the rest of the village. It also doesn't help that most of the men aren't really treated in a very flattering light (let's see, Gaston, LeFou, and most of the village males are painted in a rather negative light, Cogsworth was depicted as a pompous jerk, Lumiere's a womanizer, and Beast was mostly a jerk even with his complexity), and the women who actually seem to value marriage weren't treated well either (those blonde triplets were called the bimbettes despite their not actually doing anything that would mandate them being called bimbos besides supporting marriage). Heck, Lumiere's womanizing is treated as an implied virtue as well, and Belle ends up being treated as being in the right far too many times especially in instances that actually were largely her own fault (like the wolf attack scene). Heck, the film actually seems to push [[misandry]], and the [http://beautybeast.enchanted-rose.org/library/displayimage.php?pid=13702&fullsize=1 Disney Comics] and [http://img2.wikia.nocookie.net/__cb20141210031917/disney/images/2/20/Tumblr_ng92xaGNbc1r2nlopo1_500.jpg WDW pins] don't exactly help in quelling any concerns for the film's agenda either. Heck, Belle was even cited by Woolverton to be based on herself. If feminism could get Princess and the Frog and Pocahontas onto the Worst Liberal Movies page, this most certainly can as well.

Probably the second reason, and probably the most damning, is the fact that Beauty and the Beast and some of its writing was actually reused for the 2014 ''Maleficent'' movie (which, BTW, both films were even written by the same person: Linda Woolverton). Keep in mind, the ''Maleficent'' movie was the kind of film that ''The Federalist'' actually [http://thefederalist.com/2014/06/06/maleficent-once-upon-a-screed/ denounced] as pushing an extreme left-wing agenda, so if Beauty and the Beast inspired a movie in writing that was probably undebatably one of the worst liberal movies, that's a strong case going against Beauty and the Beast being even a slightly conservative film. Maybe I'm a bit screwed up in my thinking, maybe I am actually right. I don't know. But what I do know is that there's plenty in the film that would strongly suggest against it even being debatably conservative, let alone fully conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:48, 8 August 2015 (EDT)

== Politics of ''Captain America: Civil War'' ==

I'm debating whether ''Captain America: Civil War'' should be included on this list, similar to the first two films in the ''Captain America'' trilogy, as even though the film contains some obvious conservative messages due to Captain America refusing to give into intimidation by the government and the United Nations by signing the Zakovia Accords, in addition to both the federal government and international governments shown to be corrupt with the villain Baron Zemo infiltrating the facility in Europe to brainwash the Winter Soldier and unleash chaos (in that regard showing proof that regulating the Avengers is illogical when the superheros are banned from taking action in the event a threat emerges on the inside which the government is unaware of, as I viewed it).

However, the film also arguably contains some liberal messages as demonstrated by Iron Man's side in agreeing to the Zakovia Accords as a consequence for the civilian deaths caused by the Avengers, which presents an "anti-war" message, which is further pushed by the villain's actual plot to initiate conflict between the Avengers as revenge for the death of his family during the events of "Avengers: Age of Ultron".

Should the film be included in the list, or under the "Debatable" section? --[[User:GOPFan2011|GOPFan2011]] ([[User talk:GOPFan2011|talk]]) 12:50, 13 May 2016 (EDT)

:I haven't seen it, but from what you say, it sounds a bit questionable. Even the liberals admit the government is corrupt--they just blame it on the conservatives while the same liberals continue making it worse. I'd call it "Debatable" at best, but I can't say for sure, since as I said, I haven't seen it. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:23, 27 June 2016 (EDT)

== Gods and Generals ==

I don't know if any of you have seen it, but should Gods and Generals be on this list? It's a hard movie to find (after release, it was "censored" by a number of companies, which means few people know much about it) but it shows loyalty to God, country, and beliefs. It takes place during the Civil War, I believe, though it's been a long time since I've seen it. --[[User:DavidB4|David B]] ([[User talk:DavidB4|talk]]) 13:04, 13 May 2016 (EDT)

==Star Wars==
While it is clear that Star Wars is, as this page speaks of, about good vs. evil, I question whether it should really be labelled as even a "Greatest Conservative Movie." I find a number of things concerning, including:
*The teaching of a universal force, ''which is neither good nor evil'' (There is no such thing as a neutral God-like power)
*The general idea there there is no God and Satin, but just a neutral power that can be used by men (and aliens) for God-like or Satan-like purposes
*The teaching of "trust your feelings" and that what is needed can be found withing you (see Jeremiah 17:9, and others)
*The trance-like state which is required to learn from and use the force (demon possession, anyone?)
*The "worship" of "the force." (They do call it a Jedi ''temple'', after all)
*And while I'm making points against this series: almost all Sci-Fi fiction implies if not states that there is not God. Life of many different kinds simply appeared or evolved on many different planets, and there are many life-supporting planets on which there being live.
Need I go on? I could, but I think I've made my point. If everyone wants to keep this on the list, I will not argue about it, but I would not have put this movie here. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:14, 27 June 2016 (EDT)
:In all fairness, I had moved it to the Debatable whether Conservative section for a reason.
:And technically, Star Wars isn't "sci-fi", it's "space fantasy," so the bit about there lacking a god or supernatural elements won't apply.
:I do agree that it's status as a conservative film is debatable, though. Heck, the heroes were explicitly derived from the Vietcong in the original trilogy, which alongside the Empire being explicitly based on America during that time period would alone destroy any ideas of it being conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:26, 27 June 2016 (EDT)
:EDIT: BTW, think you can comment on my topic regarding whether Beauty and the Beast can truly be considered even debatably a conservative film, let alone one of the greatest conservative films? [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:29, 27 June 2016 (EDT)

::You're right--I'd missed the section break there at first, but still thought I'd argue the point. I forgot to go back and change that. I must say I didn't know there was a difference between "sci-fi" and "space fantasy," but I still say that it does matter somewhat how they present the fantasy, as to whether with or without God. 
''"...the heroes were explicitly derived from the Vietcong...alongside the Empire being explicitly based on America during that time period..."'' 
::You've got to be joking... So why is this still on the list? 
::Also, you're welcome, but I don't know how helpful I can be. I really don't watch a lot of television. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:35, 27 June 2016 (EDT)
:::No, I'm not joking about the Rebels and Empire's inspiration. That said, I really WISH I were. You can read more here:
*http://www.yomyomf.com/star-wars-is-a-metaphor-for-the-vietcong-kicking-american-ass-in-the-vietnam-war/
*http://www.inquisitr.com/1491688/star-wars-was-meant-as-protest-against-vietnam-war-new-book-claims/
:::In fact, it's precisely BECAUSE of that bombshell that I am even an Empire supporter now after years of loyalty to the Rebel Alliance under the naïve belief that they were derived from the American Minutemen or even the French Resistance during World War II.
:::Probably the only reason why it's still on the list is because ultimately, it's still a film about good vs. evil, which is a conservative viewpoint. That, and possibly Ronald Reagan invoking Star Wars when denouncing the USSR as the Evil Empire.
:::As far as Beauty and the Beast, I was meaning the Disney version, not the TV series. You can read up my commentary on why it may need to be removed from the article altogether here: http://www.conservapedia.com/Talk:Essay:Greatest_Conservative_Movies#Should_Beauty_and_the_Beast_really_be_on_here.3F [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:43, 27 June 2016 (EDT)
=== I removed Star Wars ===

I removed Star Wars. See editors commentary above. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 14:11, 20 February 2017 (EST)

:Thanks. BTW, think you can look over Beauty and the Beast and see whether it should stay or begone? It seems to have more liberal values than conservative values in there, especially given what Linda Woolverton repeatedly stated. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 14:54, 20 February 2017 (EST)
::I will remove it. As far as future edits, you can remove any movie you wish as you have good judgment and have been a productive editor for some time.

::In addition, I haven't watched a lot of movies for awhile. I just haven't liked the quality of many movies that Hollywood has put out in recent times.

::Lastly, I don't have much interest in this topic/article. I don't want to edit that article for the foreseeable future given my knowledge of recent movies and my interest level of this topics. I do realize that entertainment effects the culture though and would appreciate your edits. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 15:02, 20 February 2017 (EST)

:::Okay, fair enough. I'm not sure we should automatically dismiss any Disney films from being Conservative due to Disney being left-wing right now, though (which is what you implied when you removed it in the comment section). The Lion King and The Little Mermaid did push definite conservative themes in there, and I do know The Incredibles pushed very conservative ideas. And that's not even counting the three original DP movies (ie, Cinderella, Snow White, and Sleeping Beauty).

:::I'll also keep your suggestion about not needing to ask for permission in mind. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:10, 20 February 2017 (EST)

== Wall E duplication ==

We seem to have some disagreement as to whether Wall-E is a liberal or conservative movie. As a result, it is listed both here and [[Essay:Worst Liberal Movies]]. I'm in no position to say one way or the other, but someone should probably remove it from one list, or perhaps both, if it can't be either "greatest conservative" or "worst liberal." --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 02:33, 24 July 2016 (EDT)

== Why is the room here? ==

To me this seems to be the work of trolls.The Room is an absolutely awful film and even if it was conservative, (which it isn't, the main character has premarital sex) it cannot be considered "great" in any regard. Terrible acting, subplots that lead to nowhere, rampant sex and hedonism as well as a poorly written story. I'm starting to doubt the integrity of this page if a film of such poor constitution made it on the list of Greatest Films. If anything the film should be considered an accidental comedy.

:Sure is entertaining though. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

== The Incredibles is extremely conservative, and should not be in the debatable section ==

Recently The Incredibles, was moved to the debatable section, for one slight detail. I do not believe it should remain in this section, I believe that it should be put back in the Greatest Conservative Movies sections for many reasons. First of all it might be the most conservative animation film ever made. Second it's only reason for being debatable is very minor. Almost every film has at least one conservative and liberal aspect. Third you really have to push it, to say that the boss; Gilbert Huph is a demonization of Capitalism. Yes he is heartless, but he is just a person, and to be fair to him he does not know that Bob Parr has superhero powers, all he knows that Bob Parr is not focusing on his work, with that logic, you could argue that J. Jonah Jameson is demonization of capitalism, as he is Peter Parker's boss, and he twists the paper, and often displays Spider-man in the paper as a bad guy, (and he too is unaware of his worker's powers). Fourth one of the reasons that Gilbert Huph, tells Bob not help his costumers, is because when Bob asks if he should, Gilbert Huph tells him that "the law requires that I answer no", which in no ways a negativity on capitalism, as the government is requiring him not help people and not the business. Finally the movie does promote capitalism, as the main lesson of the movie is to shown the negativity of an enforced mediocrity, from the government, which highly mocks socialism, not capitalism.
*Okay, fair enough. Feel free to revert, I just was concerned especially when [http://pixar.wikia.com/wiki/Gilbert_Huph#Trivia Gilbert Huph's page] on Pixar Wiki made it sound as though he WAS a demonization of capitalism (and it doesn't help that Wallace Shawn was specifically mentioned to not only be the opposite of Huph, but also implied he was a socialist due to his appearing in Michael Moore's film "Capitalism: A Love Story" and being a friend of Moore). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 14:39, 10 December 2016 (EST)

== There needs to be some kind of criteria for inclusion here ==

I'd seriously like to know how so many rated "R" movies, especially slasher films like Halloween, classify as "conservative movies." It seems someone has been adding just about everything which doesn't hug trees or glorify liberalism to this list. Do any senior administrators have any objection to me removing some of these apolitical films from the list? [[User:DMorris|DMorris]] ([[User talk:DMorris|talk]]) 12:55, 31 December 2016 (EST)

:I removed Halloween, Scarface and Saw. See paragraph below about gratuitous violence and movies.

:Biblical criteria for Christian behavior could be used since Christianity has been a very influential force in the West for an extended time. For example, the Apostle Paul says to dwell on good things. While I understand that there is violence in war movies, the is the concept of Just War in Christendom. Horror movies are just violence for entertainment sake.

:The article [[conservative]] probably would be helpful in establishing criteria too.

:One problem is just the sufficient policing of the article.

:Another problem is that there was no very dominant founder or founders of conservatism who defined what exactly what it means to be a conservative. So you have competing notions of what is truly conservative. You also have completing notions due to differing notions of what it is to be a conservative due to countries/regions having different political definitions of what it means to be a conservative. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]])

:Fair enough about removing Saw. I realize more or less shut down my own argument, when I said that Jigsaw was playing God. [[User:newconservative|newconservative]] ([[User talk:newconservative|talk]])
::Then most of these belong in the debatable section, because it is debatable depending on how one defines "conservative." Many of these have conservative elements, but few of them are strictly conservative. [[User:DMorris|DMorris]] ([[User talk:DMorris|talk]]) 23:48, 14 June 2017 (EDT)

== Suggestion to remove suicide squad and zootopia. ==

I feel both should be removed for their own respective reasons. Zootopia's themes are decidedly liberal, and as critics pointed out there seems to be quite a bit of anti-Donald Trump, pro-gay subtext that I feel effectively rules this film out as "conservative.]," so to speak. While certain "conservative" themes may or may not be present, the general intent of the filmmakers have to be taken into account, and this film certainly leans to the left in that regard (still a great movie though). At the very least, I believe this should be moved to 'debatable.' I'm also quite confused to the addition of Suicide Squad. Besides the obvious fact that the received, at best, mixed critical and audience reception, the movie doesn't appear to have any sort of real political agenda aside from making money. Harley Quinn's fantasies about becoming a housewife become less inspiring when you take into a account that she's a deluded psychopath trapped in an abusive relationship with an equally insane partner who also happens to be underworld crime boss, and that the scene was more likely intended as a satirical jab at the "nuclear family" stereotype.--[[User: Lord Zedd|Lord Zedd]] 11 January 2017

== Fake news in "Pride and Prejudice" ==

Elizabeth is tricked by Mr. Wickham's lies about Mr. Darcy. This is akin to CNN and other media presenting false, disparaging information based on a single source. I won't roll back your edit, but I don't agree with it. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 12:07, 8 July 2017 (EDT)

:I think a better way to describe it is that Wickham lied to her about Darcy. People lie all the time, including in works of fiction. Fictional stories would be much less interesting (and real life would be less interesting too!) if everyone told the complete truth. Wickham and Darcy told very different stories about each other, and Elizabeth had to decide who was telling the truth. She made the wrong decision at first.

:Elizabeth's low opinion of Darcy came from two sources, apparently equally: what Wickham said, and the fact that Darcy separated Jane from Mr. Bingley, which neither Darcy nor anyone else lied about. Elizabeth's "who's telling the truth?" instincts failed her. Darcy's cold and aloof manner contributed to this.

:I can't believe that two men are discussing ''Pride and Prejudice''! :-) :-) :-) You realize that this is a women's story, a "chick flick", right? In fact, the fact that men can't relate to the story is discussed in the movie ''You've got Mail''. But I do like the story and the BBC serialization, even if Colin Firth in wet clothing doesn't do it for me. :-) Now I guess I have to go watch a baseball game to reset my equilibrium, [[User:SamHB|SamHB]] ([[User talk:SamHB|talk]]) 13:02, 8 July 2017 (EDT)

::I daresay the notion that men can't understand a women's story is [[fake news]]. Eh, what? ;-) --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 20:35, 8 July 2017 (EDT)

== Debatable whether conservative movies and debatable whether great movies were piles of junk ==

With the exception of Frank's Capra's classic movie ''It's a Wonderful Life'' the "Debatable whether conservative" movies and "debatable whether great" movies were piles of junk. I deleted those sections. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 06:21, 9 July 2017 (EDT)

:If they aren't allowed, I guess they aren't allowed. Don't know why they were created in the first place, if they weren't going to be anything more than junk. Must admit, some of them did have some conservative principles. Also, wouldn't pro-War, being the opposite of anti-War, be Conservative while the latter's more liberal? Just asking... [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:38, 9 July 2017 (EDT)
::I don't see the point of having a "Essay:Greatest Conservative Movies" and then having a big list of movies that are debatable. Newspapers don't publish "Best vacation spots" or "Best stocks to buy" and then also include a big list of debatable contenders in those type of articles.[[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 00:30, 10 July 2017 (EDT)
:::Fair point. Think we can create separate articles dealing with each debatable category? [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 05:30, 10 July 2017 (EDT)
::::Go for it if you want. I don't think they will be popular articles though. It is kind of like people abandoning liberal Christianity. People want the real thing or not be bothered with it. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 16:21, 10 July 2017 (EDT)
:::::Well, okay, I probably won't bother with a debatable whether conservative article (as you said, most people wouldn't want an article that doesn't even deal with real and pure conservativism, like how people don't want Liberal Christianity). But I can create a "debatable whether great" article. At least those films conservative principles are not in question, just whether they are actually good films. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 17:01, 10 July 2017 (EDT)
These edits may be good, but they removed about 70,000 bytes of information, possibly that other editor might find useful. I am recording the edits here before they got lost in the page history. Here they are: [http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359742&oldid=1359725][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359743&oldid=1359742][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359744&oldid=1359743][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359746&oldid=1359744][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359748&oldid=1359747][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359749&oldid=1359748] --[[User:1990'sguy|1990'sguy]] ([[User talk:1990'sguy|talk]]) 02:37, 10 July 2017 (EDT)

== Inside Out? ==

Other than some celebration of family unity in the end, that movie seems politically neutral to me. Who put it on the list, and why is it conservative?
--[[User:MacTavish|MacTavish]] ([[User talk:MacTavish|talk]]) 14:53, 10 July 2017 (EDT)

== Bambi ==

How exactly is Bambi pro-family? Now I am not saying that it is not, but is it conservative enough to even be the debatable section? --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:40, 1 September 2017 (EDT)
*Well, for starters, Bambi's mom gave her life to make sure Bambi survived when the hunter killed her. There's also the fact that the Prince and the Forest escorted both Bambi and his mom away in Man's first appearance. Plus, the Prince of the Forest, who is heavily implied to be Bambi's father, goes out of his way to save him in the climax during the forest fire. Actually, I think there's at least one other thing that makes it conservative: It also refutes the homosexual agenda with the character Flower, who is initially shown as a very effeminate skunk despite being male, yet by adulthood, he clearly is in love with a female skunk, thus being ahead of its time in proving that animals do not embrace homosexuality by nature contrary to what gay activists might claim. And to be fair, technically, "Man" is closer to a poacher than a true hunter (a true hunter does NOT target fawns or any does that are nursing fawns). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:33, 18 February 2018 (EST)

==Lion King should be labeled conservative==

There is another reason for it. It is a very good at showing why some people (like the hyenas) should be kept OUT of a country (and so isn't open borders) because they will only hurt the place (quite unlike the "let the Muslims and the illegals in" message being given today.). Furthermore, Scar's speech to the hyenas about getting even and what is owed to them could have a few words altered from "Be Prepared" and be an Obama speech. Scar essentially brings in foreigners who will back him and in exchange he gives them goodies, though, he openly admits he'll get most of them (which is true that politicians and the elite are the ones REALLY benefiting from open borders.). What the hyenas get is, presumably, the lionesses to get all the food for them and deplete the food supply and turn the ones great Pride Lands into a ruin (a great picture of what the Democrats and open borders are doing to America!) and, then, when things get low, kinda like Venezuela, he coldly tells his own hyena allies to "eat Zazu" (they don't do it, luckily) when they are hungry. And he even sells out his own allies, blaming them for Scar's death, when it is convenient for him (just like the Left), a move that, ironically, leads to his own demise. All in all, I think the movie has a very anti-open borders message, something that is needed nowadays! [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

Note, I don't know about Lion Guard, the latest TV Series with Lion King, if it's conservative (it's probably not with Iger at the helm). I do know that the statement that Timon and Pumba are gay, which I've seen going around, is false. Timon had a girlfriend in one the Timon and Pumba TV Series episodes. What caused him to leave is that he could never see Pumba again, and Pumba was his best friend and the meerkat village was bigoted against warthogs. (Also, his girlfriend could have come with him if she loved him enough, but she didn't, so it's HER fault then.) However, that said, I would NOT be surprised if Iger made Timon and Pumba gay in the upcoming Lion King live action. (After the gay LeFou, I wouldn't put it past him.) [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

Also, I do think Finding Nemo and Finding Dory are conservative. Ellen DeGeneres at least makes a good Dory, if not a human being. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

:I'll make sure to note the bit about it being anti-open borders on The Lion King's entry.

:So far as Lion Guard and/or The Lion King With Timon & Pumbaa, that's better fit with [[Essay:Greatest Conservative TV Shows]], so you might want to note that bit there.

:As far as Finding Nemo and Finding Dory, Finding Nemo is definitely already listed on here. I'll see if I can list Finding Dory on here (though given that it's technically a retread of Finding Nemo due to being a sequel, I'm not sure if it qualifies as truly great.). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:06, 12 October 2017 (EDT)

I believe that Finding Dory should be considered great, despite being a sequel. There are other sequels on this list that are considered great. Plus it got great reviews and is the fourth highest grossing animated film of all time. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 10:25, 12 October 2017 (EDT)

:Okay, point taken. Moved it. May need an expansion, though. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:31, 12 October 2017 (EDT)

:BTW, Speaking of Iger and Lion King and gays, I just uncovered something very interesting. Turns out, the oft-reported bit about how LeFou was gay in the movie, according to Josh Gad, [https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/ wasn't even in the actual script for the film], which strongly suggests that the whole "gay promotion" thing was on the part of the producers like Bill Condon mouthing off and not the actual film itself (and may also imply that the brief scene with Stanley and LeFou was an ad-lib added in by Condon.). Not that this is at all a good thing because it isn't, but in that light, we can probably assume that the script at least didn't intend to promote the gay agenda. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:47, 12 October 2017 (EDT)

==What about the Movie "Up"?==

It's kinda borderline. It does promote faithfulness in marriage and other good traits. The beginning part of them trying to force him out of his house could be considered anti-capitalism, but, on the other hand, eminent domain was only supposed to be used for public use, but it appeared that some company wanted the land and he wasn't willing to sell so they went and tried to make him look like he was getting senile or something so they could take him away and use his land, which is little better than the government doing the same to someone with the EPA and they, like the Obamacare panels, ruled him a burden on society rather than a human being with value. Also, it could possibly have an environmental theme, as they did try to save a rare bird. On the other hand, with the kind of brain to develop the talking device for the dogs, Mentz could have done other things with his life than spend all of those years trying to get that bird and be willing to take her away from her children. Also, I don't think the movie is really anti-capitalistic as it was left open if Mentz was good or bad until the moment he went after the bird and even went so far as to try and kill Russel and Fredrickson to do it. Also, on the other hand, Fredrickson was a sort of father figure to Russel as his father was never around. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 20:15, 13 October 2017 (EDT)

"Up" is actually on this list, you do make some good points on the film being borderline. Yes, they try to save the bird, but it's not really in an environmental way, it's more in a human saving a pet way as Russell found this specific bird, and he was saving that bird because it was like his friend, not because it was an endangered bird. Plus Mentz was almost like a poacher, so I do really think the film could be considered environmental. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 21:12, 13 October 2017 (EDT)

==I think All Dogs Go to Heaven should be removed==

I don't know why All Dogs Go to Heaven is on here. Generally I'd put all of the Don Bluth works on here, but this one is the EXCEPTION, due to the fact that pretty much all scoundrels (Charlie, Itchy, Car Face, etc) are able to get into heaven and the concept of damnation is pretty much an afterthought. Now if Charlie had reformed at the end of the first movie, that would be one thing, but apparently, in the sequel, he's back to his old ways again. All in all, it's generally not good if the "hero" of your story is little better morally than your villain. Also, it does send the liberal message that you can do whatever the heck you want in life and there are no consequences for it (save that Car Face finally got his at the end of the second movie, though Charlie kept getting breaks for his bad behavior.) [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 23:47, 13 October 2017 (EDT)

I am confused are you saying that is not good if the hero is more moral than the villain? --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 00:09, 14 October 2017 (EDT)

The opposite. I'm saying it's not good if the hero is little more moral than the villain. Now, it would be one thing if the hero was more of an antihero and learned their lesson at the end and changed and became better in the sequels, but that's not the case with Charlie. If anything, we could argue he was even worse in a way in the sequel. (In the first movie, the most damage he did was to himself, but in the second movie, his actions allowed one of the devil creatures to imprison most of the dogs in dog heaven and his actions were more selfish than noble that led him to giving away that horn. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 21:43, 14 October 2017 (EDT)

==I think the Princess and the Frog deserves a chance===

Here is another reason: the portrayal of Tiana's father. While Lotti's (I think that's her name) father spoils her rotten, Tiana's father teaches her the value of hard work, that love is more important than money or possessions, was the one who inspired her to open her own restaurant (it was her father's dream and she finished what he started after he died) and he was in the military and was killed in action in WWI (good portrayal of the military in this movie). You don't often see the father portrayed in a good light in Disney movies, or, indeed, many modern movies in general. Triton seemed always to always be holding Arial back, Aladdin's father Kassim was the King of Thieves and had abandoned him and his his mother to go after the Hand of Midas, (Mufasa was good to Simba, I admit, but, then again, Lion King was listed as conservative on this list), Marlin, albeit too paranoid, was good (but Finding Nemo was also on this list), Lilo's parents weren't around in Lilo and Stitch (though they both died in some accident I think), Russel's father wasn't really around for him in Up, we never see Andy's father in Toy Story (only his mother and sister) (Heck, we don't see Sid's father either and we only see the mother of Jessie's former owner, never her father, so apparently fathers were unimportant in Toy Story (yeah, I know it's about the toys, not the people, but that still is disturbing if you look at it.), etc.

Come to think of it, that is a good argument against the claim that Princess and the Frog is a feminist movie. It was also later stated by Dr. Facilier that Tiana's father would sometimes do double and triple shifts to try and aim for his planned restaurant, yet he always made sure, despite being bone tired, to find time for his family.

Also, another thing to consider is Lottie, though spoiled, rich, and white, she is NOT a villain, but was actually the one who bought a lot of stuff (admittedly with daddy's money) to help Tiana get enough money for her restaurant. (They even said so in the director's commentary that she was designed that way.). That's another thing that makes the film anti-liberal. If it'd been a liberal film, Lottie and her father would have been villainous jerks, not supporting good guys.

Also, lest someone bring in that the film's agenda is racist, it should be noted that it appears that the film's villain, Dr. Facilier, is darker skinned (not quite black, but not white either).

Also, I might add that originally, Louis the alligator, was going to be a human turned into an alligator by Dr. Facilier, but the plot was dropped on that part. However, that said, Lois the alligator and Ray the firefly (who actually died fighting Facilier), were also portrayed in a good light and not as incompetent. That is another strike against it being a feminist movie. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:27, 28 October 2017 (EDT)

Also, I might add that Tiana and Naveen do seem more like a reasonable couple. Naveen is lazy and rich. Tiana, though poor and hardworking, perhaps is quite possibly going over the line on working TOO hard, as even her own mother points out to her. And she never bothers to spend time with her friends as she's always busy working. In the end, Naveen becomes less lazy and Tiana learns to have fun once in a while. If it was a more feminist film by the way, it would have Tiana remain the same while Naveen became less lazy. However, Naveen changed Tiana too for the better. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:34, 28 October 2017 (EDT)

:Even King Triton at least was willing to trade his freedom for Ariel's when push came to shove, so he wasn't all that bad (I'd argue Sultan and to a lesser extent Maurice got far more raw of a deal, TBH). I'm still not sure about Louisiana Voodoo being treated in a positive light though. We probably could move it to Debatable, IF Aschlafly allows it. Ultimately, he has the final say since he was the one who had it be designated liberal in the first place. And personally, even with the whole restaurant bit, Tiana came across as less feminist than Belle did in Beauty and the Beast. Plus, it's actually one of the few Disney feature movies that DOESN'T demonize marriage outright (and the first Disney Princess feature movie to actually treat traditional marriage in a positive light since The Little Mermaid two decades prior), so that's probably another aspect pointing to it being conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 22:54, 28 October 2017 (EDT)

I think that even one movie you called conservative (Lion King 2: Simba's Pride) could be considered feminist. Both the central protagonist (Kiara) and the central antagonist (Zira) are females and generally seem to be portrayed to be the most competent. On the flip side, the only male, other than Rafiki of course, portrayed in a good light was Kovu (and he was originally bad but turned good when he fell in love with Kiara. Also, after being unjustly banished, Kovu suggested that they run away together and escape their problems. It was Kiara who suggested that they go back and stop the fighting. Again, another arguement that Lion King 2: Simba's Pride could be labeled feminist.). (Also, I might add that poor Nunca was allowed to be neglected, try and take out Simba to get Zira's love, and die trying. Vitani, on the other hand, was allowed to live to see Zira for what she was and to be able to get redemption.) Even Simba was portrayed as a father who just didn't seem to want what's best for his daughter (however, to Simba's defense, I don't recall Nala having that many lines at all in Lion King 2). If Lion King 2 can be labeled conservative, so should The Princess and the Frog. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 23:57, 28 October 2017 (EDT)

:To be fair regarding Simba, he actually DID have a valid point considering the Outlanders had served Scar earlier (and quite frankly, he's still an A-Okay Dad overall compared to Maurice and Sultan (who many times actually NEEDED rescuing by their daughters and usually don't succeed in saving their daughters even once. Not to mention more than once were largely depicted as doofuses.), or ESPECIALLY King Stefan from Maleficent). Besides, not all females were depicted as being good or even redeemable in the film. Zira most certainly wasn't. But yeah, like I said, we probably should wait for Aschlafly's response, since he's the one who decreed it a worst liberal film in the first place. For that matter, I'll see what Asclafly's response regarding Simba's Pride is. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 08:20, 29 October 2017 (EDT)

==I think Hacksaw Ridge should be removed from debatable==

While the film's main protagonist is against the practice of killing and the handling of a weapon (attributed because of his strong faith) the film at no point espouses gun control. At worst, it espouses gun ownership preference, as the film does take time to demonstrate and explain the necessity for firearms and killing in accordance with war. Hacksaw ridge was based on the real life of Desmond Doss and to change that aspect of his character would invoke historical revisionism and strike face of his moral christian beliefs. --[[User:AirForceMan92|AirForceMan92]] ([[User talk:AirForceMan92|talk]]) 01:36, 1 November 2017 (EDT)

== TV specials go under Movies or TV Shows? ==

Hi.

I was thinking of adding in some TV specials of various conservative and liberal stripes (and will go in the respective articles). However, I need to know, where do TV specials best qualify? Are they movies, or TV shows? I know made-for-TV movies are best placed here, but I'm not sure about TV specials. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:02, 11 December 2017 (EST)

That is a tough one, I know we have A Charlie Brown Christmas listed here. But Perhaps to avoid confusion on the TV Shows page, we could add another section labeled "TV Specials." Also maybe we should add A Charlie Brown Christmas to that section as well. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 16:47, 11 December 2017 (EST)

:Yeah, that might work. For now, I added various specials on the animated films section here. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:57, 11 December 2017 (EST)

I fixed it and added a TV Specials section because they really belong in the TV page not the Movie Page. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 14:44, 15 December 2017 (EST)

:Fine by me. Seemed odd that they'd be here anyways. BTW, speaking of TV specials, should ''[https://youtu.be/S3a5j8PgQxg The Star Wars Holiday Special]'' go under Greatest Conservative TV shows or Worst Liberal TV shows? I'm tempted to put it under the latter due to Itchy basically... well, let's just say he ends up doing something EXTREMELY inappropriate in front of his own family, ESPECIALLY considering the family nature of the special. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:00, 15 December 2017 (EST)

That I do not know I have never seen the movie. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:09, 15 December 2017 (EST)

== Home Alone 2 a critical failure? ==

Home Alone 2 was recently moved into the debatable whether great section for being a critical failure, but I do not believe this is true. I believe both the original and the sequel have gained popularity throughout the years and became cult classics. Yes, it recycles the same format, but it introduces new characters, new jokes, and some other new situations. If anything its the sequels after the second film, that are debatable whether great. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:41, 12 December 2017 (EST)

:Thank you for saying that. Tell that to MacTavish if he changes it again. [[User:Shobson20|Shobson20]] ([[User talk:Shobson20|talk]]) 18:35, 28 December 2017 (EST)

::I also lean towards keeping it out of the "debatable" section, but I'm open to counter-arguments. I haven't thoroughly thought it through, so I could be missing something.
::I thought it was cute how they made it obvious that it was a play on the first, and added too it. (i.e. rather than just two paint cans at the stairs, it was those then a pipe. If you have the extended version, he also cuts the rope, dropping the pipe on them afterwards.) I think it was their intention to play on and too the first. Doing that with the third might have been pushing it, but they didn't. In the fourth, I think they went too far in the other direction, and made it too different. It didn't have the same creative flair as in its prequels. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 19:06, 28 December 2017 (EST)

==Correction on Alladdin 3==

I think that whoever wrote that article calling Alladin's father the main villain didn't really pay much attention to the movie. Even a casual watching of the movie would show that Saluk (and perhaps, to a lesser extent, the other thieves) was the actual villain. At worst, Kassim was like Iago in Return of Jafar, more like an anti-hero who couldn't be quite called good or bad. (Heck Iago isn't perfect in this one here as he helps Kassim try to steal the Oracle.) --Unsigned comment by [[User:PatriotMongoose]]

:I know, and I did actually watch the film pretty closely as a kid (and yes, Iago does help steal the Oracle as well, I can confirm that), but Cassim technically was the central antagonist to the story since a large part of the story involved Aladdin trying to redeem him. Think of it like the Original Trilogy of Star Wars. Technically, Palpatine was the main antagonist of the three films, but the central antagonist was Darth Vader, the one who gets the most screentime and played a large prominent role in the overall plot. That's what the edit was trying to convey. I'll reword it to "central antagonist" rather than "main antagonist" since that's more accurate. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:29, 17 December 2017 (EST)

== Where does RoboCop fit on the spectrum? ==

It's pro-law and order, anti-crime and anti-drugs. But it's also anti-capitalism with the way OCP is represented and its creators are very liberal.

== Songs of the South ==

Hi.

I was thinking of adding the movie Songs of the South by Disney (which unfortunately thanks to race-baiters can't be watched other than via bootleg, which is a shame, as Uncle Remus actually seemed like a very good role model for his race), which effectively acted as an adaptation of the Uncle Remus stories. Problem is, I'm not entirely sure where to place it due to the split between live-action and animated films. After all, Songs of the South technically has elements of both, so I can't exactly place it in one category only. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:12, 30 October 2018 (EDT)

== Some suggestions ==

A suggestion:
- '''The Aviator''' (2004) - yes, it is directed by Martin Scorsese, whose films are often quite violent and include a lot of profanity, but this film is almost entirely free of both and seems to advance a conservative agenda. It is a biopic that lauds the life of Howard Hughes (a Republican and supporter of Richard Nixon), portraying him as exemplifying American values of commerce, vision and entrepreneurialism. Hughes is a tragic figure who struggles with mental illness, obsessive-compulsive disorder and politically-motivated and fabricated allegations of war profiteering (which were levied against him by the corrupt senator Owen Brewster, who was formerly associated with the Ku Klux Klan). Despite never overcoming his mental illness, Hughes does manage to expose Brewster's corruption and double-dealing - a victory for an individualist, capitalist entrepreneur against bureaucratic government authority and cronyism. The film also portrays left-wing actress Katherine Hepburn in a negative light, ironically juxtaposing her belief in socialism with the luxurious life she enjoys in the New York 'jet set' (a 'champagne socialist'), and depicting how she treats Hughes coldly and abandons him when his obsessive-compulsive disorder worsens. - [[User:LibertyMatters]] 17:29, 06 November 2018 (GMT)

In fact, I have a couple more suggestions now:
- '''The Hunt for Red October''' (1990) - an atmospheric and tense thriller about a Soviet naval captain trying to defect to America during the Cold War. The film overall has a very positive view of America as an oasis of freedom, with the Soviet officers desperate to escape the totalitarian communist police state - one of the Soviets is surprised when he learns that in America, unlike in Soviet Russia, one is allowed to travel between states, a vivid illustration of just how repressive the USSR must have been. Based on a thriller by conservative author Tom Clancy.

- '''Inception''' (2010) - Christopher Nolan, who directed this well-received science fiction film about lucid dreaming, is considered one of the most conservative Hollywood directors (he directed the war film Dunkirk, which already appears on this list). Inception at first appears a completely apolitical film, but some reviewers have pointed out a subtle but definite Christian allegory at play here.

Buckle up, because this one - as befits a complex film - is a complicated one. But I really don't think I'm reading more into it than is actually there, and plenty of people have pointed this out. Spoilers are very much coming up, too, as a warning.

A quick précis of the plot - Cobb, the main character, is an 'extractor', who performs corporate espionage by attempting to infiltrate the subconscious of targets while they are dreaming and extract information. He has been hired by Saito, an unscrupulous businessman, to perform an act of 'inception' - placing the germ of an idea in someone's subconsciousness. In return, Saito will clear Cobb of a (false) murder charge and allow him to come back home to his children in America.

To embed an idea in someone's subconsciousness, it requires creating a 'dream within a dream within a dream' and embedding the idea deep within the bottom layer so that the person will not reject it as foreign. The way to wake up from a deeper dream layer into the one above it is to die in that layer (the idea that we have to die to wake up should suggest where this might be going). But there is also the possibility of getting lost in 'limbo' - a world so deep in the subconscious that the dreamer can construct the entire world with their own mind, and risks forgetting they are in a dream at all. Cobb, as is revealed later on, was once trapped in limbo with his now-deceased wife Mal, who spent years in limbo (the equivalent of hours in the real world) constructing a world out of their own memories.

The film opens with a shot of a fake vision of Cobb's children in Limbo, who are building sandcastles on a beach. It ends with a shot of Cobb reunited with his real children, James and Philippa (both named after Christian apostles), who, in the final line of dialogue in the film, say that they are building a house 'on the cliff.' Some reviewers have puzzled over the meaning of this line. To me, it's pretty clear. The film is bracketed by the two halves of the parable of the wise and foolish builders (Matthew 7:24).

What does this mean in context? It means that limbo is identified with the mortal world, where the foolish builders construct their lives on materialism rather than faith. In limbo, people have the power to use their imagination to make the world whatever they want it to be, as Cobb and Mal did for years - but none of it is real, it is just a figment of the subconscious. Near the end of the film, Cobb encounters a subconscious projection of Mal (malevolent?), who tries to persuade him to stay with her in limbo - not on the grounds that it is real, but that "you don't believe in anything anymore." Cobb rejects this materialistic relativism, in favour of an affirmation in the objective reality that his children do exist in the real world, 'up above' - in other words, he repudiates the temptation to live in a faithless world where mankind sets himself up as all-powerful and can build whatever he wants, instead having faith in the idea that there's something more real and meaningful than this.

The film is thus metaphorical. Cobb starts as essentially a glorified thief, obsessed with the idea of 'buying his way home' back to his children through his deal with Saito. Having failed to get his way into heaven (which, for him, is a return to his children) this way, he takes a leap of faith. He rejects Mal's temptation, refuses to use violence against a character who betrays the team, and risks his life to save that of Saito (who is in danger of getting lost in limbo). After this act of self-sacrifice, he dives into a river (a metaphorical baptism promising both death and rebirth), wakes up in reality on a plane, passes through immigration and customs (a metaphorical judgment of one's sins), is reunited with his father-in-law and finally returns to an Eden-like garden where his children are waiting for him. Whether this is intended to be a literal journey to heaven or a more metaphorical spiritual experience, the symbolism is all pretty clear. Once more, we end with the dialogue of constructing a house on the cliff - on the real and tangible substance of faith, a line that makes no sense without being viewed in a Christian context.

Christianity is admittedly not synonymous with conservatism, but I think the religious metaphor of this film is something conservatives would tend to appreciate. There is plenty more symbolism, which is summarised best in this article:
http://popupchinese.com/Inception.pdf
If we pop this one on the list it might be better to link to the article as this takes so long to explain. But I thought I'd lay out all the reasoning for you.

[[User:LibertyMatters]] 23:14, 10 November 2018 (GMT)

== Letters From Iwo Jima ==

I've been thinking about putting letters from Iwo Jima on one of these lists. If you truly understand it, it is a film that, while it paints the rank-and-file Japanese field soldier in a sympathetic light, it depicts the higher Japanese leadership in a negative light. For instance, it depicts Japan's "Kenpeitai" (the Japanese equivalent of the Russian Commissars) in a very negative light. The impression given by the movie is that young Japanese men are being drafted against their will to fight in a war that they don't understand. With all of the anti-war films that Hollywood makes, I think this one is different in that it shows the terrible battlefield conditions faced by the country that actually really started the war in the first place. [[User:Shobson20|Shobson20]] ([[User talk:Shobson20|talk]]) 01:14, 24 December 2018 (EST)

== Ace Ventura: Pet Detective Not Great? ==

Should Ace Ventura Pet Detective really be in the debatable if great section? It is one of my favorites, it was moved there for its crude behavior and because it stars liberal Jim Carrey, but there are other movies on this list, with crude behavior and other Jim Carrey movies.
--[[User:SaltLakeCityLover|SaltLakeCityLover]] ([[User talk:SaltLakeCityLover|talk]]) 10:06, 7 June 2019 (EDT)

Talk:Essay:Greatest Conservative Movies

2019-06-07T14:06:34Z

SaltLakeCityLover: /* Added a section */ new section

[[Talk:Essay:Greatest Conservative Movies/archive1|Archive 1]]
 [[Talk:Essay:Greatest Conservative Movies/archive2|Archive 2]]

== Public Discussion Here ==

(post comments here by clicking "Edit this page")

Okay who keeps mispelling "Mr. Skeffington"? THERE IS A G IN THE NAME see www.imdb.com/title/tt0037094/

The Conservapedia entry for "Gen. George S. Patton" has a great section on the classic 1969 film, "Patton;" why is it not on the list?? A few years back "National Review" listed 100 great conservative films ("A Man for All Seasons" led NR editors' list). Immediately readers (including me) sent in their own nominations and "Patton" came in #1!!!!

CW Miller PhD

:It should be. Would you like to add it? Note, however, that the film was not as conservative as the person it featured!--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)

I think 'Tears of the Sun' should've definitely been on the list. Its extremely pro-military.

:Perhaps, would you like to add it with an explanation of why?--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)

What is the conservative message taught by "The Way We Were"? Just curious.

:Pretty obvious, isn't it? The [[liberal]] rants predictably got too tiresome for the man to put up with, and he inevitably broke off the relationship with the woman in order to find a replacement.--[[User:Aschlafly|Andy Schlafly]] 14:00, 30 August 2011 (EDT)
::And in the process of breaking off the relationship, he broke his marriage vows and committed adultery. --[[User:SharonW|SharonW]] 23:44, 30 August 2011 (EDT)

I think The Graduate (1967) needs to be on this list. This is a film about a boy growing up, by facing harsh reality, owning up to his mistakes, and making a decision about his life, thus becoming a man. It's also about how we can overcome sin and corruption by taking control of our lives. --[[User:Wayfinder|Wayfinder]] 14:47, 3 November 2011 (EDT)

:I'm not too sure about that one. A common interpretation of the ending is that Benjamin has actions in the climax were purely spur-of-the-moment, at that he's just figuring out in doing so he's failed to accomplish anything meaningful and is left with a wholly uncertain future. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

Another film is the 1948 Alfred Hitchcock film Rope, starring James Stewart, John Dall, and Stewart Granger. Based loosely on the Leopold-Loeb killing, Rope is about two Harvard scholars who decide to kill an acquaintance of their simply for the sake of killing, because they believe they are superior to others, all taught from one of their headmasters (James Stewart). This film goes into one of the reasons why we have laws, why we cherish human life, and slightly goes into the immorality taught by ivory tower intellectuals that seems so prevalent today.--[[User:Wayfinder|Wayfinder]] 22:00, 3 November 2011 (EDT)

Hud (1963), starring Paul Newman, Melvyn Douglas, and Patricia Neal, needs to be in this roster too. At the heart of Conservative Philosophy lies the strength of a man's character and how that character influences others. Hud, played by Newman, is a man who's completely selfish in a way that liberals are. He doesn't care about anyone but himself, and his own ego, and he gives no restraint to his appetites. He doesn't give a damn about anything, because to him the world is full of excrement. And that sooner or later, you're going to have to swim in that muck like everybody else. A great line is said that "The look of the country changes by the people we admire." As you watch this film, things get progressively worse for the ranch that Hud lives on, part and parcel because of his own crass behavior. Hud's willingness both to pass bad beef off onto his neighbors and take the ranch out from his old father indicates the sourness of his character. A brilliant film about human character.--[[User:Wayfinder|Wayfinder]] 22:28, 3 November 2011 (EDT)

== Man of Steel ==
Could it not be argued that the movie is promoting idolatry by having the people of Earth view Superman, a non-human, as a "Christ-like redeemer?"

Not likely. Superman never sought the worship of people. Neither did Zod for that matter. Interestingly, in this movie, Zod is an anti-hero. He may have intended well, as his patriotism is to be admired, and I really don't blame him for killing some corrupt Krypton, but, tragically, in the planned economy, he was predesigned to be a warrior to continue the corrupt planned economy of Krypton. True, there is free will in the predesigned society (Jor El and his wife did break the law by having Kal naturally and Jor El broke the law by taking Kal from the Genesis chamber and sending him to earth. It was that Jor El believed that the whole society was too corrupted to be continued along the Krypton way and thus that Zod's idea of only keeping the good bloodlines, as he put it, wouldn't solve the problem. What made Zod a villain wasn't his efforts to save Krypton, but his efforts to kill everyone on earth when he could have just assimilated like Kal. (So the movie isn't pro-open borders either (though I heard a super man comic was lately!!!) as Kal adjusts but the alien Zod comes in and tries to transform the planet to his liking just like the illegals and Muslims are trying to transform the USA.) Also, Kal El/Clark Kent just wanted to be left alone (even ticking off the military when they tried to track him and he destroyed some pricey equipment to get them off his back). [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 01:53, 13 October 2017 (EDT)

== Leaving Las Vegas ==
While clearly not originally intended to portray a conservative message, I feel that one strongly comes across in the film. Semi-autobiographical story of an alcoholic writer who loses everything because of his drinking and continues to spiral until it eventually costs him his life. opinions? [[User:Fnarrow|Fnarrow]] 11:07, 6 April 2013 (EDT)

:Not quite sure as to how this portrays a 'conservative message' of any kind. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

== The Blind Side ==
It's a story about the shortcomings of public education and how the power of private Christian charity helped a young homeless man overcome his disadvantages and play in the NFL.[[User:AdamDiscordia|AdamDiscordia]] 19:03, 14 May 2011 (EDT)

== Brokeback Mountain ==

I was thinking about this topic earlier and had an interesting thought about a seemingly non-conservative movie that, in a way, is actually quite so. I'm going to throw this out there for some (hopefully productive and civil) debate and see what people think.

The movie is Brokeback Mountain. Now hold on to your outrage, people. I have justifications for my point. Please hear me out. (Oh, and spoilers, just in case you planned to see/read it and hadn't)

As you probably know, the movie (and the novella on which its based) is about two men who fall into a homosexual lifestyle. But what struck me as conservative about this film is that it doesn't glorify the lifestyle; the two mens' choice to indulge in homosexuality is a disastrous choice that ends up ruining both their lives. One man's marriage is destroyed and his relationship with his child is forever tainted. The other man's choice actually leads to his violent death (Incidentally, I'm not saying that killing someone for being gay is a conservative value. But the point is that this movie is actually very up-front about acknowledging the catastrophic consequences of a homosexual lifestyle).

Considering all that, my next though was whether this movie might be unintentionally conservative, in which case it certainly doesn't belong on this list. But I don't think it is (haven't seen it since it first came out though, so I could be wrong).

So, there's my point. I would appreciate some discussion. I imagine some CPers will think I'm trolling or just trying to start an argument. Not so. I feel like it's a valid point but that there are probably strong arguments for and against, and I'd really like to hear what other people think. [[User:EMorris|EMorris]] 17:11, 25 June 2010 (EDT)

:You are partially right, but I think the homosexuals were meant to be sympathetic and on that basis alone, I don't think that movie belongs on this list. [[User:AdamDiscordia|AdamDiscordia]] 19:05, 14 May 2011 (EDT)

: I agree that the movie is anti-homosexuality. Based on the publicity, I expected the movie to be pro-homosexuality, but I was quite surprised by what was actually in the movie. [[User:RSchlafly|RSchlafly]] 16:15, 31 August 2011 (EDT)

:This would be true, except that you have to consider the film's intent. It's not necessarily suggesting that what these men did is the result of their choice. It's suggesting that what happens to these men is the result of bigotry, prejudice, and hate on the part of the world around them. That they are blameless, in spite of their choices. A stark contrast, which I think also ought to be listed as a Conservative Film, would be Midnight Cowboy. In Midnight Cowboy, Joe Buck (played by Jon Voight) recognizes that the life he chose, as a male prostitute, and begins to make an effort to change, to get out of New York, with Ratso (Dustin Hoffman). Ratso's death underscored the decadent life they had led in NYC, and how Joe barely escaped with his own. In Brokeback Mountain, you do not see such recognition on the part of Ennis and Jack. They don't really consider what they did as wrong, necessarily. So where Midnight Cowboy underscores the devastation the immoral life can lead, Brokeback Mountain places the responsibility for that devastation on everyone else but the two men most responsible. --[[User:Wayfinder|Wayfinder]] 19:56, 3 November 2011 (EDT)

== U-571 ==

I deleted U-571 from this list. It portrays the capture of an Enigma machine from a German U-boat by US forces. As pretty much everyone with any interest in WW2 knows, the naval Enigma machine was stolen by Polish forces and decoded by British code-breakers at Bletchley. My Brit friends think U-571 is a joke because it minimises the role of the British ("you arrogant Yankees"). Poles are offended because it cuts out the Polish involvement altogether - including the very brave men who risked their lives to steal an Enigma machine and hand it over to British Intelligence. (BTW, Britain and Poland were allies of ours in WW2 and still are now.) Deceit isn't a conservative virtue - so I crossed U-571 off the list. [[User:BenjyB|BenjyB]] 16:51, 20 September 2010 (EDT)

: I'd say it's very questionable whether there's any deceit involved. The movie makes an on-screen written acknowledgment that the the first (and the majority) of enigmas were captured by British sailors. The whole movie is so over-the-top that nobody with a lick of intelligence would believe it's true. American sailors did capture an enigma machine during the war too, so this movie is obviously "inspired by a true story" even if it's not especially true. Most of the movie-going public knows that Hollywood "true" stories are highly fictionalized. [[User:EMorris|EMorris]] 13:13, 21 September 2010 (EDT)

==The Lives of Others==

Where on earth is The Lives of Others? it is, surely, the best recent critique of Communism and, for that matter, one of the best films ''of any type'' released in the past five years. It certainly deserves a place ahead of, for example, the obscure Dark Matter. --[[User:Jdixon|Jdixon]] 12:13, 28 November 2010 (EST)

: It's in German, right, and about the former [[East Germany]]? I'll add it on your recommendation, but I can't agree it ranks higher than the English-language Dark Matter, which speaks to today and not just the past.--[[User:Aschlafly|Andy Schlafly]] 12:41, 28 November 2010 (EST)

::Fair enough, Andy. Though I don't quite understand the argument against foreign-language films. If the issue is obscurity, The Lives of Others was seen by far more people in the US than Dark Matter. A glance at Box-Office Mojo confirms that Dark Matter took in a staggeringly tiny $30,591 on its domestic run. The Lives of Others took in $11,286,112 in the US (plus another $66 million in the rest of the world). I am, however, content to abide by your criteria. --[[User:Jdixon|Jdixon]] 15:40, 28 November 2010 (EST)

:::Oprah Winfrey's daytime talk show rakes in far higher revenues than both, but I'm not sure what that proves. Dark Matter was apparently victimized and downplayed by liberals who finally figured out its conservative message, after it won first place in one of the Sundance Film Festival categories. The liberal backlash against Dark Matter is particularly surprising given that Meryl Streep starred in it.--[[User:Aschlafly|Andy Schlafly]] 18:48, 28 November 2010 (EST)

::::P.S. Your suggestion of "The Lives of Others" is a fine addition. Thanks.--[[User:Aschlafly|Andy Schlafly]] 19:02, 28 November 2010 (EST)
http://www.conservapedia.com/skins/common/images/button_sig.png
::::No problem. Keep up the good work. --[[User:Jdixon|Jdixon]] 20:47, 28 November 2010 (EST)

== Fiddler on the Roof? ==

A film celebrating the value of community, tradition, family, and faith, all against the historical context of the harm done by the rise of Communism in Russia...worthy of a spot on the list? --[[User:Benp|Benp]] 18:30, 6 January 2011 (EST)

:Sounds good to me ... please add it as you think best!--[[User:Aschlafly|Andy Schlafly]] 18:48, 6 January 2011 (EST)

:I disagree. Look at the overall film/play. This was definitely a counter-culture film thinly disguised as a quaint musical drama. The message was that Tradition is bad, illogical, and keeps people stuck in their ways when they should embrace the new, simply because it's new. When Tevye explains the traditions and why they're there in the beginning, he mentioned that they keep their heads covered and they wear their prayer shawl. He then asks, "How did this tradition get started?," and he responds, "I don't know." This sets up the rest of the show. Because never do they explain why they use a Matchmaker, or why they don't let people arrange their own matches, or why men and women dance separately. They even have the old rabbi getting down with the new changes, never defending what was before. Message: Traditions are stale and old and have no place in the modern world. Relax and just let things happen. Then the film gives us the drama of Chava marrying a Christian, marrying outside of her faith, and that's where Tevye can't abide it. By then, it seems that Tevye's objection is only based on ridiculous emotion, rather than anything objective. All this, in spite of the fact that change is coming, one that cannot be stopped by the traditions these people hold. This is not a Conservative message at all, but one that is quite subversive. If this had been written from a Conservative approach, we would've gone into the reasons behind the traditions, because they're not irrational or unreasonable. The reason for a Matchmaker, the way they dress, and the way they eat, and the dancing, all is meant to preserve their heritage as Jews living in Tsarist Russia. The Matchmaker keeps the Jewish men and women within the community, and within the faith, all the while helping to maintain peace and stability within the community itself. The point I'm making is that Traditions have a purpose, even if we disagree with them. And the notion that happiness comes from something material, as in the case of the marriage between Motel and Tzeital, is a direct message against a person's obligations to his or her duty, both to themselves and their community they live in. No, I'd say Fiddler on the Roof is not a Conservative film. --[[User:Wayfinder|Wayfinder]] 20:15, 3 November 2011 (EDT)

: I disagree Wayfinder. Much of Jewish culture is based around the concept that Jews follow tradition for no other reason than because God expects us to. Take Kosher laws. Certainly, there can health reasons for being Kosher, but that is not why Jews become Kosher; it is because it is expected by God. Kosher laws don't change or update with new dietary findings. There are no Kosher fad diets. Ask a random Jewish person who keeps Kosher why he/she does and, 9 times out of 10, they will either say, "Because I always have" or "Because God expects me to". In the later case, performing an act because God expects it is logical, in an of itself.

And in Fiddler, there is an extra point to tradition. As Tevye says, "Because of tradition, we've kept our balance for many, many years." To wit, tradition is the only thing keeping Jews from falling into the abyss. And, in fact, the more Tevye gives in to the modern times, the more his culture is ravaged until he is forced to leave his homeland. Tradition is deeply respected in the film, as much as, and for the same reasons as, it is in the Jewish culture. And for that reason, I would consider it a Conservative film. --[[User:Sirreality|Sirrealtiy]] 12:16, 7 July 2012 (EDT)

: You make some good points, Sirrealtiy, but I must reiterate that the film isn't about Tradition's strengths, but giving into change for its own sake. Not once does Tevye ever consider why there are these traditions in the first place. When he argues with himself over Tzeitel marrying Motel or Hodel marrying Perchik, and so forth, he never considers the traditions at all or even explains their use. He almost casually disregards them. When it comes down to Chava, though, he can't get around it, and, again, he has no real good reason for any of them. So Tevye comes off as rigid and petty. This is important because Fiddler on the Roof came out at the height of the first wave of hippy counter-culture in America, and it ran with it. By the time the film gets to the conclusion, that the Tsar is running them out of Anatevka, the message is loud and clear: You can't resist change at all, so don't even try. This would, on the other hand, be more of a conservative film if we went into the reasons for these traditions, a lot of which would've been known, especially to the likes of the Rabbi, before casually discarding them. : --[[User:Wayfinder|Wayfinder]] 01:45, 24 January 2013 (EST)
Fiddler on the Roof is a classic movie.

A remember this: "Jesus replied, “And why do you break the command of God for the sake of your tradition? 4 For God said, ‘Honor your father and your mother’ and ‘Anyone who curses his father or mother must be put to death.’ 5 But you say that if a man says to his father and mother, ‘Whatever help you might otherwise have received from me is a gift devoted to God,’ 6 he is not to ‘honor his father’ with it. Thus you nullify the word of God for the sake of your tradition. 7 You hypocrites! Isaiah was right when he prophesied about you: 8 ‘These people honor me with their lips, but their hearts are far from me. 9 They worship me in vain; their teachings are but rules taught by men’.” 10 Jesus called the crowd to him and said, “Listen and understand. 11 What goes into a man’s mouth does not make him ‘unclean,’ but what comes out of his mouth, that is what makes him ‘unclean’.” 12 Then the disciples came to him and asked, “Do you not know that the Pharisees were offended when they heard this?” 13 He replied, “Every plant that my heavenly Father has not planted will be pulled up by the roots. 14 Leave them; they are blind guides. If a blind man leads a blind man, both will fall into a pit.”

So not all traditions are good.

I love Thanksgiving though. And I like eggnog on December 25. :) [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 19:54, 10 July 2017 (EDT)

== Gattaca ==

A condemnation of genetic experiments on humans, and a wonderful triumph of individualism in an extremely controlled society. No matter how much scientists play to be God, and try to improve the human race by using genetics, there will always be an individual, based on original God design, who, despite his health shortcomings, will triumph over this genetically modified, supposedly perfect human beings.

I don’t immediately put it on the list because the movie is a bit atheist. In the final scene, the hero finally managed to travel to space and cites the phrase: “They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home."

So, I’ll say that the movie has a conservative message, unfortunately diluted with atheist overtones. I’ll wait for someone else opinion before posting this. --[[User:AlejandroH|AlejandroH]] 23:03, 10 March 2011 (EST)

:Feel free to post this with the caveat you mention. Thanks for explaining it.--[[User:Aschlafly|Andy Schlafly]] 00:33, 25 March 2011 (EDT)
::We talked about this movie at my fellowship a few months ago - pure hokum about a guy who might have been alright on his own but for a disgusting patriarchy forcing human engineering. I'll write this if AlejandroJ doesn't. [[User:NKeaton|Nate]] 00:51, 25 March 2011 (EDT)
:::Thanks, I posted it. --[[User:AlejandroH|AlejandroH]] 15:31, 25 March 2011 (EDT)

The argument that this film has atheistic overtones actually adds to this film. It shows how we have reduced a person not to his ability but to purely material characteristics, and the effects this has on society. In Gattaca, people are judged not by their ability, not by their merit or accomplishments, but their potential. Gore Vidal, who plays the director of Gattaca, says "No one exceeds their potential." This is, I think, a fundamental statement in the whole movie; that it is the potential that is important, not the action, not the accomplishment. If Vincent became exposed even after he is confirmed to go to Titan, we know what would happen; he would be expelled from Gattaca, and possibly imprisoned for using a "borrowed ladder." Which also points to Eugene's suicide and why he took his own life. Eugene doesn't value his life, but his potential. "Jerome Morrow," he said, "was never meant to be one step lower on the podium." In such an atheistic society that only values the material, the potential, the beautiful, but not the competent or the accomplished, Eugene's suicide underscores this conceit. Eugene could not be anything less than what he felt his potential was. Or, put it another way, he could not be anything less but what others said he should be. --[[User:Wayfinder|Wayfinder]] 14:58, 3 November 2011 (EDT)

== Disney cartoons ==

Most, and perhaps all, of the Disney cartoons for the past 15 or so years have pushed the [[feminist]] ideology. I welcome any counterexamples, but doubt there are any. Hence the reversion of the "Princess and the Frog (2009)" addition.--[[User:Aschlafly|Andy Schlafly]] 00:31, 25 March 2011 (EDT)
:''The Lion King'', a 1994 Disney movie, is definitely conservative. A main message of the movie is honoring thy father, and the power-hungry main antagonist, once he becomes ruler, favors big government, pushes [[liberal values]] and destroys their territory. I'll add it with your approval. [[User:DennyW66|DennyW66]] 15:45, 25 March 2011 (EDT)

::Sounds like a good choice. Please add and if anyone has a different view of the movie, then he can let us know.--[[User:Aschlafly|Andy Schlafly]] 16:26, 25 March 2011 (EDT)

:::Added. [[User:DennyW66|DennyW66]] 16:41, 25 March 2011 (EDT)

Mr Schlafly I would agree with your reversion of my contribution of the Princess and the Frog if that movie were feminist-ideology-promoting (like, for instance Mulan (1998)) but frankly, it is not a feminist movie. I am not a woman, nor a feminist - I am staunchly conservative. The Princess and the Frog promotes monogamous marriage (which feminism does not) as well as the other conservative values I listed (such as saving money, hard work, free enterprise etc). In fact, the main character is so pro-marriage that she changes her licentious friend's behavior from debauchery (which feminism promotes) to monogamy. It is possibly the most conservative-value-laden animated movie I have ever seen.

''The Lion King'' on the other hand promotes re-incarnation with its "Circle of Life" song. Jack, the hero of ''Titanic'' commits fornication and mocks a man reciting the 23rd Psalm; Cal, the main antagonist is depicted as a church-service-attending hypocrite.

You are doubtless correct about the feminist ideology pushed by many Disney animations, but this is not one of them. I respectfully request that you consider returning my contribution of 'The Princess and the Frog'. [[User:Spotsbunch|Spotsbunch]] 23:17, 25 March 2011 (EDT)

:I have to disagree with you about The Lion King. As far as I can interpret, "The Circle of Life" is either about the bond all humans share or the journey from life to death and the afterlife, not reincarnation. [[User:DennyW66|DennyW66]] 00:36, 26 March 2011 (EDT)

::Spotsbunch, I think you have a valid point about the Lion King, but from what I've heard about the "Princess and the Frog," it's feminist claptrap with the woman wearing the pants and doing everything except having children and homeschooling her kids. It's more Disney tripe about a successful businesswoman towing along an inept man, which is hardly typical in the real world.--[[User:Aschlafly|Andy Schlafly]] 00:56, 26 March 2011 (EDT)

:::Arguably, any movie where people turn into frogs, or where in Beauty and the Beast, people have transmogrified into furniture is not "real world". Fantasies they may be, (like many movies listed here) but they are still conservative. I (finally) put it to your kind consideration that if you would watch the Princess and the Frog, you would find it contains less feminism and more conservativism than Beauty and the Beast. Whatever your judgment, I respect your decision and will refrain from further debate, even though I (thus far) disagree. Kindest regards [[User:Spotsbunch|Spotsbunch]] 08:43, 26 March 2011 (EDT)

::::[[Feminism]] is unmistakable: it has women acting like men and vice-versa, contrary to reality. Disney cartoons have been ''heavily'' feminist for at least 15 years. ''Beauty and the Beast'', made 20 years ago, was not feminist in any way. But having a "Princess" act like a businessman and aspire to run a restaurant is feminist. What's next - Cinderella aspires to be a CEO of a Fortune 500 company???--[[User:Aschlafly|Andy Schlafly]] 10:10, 26 March 2011 (EDT)

:::::Is there any reason a woman can't run a restaurant or a fortune 500 company? No really, Andy, I want to know. Why is it feminist to portray a woman doing anything but cooking, cleaning, and rearing children? [[User:TerryB|TerryB]] 13:40, 26 March 2011 (EDT)

::::::Who said anything about cooking and cleaning? And, no, there isn't a reason why a woman can't aspire to any field, such as plumbers (almost no women plumbers), gas station attendants (ditto), or professional football players (ditto). The fact is that the vast majority of women ''do not aspire'' to do such activities (or running a restaurant or a Fortune 500 company), and it's false for feminists or feminist movies to repeatedly pretend otherwise.--[[User:Aschlafly|Andy Schlafly]] 13:48, 26 March 2011 (EDT)

:::::::I apologize for my abrasiveness, it just seemed that you were implying that's all they're supposed to do. I can see where you're coming from. While a woman can do what she wants, feminists are wrong for telling woman that they should only aspire to do things traditionally done by men. Men normally aren't beauty consultants, clothing designers, or nail salon technicians, so why don't we see any men urging more men to do these things? [[User:TerryB|TerryB]] 14:00, 26 March 2011 (EDT)

::::::::[[Feminism]] repeatedly tries to persuade women not to have children and raise them, pretending that aspiring to work in a job is somehow better. I can't think of a single Disney movie in the last 15 years that has been realistic about the homemaker role that most women prefer.--[[User:Aschlafly|Andy Schlafly]] 15:00, 26 March 2011 (EDT)
::::::::::Up. A key part of the story is that the old man's wife had given up her dreams of being an explorer as real life concerns around the home took precedence. [[User:Martyp|Martyp]] 15:03, 26 March 2011 (EDT)

:::::::::::As promised, I will make my petition no further. However, as others have continued this debate, I will contribute to that. The Bible, our ultimate authority, disagrees (as I read it) that "a woman aspiring to run a business" (restaurant or otherwise) is feminist. Proverbs 31:10-31 describes at length "the wife of noble character" to be involved in business by working with eager hands; importing food from merchant ships; providing food for her family; purchasing property for farming; trading profitably; making and selling expensive cloth and having enough money left over to give to the poor. Anyone with a definition of feminism which includes activities like these, who also respects the Bible as God's authoritative Word should reconsider his definition. Respectfully and with kindest regards, [[User:Spotsbunch|Spotsbunch]] 19:15, 26 March 2011 (EDT)

::::::::::::Not surprisingly, you left out the verse saying "her children wake up, and call her 'blessed,' so does her husband" ([[CBP]] version), as well as several other verses that feminist movies do not include.--[[User:Aschlafly|Andy Schlafly]] 00:06, 27 March 2011 (EDT)

:::::::::::::Then would it be acceptable to put the Princess and the Frog in the "Debatable Whether Conservative" section of this page? [[User:Spotsbunch|Spotsbunch]] 15:44, 30 March 2011 (EDT)

::::::::::::::There are high quality movies in the "Debatable" section. The [[feminist]] "Princess and the Frog" doesn't even come close to that level of quality and arguably conservatism.--[[User:Aschlafly|Andy Schlafly]] 17:46, 30 March 2011 (EDT)

:::::::::::::::Since we're talking Disney cartoons here, would films like The Little Mermaid qualify under Conservative or Liberal? I want to make sure so I don't end up making a big mistake later on. [[User:Pokeria1|Pokeria1]] 16:56, 29 June 2013 (EDT)

:::::::::::::::Actually, I think Beauty and the Beast would qualify as feminist propaganda, and thus make its Conservative status debatable. True, it didn't have Belle trying to work as a CEO or something (then again, given the time period, I don't think "CEOs" even existed at that time) unlike the films for the past 15 years, but it does push the feminist propaganda that women couldn't get an education until the 1960s, and all education was supplied to rich white males, and that Belle was somehow breaking societal standards by reading (which there have been women who read during that time as well and wasn't even looked down upon. Marie Antoinette for one.). Trust me, I'd recognize that propaganda when I see it because I had to be subject to that propaganda from a militant feminist professor by the name of Heather Lucas (who did actually imply the above thing about women not getting an education until the 1960s). Plus the fact that she was refusing to marry for children can easily be construed as being anti-family. Also, as some people pointed out, there were some left-wing stuff in Titanic as well (I think Jack basically made some comments that were negative towards capitalism in that film. That as well as the aforementioned scene with Rose qualifying as pornography, and heck, technically she was committing pedastry with Jack as well). I took the liberty to moving them to the debatable whether Conservative section. [[User:Pokeria1|Pokeria1]] 22:36, 10 December 2013 (EST)
:::::::::::::::Edit: It should also be worth mentioning that the village, while "shallow," was not really materialistic, not under the definition of matter being the most important thing, and certainly not in regards to the aspect of wealth, race, and jobs. Probably the closest they've gotten to materialism was their considering Belle to be "odd" due to her reading a book all the time, which even then seems to speak more to the feminist propaganda of Women not being educated at all until the 1960s. There wasn't exactly anything materialistic about the village. I had removed the reference to the village as being materialistic since it really didn't fit the definition at all. Also, the so-called "wedding" had a brief shot of a priest (specifically when Gaston makes that opening joke), making materialism in the village even less likely (materialism is atheistic, and the presence of a priest likewise implies the village was Christian, something that cannot intermingle with each other). [[User:Pokeria1|Pokeria1]] 17:26, 17 December 2013 (EST)

:Actually, after giving it some thought, I think The Princess and the Frog would qualify more as conservative at this point (certainly far more than the 1991 ''Beauty and the Beast'' ever did, which even Linda Woolverton, its screenwriter, not to mention Don Hahn, has admitted to being feminist claptrap since Jeffrey Katzenberg demanded for its third rewrite.). Technically, at least from what I gather as I haven't actually seen the film, the only reason why Tiana is even trying to run a shop is because her dad was dead and there was no male heir to run it, so under that sense, it's not actually feminist (and aside from that, it also somewhat condemns her obsession with trying to act as a CEO, especially when the main villain Dr. Facilier actually does try to convince her to pursue her dreams as a form of tempting her, and her ultimately rejecting it upon realizing what truly matters). I might as well point out that the film has Charlotte LeBeouf, a girl who most certainly is not a feminist, and if anything very traditionally feminine, who is actually portrayed in a very positive light, being a genuine friend for Tiana, and even attempting to restore Tiana and Naveen from the curse when granted the opportunity to do so (and only failed because Marti Gras ended at the worst possible time). And as another person pointed out, The Princess and the Frog actually DOES promote traditional marriage, and as a matter of fact, is the first Disney Feature Length film to actually do so since ''The Little Mermaid'' two decades before. Not saying it really should be listed as one of the greatest conservative films of all time (it's got evidence of plagiarizing ''The Little Mermaid'' at times, and aside from that, it did depict Voodoo in an ambiguous light, meaning that at best it can go under debatable whether Conservative or debatable whether Great), but it definitely shouldn't really be listed as a liberal film, period. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:33, 1 January 2019 (EST)

== Titanic ==

The movie ''Titanic'' also shows the rich and privileged getting on the half-empty life boats while the poor and lower class passengers are locked below (which is actually historical). Should it truly be included in this list? [[User:SharonW|SharonW]] 16:50, 6 April 2011 (EDT)

:No, I disagree. The movie accurately portrays the wealthiest men on the boat (Guggenheim, Astor, etc.) giving up their lives so that poorer women and children could be saved.--[[User:Aschlafly|Andy Schlafly]] 21:53, 6 April 2011 (EDT)

::While I'm ''not'' denying there were individual acts of chivalry and that Guggenheim et al declined seats (although there is historical conflicting testimony about Astor) on the lifeboats (of which there were too few given the number of people on the ship), the numbers show a definite declining survival rate by class. This was also a theme in the movie and not one that should be ignored.

::The movie showed the lower class passengers being locked in the bowels of the ship, blocking escape. There is historical conflicting testimony on this subject as well: several people reported gates between decks being locked and armed guards blocking passageways while one steerage passenger testified that the gates were not locked. Another passenger stated that not only did the staff ''not'' sound an alarm in third class, but that steerage passengers who came up on deck were told to return to their rooms because there was no danger.

::'''First Class''' Women - 4/141 died (97% survival rate)1; Children: 1/7 died2 (86% survival rate); Men - 104/171 died (39% survival rate); Totals: 109/319 died (66% overall survival rate)

::12 of the 4 first class female passengers who died chose to remain with their husbands. *corrected mistype.

::2Lorraine Allison remained on board with her family because they had been separated from her infant brother, who was on a lifeboat with his nurse. The entire family died, with the exception of the baby.

::'''Second Class''' Women: 13/92 died (86% survival rate); Children: 0/25 died (100% survival rate); Men: 135/152 died (11% survival rate); Totals: 148/269 died (45% overall survival rate)

::'''Third Class''' Women: 91/179 died (49% survival rate); Children: 55/80 died (31% survival rate); Men: 381/440 died (13% survival rate); Totals: 527/699 died (25% overall survival rate)

::'''Staff and crew''' Female: 2/22 died (91% survival rate); Male: 701/896 died (22% survival rate); Overall: 703/918 died (23% overall survival rate)

::There are some servants left out of these numbers due to confusion

::Sorry for the over-long reply, but the ''Titanic'' has been a subject of fascination to me since my teenage years (about a century ago!) so I'm rather verbose about it. 8^) I don't agree with you on the subject, but I won't remove the movie from the list. [[User:SharonW|SharonW]] 11:51, 7 April 2011 (EDT)

Conservative? Some guy says all the right words to a vulnerable girl, then gets her to strip naked so he can draw her (that's porn). Then he gets her into the back of a car and they fornicate. Not exactly my definition of conservative. --[[User:Crubs|Crubs]] 15:58, 30 April 2013 (EDT)

==Move The Dark Knight To the Debatable category?==
I'm wondering whether of not The Dark Knight should be truly considered conservative-while it does have the message of not giving in to terrorist, it also includes themes of everyone being corruptible and having their limits (like the good public defendant, Harvey Dent, turning into a villain, Two Face) and seems fascinated with darkness and chaos ("Madness is like gravity all you need is a little push"). Given this all, and the fact that Patrick Leahy had a cameo in it, I think this might well be reconsidered. Thoughts?
Armond White, who generally sees through liberal bias and is a more conservative viewer, wrote this about it: [http://webcache.googleusercontent.com/search?q=cache:fTJ_tj1IKooJ:www.nypress.com/article-18545-knight-to-remember.html+armond+white+the+dark+knightr&cd=1&hl=en&ct=clnk&gl=us&client=firefox-a&source=www.google.com]

:Thanks for your comments. I'll move "Dark Knight" to the debatable category as you suggest.--[[User:Aschlafly|Andy Schlafly]] 23:22, 13 April 2011 (EDT)

::I watched it when it came out, and I didn't notice anything particularly Conservative about it. The only thing really good about it was the citizen response to the terrorist dilemma the arch-villain sets up, whereby two boatloads of passengers "must" each ensure their own survival by blowing up the other's boat; a quick-witted passenger takes the remote control and throws it overboard. But this has nothing to do with Batman.

::The movie shows how vicious bad people can be, and how bullies support (and recruit) other bullies. But that is hardly fodder for the liberal-conservative debate. Both sides claim to despise bullying.

::I daresay the [[Batman]] character of the 1960s comic books had some "[[conservative]]" qualities, such as the ''noblesse oblige'' of the superior man and idea that society can be benefited by the actions of a heroic individual. Both of these run counter to Communist ideas of history. But the Batman movies I've seen are about a different, darker man. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 11:45, 14 April 2011 (EDT)

:Let me help explain why this film needs to be in the list. At the beginning of this film, crime had been quelled enough that when you saw the Bat-Signal a drug dealer, who probably would've made a quick buck and easily got away with it, chose not to make a deal (you see this guy just refuse a deal to some other man in a car). But this didn't mean that the city was totally crime free, or that corruption was gone. Bruce realized that Batman could not change Gotham. He could help, but he was only one man. Gotham needed someone to be the influence Batman could never be. And that man was Harvey Dent. This speaks to how important culture is to a society. There's a great saying from another film, called Hud, which says "The look of the country changes by the people we admire." Meaning, that if you want a good, upstanding, moral society, you back people who are good, upstanding, and moral. You choose good, even if it means your death. I think the best moment in this film is where the Joker has got the two ferries, one loaded with convicts and the other loaded with civilians, each rigged to blow. But it's a convict that understands the problem, and makes a decision not to play Joker's game. What does this mean? I nearly cried when I saw that scene. It meant that someone understood that there's more to life than living. There's more to life than just existing. There's more to life than doing what is expected, rather than doing what is GOOD. Because GOOD has VALUE, which, I believe, is at the heart of the Conservative Philosophy. Liberals believe quite the opposite. Or rather, they believe that there is no Good or Evil, that everything is relative. Just as the Joker believes. It is what we stand for, and are willing to die for, that make us good or evil. This is what Christ said. To take up your Cross, even if it means your death, even if it means the deaths of others, because Life is not predicated strictly on comfort or survival, but on the propagation of Good. That's why The Dark Knight needs to be here. --[[User:Wayfinder|Wayfinder]] 22:20, 3 November 2011 (EDT)

::He may be darker in the movies, that's not to say he still doesn't have conservative values, and he does whatever he can so other people don't go through what he want through. [[User:Jm920|Jm920]] 19:00, 15 September 2011 (EDT)

== "The Sandlot" as 1950s America as a time when "every boy had a chance to be great." ==

I suppose, maybe. It's harder to achieve greatness when one couldn't necessarily ride at the front of the bus/use the same drinking fountain/eat at the same counter/go to the same university as other folks. [[User:LloydR|LloydR]] 14:15, 28 May 2011 (EDT)

: Your point is valid. Feel free to include your point in the entry itself. I don't think the 1950s were as [[conservative]] as today. In addition to your comment, [[homeschooling]] was prohibited in the 1950s, for example.--[[User:Aschlafly|Andy Schlafly]] 14:29, 28 May 2011 (EDT)

== Rollerball (1975) ==

Rollerball (1975) is frequently overlooked as one of the great conservative films. A dystopian tale in which a corporate oligarchy maintains control over the peoples of the world by distracting them with a hedonistic culture of sex, drugs, and violent entertainment. Rollerball was designed by the corporations to hypnotize and distract the minions with gladiatorial combat disguised as sport. The world watches these spectacles and subconsciously receives the message their corporate masters are feeding them - that individual achievement is not possible, because every Rollerballer ultimately faces the same gruesome fate. However, when Jonathan E (James Caan) proves dominate and (more importantly) invincible in the sport - the corporations attempt to force him to retire through an ever horriflying series of rule changes designed to bring about his death or capitulation.
Jonathan E's defiance is a captivating and uplifting example of a man asserting the freedom of the individual in the face
of totalitarianism. JFarren 17:38, 7 June 2011 (EDT)

== Indiana Jones ==

I am very surprised that the Indiana Jones films are not included in here, when they are certainly conservative. [[User:NickP|NickP]] 23:25, 28 July 2011 (EDT)

:Would you like to add them?--[[User:Aschlafly|Andy Schlafly]] 20:25, 5 August 2011 (EDT)

== Rebuilt ==
I've rewritten the page as a table. Everything is sortable now. The gross is the US gross value, not worldwide (with one referenced exception). Everything else is the same. Films listed with NA - TV means that they were a TV program, and thus did not have a gross. NA - DVD means that they were released straight to DVD. None of the values are adjusted for inflation. While that would be interesting to do, I don't think wikis support computed columns, and it seems like a waste of time to update every number here. [[user:CGoodwin|CGoodwin]]

: Well done. Your format is better, and your additional information about revenues is interesting, although not of great significance due to (1) inflation and (2) popularity typically doesn't mean much.--[[User:Aschlafly|Andy Schlafly]] 20:24, 5 August 2011 (EDT)

==Space Jam is not a "Great" film==
Conservative or not, Space Jam sucks! It must be removed.

== Two Thoughts ==

1. What about "Fiddler on the Roof"? About the important role of tradition in societies.

2. Also, the caption for "Hilary: The Movie" is awkward if not misleading. It didn't result in the McCain-Feingold Act being overturned so much as it was the impetus for the lawsuit. The current description seems to imply that it was a crucial piece of evidence or something similar.

Would anyone be opposed to these changes? [[User:Ayzmo|Ayzmo :)]] 14:17, 1 November 2011 (EDT)

==Film suggestions==

The Whit Stillman film, "Metropolitan", has been included on various lists of conservative films, including one by National Review. The story is of a group of bourgeois college students who meet a middle-class socialist peer. he later becomes good friends with them. Another National Review's list is "Ghostbusters" for its portrayal of an EPA bureaucrat as the main antagonist human antagonist and a message that "the solution to a public menace comes from the private sector". Another on the list I think may be worthy of inclusion is "Groundhog Day."

The full article from National Review can be viewed here [http://www.nationalreview.com/nrd/article/?q=YWQ4MDlhMWRkZDQ5YmViMDM1Yzc0MTE3ZTllY2E3MGM=] --[[User:TedM|TedM]] 22:42, 10 March 2012 (EST)

:update; Another film I saw a while ago, while containing some crude humor, may still qualify. It would probably fit in the "debatable whether great" category. The film is "House Arrest" and is about some teenagers who go to extreme lengths (locking them in the basement) to stop their fighting parents from getting a divorce. --[[User:TedM|TedM]] 13:46, 12 March 2012 (EDT)

== The Iron Lady ==

I highly suggest seeing The Iron Lady. I'm not sure how widespread the release was but it received critical acclaim in Britain, and a good insight into the other side of the Atlantic during the time of Reaganism. [[User:HumanGeographer|HumanGeographer]] 15:06, 12 March 2012 (EDT)

== Add "Back to the Future" to the Debatable category? ==

According to the article for [[Back to the Future]], the film contains both positive and negative values. Should it be included in the "Debatable" category?--[[User:GOPFan2011|GOPFan2011]] 23:52, 16 March 2012 (EDT)

==Batman 3==

This review [http://www.wnd.com/2012/07/occupy-batman-storms-gotham-city/] calls "The Dark Knight Rises" a conservative film which compares the Occupy movement to the ill-fated French Revolution. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 21:04, 23 July 2012 (EDT)

==Zulu==

Zulu is definitely a Conservative film. Since when do Leftists (I never call them Liberals) have the character to do their duty even if it means their death? What you see here is an emergency situation, where the officers in command put aside both their differences and their peculiar ways of life to do what was important. Chard put away being an engineer for a couple of days, and Bromhead put aside being a societal-gentleman/officer. They were determined not only to do their duty, but to win. If they abandoned their post, they cede it to the enemy and they probably would've been hunted down and destroyed, as the force at Isandwana was. They fought for reasons a bit higher than themselves, and in the end they prevailed. --[[User:Wayfinder|Wayfinder]] 15:34, 11 February 2013 (EST)

== Additional films to consider ==

*Saving Private Ryan-World War II, June 1944.
*We Were Soldiers-based on the memoir by Lt. Col. Hal Moore; 1965, Vietnam.
*Cinderella Man-The story of James Braddock; heavyweight champion from 1935–37.
--[[User:JohnJustice|JohnJustice]] 23:32, 9 February 2013 (EST)
:I still believe the three above should be included. --[[User:JohnJustice|JohnJustice]] 20:36, 3 June 2015 (EDT)
::I suggest that you bring this up on the [[Community Portal]] page. Pages sometimes find themsevles in a frenzy of vandalism, and the administrators lock the page. Then the vandalism stops, obviously, and people forget that the page was locked. This page has been locked long enough that it's probably safe to unlock it, and so you should request that. Or at least the admins could directly act on your three requests. [[User:SamHB|SamHB]] 22:42, 3 June 2015 (EDT)

== Bee Movie ==

Why is Bee Movie a conservative Movie?--[[User:JoeyJ|JoeyJ]] 06:27, 7 December 2013 (EST)

== 187 ==

I thought 187 should be on this list --[[User:Burkean|Burkean]] 17:44, 16 February 2014 (EST)

:Don't know about that. Doesn't ''187'' portray [[public schools]] as a victim, rather than the cause of the problems?--[[User:Aschlafly|Andy Schlafly]] 19:26, 16 February 2014 (EST)

I suppose one could see it that way. And obviously in real life I detest Samuel Jackson's radical racial politics. I don't remember much whining in the film about more money being the solution or celebration of teacher's unions. To me the overriding message was that we have degenerate youth in this country who wish to be decadent and apathetic and do not value a good education and a teacher who believes that students should be motivated and want to learn has finally had enough. Thomas Sowell has discussed the youth in inner city schools who actually want to learn being denied that by the thugs ruining the learning environment or because they get beat up for wanting to achieve. The film captures this unacceptable state of affairs wonderfully. That part struck a chord with me as a conservative. I certainly didn't see apologia for the public school system going on. The lack of discipline and the complicity of bureaucratic nonentities is thoroughly critiqued. Obviously, I would agree with you that breaking the public school government created monopoly is the solution. But this film as I see it is more about the problem than the solution. --[[User:Burkean|Burkean]] 21:15, 16 February 2014 (EST)

:You make great points, and please feel free to add the movie to the entry. That said, I doubt that outside gangs are a major reason why so many kids are not learning basic skills in public school. The real problem is that the liberals who control public schools don't want kids to learn and be able to think for themselves. Someone who can't read is more likely to vote a straight Democratic Party-line ticket than someone who can.--[[User:Aschlafly|Andy Schlafly]] 00:06, 17 February 2014 (EST)
You're absolutely right. Most of the time, there's no difference between the hooligan thugs and the liberals, as lack of discipline in our public school system facilitates their existence. Also, with bureaucratic control, and the war on homeschooling, cadres of teachers who care about their job and not education are protected and those who could provide a better education (because they are motivated, because they don't teach a mindless curriculum and because they believe in discipline) see their schools shutdown by teachers who would sacrifice a child's future (much like a child sacrifice in the heathen societies of old) on the altar of their precious careers. It's high time parents held them accountable. And for that, we will need an end to the century old progressive inspired idiocy of government control of schools and a free market in education. At least the progressives were honest about their intentions back then, as they quite explicitly stated that their purpose was to mold, indoctrinate, and otherwise turn children into loyal and obedient servants of the state, as opposed to God or family or their own individuality. Children are taught to lap up content free curriculum like cattle. It's disgusting. --[[User:Burkean|Burkean]] 17:26, 7 May 2014 (EDT)

==National Treasure==

It has positive messages of patriotism, respect for history and the founding fathers, standing up for what you believe in rather than going alone with the crowd, and many others.
:It also promotes the Free Masons, so I'm not confident this should be here. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:40, 27 June 2016 (EDT)

== Star Wars conservative? ==

Hi.

Can we really list the entire Star Wars films as being solidly conservative? I'll give you the first film and Empire Strikes Back (original releases, at least: The first film's rerelease may be debatable now thanks to George Lucas deciding to rework a certain scene to effectively promote gun control), but Return of the Jedi is debatable as while it ''does'' promote good over evil, and actually features redemption in the form of Vader giving up his life to save Luke from the Emperor, it also was mentioned by George Lucas to promote the Vietcong's exploits against American soldiers during the Vietnam War via the Ewoks. Similarly, the Prequel Trilogy seems to hint at a morally relativistic view, and ironically the bad guys are stated to believe in moral absolutes at one point (Obi-Wan, shortly before dueling with Anakin Skywalker-turned-Darth Vader, mentioned "Only a Sith deals in absolutes" after Vader said that Obi-Wan's his enemy if he's not with him), and there have been quite a few unsubtle jabs at the Bush administration in the Prequel Trilogy (and in the case of Return of the Jedi, the Nixon administration, even though Nixon was the one who ended the Vietnam War, while Johnson was the one who pretty much expanded the conflict and Kennedy was effectively the one who started it). [[User:Pokeria1|Pokeria1]] 08:07, 5 June 2015 (EDT)

== Reopening the page ==

Hi.

Can someone reopen the page? I think it's been long enough for that person to have lost interest. And besides, there have been several movies that came out anyways. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:08, 8 August 2015 (EDT)

:Unlocked as requested. Thanks for asking.--[[User:Aschlafly|Andy Schlafly]] ([[User talk:Aschlafly|talk]]) 15:31, 8 August 2015 (EDT)

::You're welcome. I took the liberty of moving Star Wars to "Debatable whether conservative" largely because there actually have been some hints at a left-wing agenda in the film (I think Empire Strikes Back is the only film with narely a shred of leftism, actually), including promotion of the Vietcong and demonizing American involvement in the Vietnam War, as well as adding in some sources and additional stuff to the Beauty and the Beast thing (that reminds me, I may need to make a new topic regarding that). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:10, 8 August 2015 (EDT)

== Should Beauty and the Beast really be on here? ==

Hi.

Should Beauty and the Beast really be among even the Debatable whether Conservative page, let alone the Greatest Conservative Movies section?

I initially moved it from the Greatest Conservative movies section to Debatable whether Conservative section due to certain things that were being subtly pushed in the film (and speaking as someone who had to be forced to ingest a lot of tripe in college that was the same as what BATB pushed, I can recognize it when I see it and am doubtful it makes for conservative material), but right now, I'm not sure whether it even belongs there, either. If anything, it's probably a better fit for the Worst Liberal Movies article.

The first reason why I think this is simple: [http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle There] [http://time.com/2798136/maleficent-beauty-beast-writer/ are] [http://articles.orlandosentinel.com/1992-01-25/lifestyle/9201241028_1_linda-woolverton-belle-show-scripts more] [http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle than] [http://girlsincapes.com/2014/04/07/princess-evolution/ a] [https://web.archive.org/web/20111009063303/http://www.thedailybeast.com/newsweek/1991/11/17/just-the-way-walt-made-em.html few] [http://www.urj.ucf.edu/vol5issue2/dickens/essay.php articles] on the development process that make it pretty clear from the writing staff, especially Linda Woolverton, that the film was supposed to push the feminist agenda (heck, Woolverton herself even explicitly stated that she modeled Belle after the Women's Movement in Time Magazine), and Woolverton also made it pretty clear in interviews that she believed the princesses before her were weak, insipid creatures that only wanted marriage and love as goals, and only waited for their prince to come (she even included, rather insultingly, Ariel from ''The Little Mermaid'' among those characters despite that character being very proactive). There was also a rather subtle anti-family/anti-marriage agenda being pushed considering Belle reacted with disgust to the idea of even having children and also being treated as being in the right for shoving her suitor into the mud instead of just saying no and apparently taking amusement in ruining a wedding. It also doesn't help that the opening song and Gaston himself strongly implied that Belle's literacy was not supported at all by the rest of the village. It also doesn't help that most of the men aren't really treated in a very flattering light (let's see, Gaston, LeFou, and most of the village males are painted in a rather negative light, Cogsworth was depicted as a pompous jerk, Lumiere's a womanizer, and Beast was mostly a jerk even with his complexity), and the women who actually seem to value marriage weren't treated well either (those blonde triplets were called the bimbettes despite their not actually doing anything that would mandate them being called bimbos besides supporting marriage). Heck, Lumiere's womanizing is treated as an implied virtue as well, and Belle ends up being treated as being in the right far too many times especially in instances that actually were largely her own fault (like the wolf attack scene). Heck, the film actually seems to push [[misandry]], and the [http://beautybeast.enchanted-rose.org/library/displayimage.php?pid=13702&fullsize=1 Disney Comics] and [http://img2.wikia.nocookie.net/__cb20141210031917/disney/images/2/20/Tumblr_ng92xaGNbc1r2nlopo1_500.jpg WDW pins] don't exactly help in quelling any concerns for the film's agenda either. Heck, Belle was even cited by Woolverton to be based on herself. If feminism could get Princess and the Frog and Pocahontas onto the Worst Liberal Movies page, this most certainly can as well.

Probably the second reason, and probably the most damning, is the fact that Beauty and the Beast and some of its writing was actually reused for the 2014 ''Maleficent'' movie (which, BTW, both films were even written by the same person: Linda Woolverton). Keep in mind, the ''Maleficent'' movie was the kind of film that ''The Federalist'' actually [http://thefederalist.com/2014/06/06/maleficent-once-upon-a-screed/ denounced] as pushing an extreme left-wing agenda, so if Beauty and the Beast inspired a movie in writing that was probably undebatably one of the worst liberal movies, that's a strong case going against Beauty and the Beast being even a slightly conservative film. Maybe I'm a bit screwed up in my thinking, maybe I am actually right. I don't know. But what I do know is that there's plenty in the film that would strongly suggest against it even being debatably conservative, let alone fully conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:48, 8 August 2015 (EDT)

== Politics of ''Captain America: Civil War'' ==

I'm debating whether ''Captain America: Civil War'' should be included on this list, similar to the first two films in the ''Captain America'' trilogy, as even though the film contains some obvious conservative messages due to Captain America refusing to give into intimidation by the government and the United Nations by signing the Zakovia Accords, in addition to both the federal government and international governments shown to be corrupt with the villain Baron Zemo infiltrating the facility in Europe to brainwash the Winter Soldier and unleash chaos (in that regard showing proof that regulating the Avengers is illogical when the superheros are banned from taking action in the event a threat emerges on the inside which the government is unaware of, as I viewed it).

However, the film also arguably contains some liberal messages as demonstrated by Iron Man's side in agreeing to the Zakovia Accords as a consequence for the civilian deaths caused by the Avengers, which presents an "anti-war" message, which is further pushed by the villain's actual plot to initiate conflict between the Avengers as revenge for the death of his family during the events of "Avengers: Age of Ultron".

Should the film be included in the list, or under the "Debatable" section? --[[User:GOPFan2011|GOPFan2011]] ([[User talk:GOPFan2011|talk]]) 12:50, 13 May 2016 (EDT)

:I haven't seen it, but from what you say, it sounds a bit questionable. Even the liberals admit the government is corrupt--they just blame it on the conservatives while the same liberals continue making it worse. I'd call it "Debatable" at best, but I can't say for sure, since as I said, I haven't seen it. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:23, 27 June 2016 (EDT)

== Gods and Generals ==

I don't know if any of you have seen it, but should Gods and Generals be on this list? It's a hard movie to find (after release, it was "censored" by a number of companies, which means few people know much about it) but it shows loyalty to God, country, and beliefs. It takes place during the Civil War, I believe, though it's been a long time since I've seen it. --[[User:DavidB4|David B]] ([[User talk:DavidB4|talk]]) 13:04, 13 May 2016 (EDT)

==Star Wars==
While it is clear that Star Wars is, as this page speaks of, about good vs. evil, I question whether it should really be labelled as even a "Greatest Conservative Movie." I find a number of things concerning, including:
*The teaching of a universal force, ''which is neither good nor evil'' (There is no such thing as a neutral God-like power)
*The general idea there there is no God and Satin, but just a neutral power that can be used by men (and aliens) for God-like or Satan-like purposes
*The teaching of "trust your feelings" and that what is needed can be found withing you (see Jeremiah 17:9, and others)
*The trance-like state which is required to learn from and use the force (demon possession, anyone?)
*The "worship" of "the force." (They do call it a Jedi ''temple'', after all)
*And while I'm making points against this series: almost all Sci-Fi fiction implies if not states that there is not God. Life of many different kinds simply appeared or evolved on many different planets, and there are many life-supporting planets on which there being live.
Need I go on? I could, but I think I've made my point. If everyone wants to keep this on the list, I will not argue about it, but I would not have put this movie here. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:14, 27 June 2016 (EDT)
:In all fairness, I had moved it to the Debatable whether Conservative section for a reason.
:And technically, Star Wars isn't "sci-fi", it's "space fantasy," so the bit about there lacking a god or supernatural elements won't apply.
:I do agree that it's status as a conservative film is debatable, though. Heck, the heroes were explicitly derived from the Vietcong in the original trilogy, which alongside the Empire being explicitly based on America during that time period would alone destroy any ideas of it being conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:26, 27 June 2016 (EDT)
:EDIT: BTW, think you can comment on my topic regarding whether Beauty and the Beast can truly be considered even debatably a conservative film, let alone one of the greatest conservative films? [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:29, 27 June 2016 (EDT)

::You're right--I'd missed the section break there at first, but still thought I'd argue the point. I forgot to go back and change that. I must say I didn't know there was a difference between "sci-fi" and "space fantasy," but I still say that it does matter somewhat how they present the fantasy, as to whether with or without God. 
''"...the heroes were explicitly derived from the Vietcong...alongside the Empire being explicitly based on America during that time period..."'' 
::You've got to be joking... So why is this still on the list? 
::Also, you're welcome, but I don't know how helpful I can be. I really don't watch a lot of television. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 09:35, 27 June 2016 (EDT)
:::No, I'm not joking about the Rebels and Empire's inspiration. That said, I really WISH I were. You can read more here:
*http://www.yomyomf.com/star-wars-is-a-metaphor-for-the-vietcong-kicking-american-ass-in-the-vietnam-war/
*http://www.inquisitr.com/1491688/star-wars-was-meant-as-protest-against-vietnam-war-new-book-claims/
:::In fact, it's precisely BECAUSE of that bombshell that I am even an Empire supporter now after years of loyalty to the Rebel Alliance under the naïve belief that they were derived from the American Minutemen or even the French Resistance during World War II.
:::Probably the only reason why it's still on the list is because ultimately, it's still a film about good vs. evil, which is a conservative viewpoint. That, and possibly Ronald Reagan invoking Star Wars when denouncing the USSR as the Evil Empire.
:::As far as Beauty and the Beast, I was meaning the Disney version, not the TV series. You can read up my commentary on why it may need to be removed from the article altogether here: http://www.conservapedia.com/Talk:Essay:Greatest_Conservative_Movies#Should_Beauty_and_the_Beast_really_be_on_here.3F [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 09:43, 27 June 2016 (EDT)
=== I removed Star Wars ===

I removed Star Wars. See editors commentary above. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 14:11, 20 February 2017 (EST)

:Thanks. BTW, think you can look over Beauty and the Beast and see whether it should stay or begone? It seems to have more liberal values than conservative values in there, especially given what Linda Woolverton repeatedly stated. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 14:54, 20 February 2017 (EST)
::I will remove it. As far as future edits, you can remove any movie you wish as you have good judgment and have been a productive editor for some time.

::In addition, I haven't watched a lot of movies for awhile. I just haven't liked the quality of many movies that Hollywood has put out in recent times.

::Lastly, I don't have much interest in this topic/article. I don't want to edit that article for the foreseeable future given my knowledge of recent movies and my interest level of this topics. I do realize that entertainment effects the culture though and would appreciate your edits. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 15:02, 20 February 2017 (EST)

:::Okay, fair enough. I'm not sure we should automatically dismiss any Disney films from being Conservative due to Disney being left-wing right now, though (which is what you implied when you removed it in the comment section). The Lion King and The Little Mermaid did push definite conservative themes in there, and I do know The Incredibles pushed very conservative ideas. And that's not even counting the three original DP movies (ie, Cinderella, Snow White, and Sleeping Beauty).

:::I'll also keep your suggestion about not needing to ask for permission in mind. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:10, 20 February 2017 (EST)

== Wall E duplication ==

We seem to have some disagreement as to whether Wall-E is a liberal or conservative movie. As a result, it is listed both here and [[Essay:Worst Liberal Movies]]. I'm in no position to say one way or the other, but someone should probably remove it from one list, or perhaps both, if it can't be either "greatest conservative" or "worst liberal." --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 02:33, 24 July 2016 (EDT)

== Why is the room here? ==

To me this seems to be the work of trolls.The Room is an absolutely awful film and even if it was conservative, (which it isn't, the main character has premarital sex) it cannot be considered "great" in any regard. Terrible acting, subplots that lead to nowhere, rampant sex and hedonism as well as a poorly written story. I'm starting to doubt the integrity of this page if a film of such poor constitution made it on the list of Greatest Films. If anything the film should be considered an accidental comedy.

:Sure is entertaining though. --[[User:Lord Zedd|Lord Zedd]], 11 January 2017

== The Incredibles is extremely conservative, and should not be in the debatable section ==

Recently The Incredibles, was moved to the debatable section, for one slight detail. I do not believe it should remain in this section, I believe that it should be put back in the Greatest Conservative Movies sections for many reasons. First of all it might be the most conservative animation film ever made. Second it's only reason for being debatable is very minor. Almost every film has at least one conservative and liberal aspect. Third you really have to push it, to say that the boss; Gilbert Huph is a demonization of Capitalism. Yes he is heartless, but he is just a person, and to be fair to him he does not know that Bob Parr has superhero powers, all he knows that Bob Parr is not focusing on his work, with that logic, you could argue that J. Jonah Jameson is demonization of capitalism, as he is Peter Parker's boss, and he twists the paper, and often displays Spider-man in the paper as a bad guy, (and he too is unaware of his worker's powers). Fourth one of the reasons that Gilbert Huph, tells Bob not help his costumers, is because when Bob asks if he should, Gilbert Huph tells him that "the law requires that I answer no", which in no ways a negativity on capitalism, as the government is requiring him not help people and not the business. Finally the movie does promote capitalism, as the main lesson of the movie is to shown the negativity of an enforced mediocrity, from the government, which highly mocks socialism, not capitalism.
*Okay, fair enough. Feel free to revert, I just was concerned especially when [http://pixar.wikia.com/wiki/Gilbert_Huph#Trivia Gilbert Huph's page] on Pixar Wiki made it sound as though he WAS a demonization of capitalism (and it doesn't help that Wallace Shawn was specifically mentioned to not only be the opposite of Huph, but also implied he was a socialist due to his appearing in Michael Moore's film "Capitalism: A Love Story" and being a friend of Moore). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 14:39, 10 December 2016 (EST)

== There needs to be some kind of criteria for inclusion here ==

I'd seriously like to know how so many rated "R" movies, especially slasher films like Halloween, classify as "conservative movies." It seems someone has been adding just about everything which doesn't hug trees or glorify liberalism to this list. Do any senior administrators have any objection to me removing some of these apolitical films from the list? [[User:DMorris|DMorris]] ([[User talk:DMorris|talk]]) 12:55, 31 December 2016 (EST)

:I removed Halloween, Scarface and Saw. See paragraph below about gratuitous violence and movies.

:Biblical criteria for Christian behavior could be used since Christianity has been a very influential force in the West for an extended time. For example, the Apostle Paul says to dwell on good things. While I understand that there is violence in war movies, the is the concept of Just War in Christendom. Horror movies are just violence for entertainment sake.

:The article [[conservative]] probably would be helpful in establishing criteria too.

:One problem is just the sufficient policing of the article.

:Another problem is that there was no very dominant founder or founders of conservatism who defined what exactly what it means to be a conservative. So you have competing notions of what is truly conservative. You also have completing notions due to differing notions of what it is to be a conservative due to countries/regions having different political definitions of what it means to be a conservative. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]])

:Fair enough about removing Saw. I realize more or less shut down my own argument, when I said that Jigsaw was playing God. [[User:newconservative|newconservative]] ([[User talk:newconservative|talk]])
::Then most of these belong in the debatable section, because it is debatable depending on how one defines "conservative." Many of these have conservative elements, but few of them are strictly conservative. [[User:DMorris|DMorris]] ([[User talk:DMorris|talk]]) 23:48, 14 June 2017 (EDT)

== Suggestion to remove suicide squad and zootopia. ==

I feel both should be removed for their own respective reasons. Zootopia's themes are decidedly liberal, and as critics pointed out there seems to be quite a bit of anti-Donald Trump, pro-gay subtext that I feel effectively rules this film out as "conservative.]," so to speak. While certain "conservative" themes may or may not be present, the general intent of the filmmakers have to be taken into account, and this film certainly leans to the left in that regard (still a great movie though). At the very least, I believe this should be moved to 'debatable.' I'm also quite confused to the addition of Suicide Squad. Besides the obvious fact that the received, at best, mixed critical and audience reception, the movie doesn't appear to have any sort of real political agenda aside from making money. Harley Quinn's fantasies about becoming a housewife become less inspiring when you take into a account that she's a deluded psychopath trapped in an abusive relationship with an equally insane partner who also happens to be underworld crime boss, and that the scene was more likely intended as a satirical jab at the "nuclear family" stereotype.--[[User: Lord Zedd|Lord Zedd]] 11 January 2017

== Fake news in "Pride and Prejudice" ==

Elizabeth is tricked by Mr. Wickham's lies about Mr. Darcy. This is akin to CNN and other media presenting false, disparaging information based on a single source. I won't roll back your edit, but I don't agree with it. --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 12:07, 8 July 2017 (EDT)

:I think a better way to describe it is that Wickham lied to her about Darcy. People lie all the time, including in works of fiction. Fictional stories would be much less interesting (and real life would be less interesting too!) if everyone told the complete truth. Wickham and Darcy told very different stories about each other, and Elizabeth had to decide who was telling the truth. She made the wrong decision at first.

:Elizabeth's low opinion of Darcy came from two sources, apparently equally: what Wickham said, and the fact that Darcy separated Jane from Mr. Bingley, which neither Darcy nor anyone else lied about. Elizabeth's "who's telling the truth?" instincts failed her. Darcy's cold and aloof manner contributed to this.

:I can't believe that two men are discussing ''Pride and Prejudice''! :-) :-) :-) You realize that this is a women's story, a "chick flick", right? In fact, the fact that men can't relate to the story is discussed in the movie ''You've got Mail''. But I do like the story and the BBC serialization, even if Colin Firth in wet clothing doesn't do it for me. :-) Now I guess I have to go watch a baseball game to reset my equilibrium, [[User:SamHB|SamHB]] ([[User talk:SamHB|talk]]) 13:02, 8 July 2017 (EDT)

::I daresay the notion that men can't understand a women's story is [[fake news]]. Eh, what? ;-) --[[User:Ed Poor|Ed Poor]] [[User talk:Ed Poor|Talk]] 20:35, 8 July 2017 (EDT)

== Debatable whether conservative movies and debatable whether great movies were piles of junk ==

With the exception of Frank's Capra's classic movie ''It's a Wonderful Life'' the "Debatable whether conservative" movies and "debatable whether great" movies were piles of junk. I deleted those sections. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 06:21, 9 July 2017 (EDT)

:If they aren't allowed, I guess they aren't allowed. Don't know why they were created in the first place, if they weren't going to be anything more than junk. Must admit, some of them did have some conservative principles. Also, wouldn't pro-War, being the opposite of anti-War, be Conservative while the latter's more liberal? Just asking... [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:38, 9 July 2017 (EDT)
::I don't see the point of having a "Essay:Greatest Conservative Movies" and then having a big list of movies that are debatable. Newspapers don't publish "Best vacation spots" or "Best stocks to buy" and then also include a big list of debatable contenders in those type of articles.[[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 00:30, 10 July 2017 (EDT)
:::Fair point. Think we can create separate articles dealing with each debatable category? [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 05:30, 10 July 2017 (EDT)
::::Go for it if you want. I don't think they will be popular articles though. It is kind of like people abandoning liberal Christianity. People want the real thing or not be bothered with it. [[User:Conservative|Conservative]] ([[User talk:Conservative|talk]]) 16:21, 10 July 2017 (EDT)
:::::Well, okay, I probably won't bother with a debatable whether conservative article (as you said, most people wouldn't want an article that doesn't even deal with real and pure conservativism, like how people don't want Liberal Christianity). But I can create a "debatable whether great" article. At least those films conservative principles are not in question, just whether they are actually good films. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 17:01, 10 July 2017 (EDT)
These edits may be good, but they removed about 70,000 bytes of information, possibly that other editor might find useful. I am recording the edits here before they got lost in the page history. Here they are: [http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359742&oldid=1359725][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359743&oldid=1359742][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359744&oldid=1359743][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359746&oldid=1359744][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359748&oldid=1359747][http://www.conservapedia.com/index.php?title=Essay:Greatest_Conservative_Movies&diff=1359749&oldid=1359748] --[[User:1990'sguy|1990'sguy]] ([[User talk:1990'sguy|talk]]) 02:37, 10 July 2017 (EDT)

== Inside Out? ==

Other than some celebration of family unity in the end, that movie seems politically neutral to me. Who put it on the list, and why is it conservative?
--[[User:MacTavish|MacTavish]] ([[User talk:MacTavish|talk]]) 14:53, 10 July 2017 (EDT)

== Bambi ==

How exactly is Bambi pro-family? Now I am not saying that it is not, but is it conservative enough to even be the debatable section? --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:40, 1 September 2017 (EDT)
*Well, for starters, Bambi's mom gave her life to make sure Bambi survived when the hunter killed her. There's also the fact that the Prince and the Forest escorted both Bambi and his mom away in Man's first appearance. Plus, the Prince of the Forest, who is heavily implied to be Bambi's father, goes out of his way to save him in the climax during the forest fire. Actually, I think there's at least one other thing that makes it conservative: It also refutes the homosexual agenda with the character Flower, who is initially shown as a very effeminate skunk despite being male, yet by adulthood, he clearly is in love with a female skunk, thus being ahead of its time in proving that animals do not embrace homosexuality by nature contrary to what gay activists might claim. And to be fair, technically, "Man" is closer to a poacher than a true hunter (a true hunter does NOT target fawns or any does that are nursing fawns). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:33, 18 February 2018 (EST)

==Lion King should be labeled conservative==

There is another reason for it. It is a very good at showing why some people (like the hyenas) should be kept OUT of a country (and so isn't open borders) because they will only hurt the place (quite unlike the "let the Muslims and the illegals in" message being given today.). Furthermore, Scar's speech to the hyenas about getting even and what is owed to them could have a few words altered from "Be Prepared" and be an Obama speech. Scar essentially brings in foreigners who will back him and in exchange he gives them goodies, though, he openly admits he'll get most of them (which is true that politicians and the elite are the ones REALLY benefiting from open borders.). What the hyenas get is, presumably, the lionesses to get all the food for them and deplete the food supply and turn the ones great Pride Lands into a ruin (a great picture of what the Democrats and open borders are doing to America!) and, then, when things get low, kinda like Venezuela, he coldly tells his own hyena allies to "eat Zazu" (they don't do it, luckily) when they are hungry. And he even sells out his own allies, blaming them for Scar's death, when it is convenient for him (just like the Left), a move that, ironically, leads to his own demise. All in all, I think the movie has a very anti-open borders message, something that is needed nowadays! [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

Note, I don't know about Lion Guard, the latest TV Series with Lion King, if it's conservative (it's probably not with Iger at the helm). I do know that the statement that Timon and Pumba are gay, which I've seen going around, is false. Timon had a girlfriend in one the Timon and Pumba TV Series episodes. What caused him to leave is that he could never see Pumba again, and Pumba was his best friend and the meerkat village was bigoted against warthogs. (Also, his girlfriend could have come with him if she loved him enough, but she didn't, so it's HER fault then.) However, that said, I would NOT be surprised if Iger made Timon and Pumba gay in the upcoming Lion King live action. (After the gay LeFou, I wouldn't put it past him.) [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

Also, I do think Finding Nemo and Finding Dory are conservative. Ellen DeGeneres at least makes a good Dory, if not a human being. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:45, 11 October 2017 (EDT)

:I'll make sure to note the bit about it being anti-open borders on The Lion King's entry.

:So far as Lion Guard and/or The Lion King With Timon & Pumbaa, that's better fit with [[Essay:Greatest Conservative TV Shows]], so you might want to note that bit there.

:As far as Finding Nemo and Finding Dory, Finding Nemo is definitely already listed on here. I'll see if I can list Finding Dory on here (though given that it's technically a retread of Finding Nemo due to being a sequel, I'm not sure if it qualifies as truly great.). [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 07:06, 12 October 2017 (EDT)

I believe that Finding Dory should be considered great, despite being a sequel. There are other sequels on this list that are considered great. Plus it got great reviews and is the fourth highest grossing animated film of all time. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 10:25, 12 October 2017 (EDT)

:Okay, point taken. Moved it. May need an expansion, though. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:31, 12 October 2017 (EDT)

:BTW, Speaking of Iger and Lion King and gays, I just uncovered something very interesting. Turns out, the oft-reported bit about how LeFou was gay in the movie, according to Josh Gad, [https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/ wasn't even in the actual script for the film], which strongly suggests that the whole "gay promotion" thing was on the part of the producers like Bill Condon mouthing off and not the actual film itself (and may also imply that the brief scene with Stanley and LeFou was an ad-lib added in by Condon.). Not that this is at all a good thing because it isn't, but in that light, we can probably assume that the script at least didn't intend to promote the gay agenda. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:47, 12 October 2017 (EDT)

==What about the Movie "Up"?==

It's kinda borderline. It does promote faithfulness in marriage and other good traits. The beginning part of them trying to force him out of his house could be considered anti-capitalism, but, on the other hand, eminent domain was only supposed to be used for public use, but it appeared that some company wanted the land and he wasn't willing to sell so they went and tried to make him look like he was getting senile or something so they could take him away and use his land, which is little better than the government doing the same to someone with the EPA and they, like the Obamacare panels, ruled him a burden on society rather than a human being with value. Also, it could possibly have an environmental theme, as they did try to save a rare bird. On the other hand, with the kind of brain to develop the talking device for the dogs, Mentz could have done other things with his life than spend all of those years trying to get that bird and be willing to take her away from her children. Also, I don't think the movie is really anti-capitalistic as it was left open if Mentz was good or bad until the moment he went after the bird and even went so far as to try and kill Russel and Fredrickson to do it. Also, on the other hand, Fredrickson was a sort of father figure to Russel as his father was never around. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 20:15, 13 October 2017 (EDT)

"Up" is actually on this list, you do make some good points on the film being borderline. Yes, they try to save the bird, but it's not really in an environmental way, it's more in a human saving a pet way as Russell found this specific bird, and he was saving that bird because it was like his friend, not because it was an endangered bird. Plus Mentz was almost like a poacher, so I do really think the film could be considered environmental. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 21:12, 13 October 2017 (EDT)

==I think All Dogs Go to Heaven should be removed==

I don't know why All Dogs Go to Heaven is on here. Generally I'd put all of the Don Bluth works on here, but this one is the EXCEPTION, due to the fact that pretty much all scoundrels (Charlie, Itchy, Car Face, etc) are able to get into heaven and the concept of damnation is pretty much an afterthought. Now if Charlie had reformed at the end of the first movie, that would be one thing, but apparently, in the sequel, he's back to his old ways again. All in all, it's generally not good if the "hero" of your story is little better morally than your villain. Also, it does send the liberal message that you can do whatever the heck you want in life and there are no consequences for it (save that Car Face finally got his at the end of the second movie, though Charlie kept getting breaks for his bad behavior.) [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 23:47, 13 October 2017 (EDT)

I am confused are you saying that is not good if the hero is more moral than the villain? --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 00:09, 14 October 2017 (EDT)

The opposite. I'm saying it's not good if the hero is little more moral than the villain. Now, it would be one thing if the hero was more of an antihero and learned their lesson at the end and changed and became better in the sequels, but that's not the case with Charlie. If anything, we could argue he was even worse in a way in the sequel. (In the first movie, the most damage he did was to himself, but in the second movie, his actions allowed one of the devil creatures to imprison most of the dogs in dog heaven and his actions were more selfish than noble that led him to giving away that horn. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 21:43, 14 October 2017 (EDT)

==I think the Princess and the Frog deserves a chance===

Here is another reason: the portrayal of Tiana's father. While Lotti's (I think that's her name) father spoils her rotten, Tiana's father teaches her the value of hard work, that love is more important than money or possessions, was the one who inspired her to open her own restaurant (it was her father's dream and she finished what he started after he died) and he was in the military and was killed in action in WWI (good portrayal of the military in this movie). You don't often see the father portrayed in a good light in Disney movies, or, indeed, many modern movies in general. Triton seemed always to always be holding Arial back, Aladdin's father Kassim was the King of Thieves and had abandoned him and his his mother to go after the Hand of Midas, (Mufasa was good to Simba, I admit, but, then again, Lion King was listed as conservative on this list), Marlin, albeit too paranoid, was good (but Finding Nemo was also on this list), Lilo's parents weren't around in Lilo and Stitch (though they both died in some accident I think), Russel's father wasn't really around for him in Up, we never see Andy's father in Toy Story (only his mother and sister) (Heck, we don't see Sid's father either and we only see the mother of Jessie's former owner, never her father, so apparently fathers were unimportant in Toy Story (yeah, I know it's about the toys, not the people, but that still is disturbing if you look at it.), etc.

Come to think of it, that is a good argument against the claim that Princess and the Frog is a feminist movie. It was also later stated by Dr. Facilier that Tiana's father would sometimes do double and triple shifts to try and aim for his planned restaurant, yet he always made sure, despite being bone tired, to find time for his family.

Also, another thing to consider is Lottie, though spoiled, rich, and white, she is NOT a villain, but was actually the one who bought a lot of stuff (admittedly with daddy's money) to help Tiana get enough money for her restaurant. (They even said so in the director's commentary that she was designed that way.). That's another thing that makes the film anti-liberal. If it'd been a liberal film, Lottie and her father would have been villainous jerks, not supporting good guys.

Also, lest someone bring in that the film's agenda is racist, it should be noted that it appears that the film's villain, Dr. Facilier, is darker skinned (not quite black, but not white either).

Also, I might add that originally, Louis the alligator, was going to be a human turned into an alligator by Dr. Facilier, but the plot was dropped on that part. However, that said, Lois the alligator and Ray the firefly (who actually died fighting Facilier), were also portrayed in a good light and not as incompetent. That is another strike against it being a feminist movie. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:27, 28 October 2017 (EDT)

Also, I might add that Tiana and Naveen do seem more like a reasonable couple. Naveen is lazy and rich. Tiana, though poor and hardworking, perhaps is quite possibly going over the line on working TOO hard, as even her own mother points out to her. And she never bothers to spend time with her friends as she's always busy working. In the end, Naveen becomes less lazy and Tiana learns to have fun once in a while. If it was a more feminist film by the way, it would have Tiana remain the same while Naveen became less lazy. However, Naveen changed Tiana too for the better. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 22:34, 28 October 2017 (EDT)

:Even King Triton at least was willing to trade his freedom for Ariel's when push came to shove, so he wasn't all that bad (I'd argue Sultan and to a lesser extent Maurice got far more raw of a deal, TBH). I'm still not sure about Louisiana Voodoo being treated in a positive light though. We probably could move it to Debatable, IF Aschlafly allows it. Ultimately, he has the final say since he was the one who had it be designated liberal in the first place. And personally, even with the whole restaurant bit, Tiana came across as less feminist than Belle did in Beauty and the Beast. Plus, it's actually one of the few Disney feature movies that DOESN'T demonize marriage outright (and the first Disney Princess feature movie to actually treat traditional marriage in a positive light since The Little Mermaid two decades prior), so that's probably another aspect pointing to it being conservative. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 22:54, 28 October 2017 (EDT)

I think that even one movie you called conservative (Lion King 2: Simba's Pride) could be considered feminist. Both the central protagonist (Kiara) and the central antagonist (Zira) are females and generally seem to be portrayed to be the most competent. On the flip side, the only male, other than Rafiki of course, portrayed in a good light was Kovu (and he was originally bad but turned good when he fell in love with Kiara. Also, after being unjustly banished, Kovu suggested that they run away together and escape their problems. It was Kiara who suggested that they go back and stop the fighting. Again, another arguement that Lion King 2: Simba's Pride could be labeled feminist.). (Also, I might add that poor Nunca was allowed to be neglected, try and take out Simba to get Zira's love, and die trying. Vitani, on the other hand, was allowed to live to see Zira for what she was and to be able to get redemption.) Even Simba was portrayed as a father who just didn't seem to want what's best for his daughter (however, to Simba's defense, I don't recall Nala having that many lines at all in Lion King 2). If Lion King 2 can be labeled conservative, so should The Princess and the Frog. [[User:PatriotMongoose|PatriotMongoose]] ([[User talk:PatriotMongoose|talk]]) 23:57, 28 October 2017 (EDT)

:To be fair regarding Simba, he actually DID have a valid point considering the Outlanders had served Scar earlier (and quite frankly, he's still an A-Okay Dad overall compared to Maurice and Sultan (who many times actually NEEDED rescuing by their daughters and usually don't succeed in saving their daughters even once. Not to mention more than once were largely depicted as doofuses.), or ESPECIALLY King Stefan from Maleficent). Besides, not all females were depicted as being good or even redeemable in the film. Zira most certainly wasn't. But yeah, like I said, we probably should wait for Aschlafly's response, since he's the one who decreed it a worst liberal film in the first place. For that matter, I'll see what Asclafly's response regarding Simba's Pride is. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 08:20, 29 October 2017 (EDT)

==I think Hacksaw Ridge should be removed from debatable==

While the film's main protagonist is against the practice of killing and the handling of a weapon (attributed because of his strong faith) the film at no point espouses gun control. At worst, it espouses gun ownership preference, as the film does take time to demonstrate and explain the necessity for firearms and killing in accordance with war. Hacksaw ridge was based on the real life of Desmond Doss and to change that aspect of his character would invoke historical revisionism and strike face of his moral christian beliefs. --[[User:AirForceMan92|AirForceMan92]] ([[User talk:AirForceMan92|talk]]) 01:36, 1 November 2017 (EDT)

== TV specials go under Movies or TV Shows? ==

Hi.

I was thinking of adding in some TV specials of various conservative and liberal stripes (and will go in the respective articles). However, I need to know, where do TV specials best qualify? Are they movies, or TV shows? I know made-for-TV movies are best placed here, but I'm not sure about TV specials. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:02, 11 December 2017 (EST)

That is a tough one, I know we have A Charlie Brown Christmas listed here. But Perhaps to avoid confusion on the TV Shows page, we could add another section labeled "TV Specials." Also maybe we should add A Charlie Brown Christmas to that section as well. --[[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 16:47, 11 December 2017 (EST)

:Yeah, that might work. For now, I added various specials on the animated films section here. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:57, 11 December 2017 (EST)

I fixed it and added a TV Specials section because they really belong in the TV page not the Movie Page. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 14:44, 15 December 2017 (EST)

:Fine by me. Seemed odd that they'd be here anyways. BTW, speaking of TV specials, should ''[https://youtu.be/S3a5j8PgQxg The Star Wars Holiday Special]'' go under Greatest Conservative TV shows or Worst Liberal TV shows? I'm tempted to put it under the latter due to Itchy basically... well, let's just say he ends up doing something EXTREMELY inappropriate in front of his own family, ESPECIALLY considering the family nature of the special. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 15:00, 15 December 2017 (EST)

That I do not know I have never seen the movie. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:09, 15 December 2017 (EST)

== Home Alone 2 a critical failure? ==

Home Alone 2 was recently moved into the debatable whether great section for being a critical failure, but I do not believe this is true. I believe both the original and the sequel have gained popularity throughout the years and became cult classics. Yes, it recycles the same format, but it introduces new characters, new jokes, and some other new situations. If anything its the sequels after the second film, that are debatable whether great. [[User:GrantN|GrantN]] ([[User talk:GrantN|talk]]) 15:41, 12 December 2017 (EST)

:Thank you for saying that. Tell that to MacTavish if he changes it again. [[User:Shobson20|Shobson20]] ([[User talk:Shobson20|talk]]) 18:35, 28 December 2017 (EST)

::I also lean towards keeping it out of the "debatable" section, but I'm open to counter-arguments. I haven't thoroughly thought it through, so I could be missing something.
::I thought it was cute how they made it obvious that it was a play on the first, and added too it. (i.e. rather than just two paint cans at the stairs, it was those then a pipe. If you have the extended version, he also cuts the rope, dropping the pipe on them afterwards.) I think it was their intention to play on and too the first. Doing that with the third might have been pushing it, but they didn't. In the fourth, I think they went too far in the other direction, and made it too different. It didn't have the same creative flair as in its prequels. --[[User:DavidB4|David B]] ([[User talk:DavidB4|TALK]]) 19:06, 28 December 2017 (EST)

==Correction on Alladdin 3==

I think that whoever wrote that article calling Alladin's father the main villain didn't really pay much attention to the movie. Even a casual watching of the movie would show that Saluk (and perhaps, to a lesser extent, the other thieves) was the actual villain. At worst, Kassim was like Iago in Return of Jafar, more like an anti-hero who couldn't be quite called good or bad. (Heck Iago isn't perfect in this one here as he helps Kassim try to steal the Oracle.) --Unsigned comment by [[User:PatriotMongoose]]

:I know, and I did actually watch the film pretty closely as a kid (and yes, Iago does help steal the Oracle as well, I can confirm that), but Cassim technically was the central antagonist to the story since a large part of the story involved Aladdin trying to redeem him. Think of it like the Original Trilogy of Star Wars. Technically, Palpatine was the main antagonist of the three films, but the central antagonist was Darth Vader, the one who gets the most screentime and played a large prominent role in the overall plot. That's what the edit was trying to convey. I'll reword it to "central antagonist" rather than "main antagonist" since that's more accurate. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 16:29, 17 December 2017 (EST)

== Where does RoboCop fit on the spectrum? ==

It's pro-law and order, anti-crime and anti-drugs. But it's also anti-capitalism with the way OCP is represented and its creators are very liberal.

== Songs of the South ==

Hi.

I was thinking of adding the movie Songs of the South by Disney (which unfortunately thanks to race-baiters can't be watched other than via bootleg, which is a shame, as Uncle Remus actually seemed like a very good role model for his race), which effectively acted as an adaptation of the Uncle Remus stories. Problem is, I'm not entirely sure where to place it due to the split between live-action and animated films. After all, Songs of the South technically has elements of both, so I can't exactly place it in one category only. [[User:Pokeria1|Pokeria1]] ([[User talk:Pokeria1|talk]]) 10:12, 30 October 2018 (EDT)

== Some suggestions ==

A suggestion:
- '''The Aviator''' (2004) - yes, it is directed by Martin Scorsese, whose films are often quite violent and include a lot of profanity, but this film is almost entirely free of both and seems to advance a conservative agenda. It is a biopic that lauds the life of Howard Hughes (a Republican and supporter of Richard Nixon), portraying him as exemplifying American values of commerce, vision and entrepreneurialism. Hughes is a tragic figure who struggles with mental illness, obsessive-compulsive disorder and politically-motivated and fabricated allegations of war profiteering (which were levied against him by the corrupt senator Owen Brewster, who was formerly associated with the Ku Klux Klan). Despite never overcoming his mental illness, Hughes does manage to expose Brewster's corruption and double-dealing - a victory for an individualist, capitalist entrepreneur against bureaucratic government authority and cronyism. The film also portrays left-wing actress Katherine Hepburn in a negative light, ironically juxtaposing her belief in socialism with the luxurious life she enjoys in the New York 'jet set' (a 'champagne socialist'), and depicting how she treats Hughes coldly and abandons him when his obsessive-compulsive disorder worsens. - [[User:LibertyMatters]] 17:29, 06 November 2018 (GMT)

In fact, I have a couple more suggestions now:
- '''The Hunt for Red October''' (1990) - an atmospheric and tense thriller about a Soviet naval captain trying to defect to America during the Cold War. The film overall has a very positive view of America as an oasis of freedom, with the Soviet officers desperate to escape the totalitarian communist police state - one of the Soviets is surprised when he learns that in America, unlike in Soviet Russia, one is allowed to travel between states, a vivid illustration of just how repressive the USSR must have been. Based on a thriller by conservative author Tom Clancy.

- '''Inception''' (2010) - Christopher Nolan, who directed this well-received science fiction film about lucid dreaming, is considered one of the most conservative Hollywood directors (he directed the war film Dunkirk, which already appears on this list). Inception at first appears a completely apolitical film, but some reviewers have pointed out a subtle but definite Christian allegory at play here.

Buckle up, because this one - as befits a complex film - is a complicated one. But I really don't think I'm reading more into it than is actually there, and plenty of people have pointed this out. Spoilers are very much coming up, too, as a warning.

A quick précis of the plot - Cobb, the main character, is an 'extractor', who performs corporate espionage by attempting to infiltrate the subconscious of targets while they are dreaming and extract information. He has been hired by Saito, an unscrupulous businessman, to perform an act of 'inception' - placing the germ of an idea in someone's subconsciousness. In return, Saito will clear Cobb of a (false) murder charge and allow him to come back home to his children in America.

To embed an idea in someone's subconsciousness, it requires creating a 'dream within a dream within a dream' and embedding the idea deep within the bottom layer so that the person will not reject it as foreign. The way to wake up from a deeper dream layer into the one above it is to die in that layer (the idea that we have to die to wake up should suggest where this might be going). But there is also the possibility of getting lost in 'limbo' - a world so deep in the subconscious that the dreamer can construct the entire world with their own mind, and risks forgetting they are in a dream at all. Cobb, as is revealed later on, was once trapped in limbo with his now-deceased wife Mal, who spent years in limbo (the equivalent of hours in the real world) constructing a world out of their own memories.

The film opens with a shot of a fake vision of Cobb's children in Limbo, who are building sandcastles on a beach. It ends with a shot of Cobb reunited with his real children, James and Philippa (both named after Christian apostles), who, in the final line of dialogue in the film, say that they are building a house 'on the cliff.' Some reviewers have puzzled over the meaning of this line. To me, it's pretty clear. The film is bracketed by the two halves of the parable of the wise and foolish builders (Matthew 7:24).

What does this mean in context? It means that limbo is identified with the mortal world, where the foolish builders construct their lives on materialism rather than faith. In limbo, people have the power to use their imagination to make the world whatever they want it to be, as Cobb and Mal did for years - but none of it is real, it is just a figment of the subconscious. Near the end of the film, Cobb encounters a subconscious projection of Mal (malevolent?), who tries to persuade him to stay with her in limbo - not on the grounds that it is real, but that "you don't believe in anything anymore." Cobb rejects this materialistic relativism, in favour of an affirmation in the objective reality that his children do exist in the real world, 'up above' - in other words, he repudiates the temptation to live in a faithless world where mankind sets himself up as all-powerful and can build whatever he wants, instead having faith in the idea that there's something more real and meaningful than this.

The film is thus metaphorical. Cobb starts as essentially a glorified thief, obsessed with the idea of 'buying his way home' back to his children through his deal with Saito. Having failed to get his way into heaven (which, for him, is a return to his children) this way, he takes a leap of faith. He rejects Mal's temptation, refuses to use violence against a character who betrays the team, and risks his life to save that of Saito (who is in danger of getting lost in limbo). After this act of self-sacrifice, he dives into a river (a metaphorical baptism promising both death and rebirth), wakes up in reality on a plane, passes through immigration and customs (a metaphorical judgment of one's sins), is reunited with his father-in-law and finally returns to an Eden-like garden where his children are waiting for him. Whether this is intended to be a literal journey to heaven or a more metaphorical spiritual experience, the symbolism is all pretty clear. Once more, we end with the dialogue of constructing a house on the cliff - on the real and tangible substance of faith, a line that makes no sense without being viewed in a Christian context.

Christianity is admittedly not synonymous with conservatism, but I think the religious metaphor of this film is something conservatives would tend to appreciate. There is plenty more symbolism, which is summarised best in this article:
http://popupchinese.com/Inception.pdf
If we pop this one on the list it might be better to link to the article as this takes so long to explain. But I thought I'd lay out all the reasoning for you.

[[User:LibertyMatters]] 23:14, 10 November 2018 (GMT)

== Letters From Iwo Jima ==

I've been thinking about putting letters from Iwo Jima on one of these lists. If you truly understand it, it is a film that, while it paints the rank-and-file Japanese field soldier in a sympathetic light, it depicts the higher Japanese leadership in a negative light. For instance, it depicts Japan's "Kenpeitai" (the Japanese equivalent of the Russian Commissars) in a very negative light. The impression given by the movie is that young Japanese men are being drafted against their will to fight in a war that they don't understand. With all of the anti-war films that Hollywood makes, I think this one is different in that it shows the terrible battlefield conditions faced by the country that actually really started the war in the first place. [[User:Shobson20|Shobson20]] ([[User talk:Shobson20|talk]]) 01:14, 24 December 2018 (EST)

== Added a section ==

Should Ace Ventura Pet Detective really be in the debatable if great section? It is one of my favorites, it was moved there for its crude behavior and because it stars liberal Jim Carrey, but there are other movies on this list, with crude behavior and other Jim Carrey movies.
--[[User:SaltLakeCityLover|SaltLakeCityLover]] ([[User talk:SaltLakeCityLover|talk]]) 10:06, 7 June 2019 (EDT)

Ace Ventura: Pet Detective

2019-06-06T14:42:50Z

SaltLakeCityLover: Created page with "{{Infobox Film | name=Ace Ventura: Pet Detective | image= | caption= | director=Tom Shadyac | producer=James G. Robinson | writer=Jack Bernstein | starring=Jim Carrey Sean..."

{{Infobox Film
| name=Ace Ventura: Pet Detective
| image=
| caption=
| director=Tom Shadyac
| producer=James G. Robinson
| writer=Jack Bernstein
| starring=Jim Carrey Sean Young Courtney Cox Tone Lōc
| music=Ira Newborn
| cinematography=Julio Macat
| editing=Don Zimmerman
| distributor=Warner Bros.
| released=1994
| runtime=86 min.
| country=[[USA]]
| language=English
| budget=$15 million
| gross=$107.2 million
| website=
| amg_id=
| imdb_id=https://www.imdb.com/title/tt0109040/
}}

'''Ace Ventura: Pet Detective''' is a 1994 comedy film starring Jim Carrey. It won two awards in the first-ever Blockbuster awards.<ref>https://www.imdb.com/event/ev0000104/1995/1</ref> Jim Carrey stars as Ace Ventura who is an animal lover and detective. However, is not one of those pesky liberal "animal rights" activist or anything like that. On the contrary, he is closer to [[conservation]] rather than [[environmentalism]], finding beloved lost or stolen pets to return to their human owners. The ending of the film features a very politically incorrect condemnation of the homosexuality agenda, as the villain is a transgender, and when Ace Ventura realizes he made out with a biological male, completely throws up, as does everyone else when they realize the truth. It was followed by a sequel and a spin-off sequel.

[[Category:English-language films]]
[[Category:Movies]]
[[Category:Greatest Conservative Movies]]

Essay:Greatest Conservative Movies

2019-06-03T16:58:39Z

SaltLakeCityLover: Added a film

'''There have been many superb [[conservative]] films''':

==Live-action films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''The 6th Day''
|2000
|PG-13
|California Republican governor-to-be [[Arnold Schwarzenegger]] stars in this pro-life, anti-cloning adventure as a family man of the future who is illegally cloned.
|$34,543,701
|-
|''13 Hours: The Secret Soldiers of Benghazi''
|2016
|R
|One of Michael Bay's better films tells the true story of when [[Benghazi Attack|Islamic terrorists attacked a U.S. diplomatic compound in Benghazi, Libya on September 11, 2012]] and the six Americans who took a stand without any support from the Obama-controlled White House or from then-Secretary of State Hillary Clinton (who not only refused to send any help and even ordered the military in the area to stand down, but later dismissively brushed off criticism of her actions with her infamous and callous "What difference at this point does it make?" comment). Not surprisingly, liberals viewed the film negatively and even made baseless accusations about the film's accuracy to distract from their dislike, but the film was a box office success and popular with the viewing public,<ref>https://www.rottentomatoes.com/m/13_hours_the_secret_soldiers_of_benghazi</ref> which saw an insightful analysis at the events of the attack and the heroes who acted to defend the compound of their own accord.
|$69.40 million
|-
|''17 Again''
|2009
|PG-13
|A 37-year-old father reverts to age 17 through a visit to a mysterious janitor and learns that choosing family, which he strives to support however he can, and life over death and possible material riches is much more rewarding and fulfilling even if it is not always apparent. The film stands up for [[abstinence]] and self-respect, and contains a strong speech for both of them, as in this quote: "Because there is no one that I'm in love with. It's called making love, isn't it? Maybe I'm old fashioned, but I think that means you do it with someone you love. And preferably when you're married, when you're ready to take that love and turn it into a baby." The concept of fatherhood is painted positively as well because he ultimately learns he was reverted to age 17 so he could see things from his children's perspectives and help them resolve their problems.
|$64,167,069<ref>http://www.boxofficemojo.com/movies/?id=17again.htm</ref>
|-
|''42''
|2013
|PG-13
|Bio pick of American icon [[Jackie Robinson]]
|$95,020,213
|-
|''90 Minutes in Heaven''
|2015
|PG-13
|A man has a near-death experience and sees [[heaven]].
|$4,842,699
|-
|''127 Hours''
|2010
|R
|This biopic tells the true story about initially easygoing and carefree outdoor adventurer Aron Ralston, who, in 2003, gained worldwide attention for becoming trapped in Blue John Canyon in Utah, a boulder trapping his right forearm against the canyon wall. As he reflects upon his life and expects to die, Aron realizes that he hasn't appreciated his family enough, and that he didn't treat his girlfriend as well as he should have. In the end, Aron summons the courage to do what was necessary to save his life: amputate his arm. As the real Aron would later say, he was reborn in the canyon, emerging with a far better appreciation of his family and never again taking anything for granted.
|$60,738,797
|-
|''[[Nineteen Eighty-Four|1984]]''
|1984
|R
|The big-screen adaptation of the iconic [[conservative]] text from [[George Orwell]].
|$8,430,492
|-
|''A Christmas Story''
|1983
|PG
|Child actor Peter Billingsley stars as Ralphie Parker, a boy who wants a BB gun for Christmas, in this heartwarming comedy. The National Film Registry selected it for historical preservation in 2012.
|$19,294,144
|-
|''A Dog of Flanders''
|1998
|
|The fifth live action adaptation of Ouida's book contains a number of Christian themes.
|$2,165,637
|-
|''A Dog's Purpose''
|2017
|PG
|Based on the heartwarming book of the same name, the soul of a dog lives the lives of several dogs spanning decades and remains loyal to its owners. The film takes a stand against [[bestiality]] and animal cruelty, too.
|$22,000,000
|-
|''A Gathering of Eagles''
|1963
|UR
|It illustrates duty, honor, and the burden of command.
|Unknown
|-
|''A Man For All Seasons''
|1966
|UR
|In 16th Century England, statesman and philosopher Thomas More is forced to choose between his Catholic faith and his loyalty to the king. It won six Academy Awards: Best Picture, Actor, Director, Adapted Screenplay, Cinematography (Color), and Costume Design (Color).
|$20,000,000<ref>This figure is a worldwide gross.</ref>
|-
|''Ace Ventura: Pet Detective''
|1994
|PG-13
|Hero Ace Ventura is an animal lover, but not an animal rights activist, and prefers [[conservation]]. In addition in recent years liberals have criticized this movie for attacking the LGBT community, as the main villain is a transgender. Ace literally freaks out when he realized he really made out with a man, as does everyone else later when they find out the truth. Ace also calls him by his biological gender.
|$72,217,396<ref>https://www.boxofficemojo.com/movies/?id=aceventura.htm</ref>
|-
|''Act of Valor''
|2012
|R
|In this military drama, soldiers are shown as heroes battling terrorism, which is related to both Islamic terrorism and drug cartels. It is also one of the few films where the main cast is portrayed by actual Navy SEALs, resulting in accurate military terminology and battlefield strategies.
|$70,012,847
|-
|''Adam's Rib''
|1949
|Not rated
|Attorney Adam Bonner (Spencer Tracy) hilariously exposes his budding [[feminism|feminist]] wife Amanda's (Katharine Hepburn's) hypocritical double standards in the legal system.
|-
||''Alone Yet Not Alone''
|2013
|PG-13
|[[Christianity]]'s impact in building the United States is explored in depth. Liberals were shaken when it received an Oscar nomination, proving that there is still a prevalent conservative voice in Hollywood.
|$887,851<ref>http://www.boxofficemojo.com/movies/?id=aloneyetnotalone.htm</ref>
|-
|''Alpha''
|2018
|PG-13
|This film set in Europe 20,000 years ago tells the story of a human and his relation with a wolf. It promotes family and friendship values with both the teenaged tribesman's relation with his family and with the wolf. It also is pro-[[hunting]] and pro-[[fishing]] as the human learns the importance of killing a rabbit in order to feed the wolf. The wolf and human also go fishing and hunt bison and wild boars.
|$11.7 million
|-
|''[[Amazing Grace (movie)|Amazing Grace]]''
|2006
|PG
|This historical drama shows the horrors of the slave trade and teaches that, contrary to academic claims, Christianity played the largest role in the abolition movement, while most secular humanists either supported slavery or otherwise did nothing to stop it.<ref>http://catholicexchange.com/moving-amazing-grace-highlights-christian-role-in-abolitionist-movement</ref>
|$21,208,358
|-
|''American History X''
|1998
|R
|A [[Neo-Nazi]] (The Nazis were left-wing socialists even though the Left has tried denying it) overcomes his [[racism]] and [[anti-Semitism]] after being sent to jail for voluntary manslaughter and does everything in his power to prevent his brother from following the same path to destruction.
|$6,719,864
|-
|''American Sniper''
|2015
|R
|This biopic documents the life of [[Iraq War]] [[veteran]], [[patriot]] and [[hero]], [[United States Navy|Navy]] [[SEAL]] sniper [[Chris Kyle]].
|$350,126,372.
|-
|''[[An American Carol]]''
|2008
|PG-13
|[[David Zucker]]'s [[conservative]] comedy starring Kevin Farley, Kelsey Grammer, Jon Voight, Dennis Hopper, Trace Adkins, and Leslie Nielsen lampoons the liberal, America-hating elements of Hollywood.
|$7,013,191
|-
|''Angels in the Outfield''
|1994
|PG
|A foster child encourages his hapless baseball team to look to angels for help in this God-trusting comedy.
|$50,236,831
|-
|''[[Animal Farm]]''
|1999
|Not Rated
|This live-action adaptation of the [[conservative]] text of the same name from [[George Orwell]] (and of the 1954 original animation) uses animals in the pretext of leveling harsh criticism against [[Communism]] and against [[Joseph Stalin]]. Unlike the source material, the film literally shows Animal Farm collapsing due to the excesses posed by the evil Napoleon, a Berkshire boar and a metaphor for Stalin, and his pigs, which is ultimately justified due to the collapse of the Soviet Union years earlier under similar reasons for Animal Farm's collapse.
|NA - TV
|-
|''[[Argo]]''
|2012
|R
|CIA agent Tony Mendez embarks on a daring rescue of Americans trapped in Iran during the [[Iranian Hostage Crisis]] while using a film production as a cover story to hide his act of courage. The film highlights how inherently corrupt an Islam-based government can be as well as the incompetence of the [[Jimmy Carter]] administration in dealing with the hostage crisis. It won the Academy Award for Best Picture of 2012.
|$136,025,503
|-
|''Armed and Dangerous''
|1986
|PG-13
|This comedy by Harold Ramis, the same screenwriter of the conservative films ''Ghostbusters'' and ''Groundhog Day'', exposes [[labor union]] corruption.
|$15,945,534
|-
|''Assault on Precinct 13''
|1976
|R
|Often considered an urban remake of the conservative film ''Rio Bravo'', a police sergeant in Los Angeles and his crew must defend an abandoned precinct office from an army of criminals. The police are rightfully shown as good, while the criminals are evil. Its 2005 remake was set in [[Detroit]].
|
|-
|''Attack on Darfur''
|2009
|R
|Liberal journalists end up being trapped in Darfur, Sudan, and must fight to survive. The film doesn't hold back on crimes committed by the [[Janjaweed]] here.
|
|-
|''The Avengers''
|2012
|PG
|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing superhero film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, as they join the Norse god Thor (who is less of a god and more of an alien in this universe, thus averting support for paganism) in stopping his evil brother Loki from conquering the world with an extraterrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses to submit to "men like him", comparing Loki's actions to Hitler and Nazi Germany's actions. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel, it should come as no surprise that these conservative subtexts shine through.
|$1.519 billion
|-
|''Bad Boys II''
|2003
|R
|The sequel to the 1995 film, this police action film is surprisingly pro-family (main character Lieutenant Marcus Burnett's daughter is an undercover operative for the DEA, and his laid back but faithful friend and partner tries to help him with this personal crisis, which he does not approve of) and advocates war on drugs. The main villains are Russians and Cubans (Communists), while the side villains are [[Ku Klux Klan]] members (which was founded by the [[Democrat Party]]).
|$138,608,444
|-
|''The Bad News Bears''
|1976
|PG
|Centered on the classic American pastime of [[baseball]], this sports feature negatively depicts forced government intervention into baseball in the name of equality, as the reason the Bears baseball team existed in the first place was to put rejects into a baseball team after being legally forced to do so via a lawsuit. Morals include improving oneself through training as well as the [[American Dream]]: although the Bears are composed of the worst players in little league, main character Coach Buttermaker trains them to become one of the best baseball teams in the season. Followed by two direct sequels in 1977 and 1978. In contrast, the 2005 remake is significantly more coarse and more politically correct.
|$42.3 million
|-
|''Batman Begins''
|2005
|PG-13
|The first film in Christopher Nolan's ''Dark Knight'' trilogy retells comic book superhero Bruce Wayne/Batman's origin story in a manner that specifically denounces corruption and trying to kill out of revenge with themes of redemptive measures. When main villain Ra's al Ghul reveals his intentions to destroy Gotham City, Batman tries to stop him since Gotham still ultimately has good elements in the community. Capitalism is depicted positively, too: in the backstory, Thomas Wayne, Bruce's late father, helped alleviate Gotham City from poverty via his wealth by building a public transportation system. Thomas' death inspired Gotham's wealthy individuals to follow his example, and Wayne Enterprises' Lucius Fox, who runs the company in Bruce's absence, proceeded to use the company's resources to synthesize a cure for fear toxin.
|$374.2 million
|-
|''[[Bedtime Stories]]''
|2008
|PG
|In this pro-family and pro-capitalism comedy, [[Adam Sandler]] plays a man who is given an opportunity to run a business and works hard to get the promotion against his rival while taking care of his niece and nephew. Sandler jokes about his sister's many liberal ideas and parenting skills (even calling her story books for them "Communist"). In the end, the children are then shown to be much happier and smarter after Sandler uses his conservative, capitalistic, family-centric tactics on them.
|$110,101,975
|-
|''Bella''
|2007
|PG-13
|A [[Pro-life]] drama.
|$8,070,537
|-
|''[[Ben-Hur (film, 1959)|Ben-Hur]]''
|1959
|UR
|This Roman historical drama celebrates honor and duty to family and country with a Christian ending, and it long held the record for the most [[Academy Awards]] awarded to a single film. Conservative actor and future [[National Rifle Association]] president and spokesman [[Charlton Heston]] plays the title role.
|$17,300,000
|-
|''Beverly Hills Cop''
|1984
|R
|Streetwise [[Detroit]] police detective Axel Foley drives out to Beverly Hills to investigate and avenge his friend's murder. While there, he meets up with a police force that does "everything by the book", jokes about their strong bureaucratic rules, and influences the two cops assigned to watch him to use critical thinking skills to solve the case. The main villain is a drug dealer, suggesting support for the war on drugs. Two sequels followed in 1987 and 1994.
|$234,760,478
|-
|''The Bible: In The Beginning''
|1966
|NR, could now receive PG
|As the title says, it is an expensive but powerful epic of [[Genesis]]' first 22 chapters.
|$34,900,023
|-
|''[[Big Daddy]]''
|1999
|PG-13
|Adam Sandler's plays Sonny, a man who, after being forced to take in an orphaned child that was sired by one of his friends, learns the importance of family as he realizes the responsibilities of fatherhood and grows as a person from the experience. A light satire of feminism is present: Sonny's ex-girlfriend cheats on him and then rejects him, only to end up working at a Hooters restaurant, which has been both satirized and scorned in the real world for its perversely clothed waitresses, with her extramarital lover.
|$234.8 million
|-
|''Big Fat Liar''
|2002
|PG
|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, ''Big Fat Liar'' teaches that "The truth is not overrated," which is also the moral of Jason's story.
|$48,360,547
|-
|''Billy Madison''
|1995
|PG-13
|A comedy film about [[redemption]], where the titular character gets a second chance at life. After flunking his education, he is given an opportunity to go back through grades 1-12 to do things right and pass successfully as well as earn the respect of his father. The main female is a simple schoolteacher and more of the antithesis of a modern-day feminist. Billy also learns the importance of being a good person and to have compassion for others, as well as the value of doing a job well done.
|$25,588,734
|-
|''Black Hawk Down''
|2002
|R
|Based on true events of a U.S. military campaign in Somalia, in which 18 U.S. soldiers died fighting their way out of a Mogadishu mission, American bravery and comradeship are heralded in the face of impossible odds against Islamic terrorism.
|$172,000,000
|-
|''Black Panther''
|2018
|PG-13
|Based on the eponymous Marvel Comics superhero, the eighteenth installment of the Marvel Cinematic Universe tells of a young African king, who gains enhanced strength from consumption of a majestic heart-shaped herb, fighting against the force of a black supremacist, who seeks to take the king's throne. In the name of morality, this king, or "The Black Panther," seeks to destroy the villain and his plans to overthrow the other races and governments of the world. The Black Panther recognizes both the importance of helping those in need, as well as not going beyond one's governmental authority. Though there are plenty of pagan religious references, the film appeals in some ways to a general sense of Christian morality and governmental justice, and it never diverts into political correctness about black supremacism.
|$704,000,000.
|-
|''Black Sheep''
|1996
|PG-13
|Pro-family film where the idiotic brother of a governor candidate must be straighten out, in order to avoid him hurting his chances in the election. The villain is a corrupt official and feminist, who had committed voter fraud. Also portrays the military (just shown in photographs) in positive light and is also anti-drug.
|$32,417,995
|-
|''Black Sunday''
|1977
|R
|This thriller refuses to be politically correct about Islamic terrorism.
|$15,769,322
|-
|''Blazing Saddles''
|1974
|R
|A politically incorrect western, something liberals are sure to despise.
|$119,500,000
|-
|''Blended''
|2014
|PG-13
|A widowed father of three daughters and a divorced mother of two sons accidentally end up staying together in a resort where the parents fall in love. This shows how important it is for a family to have both a mother and a father. It also condemns the homosexual agenda, as it favors traditional gender roles because the father’s oldest daughter gradually gives up her tomboyish style, to actually look like a traditional girl. Also has a celebration of baseball as well.
|$46,294,610
|-
|''Blue Collar''
|1978
|R
|This rare gem is one of the very few films to expose labor union corruption, first directed by former [[Grand Rapids]] native [[Paul Schrader]].
|$6,521,083
|-
|''The Blues Brothers''
|1980
|R
|Though based on a recurring skit from ''[[Saturday Night Live]]'', which is infamous for its history of liberal bias, this comedy designed to pay tribute to jazz and blues music contains a surprising conservative subtext. Blues singer siblings Joliet Jake and Elwood Blues embark "on a mission from God" by reuniting their bandmates, who have scattered around Chicago, so they can raise money to save the Catholic orphanage wherein they grew up. Despite being R-rated for vulgar language and often destructive slapstick comedy, it's Vatican approved. One less popular sequel premiered in 1998, ''Blues Brothers 2000''.<ref>[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers "Catholic", FOXNews, June 19, 2010]</ref>
|$57,229,890
|-
|''The Boys from Brazil''
|1978
|R
|The dangers of [[cloning]] are highlighted as infamous Josef Mengele (Gregory Peck in an opposite of his hero roles) tries to clone [[Adolf Hitler]].
|
|-
|''[[Braveheart]]''
|1995
|R
|Infuriated by his wife's murder, Scottish knight William Wallace (played by [[Mel Gibson]]) rallies an army to bring freedom to his people and country from the tyranny of English king Edward I. Based on the First War of Scottish Independence, it takes some creative liberties with the time frame, but it contains strong messages of patriotism and even some Christian allegories that stand the test of time (indeed, Wallace's sacrifice should remind viewers of [[Crucifixion|the most significant event in Christian history]]). It won the Academy Award for Best Picture of 1995.
|$210.4 million
|-
|''Brazil''
|1985
|R
|Much like the conservative text ''1984'', it teaches that big government is wrong for the world.
|$9,929,135
|-
|''[[Bruce Almighty]]''
|2003
|PG-13
|Jim Carrey stars in this comedy that, even with atheist Morgan Freeman portraying [[God]], shows in a lighthearted, accessible way how no one mortal can successfully do God's job. Also shows how hard God's job is. It was written by Steve Koren & Mark O'Keefe, the same writers of ''Click''.
|$242,589,580
|-
|''[[Captain America: The First Avenger]]''
|2011
|PG-13
|Based upon the adventures of the patriotic superhero from Marvel Comics (and perhaps the company's most conservative superhero ever created), the frail, sickly U.S. Army recruit Steve Rogers is enhanced to the peak of human physicality by an experimental serum, then uses his newfound supersoldier abilities to combat Nazi terror in Europe while wearing a star-spangled uniform to avoid identification and carrying a throwable shield. Ultimately, he hunts down Nazi supersoldier Johan Schmidt/Red Skull, who was subject to an early, flawed version of Rogers' serum and has stolen the Tesseract, an energy source of unknown potential. Though Rogers succeeds, he is soon left with no choice but to crash Schmidt's aircraft into a glacier, leaving him frozen in suspended animation for decades until he wakes up in 2012 and readies for the events of the next film in the Marvel Cinematic Universe, ''The Avengers''. Virtues shown include patriotism, perseverance, and the courage to confront evil dictators. It condemns against globalist views in the climax of the film, as Schmidt, when taunting Rogers, says, "I've seen the future, Captain! There are no flags!", referring to Rogers' choice to fight for his nation rather than harness the power of gods. Rogers rejects his claim by shouting, "Not my future!" Capitalism is painted positively in the form of a young Howard Stark (father of fellow Marvel superhero Tony Stark/Iron Man), who is first seen holding an expo for possible future inventions, including a flying car. The film condemns infidelity and premarital relations as well: British intelligence agent Peggy Carter initially assumes that Rogers is cheating on her (she learns the girl he is first seen dating previously forced herself on him); and, when Howard Stark says "fondue", he says he means a platonic dinner with Carter rather than innuendo for sex. This was the last film produced by Marvel Studios before its takeover by the liberal conglomerate that is [[The Walt Disney Company]].
|$176,654,505
|-
|''Captain America: The Winter Soldier''
|2014
|PG-13
|Patriotic superhero and Avengers co-leader Steve Rogers/Captain America unravels a government conspiracy involving HYDRA, the Nazi terror group he fought in World War II, and tries reconnecting with his long-lost best friend James "Bucky" Barnes, who, after being frozen in suspended animation for decades like Rogers was, is now a brainwashed assassin known only as "The Winter Soldier". All the while, he stays true to principles that the United States was founded on, unwilling to see them destroyed. The filmmakers based the villains of this film on the NSA and the [[Barack Hussein Obama|Obama]] regime.<ref>https://www.breitbart.com/california/2014/04/06/hollywood-turns-against-obama-with-captain-america-winter-soldier-2/</ref>
|$259,766,572
|-
|''Captain America: Civil War''
|2016
|PG-13
|The United Nations proposes that the Avengers, the main superhero team of the Marvel Cinematic Universe, be put under their control. A rift in the team forms because of the disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along with his allies (Bucky Barnes/the Winter Solider, Sam Wilson/Falcon, Wanda Maximoff/Scarlet Witch, Clint Barton/Hawkeye, and Scott Lang/Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue. Through persistence, he prevents the UN from placing the whole group under globalist control.
|$407,588,905
|-
|''Catch that Kid''
|2004
|PG
|Three teenagers try to rob a bank, not for greed but to get money needed for one of their father’s surgery to save his life. In the end, they realize that even though their intentions were good what they did was wrong. They then end up getting the money through donations. Thus giving the movie anti-socialist aspects, and anti-universal healthcare aspects, as they realized it was wrong to take other people’s money to pay for their healthcare.
|$16,703,799
|-
|''Chariots of Fire''
|1981
|PG
|Based on the parallel lives of two British Olympians, devout Scottish Presbyterian [[Eric Liddell]], who wants to run for the glory of God, and Jewish Englishman [[Harold Abrahams]] both struggle to overcome prejudice in 1924 Britain. That year's Olympics Games was especially spiritual when Liddell refused the Prince of Wales' request that he perform his competition on a Sunday.
|$58,972,904
|-
|''Chappaquiddick''
|2018
|PG-13
|This Hollywood film doesn't feature any history revisionism and tells the cold hard truth about [[Ted Kennedy]] during the [[Chappaquiddick incident]]<ref>https://www.hollywoodintoto.com/chappaquiddick-review/</ref> angering liberal critics in the process.<ref>https://www.nytimes.com/2018/04/06/opinion/chappaquiddick-ted-kennedy-distortortion.html</ref> To add insult to injury the film ended up overperforming as well<ref>http://missliberty.com/chappaquiddick-box-office-blows-past-projections/</ref>
|$17,894,212
|-
|''Cheaper by the Dozen''
|2003
|PG
|In this pro-family feature, a father must sacrifice his dreams of success for the benefit of his large family. As a loose remake of the original 1950 film starring Clifton Webb and Myrna Loy, this remake stars Steve Martin and Bonnie Hunt.
|$190,212,113
|-
|''Cheaper by the Dozen 2''
|2005
|PG
|In this sequel to the pro-family remake, the Baker family takes a vacation and competes against a rival family in a tournament. In the end, they realize family is what matters most.
|$82,571,173
|-
|''Chef''
|2014
|R
|A capitalistic chef starts his own restaurant after liberal food critics begin criticizing his work, and he begins questioning why he became a chef in the first place. At the same time, our protagonist Carl Casper also tries to connect with estranged family. The film promotes capitalism and family values in a positive light.
|$31,424,003
|-
|''Chinatown''
|1974
|R
|This thriller highlights the deceit surrounding water rights in southern California and L.A.'s water system, removing most of the water from the central valley. It doesn't adhere to political correctness because the main protagonist is told a dirty joke at one point and later tells it to his fellow private detectives, who use the term "Chinaman." The sequel, ''The Two Jakes'', followed in 1990.
|$30,000,000 (worldwide estimate)
|-
|''Chitty Chitty Bang Bang''
|1968
|G
|Set in 1910s England and loosely based upon the epic children's novel by Ian Fleming (the creator of the [[James Bond]] franchise), widower inventor Caractacus Potts raises money to buy and repair an old race car, then takes his children and new love interest for a picnic on the beach. There, he tells them an epic tale about going on a mission to defend the car from a villainous king and queen who have outlawed children in the fictitious country of Vulgaria, and the story comes to life on screen. The film celebrates family unity, portrays a capitalistic entity (the candy empire owned by the father of Truly Scrumptious, Potts' love interest) in a positive light, and shows the advantages of practicality.
|$7.5 million
|-
|''[[The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]]''
|2005
|PG
|Based upon the Christian allegory written by C.S. Lewis, four orphans discover the magical realm of Narnia, which can be accessed through a wardrobe, where they are chosen by a prophecy to confront the [[Satan]]-esque White Witch. The omnipotent and benevolent lion Aslan, a stand-in for [[Jesus]], is instrumental in this goal since he frees Narnia from being frozen in a perpetual winter with no Christmas and because he sacrifices himself in place of orphan Edmund, who is temporarily manipulated by the White Witch, and resurrects in a Christ-like manner (according to Aslan, there is a "deeper magic from before the dawn of time" that will resurrect anyone killed in place of a traitor). Besides sacrifice, morals include courage, loyalty, friendship, honor, and redemption.
|$291,709,845
|-
|data-sort-value="Chronicles of Narnia: Prince Caspian"|''[[The Chronicles of Narnia: Prince Caspian]]''
|2008
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$141,621,490
|-
|''[[The Chronicles of Narnia: The Voyage of the Dawn Treader]]''
|2010
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$104,383,624
|-
|''Cinderella Man''
|2005
|PG-13
|Based on the story of boxing heavyweight champion James Braddock, the protagonist prizes family because he takes up boxing so he can provide for them during the Great Depression. In addition, it promotes loyalty and integrity as well, as his promoter not only tried to help him with boxing, but had also gone as far alongside his wife to sell everything they had to aid Braddock in trying to win the titleship, with Braddock's wife learning this when about to tell his promoter off for apparently selling him out.
|$108.5 million
|-
| ''The Circle''
|2017
|PG-13
|Based on the Dave Eggers novel of the same name, the film showcases how "material success, intellectual enlightenment, technological advancement, and utilitarian ethics — ultimately cannot satisfy the existential longing each of us has." <ref>https://www.conservativereview.com/articles/the-circle-most-conservative-movie-of-2017/</ref>
|$40.6 million
|-
|''City Slickers''
|1991
|PG-13
|In this motivational, feel-good feature, a man goes on vacation to Colorado with his friends to be cowboys in order to find his happiness. The main lesson is knowing what's really important in life. A sequel followed in 1993: ''City Slickers II: The Legend of Curly's Gold".
|$179,033,791
|-
|''Click''
|2006
|PG-13
|Written by Steve Koren & Mark O'Keefe, the same writers of ''[[Bruce Almighty]]'', a man finds a remote control that can control his life and be able to skip many events in it, including many involving his family. He then learns that he should instead appreciate his life and his family to its fullest, and not to be ungrateful with experiences that he thinks, out of selfishness, he doesn't always feel like living.
|$137,340,146
|-
|''Coach Carter''
|2005
|PG-13
|The moral is that graduating from high school and having a strong moral compass are more important than becoming a famous athlete.
|$67,253,092
|-
|''[[Cobra (1986 film)|Cobra]]''
|1986
|R
|[[Sylvester Stallone]] plays a tough police officer who is seemingly above the law, in order to control and stop crime. The story has some anti-statism aspects because Cobra cares more about protecting the people than protecting the law. The liberals and the [[Mainstream media|press]] are shown in a negative light for not supporting his efforts to stop a cult of [[Social Darwinism|social Darwinist]] serial killers.
|$49,042,224<ref>http://www.boxofficemojo.com/movies/?id=cobra.htm</ref>
|-
|''Coma''
|1978
|PG
|The villains run a conspiracy to push abortion at a hospital where organs are illegally collected.
|
|-
|''Concussion''
|2015
|PG-13
|This whistleblower film exposes the [[NFL]]'s ignorance to its players' medical issues that the [[Mainstream media|lamestream media]] has ignored. (See also [[Unplug the NFL]].) The film also may have be the reason to the NFL's rating decline the next year.<ref>https://www.youtube.com/watch?v=vtO-w69V4lg</ref>
|$34,542,474
|-
|''Contact''
|1997
|PG
|The overall message is about how science and faith do not have to be in opposition to one another.
|$100,853,835
|-
|''Courageous''
|2011
|PG-13
|This Sherwood Pictures drama film focuses on the role of fathers and the need for them.
|$34,522,221
|-
|''Cronos''
|1993
|R
|In this Mexican film by Guillermo del Toro (''Pan's Labyrinth'', ''Hellboy''), an elderly antiques dealer has a chance at immortality—but at the cost of being a leech to others. Mostly in Spanish with large parts in English.
|$621,392
|-
|''Daddy’s Home''
|2015
|PG-13
|A pro-family comedy, that promotes the concept of fatherhood. The dad and step-dad compete for attention of the kids, in the end they realize they both have the same goal, which is they want what is best for the kids. In addition the film is anti-alcoholism, with Will Ferrell’s character’s getting completely drunk at a basketball game, which cause him to do some hurtful things, which nearly ruins his marriage.
|$150,357,137
|-
|''Daddy's Home 2''
|2017
|PG-13
|The sequel still shares the same pro-family message.
|
|-
|''[[The Dark Knight]]''
|2008
|PG-13
|The sequel to ''Batman Begins'' contains a Christian allegory (specifically, the ending has Batman selflessly volunteering to have himself take the blame for the crimes that Harvey Dent committed after the latter went insane from grief and the Joker's influence in order to ensure that the criminals he locked up cannot be released onto the street after he was forced to kill Dent to save Gordon's son.) with messages of not giving in to terrorists and condemning of [[nihilism]] and [[anarchy]] via the actions of [[Joker (comics)|the Joker]], Batman's most infamous adversary.
|$533,316,061
|-
|''[[The Dark Knight Rises]]''
|2012
|PG-13
|The conclusion of the ''Dark Knight'' trilogy, set seven years after ''The Dark Knight'', depicts [[Occupy Wall Street]]-esque protesters as terrorists and has a hero (Batman) that does the right thing even when it is the harder thing to do. Furthermore, it subtly condemns the [[French Revolution]] as the events of the story are in part derived from Charles Dickens' ''[[A Tale of Two Cities]]''.
|$448,139,099<ref>http://www.boxofficemojo.com/movies/?id=batman3.htm</ref>
|-
|''Dark Matter''
|2007
|R
|A candid look at [[professor values]] along with problems associated with lack of assimilation; [[liberal]]s first praised the movie, but after realizing its [[conservative]] message, panned it.
|$30,041
|-
|''Darkest Hour''
|2017
|PG-13
|A biopic of heroic WWII leader [[Winston Churchill]] with no historical revisionism at all. It won 2 academy awards and was nominated for 6 more.
|$180,000,000
|-
|''The Death of Stalin''
|2017 (UK and Toronto) 2018 (America and France)
|R
|An adaptation of the French historical fiction graphic novel of the same name. Although largely a satirical black comedy, the movie nonetheless accurately shows the horrific events of the Soviet Union under Stalin's totalitarian rule and the events after his death, as well as the innately cowardly and treacherous nature of the Soviet Politburo (see [[Atheism and cowardice]] as well as [[Atheism and Mass Murder]]). It also is one of the few films to allude to the anti-Semitic [[Doctor's plot]] that Stalin had orchestrated prior to his death (which had ironically been precipitated due to the doctor's plot killing off all the best doctors in Moscow at the time), making clear that, contrary to what the left claims, the USSR and the left adhered to anti-Semitism. The director of the film, Armando Iannucci, admits that a large part of the reason he made the film was partly because of how Stalin was still revered in Russia to the extent that the Russian hotel he stayed at had a portrait of Stalin up, while pointing out that no one would dare do the same regarding Hitler in similar situations.<ref>https://www.rollingstone.com/movies/features/armando-iannucci-death-of-stalin-trumps-funeral-w517602</ref> As if reinforcing this, the movie also ended up banned in Russia at the order of [[Vladimir Putin]].
|$15.7 million
|-
|''Death Wish''
|1974
|R
|Bleeding heart New York City liberal Paul Kersey learns the importance of the Second Amendment following a brutal attack on his wife and daughter. Following this he begins fighting back against muggers and is deemed a vigilante. During this time crime begins to decline (because criminals don't normally attack armed civilians). However contrary to popular belief, the film does not glorify vigilantism, as the film acknowledges that if the vigilante isn't stopped it could led to [[anarchy]] (pure [[Marxism]] is the complete absence of government). Followed by four sequels in 1982, 1985, 1987 and 1994. Remake in 2018.
|$22 million
|-
|''Delivery Man''
|2013
|PG-13
|Republican actor Vince Vaughn portrays a delivery man who finds out that he is the biological father to 533 children. Realizing the importance of family, he learns how to be a father figure and take on more responsibilities.
|$30,664,106
|-
|''The Delta Force''
|1986
|R
|Conservative star [[Chuck Norris]] plays U.S. Army Delta Force Captain Scott McCoy, who leads his team to battle Islamic terrorists. The film emphasizes bravery, heroism, and honor while avoiding political correctness and showing the true nature of the radical Islamic political agenda (very rarely shown in today's films).

Jews are portrayed sympathetically, as the terrorists' leader, Abdul Rafai, is viciously anti-Semitic. He demands that the Jewish hostages be separated from the others, and forces a German Flight Attendant to read out their names. He insists that the Jews killed in the holocaust were "not enough." When the aforementioned Flight Attendant collects the hostages' passports, she notices a number tattooed on one of the Jewish hostage's arm, indicating that he's a Concentration Camp survivor and she gives him a look of sympathy.

The film also depicts Israel in a positive light, as the Israelis assist the Americans by providing them with intel.
| $17,768,900
|-
|''Denial''
|2016
|PG-13
|Anti-history revisionist film. Writer and historian Deborah E. Lipstadt must battle for historical truth to prove the existence Holocaust when David Irving, a holocaust denier, sues her for libel .
|$4,073,489
|-
|''Dirty Harry''
|1971
|R
|Released at the dawn of what historians call the Conservative backlash (a direct response to 1960s radicalism), Clint Eastwood plays a tough San Francisco police officer who doesn't let bureaucratic regulations stop him from doing what he knows is morally right. The film criticizes not only the then-recent Supreme Court decisions which granted new rights to criminals but also the traditional moral decay America experienced during the 1960s and 1970s. Four sequels followed suit: ''Magnum Force'' (1973), ''The Enforcer'' (1976), ''Sudden Impact'' (1983), and ''The Dead Pool'' (1988).
|$35 million
|-
|''Doctor Zhivago''
|1965
|PG-13
|Master filmmaker David Lean directed this powerful film that celebrates the natural rights of the individual as well as the triumph of charity, faith, hope, and love. His work takes an honest and uncompromising stance on the dangers of Communism as well.
|$111,721,910
|-
|''Don't Tell Mom the Babysitter's Dead''
|1991
|PG-13
|In this pro-family movie, five siblings (two are teenagers) are left alone for the summer, with no money after their elderly babysitter passes away. They realize the importance of hard work, as well the responsibilities of being indepedent, and the negative effects of drugs. Also gives an anti-regulated economy message by showing the dangers of using and relying on other people's money, as after the younger siblings stole money from their older sister's purse (which she stole from the company with petty cash), they realize this was wrong and selfish. In addition there are brief anti-taxation aspects, with Christina Applegate's character; Sue Ellen being frustrated when they took away so much of her money because of taxation. In the end the teenagers manage to clean themselves up, and quit drinking alcohol, doing drugs and smoking, and focus more on becoming successful adults.
|$25,196,249<ref>http://www.boxofficemojo.com/movies/?id=donttellmomthebabysittersdead.htm</ref>
|-
|''Dracula''
|1931
|UR
|This adaption of [[Bram Stoker]]'s novel from 1897 features one of Hollywood's first [[Christian]] protagonists: vampire hunter Dr. Abraham Van Helsing.
|
|-
|''Dredd''
|2012
|R
| Based on the comic strip ''Judge Dredd''. Anti-drug war film where villains are drug dealers and addicts who are portrayed as very sadistic individuals, the hero Judge Dredd, assisted by a Judge-in-training who is also a psychic, is forced to fight them. The film shows the bravery of the police officers who do what's right, while the film's main villain, a female drug lord nicknamed "Ma-Ma", tries to hinder their progress by calling in several corrupt Judges (akin to the corrupt liberal judges who currently populate various courts in the United States in real life to pervert justice and repeatedly violate the Constitution) to interfere with the honest Judges.
|$13,414,714
|-
|''Dunkirk''
|2017
|PG-13
|From Christopher Nolan, director of the conservative ''Dark Knight'' Trilogy, tells the dramatization of the Dunkirk evacuation. This action-packed adventure never derails in to political correctness and history revision as many liberal critics opened fire on the film for its lack of diversity and feminism.<ref>https://www.newsbusters.org/blogs/nb/melissa-mullins/2017/07/23/reminder-usa-today-critic-laments-dunkirk-lacks-gender-racial</ref>.
|$188 million
|-
|''The East''
|2013
|PG-13
|A private intelligence firm must take out an eco-terrorism organization.
|$2,301,839
|-
|''Enemy of the State''
|1998
|R
|A lawyer discovers a videotape revealing the death of a congressman and ends up a target for NSA official Thomas Bryan Reynolds (who plans on destroying the [[Fourth Amendment]]). Some say it shockingly predicted the [[Edward Snowden]] controversy and the Obama administration's crimes 15 years later.
|$111,549,836
|-
|''The Equalizer''
|2014
|R
|In this adaption of the conservative 1980s television series, Denzel Washington portrays retired intelligence agent-turned-vigilante Robert McCall, the role originated in the original series by British actor Edward Woodward.
|$101,530,738
|-
|''The Equalizer 2'''
|2018
|R
|Sequel to the 2014 film
|
|-
|''[[Escape from Hell]]''
|2000
|UR
|Drama about a doctor and near-death experience.
|NA - DVD
|-
|''Evan Almighty''
|2007
|PG
|In the stand-alone sequel to ''Bruce Almighty'', God chooses an unlikely hero named Evan to build a modern-day ark to save his town from an upcoming storm.
|$100,462,298
|-
|''Evelyn''
|2002
|PG
|True story of Irish father's legal struggle to recover his kids from an orphanage.
|$1,483,975
|-
|''The Even Stevens Movie''
|2003
|PG
|Like the TV show it was based on, the movie had pro-family values. The movie also had a massive condemnation towards [[Hollywood values]], as the main antagonist of the film was a [[Reality TV]] host who tricked the Steven family into going to an island in the Pacific and then getting them shunned by the "tribe" (all of whom were actors) and often instigating various fights between the family, one instance nearly driving Ren to nearly commit murder against Louis, with his largely being depicted in a very negative light especially after the reveal. In addition, Louis' friend makes no qualms about how she was disgusted with the Reality TV genre.
|N/A (TV movie)
|-
|''The Exorcism of Emily Rose''
|2005
|PG-13
|The film is loosely based on the story of Anneliese Michel (Americanized to probably protect the identity of the deceased) in which a priest performed an exorcism that costs a young girl's life. The movie's villain is an [[atheist]] lawyer who tries to convict the priest of negligent homicide, rather than believe it was the work of [[Satan]].
|$75,072,454
|-
|''[[The Exorcist]]''
|1973
|R
|(''not for children'') - A portrayal of pure evil against a positive characterization of [[Christianity]]. It broke the record for movie revenue and had several sequels and imitators, e.g. ''The Omen'' in 1976 and its sequels. A 2016 TV series of the same name follows up on the events of the original film.
|$441,071,011
|-
|''The Expendables''
|2010
|R
|This action-packed adventure unites such conservative stars as [[Sylvester Stallone]], [[Bruce Willis]], and former California Governor [[Arnold Schwarzenegger]].
|$103,068,524
|-
|''The Expendables 2''
|2012
|R
|The sequel to 2010's ''The Expendables'' stars returning conservative action stars Stallone, Willis, and Schwarzenegger as well as [[Chuck Norris]].
|$85,028,192
|-
|''The Expendables 3''
|2014
|PG-13
|The threequel to the conservative film franchise.
|$39,322,544
|-
|''[[Facing the Giants]]''
|2006
|PG
|The main message is straightforward: trust in [[God]], let Him take over, and good things will happen.
|$10,178,331
|-
|''Faith of My Fathers''
|2005
|PG-13
|The true story of [[John McCain]] when he served valiantly in the Vietnam War.
|
|-
|''Fat Kid Rules the World''
|2012
|R
|Based on a 2003 young adult novel of the same name, a six-foot-one and 296 pound 17-year-old boy named Troy Billings overcomes challenges, as things have been very hard on him with his mother deceased, living with his father and younger brother. It also rightfully shows the negatives of school [[bullying]] and suicide. Troy also befriends a non-conformist punk rocker named Marcus MacCrae who becomes hospitalized due to illicit drug use but he finally recovers in the end, thus giving the film an anti-drug message as well. It is also pro-family values as Troy learns the consequences of his actions. Despite all of the conservative messages, this movie is NOT for kids because it has a lot of foul language and even some violence.
|
|-
|''[[Ferris Bueller's Day Off]]''
|1986
|PG-13
|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco; and the main character is faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and comedian [[Ben Stein]] appears as one of Ferris's teachers.
|$70,136,369<ref>http://www.boxofficemojo.com/movies/?id=ferrisbuellersdayoff.htm</ref>
|-
|''Fiddler on the Roof''
|1971
|G
|Based on a timeless Broadway musical, itself inspired by a series of Yiddish-language folk tales starring Tevyeh the Dairyman, the film celebrates tradition, faith, and the importance of family against a historical background of the persecution of Russian Jews. As Tevyeh's daughters break with Jewish marriage customs in different ways one by one, their home shtetl of Anatevka becomes more vulnerable to tsarist invaders, suggesting that tradition is what keeps society strong and healthy. Even so, Tevyeh makes clear before the opening credits that, "Without our traditions, our lives would be as shaky as... as... as a fiddler on the roof!"
|$50,000,000
|-
|''The Finest Hours''
|2016
|PG-13
|This historical drama shows the virtues of the United States Coast Guards, based on their 1952 rescue of the crew of the ''SS Pendleton''.
|$27,569,558
|-
|''[[Fireproof (film)|Fireproof]]''
|2008
|PG
|Highly successful pro-Christian, pro-marriage film created by [[Sherwood Pictures]].
|$33,451,479
|-
|''First They Killed My Father''
|2017
|TV-MA
|An adaptation of Cambodian-America Loung Ung's memoir of the horrors [[Khmer Rouge]].
|Netflix film
|-
|''Flash of Genius''
|2008
|PG-13
|The intellectual property of a hard-working, solitary inventor is promoted, and his children stick by his side through enormous difficulties.
|$3,744,790
|-
|''Flight 93''
|2006
|PG-13
|Shows the bravery of the passengers on Flight 93, which was hijacked on [[September 11, 2001 attacks|September 11th, 2001]], and crashed into a Pennsylvania field. The passengers fought back against the Islamic hijackers.
|NA - TV
|-
|''Flight of the Navigator''
|1986
|PG
|A boy named David Scott Freeman is abducted by a UFO and then wakes up in a ravine, only to discover that he's been transported 8 years into the future. The series contains strong pro-family themes as David's parents are shown to be filled with overwhelming joy and happiness after seeing David for the first time in 8 years. David's little brother, Jeff, has an antagonistic relationship with David early in the movie but when David disappears for 8 years, a now-16-year-old Jeff regrets the way he treated his brother and reconciles with him. David's family is very supportive in helping him adjust to his situation. When David is in the hospital for testing to find out why he hasn't aged, one of his family stays with him at all times so he won't be alone. When David goes back in time at the end of the film, he learns to have more appreciation for his family, including Jeff. The film also depicts government bureaucrats in a negative light, as NASA treats the UFO and David as mere science experiments and is unsympathetic to David's situation. The agents take David away from his family and put him in an isolated, locked room. David's father becomes enraged when he finds out how NASA has been treating David. The agents later place the whole family under House Arrest. When David goes to his family's home in 1986, the NASA agents are there to take him away again, and that's when he decides to go back in time to 1978 despite the ship's computer, Max, insisting that it's potentially dangerous.
|$18,564,613
|-
|''For Greater Glory: The True Story of Cristiada''
|2012
|R
|The [[Catholic]] Cristeros Army fights back for religious freedom against a suppressive, [[leftist]] government. Based on the Cristeros War of the 1920s.
|$5,608,651
|-
|''[[Forbidden Planet]]''
|1956
|UR
|Please add info
|$3,000,000
|-
|''The Forgotten''
|2004
|PG-13
|A mystery film with a great [[Pro-life]] message.<ref>[http://www.decentfilms.com/reviews/forgotten.html ''The Forgotten''] at Decent Film Guide</ref>
|$67,133,509
|-
|''[[Forrest Gump]]''
|1994
|PG-13
|The film shows how the "counterculture" movements of the 1960s and 1970s, as well as drugs, lead to a miserable life. Gump has a more conservative lifestyle, while Jenny leaves her liberal lifestyle after she realizes the shortcomings of it, also suffering from AIDs from a brief relapse and dying as a result.<ref>https://www.worldlifestyle.com/sitcoms/forrest-gump-hid-from-fans-2-2/59?slides=1&utm_mediabuyer=SDJJ&utm_source=taboola&utm_campaign=TBLA_WL_JJ_GUMP0507V2_US_DT&utm_medium=cbsinteractive-gamefaqs&utm_content=84081643</ref> Finally, a main message is that Lyndon B. Johnson was largely responsible for the Vietnam War, not Richard Nixon as most liberals like [[George Lucas]] tend to think.
|$329,694,499<ref>[http://www.boxofficemojo.com/movies/?id=forrestgump.htm Forrest Gump] (1994). ''Box Office Mojo''. Retrieved July 30, 2016.</ref>
|-
|''The Founder''
|2016
|PG-13
|Michael Keaton portrays Ray Kroc, founder of the capitalistic fast-food empire [[McDonald's]]—which is painted positively, much to the chagrin of liberals—in this biographical historical drama detailing the obstacles Kroc overcame and the risks he took to succeed in business and redefine the fast food industry.
|$24 million
|-
|''[[The Fountainhead]]''
|1949
|UR
|Gary Cooper and Patricia Neal starring in Ayn Rand's classic story of the right of the individual to produce on their own terms.
|Unknown
|-
|''Frankenstein''
|1931
|UR
|James Whale directed this loose adaptation of the classic tale by [[Mary Shelley]] warning about the consequences playing [[God]] and setting a golden standard for mad scientist stock characters seen throughout popular culture.
|$12 million
|-
|''Fred Claus''
|2007
|PG
|Republican actor Vince Vaughn plays Fred Claus, the older brother of Christmas icon Santa Claus (born Nicholas "Nick" Claus in this universe), who must overcome his jealousy to remember the importance of their literally immortal family and save Christmas from being ruined. A major theme of redemption applies to Fred, the young orphan Samuel "Slam" Gibbons, and the evil efficiency expert Clyde Archibald Northcutt, all of whom learn the errors of their ways. Traditional gender roles are depicted by the elves: the men make baseball bats for the boys, the women make hula hoops for the girls, etc. There is a positive establishment of American popular culture icon Superman (he's only mentioned, but toy Supermans are shown and Clyde Northcutt is wearing a Superman cape once reformed), and mild politically incorrect humor is featured.
|$72,006,777
|-
|''Free State of Jones''
|2016
|
|A film inspired by the life of Newton Knight, a deserted Confederate soldier who revolted against the Confederacy in Jones Country, Mississippi. The film portrayed positive and accurate images of the Republicans, as there is a scene where Knight and his fellows state their will to vote only for the Republican Party despite the hostility of the presented and armed Democrats.
|
|-
|''Fury''
|2014
|R
|Follows the crew of the titular Sherman tank, most prominently a young rookie soldier, who at first, is reluctant to kill. But as time goes on, he comes to learn and appreciate the importance of the struggle against the Nazis. All the while, we see the bonds of friendship that form between warriors.
|$211,817,906
|-
|''G-Force''
|2009
|PG
|Sapient animals use technology for good, but their help is shut down by the government agents (clearly been shown in negative life), while the secret villain of the movie is pushing anti-human sentiments. In the end, he realizes the error of his ways and learns that family matters most. The movie shows that you don't need authority to stop wrongdoing, and just be willing to fight for what is right.
|$119,436,770
|-
|''[[Ghostbusters]]''
|1984
|PG
|Three parapsychologists (later joined by a fourth teammate, who acts as their voice of reason) lose their jobs at Columbia University as they fail to deal with a ghost plaguing the New York Public Library, so they develop ghost-weakening "proton packs" and go into business ridding New York City of poltergeists. The film fittingly satirizes an unfair (and likely liberal) professor, senseless academic research, paganism, and a villainous EPA regulator. One conservative sample line by Ghostbuster Raymond "Ray" Stantz (Dan Aykroyd) when asked to shift from the public to the [[private sector]] reads like this: "I don’t know about that. I’ve worked in the private sector. They expect results!" A sequel, ''Ghostbusters 2'', followed in 1989, though there is some debate as to whether it qualifies as great since it revisits many of the same plot points from the first movie. The original film was remade in 2016 as a liberal revisionist and pro-feminist piece (with the four main character all female), which bombed at the box office and had a trailer almost universally panned on YouTube.
|$242,212,467<ref>http://www.boxofficemojo.com/movies/?id=ghostbusters.htm</ref>
|-
|''Gigi''
|1958
|G
|A marvelous and beautifully-made musical film from a bygone era (the Arthur Freed Unit), ''Gigi'' condemns prostitution and the lifestyle of the snobbish, spoiled rich people. The film is also a celebratory of the essence, beauty, and power of a true love between a man and a woman who each want something more out of life than the provincial, liberal lifestyle of 1900 Paris. Winner of nine Academy Awards: Best Picture, Director, Adapted Screenplay, Cinematography (Color), Art Direction-Set Decoration, Costume Design, Film Editing, Original Song (for the title song "Gigi"), and Scoring of a Musical Picture.
|$13,208,725
|-
|''[[Gladiator (film, 2000)|Gladiator]]''
|2000
|R
|The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hanns Zimmer’s soaring soundtrack. In essence this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of "engagement" in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.
|$457.6 million
|-
|''[[God's Not Dead]]''
|2014
|PG
|A brave young Christian man stands up to his [[atheist]] bully of a professor (played by real-life conservative Christian ([[Kevin Sorbo]]) and demonstrates the strength and wholesomeness of Christianity while exposing the folly of [[professor values]]. Furthermore, it illustrates atheists as people who acknowledge that there is a God but refuse to have faith in Him for [[Causes of atheism|any number of reasons]]—in this case, self-hatred and spite; and it features conservative celebrity cameos such as Willie and Korie Robertson (of ''[[Duck Dynasty]]'' fame), plus the Christian rock band The Newsboys. Liberals were shocked when it stood strong in the box office, being in the top 5 in its opening weekend. Of course, all the world's atheists were furious because they felt unfairly portrayed, which only proves the film's thesis that atheists are more animalistic and less rational than Christians.
|$60,755,732
|-
|''God's Not Dead 2''
|2016
|PG
|In this sequel, roles are reversed, and the teacher, played by Christian conservative Melissa Joan Hart, is the protagonist as she tries to help her students reconnect their faith in God.
|$20,774,575
|-
|''Godzilla vs. Biollante''
|1989
|PG
|Although the Godzilla franchise has been politically neutral for the most part. This film does take jabs at [[genetic engineering]] and playing [[God]].
|$7 million
|-
|''Gosnell: The Trial of America's Biggest Serial Killer''
|2018
|R
|Pro-life film that, as indicated by the title, showcases the horrific aspects of the abortion industry and especially of the abortionist [[Kermit Gosnell]]. Unfortunately, despite lots of rave reviews, it was pulled from theaters early for political reasons.
|$2.5 million
|-
|''[[Gone With the Wind]]''
|1939
|UR
|This American cinema classic celebrates traditional man-and-woman relationships as well as a strongly ''feminine'' heroine who is the antithesis of a modern [[feminist]]. It held the record for the top-grossing film for decades, unadjusted for inflation, as well as the most Academy Award wins for a motion picture, until ''Ben-Hur'', another great conservative motion picture, premiered twenty years later.
|$198,676,459
|-
|''The Good, the Bad, and the Ugly''
|1966
|R
|Hollywood conservative [[Clint Eastwood]] plays an unnamed sheriff in a campaign for peace and justice in the American Old West.
|$25,100,000
|-
|''[[The Goonies]]''
|1985
|PG-13
|The adventures of teenagers trying to find a long-lost treasure, before the criminals do.
|$61,503,218<ref>http://www.boxofficemojo.com/movies/?id=goonies.htm</ref>
|-
|''The Gospel According to St. Matthew''
|1964
|
|In spite of his avowed homosexuality, Marxism and atheism, controversial Director Pier Paolo Pasolini shocked his critics and advocates alike with this surprisingly reverent portrayal of Christ in the gospel of Matthew. He expressed his sympathies for Christianity, even going as far as to portray the miracles and ultimately the resurrection of Christ in a brilliantly poetic and artistic light. The movie even received acclaim from the Vatican and is considered one of the best Christian films ever made.
|
|-
|''Gran Torino''
|2008
|R
|In this "guy-cry" feature, gun-toting, [[Korean War]] veteran Walt Kowalski (played by Clint Eastwood) is upset that his neighborhood has lost its traditional American values and turned multicultural, overflowed with gangs and violence. He takes down a violent gang terrorizing the community, turns a boy into a man, and strengthens his Catholic faith.
|$270 million
|-
|''The Great Escape''
|1963
|UR
|Based on the true story about Allied PoWs who staged a daring escape from a Nazi prisoner-of-war camp during World War II.
|
|-
|''The Great Outdoors''
|1998
|PG (PG-13)
|A pro-family film about camping in the woods. Also anti-environmentalism.
|$41,455,230
|-
|''The Greatest Story Ever Told''
|1965
|UR
|Swedish actor Max Von Sydow brilliantly portrays [[Jesus]] in this aptly-named feature.
|$8,000,000 (U.S.), $20,000,0000 (worldwide)
|-
|''The Greatest Showman''
|2017
|PG
|Based on the true story of P. T. Barnum this musical celebrates the American Dream, as he helped build and create his own circus. Besides from that there various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition it also promotes the idea of treating everyone with respect and dignity. Finally the film also promotes the concept of individualism. <ref>https://www.thegospelcoalition.org/blogs/trevin-wax/greatest-showman-captured-american-imagination/</ref>
|$174,340,174<ref>https://www.boxofficemojo.com/movies/?id=greatestshowman.htm</ref>
|-
|''The Green Berets''
|1968
|G
|American soldiers in the [[Vietnam War]] fight for their honor.
|$11,000,000
|-
|''[[Groundhog Day]]''
|1993
|PG
|While in the small Pennsylvania town of Punxsutawney to report on the annual Groundhog Day festivities, arrogant Pittsburg weather forecaster Phil Connors is trapped in a time loop that forces him to keep reliving the same February 2 over and over again. After indulging in hedonism, repeatedly failing to seduce his attractive new producer Rita, sinking into depression, and exhausting every way to commit suicide, he begins reexamining his life and priorities. He then uses his memorization of the day's events, besides the stories of various townspeople, to improve himself and help as many people in need as he can within a 24-hour limit, which ultimately allows him to win over Rita and break free from the loop. Overall, this whimsical comedy is outstandingly conservative and Christian because no explanation other than God's will is given for the loop, especially since it gives Phil a chance at redemption for his past immoral behavior.
|$70,906,973
|-
|''Hanna's War''
|1988
|PG-13
|This biographical drama follows the life of Hanna Szenes, a Hungarian Jew who volunteered to rescued her Jewish members from Nazi concentration camps during WWII.
|$139,796
|-
|''Hardcore''
|1979
|R
|A father must rescue his runaway daughter from a [[California]] porn ring. Written as well as directed by Grand Rapids, Michigan native, Paul Schrader, whose hometown is featured in its opening credits and early scenes and Susan Raye's version of the beloved Gospel classic song, "Precious Memories" is in the film's opening and closing.
|
|-
|''Harry's War''
|1981
|PG
|Anti-IRS comedy.
|Unknown
|-
|''Here Comes the Boom''
|2012
|PG
|A high school teacher played by Kevin James, tries to raise money for his school, by fighting in the MMA. To not only save certain school programs but save the job of a teacher whose wife is pregnant. Also promotes citizenship and patriotism, as Kevin James' character is also a night instructor for an adult citizenship class, which show the idea of people coming into our country legally and becoming citizens as the right thing. Kevin James also even put some elements of his Christian Faith into the movie.<ref>http://www.patheos.com/blogs/philosophicalfragments/2012/10/03/how-kevin-james-put-his-faith-into-here-comes-the-boom/</ref>
|$45,290,318
|-
|''[[Hero]]''
|1992
|PG-13
|A petty criminal does something heroic and risks his life saving passengers from a plane crash. The film shows that even those with character flaws can do good.
|$19,487,173
|-
|''The Hiding Place''
|1975
|PG
|Biopic World War II story of Corrie and Betsy (Elizabeth) ten Boom (Jeannette Clift, Julie Harris), who hid Jews in their Haarlem, Netherlands home's secret wall and were betrayed and imprisoned in Ravensbruck Women's concentration camp in Germany, until Betsy's death and Corrie's accidental release through what would years later be found to be a clerical mistake, as all the other women in Corrie's group of prisoners were gassed to death shortly afterwards. A true lesson of "no pit is so deep that God's love is not deeper still." Produced by Billy Graham Evangelical Association's, World Wide Pictures.
|unknown revenue
|-
|''Hitler's Children''
|1943
|UR/PG
|A sensational melodrama about the [[Hitler Youth]] of pre-WWII 1930s Nazi Germany, based on Gregor Ziemer's best selling "Education for Death: The Making of A Nazi".
|$3,355,000
|-
|''Hocus Pocus''
|1993
|PG
|A pro-family film in which they battle evil devil worshipping witches. The man character even risks his life in saving his sister. The ending of the film shows heaven.
|$39,514,713
|-
|''Home Alone''
|1990
|PG
|This Christmas classic is about Kevin McCallister, who accidentally gets stuck home alone and thus learns to be independent and self-reliant. Not only that, but he defends his family house from burglars by resourcefully making booby traps out of everyday items, including firearms. Kevin is shown to be a Christian, too, as he goes to church and is shown praying and giving grace before his dinner. After Kevin gets into an altercation with his older brother Buzz, he wishes his family would disappear. After he wakes up and finds his family gone, he is at first overjoyed at having no one talking down to him or telling him he can't do things, but as the film progresses, he begins to miss his family and learns how important they are. Likewise, Kevin's mother Kate is determined to get back to Chicago to see Kevin and will make any sacrifice necessary. The film shows the value of charity because the supporting character Gus Polinski (played by the late John Candy) empathizes with Kate, being a father himself, and offers Kate a ride with his Polka band.

Three sequels, the third and fourth films without its original star as Kevin, followed later on.
|$285,761,243
|-
|''Home Run''
|2013
|PG-13
|A Christian sports drama about a baseball player, who tries to overcome a serious drinking problem.
|$2,861,020<ref>http://www.boxofficemojo.com/movies/?id=homerun.htm</ref>
|-
|''Honey, I Shrunk The Kids''
|1989
|PG
|Lovable genius inventor Wayne Szalinski (Rick Moranis) accidentally shrinks his children and some of his neighbors' while testing his laser shrinking ray, sending them off on an adventure in their own yard against what would otherwise be mundane situations and creatures to normal sized people. Spawned two sequels, the obviously opposite ''Honey, I Blew up The Kid'' (1992) and the direct-to-video ''Honey, We Shrunk Ourselves'' (1997)
|$130,724,200
|-
|''Hook''
|1991
|PG
|A live-action film of an adult and now a father Peter Pan, who has lost all his memories of being Peter Pan. The film celebrates [[baseball]], fatherhood and the importance of holding onto one's [[Childlike Wonder|childlike wonder]].
|$119,654,823
|-
|''The House''
|2017
|R
|A pro-family film about parents who set up their own casino, in order to pay for their daughter’s college. While promoting capitalism, the villain of the film is a corrupt government agent, who is also shown to be a socialist (stealing all of their money, in terms of eminent domain). In fact, the whole reason they did not have money was that earlier at town meeting the government agent claimed the town could not afford the scholarship she earned, when the reality is, he stole it all to have an affair with another government worker. On a side note, the police officer of the movie is shown in a positive light (who also makes a brief pro-gun claim), eventually realizing the parents were right, and helping them take down the corrupt government official.
|$25,584,504<ref>http://www.boxofficemojo.com/movies/?id=thehouse.htm</ref>
|-
|''The Hurt Locker''
|2008
|R
|A look into the life of an American bomb disposal regiment in Iraq risking their lives for their country and for the innocent by confronting evil. Rated R for violence and language. Winner of six Academy Awards: Best Picture, Director (the first time a woman, Kathryn Bigelow, won the Academy Award for directing), Original Screenplay, Sound Mixing, Film Editing, and Sound Editing.
|$12,647,089
|-
|''I Am David''
|2003
|PG
|This motivational movie shows the power of the individual, and the triumph of charity, faith, and hope as well as showing the dangers of [[Communism]].
|$292,376
|-
|''I Confess''
|1953
|UR
|In this classic by Alfred Hitchcock, a clergyman honors his sacred vow of confidentiality with respect to a confession despite intense pressure to disclose it.
|Unknown
|-
|''I Now Pronounce You Chuck and Larry''
|2007
|PG-13
|Portrayals an inside joke of [[same-sex marriage|same-sex "marriage"]] by having [[Adam Sandler]] and Kevin James pretend to be a homosexual couple in order to receive benefits. The villains of the movies are government ranking officials out to prove with they are not really homosexual. The protagonists are also FDNY firemen. The film took place prior to the 2011 enactment of the Marriage Equality Act, which claimed to "legalize" "marriage" for same-sex couples in the state. At the time the film was released, the state allowed for residents to file for unregistered cohabitation rights, and various municipal and county governments had offered domestic partnership registries.
|$120,059,556
|-
|''[[Indiana Jones]] series''
|1981, 1984, 1989, 2008
|PG
|During the Great Depression, archaeologist and adventurer Dr. Henry "Indiana" Jones searches the world for artifacts of untold power and, along the way, combats some of America's most infamous enemies, in particular Nazis. The first and third films contain Christian themes since they are centered around the [[Ark of the Covenant]] and the [[Holy Grail]], respectively; while the second film condemns paganism due to its main villain being a pagan priest. A fourth film, ''Indiana Jones and the Kingdom of the Crystal Skull'', takes place in the early Cold War era with Soviet Communists as antagonists, although there's some debate as to how patriotic and conservative the movie is (see its entry in Debatable Whether Conservative for more details).
|1197.2 million (altogether)
|-
|''Invasion of the Body Snatchers''
|1956
|UR
|A science fiction condemnation of Communism, produced for only $420,000 and remade successfully in three additional movies in 1978, 1993 and 2007, with 1978's version the only one of the exact same title. Warner Bros. announced a fourth remake is in current development.
|$2,500,000
|-
|''The Interview''
|2014
|R
|It’s a raunchy comedy, but it has a strong pro-democracy and anti-communism premise. The main characters are CIA operatives disguised as news reporters who are assigned to visit [[North Korea]] and assassinate Kim Jong Un during an interview with the brutal dictator. The film was so controversial for its depiction of Kim Jong Un being killed that it was pulled from theatres and released straight to DVD. [[Donald Trump]] stated that The Interview was his favorite comedy of 2014.
|-
|''Invasion U.S.A.''
|1985
|R
|Features Conservative star [[Chuck Norris]] protecting America from Latin American Communist terrorists led by a [[Union of Soviet Socialist Republics|Soviet]] operative, similar to ''[[Red Dawn]]''.
|$17,536,256
|-
|''[[Iron Eagle]]''
|1986
|PG-13
|A young man's father, an Air Force pilot, is shot down over the Middle East and it's up to the young man and an Air Force colonel to save him. Three sequels followed in 1988, 1992 and 1995.
|$24,159,872 (U.S.)
|-
|''[[Iron Man 2]]''
|2010
|PG-13
|Like in the prior film, it promotes the concept of Capitalism as a force of good, due to Tony Stark deciding to develop a cure for palladium poisoning, and also forming an Stark Expo promoting various elements his father desired. His father, likewise It also deals with redemption as well, as after Tony Stark made a very big mess of himself, he worked hard to redeem himself for his past behavior, ultimately succeeding in the ending. It also promotes the concept of honoring thy father and family values, as Tony noted that his father, Howard Stark, has been distant with him, although a later film reel, which also proved instrumental to saving his life, revealed that Howard Stark, while distant, nonetheless genuinely loved his son and even gave him words of encouragement from beyond the grave. Howard, likewise, was depicted in a manner similar to famed animator and capitalist [[Walt Disney]]. It also depicts feminism in a negative light, as while Pepper Potts did run Stark Enterprises, it was solely due to anger at Tony Stark's bad behavior in the film and not because she wanted it. It also condemns nihilism as well, as the reason why Tony Stark behaved badly was due to him dying and figuring he might as well act irresponsibly for his last days living. Also like the past film, it depicted terrorism (in particular communist-based terrorism) and treason in a very negative light, as Armand Hammer, in clear envy towards Tony Stark, proceeded to break out and hire an infamous Russian terrorist, Ivan Vanko, who held a grudge against Tony Stark due to his father Howard Stark sending his father Anton Vanko back to the USSR under suspicions that he was a Communist plant, with the terrorist later proceeding to have Hammer's Iron Man knockoff suits automatically attack everyone with Hammer being arrested. Also condemns the idea of government intervention in businesses, due to Iron Man being exceedingly reluctant to sell off his Iron Man suit to the government.
|$623.9 million
|-
|''The Island''
|2005
|PG-13
|Pro-life statement against cloning to harvest organs.
|$35,799,026
|-
|''Johnny Tremain''
|1957
|NR
|A fictionalized version of the American War of Independence and the leadup to it. The titular character, after his dreams were dashed from a hand injury in an accident while working as a blacksmith's apprentice, ultimately plays a role alongside Paul Revere and various other key figures in the war in founding America.
|N/A
|-
|''Joe Dirt''
|2001
|PG-13
|Country movie, where Joe Dirt was abandoned as a kid, and even though he had nothing, he did not give up on life, and never let anything stop him. The movie contains many morals such as not giving up, always be a good person. Shows the destructive of alcoholism, with the harm done by Joe Dirt's girlfriend; Brandy’s alcoholic father. The movie also reflects the idea of true integrity lies in what one does even if he or she is not being watched but still decide to the right thing because it is the right thing to do. Included a sequel in 2015.
|$27,087,695
|-
|''The Jungle Book''
|2016
|PG
|A live action version of the 1967 animation film. Based on the novel by Rudyard Kipling of the same name, this film shows the importance of friendship and family values, and even frowns down upon misanthropy.
|$364,001,123
|-
|''Junior''
|1994
|PG-13
|A buffoonish illegal immigrant geneticist (Arnold Schwarzenegger) must carry to term a pregnancy conceived by a one night encounter in a lab with an obese man (Danny Devito). It is a polemic that excoriates immigration and birth control politics in modern America.
|$108,400,000
|-
|''[[Jurassic Park]]''
|1993
|PG-13
|Based on the eponymous 1990 novel, a billionaire philanthropist and a small team of genetic scientists operate a theme park populated by dinosaurs genetically cloned from fossils. Considered a landmark in the development of computerized visual effects in modern filmmaking, this high-caliber work of science fiction criticizes the effects of research into genetic [[cloning]], and the negative effects of playing God. Even so, one strongly moral quote reads: "Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should”. Also has more of a promotion of Capitalism compared to the book due to the movie making Hammond, the founder of the park, a significantly more sympathetic and heroic character. Four sequels followed in 1997, 2001, 2015, and 2018.
|$357,067,947
|-
|''The Killing Fields''
|1984
|R
|Shows the horrors of Communism and Pol Pot's dictatorship in Cambodia during the 1970s.
|$34,700,291
|-
|''The Kid''
|2000
|PG
|[[Bruce Willis]] plays a man who meets himself as a kid. Where is looks back at his past to see the trouble he went through as a kid and the negative effects it had on him in his adult years. He learns to become more moral and to not let the past stop him or hold him back, and he then reconnects his relationship with his father and pursues a relationship with his co-worker, who he has been interested in.
|$69,691,949
|-
|''The King's Speech''
|2010
|R
|This historical drama details the rise of England's King George VI and his striving to overcome his speech impediment in the prelude to World War II after being forced to become king due to his older brother abdicating the throne. It showcases the Nazis in a negative light and condemns the current liberal education system, as speech therapist Lionel Logue is initially fired since he does not actually have a degree in speech therapy, with him making clear in a poignant moment that he knows how to do it via first-hand experience. According to history, Logue didn't have a degree because he had to rely on first-hand experience to do so and because there was no formal education for that matter when he learned his trade. The film shocked the liberals at Hollywood when it managed to perform beyond their expectations and won the Academy Award for Best Picture of 2010, plus the awards for Best Director, Best Actor, and Best Original Screenplay.
|$414.2 million
|-
|''King of Kings''
|1961
|PG-13, originally NR
|2 hour, 51 minute widescreen epic by the great director Nicholas Ray about Jesus and his promises of spiritual redemption, as contrasted with the story of the revolutionary leader Barabbas and his promises of worldly redemption. Stars Jeffery Hunter as Jesus.
|Unknown
|-
|''The Kingdom''
|2007
|R
|One of the few pro-war on terror films released during the 2000s.
|$47,536,778
|-
|''Knute Rockne: All-American''
|1940
|UR
|Stars [[Ronald Reagan]] as courageous football player George Gipp, who dies before an important game.
|Unknown
|-
|''Ladder 49''
|2004
|PG-13
|Shows the courageousness of firefighters.
|$74,541,707
|-
|''Last Ounce of Courage''
|2012
|PG
|Family drama about the struggles that Christians suffer through politics and abolishment of religious freedom.
|$1,585,994
|-
|''The Last Stand''
|2013
|R
|Action film starring Arnold Schwarzenegger as a tough Arizona sheriff who must stop an escaped Mexican drug lord from fleeing the country.
|$12,026,670
|-
|''The Last Starfighter''
|1984
|PG
|In this pro-just war and pro-military film, a young trailer park resident Alex Rogan (Lance Guest), after breaking the high score on the Starfighter video game, is approached by Centauri (played by Robert Preston in his last film role) who wants to recruit him into the Star League where he can be a real Starfighter. While Alex initially resists the idea due to it being a sudden shock, he eventually embraces the opportunity to do something significant with his life. The film also has a family theme as Alex and his navigator Grig (Dan O' Herlihy) reminisce about their respective families.
|$28,733,290
|-
|''Lean on Me''
|1989
|PG-13
|Based on a true story this Bio-drama about Paterson, New Jersey's real life [[Joe Clark]] is about combating drug use, violence, and contempt for authority while exalting positive values like academic achievement and family values.<ref>https://www.imdb.com/title/tt0097722/</ref>
|$31,906,454
|-
|''The League of Extraordinary Gentlemen''
|2003
|PG-13
|Pro-Western Culture as Western icons Allan Quatermain, Captain Nemo, Mina Harker (the wife of ''Dracula'' character Jonathan Harker), The Invisible Man (under the alias Rodney Skinner), Tom Sawyer, and Dr. Henry Jekyll battle Professor James Moriarty (from ''Sherlock Holmes'') as he plans a world war.
|$66,465,204
|-
|''Let There Be Light''
|2017
|PG-13
|Directed by and starring [[Kevin Sorbo]] and executive produced by and also starring [[Sean Hannity]]. Sol Harkens (played by Sorbo) is an alcoholic, divorced atheist going through a near-death experience after a car accident, where he learns the error of his ways and turns to Christianity and reconnects with his family.
|$7,233,471
|-
|''Liar Liar''
|1997
|PG-13
|Surprisingly takes on an anti-feminist theme by depicting the [[father]] as the good, righteous side in a courtroom divorce trial against a greedy, avaricious and uncaring mother, who only wants the children so she can wring every cent of alimony and child support she can out of the father while keeping the children away from him and showing little regard for them herself. In addition, the film also promotes the concept of redemption and bettering oneself, as the main protagonist, an unscrupulous lawyer, despite resistance towards the wish, ultimately tries to honor his son's birthday wish to not lie for a day even under dire consequences to himself such as being hauled to jail at one point, and ultimately succeeds in keeping his promise of not lying with the ending implying he gave up lying for good, and was also pro-family as the protagonist ultimately tries to better his life for the sake of his son.
|$181,410,615
|-
|''[[The Lives of Others]]''
|2006
|R
|(''Not for children'') - This German-language film is a stinging criticism of [[Communist]] [[East Germany]] from a liberal perspective. Taking place in 1984 East Berlin about a secret police agent.
|$11,286,112
|-
|''Logan''
|2017
|R
|(not for children) Unlike the mainstream ''X-Men'' films, which focus on the struggle of mutants to gain acceptance in the world (similar to homosexual rights), Hugh Jackman's final appearance as Logan/Wolverine takes on a much more personal and realistic tone, Logan being by far the most human mutant portrayed in the movies. With mutants on the brink of extinction, Logan's healing factor beginning to fail him, and the metal coating his skeleton now poisoning him, Logan has been reduced to working as a limo chauffeur to care for an ailing Charles Xavier. He is also binging on alcohol far more than ever before, much to the chagrin of fellow mutant Caliban. He reluctantly agrees, at the behest of a nurse named Gabriela, to escort Laura, a young girl and clone-daughter of Logan, to "Eden," a safe haven (and reference to the location of the birth of mankind) for mutant children who were born within the walls of Transigen, a biomedical company that had illegally used the DNA of mutants, including Logan, to create cloned children whom they turned into soldiers.

The movie emphasizes faith at least twice, most notably when Logan and Charles view Gabriela's phone video about Transigen, in which she says that the children have never seen any of God's creations, as well as Charles saying that Eden is "real for Laura," despite Logan's skepticism. The nature of Transigen's horrific experiments also gives the movie anti-cloning and anti-God playing messages. But even more importantly, despite his losing faith with the world, his fellow mutants all but gone, Logan is reminded of the value of family, he, Charles, and Laura accepting a family's invitation to have dinner and spend the night. Charles remarks to Logan, "This is what life looks like. A house. A safe place. People who love each other. You should take a moment." Finally, in the movie's climax, Logan finds the redemption he has long sought, facing off against a clone, as well as a symbol of the violent demons within himself, giving his own life, so that the children can escape across the border into Canada.
|$535,737,200
|-
|''Logan's Run''
|1976
|PG
|A man within a future liberal society, evidenced by acceptance of a spoiled work-free existence, that kills everyone on their 30th birthdays, claiming it as "rebirth" (see [[Liberal Denial]]), escapes to find a world of hard work and aging.
|
|-
|''London Has Fallen''
|2016
|R
|In the sequel to ''Olympus Has Fallen'', when Pakistani Islamic terrorists rampage through London, Secret Service Agent Mike Banning must protect the U.S. President. Liberals accused it of promoting xenophobia in its release, but, following multiple terrorist attacks on Britain in 2017, much of what the film prophesied has become reality.
|$62,524,260
|-
|''Lone Survivor''
|2013
|R
|Docudrama of the failed 2005 mission Operation: Redwings, in which four Navy SEALs were discovered by Taliban forces, leading to a brutal and intense firefight, resulting in three of them dying. Shows the men's perseverance against overwhelming odds and determination to stand against radical Islamic terrorism. Based on the book by the titular figure, [[Marcus Luttrell]].
|$154,802,912
|-
|''The Longest Day''
|1962
|G
|Conservative star [[John Wayne]] and his co-stars, reenact the battle of [[D-Day]].
|$39,100,000
|-
|''[[The Fellowship of the Ring (film, 2001)|The Lord of the Rings: The Fellowship of the Ring]]''
|2001
|PG-13
|Clear distinction between good and evil with positive themes of friendship, bravery, honor, sacrifice and overcoming temptation as well as redemption. Based upon the literary classic by J. R. R. Tolkien.
|$314,776,114
|-
|''[[The Two Towers (film, 2002)|The Lord of the Rings: The Two Towers]]''
|2002
|PG-13
|Strong portrayals of redemption and good over evil. Based upon the literary classic by J. R. R. Tolkien.
|$340,478,898
|-
|''[[The Return of the King (2003 film)|The Lord of the Rings: The Return of the King]]''
|2003
|PG-13
|Bravery, heroism, sacrifice and good ultimately triumphing over evil. Based upon the literary classic by J. R. R. Tolkien.
|$377,027,325
|-
|''The Lost Weekend''
|1945
|UR
|Illustrates the dangers of [[alcohol abuse]] and the hope of recovery in the film's climax.
|Unknown
|-
|''[[Luther]]''
|2003
|PG-13
| Joseph Fiennes portrays the titular 16th-century reformer from his literally stormy vocational conversion to the [[Augsburg Confession]].
|$5,600,000-$5,800,000 ranges (U.S.).
|-
|''Man of Steel''
|2013
|PG-13
|[[Superman]] is portrayed as a Christ-like figure, shows the bravery of the U.S. Military and shows the theme of protecting the ones you love. The film also has an anti-illegal immigrant like message, as the villain, General Zod plans to turn Earth into his dead planet Krypton (an allegory for illegal aliens destroying American culture and changing it for their own purpose). During a climactic battle between Superman and Zod, a computer-generated avatar bearing the likeness of Jor-El, Superman's biological father, assists the Man of Steel and his human allies in fighting Zod and his forces, so there are some pro-family themes.
|$291,045,518
|-
|''The Man Who Invented Christmas''
|2017
|PG-13
|A historical drama dealing with the creation of [[Charles Dickens]]' seminal work ''[[A Christmas Carol]]'', and to a lesser extent an adaptation of ''A Christmas Carol'' in itself. It has strong redemptive themes as well as promoting to some extent the capitalist view. Forgiveness also plays a major role in the story, as well.
|$8.1 million
|-
|''Mars Attacks!''
|1996
|PG-13
|Aleins invade and attack earth in this old-school comedy film. All liberal attempts on handling the situation, such as making peace and pacificism fail, and result in more human lives being lost. Even the U..S president (played by Jack Nicholson) refuses to nuke them up until a certain point
|$37,771,017
|-
|''[[Martin Luther]]''
|1953
|NR
|Portrayal by Niall MacGinnis of the titular 16th-century reformer. Available on discs and online in both original black and white and colorized.
|$3,000,000
|-
|''Mary Poppins''
|1964
|UR
|In one of the greatest motion picture masterpieces of all time, adapted from the novel by Australian-born British author P. L. Travers, a magical nanny is hired to take care of two children, Jane and Michael Banks, while their parents are engaged in their respective duties. Embarking on a series of fantastical adventures with Mary Poppins and her Cockney jack-of-all-trades performer friend, Bert, the siblings try to pass on some of their nanny's cheerful attitude and morals to their preoccupied parents. Also has an early condemnation of feminism, as one of the reasons the mom was preoccupied and why Mary Poppins was ultimately hired to help raise the kids was because the mother attempted to fight for women liberation. In the process, the Banks family become closer and happier together than ever before. ''Mary Poppins'' is cited by many to be [[Walt Disney]]'s crowning achievement.
|$677,054,500
|-
|''[[Master and Commander|Master and Commander: The Far Side of the World]]''
|2003
|PG-13
|During the Napoleonic Wars, Captain Jack Aubrey of the British Royal Navy goes head to head with the French-hired privateer ''Acheron''. The captain and his crew stand by conservative principles throughout, including faith in God, patriotism, duty, honor, respect for authority, discipline, bravery, sacrifice, and friendship.
|$93,926,386
|-
|''[[Matilda]]''
|1996
|PG
|Film adaptation of Roald Dahl's children's novel of a bright little girl who uses her magical genius and help from a sympathetic teacher to free herself from the foolish, selfish people in her life: her self-absorbed parents, bratty brother and the horrible and brutish [[public school]] principal.
|$33,084,249
|-
|''Men in Black''
|1997
|PG-13
|A loose adaptation of the graphic novel of the same name. The film carries an implicit promotion of national borders and legal immigration/assimilation, as the titular organization keeps the existence of extraterrestrial immigrants secret and allows them in so long as the aliens specifically make sure they undergo naturalization first and that they obey certain laws. In addition, the opening scene has Kay and his partner stopping attempted illegal immigrants from crossing into the country and was implied to be working alongside the ICE and border patrol to prevent illegal immigrants into the country while trying to prevent a literal illegal alien, Mikey, from entering the country illegally, with the alien being depicted in a negative light due to him trying to kill an ICE agent before being atomized by Kay. Also condemns terrorism, as the main villain, Edgar the Bug, arrived on Earth to personally assassinate two extraterrestrial diplomats of two warring civilizations specifically to engineer a war with Earth and thus allow his kind to feast on any killed in battle. There's also a subtle mocking of the liberal news rag ''New York Times'', where one of the characters, Kay, when explaining to Jay that he was searching via tabloid articles, suggested he could use the ''New York Times'' as searching for information as "they sometimes get it right", implying that the ''New York Times'' was less reliable than tabloid articles.
|$589.4 million
|-
|''The Mill and the Cross'' (Polish original)
|2011
|UR
|Persecution of Christians in Flanders region of Belgium during the 16th Century.
|$310,900
|-
|''Missing in Action''
|1984
|R
|Features Conservative star [[Chuck Norris]] as he recuses POWs from Vietnam.
|$22,812,411
|-
|''[[Miracle]]''
|2004
|PG
|Based on a true story this movie is about Herb Brooks (here played by Kurt Russell) leading the United States hockey team to win the gold medal in the 1980 Winter Olympics. Stresses the importance of hard work, resiliency, selflessness and putting your best effort forward to reach an unseen goal.
|$64,445,708
|-
|''The Miracle Worker''
|1962 movie adaptation of William Gibson's 1957 Playhouse 90 [[television]] program and Gibson's 1959 stage play, based on Helen Keller's own 1902 biography, ''The Story of My Life''.
|NR, may be PG today
|Bio of young Helen Keller (Patty Duke) and her teacher Anne Sullivan (Anne Bancroft). Followed by [[television]] remakes in 1979 and 2000.
|$2,500,000
|-
|''Moses''
|1974 Italy-U.K.
|PG
|Italian-British-American production which features [[Burt Lancaster]] playing [[Moses]] the lawgiver. Less flamboyant than Cecil B. DeMille's movie ''[[The Ten Commandments (film, 1956)|The Ten Commandments]]'' and focuses more on the Biblical figure of Moses. Originally a six-part U.S. TV mini-series in 1975, but edited to make it a U.S. movie in 1976.
|unknown money returns
|-
|''Mr. Deeds''
|2002
|PG-13
|Shows the liberal-run mainstream media in a negative light and also has a promotion of small-town values and capitalism.
|$171.3 million
|-
|''The Mummy Returns''
|2001
|PG-13
|While its predecessor stayed politically neutral, this film has pro-family message, in which father and his family must rescue their son from a Satanic cult who plans to resurrect an Egyptian demon, as well as the climax having the mother, in clear defiance of the father's insistence that she, her brother, and their son escape from the doomed temple without him, risks her life to save him, while in stark contrast, the female villain, the reincarnation of the woman whom the titular mummy had sacrificed everything to try and save, ends up abandoning him to his fate despite his begging for her help, and later ends up paying the price for her deed by falling into a pit of scarabs.
|$202,019,785
|-
|''Mr. Skeffington''
|1944
|UR
|Bette Davis portrays a socialite whose life is ruined when she turns ugly with age. Anti-Nazi and anti-materialistic.
|Unknown
|-
|''[[Mr. Smith Goes to Washington]]''
|1939
|UR
|A tale of a good, simple man rising above the pressures of [[liberals]] to do the right thing. Features perhaps the best defense of the American political system ever committed to film.
|Unknown
|-
|''My Son John''
|1952
|UR
|A small-town couple's world is turned upside-down by the discovery that their adult son is a Communist.
|amount made unknown
|-
|''The Name of the Rose''
|1986
|R
|A mystery centered around the balance between faith and science, as well as debate over the role of poverty in religion and religious orders.
|$5,595,706
|-
|''The Nativity Story''
|2006
|PG
|Title says it all about this Biblical epic.
|$37,629,831
|-
|''National Treasure''
|2004
|PG
|Benjamin Gates and his sidekick named Riley do everything they can to protect the U. S. Declaration of Independence from being destroyed. Similar to [[The Goonies]] and the [[Indiana Jones]] Series.
|$173,008,894
|-
|''Navy Seals''
|1990
|R
|A Pro-military anti-terrorist film released during the golden age of military action films.
|$25,069,101
|-
|''Nicholas and Alexandra''
|1971
|PG
|Biopic of Russia's last czar Nicholas II and his wife and family, from their only son's birth until the family's deaths by the Communists.
|$6,990,000
|-
|''Night at the Museum''
|2006
|PG
|Divorced father Larry Daley tries to keep a steady job to be a good role model for his son. He takes a job at the American Museum of Natural History where everything comes to life at night. Features conservative president [[Theodore Roosevelt]] who talks to him about manning up and not giving up as Daley faces obstacles in Museum. Also contains an inspirational quote about character and courage as, the wax Theodore Roosevelt says to Larry Daley "You gotta finish the job this time, you can't quit, I'm made of wax Larry, what are you made of?" Followed by two sequels in 2009 and 2014.
|$250,863,268
|-
|''Ninotchka''
|1939
|UR
|Anti-communism, pro-Capitalism.
|Unknown
|-
|''Nocturnal Animals''
|2016
|R
|The main character is a [[liberal]] art gallery owner who is re-examining her life as her marriage with her [[Adultery|unfaithful]] husband disintegrates. Suddenly, out of nowhere, she receives a manuscript for an unpublished book written by her first husband, who she had divorced many years earlier. The book, sharing the title with the film, tells the story of a man whose wife and teenage daughter are brutally [[rape]]d and [[murder]]ed by a [[gang]] while the family are on a road trip vacation. He blames himself for their deaths because the gang was unarmed and managed to abduct them by merely intimidating him.

After the [[Corruption|corrupt]] police department releases the leader of the gang responsible for the crime due to "lack of evidence," he seeks the help of a detective who objects to the department's decision, and the two men embark on a mission of vigilante justice, that ends in the deaths of both the man and the gang leader, as well as one of the gang members who was not released. After finishing the book, the gallery owner is tormented by her past. Not only is the book very good, despite her frequent criticisms of her ex-husband's writing abilities while they were still together, but it is implied that she also sees the book as a metaphor for her relationship with him. In real life, they married young after a whirlwind romance, but their marriage disintegrated as she became increasingly ambitious and [[greed]]y over her career aspirations. Her greed drives her to have an extramarital affair with the man who later became her second husband, and to [[Abortion|abort]] her child with her first husband without his consent.

In the book, the first husband is represented by the man who wants justice. The gallery owner is represented by two people: the man's wife (representing the gallery owner ''before'' she became consumed by greed) and the gang leader (representing the gallery owner ''after'' she became consumed by greed). The teenage daughter represents the aborted child. In both cases, the men lost their wife and child, in one form or another, because they stood by and did nothing as evil tore the family apart. In the end, both men stood up to what destroyed their families, the ex-husband by proving he can be a good writer and the man in the book by resorting to vigilante justice.

In addition to being anti-[[materialism]], anti-abortion, promoting traditional family roles (by emphasizing that fathers must be strong and protective) and portraying a young liberal's descent into spiritual darkness because of her intense [[idealism]], but it also plays with Christian imagery and metaphors. When the wife in the book is found dead, her [[Christian Cross|cross]] necklace is found destroyed, presumably by the gang that is supposed to represent greed, which destroys the Christian spirit of any person it dwells in. It is also possible to argue that the detective character in the book represents [[Satan]], as both figures claim to have good intentions and yet convince people to commit horrific acts in order to satisfy their passions. However, the ex-husband in real life, by doing a much simpler and benign act than his in-book counterpart and getting back at those who wronged him by continuing what he loves best, shows that malicious revenge is not the only way, and you can come out of even the worst tragedies as a better person.
|$10 million
|-
|''Non-Stop''
|2014
|PG-13
|Liam Neeson plays an alcoholic U.S. Air Marshall named Bill Marks, who has divorced and lost his daughter to cancer. He begins to receive a series of threatening text messages during a flight, warning that unless $150 million is transferred into a specific bank account, somebody on board will die every 20 minutes. The movie shows Marks' perseverance to find those responsible, reflecting the real-life post-9/11 determination to stand against terrorism. Furthermore, his fight against both the unknown hijackers, as well as the uncooperative passengers, and even his supervisor on the ground helps to redeem himself, after his personal family tragedies, finding friendship with a fellow passenger named Jenn. This shows that even after experiencing a family tragedy, one can still move forward in life.
|$222,809,600
|-
|''Not Without My Daughter''
|1991
|PG-13
|Sally Fields is [[Betty Mahmoody]], the American wife who, along with her daughter, was tricked in 1984 by her Iranian-born husband into traveling with him on what he said would be only two weeks in his homeland to visit his relatives (he lied big time about the two weeks part!).
|$14,789,113 (U.S.)
|-
|''[[October Baby]]''
|2012
|PG-13
|A first-rate, compelling film that leaves no doubt about how wrong [[abortion]] is.
|$5,357,328
|-
|''[[October Sky]]''
|1999
|PG
|Four high school boys from a rural coal mining town, inspired by Sputnik, set out to build their own rockets and become rocket scientists.
|$32,481,825
|-
|''Of Gods and Men'' (French original)
|2010
|R
|Martyrdom of Trappist monks by Islamic terrorists in an impoverished Algerian community.
|$3,954,651
|-
|''[[Oh, God!]]''
|1977
|PG
|In this spiritually uplifting comedy, God appears as a kindly old man to a nonbeliever to spread joyful tidings of His existence. Though the young man inadvertently creates a global hysteria upon realizing God's power, his acceptance of God's calling is ultimately rewarded, the faithful are vindicated, and naysayers are proven wrong. Two sequels followed in 1980 and 1984.
|$41,687,243
|-
|''Olympus Has Fallen''
|2013
|R
|Disgraced Secret Service agent Mike Banning must protect the President from North Korean terrorists.
|$98,925,640
|-
|''On Golden Pond''
|1981
|PG
|''On Golden Pond'' presents the story of two generations of a family who have separated from each other for decades. While on a summer vacation together at the old family retreat, they finally come together and, through forgiveness and understanding, they all have become better people and a great family. It is the kind of a compassionate and understanding friendship that brings and unites generations and cultures together. It is an artistic triumph for the entire cast and crew.
|$119,285,432
|-
|''[[On the Waterfront]]''
|1954
|UR
|[[Marlon Brando]] plays Terry Malloy, who under the inspiration of a Catholic priest (Father Barry, played by [[Karl Malden]]), becomes a Christ-like figure. Betrayed by his brother and almost killed by the gang, he finds the strength to overcome and redeem his people from the slavery to the mobsters who run the waterfront. In stunning contrast to the liberals who kept silent about the Communist subversion in Hollywood, the film portrays the informer as the hero; liberal Hollywood never forgave director [[Elia Kazan]] for his stunning film. In real life, Kazan, Malden and screenwriter Budd Schulberg all testified before Congress, along with others like [[Walt Disney]] and [[Ronald Reagan]]. Together, they broke the power of the Reds in Hollywood.
|$9,600,000
|-
|''One Day In The Life of Ivan Denisovich''
|1970 Britain/Norway
|PG
|[[Aleksandr Solzhenitsyn]]'s bestselling novel brought to film as Tom Courtenay is the titular prisoner in early 1950s Siberia as punishment for surrendering to the Nazis during World War II and his struggle for small comforts to ease the harsh injustices of the Gulag. A smashing indictment of the Soviet system.
|amount unknown
|-
|''One Foot In Heaven''
|1941
|UR
|
|Unknown
|-
|''One Good Cop''
|1991
|R
|Titular [[New York City]] police detective (Michael Keaton) and his wife (Rene Russo) inherit a family of three small girls when the detective's partner (Anthony Lapaglia) dies in the line of duty. Has positive portrayals of law enforcers and clergy (one priest turns in money that was stolen from a drug dealer by the cop and left as a donation to his church and the girls talk about "going to Jesus"). Typical violent skirmishes mixed with tender sentimental ones, but also admissions of past adultery by the ill-fated partner, smoking, drinking, much profanity and, of course, illegal drugs.
|$11,276,846
|-
|''Operation Thunderbolt''
|1978 (American and British title and release year; originally an Israeli film, ''Mivtsa Yonatan'', in 1977.
|R
|Based on [[Operation Entebbe]] in 1976, the film portrays bravery and gets its anti-terrorism message across. Menahem Golan who directed, produced and wrote the film was also a former pilot for the Israeli Air Force.
|N/A
|-
|''Other People's Money''
|1991
|R
|A Pro-Capitalism Movie, which unlike most movies show [[Wall Street]] as cold, evil, villainous, and unsympathetic, this movie portrays it in a different view, as it is about a giant corporation trying to expand its business by buying another company.
|$25,682,090
|-
|''The Pacifier''
|2005
|PG
|Navy Seal Shane Wolfe (Vin Diesel) is assigned to be the guardian of five children in this pro-family and pro-military film. He learns from them the responsibilities of being in a family as they learn from him the importance of the military in protecting the country. The villains of the movie are North Korean spies. Also has a brief Anti-Nazi concept. There are plans being made for an upcoming sequel. <ref>https://www.flickeringmyth.com/2015/12/vin-diesel-reveals-that-the-pacifier-2-is-in-development/</ref>
|$113,086,868
|-
|''Parenthood''
|1989
|PG-13
|Dramedy showing the ups and downs of having a family.
|$100,047,830
|-
|''The Parent Trap''
|1961
|G
|Pro-family comedy where twin sisters try to reunite their divorced parents and learn the true meaning of family.
|$25 million
|-
|''The Parent Trap''
|1998
|PG
|A remake of the 1961 film, which is just as much Pro-family.
|$66,308,518<ref>http://www.boxofficemojo.com/movies/?id=parenttrap98.htm</ref>
|-
|''Parental Guidance''
|2012
|PG
|Two parents raise their kids in a liberal way, and as a result, the kids are unhappy and rebellious. The parents leave the kids alone with their grandparents for a weekend who bring in conservative values and helps the kids realize the importance of family.
|$119,772,232
|-
|''Patriots' Day''
|2017
|R
|Shows the heroism of the Boston and Watertown Police Departments, as well as the FBI, during and after the [[Boston Marathon Bombings]]. Also depicts a strong sense of patriotic unity and refusal to bow down to radical Islamic terrorism.
|$36,067,655
|-
|''Paul Blart: Mall Cop''
|2009
|PG
|Mall security guard Paul Blart is silly but shows dedication in keeping the mall he works at safe. Also, Paul wants to be a good father figure for his daughter, and the movie has some anti-feminism aspects as showing the father as the good parent against a mother (not present in the movie though, only seen in a photo), who only married him to get legal status in the country and then left him, which could also be seen as an anti-illegal immigrant message. This film is also somewhat anti-environmentalism.
|$146,336,178
|-
|''[[Pirates of the Caribbean]]: On Stranger Tides''
|2011
|PG-13
|Unlike the rest of the movies in the series which were just pure entertainment, this movie has some good Christian messages and a Christian missionary is presented in a positive light. The climax of the movie presents a very important message too; ''Only God can grant eternal life, not these pagan waters. Men, destroy this profane temple!''
|$1.046 billion
|-
|''Pixels''
|2015
|PG-13
|Aliens take the Earth in a war with a throwback to classic video games. The film is pro-military, and pro-integrity, as the actions of a man who cheated in the video game are shown in a negative light. Promotes joy and having and shows the wastefulness of [[nihilism]]. Also, many anti-[[feminism]] themes are present.
|$78,747,585 <ref>http://www.boxofficemojo.com/movies/?id=pixels.htm</ref>
|-
|''[[Popeye]]''
|1980
|PG
|A live-action musical film based off the Conservative TV Show. In addition, the film is pro-family with Popeye reconnecting with his father in the end.
|$9,823,037
|-
|''Pride and Prejudice''
|1995
|TV-PG
|Free-spirited Elizabeth must overcome her earlier misperceptions to find the truth about eligible bachelor Darcy, while Darcy must overcome his own pride.
|BBC <ref>https://www.imdb.com/title/tt0112130/companycredits?ref_=ttspec_sa_5</ref>
|-
|''Prisoners''
|2013
|R
|The movie's main protagonist, Keller Dover, is a deeply devout Christian man, who says the Lord's Prayer on several occasions. The movie also depicts the importance of family in a very positive light, with Keller vowing to protect and love those closest to him at all costs. However, when his daughter and best friend are kidnapped, Keller takes matters into his own hands by kidnapping, imprisoning, and torturing the man whom he believes is responsible, even though it becomes apparent that he could not have done it. This is a clear transformation from holy man to sinner, as is symbolized at one point by the filmmakers intentionally changing Keller's daughter's best friend's rat from white to black. This makes it clear that the movie is self-aware that its main protagonist is no longer a good Christian man. Furthermore, this is could be a symbolization of Jesus Christ's crucifixion, as the man being tortured is innocent, and suffering for the crimes of the real kidnapper, his aunt.
|$122,126,687
|-
|''[[The Pursuit of Happyness]]''
|2006
|PG-13
|A film that shows hard work, dedication, loyalty and trust can result in success and "happiness" for any American, regardless of race, gender or creed. It is an instructional piece about the tradition of "stick-to-it-iveness" that has made America a land of hope and opportunity for so many. This film’s main themes—the primacy of the family, the blessings of free and open markets, the necessity of staying true to one’s ideals—are all conservative concepts.
|$307,077,300
|-
|''A Quiet Place''
|2018
|PG-13
|Metaphorical pro-life horror film<ref>https://www.washingtonpost.com/news/act-four/wp/2018/04/11/a-quiet-place-isnt-just-pro-life-it-makes-us-understand-what-being-pro-life-truly-means/?noredirect=on</ref>. Notable for being one of the biggest surprise hits of 2018.
|$329,861,495<ref>http://www.boxofficemojo.com/movies/?id=aquietplace.htm</ref>
|-
|''Quo Vadis''
|1951
|UR
|The early Christian Church during the time of [[Nero]]'s regime.
|Unknown
|-
|''Race''
|2016
|PG-13
|Bio pick of American icon [[Jesse Owens]]
|$19 million
|-
|''[[Raiders of the Lost Ark]]''
|1981
|PG
|
|$242,374,454
|-
|''Ransom''
|1996
|R
|Father Tom Mullen (played by Mel Gibson) takes drastic measures to save his son after he is kidnapped. Besides being pro-family, the film's other message is not giving into criminals as Mullen refuses to pay the ransom money and tries to bring the kidnappers to justice.
|$136,492,681
|-
|''The Red Danube''
|1949, based on Bruce Marshall's 1947 novel ''Vespers in Vienna''.
|NR
|In 1945 Vienna at the end of World War II, the city is divided into four occupation zones, American, British, French and Soviet.
The British army is helping the Soviets find and return refugees from the USSR, ex. a Volga [[German]] ballerina (Janet Leigh), whose parents are Soviet dissidents, while the Vienna convent's Mother Superior (Ethel Barrymore) is friendly and says that "the Russians are cruel because they forgot God".
|$1,859,000 (worldwide-1950)
|-
|''[[Red Dawn]]''
|1984
|PG-13
|A film by conservative writer and director [[John Milius]] about American high school students resisting a Soviet invasion through guerrilla warfare.
|$38,376,497<ref>http://www.boxofficemojo.com/movies/?id=reddawn.htm</ref>
|-
|''[[Red Dawn]]''
|2012
|PG-13
|A remake of the 1984 film, although this time with [[North Korean|North Koreans]] as the villains.
|$44,806,783<ref>http://http://www.boxofficemojo.com/movies/?id=reddawn10.htm</ref>
|-
|''Reefer Madness: The Movie Musical''
|2005
|R
|Movie based on the musical, which shows the dangers of marijuana. The main character Jimmy is a high schooler who starts smoking marijuana and becomes addicted to it. In the end, his girlfriend is killed because of his mistakes. Even contains a scene where Jesus comes to talk to Jimmy and warns him not to turn his back on God. Also, pro-American and anti-political correctness, within the end; Uncle Sam, Lady Liberty, and other American characters come out and sing the song "Tell 'Em the Truth."
|-
|''Requiem for a Dream''
|2000
|R
|(not for children) Anti-drug film depicting four tales of drug addiction and the addicts going down a life of ruin. The film doesn't hold back on the brutal reality of drug addiction.
|$3,635,482
|-
|''Rio Bravo''
|1959
|UR
|Classic film with conservative star [[John Wayne]] as he and his crew battle the brother (and his outlaws) of an apprehended criminal. Also downplays alcohol abuse as Wayne's partner Dude (played by Dean Martin) is seen overcoming this throughout the film.
|$5 million
|-
|''Robin Hood''
|2010
|PG-13
|An origins tale to the character, this rendition of Robin Hood, unlike most other adaptations, takes more after how he was originally presented as a man rebelling against an unlawful government and taking back funds stolen by Prince John and returning it to the people who actually worked for it, and not the "steal from the rich to give to the poor" revisionist version by [[Joseph Ritson]] during the time of the [[French Revolution]] that was made in solidarity to the [[Jacobins]]. The Magna Carta, which brought reform to English government after a long period of feudal oppression, is portrayed positively.<ref>https://www.wnd.com/2010/05/154853/</ref>
|$321.7 million
|-
|''[[Rocky]]''
|1976
|PG
|Robert “Rocky” Balboa, a talented but down-on-his-luck prize boxer, seizes a chance to challenge himself to the ends of his ability. This film - and its sequels and remakes - reinforces man's ability to overcome challenges. Included five sequels and two spin-offs.
|$117,235,247
|-
|''Rosemary's Baby''
|1968
|R
|Higher powers intervene in this story of a young Catholic mother's devotion to her unborn infant.
|Unknown
|-
|''Rudy''
|1993
|PG
|A young man overcomes many obstacles, including dyslexia, to play for the [[Notre Dame]] football team. Shows the value of hard work and never giving up.
|$22,750,363
|-
|''The Sandlot''
|1993
|PG
|Honestly depicts 1950s America when boys acted like boys and girls acted like girls, wimps were taught to toughen up, and every boy had a chance to be great. No historical revisionism. Also celebrates America's pastime [[baseball]].
|$32,416,586<ref>http://www.boxofficemojo.com/movies/?id=sandlot.htm</ref>
|-
|''The Santa Clause'' (series)
|1994, 2002, 2006
|PG
|A divorced father of one must take on the responsibility of being Santa Claus after he is chosen. Along the way, he finds great joy and happiness in his new occupation. The film series also promotes the essence and importance of traditional marriage, family, and Christmas. Also has a strong message against the separation of the church and state. Spawned two sequels, although their quality has varied (see their entries in the Debatable whether Great section of this article more details).
|$189,800,000; $172,900,000; $110,800,000
|-
|''Saving Christmas''
|2014
|PG
|Kirk Cameron fights using the truth in the War on Christmas. Liberals tried to censor it, but ultimately became a hit among those who believe in the truth.
|$2,800,000
|-
|''Saving Private Ryan''
|1998
|R
|Promotes the military and American values during World War II, and depicts the Nazis in a negative light.
|$481.8 million
|-
|''Schindler's List''
|1993
|R
|[[Oskar Schindler]], a German Christian businessman, saves the lives of more than a thousand Jewish refugees during the Holocaust by employing them in his factories. The negative effects of [[gun control]] are shown as German citizens are shot by their Nazi oppressors without any means of self-defense.
|$96,065,768
|-
|''Scrooged''
|1988
|PG-13
|A modern-day retelling of Charles Dickens' ''A Christmas Carol'' starring Bill Murray, this story focuses on television executive Frank Cross. Promotes the same themes of redemption and the spirit of Christmas as it's source material. Also Anti-Hollywood values as well, since the main reason Frank lost his long-time love Claire was because he was furthering his television career.
|$60.3 million
|-
|''Sergeant York''
|1941
|UR
|A young American soldier during WWI overcomes an unfounded religious objection to killing and becomes a war hero.
|Unknown
|-
|''The Seventh Seal''
|1956
|NR
|Swedish film about the strength of religion.
|
|-
|''The Seventh Sign''
|1988
|R
|Starring Demi Moore, a fictional account of the return of Jesus to usher in the apocalypse and judge mankind. Catholic-themed movie has Demi Moore offering her life for the souls of others.
|$18,875,011
|-
|''Sexmission''
|1984
|R
|A Polish film about two men, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. The totalitarian female society was meant to represent Communism and feminism and the movie was meant to ridicule it.
|
|-
|''Shane''
|1953
|UR
|This Western follows a homesteading family whose patriarch fights to defend them.
|$20,000,000
|-
|''Shattered Glass''
|2003
|PG-13
|Based on the true story of Stephen Glass (Hayden Christensen), a reporter in the late 1990s for the liberal magazine ''The New Republic'', lies and distorts news stories to make them entertaining. He begins by submitting an article about the Conservative Political Action Conference, in which he fabricated stories of drinking and sexual mischief. Then, after he writes a colorful but suspicious story on a superstar web hacker, a group from a small online news site begin to question his journalistic integrity.
|$2,220,008
|-
|''Shazam!''
|2019
|PG-13
|This old-school stylized superhero film may not only be one of DC's best but it is very conservative. The movie is quite-pro family with the main character; Billy Batson, realizing end that family is what matters most, and even claims “If a superhero can’t save his family, then he’s not much of a superhero.” Also, it is pro-Christianity, with the family saying Grace and thanking and showing gratitude towards the lord for their meal (which is very rare for a superhero movie). As well the villain being [[Nihilist|nihilistic]] and leading the demons of the seven deadly sins. In addition, the hero is played by actor Zachary Levi who is a Christian, and his faith may have cost him some roles earlier (most likely because of [[Hollywood Values]]).<ref>https://godtv.com/6-hollywood-entertainers-didnt-know-were-christians/</ref> Finally, there is a small anti-alcoholism message with the characters taking a sip of alcohol for the first time, and then spitting it out, only to return the rest of it, and buy candy and soda instead.
|$138,690,400 (So Far)<ref>https://www.boxofficemojo.com/movies/?id=untitledmovieiv.htm</ref>
|-
|''Short Circuit 2''
|1988
|PG
|Unlike, its liberal predecessor, this movie is pro-capitalism. Ben Jahvri, one of the co-creators of the No. 5 robot, is now a vendor attempting to sell his robot toys on the streets of New York. When an employee of a major toy company, Sandy Banatoni, Ben's love interest, becomes interested in his toys, Ben teams up with another capitalist named Fred Ritter (played by Michael Mckean) to produce 1000 of the toy robots. After a break-in scares of Fred's workers, No. 5, now known as Johnny Five, comes to New York to help Ben.

This movie is also pro-assimilation, Ben is shown working hard and studying to pass the test required for US citizenship (a test which most native-born US citizens couldn't pass). At the end of the movie, Ben is shown taking the Vow of Citizenship, along with Johnny Five who is being recognized as the first robotic citizen of the US.
|21.6 million
|-
|''Signs''
|2002
|PG-13
|This sci-fi drama proves that sci-fi and atheism need not be synonymous. The main character; Graham Hess (played by Mel Gibson) is a former reverend who has lost his faith in God after the tragic death of his wife in a car accident. He now refuses to have anything to do with God, despite the continued desire to do so from his children. When an alien invasion hits home, he realizes that only God could have saved him and his family from death, and he rediscovers his faith in the end.
|$227 million
|-
|''Silence''
|2016
|R
|Powerful tale of faith, as Jesuits try to promote Christianity in 17th century Japan overcoming the violence and persecution they encounter.
|$7,100,177
|-
|''Sky High''
|2005
|PG
|At an airborne high school for tomorrow's superheroes, student Will Stronghold is the son of two costumed vigilantes who, while he does not appear to have superpowers at first, develop them over time, hinting at the idea of social advancement, which is the basis for the [[American Dream]]. The main lesson he learns is knowing how to use one's abilities to one's advantage and achieve a greater goal. A catchphrase in the film is: "Just because you have powers, that doesn't make you a hero," which can be related to the expression, "Guns don't kill people; people kill people."
Furthermore, the film promotes the idea that anyone can be a hero, as Will and his "sidekick" friends with seemingly unimpressive superhuman abilities eventually rise above their assigned statuses and save the school. Also, Gwen Grayson/Royal Pain, the feminist main villain, seeks to turn all the superheroes into babies, then raise them up to be evil and loyal to her (perhaps an effort to play God). In addition, Will's best friend Layla Williams, who can control plant life and ultimately becomes his girlfriend, is shown to contain many liberal beliefs, especially pacifism, but she gives up her pacifism to fight back and help defeat Royal Pain and her cronies.
|$63,946,815<ref>http://www.boxofficemojo.com/movies/?id=skyhigh.htm</ref>
|-
|''Snitch''
|2013
|PG-13
|A father becomes an informant on helping the police arrest drug dealers, so he can get his son out of prison. Pro-drug war, the villains of the movie are all drug dealers. Also pro-fatherhood and pro-family, as well.
|$42,930,462
|-
|''Solomon Kane''
|2009
|R
|A story about a Puritan on his way to redemption.
|$19,385,501
|-
|''The Song of Bernadette''
|1943
|UR
|An affectionate and beautifully filmed biography film on the life of Bernadette Soubirous. Illustrates the power and essence of faith, hope, charity, and forgiveness. Winner of four Academy Awards, including Best Actress in a Leading Role (Jennifer Jones).
|$7,000,000
|-
|''The Sons of Katie Elder''
|1965
|UR
|Brothers John Elder ([[John Wayne]]), Tom Elder ([[Dean Martin]]), Bud Elder (Michael Anderson Jr.) and Matt Elder (Earl Holliman) seek justice following the murder of their mother.
|$23 million
|-
|''Soul Surfer''
|2011
|PG
|The true story of champion surfer 13-year-old Bethany Hamilton, who loses her arm in a shark attack. Her Christian faith helps her overcome her handicap to surf once again.
|$43,853,424
|-
|''[[The Sound of Music]]''
|1965
|UR
|Solid family entertainment about Austria's von Trapp family before World War II.
|$158,671,368
|-
|''Soylent Green''
|1973
|PG
|[[Charlton Heston]] plays a futuristic detective in a dying, polluted, overcrowded dictatorial world, trying to solve its most bizarre secret of its time's only main food source for most of its people, only to find its most unspeakable answer as the recipe directly involves people.
|
|-
|''[[Spider-Man (film)|Spider-Man]]''
|2002
|PG-13
|Based on the flagship superhero of Marvel Comics, Peter Parker is a hard-working teenager, raised by his devout Aunt May and well-meaning Uncle Ben, who is bitten by a radioactive spider and gains spider-like abilities, such as climbing any surface and shooting webbing from his hands, which he vows to use to prevent crime after Uncle Ben’s murder. ''Spider-Man'' pokes fun at [[liberal]] entertainers and journalists, particularly ''Daily Bugle'' publisher J. Jonah Jameson, who goes out of his way to unfairly smear and slander Spider-Man and foolishly question his heroic deeds. For his relationship with classmate Mary Jane Watson, Peter chooses [[abstinence]]. Peter believes in individualism and capitalism as well: he rejects a job from a handout, claiming he would like to earn what he makes. This was one of the most profitable films ever made and had two sequels.
|$403,706,375
|-
|''The Star Chamber''
|1983
|R
|Michael Douglas is a [[Los Angeles]] judge whose idealism is shaken when he has to release guilty violent criminals on legal technicalities, until he meets similar judges who form a "court of last resort" to hunt down and execute deadly criminals who previously escaped on loopholes.
|$5,555,305
|-
|''Straw Dogs''
|1971
|R
|Liberal mathematician David Sumner moves to Cornwall, England with his wife to study stellar phenomena. While there, vicious criminals constantly harass him and his wife. The criminals do inhuman things such as kill his cat and rape his wife, leaving Sumner to abandon his liberal beliefs and pacifism and defend his life and all he holds dear.
|
|-
|''Strategic Air Command''
|1955
|UR
|Actor (and Brigadier [[General]]) [[James Stewart]]'s story of the real [[Strategic Air Command]] and its transition from prop planes to jet planes.
|Unknown
|-
|''Suicide Squad''
|2016
|PG-13
|Various supervillains are given a second chance to fight for the greater good. Surprisingly, the film glorifies some conservative values. The villain's a [[Pagan]] goddess named Enchantress ( a rare film where liberal Hollywood actually portrays a Pagan as evil instead of the tragic hero nonsense we've seen). Also, even throughout the film is about supervillains, many of them regret their lives of crime, such as one of the characters Deadshot abandons his opportunity to kill Batman on his daughter's behalf and another character El Diablo who used his superpower for evil ends up accidentally killing his family, which has haunted him.
Moreover, in a dream sequence villain Harley Quinn shows her deepest desires which is being a housewife (points for having the guts for showing a female character not wanting to be part of the feminist agenda, especially in this day and age, even if it not surprisingly infuriated liberal critics<ref>http://www.avclub.com/article/margot-robbie-deserves-better-suicide-squads-sexis-240618</ref>). Some could also point out Enchantress plans to bribe the squad as reference to Luke 4:6-7. More interesting enough the director David Ayer is a Christian<ref>http://www.interviewmagazine.com/film/shia-labeouf/#page2</ref> who was once in the Navy.<ref>https://www.theguardian.com/film/2014/oct/16/david-ayer-something-maternal-about-tank-in-fury-brad-pitt</ref> So it's not surprising he added these values onto his film.
|$325,100,054
|-
|''Sully''
|2016
|PG-13
|Directed by nonother than [[Clint Eastwood]], Sully tells the great morality tale on how one should rely on his/her human instincts and personal faith at any time in their lives, especially in this age where others rely more on modern technology.
|$124,643,039
|-
|''Swiss Family Robinson''
|1960
|UR
|After they were shipwrecked on a deserted island, the Robinson family courageously worked together to survive against all odds and transformed the jungle into a habitable, tropical South Seas paradise. ''Swiss Family Robinson'' is both a great family film of the highest order and one of the most beloved live-action Disney films ever made.
|$465,977,300
|-
|''Taken''
|2009
|PG-13
|Retired CIA agent and divorced father Bryan Mills risks everything to save his daughter from Albanian sex traffickers. Followed by two sequels in 2012 and 2015 and a television series in 2017.
|$145,000,989
|-
|''[[The Ten Commandments]]''
|1956
|UR
|The definitive film portrayal of [[Exodus]]. Stars Charlton Heston as main character Moses and as the voice of God (the latter role shared with Delos Jewkes), John Carradine as Moses' brother [[Aaron]], Yul Brynner as Egyptian pharaoh and main antagonist [[Ramses II]], Edward G. Robinson as corrupt Hebrew overseer and secondary antagonist Dathan, Yvonne De Carlo as Moses' wife [[Zipporah|Sephora]], Anne Baxter as Moses' original love interest (and later Ramses II's wife) Nefretiri, Nina Foch as Moses' foster mother Bithia, John Derek as Hebrew stonecutter and Moses' right-hand man [[Joshua (Biblical leader)|Joshua]], Debra Paget as Joshua's love interest Lilia, Sir Cedric Hardwicke as Pharaoh Sethi, Judith Anderson as Bithia's servant Memnet, Vincent Price as Sethi's architect Baka, Martha Scott as Moses' biological mother [[Jochebed|Yochebel]] and Olive Deering as Moses' sister [[Miriam]].
|$65,500,000
|-
|''Thor''
|2011
|PG-13
|Based upon the Marvel Comics superhero, the fourth installment of the Marvel Cinematic Universe does not attempt to convert its audience to paganism regardless of what the title implies. Instead, the titular Norse god of thunder, who is alternately thought of as a god and as an alien in this universe, learns the consequences of dishonoring his father Odin and betraying his family: after his reckless actions reignite an ancient war between the people of the kingdom of Asgard, the home of Thor’s family, and a race of frost giants, Thor is stripped of powers, banished to earth, and forced to live among humans. He then remembers the importance of honoring his father and sacrifice for a greater good when his wicked trickster brother Loki, who seeks to claim the throne of Asgard for himself, sends after him the Destroyer, a ferocious automaton. Thor’s willingness to lay down his life so his friends can kill the Destroyer proves him worthy to regain his powers, defeat the automaton, and return to Asgard to overthrow Loki, who faces his own consequences for betraying the family (namely, being dropped into the vacuum of space, only to turn up alive after the credits, setting up the plot for another great conservative Marvel film, ''The Avengers'').
|$449.3 million
|-
|''The Three Stooges''
|2012
|PG
|In a plot similar to ''The Blues Brothers'', the Three Stooges try to raise money to save their Catholic orphanage. The movie promotes capitalism, as they refuse a handout, and want to work for it. The movie also promotes the family as well.
|$44,338,224
|-
|''Thirty Seconds Over Tokyo''
|1944
|UR
|Pro-American film released after the wake of [[Pearl Harbor]] that portrays brave fighter pilots fighting the Japanese in WWII.
|$6,247,000
|-
|''[[The Toy]]''
|1982
|PG
|This pro-family movie is about a little rich boy, who is sad and lonely because his family lacks any real family values. He buys a man as a toy when really he wants a friend, where he learns “If you want a friend, you don’t buy a friend. You earn a friend. You know, with love and trust.” In the end, the boy’s father shows he really loves his son and tries to reconnect more with him, by rebuilding more family values. Also part of the reason their father-son relationship was so messed up was because he was divorced and also was being tricked into working for the [[KKK]], which is shown in the negative light.
|$47,118,057<ref>http://www.boxofficemojo.com/movies/?id=toy.htm</ref>
|-
|''The Tree of Life''
|2011
|PG-13
|An adaptation of the Book of Job set in 1950s Texas with a narrative structure based on the nature of human memory which many viewers will find confusing.
|$13,303,319
|-
|''Transformers''
|2007
|PG-13
|The Autobots and their leader, Optimus Prime, usually do what they believe is right and fight the misanthropic Decepticons. Although the police and military fight both Transformers throughout most of this film, they learn that the Autobots are good in the end and the Autobots also learn that about them. It was followed by four sequels in 2009, 2011, 2014, and 2017, with varying quality and Conservative messages.
|$319,246,193
|-
|''Tremors''
|1990
|PG-13
|Giant sand worms called "Graboids" begin attacking the residents of a small isolated town in the Nevada desert and block the only road out of town. One of the few Hollywood films to portray personal firearm ownership in a positive light as Burt Gummer and his wife Heather fight off one of the Graboids with a variety of firearms, including semi-automatic AR-15s. Burt also creates the explosives that are used to kill the last two Graboids. Ironically, Burt is played by Michael Gross, the same actor who played the super liberal Steven Keaton in Family Ties.
|$16,667,084
|-
|''True Grit''
|1969
|NR
|Western film that deals with trying to bring justice against a murderer, and promotes courage in the face of danger as well as perseverance. Was also notable as being one of the few films during that time that still dealt with the concept of a classical hero, whether in westerns or other genres, in an era where Hollywood was being taken over by the radical left and including as a fad anti-heroes, and inspired Russ Dvonch to be a filmmaker.<ref>https://web.archive.org/web/20090430053837/http://bighollywood.breitbart.com/rdvonch/2009/04/28/heroic-hollywood-american-exceptionalism-and-the-hollywood-hero/</ref>
|$48 million
|-
|''True Lies''
|1994
|R
|Stars the future Republican governor of California, [[Arnold Schwarzenegger]]. Teaches conservative values like marital loyalty, and politically incorrect facts such as the fact that most terrorists are Middle Eastern Islamic radicals who don't value human life.
|$146,261,000
|-
|''The Tunnel'' (''Der Tunnel'')
|2001
|
|Based on a true story a group of East Berliners escaping harsh Communist rule and hatch a plan to help others escape that same oppressive regime.
|$10,890
|-
|''Twelve O'Clock High''
|1949
|UR
|A thrilling movie about the heroics of fighter pilots during [[World War II]]; used as an educational film for management training seminars.
|$3,225,000
|-
|''Twins''
|1988
|PG
|Pro-family film about fraternal twins who are separated at birth, and once they have reunited with each other they go to find their mother. In addition contains the many morals, including the importance of doing what right over getting what wants. In addition this is a rare Hollywood film to actually show the moral character as the happier character, as Arnold Schwarzenegger's character is both moral and joyful (he is said to have the ideal human trait, where Danny Devito's character was initially a small-town crook and learns the error of his ways becoming more happy and moral, and even claiming at the end "It feels great to be a good guy".
|$111,938,388
|-
|''Unbroken
|2014
|PG-13
|Tells the story of how WWII hero and Olympic runner Louis Zamperini, who died on July 2 of the original's release year, overcame the Japanese while in one of their prison camps. Followed by a post-war-set sequel in 2018.
|$115,637,895
|-
|''[[Uncle Buck]]''
|1989
|PG-13
|A slovenly bachelor babysits his rebellious teenage niece and her younger brother and sister, and they learn the true importance of family. The villain of the movie is a teenager who is only interested in his girlfriend for sexual purposes.
|$66,758,538<ref>http://www.boxofficemojo.com/movies/?id=unclebuck.htm</ref>
|-
|''Under Siege''
|1992
|R
|American Patriot and Ex-Navy SEAL Casey Ryback (Steven Seagal) fights against Saul Alinsky-type liberal and ex-CIA operative Bill Strannix (Tommy Lee Jones) after Strannix's team of terrorists hijack the USS Missouri, being helped by the traitorous First Officer Commander Krill (Gary Busey). The film depicts Ryback's heroism and patriotism in a positive light, while depicting Strannix and Krill's Anti-American treachery in a negative light.
|$83,563,139<ref>http://www.boxofficemojo.com/movies/?id=undersiege.htm</ref>
|-
|''[[Unplanned]]''
|2019
|R
|Major pro-life movie showing Abby Johnson's shift from an abortion clinic director to a pro-life activist.
|-
|''Voiceless''
|2015
|PG-13
|War veteran and minister Jesse Dean stands up against [[Planned Parenthood]] when an abortion clinic moves across the street from his Church.
|$418,940
|-
|''The War of the Vendee''
|2012
|N/A
|As indicated by the title, it depicts the events of the [[Vendée rebellion]] in a manner more suitable for children by having the cast of the films be exclusively composed of children. Although family friendly overall, it pulls no punches in showcasing the horrors of the French Revolution as well as the anti-Christian ideology behind it, including two of the key characters giving a full list of the various atrocities indulged by the French Revolution, including but not limited to the raiding of the Bastille, the September Massacres, and the unlawful execution of King Louis XVI, as well as heavily implying Satan's role in the revolution by frequently showing at various points, especially in scenes with Robespierre, a black hooded figure.
|N/A
|-
|''War Room''
|2015
|PG
|Pro-Christian film where a woman turns to Christ to help fix her marriage. The film was one of the biggest box office surprises, even with biased reviews.<ref>https://kendrickbrothers.com/news/war-room-coming-theaters-august-28</ref>
|$67,790,117
|-
|''Wanted: Dead or Alive''
|1987
|R
|A modernization of the 1958-61 Western TV series with Steve McQueen (see also ''[[Greatest Conservative TV Shows]]''), where the outlaws are replaced with Islamic terrorists (the film also does a good job of not being politically correct on the subject of Islamic fundamentalism). Stars Rutger Hauer as CIA agent-turned-bounty hunter Nick Randall, the descendant of McQueen's TV character Josh Randall.
|$7,555,000
|-
|''We Were Soldiers''
|2002
|R
|Pro-war story film based on the soldiers and families fighting in [[Vietnam War|Vietnam]].
|$114,660,784
|-
|''War of the Worlds''
|2005
|PG-13
|This rendition of H.G. Wells' classic 1898 novel without "The" in its title features Tom Cruise as Ray Ferrier, an initially easygoing and selfish working class man, who must watch his teenage son, Robbie and young daughter, Rachel, while his ex-wife and new husband visit her parents for the weekend. The movie's pro-family message comes entirely into focus, when the aliens arrive and force Ray and his children to flee. Throughout their time together, Ray clashes with Robbie, the latter critical of him as a father, but in the end, they reconcile, after the invaders are eliminated. The movie is also pro-military and highlights Robbie's bravery to join them in the fight against the invaders, despite Ray's protests.
|$234,280,354
|-
|''The Wilderness Family'', aka ''Adventures of the Wilderness Family''
|1975
|G
|These Robinsons are a 1970's American family fed up with the hassles of modern big city-Los Angeles in their case-living, so they hightail it to the Rockies, vowing never to return. Wholesome scenic entertainment with two sequels in 1978 and 1979 and indeed an example of California being paradise lost.
|-
|''The Wicker Man''
|2006
|PG-13
|Shows the dangers of feminism and [[Neo-Paganism]].
|$23,649,127
|-
|''Willy Wonka and the Chocolate Factory''
|1971
|G
|Showing the importance of having character. Willy Wonka gives each of the kids on tour an Everlasting Gobstopper, which is a potential goldmine, given that a rival spy had earlier offered each of the kids money in exchange for handing over this new invention. Also, every single kid, except Charlie, misbehaves in such a way that injures or deforms them in some way. The film also promotes capitalism, with Wonka being such a successful business leader in the world of candy. In addition, this film is surely to annoy liberals, who want to ban chocolate candy and sweets.<ref>http://www.toberight.com/2012/02/liberals-banning-sweets-on-valentines-day/</ref>

The hidden message in this film is one of redemption. It is hidden because it is conveyed through the imagery of the film's final scene. Charlie has made it to the end of his journey. Despite having the urge, and a clean opportunity, to sell Wonka out to his rival, Charlie ends up giving the Everlasting Gobstopper back to Wonka. For this act of integrity, he is rewarded beyond his wildest expectations—he is given ownership of the factory. Incidentally, while he is riding in the Wonkavator, it crashes through the ceiling up into the sky. The allusion to Heaven and salvation is unmistakable.
|$4 million
|-
|''The Winning Team''
|1952
|UR
|[[Ronald Reagan]] stars as a baseball pitcher who overcomes his problems to help his team win. This was one of Reagan's own favorites.
|Unknown
|-
|''Witness''
|1985
|R
|Highlights the virtues of strong moral values, with more substance than ''High Noon''.
|$65,500,000
|-
|''Won't Back Down''
|2012
|PG-13
|A brilliant movie that criticizes public schools.
|$5,310,554
|-
|''[[World Trade Center]]''
|2006
|PG-13
|Highlights the bravery of NYC's firemen, paramedics, and police in [[9/11]].
|$70,236,496
|-
|''Zero Dark Thirty''
|2012
|R
|Docudrama about the hunt and [[Abbottabad raid|eventual operation]] that killed [[Osama bin Laden]] on May 1, 2011. The movie generated controversy, due to its depiction of enhanced interrogation techniques, including waterboarding. In addition, the movie put political correctness aside in its depictions of radical Islamic terrorism, showing several of Al-Qaeda's attacks from 2004-2011.
|$132,820,716<ref>http://www.boxofficemojo.com/movies/?id=binladen.htm</ref>
|-
|''[[Zulu]]''
|1964
|UR
|Courageous, Duty, Patriotism. A defending of Western Civilization.
|
|}

==Animated films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''101 Dalmatians''
|1961
|G
|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie shows family in the form of Pongo and Perdita stopping at nothing until they rescue their puppies, and they adopt the other eighty-four puppies Cruella had stolen. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also shows heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them get home.
|$215.8 million
|-
|''A Bug's Life''
|1998
|G
|Based on the Aesop fable "The Ant and the Grasshopper", a young and inventive, if clumsy, ant named Flik plans to recruit a military force of warrior insects to save his colony from being oppressed by evil grasshoppers who have enslaved the ants to harvest food for them, lest they may be punished. Flik is a model for individualism as well as a strong work ethic who believes in bettering himself and his colony with his impressive harvesting inventions. To some extent, the film pokes fun at the homosexual agenda, in particular transvestitism: the male ladybug Francis frequently mistaken for a woman because of his species' name, and he routinely corrects other characters about this confusion, at one point even launching into a tirade with several flies before having to be restrained.
|$363.3 million
|-
|''All Dogs go to Heaven''
|1989
|G
|The film's protagonist, a talking dog named Charlie B. Barkin (Voiced by Burt Reynolds), is a gambler and a swindler. After being murdered by his former partner, Carface, he comes back to life by winding his "life watch" and plans to get revenge on Carface. He "rescues" a girl named Anne-Marie (voiced by the late Judith Barsi) from Carface and exploits her ability to talk to animals in order to win at gambling. As the film progresses, Charlie begins to be influenced by Anne-Marie's kindness and love. In the end, he must choose between saving Anne-Marie's life and protecting his "life watch" (he will die if it ever stops) and he chooses the former.

The film depicts Christianity in a positive light. In addition to the obvious references to Heaven and Hell, Anne-Marie is also shown praying before she goes to bed, thanking God for Charlie's "rescue" (which, even though he had his own selfish purposes, did get her away from Carface's abuse).

The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.
|$27.1 million
|-
|''An American Tail''
|1986
|G
|A movie dealing with immigration, the movie is pro-family due to Fieval, the main character, being separated from his family due to a storm, and him and his family going out of their way to find each other. Also has a subtle condemnation of machine politics ([[Tammany Hall]], in this case) and voter fraud due to one of the characters, "Honest" John, the implied mouse mayor of New York City, declaring a then-recently deceased mouse (who was implied to have died before he was old enough to vote) to be able to "vote from now on" before adding the mouse's name to a book (a clear allusion to ghost voters), with the mouse not being painted in a particularly good light. Also promotes legal immigration, and a redemption theme due to one of the antagonists, an orange tabby cat named Tiger, ultimately being befriended by Fieval and becoming an ally to the mice.
|$84 million
|-
|''The Angry Birds Movie''
|2016
|PG
|Based on the video game app of the same name, the film has its moments of rude humor but surprisingly has a strong Anti-Illegal Immigration message with the pigs practically representing Islamic migrants (the villain, King Mudbeard, even looks like a Middle Eastern man). The pigs trick the birds into accepting them to live on their island and once they have their respect, steal their eggs and blow up their island (part of the collateral damage is a statue of a [[bald eagle]] no less). Red, the only bird who was suspicious of them from the beginning, is first demonized by the community because of this, but later forgiven after he is proven right and decides to fight back and rescue their eggs from the pigs.
|$107,509,366
|-
|''Animal Farm'' (animated film)
|1954
|Not Rated
|Animated film adaptation of the conservative text of the same name from George Orwell. Just like in the novel, it uses animals in the pretext of leveling harsh criticism against Communism and against Josef Stalin. Unlike in the book, which heavily implies that the pigs ultimately succeed in taking power with the animals being left unable to do anything against them, the film ends with the animals doing a successful revolt against the pigs, although the ending leaves it ambiguous as to whether the animals will learn their lesson on communism from the experience. It was also made in part by the [[CIA]].
|NA
|-
|''Ben and Me''
|November 10, 1953
|Not Rated
|Animated adaptation of the book of the same name. As indicated by the title, the story involves the founding of America in the onset of the American War of Independence, with founding father [[Benjamin Franklin]] being aided by a mouse named Amos to ultimately draft what would become the Declaration of Independence. Was made when Disney was still a conservative company.
|NA
|-
|''Cars''
|2006
|G
|Unlike its second installment, it promotes friendship and family values, and is about overcoming certain hardships.
|$462.2 million
|-
|''Cars 3''
|2017
|G
|A huge improvement over ''Cars 2'' and is often considered to be the true sequel to the first film. Cars 3 is a great family movie. If it didn't have such liberal producers, Cars 3 would have been a much better film; this suggests liberals can't even get film-making right.
|$108,667,133
|-
|''Chicken Little''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that shows the dangers of listening to lies and rumors, and falling prey to persuasive leaders. The studio originally wanted to have the villain of the short, Foxy Loxy read Hitler's Mein Kampf to make sure no one missed the point, but in the end they changed it to just a generic psychology book in attempt to prevent the short from becoming dated after the war, although in the actual film, the passages he was heard reading were taken directly from ''Mein Kampf'', thus preserving the scene's original message overall.<ref>http://1.bp.blogspot.com/-w2rTnQ7x68M/UkZ7sfQmfoI/AAAAAAAAHzE/SM9wrZ6A4vE/s1600/CLSB+9.jpg</ref> On a related note, the short is further evidence disproving various liberal claims that Walt Disney had been a fascist/Nazi supporter.
|
|-
|''Cinderella''
|1950
|G
|Based on the internationally-known rags-to-royalty fairy tale, this Disney animated feature teaches how perseverance even when things look bleak can pay off and stresses the importance of retaining a good character even when hope dwindles.
|$263.6 million
|-
|''Coco''
|2017
|PG
|A beautiful animated film about tradition and family. In Santa Cecilia, Mexico, 12-year-old Miguel Rivera secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor, and singer of his great-grandmother Coco's generation, despite all music being despised by his family. After entering the Land of the Dead, Miguel encounters Héctor, a down-on-his-luck skeleton who once played music with Ernesto. Héctor offers to help Miguel reach Ernesto; in return, he asks Miguel to take his photo back to the Land of the Living, so that he might visit his now-elderly daughter before she forgets him and he disappears completely.
|$591.4 million
|-
|''Der Fuerher's Face''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that showcased the horrors of Nazi Germany and fascism. Alongside ''Education of Death'', it proves that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Dog of Flanders''
|1997 (Japan) 2000 (USA)
|
|An anime film adaptation of the Christian book ''A Dog of Flanders'' by Ouida. The film is pro-Christianity.
|¥243,543,645 (Japan) N/A (USA; Direct to Video)
|-
|''Dr. Seuss' The Grinch''
|2018
|PG
|Like the animated special and live-action film before it, the film retains the anti-nihilism and redemptive themes in the movie. The anti-materialism message also is further reinforced as Grinch's chance encounter with Cindy Lou Who has him learning that she didn't even intend to ask for presents, but rather to ease her mom's burden due to doing so many things for so many people, which ultimately acted as the catalyst for his redemption. Also has a promotion of family values, since as noted above, Cindy Lou Who expressed concern for her mom barely spending time being a mom and burning the wick at both ends, and a primary part of the Grinch's hatred for the holiday dealt with his time as an orphan, with it being heavily implied that he was alone even in the orphanage. Due to several scenes in the film with Christmas carols being sung, it is also one of the few movies to explicitly note that the point of Christmas was also a celebration of the birth of Jesus Christ.
|
|-
|''Dumbo''
|1941
|G
|Exploiting the classic liberal trap of over analyzing. Illustrates the effective management of a business that treats people and animals as equals. Also includes jolly birds that encourage the main character, a baby elephant named Dumbo, to pull himself up by his bootstraps and learn to fly.
|$29,647,974
|-
|''Education for Death''
|1943
|
|A Short cartoon made by Disney (back when the conservatives were in charge). Showing the horrors of Nazi Germany, shockingly very similar to what liberals are doing to America right now. Also acts as proof alongside ''Der Fuerher's Face'' that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Emperor’s New Groove''
|2000
|G
|A self-centered emperor named Kuzco gets turned into a llama and befriends a hard-working villager, where he learns how hard the villagers, work to support him and kingdom. Also has an anti-eminent domain lesson, with Kuzco realizes it would be wrong of him to steal the land from the villagers. The villain is also a feminist, with it being heavily implied that her methods of raising Kuzco are the primary reason why he turned out a spoiled brat. Is also a rare example of a comedy film churned out of Hollywood that actually does use witty humor and not low-hanging fruit-type jokes for its humor. It also has a humorous condemnation of homosexuality, as when Kuzco is knocked unconscious from the rapids, Pacha attempted to perform CPR only for Kuzco to regain consciousness just as Pacha was about start CPR, causing both to recoil in disgust from the near-kiss, as well as Kuzco explicitly making clear such was disgusting. Although the ending was slightly altered due to songwriter Sting, an environmentalist, taking offense at the implication that Kuzco built his summer retreat in the Jungle and cleared them away, it nonetheless retained the hints that Kuzco ultimately was a changed man from the experience.

Had an animated spinoff sequel featuring ''Kronk's New Groove'' as well as an animated TV series called ''The Emperor's New School''.
|$89,302,687
|-
|''Ferdinand''
|2017
|PG
|Based on a great conservative novel known as ''Ferdinand the Bull'', this film promotes friendship and family values, as Ferdinand sticks up for a scrawny bull named Bones who gets picked on and has touching moments with a young Spanish girl named Nina. He also shows off his dance moves with other bulls to snobbish horses, and even helps a Scottish bull named Angus be able to see by moving back the hair in front of his face. Ferdinand also inspires to be like his father who gets killed in a bullring, which could be seen as an anti-feminist message, especially considering that his father wasn't present in the original novel.
|$29,601,410
|-
|''Finding Dory''
|2016
|PG (Should be G)
|A sequel to the Greatest Conservative Film ''Finding Nemo'', which shares the same pro-Family and anti-Environmentalist messages as the first film.
|$1.029 billion
|-
|''Finding Nemo''
|2003
|G
|The film is pro-family, as Marlin, a clownfish, embarks on a quest to save his son Nemo (with assistance from Dory, an absent-minded blue tang) after he was captured by humans, even after Nemo disobeyed his warning to not go near a fishing boat. Also has a subtle condemnation on environmentalism, as the divers captured Nemo thinking Nemo was injured and needed medical assistance.
|$940.3 million
|-
|''G.I. Joe: The Movie''
|1987
|NR
|Animated film version of the conservative cartoon of the same name.
|direct-to-video
|-
|Gekijōban Haikara-san ga Tōru Zenpen - Benio, Hana no 17-sai
|2017
|G
|Benio Hanamura lost her mother when she was very young and has been raised by her father, a high-ranking official in the Japanese army. As a result, she has grown into a tomboy - contrary to traditional Japanese notions of femininity, she studies kendo, drinks sake, dresses in often ridiculous Western fashions instead of the traditional kimono, and isn't as interested in housework as she is in literature. She also rejects the idea of arranged marriages and believes in a woman's right to a career and to marry for love. Benio's best friends are the beautiful Tamaki, who is much more feminine than Benio but equally interested in women's rights, and Ranmaru, a young man who was raised to play female roles in the kabuki theater and as a result has acquired very effeminate mannerisms. One day, Benio has a series of embarrassing encounters with the handsome army lieutenant Shinobu Ijuin, only to receive a shock when her father tells her that Shinobu is to be her husband, due to a pact made between the Hanamura and Ijuin families before Benio's birth. At first Benio tries to fight against her father's wishes, attempting to elope with her friend Ranmaru and eventually deliberately erring in her wifely duties in every way imaginable, hoping the families will cancel the engagement. However, her scheme fails - Shinobu genuinely loves Benio and patiently forgives her for her many blunders, and Benio soon realizes that in spite of herself, she is also falling in love with him. However, a major in the army who holds a grudge against Shinobu then sends the young lieutenant to fight in Manchuria. At the end of the film, Benio stays on in the Ijuin home to care for Shinobu's grandparents and wait for his return. cutting her waist-length hair short and decides to get a job to help out with the family's dire financial situation. A sequel is being released in the summer of 2018
The film is pro-traditional gender roles, as well as pro-military, since both Shinobu and Benio's father are both military men.
|N/A
|-
|''A Goofy Movie''
|1995
|G
|Based upon the series ''Goof Troop'', starring classic Disney characters Goofy and Pete as well as their sons in a suburban sitcom-type setting, this pro-family feature sees Goofy take his son Max on a camping trip to bond with the latter out of concern that Max may have been involved in a gang. It pokes fun at the public school system, too: in an early scene, Principal Mazur overreacts and makes Max's actions out to be even worse than they actually are, telling Goofy that Max could face capital punishment if he fails to turn his son good. Ultimately, father and son reconcile when Goofy tells Max that, no matter how old he grows, he will always be his beloved son.
|$35.3 million
|-
|''Hotel Transylvania''
|2012
|PG
|After humans kill his wife Martha, Count Dracula opens a ritzy hotel for classic Hollywood horror film-type monsters and tries to protect his daughter Mavis from entering the world of humans. As a teenager, Mavis meets a human stranger named Jonathan and starts to like him, much to Dracula's chagrin. The count then realizes not only is Jonathan a good person but that Mavis, a model for individualism, truly loves him. Overall, this pro-family feature teaches that parents have to eventually let their children grow up.
|$148,313,048
|-
|''Hotel Transylvania 2''
|2015
|PG
|Similar to the first film, individualism and standing up for what is right are central themes. Dracula fails to force his grandson to be an evil vampire, then realizes that he can only a good role model to his grandson and cannot force him to be something he is not. Another major theme is having good character, as Dracula talks to his human son-in-law Jonathan of his grandson's great character and how he should not reject his love for him because he is different. In the end, the grandson uses his vampiric powers to battle giant bats who attack the Dracula family for including humans in their lineage. Also makes fun of liberal styles, as Dracula is unhappy with the lowering of the standards in the schools.
|$169,700,110
|-
|''Hotel Transylvania 3''
|2018
|PG
|The threequel to the conservative film franchise.
|
|-
|''How to Train Your Dragon''
|2010
|PG
|In this dazzling DreamWorks animation, young Vikings end up learning the truth about dragons and start training them in the end. It promotes friendship and family values. Hiccup, the boy protagonist, stands up for what he believes is right, and Viking girl Astrid is the antithesis of a modern feminist.
|$217,581,231
|-
|''Ice Age''
|2002
|PG
|In prehistoric times, a woolly mammoth, a giant ground sloth, and a ''Smilodon'' (i.e., saber-toothed tiger) work together to return a nomadic human chief's infant son to his tribe. Better than any of its four increasingly poorly-made sequels, this film promotes friendship and family values, especially on the part of Diego the ''Smilodon'', who learns that revenge does not solve anything: he first wants to eat the infant as payback for losing half of his pack to human hunters but grows to like the child and appreciate the innocence he represents. Manny also undergoes similar development, originally not being fond of the infant and overall being cynical and unpleasant for reasons later revealed by a cave painting to be due to his own mate and child having been slaughtered by a tribe of humans, but then ultimately forms a bit of a bond with him for similar reasons to why Diego grew to like the child. There are a couple of characters named Carl and Frank who are heavily implied to be homosexual, although they were depicted in a very negative light, having a murderous hatred of Sid for very trivial reasons (namely, the fact that Sid accidentally ruined their salad due to trying to wipe off poop he stepped on by accident as well as obliviously eating a dandelion, with Manny having some disgust for them when learning they wanted to kill Sid for pleasure, and later after Sid called them "ladies" upon reaching the wrong spa, and only failed to kill him that time due to Sid and Diego tricking them into believing the latter killed him.).
|$176,387,405
|-
|''[[The Incredibles]]''
|2004
|PG
|The world's superheroes are forced to give up their heroics and go into hiding after Bob Parr/Mr. Incredible saves a suicidal man as well as a derailed train from a bridge destroyed by one of his enemies (who ironically gets away with it). The populace misguidedly turns on superheroes and turn to unscrupulous lawyers to sue them, despite the real damage being caused by the supervillains.

The film celebrates the importance of the family unit: Helen Parr/Elastigirl fails at parenting when Bob neglects to help her raise their children. A traditional family of superheroes is portrayed as the saviors of society, whose importance and presence has been unfairly suppressed thanks to the liberal-dominated mainstream media and its preference to see the worst in people. In addition, Mr. Incredible is shown from the start to take marriage to Helen seriously, immediately heading over to his wedding when he realizes he may be running late and doing various crime-stopping when he has time before it.

The movie also contains the conservative idea that recognition should be based on merit rather than on unsubstantiated expectations of equality. Out of sheer jealousy, the villainous Syndrome, formerly Mr. Incredible's biggest fan, attempts to kill off real superheroes so he can use technology to pretend to be one, later planning to sell his gadgets so everyone in the world can have superpowers. "And when everyone is super," he explains, "no one will be." Earlier in the film, Dash, when explaining he pulled a prank on the school teacher simply so he could demonstrate his super-speed, echoes what Syndrome says later on: Helen states everyone was special in their own way by saying that it was simply another way of saying no one was truly special. When Mr. Incredible is asked to attend his son's fifth-grade graduation, he criticizes society for "celebrating mediocrity" instead of those who are "genuinely exceptional."

At Bob Parr's civilian job, employer Gilbert Huph is shown to be heartless but not because of capitalism: when Bob asks if he should help his customers, Gilbert tells him, "The law requires that I answer no", which shows the negativity of government regulation in business.

Overall, the film teaches against government-enforced mediocrity. This film may be the most conservative animation film ever made, in fact it is ranked Number 2 by National Review for the most conservative movies within the last 25 years. <ref>https://web.archive.org/web/20150122222200/https://www.nationalreview.com/corner/177317/2-best-conservative-movies-last-25-years/frederica-mathewes-greene</ref> A sequel was released in 2018.
|$631,442,092<ref>http://www.boxofficemojo.com/movies/?id=incredibles.htm</ref>
|-
|''Inside Out''
|2015
|PG
|Inside Out is a largely Pro-Family movie. The movie sheds light on what children think and feel, while keeping liberal progressive views out of the way. The main character, Riley, is shown to love her parents, and the importance of family values is shown multiple time throughout the movie. The parents have to deal with real life problems such as unemployment and moving to find jobs. The movie portrays the family as a nice, family-oriented, hard-working family trying to succeed in the United States.
|$857.6 million
|-
|''Isle Of Dogs''
|2018
|PG-13
|Set in the fictional Japanese city of Megasaki, Mayor Kobayashi issues a decree that all of the city's dogs, pet or stray, are to be quarantined and taken to Trash Island until a cure for "dog flu" comes around. The mayor's nephew and ward, Atari, heads over to the island to find his dog Spots and is befriended by five dogs (Chief, Rex, King, Boss, and Duke). Along the way, they discover that the mayor has hidden sinister motives behind banning all dogs from Megasaki. The movie condemns authoritarian rule and animal cruelty, the latter shown in the case of Kobayashi's anti-dog propaganda and Gondo's "cannibal" pack, who have been subjected to scientific experiments until an "act of God" rescued them. It also shows family and redemption in a positive light, for Mayor Kobayashi has taken Atari in after his parents were killed and decides to abandon his anti-dog plans once he sees how much Atari has gone through, even donating a kidney once the boy's remaining kidney fails.
|$64.20 million
|-
|''Jimmy Neutron: Boy Genius''
|2001
|G
|Brilliant but naive young inventor Jimmy Neutron tries to make contact with extraterrestrial civilizations. However, his efforts cause all parents in his hometown of Retroville to be abducted by egg-like aliens known as the Yolkians. While the children initially rejoice, they soon learn the harsh realities of living in a nihilistic world as well as the importance of family, so they embark on a celestial mission to rescue their parents. The film condemns paganism to a degree as the Yolkians worship Poultra, a chicken-like monstrosity believed to be an incarnate god to which they seek to sacrifice the parents of Jimmy and his friends.
|$80,936,232
|-
|''Joseph: King of Dreams''
|2000
|NR
|A direct-to-video animated telling of the biblical story of Joseph and his brothers.
|N/A
|-
|''The Jungle Book''
|1967
|G
|Young Indian boy Mowgli searches for his place in the world with the help of various talking animals in this Disney classic based on the novel by Rudyard Kipling of the same name, albeit significantly toned down to make the film a bit more family friendly.
|$205.8 million
|-
|''[[Lady and the Tramp]]''
|1955
|G
|In this beloved Disney classic, which was known as Walt Disney’s Happiest Motion Picture, Lady a cocker spinal meets and falls in love with a male stray mongrel known as the Tramp. While aside from the film being pro-family, the dogs to whatever they can to protect the human baby from the rat, in showing [[chivalry]]. In addition, Lady condemns Tramp for having other girlfriends, after finding out from the pound dogs that his only weakness is that he is a womanizer, thus showing infidelity and promiscuity in a very negative light. In the end, he becomes faithful to her and joins her human family. There also anti-environmentalist aspects as well, with the dogs learning to understand their place, that although humans come first they still have a place in their heart, as the beliefs Tramp had on humans being so cruel turned out to be false. Also, the iconic Bella Notte scene where they accidentally kiss by eating the same spaghetti took place and was served by the kind-hearted capitalist restaurant owner Tony. On top of that, this is a rarity in Disney Animation to have Christmas depicted in the film and shown in a positive light.
|$36,359,037<ref>http://www.boxofficemojo.com/movies/?id=ladyandthetramp.htm</ref>
|-
|''The Land Before Time''
|1988
|G
|In this film that promotes family values and friendship, the main character (Littlefoot) is a dinosaur that loses his mother. This sparked some controversy, because the killing of a family member is quite violent for a movie with a kid-targeted audience, but this movie redeems itself through the plot. Littlefoot finds friends throughout the movie that show team work, cooperation, hard work, and diligence are the key to living a successful life, even in the dinosaur world.
|$84.4 million
|-
|''Lilo & Stitch''
|2002
|PG
|In this heartwarming Disney animation, Experiment 626—a short but mischievous, [[koala]]-like beast created by an alien mad scientist (an origin similar to the monster's in the conservative novel ''Frankenstein'' and its 1931 film adaptation)—escapes from an interstellar prison and crashes down in Hawaii, where a lonely girl mistakes him for a dog, adopts him, and names him "Stitch." Stitch then gradually abandons his destructive ways and begins seeking love and friendship. The film is so delightfully pro-family that the tagline is, "''Ohana'' means family [in Hawaiian]. Family means nobody gets left behind, or forgotten." Also briefly pokes fun at environmentalist policies, as the climax reveals that Earth was nearly subject to an alien invasion in 1973, but the CIA Agent-turned child welfare services agent Cobra Bubbles managed to thwart it by claiming that the Earth was designated a breeding ground for an endangered species called [[mosquito]]es (which obviously weren't endangered at all).
|$273.1 million
|-
|''The Lion King''
|1994
|G
|Based mainly upon the Shakespearean play ''Hamlet'', the main message of this box office smash hit is about the power of the individual and the triumph of faith, friendship, hope, and heroism. ''The Lion King'' also features subtle Christian messages, such as honoring one's father and reconciliation.

Its story takes partial inspiration from Scripture, particularly the stories of [[Joseph]] and [[Moses]]. On a side note, the film features the power-hungry main antagonist Scar, who kills his own brother, the ruling king Mufasa, to usurp the throne, then manipulates his nephew, Mufasa's young son Simba, into thinking that Simba is responsible for his father's death and forces him into exile. Scar is a model liberal because, once he becomes ruler, he favors [[Communism|Communistic]]/[[Fascism|fascistic]] big government, pushes [[liberal values]], and lets their Pride Lands territory fall to ruin. In addition, when rallying up the Hyenas to aid him in killing Mufasa, he vows that they will never starve under his rule, mirroring what various Communist and other leftist insurgents often vow when trying to get people to aid them in taking over a government. The song "Be Prepared" also shows the Hyenas [[goose step|goose stepping]] past Scar as he looks down from a cliff in a clear reference to Nazism. On a similar note, the Hyenas also act as a subtle condemnation against illegal immigration and the concept of open borders, as once the Hyenas merge with the Pride Lands and take it over upon Scar becoming king, it is heavily implied that they forced the Lionesses to overhunt and that ended up causing the Pride Lands territory to become a wasteland by driving out any remaining animals, with Scar indicating that they should "eat Zazu" if they want food.

At several points in the film, Scar delusively believes he is still a very good king, even claiming "I'm ten times the king Mufasa was!", which is similar to liberal delusions of their own skills in governing (i.e., Obama's later claim that he would have "won" reelection into a third term if he was able to run again, despite never being legally qualified to run in the first place, not to mention his being legally barred from running for a third term even if he were legally qualified to run in the first place per the [[Twenty-Second Amendment]] to the United States Constitution). He unsuccessfully attempts to orchestrate the assassination of Simba by using hyena minions and even attempts to kill him himself, to ensure that he will be king and remain so forevermore, but he is thwarted by Simba once the cub reaches adulthood. Simba effectively becomes King and restores the Pride Lands after Scar, who tries to save his own skin by blaming his minions for everything he orchestrated himself, has the hyenas turn against and kill him.

There is a slight condemnation towards anarchy in the film as well: during the song "Be Prepared", the hyena Shenzi, upon learning that Scar is planning to kill Mufasa and Simba, entertains the possibility of a kingless society before Scar sternly tells the laughing hyenas that he intends to be the king. Finally, the film condemns hedonism, as the misfit meerkat and warthog comic reliefs Timon and Pumbaa, while depicted as genuinely heroic at times, engage in a philosophy of "Hakuna Matata" ("No Worries" in Swahili), which is shown overall to be negative.

In addition, the film proved to be a massive runaway hit despite having a completely new production team working on it due to then-Disney Chairman Jeffrey Katzenberg believing it to end up a flop due to it featuring "talking animals" while he thought the Worst Liberal Movie ''Pocahontas'', which he helmed with the usual production team, would be the financial hit and Oscar winner (in reality, ''Pocahontas'' got mixed reviews and did fairly badly at the box office).

The movie spawned two direct-to-video sequels and two TV series, as well as a broadway musical that retained much of the same themes as the movie. A photorealistic remake will premiere in mid-2019.
|$968.5 million
|-
|''The Little Mermaid''
|1989
|G
|An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. In addition, it also contains a pro-traditional marriage theme and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.

Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie (some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterward to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.

It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away. Likewise, Ursula, besides her blatant interference with the deal by disguising herself as Vanessa and brainwashing Eric, also arranged to have Flotsam and Jetsam overturn Eric and Ariel's boat specifically to ensure that Eric and Ariel couldn't kiss when it looked like Ariel could in fact win her end of the deal fair and square, and after she curses Triton and Ariel attempts to attack Ursula in retaliation, Ursula heavily implies before Eric saved Ariel that she's going to kill the latter despite having promised to not harm Ariel.

The movie's box office success also led directly to a rejuvenation in Disney's animated features called the Disney Renaissance, and the film also had a prequel TV series carrying much of the same themes airing on CBS and later on the Disney Channel from 1992 to 1994, as well as two comic book series by Disney Comics and Marvel that carried many of the same themes, and a sequel and prequel film that, although overall promoting many of the same themes, had questionable production quality.
|$111,543,479
|-
|''Make Mine Freedom''
|1948
|
|A short cartoon, which shows how [[Capitalism]] works and how [[Communism]] steals [[freedom]].
|Unknown
|-
|''Meet the Robinsons''
|2007
|G
|A child does not seem to fit into society, his main hobby is inventing. He travels to the future to see meet his family, and he realizes persistence pays off in the end and he discovers that his inventions ultimately do change society, and his own life, for the better. The movie shows a message about the value of life, family, and considers the contributions and possibilities lost by every child that is aborted.
|$169,333,034
|-
|''Our Friend, Martin''
|1999
|N/A
|In this educationally entertaining work of genius, two interracial best friends travel through time and meet the Reverend Dr. Martin Luther King, Jr., at several points in the Civil Rights activist's life. Dr. King's second son, Dexter Scott King, voices the animated version of his father at age 34.
| N/A
|-
|''Persepolis''
|2007
|PG-13
|A French film based on Marjane Satrapi's graphic novel of the same name. The film depicts life in Iran after the 1979 revolution, eschewing political correctness and depicting the oppression and restrictions brought on by Islamic Sharia Law in the country.
|
|-
|''Pinocchio''
|1940
|G
|Kindhearted craftsman Geppetto wishes for his own son, so a blue fairy (resembling the Blessed Virgin Mary) grants his wish and brings one of his wooden puppets to life, promising that she will make him a real boy if he proves himself brave, truthful, and unselfish. As he tries to fit in with humans, the wooden boy is soon tricked and kidnapped by the evil puppet master Stromboli. Over the course of his journey of self-discovery, Pinocchio's morals, which his creator gave him, are tested, and he must escape being manipulated by the bad boys of the cursed Pleasure Island who have [[Hollywood values]] and, because of their actions, are turned into donkeys (which, coincidentally, is the mascot for the Democratic party). Finally, he altruistically saves Gepppetto from being trapped inside a whale and proves himself worthy to become a real boy.
|$84,254,167
|-
|''Pokémon: The First Movie: Mewtwo Strikes Back''
|1998 (Japan) 1999 (USA)
|G
|The movie showcases the consequences with the concept of playing God where the main antagonist Mewtwo, a clone, was shown to be disturbed at the revelation that he may have only been created to be the purposes of being a tool (with the message being more pronounced in the Japanese version due to religious censorship during dubbing). It also promotes the idea of self-worth and how the circumstances of one's birth don't matter so much as they try to push good, with Mewtwo ultimately being reformed upon learning this message. It also has an anti-cloning message, due to Mewtwo's aforementioned disturbance at his origins. A CGI remake of the film ''Mewtwo Strikes Back Evolution'', will be released in 2019, nearly two decades after its release in America.
|$163.6 million
|-
|''Pokémon: The Movie 2000: The Power of One''
|1999 (Japan) 2000 (USA)
|G
|As implied by the title, it promotes the concept of individualism, at least in the English Dub. In addition, the character of Misty proceeds to risk her life to save Ash when he was nearly killed nearing the climax (with the Japanese version making a bit more blatant on the motivation by stating to Melody that "[Ash] is [her] burden."). The ending theme was famously quoted by [[Herman Cain]] during the 2012 Presidential Primaries.
|$133.9 million
|-
|''Pokémon 3: Mystery of the Unknown Tower''
|2000 (Japan) 2001 (USA)
|G
|Has a pro-family message, as the main antagonist's motives were to regain her family due to her father disappearing during his research for the Unown and her mother being implied to have been hospitalized, with her motives being treated sympathetically and tragically in the storyline, and Ash spends his time trying to find and rescue his mom, Delia Ketchum, after she ended up abducted by Entei. The Entei also proceeds to sacrifice himself late in the movie to stop the Unown from wreaking further havoc.
|$68.4 million
|-
|''Pokémon 4Ever - Celebi: Voice of the Forest''
|2001 (Japan) 2002 (USA)
|G
|Has some implicit pro-Christian messages due to Celebi ending up being raised from the dead after barely rejecting the Dark Ball's influence on it.
|$28 million
|-
|''Pokémon: Jirachi: Wish Maker''
|2003 (Japan) 2004 (USA)
|G
|Has a message against meddling with nature in the name of environmentalism due to the main villain Butler, a former member of the ecoterrorist group Team Magma, trying to revive a Groudon and it ultimately causing problems in the climax.
|N/A (America; Direct-to-Video)
|-
|''Pokémon: Lucario and the Mystery of Mew
|2005 (Japan) 2006 (USA)
|G
|Some implicit Christian themes were present via Lucario as well as his former master, who sealed the former away specifically so he could sacrifice himself to stop the Tree of Life from destroying the world.
|N/A (America; Direct-to-Video)
|-
|''[[The Prince of Egypt]]''
|1998
|PG
|An animated telling of the life of [[Moses]].
|$101,217,900
|-
|''Reason and Emotion''
|1943
|
|A Disney cartoon that explains the happenings of people doing things based on logic and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, it's a reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that Walt Disney, despite various leftist claims post-mortem, was never a Nazi supporter.
|
|-
|''Robots''
|2005
|PG
|A movie based on the children's book of the same name by William Joyce, the film has a promotion of family values, as the very beginning of the film features the main character's father celebrating that he is to become a father, and doing everything he can to bring his son into the world alongside his wife, and his family was encouraging of their son to be the best he can be. It also promotes the concept of the American Dream as well as capitalism, as the main protagonist dreams of becoming an inventor like Bigweld (who is depicted in a similar manner to Walt Disney) and also left to try and get his family to have a greater opportunity. It also manages to condemn corporate corruption without advocating for more government control or demonizing Capitalism, as while the new management of Bigweld industries was shown to be extensively corrupt and cynical, Bigweld himself, as well as the company that it originally stood for, was painted in a very positive light.
|$260.7 million
|-
|''The Secret of NIMH''
|1982
|G
|This family-friendly film includes Mrs Brisby, who is a widowed mouse. She lives on a farm owned by a man named Fitzgibbons. She and her 4 children, Martin, Theresa, Cynthia and Timmy live in a cinderblock in one of Fitzgibbons' fields. Every year, before Fitzgibbons plows the field to plant his crops, the family moves to their summer home to avoid the tractor. Nearby is another mouse, Dr Ages, who is the family doctor. Brisby visits Ages to get a remedy for Timmy, who has come down with pneumonia, potentially delaying the summer move. Fitzgibbons decides one day to begin plowing the field early. Brisby desperately tries to disable the farmer's tractor and freezes while climbing up the mechanism. Auntie Shrew intervenes and pulls out the tractor's gas line, halting the machine. While Mrs Brisby sobs over her predicament, Auntie tells her to be braver for her family's sake and suggests she visit the Great Owl, the wisest creature in the forest. Brisby is hesitant, since owls eat mice, but she goes. With the help of a new found friend, Jeremy, a crow hoping to meet Miss Right, and whom Mrs Brisby untangled from a pile of string he was trapped in, she meets with the fearsome owl, who merely tells her that she must move her family. Mrs Brisby explains the complication with her son Timmy and the owl tells her he has no solution. As he leaves, he learns her last name and becomes more helpful because her husband, Jonathan, was well known and respected throughout the woods. The Owl tells Mrs Brisby to go to the colony of rats that live in the farmer's rose bush and ask them for help. He specifically tells her to have the rats move her house to "the lee of the stone", the protected side of a large rock in the field that Fitzgibbons avoids when plowing. Mrs Brisby sneaks into the rose bush and finds that the rats have built a very modern colony that makes use of electricity that they pilfer from Fitzgibbons. She also meets Dr Ages there, whom at first tells her the rose bush is off-limits but is astonished that she had met with the Great Owl and lived. They are discovered by the rats' captain of the guard, Justin, who takes them to the rats' Senate room. As they enter, a charismatic rat, Jenner, is railing to the council about the plan of the rats' leader, Nicodemus, who wants to abandon the rose bush and move to a location called Thorn Valley where they'll found a new colony based on their own labors, rather than stealing supplies from the farmer. Jenner is opposed to the idea and even suggest that they wage war against any humans who attempt to drive them out. Justin and Ages make Mrs Brisby's case to the council, who agree to the request because she is Jonathan Brisby's wife. In a sinister private meeting with his associate, Sullivan, Jenner plots to have Nicodemus killed during the operation and make it look accidental. Justin takes Mrs Brisby to meet with Nicodemus. A very old, kind and wise leader, he tells Mrs Brisby the rats' history: they were all lab animals imprisoned in NIMH, the National Institutes of Mental Health. Injected with experimental compounds, the rats developed intelligent brains and were able to escape their cages, along with several mice including Jonathan and Mr Ages. During their escape, all but two of the mice, Johnathan and Mr Ages, were sucked into the ventilation system by strong air gusts. When the party were trapped by a vent grating, Jonathan was small enough to crawl through and open the grate. The rats subsequently owed Jonathan their lives and he continued to work with them while they built their colony. Some months prior to Mrs Brisby's visit to the rose bush, Jonathan had been killed by Fitzgibbons' ornery and fearsome cat, Dragon, whom the rats had been trying to drug. Nicodemus gives Brisby a large red amulet and tells her that it has great supernatural powers when someone shows true courage of the heart. Nicodemus says that the rats will be happy to repay their life debt to Jonathan's family and will move her home. For the operation to succeed, Dragon will have to be drugged. Mrs Brisby, feeling she should participate, volunteers to spike Dragon's feeding dish. The only way into Fitzgibbons' kitchen is through a small hole under a sideboard, a hole too small for any rat. The plan goes well until Mrs Brisby runs back and is trapped by Fitzgibbons' son. Justin leaves her, having to supervise the operation, promising to come back for her. While she's trapped in a bird cage, Brisby overhears Fitzgibbons on the phone with NIMH, who want to come to his farm and capture the rats. Brisby realizes the situation is now more desperate and escapes the bird cage by knocking out its small water cup. At the site of the Brisby home, the rats have constructed an elaborate system of ropes and blocks and tackles to lift the cinderblock. While the block is being swung towards the stone, Jenner cuts the anchoring lines with his sword and the block falls, narrowly missing Nicodemus, however, the heavy gears and rope fall on him, killing him. Jenner declares the operation a failure and suggests they leave when Mrs Brisby arrives. Justin tells her that her family is alive but Nicodemus is dead. She suddenly remembers her urgent news that NIMH will be at the farm tomorrow and tells the rats they must leave tonight. Jenner refuses to believe her and tells the rats that he will take over leadership of the colony. When Mrs Brisby insists she's telling the truth, Jenner strikes her and notices that she's wearing the amulet. Attempting to seize it from her, Justin intervenes and fights with Jenner until he wounds him. Jenner admits that he'd caused the accident that killed Nicodemus, saying that the plan to move the colony would fail. As he moves in to kill Justin, Sullivan kills Jenner with a thrown dagger and succumbs to his own wound, inflicted by Jenner himself when he'd given his own sword to Justin during the fight. Moments later, Mrs Brisby sees that her house has begun to sink into the mud, taking her children with it. A futile attempt to rig a new roping system fails and Brisby herself vainly pulls at the remaining ropes as the house sinks under the surface. Justin rescues her, holding her back. As she looks on in horror, the amulet suddenly bursts from the mud, brightly glowing, and places itself around her neck. Using the power that Nicodemus spoke of, she raises the house from the mud and moves it to the lee side of the stone. Brisby's children are safe and she faints from exhaustion. The next morning, with Timmy on the mend from his pneumonia and the now-abandoned rose bush being inspected by NIMH, Jeremy arrives with mounds of string that he'd been collecting to build a love nest and finds the Brisby home already moved and even camouflaged by the natural vegetation. He asks Brisby for the amulet, however, she'd given it to Justin before they'd left the rose bush. While he laments that he wasn't able to help move the house, a female crow suddenly flies into him. The two become immediately infatuated. While Brisby's daughter wraps her mother's hands which were burned by the amulet, Auntie Shrew arrives for a visit, bringing groans from Martin as Jeremy and his new love fly off. This movie's interesting plot, and its complicated themes that are apparent are both entertaining for adults and kids alike. Although there are some references to violent themes, it does not paint them in good lighting and shows the harsh consequences. Because of their wide audience appeal, this movie was wildly successfully in movie theaters. The Secret of NIMH is considered to be one the best children's movies of the 20th century.
|$14.7 million
|-
|''Sleeping Beauty''
|1959
|G
|Paints evil in a very serious light in the form of Maleficent, and also showcases loyalty to family and duty in a positive light, as despite Aurora wanting to meet with the man she met in the woods, she ultimately honored her stepfamily in being returned to her birth family. Is also inherently anti-feminist in its messaging and for traditional marriage. It is also pro-family, as King Stefan and Queen Leah ultimately gave up their baby to protect her from the main villain, and the narration explicitly stated that the royal family and the kingdom awaited the day of her 16th birthday to allow her back into their family when the curse seemed to be averted. Unfortunately, it ended up being ruined in 2014 with a revisionist retelling starring the main villain and pushed the exact opposite messages in that film.
|$51.6 million
|-
|''Snow White and the Seven Dwarfs''
|1937
|G
|The Disney animated classic that started it all. Walt Disney and his staff of talented filmmakers, animators, and musicians overcame many challenges to create one of the greatest cinematic masterpieces of all time: a masterpiece of solid family entertainment and a perfect film recommendation for everyone around the world. It is one of the few Disney films to date to feature an openly [[Christian]] princess: Snow White. In addition, as evidenced by the Evil Queen's overall character, it paints parental abuse, including attempted infanticide, in a very negative light.
|$418,200,000
|-
|''The SpongeBob SquarePants Movie''
|2004
|PG
|Exposes the evils of lying, stealing, and cheating for your personal gain and at the expense of others. SpongeBob SquarePants and Patrick Star show great courage and dedication in order to retrieve King Neptune's crown and bring it back in order to save Mr. Krabs. They also save everyone else in Bikini Bottom who is put under a trance by Plankton. There are even some brief anti-feminist and anti-environmentalist messages. It is based on a TV show where episodes can have either a conservative agenda, liberal agenda, or even be politically neutral. However, this film is very good and conservative!
|$85,417,988
|-
|''Spookley the Square Pumpkin''
|2005
|G
|In this kid-friendly direct-to-video Halloween movie, a square pumpkin named Spookley overcomes hardships as round pumpkins are teasing him for the way he looks. A scarecrow, two bats, and three spiders stick up for him and are good role models just like Spookley himself. In the end, Spookley saves everyone and the round pumpkins confess. Not only does it have an anti-racist message but also anti-environmentalist as a bat named Boris refuses to give up eating insects in a comical and well-done fashion. A female bat named Bella can also be seen as the antithesis of a modern feminist.
|N/A
|-
|''The Star''
|2017
|PG
|This animated story of the [[The Nativity]] is told from the perspective of anthropomorphic animals.
|$40,852,824
|-
|''Tangled''
|2010
|PG
|In its own strange way, ''Tangled'' stands as a perfect allegory for the Gospel of Christ. Teenage heroine Rapunzel represents humanity, who has grown comfortable in her prison but can’t ignore the light that shines in the darkness. [[Satan|The devil]] is signified by Mother Gothel, who tries to convince Rapunzel to forget the outside world and stay locked away in her tower. Lastly, [[God]] can be found in Rapunzel's real parents, who without fail, continue to shine their light in the hopes of bringing their lost child back home. A TV series sequel to this movie, ''Tangled: The Series'', debuted in 2017.
|$591,794,936
|-
|''Teen Titans Go! to the Movies''
|2018
|PG
|Although it's goofy just like the 2013 onward cartoon spinoff of the 2003-2006 ''Teen Titans'', it takes a jab at Hollywood values as Robin ends up realizing that he doesn't need a movie in order to be a real superhero. It also promotes friendship values as Cyborg, Raven, Starfire, and Beast Boy stay loyal to him, even after he ditches them and they come back for him once he starts to realize he's been tricked by a movie producer, who turns out to be the film's main villain named Slade.
|$11,600,615
|-
|''Toy Story'' trilogy
|1995, 1999, 2010
|G
|Altogether, the three films celebrate friendship and family unity, even if it focuses more on a figurative family with the boy Andy as a father-figure to his toys, who come alive in humans' absence and praise Andy for loving and playing with them as though they were his children.

In the first installment, the world's first computer-animated theatrical feature, pull-string cowboy doll Sheriff Woody grows jealous when science fiction hero action figure Buzz Lightyear, who initially believes he is a real space hero, becomes young Andy's favorite toy among the toy community. Woody's efforts to make himself Andy's favorite toy again cause both him and Buzz to be separated from their owner, but teamwork allows them to find their way back to Andy just before he and his family move to a new house. The film's overall development was especially notable due to then-Disney Animation chairman [[Jeffrey Katzenberg]] initially ordering for ''Toy Story'' to be made significantly more liberal in its values by being more "adult, cynical, [and] edgy". This included depicting Woody and the other toys in a significantly more mean-spirited light, with Woody going so far as to actually attempt to murder Buzz with no remorse whatsoever (instead of accidentally knocking Buzz out of the window, as he does in the final film). This caused Toy Story to be almost canceled and Pixar itself to be nearly shut down until the company was given a second chance.<ref>https://www.breitbart.com/big-hollywood/2010/07/07/we-love-pixar-how-hollywood-cynicism-almost-ruined-toy-story-and-pixar/</ref>

In ''Toy Story 2'', while Andy is away at summer camp, Woody is stolen by a greedy toy collector and is tempted by the idea of being immortalized in a museum, only to be rescued by his friends and reminded of a toy's true purpose: for a child to play with it. Once again, the film positively portrays teamwork and family unity using a metaphor of unity between toys and their owners.

''Toy Story 3'' sees a nearly-grown Andy ready to leave for college and leave most of his toys except Woody in a garbage bag to be stored in his attic, but his mother mistakes it for a bag of real trash. Woody follows the toys as they make their way to a dreadful daycare center, unable to convince them of the misunderstanding. Nihilism and totalitarianism are portrayed in a strongly negative light in the form of Lotso the jealous teddy bear, who denounces all toys as being "destined for the scrapheap" and acts as a brutal dictator over the daycare toys.
|
|-
|''Up''
|2009
|PG
|This tear-jerking, pro-family Pixar animation stars Carl Fredricksen, an elderly widower balloon salesman who is about to be forced off his land but refuses to sell his house (likely promoting individualism triumphing over a liberal collectivist government). Carl ties thousands of balloons to his house and sets off on the South American vacation that he promised his wife Ellie while she was still alive, showing the inherent sacredness of marriage and how it should be continuously honored even after a spouse dies. In the end, he adopts young Russell, a fatherless Wilderness Explorer (a spoof of the Boy Scouts) who joins him on his adventure, as his surrogate grandson, which celebrates family unity. The film takes a light jab at divorce, too, as it is implied that Russell's parents no longer live together, leaving the boy heartbroken until Carl adopts him. Lastly, an overarching theme of the film states that a person is never too old or too young to follow his or her dreams.
|$735.1 million
|-
|''Wreck-It Ralph''
|2012
|PG
|Ralph, a villain from a retro, 1980s-esque video game who wants to escape after being typecast for about 30 years as the poor and medal-less guy, is encouraged to use his equal opportunities to do better and pursue his own successes. This is the basis of the American Dream: the goal of overcoming one's present, lowly circumstances to achieve a state of greatness. Trying to achieving this goal by theft is shown as the wrong way to do so. In addition, the main antagonist is a competition-hating villain who has deceitfully hidden his true identity and origin, who has pushed liberal values in the video game where he rules and established what looks like a fixed economy because only he can win. The film also pushes anti-illegal immigrant messages as well, with the main villain and minor villains trying to take over other worlds.
|$189,422,889<ref>http://www.boxofficemojo.com/movies/?id=rebootralph.htm</ref>
|-
|''Zootopia''
|2016
|PG
|This Disney film set in a city inhabited by anthropomorphic mammals explores the relationship between ambitious young rabbit police officer Judy Hopps and sneaky con artist fox Nick Wilde as they investigate the disappearance of some of the city's predator residents. It promotes the American Dream, individuality, racial equality, and subtle Christian values such as forgiveness and reconciliation, as well as responsible capitalism. Despite having a brief appearance by a homosexual couple, they're only very, ''very'' minor characters, and the movie largely downplays their sinful beliefs about their sexuality. It won the Academy Award for Best Animated Feature of 2016.
|$341,264,012
|}

==Documentaries==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''[[2016: Obama's America]]''
|2012
|PG
|Conservative author [[Dinesh D'Souza]] explores the disturbing origins of [[Barack Hussein Obama]], including his inherited philosophy with his [[Barack Obama Sr.|drunken father]] and his inspiration from [[Communist]]s [[Frank Marshall Davis]] and [[William Ayers|Bill Ayers]]. It performed very well in the box office, becoming the second most successful political documentary ever.
|$33,349,941
|-
|''[[America: Imagine the World Without Her]]''
|2014
|PG-13
|Conservative author [[Dinesh D'Souza]] shows that left-wing criticisms and versions of United States history are wrong and inaccurate. This staunchly patriotic film dispels [[Liberal Fables]] about the country and showing that the leftist agenda will destroy America. While not as successful in the box office as ''Obama's America'', it performed very well in theaters.
|$14,444,502<ref>[http://www.boxofficemojo.com/movies/?id=america2014.htm America (2014)]. ''Box Office Mojo''. Retrieved July 29, 2016.</ref>
|-
|''An Inconsistent Truth''
|2012
|PG
|This documentary was made in response to [[Al Gore]]'s ''An Inconvenient Truth'', revealing that global warming is a hoax and how Al Gore himself was hypocritical about his insistence at reducing the world's carbon footprint.
|
|-
|''An Open Secret''
|2014
|PG-13
|Whistleblower film that exposes pedophilia in Hollywood
|
|-
|''Blocking the Path to 9/11''
|2008
|NR
|As indicated by the title, this film by Citizens United unmasks the Democrats' attempt at preventing the airing of the documentary ''The Path to 9/11'', as well as their role in cutting a vital scene revealing that Bill Clinton had partially been responsible for 9/11 due to failing to give the order to kill Osama bin Ladin when they had the chance. Also takes down the various liberal critiques that occurred. Aside from the obvious condemnations against Clinton and his followers, it also has a brief criticism of Obama for repeating several falsehoods about how they stopped the terrorists responsible for the 1993 World Trade Center attack (in particular, claiming they just arrested the terrorists and treated them to a court of law like any other criminal).
|N/A
|-
|''The Clinton Chronicles: An Investigation into the Alleged Criminal Activities of Bill Clinton''
|1994
|NR
|This documentary examines various crimes conducted by then-president Bill Clinton, in particular, those that occurred during his time as Governor of Arkansas, including the Mena operation, being a draft dodger who deliberately misled his commanding officer, Whitewater, Arkancide, and his sexual proclivities including at least one instance of rape. It condemns the media for hiding these facts and is widely considered the turning point for the 1994 Republican Revolution.
|N/A
|-
|''[[Death of a Nation: Can We Save America a Second Time?]]''
|2018
|PG-13
|[[Dinesh D'Souza]] exposes the truth about the fascism of [[Benito Mussolini]] and [[Adolf Hitler]], as well as their direct connection to the Democrat Party. It also makes clear the racism that motivated the latter had direct roots to the Progressive movement of the United States and by extension, the Democrat Party, and that the conventional wisdom of Fascism was of the right-wing of politics was one of the left's biggest lies and that fascism if anything was of the left. On a similar note, it also makes clear the connection between Mussolini's fascism and Marxism, and also indicates that the issue of slavery was another form of socialism. Also makes clear that the white supremacist founder of the alt-Right [[Richard Spencer]] and the Charlottesville Rally organizer [[Jason Kessler]] had in fact been left-wingers posing as right-wingers. Similarly it also makes clear that Antifa and George Soros, despite claiming they were "anti-Fascist", were in fact fascists (also exposing the latter's role in the confiscation of objects held by his neighbors by the Nazis). As implied by the title, it also compares the turbulent times that was orchestrated by the left after Donald Trump was elected to the events of the Civil War under Lincoln. It also has a positive depiction of the [[White Rose Rebellion]].
|
|-
|''[[Expelled | Expelled: No Intelligence Allowed]]''
|2008
|PG
|Conservative commentator, comedian, economist, and author [[Ben Stein]] investigates the persecution of scientists and others who challenge [[Social Darwinism]] and unravels [[evolution]]ists' scientific and education system [[deceit]]. Liberals scorned it for presenting this issue as political rather than scientific while ignoring the reality that Darwinists do, in fact, use their theories as a weapon against people's freedom of religion. Liberal biased critics hated this movie and panned it, but audiences raved about it.
|$7,690,545
|-
|''Fahrenhype 9/11''
|2004
|
|This video response by Alan Peterson debunks everything from [[Michael Moore]]'s schlockumentary ''Fahrenheit 9/11''.
|
|-
|''[[The Great Global Warming Swindle]]''
|2007
|UR
|As implied by the title, it unmasks one of the greatest frauds in the history of science.
|NA - TV
|-
|''The Hidden Rebellion''
|2016
|
|This historical documentary highlights the French Revolution's destruction of the [[Vendée rebellion|Rebellion at Vendée]] (which is shown positively) as well as the specific connections between the French Revolution and various Communist Revolutions.
|
|-
|''Hillary: The Movie''
|2008
|UR
|This Citizens United film unveils Hillary Clinton's dark side and was the impetus of the lawsuit which overturned the McCain-Feingold legislation by the [[U.S. Supreme Court]] in ''[[Citizens United v. FEC]]''.
|NA - TV
|-
|''Hillary's America: The Secret History of the Democratic Party''
|2016
|PG-13
|[[Dinesh D'Souza]] analyzes Hillary Clinton's dark side and, as indicated by the title, the dark history of the Democrat Party. Donald Trump urged his supporters to see this documentary, and it is believed to have helped him win the 2016 presidential election. Like all of D'Souza's documentaries, this movie was absolutely despised by liberal-biased critics. In fact, the mainstream media hated this documentary so much that it became the worst-reviewed film on 3 different review aggregator websites. That is how crazy liberals go when their arguments are countered with facts, logic, and truth. The craziest part of all is how this documentary won 5 [[Golden Raspberry Awards]] because the leftists in Hollywood wanted revenge for Trump winning the election. D'Souza said he was honoured to be receiving so much hate because it is proof that he got his point across.
|$13,099,931
|-
|''How Should We Then Live''
|1976
|UR
|By the theologically conservative Christian theologian [[Francis Schaeffer]], this Christian film traces Western history from Ancient Rome until 1976, studying philosophic, scientific, and religious movements reflecting changing patterns.
|NA - TV
|-
|''I Want Your Money''
|2010
|PG
|It supports the triumph of [[Reagan]]-economics over [[Obamanomics]].
|$433,588
|-
|''Indoctrinate U''
|2007
|UR
|Political correctness, plus racial and ethnic politics, in the academic setting are examined.<ref>[http://video.yahoo.com/watch/3624795/9994231 Indoctrinate U -Part 1/3, Yahoo]</ref>
|Unknown
|-
|''Inside North Korea''
|2006
|NR
|Although made by liberal [[Lisa Ling]] and aired on the liberal [[National Geographic]] channel, the documentary nonetheless shows the truly horrific nature of North Korea and its communist leaders and showcases the high risks that anyone in North Korea is willing to take to escape via the DMZ at the border.
|N/A (Made for TV movie)
|-
|''[[Is Genesis History?]]''
|2016
|NR
|This documentary showcases how the [[Young Earth]] view of creation is more feasible than the [[Old Earth]] view, proving that [[Evolutionism]] is unfeasible with reasoned arguments. The narrator, Del Tackett, interviews thirteen [[creation scientists]], each with a Ph. D., who provide very strong evidence for a young Earth in affirmation of the Biblical creation account. It was originally released in theaters for one day but became so successful that it was shown two for more nights.
|
|-
|''Kids Aren't Cars''
|2011
|UR
|It shows how teachers' unions are destroying America's public schools.<ref>[http://www.kidsarentcars.com/blog/wp-content/uploads/2011/01/KACOneSheet.pdf KAC Summary]</ref>
|Unknown
|-
|''[[Maafa21]]''
|2009
|UR
|This film explores the inception of [[Planned Parenthood]] as an organization created to exterminate African-Americans. It exposes the words of its racist founder [[Margaret Sanger]] and their impact on black genocide more than a century later.<ref>[http://www.maafa21.com www.maafa21.com]</ref>
|NA - DVD
|-
|"MARGARET THATCHER - Death of a Revolutionary"
|2013
|
|This documentary shows how British Prime Minister Margaret Thatcher's economic liberalism helped Britain turn from the figurative sick man of Europe and the only socialist country outside of the [[Iron Curtain]] to one of Europe's best economies. Furthermore, it reveals that, contrary to popular belief (which is mostly likely lies spread by socialists, liberals, and impostors posing as conservatives), the working classes actually liked her more than the upper classes.
|N/A
|-
|''[[Michael Moore Hates America]]''
|2004
|R
|As the title implies, this satirical documentary criticizes Michael Moore's hatred towards all things American. Directed by a [[libertarian]].
|N/A
|-
|''Monumental: In Search of America's National Treasure''
|2012
|N/A
|Hollywood conservative Kirk Cameron talks about the evils of dictators and their roles in U.S. history.
|$500,000
|-
|''The Obama Deception: The Mask Comes Off''
|2009
|
|Paleoconservative [[Alex Jones]] tells the truth about Obama.
|-
|''Occupy Unmasked''
|2012
|Not rated
|The [[Occupy Wall Street]] movement's dark origins are revealed.
|
|-
|''[[The Soviet Story]]''
|2008
|
|The crimes of [[Communism]] and the [[Soviet Union]] are explored.
|Unknown
|-
|''Sand and Sorrow''
|2007
|
|Although it's produced by liberal elitist George Clooney, the film does bring awareness to the genocide in Darfur, Sudan.
|
|-
|''They Shall Not Grow Old''
|2018
|
|Highlights the bravery and sacrifice of WWI veterans
|
|-
|''Waiting for Superman''
|2010
|PG
|It highlights the failures of the U.S.' public school system.
|$6,410,257
|-
|}

== Debatable Whether Conservative ==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''12 Strong: The Declassified True Story of the Horse Soldiers''
|2018
|R
|Based on the real life declassified mission of the Horse Men that were deployed to Afghanistan after the September 11 terror attacks. On the one hand, the film is pro-America and depicts the Taliban and Al Qaida in a very negative light. But on the other, one of the stars of the film, Michael Shannon, was extremely anti-American, and a couple of the members of the unit had their ethnicities changed in what seemed to be an attempt at forced [[diversity]].
|
|-
|''The 40-Year-Old Virgin''
|2005
|R
|A bawdy sex comedy about a man who is ridiculed by his peers for his indifference to sex as an adult. His friends, feeling that he isn't "normal", try to encourage him to lose his virginity, starting with pornography, sex toys, and even prostitution. However, their personal attitudes towards women ruin their own relationships, and the man remains steadfast in his abstinence. Later, he meets a woman who connects with him, but is no longer a virgin, as she has a teenage daughter. At one point, her daughter confesses only to him that she is also a virgin and encourages him not to feel bad about it. However, her mother, who has been on multiple dates with him, is still unaware of his virginity. After their proposed deadline by which the two agreed to eventually have sex, he tells her of his virginity and stays reluctant about giving in. There is some drama and confusion between them, but she eventually comes to accept him and the two are happily married at the end before having sex.
|$177.4 million
|-
|''21 Jump Street''
|2011
|R
|Two police officers try to take down a drug ring in high school where the villains are environmentalists and drug dealers. But contains many sexual references, full profanity, and many religious insults. A parodic comedy remake of the 1987–91 [[Fox Network]] police drama of the same name.
|$201,585,328
|-
|''Accepted''
|2006
|PG-13
|It criticizes the [[Department of Education]] (or colleges and universities in general) and our protagonist lives the America dream by starting his own college, but then the juvenile humor, gross-out humor and drug abuse steps in.
|$36,323,505
|-
|''Aeon Flux''
|2005
|PG-13
|Anti-cloning film, but also pro-feminism as well.
|$25,874,337
|-
|''Air Force One''
|1997
|R
|On the one hand, the strong and courageous U.S. President James Marshall (Harrison Ford), a military veteran, takes an uncompromising stance against Russian terrorists who hijack his airplane. The major themes include family, authority, respect for the military, and sacrifice for the greater good. On the other hand, however, the script-writer for the film has admitted that he made the film largely to promote then-president [[Bill Clinton]].<ref>https://www.salon.com/july97/entertainment/movieair970725.html "But Bill Clinton is the first president to spawn movies that feature fictional presidents functioning as his stand-ins, movies made by directors fighting to define, and redefine, his image.....Air Force One" is a fantasy of what it might take for President Clinton to become all things to all people. The movie's Clinton stand-in, President James Marshall (Harrison Ford, appropriately displaying the facial mobility of Mount Rushmore), is a leader who defies his timid advisors in his efforts to set policies against injustice and tyranny and is willing to take on Congress to enforce those policies. But this is a fantasy designed to silence Clinton's conservative critics, so not only is Jim Marshall a dedicated family man, but he's a Vietnam War hero to boot. There's a combo you can't beat, a guy who knows how to kill a Commie and keep his pecker in his pocket."</ref> In addition, it also shoe-horned a cameo appearance from Bill Clinton himself at the latter's request.<ref>http://vikingphoenix.com/news/archives/1997/hdot9702.htm</ref>
|$172,956,409
|-
|''Aladdin''
|1992
|G
|Based on the classic Arabian folk tale ''Aladdin and the Magic Lamp'', a poor but charitable thief is sent by Jafar, a sinister vizier to a sultan, to search for a mysterious oil lamp rumored to contain unbelievably powerful magic. Upon finding this, he accidentally releases the comical genie inside, who grants his wish to become a prince so he can legally court Jasmine, the sultan's daughter. On the one hand, the film is set within what is implied to be a Muslim state, and Aladdin does resort to lying to try and marry Jasmine. A slight feminist bent is present because Jasmine refuses to marry, ignoring the law requiring it (although not nearly to the same extent as with Belle and ''Beauty and the Beast''.). In addition, some lyrics to the opening song were notably cut due to fears of offending the Muslim populace, implying the film is politically correct in nature. The Sultan is shown to be a massive bumbler and overgrown child, which may hint at an anti-parenthood agenda. But on the other hand, the film does ultimately push character integrity because Aladdin ultimately decides against lying and tells Jasmine the truth about himself. Disregarding the film's politically correct treatment of Islam, it ultimately showcases some more negative elements of Islamic culture via a vendor nearly chopping Jasmine's hand off when she "steals" some food to feed a starving child, as well as depicting Prince Achmed in a very negative light via his cruelty to Aladdin and children attempting to stop him. The prince is implied to be a poor example of a husband, so it is subtly implied that Jasmine refused to marry because all the princes she encountered had in fact been as bad as Achmed. She then falls for Aladdin because he saves her life and shows kindness to her. In addition, it is made clear that while Aladdin does steal and initially had an infamous reputation for his thefts, it's solely in order to survive on the streets, with it being heavily implied that he was an orphan, and he also selflessly gives his stolen food to starving children after initially planning to eat it. There is a lesser condemnation against the occult as the only explicit magic-user besides Aladdin's Genie is Jafar, the main villain who dreams of becoming the world's most powerful dark sorcerer.
|$504.1 million
|-
|''Antz''
|1998
|PG
|It's produced by [[Jeffrey Katzenberg]] (and was rather notorious for being plagiarized from the then-in-development Pixar film ''A Bug's Life''), downplays the military, and possesses an implicit promotion of Communism via the main character, but also has an Anti-Eugenics message too.
|$90,757,863
|-
|''Army of Darkness''
|1993
|R
|Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film.
|$11,502,976
|-
|''Atlantis: The Lost Empire''
|2001
|PG
|Released during the [[Michael Eisner]] era of [[Disney]]. On the one hand, the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. The theft of the crystal to become rich could be seen as a condemnation of capitalism. That being said, however, capitalism has also been promoted in a more positive light in the form of Preston B. Whitmore, an eccentric but ultimately good-hearted billionaire who funded the expedition in the first place, and in addition, most of the principal cast was shown to have dreams of getting a better lot in society, with it being heavily implied in the ending that they ultimately succeeded in achieving those dreams after selflessly trying to save Atlantis, which acts as an implicit promotion of both capitalism and the American Dream.
|$84,056,472
|-
|''Austin Powers'' franchise
|1997, 1999, 2002
|PG-13
|A series of films that parodied spy films such as the [[James Bond]] franchise. On the one hand, liberal values are promoted such as Austin Power's promiscuous swinger nature being promoted as a positive, as well as usage of scatological humor throughout. In addition, one of the villains, Frau Farbissina, is mentioned to have been a founder of the militant faction of the Christian organization [[The Salvation Army]]. The first film also downplays the Cold War and the death of Communism by mentioning that the 1980s were among the "unimportant decades" in Austin Power's crash course. On the other hand, it does promote some chivalrous aspects, as Austin in the first film made it very clear to Vanessa Kinsington, the daughter of his former partner that not even he was willing to have sex with a woman who had too much to drink, and there is an implicit promotion of [[Gay Conversion Therapy]], as Farbissina was established as a lesbian in the second movie, yet after sleeping with Dr. Evil (a parody of [[Ernst Stavro Blofeld]], in particular the version from ''[[You Only Live Twice (film, 1967)|You Only Live Twice]]'' portrayed by Donald Pleasance.) in the past, she ended up becoming pregnant (with Scott Evil, Dr. Evil's son, being the byproduct of the affair), and it is implied afterward as well as in the third movie ''Goldmember'' that she became straight afterward and genuinely loved Dr. Evil, enjoying a kiss that with him that was otherwise meant to slip a key to him to aid in his escape. Family values are also given a slight promotion, as Farbissina defended Scott Evil from Dr. Evil's otherwise abusive actions to him, and part of the third movie involved Scott and Dr. Evil growing closer to their relationship, and it is also revealed that Dr. Evil was in fact Austin's brother, leading to some redemption for the latter, and the third movie makes clear that some of Austin's problems were the result of his father Nigel being a neglectful father. The second movie also has an anti-body positive message as well with Fat [censored].
|$876.3 million (all three films)
|-
|''Back to the Future''
|1985
|PG
|Musically gifted but slacking highschooler Marty McFly is invited by his energetic, quirky scientist friend Dr. Emmett "Doc" Brown to witness the birth of his greatest invention: a time-traveling DeLorean automobile. After Doc Brown is shot and killed by Libyan terrorists, whom he tricked to gain plutonium fuel needed to make his car travel through time, Marty escapes in the DeLorean and travels 30 years into the past, where he meets his parents as teenagers and accidentally becomes his mother Lorraine's new love interest. He then meets with the young Doc Brown, who volunteers to help him return to 1985 and warns him that he will cease to exist if he does not ensure that his parents fall in love at their high school prom. Marty ultimately succeeds in reuniting his future parents by encouraging his teenage father George to stand up to bully Biff Tannen in Lorraine's honor. In the process, he saves Doc Brown by sending him a note warning of the terrorist attack. Overall, the movie contains some conservative messages such as the triumph of chivalry, the evils of terrorism, and the negative effects of deviancy and drug/alcohol addiction. At the same time, it promotes premarital sexual activity and disregard for chastity. Included two sequels in 1989 and 1990.
|$210,609,762
|-
|Bambi
|1942
|G
|Animated adaptation of the German children's book of the same name. Environmental and anti-hunting messages are pushed (although it should be noted that the main antagonist, "Man", is technically closer to a poacher than a true hunter due to his killing a nursing doe and also trying to kill Bambi, a fawn, both of which are strictly prohibited by hunters), but it is also pro-family due to Bambi's mother giving her life to save her son, and the Great Forest Prince, who is heavily implied to be Bambi's father, went out of his way to protect Bambi from the hunter three times, even rescuing his son from a forest fire. It also was anti-homosexual agenda and way ahead of its time in refuting claims of [[animal homosexuality]], as the character Flower, a skunk, is depicted in childhood as a very effeminate male, yet when he became an adult, he evidently was aroused by a female skunk and ultimately became a father as well.
|$102,247,150
|-
|''Batman: The Dark Knight Returns Part 1'' and ''2''
|September 25, 2012 (Part 1) January 29, 2013 (Part 2) October 8, 2013 (Deluxe Edition)
|PG-13
|An animated two-part adaptation of Frank Millar's comic book Elseworld story of the same name where Batman is forced to resume his duties after crime reached record highs in Gotham. The movie is anti-Crime, and also depicts homosexuality and sexual deviancy in a very negative light, including making a connection between homosexuality and Nazis via a transgendered Nazi criminal, and the Joker is portrayed in a similar manner to Paul Lynde. It also mocks to a certain degree anti-war politicians, as the mayor (a likely democrat) attempts to negotiate with the Mutant leader in jail to get him to call off the Mutants' war on Gotham only to have his throat torn out, with his vice-mayor repeating the same concessions. On the same note, it also showcases the negatives of pseudo-sciences as a psychologist was depicted as being a quack who ended up making Two-Face's insanity even worse despite repairing his face, and was ultimately responsible for letting the Joker escape Arkham Asylum due to the latter faking being cured. That all being said, however, it does feature some anti-Reagan messaging, and also condemns the military due to Joker trying to instigate a nuclear war between America and the Soviets, and America striking first as a result, and it was also revealed that a military general had provided the mutant gang with enough military arms to start a small war.
|$5,589,376 (Part 1) $4,059,217 (Part 2) $9,648,593 (Total)
|-
|''Beauty and the Beast''
|1991
|G
|A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to [[feminism]] to the [[liberal]] movies churned out by [[Disney]] since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault (specifically, her deliberate disobedience towards Beast and the servants by going into the West Wing as soon as she found out where it was located) and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.<ref name="Woolverton and Belle">https://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>https://www.yahoo.com/news/belle-beauty-beast-became-disneys-155053182.html</ref> In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what ''they've'' got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",<ref>http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle</ref> which had partly been done in response to negative criticisms towards Ariel in the previous movie by liberal critics,<ref name="Woolverton and Belle" /> and the feminist writer [[Linda Woolverton]] made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.<ref name="Beauty and Maleficent">{{Cite web|url = http://time.com/2798136/maleficent-beauty-beast-writer/|title = The Same Woman Wrote Maleficent and Beauty and the Beast—Here’s How They’re Linked|date = May 30, 2014|accessdate = January 16, 2014|website = Time|publisher = |last = Rothman|first = Lily}}</ref><ref>http://www.ew.com/article/2016/05/26/linda-woolverton-alice-belle-disney-heroines?xid=entertainment-weekly_socialflow_twitter</ref><ref>https://www.bustle.com/articles/163686-the-one-thing-beauty-and-the-beast-fans-probably-dont-know-about-the-creation-of-belle</ref><ref>http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>http://articles.latimes.com/1992-01-19/entertainment/ca-544_1_disney-film</ref> On that note, this made it the first ''Disney'' animated adaptation of a fairy tale to radically alter the story specifically to promote a left-wing socio-political agenda onto the audience regardless of whether such was actually appropriate for the audience or an actual good message (as prior Disney films generally made alterations specifically to tone down anything that was otherwise inappropriate for the age group for the audience). Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it, the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light. Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting and anti-second amendment sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter, as well as Gaston's villainous nature being first highlighted in his debut scene where he shot a duck out of the sky. According to Don Hahn, there were also several overtones of a pro-homosexual agenda within the film, including choice lyrics of the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made and wanting to push the idea of being "ostracized" for his suffering from AIDS.<ref>https://www.vanityfair.com/hollywood/2017/03/beauty-and-the-beast-gay-lefou-howard-ashman</ref><ref>https://www.denofgeek.com/movies/16583/don-Hahn-interview-beauty-and-the-beast-howard-Ashman-the-lion-king-south-park-and-frankenweenie</ref> Similarly, during the battle in the castle, there was a brief instance of transgenderism that was treated as a joke where the wardrobe proceeded to dress one of the male villagers in a Hawaiian outfit. One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the [[Essay:Worst Liberal Movies#Social|definitely liberal]] ''Maleficent'' movie.<ref name="Beauty and Maleficent" />
|$218,967,620
|-
|''Beauty and the Beast'' (2017 remake)
|2017
|PG
|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it never specifies that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle (who, unlike the original film, actually enjoys it). Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran, in addition to the implied anti-hunting messages from the original film via his profession (which if anything was expanded on by their hinting at Gaston being evil in the Gaston song when he, in reference to LeFou's question about whether shooting his prey from behind was "fair", states he didn't care if it was, even though killing prey when they least expect it is the entire point behind hunting, which was based on a deleted lyric from one of the earlier drafts of what would become the 1991 film.).

All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood is currently out of ideas for motion pictures. It also re-establishes the fact that Disney would, at times, forsake genuine family entertainment in favor of blatant liberal propaganda.

On the other hand, there were also several surprisingly Conservative messages in the film, significantly more than in the 1991 version. Namely, Christianity is treated in a far more positive light in this film than in the 1991 version as one of the few friends Belle has in this version is the village Chaplain named Pere Robert who is shown to be sympathetic to her bibliophilic nature and also attempts to prevent Maurice from being sent to the Asylum, and later is shown to be horrified at the formation of the mob against the Beast (it is to be noted that in the original 1991 film, the character in question was merely a bookseller, not a priest, and most of the villagers, implied to be devout Christians, were demonized in the film), which was also surprisingly accurate to history despite the aforementioned changing of history in the film (in real history, Christianity, especially the Catholic Church, actively encouraged literacy, writing, and arithmetic among both genders, with girls being taught in convents or at the home.). In addition, Maurice actually is shown to be more proactive in this film, such as directly refusing Gaston's attempt at marrying Belle and even attempting to expose Gaston as an attempted murderer and psychopath, and also plays a direct role in saving Belle and himself from the paddywagon after she exposes Beast to the villagers (in the original film, although he does set out to try and find Belle and save her after trying to get the villagers to help failed, he ultimately required saving by her due to catching an illness during his trek, and ultimately needed saving alongside Belle via Chip). In addition, Lumiere as well as the featherduster (named Plumette in this version) are shown to be an actual loving couple (in the original film, it is heavily implied that Lumiere was a frequent womanizer and that the featherduster was also sexually loose), and the remake also doesn't demonize traditional marriage nearly as much as in the 1991 version (notably, the remake cut out Gaston's wedding proposal as well as Belle shoving Gaston into mud in front of attendees). The forgiveness and redemption theme was also significantly more emphasized in the remake, due to Beast ultimately forgiving Maurice after learning why he had tried to steal the rose and even allowing Belle to save Maurice specifically to make up for his past behavior, with Maurice also forgiving Beast upon Belle showing him the baby rattle (originally, Maurice was a bit more hesitant to forgive the Beast). It is also shown to be significantly more pro-family as well, as not only is Belle shown to be loyal to her father like in the 1991 original, but as noted above, Maurice himself took measures to protect Belle and notably agreed with Belle that Gaston would not have worked out for her (originally, Maurice also thought Gaston was alright for her), and he also was shown to be very protective of Belle after his wife had died from the plague, with Belle's mom specifically sacrificing herself by telling them to leave her behind to allow Belle a healthy life. In addition, the triplets (renamed to "Village Lasses") in the remake were depicted as having haughtiness, arrogance, being jealous of Belle, as well as overall being nasty people, including briefly smirking at Belle when she was locked up in the paddywagon as well as being actively involved in the arrest of Maurice as well as the later attack on Beast's castle (in the original film, the triplets were not shown to have any negative behavior to them besides their crushing on Gaston [not participating in the later arrest of Maurice, let alone the attack on Beast's castle shortly afterward during the climax, and also implying at one point that they were willing to give their blessing to Gaston marrying Belle when Belle refused him in the beginning of the film, and while they were present during the final lyrics for the Gaston reprise where Gaston explicitly divulged key details for his blackmail plan, the way it was framed could easily be interpreted as the triplets genuinely not knowing about the plan due to their absence from Maurice's arrival up to the scene where Gaston whispers the plan to LeFou.], and it is also heavily implied that they supported traditional marriage and were demeaned in the film by being referred to in the script as The Bimbettes and treated as dumb blondes for this reason). In addition, according to the film's director Bill Condon as well as one of the triplets' actresses, Rafaelle Cohen, the reason the triplets were intensely jealous and spiteful of Belle was because their mother neglected them while doting on Belle, showcasing the dangers of parental neglect. In addition, at least regarding Maurice, the villagers' actions to him were toned down, where their arresting him was simply due to their being tricked by Gaston into thinking he was a dangerous madman and not out of malicious intent (in the original film, it is heavily implied via the Gaston reprise that most, if not all of the villagers were in fact fully aware that Gaston knew, as did themselves, that Maurice was not actually dangerous and that Gaston was having him arrested specifically to blackmail Belle into marrying him and gave full support to the plan.).
|$1.248 billion
|-
|''Beauty and the Beast: The Enchanted Christmas''
|1998
|G
|Paints Christmas in a positive light, and has Beast learning the meaning behind it, as well as putting aside the past relating to it being the reason he was cursed. Also significantly tones down the more feminist messaging from the original film. However, the manner in which Christmas was depicted was closer to the secular view of Christmas than the actual intended meaning of the holiday being a celebration of Jesus Christ's birth.
|N/A (Direct to video movie)
|-
|''The Bee Movie''
|2007
|PG
|Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie.
|$287,600,000
|-
|''Beowulf''
|2007
|PG-13
|Based on the epic poem of the same name from the Middle Ages, it portrays Christianity in a positive light (as evidenced with the character of Unferth, who wasn't that in the original tale), and the hero, Beowulf, does what he believes is right. However, a significant portion of the film has Beowulf doing anti-Christian things, including mating with Grendel's mother over killing her (a stark contrast with the original tale where he does in fact kill her), and also implies that the dragon that ultimately killed him in the original tale was the result of his sleeping with her (when originally, the dragon had no relation at all to Grendel, his mom, or Beowulf). In addition, it also depicted Hrothgar as a drunken womanizer.
|$82,280,579
|-
|''The Birth of a Nation''
|2016
|
|A drama film about Nat Turner, an enslaved man who led a slave rebellion in Southampton County, Virginia. The film focuses on Turner's life as a slave but also a Christian. There are many scenes where he preaches to his fellow slaves in different plantations, even conduct Baptist services, at the same time, he exposes to the crimes related to slavery, which eventually force him to rebel. The film likewise was also deliberately named after D.W. Griffith's film of the same name in a form of irony due to it pushing the opposite message. However, there is a line at the end of the movie downplaying the deaths of the white slave owners compared to the black slaves, something done by the Hollywood elites and unfortunate because all people are equally valuable.
|
|-
|''Bohemian Rhapsody''
|2018
|PG-13
|A biopic of [[Freddie Mercury]], the lead singer of the band Queen. While it does show elements of the practice of homosexuality and hedonism, at the same time, the film largely condemned the practice since it was made clear that Mercury's embracing of these things was what ultimately ruined Queen and his personal relationships, and is what ultimately killed him via AIDS. In addition, Paul Prenter, the only other major character to embrace homosexuality in the movie, was depicted in a very negative light, as he was one of the reasons Mercury went down a bad path, with it being made clear later on that Paul largely was using Mercury for his own gratification, blamed others for his bad ideas, and even hid vital information from Mercury deliberately such as the Live Aid concert plans as well as Mary Austin calling him. It also had a promotion of redemption, as Mercury, inspired largely by his former girlfriend/wife, Mary Austin nearing the end of the film, attempts to reconnect with his band and family and make amends in the time he had left before dying from AIDS. That all being said, however, it's debatable whether the film intended to paint his homosexual escapades in a negative light, as several members of the production company, including Freddie Mercury's actor Rami Malek, indicated that it was a "regrettable" decision as a result of not having enough time to give a "more balanced" view of (ie, promoting) his bisexual lifestyle.
|
|-
|''The Campaign''
|2012
|R
|Political comedy depicts the Democrat candidate (Will Ferrell) as an obnoxious, drunken womanizer and satire of [[John Edwards]], although the Republican candidate (Zach Galifianakis) is portrayed just as negatively as a corrupt capitalist.
|$33,165,738
|-
|''Casablanca''
|1942
|NR
|A film based on the play "Everybody Comes to Rick's". On the one hand, the film depicts the Nazis in a negative light, as well as Vichy France being depicted in a negative light, and it does promote the idea of self-sacrifice and doing what's right even at expense to oneself via Rick. On the other hand, incidental dialogue implied that Rick had aided and supported the cause of the Communists during the Spanish Civil War (it should be noted that such dialogue was exclusive to the film and not present in the original play<ref>http://www.pages.drexel.edu/~ina22/splaylib/Screenplay-Everybody_Comes_to_Rick's.pdf</ref>), and Lazlo being an "international leader" of a resistance movement against the Nazis hints at him being a Soviet plant. In addition, one of the screenwriters for the film, Howard Koch, was a notorious communist who was later blacklisted from Hollywood via the House of Un-American Activities Committee.
|$3.7 million
|-
|''Chicken Run''
|2000
|G
|Produced by [[Jeffrey Katzenberg]], this vegan propaganda film compares a chicken farm to the [[Holocaust]].<ref>https://www.youtube.com/watch?v=ynn_A73hcfs</ref> The main villain of the movie is a capitalist who wants to make chicken pies. On other hand the main villain of the movie is a feminist as well as she called her husband's ancestors "poor worthless nothings". The film also has some anti-animal cruelty elements as one of the main characters, Rocky mentions that cockfighting is illegal where he comes from.
|$106,834,564
|-
|''Coming to America''
|1988
|R
|When this movie was released in 1988, it was most likely not only considered liberal but praised by liberals. As it had feminist themes (even with a male protagonist), going against tradition, and was about foreigners from an African country. However as liberals moved more and more to the left, they had abandoned ideas in this movie that are considered conservative today. Such an individualism and family, not to mention it is debatable if it supports the American Dream as the proagonist, came to America to look for love.
|$128,152,301
|-
|''The Crow''
|1994
|R
|The tagline claims that our hero is an angel, but he doesn't display any Christian values. However, there is an anti-drug scene were Eric Draven (the hero) makes a drug addict mother realize that her daughter needs her & gets her off drugs. On top of that the film's villains are nihilist anarchists. The film is notable for being Brandon Lee's last film, as an accident on the set killed him during production.
|$50,693,129
|-
|''Ed Wood''
|1994
|R
|Although it does glorify cross-dressing and the [[homosexual agenda]]. It still is pro-capitalism and the film also glorifies the American dream. As despite the obstacles Wood faces, he still continues doing what he loves in making movies.
|$5,887,457
|-
|''Edward Scissorhands''
|1990
|PG-13
|Endorsed by the Christian website ChristianAnswers.net with a 4 out of 5 star rating. Conversely however, a prominently featured Christian character - the only character in the movie ever identified as Christian - is portrayed as fanatical and bigoted against people with scissors for hands.
|$56,362,352
|-
|''Falling Down''
|1993
|R
|Film takes jabs at many [[liberal values]], [[illegal immigration]], union workers, multiculturalism, (one scene were Bill tells his ex-wife that the ice cream shop him and his family used to go to is now a Mexican store) and foreign aid (in one scene Bill asks an illegal Korean immigrate a rhetorical question on how much America has given his country and yells at him after he refuses to learn the language).<ref>https://www.youtube.com/watch?v=Z4tC4qfv92Q</ref> It's also one of the very few films to be truthful in the "Nazis were right wingers" myth perpetrated by liberals, in which Bill informs a Neo-Nazi that he's an American and the Nazi is a sick a-hole. As well as many shots where the America flag is trashed upon (which could symbolize how liberalism has trashed everything America has stood for).<ref>https://www.youtube.com/watch?v=piPzExBdfIg</ref> But at the same time it also takes jabs at capitalism, where Bill believes he's no longer commercially valuable. And although the plot is about man trying to reach his daughter's birthday party, the film seems to toy with its audience in suggesting whether he's mentally ill or not, as opposed to a pro-family message.
|$40,903,593
|-
|''[[Fargo]]''
|1996
|R
|Pregnant sheriff with traditional American family values solves an elaborate criminal embezzlement, kidnapping and murder scheme.
|$24,611,975
|-
|''Fritz the Cat''
|1972
|X (NC-17)
|The movie has a brief moment that promotes shipping weapons to Israel, and it also showcases left-wing elements in a negative light, with the climax having the titular character attempting to stop a bombing plot against a power plant that he tried to accomplish. That being said, however, the film is also pro-drugs and promotes sexual infidelity, and also mocks a few right-wing elements as well, and is rather infamous for being the first X-rated cartoon to be made.
|$90 million
|-
|''Full Metal Jacket''
|1987
|R
|Although including a scene that seemed more catered to the anti-War ideology featuring a door gunner slaughtering civilians during the Vietnam War with obvious glee, the boot camp sequence was nonetheless shown in a realistic and to some extent inspiring light, with Vietnam Veterans also frequently stating that the Gunnery Sergeant's advice saved them during Vietnam, and also features a female Vietcong soldier who is not shown in a positive light at all.
|$46.4 million (North America)
|-
|''Gattaca''
|1997
|PG-13
|A condemnation of human genetic engineering, and a wonderful triumph of individualism in an extremely totalitarian regime. Unfortunately the movie ends with a materialistic message: "They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home" (A phrase said when the protagonist finally managed to go to space).
|$12,339,633
|-
|''Ghost''
|1990
|PG-13
|The [[Bible]] claims ghosts don't exist. Still this film toys with idea that they do, also it has liberal actress Whoopi Goldberg as a psychic medium. Nevertheless, the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, when he does convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being cared away helplessly by evil spirits after they die. It also acknowledges that heaven & hell exists.
|$217,631,306
|-
|''Good Kill''
|2014
|R
|Ethan Hawke plays a man who questions the ethics of his job as a drone pilot, while it is taking a jab at the [[Barack Obama]] regime (Obama has droned more people in the Middle East than George W. Bush, most of whom were innocent bystanders and the left has ignored it or claimed it was a "Fox News conspiracy"). It could also be against the War on Terror too.
|$316,472
|-
|''[[Grease]]''
|1978
|PG
|Some [[conservative]] messages and no [[feminism]] or other [[political correctness]]; jokes about [[public school]] and even [[television]] during the 1950s. Followed in 1982 by a much panned sequel, "Grease 2".
|$153,113,000
|-
|''Grave of the Fireflies''
|1988
|UR
|While the film has been labeled anti-war, the director Isao Takahata stated the actual meaning was about growing up. The film's message is still debatable to this day.
|
|-
|''Hacksaw Ridge''
|2016
|R
|It tells the story of how World War II hero, Desmond Doss became a combat medic hero. However, its stances on gun rights is rather mixed to negative.
|$67,209,615
|-
|''Halloween III: Season of the Witch''
|1982
|R
|Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.<ref>https://www.nytimes.com/1982/10/22/movies/haloween-iii-plotting-a-joke.html</ref> The film's "hero" is also an adulterer.
|$14,400,000
|-
|''Hansel & Gretel: Witch Hunters''
|2013
|R
|Western fairy tale characters Hansel and Gretel are now adults and have their own private bounty hunting organization in hunting witches. Portrays witchcraft in a negative manner, and guns in good light. But the gore, graphic violence and brief nudity is rather unnecessary.
|$55,703,475
|-
|''Hellboy''
|2004
|PG-13
|A live action film adaptation of the Mike Mignola graphic novel of the same name. It is ultimately pro-Christian principles, as the climax had the character John Myers supplying Hellboy (who at that point became Anung un Rama) with a crucifix and reminding him of his upbringing, which ultimately had him rejecting Rasputin's plan of unleashing Hell on the world, and the character Bruttenholm is explicitly depicted as a Christian and portrayed positively for it. It is also anti-Nazi as well. However, whether it's anti-occult is debatable, and the director was the Marxist Guillermo del Toro.
|$99.3 million
|-
|''High Noon''
|1952
|UR
|A favorite of both Presidents [[Dwight Eisenhower]] and [[Bill Clinton]]; [[John Wayne]] said it was "the most un-American thing I've ever seen in my whole life";<ref>http://www.brightlightsfilm.com/47/highnoon.php</ref> though susceptible of various interpretations, most of all it seems to scare people into wanting more government.
|$3,750,000
|-
|''Hoot''
|2006
|PG
|A movie about a bunch of kids who stand up to a CEO company that is trying to put one of its restaurants on a burrowing owl habitat. However the movie contains many morals, and promoting friendship. It does give kids the great inspiration to stand up for what they believe is right.
|$8,117,637
|-
|''Horrible Bosses 2''
|2014
|R
|Sequel to the Worst Liberal Film ''Horrible Bosses''. Though this film could be argued to actually support the American Dream and capitalism, which its processor clearly did not.
|$54,445,357
|-
|''[[The Hunger Games]]''
|2012
|PG-13
|Futuristic totalitarians plan titular annual televised "games" as punishment on the descendants of failed revolutionaries from a past uprising. Although technically a message against totalitarianism and for individualism, Leftist actor Donald Sutherland, who played President Snow, implied that the struggles of the films' protagonists were supposed to be derived from the Occupy Wall Street movement, and the book's author also indicated that the events of the book were based on the George W. Bush administration.
|$406,267,858
|-
|''Independence Day''
|1996
|PG-13
|Although made by liberal director Roland Emmerich with the intention of getting then-President [[Bill Clinton]] re-elected into office as well as having a few liberal values (such as Marty Gilbert, David Levinson's boss, being implied to be homosexual and the fact that Jasmine Dubrow's an unrepentant stripper), it nonetheless manages to push patriotism for America and, due to an ad-lib by actor Bill Pullman, manages to have him bring context of honoring the American holiday Independence Day during President Whitmore's rousing speech before fighting off the alien invaders in a climactic battle. It also has some condemnation towards divorce, as evidenced by David Levinson and Constance Spano's divorce is treated in a negative light, and also is pro-family due to Russell Casse sacrificing himself during battle to save his family. It was followed by a sequel, ''Independence Day Resurgence'', which went fully to the left.
|$817.4 million
|-
|''Indiana Jones and the Kingdom of the Crystal Skull''
|2008
|PG-13
|Although the film does depict the Communists as bad guys (to such an extent that the Russian Communist Party in Moscow was angered by the decision), and implies that Indiana Jones is a Republican or at the very least an [[Dwight D. Eisenhower]] fan, the film also depicts McCarthyism in a negative light, with one character implying that the American Government was simply being paranoid, as well as overall downplaying the true scope of the Soviet menace by having the same character denying there being a sizeable Communist infiltration in America, and also seems to promote paganism in the form of the Crystal Skull.
|$786.6 million
|-
|''Inglourious Basterds''
|2009
|R
|Despite vulgarity and historical revisionism, and also promoting to some degree moral relativism, the film does acknowledge that the Nazis were socialists.
|$120,540,719
|-
|''The Iron Giant''
|1999
|PG
|This animation espouses anti-war themes and also brief but strong anti-hunting sentiments. Firearms in general are shown in a negative light, with the phrase "guns kill" being repeated a total of three times (which was considered a "positive message" by the ultra-liberal media watchdog group [[Common Sense Media]]). The titular giant is referred to as a "big gun that walks." From a conservative viewpoint, he is a poor metaphor for a real gun; unlike a law-abiding citizen who is a gun owner, the giant has no choice in his actions because he is a war machine programmed with the inability to use his weapons for good, but only to use them thoughtlessly and senselessly. The story involves him learning to hide his weapons and "not be a gun". The conclusion is that, in order to protect the public from an incoming missile, he must fly into it and kill himself rather than use his guns against it. As it is explained, "It's bad to kill, but it isn't bad to die." In addition, despite being set during the Cold War, it largely downplays the Soviet menace that was occurring during that time, as the main antagonist, Kent Mansley, is a government agent (implied to be part of the NSA) investigating the titular Iron Giant who at one point while launching a tirade against Hogarth Hughes alludes to the possibility that the Communists may have been responsible for the Giant's creation as a means to destroy America and that they must destroy it before "it destroys us" and is treated negatively for it. Also features some foul language.

That all being said, however, despite the definite anti-gun and anti-hunting themes, the film does portray the military in a fairly positive light, as General Rogarth was shown to be even-headed and only willing to use military force if confronted with evidence requiring for it, also making clear that he was not happy about bringing out an implied large military force for what was apparently a hoax, and while the military does try to attack the Iron Giant late into the film, it was only because they had been manipulated into doing so by Kent Mansley by the latter lying about the giant killing Hogarth Hughes, and only when confronted with evidence that Hogarth had in fact been alive did the military stand down. In addition, when Hogarth left to investigate the evidence of a "martian" taking out an antenna, he proceeded to salute a photograph of his father, who was implied to have died during World War II. Also has a positive portrayal of the American icon Superman in it. There's also an anti-materialist message in it as well as an implicitly Christian message, as Hogarth talks to the Giant about how humans and other forms of life possess souls that live on even after their mortal bodies die. In addition the film also promotes individualism, promoting the idea of the individual choosing how to live their life, which may also support the American Dream as well, as Dean the film's tritagonist is a capitalistic artist.
|$5,732,614
|-
|''The Iron Lady''
|2011
|PG-13
|The British biopic of [[Conservative Party]] leader and 1979-90 [[Prime Minister of the United Kingdom|British Prime Minister]], Margaret Thatcher, showing the effects of conservative economic policy on Britain, helping to lift the country out of its recession. However, it also showed Margaret Thatcher in a somewhat negative light, depicting her during her late years as becoming slightly addled.
|$80,554,188 (international including UK), $27,081,674 (US - domestic)
|-
|''[[Iron Man (film, 2008)|Iron Man]]''
|2008
|PG-13
|The first installment of the Marvel Cinematic Universe stars Robert Downey, Jr., as comic book hero Tony Stark, an initially unsympathetic, billionaire weapons developer with hedonistic habits such as alcoholism, extramarital sex, gambling, and drug use. A theme of redemption then follows when, on a tour in the Middle East, Stark is almost mortally wounded by the evil Islamic terrorist group the Ten Rings, inspiring Stark to turn his life around and build weapons for just causes, not solely for making money. Though he considers giving up weapons development altogether, Stark decides to stand by his Second Amendment rights and builds his first electromechanical suit of armor to escape the Ten Rings upon realizing that his supposed friend Obadiah Stane has been issuing guns to the terrorists behind his back. Overall, ''Iron Man'' teaches that capitalism and the military can be used for good. That being said, the aforementioned revelation that Obadiah Stane had been issuing weapons to the Ten Rings as well as orchestrating Stark's abduction by them earlier could be interpreted as subtle anti-War on Terror messaging.
|$585.2 million
|-
|''Iron Man 3''
|2013
|PG-13
|Overall, it promotes most of the same values as the first two ''Iron Man'' films. However, a plot twist later in the film hints at an anti-[[War on Terror]] message due to it revealing that the "Ten Rings" terrorist organization was a hoax engineered by someone in America, a plot development which was negatively received. Similarly, there was some controversy over the plot development of disabled veterans being used for terrorist attacks against fellow Americans.
|$1.215 billion
|-
|''[[It's a Wonderful Life]]''
|1946
|UR
|It promotes the concept of self-worth and individualism ultimately, and that choices do in fact matter and have consequences, and ultimately promotes faith to a certain extent. However, it also falsely teaches that humanism is what makes life worthwhile; marginalizes [[faith]] with a cartoonish depiction and demonizes capitalism as sadistic and greedy.
|$3,300,000
|-
|''Jaws''
|1975
|PG
|Anti-environmentalism film, the heroes are police chief Brody, WWII vet Quint and Marine Biologist Hooper who team up to take on a monstrous, man-eating great white shark. However, there is a part where (despite the warning) the Mayor keeps the beaches open for the sake of money, which some may say is an anti-capitalism statement. Notable for being one of the first summer blockbusters. It was followed by three sequels in 1978, 1983 and 1987.
|$260,000,000<ref>http://www.boxofficemojo.com/movies/?id=jaws.htm</ref>
|-
|''Juno''
|2007
|PG-13
|A pregnant teenage woman rejects [[abortion]] and decides for an adoptive birth instead. This movie pushes [[feminism]] and marginalizes the essential role of fatherhood.
|$143,492,840
|-
|''Jurassic World''
|2015
|PG-13
|Jurassic Park is now functioning and open for business and the new boss is a woman, an obvious feminist message. Also the military is downgraded as they plan to weaponize dinosaurs. Despite all this feminists weren't impressed and labeled it sexist<ref>https://www.thedailybeast.com/articles/2015/06/10/jurassic-world-a-big-dumb-sexist-mess.html</ref> and even liberal critics called the weaponizing dinosaurs plot asinine.<ref>http://thoughtcatalog.com/olos-nah/2015/06/ill-just-say-what-everyone-is-thinking-jurassic-world-is-terrible/</ref> In addition, there was at least one implicit anti-feminist message in the film, as after the boss's secretary was brutally killed by dinosaurs, Owen indicated that she ultimately deserved her death due to her not acting like a mother.
|$652,270,625
|-
|''Kiki's Delivery Service''
|1989
|G
|The coming-of age story of a young half-witch who only inherited the ability to fly, and she makes the best of it. The film does show the value of hard work and is pro-capitalism (Kiki owns her own delivery business), as well as strong pro-family sentiments, mainly in the form of the baker Osono and her quiet husband, who are excited for the birth of their child, but at the same time it does depict feminism and witchcraft in a positive light.
|$18 million
|-
|''Kingdom of Heaven'' (Director's Cut)
|2005
|R
|A story set in the Crusades period about a young knight who embarks on a journey to realize his destiny. The Director's Cut version of ''Kingdom of Heaven'' is a prime example of how a Director's Cut can significantly improve the entire film. While the theatrical version featured terrible screenwriting and directing (as a result of studio interference), the Director's Cut drastically changes the entire film, significantly fleshes out, ties together, and grounds the story and brings the characters, their motivations, the different themes at play and the world to life. While the theatrical version was seen more or less as pure liberal media, the Director's Cut presents a story about humanity, belief, faith, and God. It also makes a statement about how people of different religious faiths can live together in peace and harmony and also be respectful of different religious beliefs. In addition, it promotes honor, duty, and the importance of doing the right thing, and it also portrays the noble Knights Hospitallers in a positive light. That being said, the film still portrays the Knights Templars in a negative light.
|$47,398,413
|-
|''Kingsman: The Secret Service''
|2015
|R
|Anti-environmentalist, the villain attempts to eradicate the human race because of his belief in man-made global warming. Though the film is full of language and violence as well as a brief nudity scene. There's also one scene were one of the characters gets into a bloody fight with a group of Christians whom are portrayed as "racists".
|$128,261,724
|-
|''Knocked Up''
|2007
|R
|Unemployed, immature and childish 23-year old Ben Stone (Seth Rogen) has a one-night stand with serious career woman Alison Scott (Katherine Heigl), with the unintended consequence of pregnancy. Alison's mother (Joanna Kerns) says she should get the pregnancy "[[abortion|taken care of]]", while Ben's best friend Jonah (Jonah Hill) suggests that "I won't say the A-word, but it rhymes with abortion." Alison decides to keep the child, while Ben decides to find a real job, grow up, and become a father.
|$148,768,917
|-
|''Labyrinth''
|1986
|PG
|It's debatable if the film is pro-family. While the main story is about a girl who has to rescue her baby brother from the Goblin King, our hero Sarah doesn't really learn the importance or responsibly of being an older sibling.
|$12,729,917
|-
|''The LEGO Movie''
|2014
|PG
|It's anti-large government because it teaches that anyone has the potential to be extraordinary, but it's is also anti-capitalist because the main villain is Lord Business. Ironically, the LEGO company is a champion of capitalism.
|$469.2 million
|-
|''Lincoln''
|2012
|PG-13
|Bio film on conservative icon [[Abraham Lincoln]], played wonderfully by Daniel Day-Lewis. Although overall very positive towards Lincoln and the Republican Party, it nonetheless downplays the role the Democrat Party played in the institution of slavery during the Civil War.
|$182,207,973
|-
|''Lionheart''
|1990
|R
|Pro-family as Jean-Claude Van Damme plays Lyon Gaultier (nicknamed Lionheart) who becomes a street fighter to help pay his sister-in-law's expenses after her husband is killed. During this time he also tries to reconnect with his estranged family. However he gets into the country illegally, which some could point out is a pro-illegal immigration statement.
|$24,078,196
|-
|''The Lorax''
|2012
|PG
|Although it has an environmentalist agenda, it also states that monopolies are wrong.
|$214,030,500
|-
|''Mrs. Doubtfire''
|1993
|PG-13
|Robin Williams plays Daniel Hillard; a father who cross-dresses as a nanny with the help of his gay brother (Hollywood trying to shoehorn the [[homosexual agenda]] one might say.) to be with his children. However, on ''Louder with Crowder'' it was one of the films (#1 actually) on TOP 5: Triggering Movies That Couldn’t Be Made Today, due to rampant gender confusion that's been happening recently.<ref>https://www.youtube.com/watch?v=FWfSjyGNRPE</ref>. Also on a conservative note; it is a clear pro-family film, that is pro-fatherhood. There is also some condemnation to smoking as it shown to be [[taboo]], with Daniel refusing to promote it to children, and Miranda, getting upset when she thought Mrs. Doubtfire smokes.
|$219,195,243
|-
|''Mulan''
|1998
|G
|The film has Liberals changing history to suit their feminist agenda similar to what they did in Pocahontas as well as some historical revisionism (In the film the Huns are at war with China, even though this never happened) and there was a scene in the climax where most of the soldiers cross-dressed as concubines in order to infiltrate the Imperial Palace. However, the central theme of [[Filial piety]] from work it was based on, [[The Ballad of Mulan]], is still present ultimately, as the main reason Mulan joined the military was because her father suffered a severe injury that made him unfit for combat, and the film is pro-Military.
|$120,620,254
|-
|''Munich''
|2005
|R
|Tells the story of the 1972 [[Munich massacre]] and is not politically correct about Islamic terrorism, much to the dismay of liberals. On the other hand, Conservatives have been critical of the film due to it being considered too sympathetic to the terrorist group in question.
|$47,403,685
|-
|''The Muppet Christmas Carol''
|1992
|G
|A live action adaptation of Charles Dickens' seminal work ''A Christmas Carol'' with various Muppets playing the role of various characters in the story (and Gonzo as Charles Dickens himself) as well as Michael Caine as Ebeneezer Scrooge. Promotes many of the same themes of redemption and the spirit of Christmas as the original story. Also has a rather humorous promotion of the American dream, as in a scene exclusive to the movie, the headmaster of Scrooge's boarding school, portrayed by Sam the Eagle, suggests he go into the work force and tells him that it's the "American way", causing Gonzo to break character to inform Sam of the true setting of the story, causing Sam to correct himself by saying it is "the British way". That said, however, the ending song does have slightly Marxist overtones.
|$27.2 million
|-
|''P.C.U.''
|1994
|PG-13
|College students fight back against a campus where the administration promotes official [[diversity]] awareness weekends and radical [[feminism]], [[veganism]], and [[political correctness]] run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups.
|$4,350,774
|-
|''[[The Passion of the Christ]]''
|2004
|R
|Downplays the [[Resurrection]]<ref>The original version of the film had no references at all to the Resurrection.</ref> and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the [[Shroud of Turin]] and confirmed by modern science.

On the other hand, it nonetheless does attempt to promote Christianity and Christ, and its success also resulted in liberals [[Jeffrey Katzenberg]] and David Geffen revealing their true natures by blacklisting Mel Gibson from future productions.<ref>http://www.theamericancause.org/patgibson.htm</ref>
|$370,782,930
|-
|''The Path to 9/11''
|2006
|NR (TV Documentary)
|Although the film largely pans George W. Bush's efforts during the War on Terror, it does depict the Taliban, al-Qaida, and Osama bin Ladin in a negative light, and there was a scene that appropriately places blame on then-President Bill Clinton for why 9/11 happened when he refused to give the order to kill Osama bin Ladin (a claim that was later vindicated by the CIA). Unfortunately, Clinton-aligned Democrats forced ABC via [[Robert Iger|Bob Iger]] to cut the footage in question via staged negative responses, and a planned DVD release for the Documentary itself was later shelved at the order of Iger during the 2008 election, neither being released to DVD by Disney itself and its associates, nor even having its rights sold to another company altogether, for reasons that were heavily suspected by various people, including the man who made the documentary in the first place, to be done at the order of Hillary Clinton in order to ensure she succeeded in her attempt at winning the Democrat primary and President of the United States during the 2008 election.<ref>https://web.archive.org/web/20120523041134/https://www.breitbart.com/big-hollywood/2012/05/18/cia-vindicates-path-911-clinton-claim</ref>
|NR (TV Documentary)
|-
|''Pillow Talk''
|1959
|UR
|A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones. There are no distortions by feminist ideology. Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it!
|$18,750,000
|-
|''Pokémon Ranger and the Temple of the Sea
|2006 (Japan) 2007 (USA)
|G
|Debatable as to whether the film is pro-parenthood or not. On the one hand, it does showcase May's mother status with Manaphy in a positive light. But on the other hand, it also is implied by the titular Pokémon Ranger Jack Walker to be a negative due to interfering with the mission, and in the climax, May ends up not doing a thing to attempt to save or even aid in saving Manaphy from Captain Phantom when the latter abducts it despite it being within her ability, which hints at parenthood being a negative.
|N/A (America; Direct-to-Video)
|-
|''Pocahontas II: Journey to a New World''
|1998
|G
|A sequel to the Worst Liberal Movie ''Pocahontas'' released during the infamous Eisner-era direct to video sequel line. It still has some elements to feminism as well as some degree of Historical Revisionism (due to showing William Shakespeare present in the opening song despite being dead by the time of the setting of the film). That being said, however, the British as well as the former colonists are depicted in a significantly more positive light compared to the original film, and the ending also has an implicit promotion of marriage. Likewise, it also notably ends with John Rolfe marrying Pocahontas like their real life selves.
|N/A (Direct-to-Video)
|-
|''Pulp Fiction''
|1994
|R
|Despite saying the F-word in almost every sentence, the film (surprisingly) has a pro-Christian message as after being shot at, every bullet misses mob hit men Jules Winnfield and Vincent Vega. Winnfield believes it was a divine intervention and message from God to stop his life of crime. His partner doesn't believe this but it's later proven to be true as he perished later on in the movie. Also has sadomasochistic homosexuals as the bad guys. And (sort of) has an anti-drug message as mob boss's girlfriend Mia Wallace is seen also overdosing (a negative side to drugs) on heroin.
|$107,928,762
|-
|''The Rescuers''
|1977
|G
|The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich. To add insult to injury, the villains are Southerners. The United Nations is shown in a positive light. On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped). This is one of the rare Disney films feature a [[Christian]] character that's treated in a positive light.
|$29 million
|-
|''Recess: School's Out''
|2001
|G
|The animated movie of the cartoon series of the same name. On the one hand, the film implicitly promotes the decadent era of the 1960s (in particular, 1968) where it depicts characters Muriel Finster and Peter Prickly as hippies during their teacher training in a flashback, and also implies that the concept of recess was developed by the hippies. On the other hand, it also encourages at one point allowing children to act like children, and ultimately promotes Recess and Summer Vacation as a concept, and the main villain, Phillium Benedict, is a radical former head of the liberal Department of Education who wished to eliminate recess and later summer vacation to raise test scores with the implication of wanting to become President (who was fired largely because he proved to be too extreme even for that department), and also represents [[liberal values]]. Also has a slight condemnation of the public school system's mistreatment of children, as Peter Prickly in the ending thanks TJ for having him remember that he originally became a teacher and (albeit unintentionally) principal of Third Street out of a desire to help children, and had largely forgotten that bit until that time.
|$44.5 million
|-
|''Robin Hood''
|1973
|G
|Animated Disney adaptation of the iconic story, depicting all of the characters as anthropomorphic animals. Although the story itself was based on [[Joseph Ritson]]'s revised version of the character that was in support of the Jacobin cause and thus was a liberal icon (steals from the rich, gives to the poor), the villain is Prince John who makes his money from taxes, suggesting Robin Hood is only giving money the government demanded back to people who actually worked for it, and thus was implicitly closer in themes to the original, pre-Ritson revision version of the character. It also features a condemnation of government encroachment of the church, as a pivotal scene featured the Sheriff of Nottingham explicitly stealing a coin from the poor box and his later arresting Friar Tuck for trying to stop him, and the Sheriff's actions were clearly being framed in a horrible light.
|$32 million
|-
|''Shame''
|2011
|NC-17
|While the movie shows [[Hollywood Values]], such as sex addiction, in a negative light and is clearly anti-[[homosexual agenda]], as the main character reaches his lowest point by partaking in such acts, the film is graphic in its nature leaving one to question how conservative it really is.
|$3,909,002
|-
|''Shrek''
|2001
|PG
|Loosely based on a 1990 fairytale picture book by William Steig, the first feature-length computer animation by DreamWorks SKG stars Shrek, a socially challenged ogre who becomes an unlikely hero when he forms an alliance with a pesky, talking donkey to rescue a princess at the behest of the evil Lord Farquaad of Duloc, who hates fairytale-type beings and has forced a host of them to live in Shrek's swamp. Not long after they rescue Princess Fiona, Donkey learns that she was cursed as a child to transform into an ogre herself by night and that only marriage can break the curse. Shrek does not hear this message clearly at first and thinks Fiona is calling him an "ugly beast" before he realizes she actually despises her own ogre form and stops her marriage to Farquaad, preventing him from becoming a tyrannical king and continuing to oppress fairytale beings. Although DreamWorks is liberal, the dialogue occasionally resorts to adult humor (such as Shrek and Donkey cracking jokes at Farquaad's expense that implied that he had small gonads when explaining what he's like), and Fiona sometimes behaves like a feminist (as when she effortlessly uses martial arts against Robin Hood and his Merry Men), it is implied that most of the characters are Christians as the gingerbread man says "God Bless Us Everyone" (a reference to the character Tiny Tim in ''A Christmas Carol''). The gospel song "I'm a Believer" at the end of the feature, and the scene where Shrek and Fiona are silently upset about being separated has the version of "Hallelujah" by Leonard Cohen. Robin Hood is a secondary antagonist, but he is at least implied to be based on the infamous revisionist version by [[Joseph Ritson]] that was made in solidarity to the [[Jacobin]]s during the French Revolution). Lord Farquaad, intended to be based on Liberal [[Disney]] CEO [[Michael Eisner]]<ref>http://articles.chicagotribune.com/2001-04-06/features/0104060008_1_lord-farquaad-dreamworks-jeffrey-Katzenberg</ref> (which adds to the whole film's existence as a reverent parody of Disney fairytale animation conventions), is likewise a lampoon of materialism because he only desires Fiona's marriage so he can officially become the King of Duloc. Finally, shortly after Farquaad meets his end at the jaws of Donkey's dragon love interest, Donkey jokes about [[Hollywood values]]: "Celebrity marriages, they never last, do they?"
|$484.4 million
|-
|''Shrek 2''
|2004
|PG
|The sequel to the above film. On the one hand, aside from DreamWorks being liberal, there are some jokes that could be interpreted as promoting gender confusion (such as the revelation that Pinocchio was wearing women's underwear while he and the other fairy tale creatures save Shrek and Donkey from imprisonment). On the other hand, there is also an anti-racism message for the film, since Fiona's father, the king of Far Far Away, is initially distrusting of Shrek largely due to the latter's Ogre status, and eventually comes to accept him upon realizing Fiona does truly love him, even going as far as to save his son-in-law from Fairy Godmother at the end, and the main villain, Fairy Godmother, is explicitly racist against Shrek for his species, insisting that "Ogres do not get happy endings" repeatedly. Also like the prior movie, it has a more anti-materialist message, as Fairy Godmother as well as her son, Prince Charming, both only intended to use Fiona in order to gain control over Far Far Away, similar to Lord Farquaad in the preceding movie. It also has a redemption message in the form of Puss in Boots, who initially was hired to kill Shrek, but after Shrek spares him, he ultimately became a loyal ally to Shrek, even willingly holding off several soldiers to allow Shrek and Donkey (who at that time had been transfigured into a handsome man and a white stallion, respectively) enough time to stop Prince Charming and Fairy Godmother from having Fiona "wed" the former (due to thinking that Fiona ingested a brainwashing serum inside her tea that had been laced on Fairy Godmother's orders). Also has a degree of anti-feminist messaging due to Fairy Godmother clearly adhering to the feminist view on things.
|$919.8 million
|-
|''[[The Simpsons]] Movie''
|2007
|PG-13
|Portrays the liberal [[Environmental Protection Agency|EPA]] as a villainous and devious agency, and portrays the Government in general as intrusive and corrupt, and also features a key element of the story where Homer attempts to redeem himself of his more unpleasant nature, and Flanders' attempts at helping the Simpson family, in particular Bart, are treated positively. On the other hand, it also promotes [[environmentalism]] in the beginning, and also had Arnold Schwartzenegger as the president of the United States despite his legally not being eligible for the presidency due to being Austrian. There is also a brief sight gag where two homosexual policemen proceeded to make out in an alley by the motel the Simpson family was hiding at, with Marge narrowly escaping being spotted by them. In addition, the early part of the film has Homer twice making statements that implied a more atheistic outlook relating to Christianity: The first just as the Simpsons arrive at Church while running late where Homer mouths off "Relax, those pious morons are too busy talking to their phony-baloney God."; the second when Abraham Simpson ends up getting a divinely inspired vision about Springfield's potential future, where Homer, consulting the bible in a panic, yells "I can't! This book has no answers!" Overall, it's as debatable in terms of its Conservativism as the TV show it acted as a movie for.
|$183,135,014
|-
|''Soul Man''
|1986
|PG-13
|A white student cheats the [[affirmative action]] system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portrays the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect.
|$27,820,000
|-
|''Starship Troopers''
|1997
|R
|Although it overall depicts the Military in a protagonistic light and arguably is pro-war and pro-military, the director of the film, Paul Verhoeven, implied it was actually supposed to push an anti-military, anti-war message where it implied that America during the Cold War were automatically fascists simply because they are entering war, and specifically stated it was "a natural evolution for post-World War II America." In addition, to reinforce Verhoeven's message, he deliberately modeled various scenes after ''Triumph of the Will'' and other pro-Nazi propaganda scenes, as well as modeled the protagonists' uniforms after the uniforms utilized by the Nazis (i.e., the character Carl, played by Neil Patrick Harris, wearing a uniform that was modeled after the [[SS]]). When asked by Michael Ironside, who was one of the people who had a role in the movie and had read the original book, about why he made the movie despite Verhoeven's leftist politics, he answered "If I tell the world that a right-wing, fascist way of doing things doesn't work, no one will listen to me. So I'm going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it's only good for killing ******* bugs!" (note that fascism is not "right wing", it is left wing, so Verhoeven's incorrect regarding which wing the Nazis/fascists were part of).
|$54,814,377
|-
|''Sudden Death''
|1995
|R
|Disgraced firefighter now becomes a laughingstock fire marshal uncovers a terrorist plot, at a Hockey game, plans to redeem himself and protect his children and the Vice President from said terrorists. However, they're not Islamic, which may have been because the film was trying to be politically correct.
|$20,350,171
|-
|''Super''
|2010
|R
|Main character becomes a superhero after a vision from God. He also frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole movie. Although contains foul language, violence, and brief nudity scenes.
|$327,716
|-
|''S.W.A.T''
|2003
|PG-13
|Film adaptation of the conservative TV show from the 70's does still share the same pro-law enforcement messages, but has a female character named Chris (played by Michelle Rodriguez) who was never in the television show. Which some may point out was only put there to be more "progressive" and promote feminism.
|$116,934,650
|-
|''Team America: World Police''
|2004
|R
|While it is clearly pro-military, pro-America, and anti-Hollywood (notably, there was a scene where [[Michael Moore]] had a cameo as a suicide bomber, with his death being made especially graphic by stuffing his dummy with ham as revenge towards his "A Short History on America" segment from ''[[Bowling for Columbine]]'' that falsely attributed the creators of the film to the segment.), the movie is riddled with liberal values, including toilet humor and vulgar language throughout. Also, in the movie's foul-mouthed theme song, it favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans. Penned by the creators of ''[[South Park]]'' and ''The Book of Mormon'' musical.
|$32,786,074
|-
|''[[Titanic]]''
|1997
|PG-13
|Every life had value and the most powerful men gave up their seats on lifeboats to women and children first; the media and a young [[RINO]] are rightly criticized; broke the record in movie revenues. However, it also gave some hints at a pro-socialist view, and a key scene involving Rose being drawn in the nude is invocative of pornography.
|$600,779,824
|-
|''Top Gun''
|1986
|PG (Should be PG-13)
|Please add info.
|$356.8 million
|-
|''[[Trainspotting]]''
|1996
|R
|It's been debatable if the film is anti-drug.
|$16,491,080
|-
|''Transformers: Dark of the Moon''
|2011
|PG-13
|The film has an implicit denouncement of illegal immigration, due to the main villain, Sentinel Prime, tricking the protagonists into allowing for more Transformers to take over Earth as well as forcing them to recreate Cybertron. Also has a bit of a condemnation on feminism, as the current head of the Sector 6, a female, is depicted in a fairly negative light, and takes offense to being called a woman despite Sam Witwicky's girlfriend innocently pointing out that this is in fact her gender. On the other hand, it depicts Barack Obama and Republicans in a positive and negative light, respectively, and one of the main villains is a Capitalist.
|$1.124 billion
|-
|''[[The Twilight Saga]]''
|2008-2012
|PG-13
|Mocks [[public school culture]] and promotes [[abstinence]] until marriage, traditional courtship, and the [[pro-life]] movement, but it glorifies vampires and werewolves in a way that doesn't attack Christianity but is still incompatible with Christianity. The star, Kristen Stewart, is a liberal who has made remarks insulting the U.S. Military.
|$1,365,922,346
|-
|''U-571''
|2000
|PG-13
|Had a plot which was based on the first capture of a [[German]] [[Enigma machine]] in [[World War Two]]. Despite the film being patriotic to America, the facts are wrong as the Enigma machine was captured by the [[British]] in 1941 prior to the Americans entering the war.
|$77,122,415
|-
|''U.N. Me''
|2009
|
|Although it utilizes several of the same methods as [[Michael Moore]]'s schlockumentaries, it nonetheless does expose the very corrupt nature of the [[United Nations]].
|
|-
|''Van Helsing''
|2004
|PG-13
|Thanks to [[Hollywood values]], Van Helsing isn't portrayed as the Christian character he should be, but the film still gets its good vs. evil message across. As well as portraying the Catholic church in a positive light. The director Stephen Sommers has made conservative films ''The Mummy Returns'' and ''G.I. Joe: The Rise of Cobra'' though.
|$120,177,084<ref>http://www.boxofficemojo.com/movies/?id=vanhelsing.htm</ref>
|-
|''Wall-E''
|2008
|G
|The movie shows the dangers of big government (BNL), however it is also anti-capitalist and pro-environmentalism as BNL is a corporation.
|$223,808,164
|-
|''The Way We Were''
|1973
|PG
|Unique in the way that it appears liberal to liberals while unintentionally sending a [[conservative]] message to young women. Stars uber-liberal [[Barbra Streisand]].
|$49,919,870
|-
|''We're the Millers''
|2013
|R
|A drug dealer, stripper, runaway, and average loser pretend to be a family to sneak marijuana out of Mexico. However, they learn the value and importance of family. The villains of the movie are all drug gang men, the film also features a stripper scene, and whether or not the film is anti-drug in the end is debatable.
|$150,394,119
|-
|''Who Framed Roger Rabbit''
|1988
|PG (Should be PG-13)
|A loose live-action/animation adaptation on the book ''Who Censored Roger Rabbit?'' by Gary Wolf. On the one hand, the movie contains many innuendos and crude humor, the antagonist Judge Doom is a capitalist, and the relationship between a toon rabbit and a toon human may be seen as promoting bestiality. On the other hand, the movie depicts marital fidelity in a positive light, as initial signs of Jessica Rabbit's infidelity are in fact part of the antagonist's plot and in reality she actually cares very deeply about her husband (it should also be noted that in the book the film was based on, Jessica was extremely unfaithful to Roger Rabbit, and enjoyed being a porn star, even outright using Roger for stardom. Later additions to the story altered this characterization to be closer to the film and had the initial version be part of a nightmare Jessica had). The film also contains an anti-alcoholism message not present in the original novel in which Eddie Valiant becomes a heavy drinker after the death of his brother (in the original novel, Eddie was just a drinker and didn't have a brother) but eventually pours the alcohol out of the flask that he carries in his holster.
|$349,200,000
|-
|''Yours Mine and Ours''
|2005
|PG
|The film is about a widower father of a conservative family who marries a widowed mother of a liberal family. Their two difference lifestyles contradict with each other, and the film does not really pick a side of on whose lifestyle is better. However, it does have a scene where the liberal kids outsmart the conservative kids (By tricking them into thinking there is a fire and then getting to use the bathrooms to themselves). Also, has a scene where the kids work together and use conservative tactics to end bullying without the help of an authority figure. In the end, the kids learn to put their differences aside and realize that family is what matters more.
|$53,412,862
|}

== Debatable Whether Great ==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''10 to Midnight''
|1983
|R
|Charles Bronson plays Leo Kessler, a cop trying to catch a serial killer rapist, while the bureaucrats do everything to defend him. The film feels like a poor man's Dirty Harry and many critics pointed out that Charles Bronson seemed to be playing a clone of his former character Paul Kersey from the ''[[Death Wish]]'' franchise.
|$7,175,592
|-
|''A Good Day to Die Hard''
|2013
|R
|Although the previous ''Die Hard'' movies were largely politically neutral, this film portrays the CIA in a positive light, and both the main and surprise villains are unrepentant, anti-American former Soviet Communists who intended to access Cold War-era weapons grade uranium and sell them on the black market. Plus, the film is pro-family due to John McClain trying to reconnect with his son Jack. Despite this, it was largely a box office failure, and it has fairly weak story elements.
|$304.7 million
|-
|''Aladdin and the King of Thieves''
|1996
|G
|Was another entry into then-Disney CEO Michael Eisner's infamous Direct to Video sequel line, and as such also has evidence of it being poorly made. But on the other hand, it also has similar themes to ''Return of Jafar'' regarding forgiveness and redemption in regards to the titular character. It also is notable as having a pro-traditional marriage message due to Aladdin and Jasmine's wedding factoring into a large part of the plotline, with it also being implied that the kingdom of Agrabah may have held Coptic Christianity as its main religion, one of the few Disney productions during this time to feature such a message on marriage since ''The Little Mermaid'' back in 1989. In addition, it ultimately is pro-fatherhood in the form of Cassim, the titular king of thieves, who was Aladdin's father, and while the central antagonist, he is nonetheless depicted in a more sympathetic light as he became the King of Thieves simply so he could provide for his family, and ultimately was redeemed in the ending of the film.
|
|-
|''Armageddon''
|1998
|PG-13
|Though this film promotes patriotism and mocks environmentalism, the overall plot is fairly nonsensical and the action sequences bombastic. Bruce Willis even won the Razzie award for Worst Actor for making this movie, and this movie also received six other Razzie nominations, though it didn't win any.
|$201 million
|-
|''Auschwitz''
|2011
|R
|Isn't politically correct on the topic of gun control as Nazi officers are seen shooting Jewish citizens and forcing them into concentration camps. However, its low budget and poor production value really hurts the film.
|
|-
|''Battle Los Angeles''
|2011
|PG-13
|Pro-military, but alien invasion plot has gone stale in this day and age.
|$83,552,429
|-
|''Battleship''
|2012
|PG-13
|The U.S. military may be depicted positively, but the overused alien invasion plot and the fact that it's based on a board game really makes it hard to consider good.
|$65,422,625
|-
|''The Black Cauldron''
|1985
|PG
|The film has some subtle Christian messages, as the Horned King, the main antagonist who tries to gain the Black Cauldron to rule the world, is depicted in a very Satanic light, and the character Gurgi ultimately sacrifices himself in order to stop the Horned King, eventually being revived shortly thereafter. Also shows a promotion of the concept of being humble, as Taran still considers himself a pig herder even with his role in saving the world. However, the film was a massive box office bomb, with a large part of the reason for it being underperforming being due to both the dark elements of the film, especially for a Disney-made film, and due to a huge amount of footage (at least ten minutes worth) being cut from the film by then-Chairman of Disney Animation [[Jeffrey Katzenberg]].
|$21.3 million
|-
|''Blood Freak''
|1972
|NC-17
|This cult horror film stars a Vietnam veteran named Herschell who is tempted by a young Christian girl's marijuana-addicted sister to smoke a joint himself, then hallucinates himself going on a killing spree. Once free from his hallucinations, Herschell is rehabilitated and finds God. Overall, the film stands up for Christianity and against drugs but focuses more on the spectacle of violence than creating well-rounded characters and a coherent storyline.
|$25,000
|-
|''The Brave One''
|2007
|R
|Although it stands up for the freedoms guaranteed by the [[Second Amendment]], its plot is almost identical to ''[[Death Wish]]''.
|$36,793,804
|-
|''Camelot''
|1967
|G
|The famous jousting scene is a powerful display of Christianity, chivalry, and other virtues, but the movie seems lost afterward.
|$31,102,578
|-
|''Carnosaur''
|1993
|R
|The villain is an environmentalist who believes that the earth was made for the dinosaurs, so he tries to wipe out the human race and allow dinosaurs to reclaim the Earth as their own. However, the film is considered a copy of ''[[Jurassic Park]]''.
|$1,753,979
|-
|''Captain America''
|1990
|PG-13
|As implied by the title, the Marvel Comics adapdation gets its [[Patriotism|patriotic]] message across. However, due to a low budget, poor production values, and disjointed editing, the film becomes tedious and sometimes laughable. It would be twenty-one years before another adaptation of the conservative superhero's adventures would be made.
|$10,173
|-
|''Collateral Damage''
|2002
|R
|[[Arnold Schwarzenegger]] stars in this pro-War on Terror (released shortly after 9/11 no less) film were he avenges his family after a terrorist attack. However, the story feels formulaic. Even though the film was made and completed before the September 11 attacks, it was set for an October 2001 release and then pushed back four months.
|$40,077,257
|-
|''Commando''
|1985
|R
|Former Republican California governor [[Arnold Schwarzenegger]] stars as former Delta Force leader John Matrix as he rescues his daughter from Communist insurgents (and the freelance soldier working for them, a former colleague of Matrix's who was fired from Delta Force for brutality) who plan to bring Communism back to their now liberated country. Despite this celebration of family, the action is goofy and cheesy, making it an unintentional comedy.
|$35,100,000
|-
|''Ernest Goes to Camp''
|1987
|PG
|Ernest P. Worrell (played by the late Republican actor Jim Varney) is a camp counselor put in charge of a group of Juvenile convicts from a corrective institute. Ernest manages to change the boys' ways by showing unconditional love, despite their reputations. In this, the film shows the conservative values of loving your enemy, with Ernest being the only one in camp who is nice to the boys. However, like most movies in the Ernest series, the humor is very campy and juvenile, and its clearly a kids movie.
|$23,500,000
|-
|''The Fallen Ones''
|2005
|NR (TV movie)
|The film portrays demons in a very negative light and teaches Judeo-Christian principles, but the production was so low-quality that it comes across at times as being very cheesy.
|N/A (TV movie)
|-
|''G.I. Joe: The Rise of Cobra''
|2009
|PG-13
|This live-action adaptation of the conservative cartoon from the 1980s is nevertheless a disappointment largely due to the acting, directing, screenplay, nonsensical action, and mediocre visual effects. The film followed by an equally forgettable sequel in 2013. This led to the franchise being rebooted in 2020.
|$150,201,498
|-
|''Godzilla''
|2014
|PG-13
|The film does warn against the consequences of playing God because it's about a scientist who accidentally creates a destructive reptilian monstrosity, but it is poorly made regardless. The idea of seeing the destitution from a soldier's point of view works on paper, but the characters are too underdeveloped, Godzilla is barely on camera, and the scenes of destruction (what first made the ''Godzilla'' films famous) are practically missing.
|$200,676,069
|-
|''Hercules''
|1997
|G
|Loosely based on the Greco-Roman myth of the demigod strongman Hercules, this Disney animation has some Christian messages like honoring one's father and the triumph of good over evil. In addition, contrary to how he is depicted in regular mythology, Zeus's characterization in the film was closer to that of the Biblical God. Unlike the original myth, in which Hercules was born as a result of Zeus's infamous womanizing actions with mortal women and Hera hated him due to this, Hercules in this film is the actual offspring between Zeus and Hera, putting family values first. Plus, he is raised a mortal this time because the main villain, Hades, has his minions abduct the then-infant Hercules and feed him a potion that drains him of virtually all of his godly potential in order to assassinate him and prevent him from striking down Hades in the future. Another reason why family is a major theme is that Hercules' disappearance greatly devastates both Zeus and Hera, and Zeus, upon learning that Hercules was alive, is greatly overjoyed to learn of his son's survival and admits he is his father. Lastly, the main villain, Hades, while humorous, is nonetheless depicted in a satanic light, and was reported to be based on former Disney animation chairman and staunch liberal [[Jeffrey Katzenberg]].<ref>http://community.seattletimes.nwsource.com/archive/?date=19970622&slug=2545749</ref> However, it underperformed in theaters and with critics.
|$252.7 million
|-
|''Home Alone 2: Lost in New York''
|1992
|PG
|In the sequel to the first ''Home Alone'', Kevin McCallister is once again accidentally separated from his family while being laid over in New York City and must be self-reliant to survive. He takes advantage of an opportunity to save a children's charity from being robbed by the Wet Bandits from the previous film, using man-made traps against them once more with some modifications. [[Donald Trump]] makes a brief, positive cameo, too, to help Kevin navigate his way through the Plaza Hotel. Family values return as Kevin once again wishes his family away but then misses them. Kate's maternal instinct returns as well because she is determined to find Kevin, even when others tell her there is no hope. Kate once again finds help from a charitable, sympathetic person (in this case, an NYPD officer), who helps her by bringing her to Rockefeller Center, where she finds Kevin. However, it was not as well-received as the first film: most of the criticism was directed towards the fact that it recycles most of the story elements of the previous film.
|$359 million
|-
|''Home Alone'' 3, 4, and 5
|1997, 2002, 2012
|PG
|Installments 3 and 5 in these sequels to the Christmas classic ''Home Alone'' do not involve the original cast, while the fourth only features part of the original cast. They each have a similar story and themes to the original, with the third featuring Communist North Korea and terrorism in a negative light since the antagonists are internationally wanted hitmen tied to North Korea. However, they were nowhere near as popular as the first two because they are considered lesser versions of the originals.
|$30,882,515, N/A straight to DVD, Made for TV Film
|-
|''How the Grinch Stole Christmas''
|2000
|PG
|A live-action remake of the animated TV adaptation of the [[Dr. Seuss]] book of the same name. Overall, the film promoted many of the same themes as in the special and book, and also expanded on the implied redemptive themes of the special by revealing that the Grinch's hatred of Christmas dealt with being bullied, and ultimately overcoming that past and learning to enjoy Christmas. That all being said, however, the film suffered from production problems where studio heads forced in some raunchy, age-inappropriate jokes into the storyline, in spite of both director Ron Howard and Jim Carrey's insistence that they keep the film family friendly (and in the case of the latter, was careful to keep any ad-libbed humor family friendly) that ultimately harmed the quality of the film. This, alongside the Worst Liberal Movie Live Action Adaptation of another [[Dr. Seuss]] story, ''The Cat in the Hat'', doubling down on many of the aforementioned raunchy elements and pushing more left-wing material, eventually resulted in the Seuss estate placing a ban on Live Action adaptations of various ''Dr. Seuss'' stories.
|-
|''It Takes Two''
|1995
|PG
|Twins Mary Kate and Ashley Olsen star as two unrelated but identical-looking girls who try to get one's father and the other's social worker to fall in love. Though ''It Takes Two'' teaches how important it is for a family to have a mother and a father, it has been criticized for having too similar a story to ''The Parent Trap''.
|$19,474,589
|-
|''Jack and Jill''
|2011
|PG
|Adam Sandler stars as both Jack and his "identical twin sister" Jill in this family comedy that features pro-capitalism and pro-family values. That aside, ''Jack and Jill'' is an aggressively poorly acted (apart from a strangely committed performance from Al Pacino), poorly written, poorly directed film with an appalling premise (the idea of a man having an "identical twin sister" is nightmarish at best) that received overwhelmingly negative reception from critics and audiences alike, who often called it the worst film of 2011. At the 32nd Golden Raspberry Award ceremony in 2012, ''Jack and Jill'' "won" in all twelve categories, even beating the liberal propaganda piece ''Battlefield Earth''.
|$149,673,788
|-
|''Kidnap''
|2017
|R
|Mother Karla Dyson stops at nothing to save her kidnapped child. The plot, while supportive of family and traditional motherhood roles, has been already seen in other conservative films such as ''Prisoners'', Ransom'', and ''Taken''.
|
|-
|''The Land Before Time'' sequels
|1994-2016
|G
|The films deal with various conservative themes such as reconciliation, anti-racism, family values, friendships being important, and the like. That being said, however, the films' actual quality and their being direct to video sequels tend to leave much to be desired regarding the plotlines.
|N/A (Direct to Video)
|-
|''Lady and the Tramp 2''
|2001
|G
|Lady and Tramp’s son, runs away to join the Junkyard dogs (a clear allegory for criminals), where he Angel, who encourages him to return home after realizing he has a family. Also the film takes place within the Independence Day holiday, making it what might be the only Disney film to acknowledge and celebrate this patriotic holiday. However this film like most Disney sequels went straight to video.
|N/A (Direct to Video film)
|-
|''Leonard Part 6''
|1987
|PG
|The villain is a militant vegan who plans to destroy the human race, but there are a number of confusing or outright silly plot points such as Bill Cosby's character Leonard Parker being tortured by lobsters, a henchman having his head blow up after eating a hot dog, and Cosby riding an ostrich like a horse, just to name a few. Even though he produced and wrote it, Bill Cosby has disowned the film and even begged people not to see it.
|$4,615,255
|-
|''The Lion King II: Simba's Pride''
|1998
|G
|In the sequel to the great conservative animation ''The Lion King'', protagonist Simba and his wife Nala are now raising a daughter of their own, Kiara, but Simba has exiled those lions in his pride who were loyal to his late evil uncle Scar, dubbing them "Outlanders". Tensions rise when Kiara falls in love with an Outlander. Although made during the infamous Michael Eisner era and was part of that era's direct to video sequel line, it also features the same pro-family and Christian messaging as in the original movie. Also features a condemnation against parental neglect/abuse and infanticide, as the main antagonist Zira frequently neglects one of the other antagonists, her eldest son Nuka (who is implied to be the actual male offspring for Scar unlike Kovu), and ultimately gets killed trying to win over her favor; and late in the film, when Vitani takes Kiara's words to heart and joins with the pride landers, Zira proceeds to threaten to kill her daughter in turn, which results in the remainder of the Outlanders proceeding to defect to the Pride Lands out of disgust towards the threat to her own daughter.
|N/A (Direct to Video film)
|-
|''The Little Mermaid: Ariel's Beginning''
|2008
|G
|The last of the Direct to Video sequels before an embargo was placed upon them largely due to the negative reception to the sequels. The overall plot, acting as a prequel to the original film, deals with letting go of the past and moving forward, and also honoring your parents, as Ariel's reason for bringing back music to Atlantica was because she realized her deceased mother, Queen Athena, would never have wanted music to be banned. Also has some condemnation towards totalitarianism as King Triton, due to his grief of his wife's untimely death, proceeded to enforce big government style control over the kingdom, which was not depicted in a positive light at all. That said, however, the film also conflicted with several plot details regarding the later film (namely, Ariel desiring to become human and frequently disobeying her father to pursue that dream being left out entirely, and Ariel's sisters' birth order being swapped around from what was implied in the Daughters of King Triton musical number), and overall downplays the anti-misanthropy messages the original film had.
|N/A (Direct to Video film)
|-
|''The Little Mermaid II: Return to the Sea''
|2000
|G
|Although it to some extent retreads the plotline of the conservative film ''The Little Mermaid'' and was part of the infamous direct-to-video sequel line of the [[Michael Eisner]] era, it has a similar pro-family message and depicts the villain in a truly horrific light (such as trying to murder the main protagonist, a child, twice, once while she was a baby which acted as the primary reason why her parents, Ariel and Eric from the first film, went to great lengths to prevent her from learning about her heritage or even allowing her into the sea, and the other time when she was 12). It condemns parental neglect, too, because the main villain in question, Morgana, is largely motivated by being neglected by her mother over her elder sister, the previous main villain Ursula, which was most showcased in the special edition re-release via the added in song "Gonna Get My Wish."
|N/A (Direct to Video film)
|-
|''The Lord of the Rings''
|1978
|PG
|This early attempt to bring J. R. R. Tolkien conservative text to the silver screen still stands up for friendship, bravery, honor, sacrifice etc., but the animation (and pretty much everything else) has aged very poorly. Was remade into a live action trilogy in 2001-2003.
|$30,471,420
|-
|''Max Keeble's Big Move''
|2001
|PG
|Similar to ''Ferris Bueller's Day Off'', the film showcases the public school system in a more negative light, due to one of the teachers letting one of the bullies, Dobbs, get away with stealing lunch money and later the same teacher punishing Max Keeble with a significantly and unreasonably large essay about rules for being tardied despite it being obvious that the only reason he was late was because one of the bullies, Troy McGinty, forced him into a swirly (due to his being dripping wet when he entered), as well as the principal of the school, Elliot Jindrake, who also acts as one of the main antagonists, explicitly hating children and only putting up with the school so he could get promoted to superintendent, as well as explicitly embezzling the school's budget, and also proceeding to punish Max for turning up late for an auditorium event even when, similar to the swirly incident mentioned above, it was very obvious that he only ended up late because McGinty proceeded to, in a similar manner to a cooking show, humiliate him by throwing him into a mud pool, putting saw dust on him, and then forcing him into a dumpster (due to his being littered with trash when he walked in). It also has a bit of an anti-socialist message due to the Evil Ice Cream Man being implied at one point to be a socialist (due to his insulting fellow antagonist Dobbs as a "capitalist tool.") and, as indicated by his nom de guerre, was not depicted in a positive light. Also has an allegory for the liberal elements of modern-day journalism as well, due to two of the characters who worked for the school yearbook proceeding to make events out to be even worse than they actually are (such as titling the first day as "Sheep Arrive for Slaughter"), not to mention usually uses the opportunity to actually photograph events of bullying rather than actually making any attempt to prevent it. Despite that, however, it largely was criticized for being bland and unoriginal, at least among adults, including some critics citing it as being too similar to ''Ferris Bueller's Day Off''.
|$18.6 million
|-
|''The Mummy: Tomb of the Dragon Emperor''
|2008
|PG-13
|Still has the same pro-family message, along with a [[Mao Zedong|Mao]]-like rogue army as the side villains. That being said, however, it was a box office bomb that caused the movie franchise to be cancelled despite leaving a hint at a sequel at the end, and there was also evidence of it being poorly made.
|$102,491,776
|-
|''[[The Patriot]]''
|2000
|R
|Mel Gibson plays Benjamin Martin; a patriot and a father that fights for American freedom during the [[American Revolution]]. Although it promotes America in a positive light and promotes patriotism, the film alongside several other films released around the same time (such as ''Hollow Man'', ''The Animal'', ''A Knight's Tale'', and ''Vertical Limit''), was also involved in a scandal by Sony Pictures where fake reviews by a fictitious reviewer named David Manning were made as a form of movie marketing, as well as being involved in a scandal about how various trailers had Sony using employees posing as moviegoers to go see the film and give excellent reviews.<ref>https://web.archive.org/web/20010609225327/http://www.msnbc.com/news/581770.asp?cp1=1</ref><ref>https://www.thoughtco.com/sony-fake-film-critic-story-4062655</ref><ref>https://www.telegraph.co.uk/news/worldnews/northamerica/usa/1495591/Sony-ordered-to-pay-1.5m-for-film-goer-hoax.html</ref>
|$215,294,342
|-
|''Pearl Harbor''
|2001
|PG-13
|This military action film gets its [[Patriotism|patriotic]] message across, but the directing, screenplay, acting, romance among the three leads, and the overall historically inaccurate portrayal one of the most horrific, tragic moments in world history for the sake of copying James Cameron's 1997 film ''Titanic'' are questionable. Then again, director Michael Bay does have a history of favoring spectacle over substance most of the time.
|$198,542,554
|-
|''Pokémon Heroes: Latios & Latias''
|2002 (Japan) 2003 (USA)
|G
|Like with ''4Ever'', it has some implicit pro-Christian messages, as after the villains proceeded to hijack an ancient doomsday weapon, Latios proceeded to sacrifice himself to save Alto Mare from destruction. However, it got very low box office records due to a limited release in America which ultimately led to most other Pokémon films after it to be released as direct to video features (with only the dual-feature fourteenth movie, ''White—Victini and Zekrom'' and ''Black—Victini and Reshiram'', the 20th movie, ''Pokémon The Movie: I Choose You'', and the 21st movie, ''The Power of Us'', ever seeing releases in theaters outside Japan since then, and even then only as limited theatrical releases), and its Japanese premiere was, until the Japanese release of the movie ''Hoopa and the Clash of Ages'', the worst performing Pokémon film ever.
|$20.9 million
|-
|''The Return of Jafar''
|1994 (VHS) 2006 (DVD)
|G
|It is the first of the infamous Direct to Video sequel era within Eisner's Disney, and has elements of very poor production values. On the other hand, the film has redemption and forgiveness as major themes of the story due to Iago, Jafar's henchman from the original film, ultimately embracing a change of heart and, after initially saving Aladdin simply so he could get into the palace, eventually proceeding to save Aladdin from Jafar twice with no expectation of a reward, and redeeming himself for betraying Aladdin out of cowardice. It also depicts people who steal from others for their own selfishness in a very negative light in the form of the co-villain Abis Mal.
|
|-
|''The Return of the King''
|1980
|UR
|This early attempt to bring the third book of the conservative book saga ''The Lord of the Rings'' was plagued by low budget animation due to being a made-for-TV film.
|
|-
|''Rise of the Guardians''
|2012
|PG
|Four immortal guardians appear as Christ-like creatures, who jobs are to protect those children who believe in them. Two of the guardians are Santa Claus and the Easter Bunny, based on Christian allegories. Also, contains a guardian leader known as "Man on Moon" a clear allegory for [[God]]. Despite this, however, the film was largely a box office failure despite making double of its $145 million budget due to its high production and marketing costs, being the first DreamWorks animated movie to lose money on a film since ''Sinbad: Legend of the Seven Seas''.<ref>https://www.theguardian.com/film/2013/feb/27/dreamworks-animation-job-cuts-guardians</ref> which ultimately served as one of the reasons why DreamWorks ended up laying off 350 employees.<ref>http://www.thewrap.com/movies/article/dreamworks-animation-lay-350-employees-79381</ref>
|$103,412,758<ref>http://www.boxofficemojo.com/movies/?id=guardians.htm</ref>
|-
|''[[The Room]]''
|2003
|R
|This independent drama takes place in one room and explores the love triangle among an amiable banker, his deceptive fiancée, and his conflicted best friend. It teaches against alcoholism and adultery, showing the destructive nature of liberal values. However, ''The Room'' has been critically panned for its acting, screenplay, dialogue, production values, score, direction, cinematography, and handful of unrelated and unresolved subplots. Regardless of its low domestic gross from its initial theatrical run, it has done much better in recent re-screenings, becoming a cult classic of sorts.
|$1800
|-
|''Shrek the Third''
|2007
|PG
|The movie has a condemnation against totalitarian dictatorships and Hollywood values in the form of Prince Charming, who after recruiting various villains into aiding him in taking over Far Far Away, he had the kingdom become dystopic and forced the kingdom to watch a "play" he made as a subtle method of executing Shrek. In addition, it's also pro-family, as Shrek sought out Arthur, Fiona's cousin, to take the throne after her father died of an ailment and gives some heart-felt advice regarding taking up the responsibility, and Shrek ultimately resolves to be a father to his to-be-born kids after learning that Fiona was pregnant despite having misgivings regarding being a father due to his own experiences with his father (who nearly attempted to eat him). It also has condemnation of notions of revenge and has a redemption theme, as many of the villains ultimately gave up on being villains after Arthur convinced them not to be consumed by desires for revenge and seek their original goals. Despite this, however, the film had some very questionable production methods, and the plotline was fairly weak.
|$799 million
|-
|''The Santa Clause 2''
|2002
|G
|Promotes many of the same values as in ''The Santa Clause'', namely pro-Christmas and pro-family, and also has a redemption and forgiveness theme as well. However, the plot is left somewhat weak.
|
|-
|''The Santa Clause 3''
|2006
|G
|Like in the first two films, it promotes Christmas as well as family, and also has an anti-Envy message. However, the film returned poor sales, the overall plotline was very weak, and it was also criticized as only being made to make a quick buck.
|
|-
|''Space Jam''
|1996
|PG
|Basketball star Michael Jordan uses the help of the Looney Tunes to beat back alien invaders from outer space who wish to take away their freedoms. Though the film hints at an anti-illegal immigration message, it suffers from messy animation and a lack of depth, and it is often cited as feeling more like a commercial than a film.
|$90,443,603
|-
|''Stealth''
|2005
|PG-13
|The film is pro-military and pro-American, with the North Koreans being portrayed in a negative manner. Also shows government corruption in a negative light in the form of a Washington lobbyist and the treacherous CO of the protagonists. Also has hints at a pro-War on Terror message as well. That being said, however, the movie was a critical and financial bomb, reputed to be among the worst box office losses at the time.
|$76 million
|-
|''Superman Returns''
|2006
|PG-13
|America icon Superman is seen as an angel-like figure, who helps those in need. Also condemns to some extent the liberal values within the news media, as Lois Lane's Pulitzer prize was earned due to her making a scathing article on Superman and implying the world doesn't need him, and it's revealed she made the article due to being upset at Superman leaving her behind before the events of the film. It is also pro-family, as the arc words throughout the film with Jor-El telling baby Kal-El via flashback that, even though he himself will die from the destruction of Krypton, he will not leave Superman's side, and that they'll grow stronger as one, with Superman giving a similar speech to his and Lois's son in the ending, and in addition, Lois Lane's husband, Richard White, was shown to be very protective of his family, even going as far as to take a chopper to save them while Superman was incapacitated. However, the movie also had some controversy over the director Bryan Singer's homosexuality, and while it did initially receive positive reviews, it ultimately became negative overtime, and resulted in there not being another Superman film until 2013 with ''Man of Steel'', which was treated as a reboot.
|$200,081,192
|-
|''Super Mario Bros.''
|May 28, 1993
|PG
|Loosely based on the classic video game series from Nintendo, two fraternal plumbers from Brooklyn, New York must rescue the younger's girlfriend from a parallel dimension ruled by humans descended directly from dinosaurs. The film may support the Second Amendment when an old lady, before mugging the brothers, explicitly states they need to have a weapon to survive on the streets of Dinohattan (a parody of Manhattan depicted as a lawless hellhole). Furthermore, the movie seems to condemn Communistic/fascistic big government in the form of King Koopa (a human-looking dictator loosely based on Bowser, the turtle-dragon hybrid who serves as the main villain of most Super Mario games). The aforementioned lawlessness of Dinohattan is heavily implied to be caused by King Koopa's using liberal values and big government (à la Scar from ''The Lion King'') to grossly mismanage the location to such an extent that he and his minions ran out of resources after taking over Dinohattan via a coup and "reformed" it into a people's republic with false elections. To some extent, the movie condemns evolution and social Darwinism: although the backstory does involve dinosaurs evolving into humanoid creatures since they were sent to a separate dimension from that of humans, only the villains focus on this aspect and thus want to eliminate true humans.

All that aside, the film was largely panned and recouped less than half its budget at the box office, and it is considered one of the more infamous examples of the inherent difficulties of adapting a video game into a film. Effectively, ''Super Mario Bros.'' scared Nintendo into never allowing the West to make another film based on any one of its game franchises or letting Disney have any direct role in any of its franchises besides distributing games based on them, instead granting Universal Studios the rights to build a Nintendo theme park at Universal Studios Orlando; and it ruined the directorial careers of Rocky Morton and Annabel Jankel. Making the film took its toll on the actors, too, particularly Bob Hoskins (Mario), who stated in an interview years later that it was "…the worst thing I ever did", noting that he was stabbed four times, electrocuted, injured in one finger, and almost drowned during production. Likewise, in an autobiography, John Leguizamo (who played Luigi, Mario's younger brother) dedicates an entire chapter to the horrors of working on ''Super Mario Bros.'' and comments that he and Hoskins drank heavily during breaks to deal with the traumatic experience. Among the handful of editing errors is a specific shot that shows one of Koopa's guards slipping on slime that wasn't even present originally when the Mario Bros. revolted. This was the result of a deleted scene where Koopa, both due to his germophobic nature and as a further demonstration of the de-evolution chamber's properties, executes a technician by de-evolving him into primordial ooze for sneezing in his presence, explaining where the slime came from.
|$20.9 million
|-
|''Toy Soldiers''
|1991
|R
|Trouble making boys at a boarding school must wise up and fight as their school is taken over by terrorists. However, the script is weak and borrows elements of ''Die Hard'' and ''Red Dawn''.
|$15,073,942
|-
|''Under Siege 2: Dark Territory''
|1995
|R
|Casey Ryback, while on a train with his niece, Sarah, gets caught in the middle of another hijacking as the train is taken over by ex-military American mercenaries led by Marcus Penn. Their employer, Travis Dane, is a former weapons designer who uses the train as a mobile base to hack into his creation, the WMD satellite Grazer One, and use it to destroy Washington DC. Dane and Penn are revealed to have an extensive network of contacts with America's worst enemies, who pay them lots of money for their terrorist activities and Dane is especially amoral and depraved. He is willing to destroy a chemical weapons plant in Guanzhou, China, killing thousands, just to demonstrate the power of his weapon. He then uses it to destroy an entire passenger airplane just to kill a customer's ex-wife for extra money.

The film overall depicts Ryback's heroism in a positive light and the villains' treachery and depravity in a negative light like the first movie. It also has a pro-family theme demonstrated by Casey's relationship with Sarah as well as Casey's regret for not making amends with his brother before his brother's death. However, it's very derivative of the first film, and also has an anti-WMD message with Grazer One and Tom Breaker's line "Sane people do not build weapons like this."
|$104,324,083
|-
|''The Wild''
|2006
|G
|The main moral is that character and strength comes from within, and that it does not matter where one comes from, to achieve this. This is also a pro-family film about a father of the lion who along with his animal friends goes to search for his son after he is accidentally taken away. The villains of the movie are wildebeests that are trying to change the food chain, by planning to eat the lions, and one could argue this could give the film anti-environmentalist message. However the movie did receive poor reviews, and the movie’s main plot about Central Park Zoo animals that go on adventures was unfavorably compared to the more successful and politically neutral animation film ''Madagascar'' which had been released the year before.
|$37,384,046
|-
|}

== References ==
<references/>

== See also ==
*[[Essay:Worst Liberal Movies]]
*[[Essay:20 Greatest Conservative Movies of the Last 20 Years]]
*[[Essay:Greatest Conservative Songs]]
*[[Essay:Greatest Conservative TV Shows]]

{{Conservatism}}

[[Category:Essays about Conservatism]]
[[Category:Hollywood]]
[[Category:Greatest Conservative Movies]]
[[Category:Movies]]
{{DEFAULTSORT:Greatest Conservative Movies}}

Essay:Greatest Conservative Movies

2019-05-28T18:49:18Z

SaltLakeCityLover: Added a film

'''There have been many superb [[conservative]] films''':

==Live-action films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''The 6th Day''
|2000
|PG-13
|California Republican governor-to-be [[Arnold Schwarzenegger]] stars in this pro-life, anti-cloning adventure as a family man of the future who is illegally cloned.
|$34,543,701
|-
|''13 Hours: The Secret Soldiers of Benghazi''
|2016
|R
|One of Michael Bay's better films tells the true story of when [[Benghazi Attack|Islamic terrorists attacked a U.S. diplomatic compound in Benghazi, Libya on September 11, 2012]] and the six Americans who took a stand without any support from the Obama-controlled White House or from then-Secretary of State Hillary Clinton (who not only refused to send any help and even ordered the military in the area to stand down, but later dismissively brushed off criticism of her actions with her infamous and callous "What difference at this point does it make?" comment). Not surprisingly, liberals viewed the film negatively and even made baseless accusations about the film's accuracy to distract from their dislike, but the film was a box office success and popular with the viewing public,<ref>https://www.rottentomatoes.com/m/13_hours_the_secret_soldiers_of_benghazi</ref> which saw an insightful analysis at the events of the attack and the heroes who acted to defend the compound of their own accord.
|$69.40 million
|-
|''17 Again''
|2009
|PG-13
|A 37-year-old father reverts to age 17 through a visit to a mysterious janitor and learns that choosing family, which he strives to support however he can, and life over death and possible material riches is much more rewarding and fulfilling even if it is not always apparent. The film stands up for [[abstinence]] and self-respect, and contains a strong speech for both of them, as in this quote: "Because there is no one that I'm in love with. It's called making love, isn't it? Maybe I'm old fashioned, but I think that means you do it with someone you love. And preferably when you're married, when you're ready to take that love and turn it into a baby." The concept of fatherhood is painted positively as well because he ultimately learns he was reverted to age 17 so he could see things from his children's perspectives and help them resolve their problems.
|$64,167,069<ref>http://www.boxofficemojo.com/movies/?id=17again.htm</ref>
|-
|''42''
|2013
|PG-13
|Bio pick of American icon [[Jackie Robinson]]
|$95,020,213
|-
|''90 Minutes in Heaven''
|2015
|PG-13
|A man has a near-death experience and sees [[heaven]].
|$4,842,699
|-
|''127 Hours''
|2010
|R
|This biopic tells the true story about initially easygoing and carefree outdoor adventurer Aron Ralston, who, in 2003, gained worldwide attention for becoming trapped in Blue John Canyon in Utah, a boulder trapping his right forearm against the canyon wall. As he reflects upon his life and expects to die, Aron realizes that he hasn't appreciated his family enough, and that he didn't treat his girlfriend as well as he should have. In the end, Aron summons the courage to do what was necessary to save his life: amputate his arm. As the real Aron would later say, he was reborn in the canyon, emerging with a far better appreciation of his family and never again taking anything for granted.
|$60,738,797
|-
|''[[Nineteen Eighty-Four|1984]]''
|1984
|R
|The big-screen adaptation of the iconic [[conservative]] text from [[George Orwell]].
|$8,430,492
|-
|''A Christmas Story''
|1983
|PG
|Child actor Peter Billingsley stars as Ralphie Parker, a boy who wants a BB gun for Christmas, in this heartwarming comedy. The National Film Registry selected it for historical preservation in 2012.
|$19,294,144
|-
|''A Dog of Flanders''
|1998
|
|The fifth live action adaptation of Ouida's book contains a number of Christian themes.
|$2,165,637
|-
|''A Dog's Purpose''
|2017
|PG
|Based on the heartwarming book of the same name, the soul of a dog lives the lives of several dogs spanning decades and remains loyal to its owners. The film takes a stand against [[bestiality]] and animal cruelty, too.
|$22,000,000
|-
|''A Gathering of Eagles''
|1963
|UR
|It illustrates duty, honor, and the burden of command.
|Unknown
|-
|''A Man For All Seasons''
|1966
|UR
|In 16th Century England, statesman and philosopher Thomas More is forced to choose between his Catholic faith and his loyalty to the king. It won six Academy Awards: Best Picture, Actor, Director, Adapted Screenplay, Cinematography (Color), and Costume Design (Color).
|$20,000,000<ref>This figure is a worldwide gross.</ref>
|-
|''Ace Ventura: Pet Detective''
|1994
|PG-13
|Hero Ace Ventura is an animal lover, but not an animal rights activist, and prefers [[conservation]]. In addition in recent years liberals have criticized this movie for attacking the LGBT community, as the main villain is a transgender. Ace literally freaks out when he realized he really made out with a man, as does everyone else later when they find out the truth. Ace also calls him by his biological gender.
|$72,217,396<ref>https://www.boxofficemojo.com/movies/?id=aceventura.htm</ref>
|-
|''Act of Valor''
|2012
|R
|In this military drama, soldiers are shown as heroes battling terrorism, which is related to both Islamic terrorism and drug cartels. It is also one of the few films where the main cast is portrayed by actual Navy SEALs, resulting in accurate military terminology and battlefield strategies.
|$70,012,847
|-
|''Adam's Rib''
|1949
|Not rated
|Attorney Adam Bonner (Spencer Tracy) hilariously exposes his budding [[feminism|feminist]] wife Amanda's (Katharine Hepburn's) hypocritical double standards in the legal system.
|-
||''Alone Yet Not Alone''
|2013
|PG-13
|[[Christianity]]'s impact in building the United States is explored in depth. Liberals were shaken when it received an Oscar nomination, proving that there is still a prevalent conservative voice in Hollywood.
|$887,851<ref>http://www.boxofficemojo.com/movies/?id=aloneyetnotalone.htm</ref>
|-
|''Alpha''
|2018
|PG-13
|This film set in Europe 20,000 years ago tells the story of a human and his relation with a wolf. It promotes family and friendship values with both the teenaged tribesman's relation with his family and with the wolf. It also is pro-[[hunting]] and pro-[[fishing]] as the human learns the importance of killing a rabbit in order to feed the wolf. The wolf and human also go fishing and hunt bison and wild boars.
|$11.7 million
|-
|''[[Amazing Grace (movie)|Amazing Grace]]''
|2006
|PG
|This historical drama shows the horrors of the slave trade and teaches that, contrary to academic claims, Christianity played the largest role in the abolition movement, while most secular humanists either supported slavery or otherwise did nothing to stop it.<ref>http://catholicexchange.com/moving-amazing-grace-highlights-christian-role-in-abolitionist-movement</ref>
|$21,208,358
|-
|''American History X''
|1998
|R
|A [[Neo-Nazi]] (The Nazis were left-wing socialists even though the Left has tried denying it) overcomes his [[racism]] and [[anti-Semitism]] after being sent to jail for voluntary manslaughter and does everything in his power to prevent his brother from following the same path to destruction.
|$6,719,864
|-
|''American Sniper''
|2015
|R
|This biopic documents the life of [[Iraq War]] [[veteran]], [[patriot]] and [[hero]], [[United States Navy|Navy]] [[SEAL]] sniper [[Chris Kyle]].
|$350,126,372.
|-
|''[[An American Carol]]''
|2008
|PG-13
|[[David Zucker]]'s [[conservative]] comedy starring Kevin Farley, Kelsey Grammer, Jon Voight, Dennis Hopper, Trace Adkins, and Leslie Nielsen lampoons the liberal, America-hating elements of Hollywood.
|$7,013,191
|-
|''Angels in the Outfield''
|1994
|PG
|A foster child encourages his hapless baseball team to look to angels for help in this God-trusting comedy.
|$50,236,831
|-
|''[[Animal Farm]]''
|1999
|Not Rated
|This live-action adaptation of the [[conservative]] text of the same name from [[George Orwell]] (and of the 1954 original animation) uses animals in the pretext of leveling harsh criticism against [[Communism]] and against [[Joseph Stalin]]. Unlike the source material, the film literally shows Animal Farm collapsing due to the excesses posed by the evil Napoleon, a Berkshire boar and a metaphor for Stalin, and his pigs, which is ultimately justified due to the collapse of the Soviet Union years earlier under similar reasons for Animal Farm's collapse.
|NA - TV
|-
|''[[Argo]]''
|2012
|R
|CIA agent Tony Mendez embarks on a daring rescue of Americans trapped in Iran during the [[Iranian Hostage Crisis]] while using a film production as a cover story to hide his act of courage. The film highlights how inherently corrupt an Islam-based government can be as well as the incompetence of the [[Jimmy Carter]] administration in dealing with the hostage crisis. It won the Academy Award for Best Picture of 2012.
|$136,025,503
|-
|''Armed and Dangerous''
|1986
|PG-13
|This comedy by Harold Ramis, the same screenwriter of the conservative films ''Ghostbusters'' and ''Groundhog Day'', exposes [[labor union]] corruption.
|$15,945,534
|-
|''Assault on Precinct 13''
|1976
|R
|Often considered an urban remake of the conservative film ''Rio Bravo'', a police sergeant in Los Angeles and his crew must defend an abandoned precinct office from an army of criminals. The police are rightfully shown as good, while the criminals are evil. Its 2005 remake was set in [[Detroit]].
|
|-
|''Attack on Darfur''
|2009
|R
|Liberal journalists end up being trapped in Darfur, Sudan, and must fight to survive. The film doesn't hold back on crimes committed by the [[Janjaweed]] here.
|
|-
|''The Avengers''
|2012
|PG
|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing superhero film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, as they join the Norse god Thor (who is less of a god and more of an alien in this universe, thus averting support for paganism) in stopping his evil brother Loki from conquering the world with an extraterrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses to submit to "men like him", comparing Loki's actions to Hitler and Nazi Germany's actions. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel, it should come as no surprise that these conservative subtexts shine through.
|$1.519 billion
|-
|''Bad Boys II''
|2003
|R
|The sequel to the 1995 film, this police action film is surprisingly pro-family (main character Lieutenant Marcus Burnett's daughter is an undercover operative for the DEA, and his laid back but faithful friend and partner tries to help him with this personal crisis, which he does not approve of) and advocates war on drugs. The main villains are Russians and Cubans (Communists), while the side villains are [[Ku Klux Klan]] members (which was founded by the [[Democrat Party]]).
|$138,608,444
|-
|''The Bad News Bears''
|1976
|PG
|Centered on the classic American pastime of [[baseball]], this sports feature negatively depicts forced government intervention into baseball in the name of equality, as the reason the Bears baseball team existed in the first place was to put rejects into a baseball team after being legally forced to do so via a lawsuit. Morals include improving oneself through training as well as the [[American Dream]]: although the Bears are composed of the worst players in little league, main character Coach Buttermaker trains them to become one of the best baseball teams in the season. Followed by two direct sequels in 1977 and 1978. In contrast, the 2005 remake is significantly more coarse and more politically correct.
|$42.3 million
|-
|''Batman Begins''
|2005
|PG-13
|The first film in Christopher Nolan's ''Dark Knight'' trilogy retells comic book superhero Bruce Wayne/Batman's origin story in a manner that specifically denounces corruption and trying to kill out of revenge with themes of redemptive measures. When main villain Ra's al Ghul reveals his intentions to destroy Gotham City, Batman tries to stop him since Gotham still ultimately has good elements in the community. Capitalism is depicted positively, too: in the backstory, Thomas Wayne, Bruce's late father, helped alleviate Gotham City from poverty via his wealth by building a public transportation system. Thomas' death inspired Gotham's wealthy individuals to follow his example, and Wayne Enterprises' Lucius Fox, who runs the company in Bruce's absence, proceeded to use the company's resources to synthesize a cure for fear toxin.
|$374.2 million
|-
|''[[Bedtime Stories]]''
|2008
|PG
|In this pro-family and pro-capitalism comedy, [[Adam Sandler]] plays a man who is given an opportunity to run a business and works hard to get the promotion against his rival while taking care of his niece and nephew. Sandler jokes about his sister's many liberal ideas and parenting skills (even calling her story books for them "Communist"). In the end, the children are then shown to be much happier and smarter after Sandler uses his conservative, capitalistic, family-centric tactics on them.
|$110,101,975
|-
|''Bella''
|2007
|PG-13
|A [[Pro-life]] drama.
|$8,070,537
|-
|''[[Ben-Hur (film, 1959)|Ben-Hur]]''
|1959
|UR
|This Roman historical drama celebrates honor and duty to family and country with a Christian ending, and it long held the record for the most [[Academy Awards]] awarded to a single film. Conservative actor and future [[National Rifle Association]] president and spokesman [[Charlton Heston]] plays the title role.
|$17,300,000
|-
|''Beverly Hills Cop''
|1984
|R
|Streetwise [[Detroit]] police detective Axel Foley drives out to Beverly Hills to investigate and avenge his friend's murder. While there, he meets up with a police force that does "everything by the book", jokes about their strong bureaucratic rules, and influences the two cops assigned to watch him to use critical thinking skills to solve the case. The main villain is a drug dealer, suggesting support for the war on drugs. Two sequels followed in 1987 and 1994.
|$234,760,478
|-
|''The Bible: In The Beginning''
|1966
|NR, could now receive PG
|As the title says, it is an expensive but powerful epic of [[Genesis]]' first 22 chapters.
|$34,900,023
|-
|''[[Big Daddy]]''
|1999
|PG-13
|Adam Sandler's plays Sonny, a man who, after being forced to take in an orphaned child that was sired by one of his friends, learns the importance of family as he realizes the responsibilities of fatherhood and grows as a person from the experience. A light satire of feminism is present: Sonny's ex-girlfriend cheats on him and then rejects him, only to end up working at a Hooters restaurant, which has been both satirized and scorned in the real world for its perversely clothed waitresses, with her extramarital lover.
|$234.8 million
|-
|''Big Fat Liar''
|2002
|PG
|In this satire of Hollywood, Jason Shepherd is a 14-year-old chronic liar who, to avoid being punished with summer school, takes a chance at redemption by penning a creative writing essay inspired by his own life. He accidentally leaves his essay with corrupt Hollywood producer Marty Wolf, another compulsive liar who gives him a ride back to school and then tries to pass off Jason's story as his own. The boy and his best friend Kaylee sneak away to Hollywood as soon as they see a theatrical trailer for Marty's plagiarized film. There, they join forces with a struggling actor who drives Marty's limousine, Marty's personal assistant, and others who have suffered the villainous producer's abuse and cruelty, inconveniencing him at every possible turn until he admits the truth while the whole nation watches. Overall, ''Big Fat Liar'' teaches that "The truth is not overrated," which is also the moral of Jason's story.
|$48,360,547
|-
|''Billy Madison''
|1995
|PG-13
|A comedy film about [[redemption]], where the titular character gets a second chance at life. After flunking his education, he is given an opportunity to go back through grades 1-12 to do things right and pass successfully as well as earn the respect of his father. The main female is a simple schoolteacher and more of the antithesis of a modern-day feminist. Billy also learns the importance of being a good person and to have compassion for others, as well as the value of doing a job well done.
|$25,588,734
|-
|''Black Hawk Down''
|2002
|R
|Based on true events of a U.S. military campaign in Somalia, in which 18 U.S. soldiers died fighting their way out of a Mogadishu mission, American bravery and comradeship are heralded in the face of impossible odds against Islamic terrorism.
|$172,000,000
|-
|''Black Panther''
|2018
|PG-13
|Based on the eponymous Marvel Comics superhero, the eighteenth installment of the Marvel Cinematic Universe tells of a young African king, who gains enhanced strength from consumption of a majestic heart-shaped herb, fighting against the force of a black supremacist, who seeks to take the king's throne. In the name of morality, this king, or "The Black Panther," seeks to destroy the villain and his plans to overthrow the other races and governments of the world. The Black Panther recognizes both the importance of helping those in need, as well as not going beyond one's governmental authority. Though there are plenty of pagan religious references, the film appeals in some ways to a general sense of Christian morality and governmental justice, and it never diverts into political correctness about black supremacism.
|$704,000,000.
|-
|''Black Sheep''
|1996
|PG-13
|Pro-family film where the idiotic brother of a governor candidate must be straighten out, in order to avoid him hurting his chances in the election. The villain is a corrupt official and feminist, who had committed voter fraud. Also portrays the military (just shown in photographs) in positive light and is also anti-drug.
|$32,417,995
|-
|''Black Sunday''
|1977
|R
|This thriller refuses to be politically correct about Islamic terrorism.
|$15,769,322
|-
|''Blazing Saddles''
|1974
|R
|A politically incorrect western, something liberals are sure to despise.
|$119,500,000
|-
|''Blended''
|2014
|PG-13
|A widowed father of three daughters and a divorced mother of two sons accidentally end up staying together in a resort where the parents fall in love. This shows how important it is for a family to have both a mother and a father. It also condemns the homosexual agenda, as it favors traditional gender roles because the father’s oldest daughter gradually gives up her tomboyish style, to actually look like a traditional girl. Also has a celebration of baseball as well.
|$46,294,610
|-
|''Blue Collar''
|1978
|R
|This rare gem is one of the very few films to expose labor union corruption, first directed by former [[Grand Rapids]] native [[Paul Schrader]].
|$6,521,083
|-
|''The Blues Brothers''
|1980
|R
|Though based on a recurring skit from ''[[Saturday Night Live]]'', which is infamous for its history of liberal bias, this comedy designed to pay tribute to jazz and blues music contains a surprising conservative subtext. Blues singer siblings Joliet Jake and Elwood Blues embark "on a mission from God" by reuniting their bandmates, who have scattered around Chicago, so they can raise money to save the Catholic orphanage wherein they grew up. Despite being R-rated for vulgar language and often destructive slapstick comedy, it's Vatican approved. One less popular sequel premiered in 1998, ''Blues Brothers 2000''.<ref>[http://liveshots.blogs.foxnews.com/2010/06/18/vatican-blesses-blues-brothers/ Vatican Calls The Blues Brothers "Catholic", FOXNews, June 19, 2010]</ref>
|$57,229,890
|-
|''The Boys from Brazil''
|1978
|R
|The dangers of [[cloning]] are highlighted as infamous Josef Mengele (Gregory Peck in an opposite of his hero roles) tries to clone [[Adolf Hitler]].
|
|-
|''[[Braveheart]]''
|1995
|R
|Infuriated by his wife's murder, Scottish knight William Wallace (played by [[Mel Gibson]]) rallies an army to bring freedom to his people and country from the tyranny of English king Edward I. Based on the First War of Scottish Independence, it takes some creative liberties with the time frame, but it contains strong messages of patriotism and even some Christian allegories that stand the test of time (indeed, Wallace's sacrifice should remind viewers of [[Crucifixion|the most significant event in Christian history]]). It won the Academy Award for Best Picture of 1995.
|$210.4 million
|-
|''Brazil''
|1985
|R
|Much like the conservative text ''1984'', it teaches that big government is wrong for the world.
|$9,929,135
|-
|''[[Bruce Almighty]]''
|2003
|PG-13
|Jim Carrey stars in this comedy that, even with atheist Morgan Freeman portraying [[God]], shows in a lighthearted, accessible way how no one mortal can successfully do God's job. Also shows how hard God's job is. It was written by Steve Koren & Mark O'Keefe, the same writers of ''Click''.
|$242,589,580
|-
|''[[Captain America: The First Avenger]]''
|2011
|PG-13
|Based upon the adventures of the patriotic superhero from Marvel Comics (and perhaps the company's most conservative superhero ever created), the frail, sickly U.S. Army recruit Steve Rogers is enhanced to the peak of human physicality by an experimental serum, then uses his newfound supersoldier abilities to combat Nazi terror in Europe while wearing a star-spangled uniform to avoid identification and carrying a throwable shield. Ultimately, he hunts down Nazi supersoldier Johan Schmidt/Red Skull, who was subject to an early, flawed version of Rogers' serum and has stolen the Tesseract, an energy source of unknown potential. Though Rogers succeeds, he is soon left with no choice but to crash Schmidt's aircraft into a glacier, leaving him frozen in suspended animation for decades until he wakes up in 2012 and readies for the events of the next film in the Marvel Cinematic Universe, ''The Avengers''. Virtues shown include patriotism, perseverance, and the courage to confront evil dictators. It condemns against globalist views in the climax of the film, as Schmidt, when taunting Rogers, says, "I've seen the future, Captain! There are no flags!", referring to Rogers' choice to fight for his nation rather than harness the power of gods. Rogers rejects his claim by shouting, "Not my future!" Capitalism is painted positively in the form of a young Howard Stark (father of fellow Marvel superhero Tony Stark/Iron Man), who is first seen holding an expo for possible future inventions, including a flying car. The film condemns infidelity and premarital relations as well: British intelligence agent Peggy Carter initially assumes that Rogers is cheating on her (she learns the girl he is first seen dating previously forced herself on him); and, when Howard Stark says "fondue", he says he means a platonic dinner with Carter rather than innuendo for sex. This was the last film produced by Marvel Studios before its takeover by the liberal conglomerate that is [[The Walt Disney Company]].
|$176,654,505
|-
|''Captain America: The Winter Soldier''
|2014
|PG-13
|Patriotic superhero and Avengers co-leader Steve Rogers/Captain America unravels a government conspiracy involving HYDRA, the Nazi terror group he fought in World War II, and tries reconnecting with his long-lost best friend James "Bucky" Barnes, who, after being frozen in suspended animation for decades like Rogers was, is now a brainwashed assassin known only as "The Winter Soldier". All the while, he stays true to principles that the United States was founded on, unwilling to see them destroyed. The filmmakers based the villains of this film on the NSA and the [[Barack Hussein Obama|Obama]] regime.<ref>https://www.breitbart.com/california/2014/04/06/hollywood-turns-against-obama-with-captain-america-winter-soldier-2/</ref>
|$259,766,572
|-
|''Captain America: Civil War''
|2016
|PG-13
|The United Nations proposes that the Avengers, the main superhero team of the Marvel Cinematic Universe, be put under their control. A rift in the team forms because of the disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along with his allies (Bucky Barnes/the Winter Solider, Sam Wilson/Falcon, Wanda Maximoff/Scarlet Witch, Clint Barton/Hawkeye, and Scott Lang/Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue. Through persistence, he prevents the UN from placing the whole group under globalist control.
|$407,588,905
|-
|''Catch that Kid''
|2004
|PG
|Three teenagers try to rob a bank, not for greed but to get money needed for one of their father’s surgery to save his life. In the end, they realize that even though their intentions were good what they did was wrong. They then end up getting the money through donations. Thus giving the movie anti-socialist aspects, and anti-universal healthcare aspects, as they realized it was wrong to take other people’s money to pay for their healthcare.
|$16,703,799
|-
|''Chariots of Fire''
|1981
|PG
|Based on the parallel lives of two British Olympians, devout Scottish Presbyterian [[Eric Liddell]], who wants to run for the glory of God, and Jewish Englishman [[Harold Abrahams]] both struggle to overcome prejudice in 1924 Britain. That year's Olympics Games was especially spiritual when Liddell refused the Prince of Wales' request that he perform his competition on a Sunday.
|$58,972,904
|-
|''Chappaquiddick''
|2018
|PG-13
|This Hollywood film doesn't feature any history revisionism and tells the cold hard truth about [[Ted Kennedy]] during the [[Chappaquiddick incident]]<ref>https://www.hollywoodintoto.com/chappaquiddick-review/</ref> angering liberal critics in the process.<ref>https://www.nytimes.com/2018/04/06/opinion/chappaquiddick-ted-kennedy-distortortion.html</ref> To add insult to injury the film ended up overperforming as well<ref>http://missliberty.com/chappaquiddick-box-office-blows-past-projections/</ref>
|$17,894,212
|-
|''Cheaper by the Dozen''
|2003
|PG
|In this pro-family feature, a father must sacrifice his dreams of success for the benefit of his large family. As a loose remake of the original 1950 film starring Clifton Webb and Myrna Loy, this remake stars Steve Martin and Bonnie Hunt.
|$190,212,113
|-
|''Cheaper by the Dozen 2''
|2005
|PG
|In this sequel to the pro-family remake, the Baker family takes a vacation and competes against a rival family in a tournament. In the end, they realize family is what matters most.
|$82,571,173
|-
|''Chef''
|2014
|R
|A capitalistic chef starts his own restaurant after liberal food critics begin criticizing his work, and he begins questioning why he became a chef in the first place. At the same time, our protagonist Carl Casper also tries to connect with estranged family. The film promotes capitalism and family values in a positive light.
|$31,424,003
|-
|''Chinatown''
|1974
|R
|This thriller highlights the deceit surrounding water rights in southern California and L.A.'s water system, removing most of the water from the central valley. It doesn't adhere to political correctness because the main protagonist is told a dirty joke at one point and later tells it to his fellow private detectives, who use the term "Chinaman." The sequel, ''The Two Jakes'', followed in 1990.
|$30,000,000 (worldwide estimate)
|-
|''Chitty Chitty Bang Bang''
|1968
|G
|Set in 1910s England and loosely based upon the epic children's novel by Ian Fleming (the creator of the [[James Bond]] franchise), widower inventor Caractacus Potts raises money to buy and repair an old race car, then takes his children and new love interest for a picnic on the beach. There, he tells them an epic tale about going on a mission to defend the car from a villainous king and queen who have outlawed children in the fictitious country of Vulgaria, and the story comes to life on screen. The film celebrates family unity, portrays a capitalistic entity (the candy empire owned by the father of Truly Scrumptious, Potts' love interest) in a positive light, and shows the advantages of practicality.
|$7.5 million
|-
|''[[The Chronicles of Narnia: The Lion, the Witch and the Wardrobe]]''
|2005
|PG
|Based upon the Christian allegory written by C.S. Lewis, four orphans discover the magical realm of Narnia, which can be accessed through a wardrobe, where they are chosen by a prophecy to confront the [[Satan]]-esque White Witch. The omnipotent and benevolent lion Aslan, a stand-in for [[Jesus]], is instrumental in this goal since he frees Narnia from being frozen in a perpetual winter with no Christmas and because he sacrifices himself in place of orphan Edmund, who is temporarily manipulated by the White Witch, and resurrects in a Christ-like manner (according to Aslan, there is a "deeper magic from before the dawn of time" that will resurrect anyone killed in place of a traitor). Besides sacrifice, morals include courage, loyalty, friendship, honor, and redemption.
|$291,709,845
|-
|data-sort-value="Chronicles of Narnia: Prince Caspian"|''[[The Chronicles of Narnia: Prince Caspian]]''
|2008
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$141,621,490
|-
|''[[The Chronicles of Narnia: The Voyage of the Dawn Treader]]''
|2010
|PG
|Based upon the Christian allegory written by C.S. Lewis.
|$104,383,624
|-
|''Cinderella Man''
|2005
|PG-13
|Based on the story of boxing heavyweight champion James Braddock, the protagonist prizes family because he takes up boxing so he can provide for them during the Great Depression. In addition, it promotes loyalty and integrity as well, as his promoter not only tried to help him with boxing, but had also gone as far alongside his wife to sell everything they had to aid Braddock in trying to win the titleship, with Braddock's wife learning this when about to tell his promoter off for apparently selling him out.
|$108.5 million
|-
| ''The Circle''
|2017
|PG-13
|Based on the Dave Eggers novel of the same name, the film showcases how "material success, intellectual enlightenment, technological advancement, and utilitarian ethics — ultimately cannot satisfy the existential longing each of us has." <ref>https://www.conservativereview.com/articles/the-circle-most-conservative-movie-of-2017/</ref>
|$40.6 million
|-
|''City Slickers''
|1991
|PG-13
|In this motivational, feel-good feature, a man goes on vacation to Colorado with his friends to be cowboys in order to find his happiness. The main lesson is knowing what's really important in life. A sequel followed in 1993: ''City Slickers II: The Legend of Curly's Gold".
|$179,033,791
|-
|''Click''
|2006
|PG-13
|Written by Steve Koren & Mark O'Keefe, the same writers of ''[[Bruce Almighty]]'', a man finds a remote control that can control his life and be able to skip many events in it, including many involving his family. He then learns that he should instead appreciate his life and his family to its fullest, and not to be ungrateful with experiences that he thinks, out of selfishness, he doesn't always feel like living.
|$137,340,146
|-
|''Coach Carter''
|2005
|PG-13
|The moral is that graduating from high school and having a strong moral compass are more important than becoming a famous athlete.
|$67,253,092
|-
|''[[Cobra (1986 film)|Cobra]]''
|1986
|R
|[[Sylvester Stallone]] plays a tough police officer who is seemingly above the law, in order to control and stop crime. The story has some anti-statism aspects because Cobra cares more about protecting the people than protecting the law. The liberals and the [[Mainstream media|press]] are shown in a negative light for not supporting his efforts to stop a cult of [[Social Darwinism|social Darwinist]] serial killers.
|$49,042,224<ref>http://www.boxofficemojo.com/movies/?id=cobra.htm</ref>
|-
|''Coma''
|1978
|PG
|The villains run a conspiracy to push abortion at a hospital where organs are illegally collected.
|
|-
|''Concussion''
|2015
|PG-13
|This whistleblower film exposes the [[NFL]]'s ignorance to its players' medical issues that the [[Mainstream media|lamestream media]] has ignored. (See also [[Unplug the NFL]].) The film also may have be the reason to the NFL's rating decline the next year.<ref>https://www.youtube.com/watch?v=vtO-w69V4lg</ref>
|$34,542,474
|-
|''Contact''
|1997
|PG
|The overall message is about how science and faith do not have to be in opposition to one another.
|$100,853,835
|-
|''Courageous''
|2011
|PG-13
|This Sherwood Pictures drama film focuses on the role of fathers and the need for them.
|$34,522,221
|-
|''Cronos''
|1993
|R
|In this Mexican film by Guillermo del Toro (''Pan's Labyrinth'', ''Hellboy''), an elderly antiques dealer has a chance at immortality—but at the cost of being a leech to others. Mostly in Spanish with large parts in English.
|$621,392
|-
|''Daddy’s Home''
|2015
|PG-13
|A pro-family comedy, that promotes the concept of fatherhood. The dad and step-dad compete for attention of the kids, in the end they realize they both have the same goal, which is they want what is best for the kids. In addition the film is anti-alcoholism, with Will Ferrell’s character’s getting completely drunk at a basketball game, which cause him to do some hurtful things, which nearly ruins his marriage.
|$150,357,137
|-
|''Daddy's Home 2''
|2017
|PG-13
|The sequel still shares the same pro-family message.
|
|-
|''[[The Dark Knight]]''
|2008
|PG-13
|The sequel to ''Batman Begins'' contains a Christian allegory (specifically, the ending has Batman selflessly volunteering to have himself take the blame for the crimes that Harvey Dent committed after the latter went insane from grief and the Joker's influence in order to ensure that the criminals he locked up cannot be released onto the street after he was forced to kill Dent to save Gordon's son.) with messages of not giving in to terrorists and condemning of [[nihilism]] and [[anarchy]] via the actions of [[Joker (comics)|the Joker]], Batman's most infamous adversary.
|$533,316,061
|-
|''[[The Dark Knight Rises]]''
|2012
|PG-13
|The conclusion of the ''Dark Knight'' trilogy, set seven years after ''The Dark Knight'', depicts [[Occupy Wall Street]]-esque protesters as terrorists and has a hero (Batman) that does the right thing even when it is the harder thing to do. Furthermore, it subtly condemns the [[French Revolution]] as the events of the story are in part derived from Charles Dickens' ''[[A Tale of Two Cities]]''.
|$448,139,099<ref>http://www.boxofficemojo.com/movies/?id=batman3.htm</ref>
|-
|''Dark Matter''
|2007
|R
|A candid look at [[professor values]] along with problems associated with lack of assimilation; [[liberal]]s first praised the movie, but after realizing its [[conservative]] message, panned it.
|$30,041
|-
|''Darkest Hour''
|2017
|PG-13
|A biopic of heroic WWII leader [[Winston Churchill]] with no historical revisionism at all. It won 2 academy awards and was nominated for 6 more.
|$180,000,000
|-
|''The Death of Stalin''
|2017 (UK and Toronto) 2018 (America and France)
|R
|An adaptation of the French historical fiction graphic novel of the same name. Although largely a satirical black comedy, the movie nonetheless accurately shows the horrific events of the Soviet Union under Stalin's totalitarian rule and the events after his death, as well as the innately cowardly and treacherous nature of the Soviet Politburo (see [[Atheism and cowardice]] as well as [[Atheism and Mass Murder]]). It also is one of the few films to allude to the anti-Semitic [[Doctor's plot]] that Stalin had orchestrated prior to his death (which had ironically been precipitated due to the doctor's plot killing off all the best doctors in Moscow at the time), making clear that, contrary to what the left claims, the USSR and the left adhered to anti-Semitism. The director of the film, Armando Iannucci, admits that a large part of the reason he made the film was partly because of how Stalin was still revered in Russia to the extent that the Russian hotel he stayed at had a portrait of Stalin up, while pointing out that no one would dare do the same regarding Hitler in similar situations.<ref>https://www.rollingstone.com/movies/features/armando-iannucci-death-of-stalin-trumps-funeral-w517602</ref> As if reinforcing this, the movie also ended up banned in Russia at the order of [[Vladimir Putin]].
|$15.7 million
|-
|''Death Wish''
|1974
|R
|Bleeding heart New York City liberal Paul Kersey learns the importance of the Second Amendment following a brutal attack on his wife and daughter. Following this he begins fighting back against muggers and is deemed a vigilante. During this time crime begins to decline (because criminals don't normally attack armed civilians). However contrary to popular belief, the film does not glorify vigilantism, as the film acknowledges that if the vigilante isn't stopped it could led to [[anarchy]] (pure [[Marxism]] is the complete absence of government). Followed by four sequels in 1982, 1985, 1987 and 1994. Remake in 2018.
|$22 million
|-
|''Delivery Man''
|2013
|PG-13
|Republican actor Vince Vaughn portrays a delivery man who finds out that he is the biological father to 533 children. Realizing the importance of family, he learns how to be a father figure and take on more responsibilities.
|$30,664,106
|-
|''The Delta Force''
|1986
|R
|Conservative star [[Chuck Norris]] plays U.S. Army Delta Force Captain Scott McCoy, who leads his team to battle Islamic terrorists. The film emphasizes bravery, heroism, and honor while avoiding political correctness and showing the true nature of the radical Islamic political agenda (very rarely shown in today's films).

Jews are portrayed sympathetically, as the terrorists' leader, Abdul Rafai, is viciously anti-Semitic. He demands that the Jewish hostages be separated from the others, and forces a German Flight Attendant to read out their names. He insists that the Jews killed in the holocaust were "not enough." When the aforementioned Flight Attendant collects the hostages' passports, she notices a number tattooed on one of the Jewish hostage's arm, indicating that he's a Concentration Camp survivor and she gives him a look of sympathy.

The film also depicts Israel in a positive light, as the Israelis assist the Americans by providing them with intel.
| $17,768,900
|-
|''Denial''
|2016
|PG-13
|Anti-history revisionist film. Writer and historian Deborah E. Lipstadt must battle for historical truth to prove the existence Holocaust when David Irving, a holocaust denier, sues her for libel .
|$4,073,489
|-
|''Dirty Harry''
|1971
|R
|Released at the dawn of what historians call the Conservative backlash (a direct response to 1960s radicalism), Clint Eastwood plays a tough San Francisco police officer who doesn't let bureaucratic regulations stop him from doing what he knows is morally right. The film criticizes not only the then-recent Supreme Court decisions which granted new rights to criminals but also the traditional moral decay America experienced during the 1960s and 1970s. Four sequels followed suit: ''Magnum Force'' (1973), ''The Enforcer'' (1976), ''Sudden Impact'' (1983), and ''The Dead Pool'' (1988).
|$35 million
|-
|''Doctor Zhivago''
|1965
|PG-13
|Master filmmaker David Lean directed this powerful film that celebrates the natural rights of the individual as well as the triumph of charity, faith, hope, and love. His work takes an honest and uncompromising stance on the dangers of Communism as well.
|$111,721,910
|-
|''Don't Tell Mom the Babysitter's Dead''
|1991
|PG-13
|In this pro-family movie, five siblings (two are teenagers) are left alone for the summer, with no money after their elderly babysitter passes away. They realize the importance of hard work, as well the responsibilities of being indepedent, and the negative effects of drugs. Also gives an anti-regulated economy message by showing the dangers of using and relying on other people's money, as after the younger siblings stole money from their older sister's purse (which she stole from the company with petty cash), they realize this was wrong and selfish. In addition there are brief anti-taxation aspects, with Christina Applegate's character; Sue Ellen being frustrated when they took away so much of her money because of taxation. In the end the teenagers manage to clean themselves up, and quit drinking alcohol, doing drugs and smoking, and focus more on becoming successful adults.
|$25,196,249<ref>http://www.boxofficemojo.com/movies/?id=donttellmomthebabysittersdead.htm</ref>
|-
|''Dracula''
|1931
|UR
|This adaption of [[Bram Stoker]]'s novel from 1897 features one of Hollywood's first [[Christian]] protagonists: vampire hunter Dr. Abraham Van Helsing.
|
|-
|''Dredd''
|2012
|R
| Based on the comic strip ''Judge Dredd''. Anti-drug war film where villains are drug dealers and addicts who are portrayed as very sadistic individuals, the hero Judge Dredd, assisted by a Judge-in-training who is also a psychic, is forced to fight them. The film shows the bravery of the police officers who do what's right, while the film's main villain, a female drug lord nicknamed "Ma-Ma", tries to hinder their progress by calling in several corrupt Judges (akin to the corrupt liberal judges who currently populate various courts in the United States in real life to pervert justice and repeatedly violate the Constitution) to interfere with the honest Judges.
|$13,414,714
|-
|''Dunkirk''
|2017
|PG-13
|From Christopher Nolan, director of the conservative ''Dark Knight'' Trilogy, tells the dramatization of the Dunkirk evacuation. This action-packed adventure never derails in to political correctness and history revision as many liberal critics opened fire on the film for its lack of diversity and feminism.<ref>https://www.newsbusters.org/blogs/nb/melissa-mullins/2017/07/23/reminder-usa-today-critic-laments-dunkirk-lacks-gender-racial</ref>.
|$188 million
|-
|''The East''
|2013
|PG-13
|A private intelligence firm must take out an eco-terrorism organization.
|$2,301,839
|-
|''Enemy of the State''
|1998
|R
|A lawyer discovers a videotape revealing the death of a congressman and ends up a target for NSA official Thomas Bryan Reynolds (who plans on destroying the [[Fourth Amendment]]). Some say it shockingly predicted the [[Edward Snowden]] controversy and the Obama administration's crimes 15 years later.
|$111,549,836
|-
|''The Equalizer''
|2014
|R
|In this adaption of the conservative 1980s television series, Denzel Washington portrays retired intelligence agent-turned-vigilante Robert McCall, the role originated in the original series by British actor Edward Woodward.
|$101,530,738
|-
|''The Equalizer 2'''
|2018
|R
|Sequel to the 2014 film
|
|-
|''[[Escape from Hell]]''
|2000
|UR
|Drama about a doctor and near-death experience.
|NA - DVD
|-
|''Evan Almighty''
|2007
|PG
|In the stand-alone sequel to ''Bruce Almighty'', God chooses an unlikely hero named Evan to build a modern-day ark to save his town from an upcoming storm.
|$100,462,298
|-
|''Evelyn''
|2002
|PG
|True story of Irish father's legal struggle to recover his kids from an orphanage.
|$1,483,975
|-
|''The Even Stevens Movie''
|2003
|PG
|Like the TV show it was based on, the movie had pro-family values. The movie also had a massive condemnation towards [[Hollywood values]], as the main antagonist of the film was a [[Reality TV]] host who tricked the Steven family into going to an island in the Pacific and then getting them shunned by the "tribe" (all of whom were actors) and often instigating various fights between the family, one instance nearly driving Ren to nearly commit murder against Louis, with his largely being depicted in a very negative light especially after the reveal. In addition, Louis' friend makes no qualms about how she was disgusted with the Reality TV genre.
|N/A (TV movie)
|-
|''The Exorcism of Emily Rose''
|2005
|PG-13
|The film is loosely based on the story of Anneliese Michel (Americanized to probably protect the identity of the deceased) in which a priest performed an exorcism that costs a young girl's life. The movie's villain is an [[atheist]] lawyer who tries to convict the priest of negligent homicide, rather than believe it was the work of [[Satan]].
|$75,072,454
|-
|''[[The Exorcist]]''
|1973
|R
|(''not for children'') - A portrayal of pure evil against a positive characterization of [[Christianity]]. It broke the record for movie revenue and had several sequels and imitators, e.g. ''The Omen'' in 1976 and its sequels. A 2016 TV series of the same name follows up on the events of the original film.
|$441,071,011
|-
|''The Expendables''
|2010
|R
|This action-packed adventure unites such conservative stars as [[Sylvester Stallone]], [[Bruce Willis]], and former California Governor [[Arnold Schwarzenegger]].
|$103,068,524
|-
|''The Expendables 2''
|2012
|R
|The sequel to 2010's ''The Expendables'' stars returning conservative action stars Stallone, Willis, and Schwarzenegger as well as [[Chuck Norris]].
|$85,028,192
|-
|''The Expendables 3''
|2014
|PG-13
|The threequel to the conservative film franchise.
|$39,322,544
|-
|''[[Facing the Giants]]''
|2006
|PG
|The main message is straightforward: trust in [[God]], let Him take over, and good things will happen.
|$10,178,331
|-
|''Faith of My Fathers''
|2005
|PG-13
|The true story of [[John McCain]] when he served valiantly in the Vietnam War.
|
|-
|''Fat Kid Rules the World''
|2012
|R
|Based on a 2003 young adult novel of the same name, a six-foot-one and 296 pound 17-year-old boy named Troy Billings overcomes challenges, as things have been very hard on him with his mother deceased, living with his father and younger brother. It also rightfully shows the negatives of school [[bullying]] and suicide. Troy also befriends a non-conformist punk rocker named Marcus MacCrae who becomes hospitalized due to illicit drug use but he finally recovers in the end, thus giving the film an anti-drug message as well. It is also pro-family values as Troy learns the consequences of his actions. Despite all of the conservative messages, this movie is NOT for kids because it has a lot of foul language and even some violence.
|
|-
|''[[Ferris Bueller's Day Off]]''
|1986
|PG-13
|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco; and the main character is faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and comedian [[Ben Stein]] appears as one of Ferris's teachers.
|$70,136,369<ref>http://www.boxofficemojo.com/movies/?id=ferrisbuellersdayoff.htm</ref>
|-
|''Fiddler on the Roof''
|1971
|G
|Based on a timeless Broadway musical, itself inspired by a series of Yiddish-language folk tales starring Tevyeh the Dairyman, the film celebrates tradition, faith, and the importance of family against a historical background of the persecution of Russian Jews. As Tevyeh's daughters break with Jewish marriage customs in different ways one by one, their home shtetl of Anatevka becomes more vulnerable to tsarist invaders, suggesting that tradition is what keeps society strong and healthy. Even so, Tevyeh makes clear before the opening credits that, "Without our traditions, our lives would be as shaky as... as... as a fiddler on the roof!"
|$50,000,000
|-
|''The Finest Hours''
|2016
|PG-13
|This historical drama shows the virtues of the United States Coast Guards, based on their 1952 rescue of the crew of the ''SS Pendleton''.
|$27,569,558
|-
|''[[Fireproof (film)|Fireproof]]''
|2008
|PG
|Highly successful pro-Christian, pro-marriage film created by [[Sherwood Pictures]].
|$33,451,479
|-
|''First They Killed My Father''
|2017
|TV-MA
|An adaptation of Cambodian-America Loung Ung's memoir of the horrors [[Khmer Rouge]].
|Netflix film
|-
|''Flash of Genius''
|2008
|PG-13
|The intellectual property of a hard-working, solitary inventor is promoted, and his children stick by his side through enormous difficulties.
|$3,744,790
|-
|''Flight 93''
|2006
|PG-13
|Shows the bravery of the passengers on Flight 93, which was hijacked on [[September 11, 2001 attacks|September 11th, 2001]], and crashed into a Pennsylvania field. The passengers fought back against the Islamic hijackers.
|NA - TV
|-
|''Flight of the Navigator''
|1986
|PG
|A boy named David Scott Freeman is abducted by a UFO and then wakes up in a ravine, only to discover that he's been transported 8 years into the future. The series contains strong pro-family themes as David's parents are shown to be filled with overwhelming joy and happiness after seeing David for the first time in 8 years. David's little brother, Jeff, has an antagonistic relationship with David early in the movie but when David disappears for 8 years, a now-16-year-old Jeff regrets the way he treated his brother and reconciles with him. David's family is very supportive in helping him adjust to his situation. When David is in the hospital for testing to find out why he hasn't aged, one of his family stays with him at all times so he won't be alone. When David goes back in time at the end of the film, he learns to have more appreciation for his family, including Jeff. The film also depicts government bureaucrats in a negative light, as NASA treats the UFO and David as mere science experiments and is unsympathetic to David's situation. The agents take David away from his family and put him in an isolated, locked room. David's father becomes enraged when he finds out how NASA has been treating David. The agents later place the whole family under House Arrest. When David goes to his family's home in 1986, the NASA agents are there to take him away again, and that's when he decides to go back in time to 1978 despite the ship's computer, Max, insisting that it's potentially dangerous.
|$18,564,613
|-
|''For Greater Glory: The True Story of Cristiada''
|2012
|R
|The [[Catholic]] Cristeros Army fights back for religious freedom against a suppressive, [[leftist]] government. Based on the Cristeros War of the 1920s.
|$5,608,651
|-
|''[[Forbidden Planet]]''
|1956
|UR
|Please add info
|$3,000,000
|-
|''The Forgotten''
|2004
|PG-13
|A mystery film with a great [[Pro-life]] message.<ref>[http://www.decentfilms.com/reviews/forgotten.html ''The Forgotten''] at Decent Film Guide</ref>
|$67,133,509
|-
|''[[Forrest Gump]]''
|1994
|PG-13
|The film shows how the "counterculture" movements of the 1960s and 1970s, as well as drugs, lead to a miserable life. Gump has a more conservative lifestyle, while Jenny leaves her liberal lifestyle after she realizes the shortcomings of it, also suffering from AIDs from a brief relapse and dying as a result.<ref>https://www.worldlifestyle.com/sitcoms/forrest-gump-hid-from-fans-2-2/59?slides=1&utm_mediabuyer=SDJJ&utm_source=taboola&utm_campaign=TBLA_WL_JJ_GUMP0507V2_US_DT&utm_medium=cbsinteractive-gamefaqs&utm_content=84081643</ref> Finally, a main message is that Lyndon B. Johnson was largely responsible for the Vietnam War, not Richard Nixon as most liberals like [[George Lucas]] tend to think.
|$329,694,499<ref>[http://www.boxofficemojo.com/movies/?id=forrestgump.htm Forrest Gump] (1994). ''Box Office Mojo''. Retrieved July 30, 2016.</ref>
|-
|''The Founder''
|2016
|PG-13
|Michael Keaton portrays Ray Kroc, founder of the capitalistic fast-food empire [[McDonald's]]—which is painted positively, much to the chagrin of liberals—in this biographical historical drama detailing the obstacles Kroc overcame and the risks he took to succeed in business and redefine the fast food industry.
|$24 million
|-
|''[[The Fountainhead]]''
|1949
|UR
|Gary Cooper and Patricia Neal starring in Ayn Rand's classic story of the right of the individual to produce on their own terms.
|Unknown
|-
|''Frankenstein''
|1931
|UR
|James Whale directed this loose adaptation of the classic tale by [[Mary Shelley]] warning about the consequences playing [[God]] and setting a golden standard for mad scientist stock characters seen throughout popular culture.
|$12 million
|-
|''Fred Claus''
|2007
|PG
|Republican actor Vince Vaughn plays Fred Claus, the older brother of Christmas icon Santa Claus (born Nicholas "Nick" Claus in this universe), who must overcome his jealousy to remember the importance of their literally immortal family and save Christmas from being ruined. A major theme of redemption applies to Fred, the young orphan Samuel "Slam" Gibbons, and the evil efficiency expert Clyde Archibald Northcutt, all of whom learn the errors of their ways. Traditional gender roles are depicted by the elves: the men make baseball bats for the boys, the women make hula hoops for the girls, etc. There is a positive establishment of American popular culture icon Superman (he's only mentioned, but toy Supermans are shown and Clyde Northcutt is wearing a Superman cape once reformed), and mild politically incorrect humor is featured.
|$72,006,777
|-
|''Free State of Jones''
|2016
|
|A film inspired by the life of Newton Knight, a deserted Confederate soldier who revolted against the Confederacy in Jones Country, Mississippi. The film portrayed positive and accurate images of the Republicans, as there is a scene where Knight and his fellows state their will to vote only for the Republican Party despite the hostility of the presented and armed Democrats.
|
|-
|''Fury''
|2014
|R
|Follows the crew of the titular Sherman tank, most prominently a young rookie soldier, who at first, is reluctant to kill. But as time goes on, he comes to learn and appreciate the importance of the struggle against the Nazis. All the while, we see the bonds of friendship that form between warriors.
|$211,817,906
|-
|''G-Force''
|2009
|PG
|Sapient animals use technology for good, but their help is shut down by the government agents (clearly been shown in negative life), while the secret villain of the movie is pushing anti-human sentiments. In the end, he realizes the error of his ways and learns that family matters most. The movie shows that you don't need authority to stop wrongdoing, and just be willing to fight for what is right.
|$119,436,770
|-
|''[[Ghostbusters]]''
|1984
|PG
|Three parapsychologists (later joined by a fourth teammate, who acts as their voice of reason) lose their jobs at Columbia University as they fail to deal with a ghost plaguing the New York Public Library, so they develop ghost-weakening "proton packs" and go into business ridding New York City of poltergeists. The film fittingly satirizes an unfair (and likely liberal) professor, senseless academic research, paganism, and a villainous EPA regulator. One conservative sample line by Ghostbuster Raymond "Ray" Stantz (Dan Aykroyd) when asked to shift from the public to the [[private sector]] reads like this: "I don’t know about that. I’ve worked in the private sector. They expect results!" A sequel, ''Ghostbusters 2'', followed in 1989, though there is some debate as to whether it qualifies as great since it revisits many of the same plot points from the first movie. The original film was remade in 2016 as a liberal revisionist and pro-feminist piece (with the four main character all female), which bombed at the box office and had a trailer almost universally panned on YouTube.
|$242,212,467<ref>http://www.boxofficemojo.com/movies/?id=ghostbusters.htm</ref>
|-
|''Gigi''
|1958
|G
|A marvelous and beautifully-made musical film from a bygone era (the Arthur Freed Unit), ''Gigi'' condemns prostitution and the lifestyle of the snobbish, spoiled rich people. The film is also a celebratory of the essence, beauty, and power of a true love between a man and a woman who each want something more out of life than the provincial, liberal lifestyle of 1900 Paris. Winner of nine Academy Awards: Best Picture, Director, Adapted Screenplay, Cinematography (Color), Art Direction-Set Decoration, Costume Design, Film Editing, Original Song (for the title song "Gigi"), and Scoring of a Musical Picture.
|$13,208,725
|-
|''[[Gladiator (film, 2000)|Gladiator]]''
|2000
|R
|The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hanns Zimmer’s soaring soundtrack. In essence this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of "engagement" in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.
|$457.6 million
|-
|''[[God's Not Dead]]''
|2014
|PG
|A brave young Christian man stands up to his [[atheist]] bully of a professor (played by real-life conservative Christian ([[Kevin Sorbo]]) and demonstrates the strength and wholesomeness of Christianity while exposing the folly of [[professor values]]. Furthermore, it illustrates atheists as people who acknowledge that there is a God but refuse to have faith in Him for [[Causes of atheism|any number of reasons]]—in this case, self-hatred and spite; and it features conservative celebrity cameos such as Willie and Korie Robertson (of ''[[Duck Dynasty]]'' fame), plus the Christian rock band The Newsboys. Liberals were shocked when it stood strong in the box office, being in the top 5 in its opening weekend. Of course, all the world's atheists were furious because they felt unfairly portrayed, which only proves the film's thesis that atheists are more animalistic and less rational than Christians.
|$60,755,732
|-
|''God's Not Dead 2''
|2016
|PG
|In this sequel, roles are reversed, and the teacher, played by Christian conservative Melissa Joan Hart, is the protagonist as she tries to help her students reconnect their faith in God.
|$20,774,575
|-
|''Godzilla vs. Biollante''
|1989
|PG
|Although the Godzilla franchise has been politically neutral for the most part. This film does take jabs at [[genetic engineering]] and playing [[God]].
|$7 million
|-
|''Gosnell: The Trial of America's Biggest Serial Killer''
|2018
|R
|Pro-life film that, as indicated by the title, showcases the horrific aspects of the abortion industry and especially of the abortionist [[Kermit Gosnell]]. Unfortunately, despite lots of rave reviews, it was pulled from theaters early for political reasons.
|$2.5 million
|-
|''[[Gone With the Wind]]''
|1939
|UR
|This American cinema classic celebrates traditional man-and-woman relationships as well as a strongly ''feminine'' heroine who is the antithesis of a modern [[feminist]]. It held the record for the top-grossing film for decades, unadjusted for inflation, as well as the most Academy Award wins for a motion picture, until ''Ben-Hur'', another great conservative motion picture, premiered twenty years later.
|$198,676,459
|-
|''The Good, the Bad, and the Ugly''
|1966
|R
|Hollywood conservative [[Clint Eastwood]] plays an unnamed sheriff in a campaign for peace and justice in the American Old West.
|$25,100,000
|-
|''[[The Goonies]]''
|1985
|PG-13
|The adventures of teenagers trying to find a long-lost treasure, before the criminals do.
|$61,503,218<ref>http://www.boxofficemojo.com/movies/?id=goonies.htm</ref>
|-
|''The Gospel According to St. Matthew''
|1964
|
|In spite of his avowed homosexuality, Marxism and atheism, controversial Director Pier Paolo Pasolini shocked his critics and advocates alike with this surprisingly reverent portrayal of Christ in the gospel of Matthew. He expressed his sympathies for Christianity, even going as far as to portray the miracles and ultimately the resurrection of Christ in a brilliantly poetic and artistic light. The movie even received acclaim from the Vatican and is considered one of the best Christian films ever made.
|
|-
|''Gran Torino''
|2008
|R
|In this "guy-cry" feature, gun-toting, [[Korean War]] veteran Walt Kowalski (played by Clint Eastwood) is upset that his neighborhood has lost its traditional American values and turned multicultural, overflowed with gangs and violence. He takes down a violent gang terrorizing the community, turns a boy into a man, and strengthens his Catholic faith.
|$270 million
|-
|''The Great Escape''
|1963
|UR
|Based on the true story about Allied PoWs who staged a daring escape from a Nazi prisoner-of-war camp during World War II.
|
|-
|''The Great Outdoors''
|1998
|PG (PG-13)
|A pro-family film about camping in the woods. Also anti-environmentalism.
|$41,455,230
|-
|''The Greatest Story Ever Told''
|1965
|UR
|Swedish actor Max Von Sydow brilliantly portrays [[Jesus]] in this aptly-named feature.
|$8,000,000 (U.S.), $20,000,0000 (worldwide)
|-
|''The Greatest Showman''
|2017
|PG
|Based on the true story of P. T. Barnum this musical celebrates the American Dream, as he helped build and create his own circus. Besides from that there various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition it also promotes the idea of treating everyone with respect and dignity. Finally the film also promotes the concept of individualism. <ref>https://www.thegospelcoalition.org/blogs/trevin-wax/greatest-showman-captured-american-imagination/</ref>
|$174,340,174<ref>https://www.boxofficemojo.com/movies/?id=greatestshowman.htm</ref>
|-
|''The Green Berets''
|1968
|G
|American soldiers in the [[Vietnam War]] fight for their honor.
|$11,000,000
|-
|''[[Groundhog Day]]''
|1993
|PG
|While in the small Pennsylvania town of Punxsutawney to report on the annual Groundhog Day festivities, arrogant Pittsburg weather forecaster Phil Connors is trapped in a time loop that forces him to keep reliving the same February 2 over and over again. After indulging in hedonism, repeatedly failing to seduce his attractive new producer Rita, sinking into depression, and exhausting every way to commit suicide, he begins reexamining his life and priorities. He then uses his memorization of the day's events, besides the stories of various townspeople, to improve himself and help as many people in need as he can within a 24-hour limit, which ultimately allows him to win over Rita and break free from the loop. Overall, this whimsical comedy is outstandingly conservative and Christian because no explanation other than God's will is given for the loop, especially since it gives Phil a chance at redemption for his past immoral behavior.
|$70,906,973
|-
|''Hanna's War''
|1988
|PG-13
|This biographical drama follows the life of Hanna Szenes, a Hungarian Jew who volunteered to rescued her Jewish members from Nazi concentration camps during WWII.
|$139,796
|-
|''Hardcore''
|1979
|R
|A father must rescue his runaway daughter from a [[California]] porn ring. Written as well as directed by Grand Rapids, Michigan native, Paul Schrader, whose hometown is featured in its opening credits and early scenes and Susan Raye's version of the beloved Gospel classic song, "Precious Memories" is in the film's opening and closing.
|
|-
|''Harry's War''
|1981
|PG
|Anti-IRS comedy.
|Unknown
|-
|''Here Comes the Boom''
|2012
|PG
|A high school teacher played by Kevin James, tries to raise money for his school, by fighting in the MMA. To not only save certain school programs but save the job of a teacher whose wife is pregnant. Also promotes citizenship and patriotism, as Kevin James' character is also a night instructor for an adult citizenship class, which show the idea of people coming into our country legally and becoming citizens as the right thing. Kevin James also even put some elements of his Christian Faith into the movie.<ref>http://www.patheos.com/blogs/philosophicalfragments/2012/10/03/how-kevin-james-put-his-faith-into-here-comes-the-boom/</ref>
|$45,290,318
|-
|''[[Hero]]''
|1992
|PG-13
|A petty criminal does something heroic and risks his life saving passengers from a plane crash. The film shows that even those with character flaws can do good.
|$19,487,173
|-
|''The Hiding Place''
|1975
|PG
|Biopic World War II story of Corrie and Betsy (Elizabeth) ten Boom (Jeannette Clift, Julie Harris), who hid Jews in their Haarlem, Netherlands home's secret wall and were betrayed and imprisoned in Ravensbruck Women's concentration camp in Germany, until Betsy's death and Corrie's accidental release through what would years later be found to be a clerical mistake, as all the other women in Corrie's group of prisoners were gassed to death shortly afterwards. A true lesson of "no pit is so deep that God's love is not deeper still." Produced by Billy Graham Evangelical Association's, World Wide Pictures.
|unknown revenue
|-
|''Hitler's Children''
|1943
|UR/PG
|A sensational melodrama about the [[Hitler Youth]] of pre-WWII 1930s Nazi Germany, based on Gregor Ziemer's best selling "Education for Death: The Making of A Nazi".
|$3,355,000
|-
|''Hocus Pocus''
|1993
|PG
|A pro-family film in which they battle evil devil worshipping witches. The man character even risks his life in saving his sister. The ending of the film shows heaven.
|$39,514,713
|-
|''Home Alone''
|1990
|PG
|This Christmas classic is about Kevin McCallister, who accidentally gets stuck home alone and thus learns to be independent and self-reliant. Not only that, but he defends his family house from burglars by resourcefully making booby traps out of everyday items, including firearms. Kevin is shown to be a Christian, too, as he goes to church and is shown praying and giving grace before his dinner. After Kevin gets into an altercation with his older brother Buzz, he wishes his family would disappear. After he wakes up and finds his family gone, he is at first overjoyed at having no one talking down to him or telling him he can't do things, but as the film progresses, he begins to miss his family and learns how important they are. Likewise, Kevin's mother Kate is determined to get back to Chicago to see Kevin and will make any sacrifice necessary. The film shows the value of charity because the supporting character Gus Polinski (played by the late John Candy) empathizes with Kate, being a father himself, and offers Kate a ride with his Polka band.

Three sequels, the third and fourth films without its original star as Kevin, followed later on.
|$285,761,243
|-
|''Home Run''
|2013
|PG-13
|A Christian sports drama about a baseball player, who tries to overcome a serious drinking problem.
|$2,861,020<ref>http://www.boxofficemojo.com/movies/?id=homerun.htm</ref>
|-
|''Honey, I Shrunk The Kids''
|1989
|PG
|Lovable genius inventor Wayne Szalinski (Rick Moranis) accidentally shrinks his children and some of his neighbors' while testing his laser shrinking ray, sending them off on an adventure in their own yard against what would otherwise be mundane situations and creatures to normal sized people. Spawned two sequels, the obviously opposite ''Honey, I Blew up The Kid'' (1992) and the direct-to-video ''Honey, We Shrunk Ourselves'' (1997)
|$130,724,200
|-
|''Hook''
|1991
|PG
|A live-action film of an adult and now a father Peter Pan, who has lost all his memories of being Peter Pan. The film celebrates [[baseball]], fatherhood and the importance of holding onto one's [[Childlike Wonder|childlike wonder]].
|$119,654,823
|-
|''The House''
|2017
|R
|A pro-family film about parents who set up their own casino, in order to pay for their daughter’s college. While promoting capitalism, the villain of the film is a corrupt government agent, who is also shown to be a socialist (stealing all of their money, in terms of eminent domain). In fact, the whole reason they did not have money was that earlier at town meeting the government agent claimed the town could not afford the scholarship she earned, when the reality is, he stole it all to have an affair with another government worker. On a side note, the police officer of the movie is shown in a positive light (who also makes a brief pro-gun claim), eventually realizing the parents were right, and helping them take down the corrupt government official.
|$25,584,504<ref>http://www.boxofficemojo.com/movies/?id=thehouse.htm</ref>
|-
|''The Hurt Locker''
|2008
|R
|A look into the life of an American bomb disposal regiment in Iraq risking their lives for their country and for the innocent by confronting evil. Rated R for violence and language. Winner of six Academy Awards: Best Picture, Director (the first time a woman, Kathryn Bigelow, won the Academy Award for directing), Original Screenplay, Sound Mixing, Film Editing, and Sound Editing.
|$12,647,089
|-
|''I Am David''
|2003
|PG
|This motivational movie shows the power of the individual, and the triumph of charity, faith, and hope as well as showing the dangers of [[Communism]].
|$292,376
|-
|''I Confess''
|1953
|UR
|In this classic by Alfred Hitchcock, a clergyman honors his sacred vow of confidentiality with respect to a confession despite intense pressure to disclose it.
|Unknown
|-
|''I Now Pronounce You Chuck and Larry''
|2007
|PG-13
|Portrayals an inside joke of [[same-sex marriage|same-sex "marriage"]] by having [[Adam Sandler]] and Kevin James pretend to be a homosexual couple in order to receive benefits. The villains of the movies are government ranking officials out to prove with they are not really homosexual. The protagonists are also FDNY firemen. The film took place prior to the 2011 enactment of the Marriage Equality Act, which claimed to "legalize" "marriage" for same-sex couples in the state. At the time the film was released, the state allowed for residents to file for unregistered cohabitation rights, and various municipal and county governments had offered domestic partnership registries.
|$120,059,556
|-
|''[[Indiana Jones]] series''
|1981, 1984, 1989, 2008
|PG
|During the Great Depression, archaeologist and adventurer Dr. Henry "Indiana" Jones searches the world for artifacts of untold power and, along the way, combats some of America's most infamous enemies, in particular Nazis. The first and third films contain Christian themes since they are centered around the [[Ark of the Covenant]] and the [[Holy Grail]], respectively; while the second film condemns paganism due to its main villain being a pagan priest. A fourth film, ''Indiana Jones and the Kingdom of the Crystal Skull'', takes place in the early Cold War era with Soviet Communists as antagonists, although there's some debate as to how patriotic and conservative the movie is (see its entry in Debatable Whether Conservative for more details).
|1197.2 million (altogether)
|-
|''Invasion of the Body Snatchers''
|1956
|UR
|A science fiction condemnation of Communism, produced for only $420,000 and remade successfully in three additional movies in 1978, 1993 and 2007, with 1978's version the only one of the exact same title. Warner Bros. announced a fourth remake is in current development.
|$2,500,000
|-
|''The Interview''
|2014
|R
|It’s a raunchy comedy, but it has a strong pro-democracy and anti-communism premise. The main characters are CIA operatives disguised as news reporters who are assigned to visit [[North Korea]] and assassinate Kim Jong Un during an interview with the brutal dictator. The film was so controversial for its depiction of Kim Jong Un being killed that it was pulled from theatres and released straight to DVD. [[Donald Trump]] stated that The Interview was his favorite comedy of 2014.
|-
|''Invasion U.S.A.''
|1985
|R
|Features Conservative star [[Chuck Norris]] protecting America from Latin American Communist terrorists led by a [[Union of Soviet Socialist Republics|Soviet]] operative, similar to ''[[Red Dawn]]''.
|$17,536,256
|-
|''[[Iron Eagle]]''
|1986
|PG-13
|A young man's father, an Air Force pilot, is shot down over the Middle East and it's up to the young man and an Air Force colonel to save him. Three sequels followed in 1988, 1992 and 1995.
|$24,159,872 (U.S.)
|-
|''[[Iron Man 2]]''
|2010
|PG-13
|Like in the prior film, it promotes the concept of Capitalism as a force of good, due to Tony Stark deciding to develop a cure for palladium poisoning, and also forming an Stark Expo promoting various elements his father desired. His father, likewise It also deals with redemption as well, as after Tony Stark made a very big mess of himself, he worked hard to redeem himself for his past behavior, ultimately succeeding in the ending. It also promotes the concept of honoring thy father and family values, as Tony noted that his father, Howard Stark, has been distant with him, although a later film reel, which also proved instrumental to saving his life, revealed that Howard Stark, while distant, nonetheless genuinely loved his son and even gave him words of encouragement from beyond the grave. Howard, likewise, was depicted in a manner similar to famed animator and capitalist [[Walt Disney]]. It also depicts feminism in a negative light, as while Pepper Potts did run Stark Enterprises, it was solely due to anger at Tony Stark's bad behavior in the film and not because she wanted it. It also condemns nihilism as well, as the reason why Tony Stark behaved badly was due to him dying and figuring he might as well act irresponsibly for his last days living. Also like the past film, it depicted terrorism (in particular communist-based terrorism) and treason in a very negative light, as Armand Hammer, in clear envy towards Tony Stark, proceeded to break out and hire an infamous Russian terrorist, Ivan Vanko, who held a grudge against Tony Stark due to his father Howard Stark sending his father Anton Vanko back to the USSR under suspicions that he was a Communist plant, with the terrorist later proceeding to have Hammer's Iron Man knockoff suits automatically attack everyone with Hammer being arrested. Also condemns the idea of government intervention in businesses, due to Iron Man being exceedingly reluctant to sell off his Iron Man suit to the government.
|$623.9 million
|-
|''The Island''
|2005
|PG-13
|Pro-life statement against cloning to harvest organs.
|$35,799,026
|-
|''Johnny Tremain''
|1957
|NR
|A fictionalized version of the American War of Independence and the leadup to it. The titular character, after his dreams were dashed from a hand injury in an accident while working as a blacksmith's apprentice, ultimately plays a role alongside Paul Revere and various other key figures in the war in founding America.
|N/A
|-
|''Joe Dirt''
|2001
|PG-13
|Country movie, where Joe Dirt was abandoned as a kid, and even though he had nothing, he did not give up on life, and never let anything stop him. The movie contains many morals such as not giving up, always be a good person. Shows the destructive of alcoholism, with the harm done by Joe Dirt's girlfriend; Brandy’s alcoholic father. The movie also reflects the idea of true integrity lies in what one does even if he or she is not being watched but still decide to the right thing because it is the right thing to do. Included a sequel in 2015.
|$27,087,695
|-
|''The Jungle Book''
|2016
|PG
|A live action version of the 1967 animation film. Based on the novel by Rudyard Kipling of the same name, this film shows the importance of friendship and family values, and even frowns down upon misanthropy.
|$364,001,123
|-
|''Junior''
|1994
|PG-13
|A buffoonish illegal immigrant geneticist (Arnold Schwarzenegger) must carry to term a pregnancy conceived by a one night encounter in a lab with an obese man (Danny Devito). It is a polemic that excoriates immigration and birth control politics in modern America.
|$108,400,000
|-
|''[[Jurassic Park]]''
|1993
|PG-13
|Based on the eponymous 1990 novel, a billionaire philanthropist and a small team of genetic scientists operate a theme park populated by dinosaurs genetically cloned from fossils. Considered a landmark in the development of computerized visual effects in modern filmmaking, this high-caliber work of science fiction criticizes the effects of research into genetic [[cloning]], and the negative effects of playing God. Even so, one strongly moral quote reads: "Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should”. Also has more of a promotion of Capitalism compared to the book due to the movie making Hammond, the founder of the park, a significantly more sympathetic and heroic character. Four sequels followed in 1997, 2001, 2015, and 2018.
|$357,067,947
|-
|''The Killing Fields''
|1984
|R
|Shows the horrors of Communism and Pol Pot's dictatorship in Cambodia during the 1970s.
|$34,700,291
|-
|''The Kid''
|2000
|PG
|[[Bruce Willis]] plays a man who meets himself as a kid. Where is looks back at his past to see the trouble he went through as a kid and the negative effects it had on him in his adult years. He learns to become more moral and to not let the past stop him or hold him back, and he then reconnects his relationship with his father and pursues a relationship with his co-worker, who he has been interested in.
|$69,691,949
|-
|''The King's Speech''
|2010
|R
|This historical drama details the rise of England's King George VI and his striving to overcome his speech impediment in the prelude to World War II after being forced to become king due to his older brother abdicating the throne. It showcases the Nazis in a negative light and condemns the current liberal education system, as speech therapist Lionel Logue is initially fired since he does not actually have a degree in speech therapy, with him making clear in a poignant moment that he knows how to do it via first-hand experience. According to history, Logue didn't have a degree because he had to rely on first-hand experience to do so and because there was no formal education for that matter when he learned his trade. The film shocked the liberals at Hollywood when it managed to perform beyond their expectations and won the Academy Award for Best Picture of 2010, plus the awards for Best Director, Best Actor, and Best Original Screenplay.
|$414.2 million
|-
|''King of Kings''
|1961
|PG-13, originally NR
|2 hour, 51 minute widescreen epic by the great director Nicholas Ray about Jesus and his promises of spiritual redemption, as contrasted with the story of the revolutionary leader Barabbas and his promises of worldly redemption. Stars Jeffery Hunter as Jesus.
|Unknown
|-
|''The Kingdom''
|2007
|R
|One of the few pro-war on terror films released during the 2000s.
|$47,536,778
|-
|''Knute Rockne: All-American''
|1940
|UR
|Stars [[Ronald Reagan]] as courageous football player George Gipp, who dies before an important game.
|Unknown
|-
|''Ladder 49''
|2004
|PG-13
|Shows the courageousness of firefighters.
|$74,541,707
|-
|''Last Ounce of Courage''
|2012
|PG
|Family drama about the struggles that Christians suffer through politics and abolishment of religious freedom.
|$1,585,994
|-
|''The Last Stand''
|2013
|R
|Action film starring Arnold Schwarzenegger as a tough Arizona sheriff who must stop an escaped Mexican drug lord from fleeing the country.
|$12,026,670
|-
|''The Last Starfighter''
|1984
|PG
|In this pro-just war and pro-military film, a young trailer park resident Alex Rogan (Lance Guest), after breaking the high score on the Starfighter video game, is approached by Centauri (played by Robert Preston in his last film role) who wants to recruit him into the Star League where he can be a real Starfighter. While Alex initially resists the idea due to it being a sudden shock, he eventually embraces the opportunity to do something significant with his life. The film also has a family theme as Alex and his navigator Grig (Dan O' Herlihy) reminisce about their respective families.
|$28,733,290
|-
|''Lean on Me''
|1989
|PG-13
|Based on a true story this Bio-drama about Paterson, New Jersey's real life [[Joe Clark]] is about combating drug use, violence, and contempt for authority while exalting positive values like academic achievement and family values.<ref>https://www.imdb.com/title/tt0097722/</ref>
|$31,906,454
|-
|''The League of Extraordinary Gentlemen''
|2003
|PG-13
|Pro-Western Culture as Western icons Allan Quatermain, Captain Nemo, Mina Harker (the wife of ''Dracula'' character Jonathan Harker), The Invisible Man (under the alias Rodney Skinner), Tom Sawyer, and Dr. Henry Jekyll battle Professor James Moriarty (from ''Sherlock Holmes'') as he plans a world war.
|$66,465,204
|-
|''Let There Be Light''
|2017
|PG-13
|Directed by and starring [[Kevin Sorbo]] and executive produced by and also starring [[Sean Hannity]]. Sol Harkens (played by Sorbo) is an alcoholic, divorced atheist going through a near-death experience after a car accident, where he learns the error of his ways and turns to Christianity and reconnects with his family.
|$7,233,471
|-
|''Liar Liar''
|1997
|PG-13
|Surprisingly takes on an anti-feminist theme by depicting the [[father]] as the good, righteous side in a courtroom divorce trial against a greedy, avaricious and uncaring mother, who only wants the children so she can wring every cent of alimony and child support she can out of the father while keeping the children away from him and showing little regard for them herself. In addition, the film also promotes the concept of redemption and bettering oneself, as the main protagonist, an unscrupulous lawyer, despite resistance towards the wish, ultimately tries to honor his son's birthday wish to not lie for a day even under dire consequences to himself such as being hauled to jail at one point, and ultimately succeeds in keeping his promise of not lying with the ending implying he gave up lying for good, and was also pro-family as the protagonist ultimately tries to better his life for the sake of his son.
|$181,410,615
|-
|''[[The Lives of Others]]''
|2006
|R
|(''Not for children'') - This German-language film is a stinging criticism of [[Communist]] [[East Germany]] from a liberal perspective. Taking place in 1984 East Berlin about a secret police agent.
|$11,286,112
|-
|''Logan''
|2017
|R
|(not for children) Unlike the mainstream ''X-Men'' films, which focus on the struggle of mutants to gain acceptance in the world (similar to homosexual rights), Hugh Jackman's final appearance as Logan/Wolverine takes on a much more personal and realistic tone, Logan being by far the most human mutant portrayed in the movies. With mutants on the brink of extinction, Logan's healing factor beginning to fail him, and the metal coating his skeleton now poisoning him, Logan has been reduced to working as a limo chauffeur to care for an ailing Charles Xavier. He is also binging on alcohol far more than ever before, much to the chagrin of fellow mutant Caliban. He reluctantly agrees, at the behest of a nurse named Gabriela, to escort Laura, a young girl and clone-daughter of Logan, to "Eden," a safe haven (and reference to the location of the birth of mankind) for mutant children who were born within the walls of Transigen, a biomedical company that had illegally used the DNA of mutants, including Logan, to create cloned children whom they turned into soldiers.

The movie emphasizes faith at least twice, most notably when Logan and Charles view Gabriela's phone video about Transigen, in which she says that the children have never seen any of God's creations, as well as Charles saying that Eden is "real for Laura," despite Logan's skepticism. The nature of Transigen's horrific experiments also gives the movie anti-cloning and anti-God playing messages. But even more importantly, despite his losing faith with the world, his fellow mutants all but gone, Logan is reminded of the value of family, he, Charles, and Laura accepting a family's invitation to have dinner and spend the night. Charles remarks to Logan, "This is what life looks like. A house. A safe place. People who love each other. You should take a moment." Finally, in the movie's climax, Logan finds the redemption he has long sought, facing off against a clone, as well as a symbol of the violent demons within himself, giving his own life, so that the children can escape across the border into Canada.
|$535,737,200
|-
|''Logan's Run''
|1976
|PG
|A man within a future liberal society, evidenced by acceptance of a spoiled work-free existence, that kills everyone on their 30th birthdays, claiming it as "rebirth" (see [[Liberal Denial]]), escapes to find a world of hard work and aging.
|
|-
|''London Has Fallen''
|2016
|R
|In the sequel to ''Olympus Has Fallen'', when Pakistani Islamic terrorists rampage through London, Secret Service Agent Mike Banning must protect the U.S. President. Liberals accused it of promoting xenophobia in its release, but, following multiple terrorist attacks on Britain in 2017, much of what the film prophesied has become reality.
|$62,524,260
|-
|''Lone Survivor''
|2013
|R
|Docudrama of the failed 2005 mission Operation: Redwings, in which four Navy SEALs were discovered by Taliban forces, leading to a brutal and intense firefight, resulting in three of them dying. Shows the men's perseverance against overwhelming odds and determination to stand against radical Islamic terrorism. Based on the book by the titular figure, [[Marcus Luttrell]].
|$154,802,912
|-
|''The Longest Day''
|1962
|G
|Conservative star [[John Wayne]] and his co-stars, reenact the battle of [[D-Day]].
|$39,100,000
|-
|''[[The Fellowship of the Ring (film, 2001)|The Lord of the Rings: The Fellowship of the Ring]]''
|2001
|PG-13
|Clear distinction between good and evil with positive themes of friendship, bravery, honor, sacrifice and overcoming temptation as well as redemption. Based upon the literary classic by J. R. R. Tolkien.
|$314,776,114
|-
|''[[The Two Towers (film, 2002)|The Lord of the Rings: The Two Towers]]''
|2002
|PG-13
|Strong portrayals of redemption and good over evil. Based upon the literary classic by J. R. R. Tolkien.
|$340,478,898
|-
|''[[The Return of the King (2003 film)|The Lord of the Rings: The Return of the King]]''
|2003
|PG-13
|Bravery, heroism, sacrifice and good ultimately triumphing over evil. Based upon the literary classic by J. R. R. Tolkien.
|$377,027,325
|-
|''The Lost Weekend''
|1945
|UR
|Illustrates the dangers of [[alcohol abuse]] and the hope of recovery in the film's climax.
|Unknown
|-
|''[[Luther]]''
|2003
|PG-13
| Joseph Fiennes portrays the titular 16th-century reformer from his literally stormy vocational conversion to the [[Augsburg Confession]].
|$5,600,000-$5,800,000 ranges (U.S.).
|-
|''Man of Steel''
|2013
|PG-13
|[[Superman]] is portrayed as a Christ-like figure, shows the bravery of the U.S. Military and shows the theme of protecting the ones you love. The film also has an anti-illegal immigrant like message, as the villain, General Zod plans to turn Earth into his dead planet Krypton (an allegory for illegal aliens destroying American culture and changing it for their own purpose). During a climactic battle between Superman and Zod, a computer-generated avatar bearing the likeness of Jor-El, Superman's biological father, assists the Man of Steel and his human allies in fighting Zod and his forces, so there are some pro-family themes.
|$291,045,518
|-
|''The Man Who Invented Christmas''
|2017
|PG-13
|A historical drama dealing with the creation of [[Charles Dickens]]' seminal work ''[[A Christmas Carol]]'', and to a lesser extent an adaptation of ''A Christmas Carol'' in itself. It has strong redemptive themes as well as promoting to some extent the capitalist view. Forgiveness also plays a major role in the story, as well.
|$8.1 million
|-
|''Mars Attacks!''
|1996
|PG-13
|Aleins invade and attack earth in this old-school comedy film. All liberal attempts on handling the situation, such as making peace and pacificism fail, and result in more human lives being lost. Even the U..S president (played by Jack Nicholson) refuses to nuke them up until a certain point
|$37,771,017
|-
|''[[Martin Luther]]''
|1953
|NR
|Portrayal by Niall MacGinnis of the titular 16th-century reformer. Available on discs and online in both original black and white and colorized.
|$3,000,000
|-
|''Mary Poppins''
|1964
|UR
|In one of the greatest motion picture masterpieces of all time, adapted from the novel by Australian-born British author P. L. Travers, a magical nanny is hired to take care of two children, Jane and Michael Banks, while their parents are engaged in their respective duties. Embarking on a series of fantastical adventures with Mary Poppins and her Cockney jack-of-all-trades performer friend, Bert, the siblings try to pass on some of their nanny's cheerful attitude and morals to their preoccupied parents. Also has an early condemnation of feminism, as one of the reasons the mom was preoccupied and why Mary Poppins was ultimately hired to help raise the kids was because the mother attempted to fight for women liberation. In the process, the Banks family become closer and happier together than ever before. ''Mary Poppins'' is cited by many to be [[Walt Disney]]'s crowning achievement.
|$677,054,500
|-
|''[[Master and Commander|Master and Commander: The Far Side of the World]]''
|2003
|PG-13
|During the Napoleonic Wars, Captain Jack Aubrey of the British Royal Navy goes head to head with the French-hired privateer ''Acheron''. The captain and his crew stand by conservative principles throughout, including faith in God, patriotism, duty, honor, respect for authority, discipline, bravery, sacrifice, and friendship.
|$93,926,386
|-
|''[[Matilda]]''
|1996
|PG
|Film adaptation of Roald Dahl's children's novel of a bright little girl who uses her magical genius and help from a sympathetic teacher to free herself from the foolish, selfish people in her life: her self-absorbed parents, bratty brother and the horrible and brutish [[public school]] principal.
|$33,084,249
|-
|''Men in Black''
|1997
|PG-13
|A loose adaptation of the graphic novel of the same name. The film carries an implicit promotion of national borders and legal immigration/assimilation, as the titular organization keeps the existence of extraterrestrial immigrants secret and allows them in so long as the aliens specifically make sure they undergo naturalization first and that they obey certain laws. In addition, the opening scene has Kay and his partner stopping attempted illegal immigrants from crossing into the country and was implied to be working alongside the ICE and border patrol to prevent illegal immigrants into the country while trying to prevent a literal illegal alien, Mikey, from entering the country illegally, with the alien being depicted in a negative light due to him trying to kill an ICE agent before being atomized by Kay. Also condemns terrorism, as the main villain, Edgar the Bug, arrived on Earth to personally assassinate two extraterrestrial diplomats of two warring civilizations specifically to engineer a war with Earth and thus allow his kind to feast on any killed in battle. There's also a subtle mocking of the liberal news rag ''New York Times'', where one of the characters, Kay, when explaining to Jay that he was searching via tabloid articles, suggested he could use the ''New York Times'' as searching for information as "they sometimes get it right", implying that the ''New York Times'' was less reliable than tabloid articles.
|$589.4 million
|-
|''The Mill and the Cross'' (Polish original)
|2011
|UR
|Persecution of Christians in Flanders region of Belgium during the 16th Century.
|$310,900
|-
|''Missing in Action''
|1984
|R
|Features Conservative star [[Chuck Norris]] as he recuses POWs from Vietnam.
|$22,812,411
|-
|''[[Miracle]]''
|2004
|PG
|Based on a true story this movie is about Herb Brooks (here played by Kurt Russell) leading the United States hockey team to win the gold medal in the 1980 Winter Olympics. Stresses the importance of hard work, resiliency, selflessness and putting your best effort forward to reach an unseen goal.
|$64,445,708
|-
|''The Miracle Worker''
|1962 movie adaptation of William Gibson's 1957 Playhouse 90 [[television]] program and Gibson's 1959 stage play, based on Helen Keller's own 1902 biography, ''The Story of My Life''.
|NR, may be PG today
|Bio of young Helen Keller (Patty Duke) and her teacher Anne Sullivan (Anne Bancroft). Followed by [[television]] remakes in 1979 and 2000.
|$2,500,000
|-
|''Moses''
|1974 Italy-U.K.
|PG
|Italian-British-American production which features [[Burt Lancaster]] playing [[Moses]] the lawgiver. Less flamboyant than Cecil B. DeMille's movie ''[[The Ten Commandments (film, 1956)|The Ten Commandments]]'' and focuses more on the Biblical figure of Moses. Originally a six-part U.S. TV mini-series in 1975, but edited to make it a U.S. movie in 1976.
|unknown money returns
|-
|''Mr. Deeds''
|2002
|PG-13
|Shows the liberal-run mainstream media in a negative light and also has a promotion of small-town values and capitalism.
|$171.3 million
|-
|''The Mummy Returns''
|2001
|PG-13
|While its predecessor stayed politically neutral, this film has pro-family message, in which father and his family must rescue their son from a Satanic cult who plans to resurrect an Egyptian demon, as well as the climax having the mother, in clear defiance of the father's insistence that she, her brother, and their son escape from the doomed temple without him, risks her life to save him, while in stark contrast, the female villain, the reincarnation of the woman whom the titular mummy had sacrificed everything to try and save, ends up abandoning him to his fate despite his begging for her help, and later ends up paying the price for her deed by falling into a pit of scarabs.
|$202,019,785
|-
|''Mr. Skeffington''
|1944
|UR
|Bette Davis portrays a socialite whose life is ruined when she turns ugly with age. Anti-Nazi and anti-materialistic.
|Unknown
|-
|''[[Mr. Smith Goes to Washington]]''
|1939
|UR
|A tale of a good, simple man rising above the pressures of [[liberals]] to do the right thing. Features perhaps the best defense of the American political system ever committed to film.
|Unknown
|-
|''My Son John''
|1952
|UR
|A small-town couple's world is turned upside-down by the discovery that their adult son is a Communist.
|amount made unknown
|-
|''The Name of the Rose''
|1986
|R
|A mystery centered around the balance between faith and science, as well as debate over the role of poverty in religion and religious orders.
|$5,595,706
|-
|''The Nativity Story''
|2006
|PG
|Title says it all about this Biblical epic.
|$37,629,831
|-
|''National Treasure''
|2004
|PG
|Benjamin Gates and his sidekick named Riley do everything they can to protect the U. S. Declaration of Independence from being destroyed. Similar to [[The Goonies]] and the [[Indiana Jones]] Series.
|$173,008,894
|-
|''Navy Seals''
|1990
|R
|A Pro-military anti-terrorist film released during the golden age of military action films.
|$25,069,101
|-
|''Nicholas and Alexandra''
|1971
|PG
|Biopic of Russia's last czar Nicholas II and his wife and family, from their only son's birth until the family's deaths by the Communists.
|$6,990,000
|-
|''Night at the Museum''
|2006
|PG
|Divorced father Larry Daley tries to keep a steady job to be a good role model for his son. He takes a job at the American Museum of Natural History where everything comes to life at night. Features conservative president [[Theodore Roosevelt]] who talks to him about manning up and not giving up as Daley faces obstacles in Museum. Also contains an inspirational quote about character and courage as, the wax Theodore Roosevelt says to Larry Daley "You gotta finish the job this time, you can't quit, I'm made of wax Larry, what are you made of?" Followed by two sequels in 2009 and 2014.
|$250,863,268
|-
|''Ninotchka''
|1939
|UR
|Anti-communism, pro-Capitalism.
|Unknown
|-
|''Nocturnal Animals''
|2016
|R
|The main character is a [[liberal]] art gallery owner who is re-examining her life as her marriage with her [[Adultery|unfaithful]] husband disintegrates. Suddenly, out of nowhere, she receives a manuscript for an unpublished book written by her first husband, who she had divorced many years earlier. The book, sharing the title with the film, tells the story of a man whose wife and teenage daughter are brutally [[rape]]d and [[murder]]ed by a [[gang]] while the family are on a road trip vacation. He blames himself for their deaths because the gang was unarmed and managed to abduct them by merely intimidating him.

After the [[Corruption|corrupt]] police department releases the leader of the gang responsible for the crime due to "lack of evidence," he seeks the help of a detective who objects to the department's decision, and the two men embark on a mission of vigilante justice, that ends in the deaths of both the man and the gang leader, as well as one of the gang members who was not released. After finishing the book, the gallery owner is tormented by her past. Not only is the book very good, despite her frequent criticisms of her ex-husband's writing abilities while they were still together, but it is implied that she also sees the book as a metaphor for her relationship with him. In real life, they married young after a whirlwind romance, but their marriage disintegrated as she became increasingly ambitious and [[greed]]y over her career aspirations. Her greed drives her to have an extramarital affair with the man who later became her second husband, and to [[Abortion|abort]] her child with her first husband without his consent.

In the book, the first husband is represented by the man who wants justice. The gallery owner is represented by two people: the man's wife (representing the gallery owner ''before'' she became consumed by greed) and the gang leader (representing the gallery owner ''after'' she became consumed by greed). The teenage daughter represents the aborted child. In both cases, the men lost their wife and child, in one form or another, because they stood by and did nothing as evil tore the family apart. In the end, both men stood up to what destroyed their families, the ex-husband by proving he can be a good writer and the man in the book by resorting to vigilante justice.

In addition to being anti-[[materialism]], anti-abortion, promoting traditional family roles (by emphasizing that fathers must be strong and protective) and portraying a young liberal's descent into spiritual darkness because of her intense [[idealism]], but it also plays with Christian imagery and metaphors. When the wife in the book is found dead, her [[Christian Cross|cross]] necklace is found destroyed, presumably by the gang that is supposed to represent greed, which destroys the Christian spirit of any person it dwells in. It is also possible to argue that the detective character in the book represents [[Satan]], as both figures claim to have good intentions and yet convince people to commit horrific acts in order to satisfy their passions. However, the ex-husband in real life, by doing a much simpler and benign act than his in-book counterpart and getting back at those who wronged him by continuing what he loves best, shows that malicious revenge is not the only way, and you can come out of even the worst tragedies as a better person.
|$10 million
|-
|''Non-Stop''
|2014
|PG-13
|Liam Neeson plays an alcoholic U.S. Air Marshall named Bill Marks, who has divorced and lost his daughter to cancer. He begins to receive a series of threatening text messages during a flight, warning that unless $150 million is transferred into a specific bank account, somebody on board will die every 20 minutes. The movie shows Marks' perseverance to find those responsible, reflecting the real-life post-9/11 determination to stand against terrorism. Furthermore, his fight against both the unknown hijackers, as well as the uncooperative passengers, and even his supervisor on the ground helps to redeem himself, after his personal family tragedies, finding friendship with a fellow passenger named Jenn. This shows that even after experiencing a family tragedy, one can still move forward in life.
|$222,809,600
|-
|''Not Without My Daughter''
|1991
|PG-13
|Sally Fields is [[Betty Mahmoody]], the American wife who, along with her daughter, was tricked in 1984 by her Iranian-born husband into traveling with him on what he said would be only two weeks in his homeland to visit his relatives (he lied big time about the two weeks part!).
|$14,789,113 (U.S.)
|-
|''[[October Baby]]''
|2012
|PG-13
|A first-rate, compelling film that leaves no doubt about how wrong [[abortion]] is.
|$5,357,328
|-
|''[[October Sky]]''
|1999
|PG
|Four high school boys from a rural coal mining town, inspired by Sputnik, set out to build their own rockets and become rocket scientists.
|$32,481,825
|-
|''Of Gods and Men'' (French original)
|2010
|R
|Martyrdom of Trappist monks by Islamic terrorists in an impoverished Algerian community.
|$3,954,651
|-
|''[[Oh, God!]]''
|1977
|PG
|In this spiritually uplifting comedy, God appears as a kindly old man to a nonbeliever to spread joyful tidings of His existence. Though the young man inadvertently creates a global hysteria upon realizing God's power, his acceptance of God's calling is ultimately rewarded, the faithful are vindicated, and naysayers are proven wrong. Two sequels followed in 1980 and 1984.
|$41,687,243
|-
|''Olympus Has Fallen''
|2013
|R
|Disgraced Secret Service agent Mike Banning must protect the President from North Korean terrorists.
|$98,925,640
|-
|''On Golden Pond''
|1981
|PG
|''On Golden Pond'' presents the story of two generations of a family who have separated from each other for decades. While on a summer vacation together at the old family retreat, they finally come together and, through forgiveness and understanding, they all have become better people and a great family. It is the kind of a compassionate and understanding friendship that brings and unites generations and cultures together. It is an artistic triumph for the entire cast and crew.
|$119,285,432
|-
|''[[On the Waterfront]]''
|1954
|UR
|[[Marlon Brando]] plays Terry Malloy, who under the inspiration of a Catholic priest (Father Barry, played by [[Karl Malden]]), becomes a Christ-like figure. Betrayed by his brother and almost killed by the gang, he finds the strength to overcome and redeem his people from the slavery to the mobsters who run the waterfront. In stunning contrast to the liberals who kept silent about the Communist subversion in Hollywood, the film portrays the informer as the hero; liberal Hollywood never forgave director [[Elia Kazan]] for his stunning film. In real life, Kazan, Malden and screenwriter Budd Schulberg all testified before Congress, along with others like [[Walt Disney]] and [[Ronald Reagan]]. Together, they broke the power of the Reds in Hollywood.
|$9,600,000
|-
|''One Day In The Life of Ivan Denisovich''
|1970 Britain/Norway
|PG
|[[Aleksandr Solzhenitsyn]]'s bestselling novel brought to film as Tom Courtenay is the titular prisoner in early 1950s Siberia as punishment for surrendering to the Nazis during World War II and his struggle for small comforts to ease the harsh injustices of the Gulag. A smashing indictment of the Soviet system.
|amount unknown
|-
|''One Foot In Heaven''
|1941
|UR
|
|Unknown
|-
|''One Good Cop''
|1991
|R
|Titular [[New York City]] police detective (Michael Keaton) and his wife (Rene Russo) inherit a family of three small girls when the detective's partner (Anthony Lapaglia) dies in the line of duty. Has positive portrayals of law enforcers and clergy (one priest turns in money that was stolen from a drug dealer by the cop and left as a donation to his church and the girls talk about "going to Jesus"). Typical violent skirmishes mixed with tender sentimental ones, but also admissions of past adultery by the ill-fated partner, smoking, drinking, much profanity and, of course, illegal drugs.
|$11,276,846
|-
|''Operation Thunderbolt''
|1978 (American and British title and release year; originally an Israeli film, ''Mivtsa Yonatan'', in 1977.
|R
|Based on [[Operation Entebbe]] in 1976, the film portrays bravery and gets its anti-terrorism message across. Menahem Golan who directed, produced and wrote the film was also a former pilot for the Israeli Air Force.
|N/A
|-
|''Other People's Money''
|1991
|R
|A Pro-Capitalism Movie, which unlike most movies show [[Wall Street]] as cold, evil, villainous, and unsympathetic, this movie portrays it in a different view, as it is about a giant corporation trying to expand its business by buying another company.
|$25,682,090
|-
|''The Pacifier''
|2005
|PG
|Navy Seal Shane Wolfe (Vin Diesel) is assigned to be the guardian of five children in this pro-family and pro-military film. He learns from them the responsibilities of being in a family as they learn from him the importance of the military in protecting the country. The villains of the movie are North Korean spies. Also has a brief Anti-Nazi concept. There are plans being made for an upcoming sequel. <ref>https://www.flickeringmyth.com/2015/12/vin-diesel-reveals-that-the-pacifier-2-is-in-development/</ref>
|$113,086,868
|-
|''Parenthood''
|1989
|PG-13
|Dramedy showing the ups and downs of having a family.
|$100,047,830
|-
|''The Parent Trap''
|1961
|G
|Pro-family comedy where twin sisters try to reunite their divorced parents and learn the true meaning of family.
|$25 million
|-
|''The Parent Trap''
|1998
|PG
|A remake of the 1961 film, which is just as much Pro-family.
|$66,308,518<ref>http://www.boxofficemojo.com/movies/?id=parenttrap98.htm</ref>
|-
|''Parental Guidance''
|2012
|PG
|Two parents raise their kids in a liberal way, and as a result, the kids are unhappy and rebellious. The parents leave the kids alone with their grandparents for a weekend who bring in conservative values and helps the kids realize the importance of family.
|$119,772,232
|-
|''Patriots' Day''
|2017
|R
|Shows the heroism of the Boston and Watertown Police Departments, as well as the FBI, during and after the [[Boston Marathon Bombings]]. Also depicts a strong sense of patriotic unity and refusal to bow down to radical Islamic terrorism.
|$36,067,655
|-
|''Paul Blart: Mall Cop''
|2009
|PG
|Mall security guard Paul Blart is silly but shows dedication in keeping the mall he works at safe. Also, Paul wants to be a good father figure for his daughter, and the movie has some anti-feminism aspects as showing the father as the good parent against a mother (not present in the movie though, only seen in a photo), who only married him to get legal status in the country and then left him, which could also be seen as an anti-illegal immigrant message. This film is also somewhat anti-environmentalism.
|$146,336,178
|-
|''[[Pirates of the Caribbean]]: On Stranger Tides''
|2011
|PG-13
|Unlike the rest of the movies in the series which were just pure entertainment, this movie has some good Christian messages and a Christian missionary is presented in a positive light. The climax of the movie presents a very important message too; ''Only God can grant eternal life, not these pagan waters. Men, destroy this profane temple!''
|$1.046 billion
|-
|''Pixels''
|2015
|PG-13
|Aliens take the Earth in a war with a throwback to classic video games. The film is pro-military, and pro-integrity, as the actions of a man who cheated in the video game are shown in a negative light. Promotes joy and having and shows the wastefulness of [[nihilism]]. Also, many anti-[[feminism]] themes are present.
|$78,747,585 <ref>http://www.boxofficemojo.com/movies/?id=pixels.htm</ref>
|-
|''[[Popeye]]''
|1980
|PG
|A live-action musical film based off the Conservative TV Show. In addition, the film is pro-family with Popeye reconnecting with his father in the end.
|$9,823,037
|-
|''Pride and Prejudice''
|1995
|TV-PG
|Free-spirited Elizabeth must overcome her earlier misperceptions to find the truth about eligible bachelor Darcy, while Darcy must overcome his own pride.
|BBC <ref>https://www.imdb.com/title/tt0112130/companycredits?ref_=ttspec_sa_5</ref>
|-
|''Prisoners''
|2013
|R
|The movie's main protagonist, Keller Dover, is a deeply devout Christian man, who says the Lord's Prayer on several occasions. The movie also depicts the importance of family in a very positive light, with Keller vowing to protect and love those closest to him at all costs. However, when his daughter and best friend are kidnapped, Keller takes matters into his own hands by kidnapping, imprisoning, and torturing the man whom he believes is responsible, even though it becomes apparent that he could not have done it. This is a clear transformation from holy man to sinner, as is symbolized at one point by the filmmakers intentionally changing Keller's daughter's best friend's rat from white to black. This makes it clear that the movie is self-aware that its main protagonist is no longer a good Christian man. Furthermore, this is could be a symbolization of Jesus Christ's crucifixion, as the man being tortured is innocent, and suffering for the crimes of the real kidnapper, his aunt.
|$122,126,687
|-
|''[[The Pursuit of Happyness]]''
|2006
|PG-13
|A film that shows hard work, dedication, loyalty and trust can result in success and "happiness" for any American, regardless of race, gender or creed. It is an instructional piece about the tradition of "stick-to-it-iveness" that has made America a land of hope and opportunity for so many. This film’s main themes—the primacy of the family, the blessings of free and open markets, the necessity of staying true to one’s ideals—are all conservative concepts.
|$307,077,300
|-
|''A Quiet Place''
|2018
|PG-13
|Metaphorical pro-life horror film<ref>https://www.washingtonpost.com/news/act-four/wp/2018/04/11/a-quiet-place-isnt-just-pro-life-it-makes-us-understand-what-being-pro-life-truly-means/?noredirect=on</ref>. Notable for being one of the biggest surprise hits of 2018.
|$329,861,495<ref>http://www.boxofficemojo.com/movies/?id=aquietplace.htm</ref>
|-
|''Quo Vadis''
|1951
|UR
|The early Christian Church during the time of [[Nero]]'s regime.
|Unknown
|-
|''Race''
|2016
|PG-13
|Bio pick of American icon [[Jesse Owens]]
|$19 million
|-
|''[[Raiders of the Lost Ark]]''
|1981
|PG
|
|$242,374,454
|-
|''Ransom''
|1996
|R
|Father Tom Mullen (played by Mel Gibson) takes drastic measures to save his son after he is kidnapped. Besides being pro-family, the film's other message is not giving into criminals as Mullen refuses to pay the ransom money and tries to bring the kidnappers to justice.
|$136,492,681
|-
|''The Red Danube''
|1949, based on Bruce Marshall's 1947 novel ''Vespers in Vienna''.
|NR
|In 1945 Vienna at the end of World War II, the city is divided into four occupation zones, American, British, French and Soviet.
The British army is helping the Soviets find and return refugees from the USSR, ex. a Volga [[German]] ballerina (Janet Leigh), whose parents are Soviet dissidents, while the Vienna convent's Mother Superior (Ethel Barrymore) is friendly and says that "the Russians are cruel because they forgot God".
|$1,859,000 (worldwide-1950)
|-
|''[[Red Dawn]]''
|1984
|PG-13
|A film by conservative writer and director [[John Milius]] about American high school students resisting a Soviet invasion through guerrilla warfare.
|$38,376,497<ref>http://www.boxofficemojo.com/movies/?id=reddawn.htm</ref>
|-
|''[[Red Dawn]]''
|2012
|PG-13
|A remake of the 1984 film, although this time with [[North Korean|North Koreans]] as the villains.
|$44,806,783<ref>http://http://www.boxofficemojo.com/movies/?id=reddawn10.htm</ref>
|-
|''Reefer Madness: The Movie Musical''
|2005
|R
|Movie based on the musical, which shows the dangers of marijuana. The main character Jimmy is a high schooler who starts smoking marijuana and becomes addicted to it. In the end, his girlfriend is killed because of his mistakes. Even contains a scene where Jesus comes to talk to Jimmy and warns him not to turn his back on God. Also, pro-American and anti-political correctness, within the end; Uncle Sam, Lady Liberty, and other American characters come out and sing the song "Tell 'Em the Truth."
|-
|''Requiem for a Dream''
|2000
|R
|(not for children) Anti-drug film depicting four tales of drug addiction and the addicts going down a life of ruin. The film doesn't hold back on the brutal reality of drug addiction.
|$3,635,482
|-
|''Rio Bravo''
|1959
|UR
|Classic film with conservative star [[John Wayne]] as he and his crew battle the brother (and his outlaws) of an apprehended criminal. Also downplays alcohol abuse as Wayne's partner Dude (played by Dean Martin) is seen overcoming this throughout the film.
|$5 million
|-
|''Robin Hood''
|2010
|PG-13
|An origins tale to the character, this rendition of Robin Hood, unlike most other adaptations, takes more after how he was originally presented as a man rebelling against an unlawful government and taking back funds stolen by Prince John and returning it to the people who actually worked for it, and not the "steal from the rich to give to the poor" revisionist version by [[Joseph Ritson]] during the time of the [[French Revolution]] that was made in solidarity to the [[Jacobins]]. The Magna Carta, which brought reform to English government after a long period of feudal oppression, is portrayed positively.<ref>https://www.wnd.com/2010/05/154853/</ref>
|$321.7 million
|-
|''[[Rocky]]''
|1976
|PG
|Robert “Rocky” Balboa, a talented but down-on-his-luck prize boxer, seizes a chance to challenge himself to the ends of his ability. This film - and its sequels and remakes - reinforces man's ability to overcome challenges. Included five sequels and two spin-offs.
|$117,235,247
|-
|''Rosemary's Baby''
|1968
|R
|Higher powers intervene in this story of a young Catholic mother's devotion to her unborn infant.
|Unknown
|-
|''Rudy''
|1993
|PG
|A young man overcomes many obstacles, including dyslexia, to play for the [[Notre Dame]] football team. Shows the value of hard work and never giving up.
|$22,750,363
|-
|''The Sandlot''
|1993
|PG
|Honestly depicts 1950s America when boys acted like boys and girls acted like girls, wimps were taught to toughen up, and every boy had a chance to be great. No historical revisionism. Also celebrates America's pastime [[baseball]].
|$32,416,586<ref>http://www.boxofficemojo.com/movies/?id=sandlot.htm</ref>
|-
|''The Santa Clause'' (series)
|1994, 2002, 2006
|PG
|A divorced father of one must take on the responsibility of being Santa Claus after he is chosen. Along the way, he finds great joy and happiness in his new occupation. The film series also promotes the essence and importance of traditional marriage, family, and Christmas. Also has a strong message against the separation of the church and state. Spawned two sequels, although their quality has varied (see their entries in the Debatable whether Great section of this article more details).
|$189,800,000; $172,900,000; $110,800,000
|-
|''Saving Christmas''
|2014
|PG
|Kirk Cameron fights using the truth in the War on Christmas. Liberals tried to censor it, but ultimately became a hit among those who believe in the truth.
|$2,800,000
|-
|''Saving Private Ryan''
|1998
|R
|Promotes the military and American values during World War II, and depicts the Nazis in a negative light.
|$481.8 million
|-
|''Schindler's List''
|1993
|R
|[[Oskar Schindler]], a German Christian businessman, saves the lives of more than a thousand Jewish refugees during the Holocaust by employing them in his factories. The negative effects of [[gun control]] are shown as German citizens are shot by their Nazi oppressors without any means of self-defense.
|$96,065,768
|-
|''Scrooged''
|1988
|PG-13
|A modern-day retelling of Charles Dickens' ''A Christmas Carol'' starring Bill Murray, this story focuses on television executive Frank Cross. Promotes the same themes of redemption and the spirit of Christmas as it's source material. Also Anti-Hollywood values as well, since the main reason Frank lost his long-time love Claire was because he was furthering his television career.
|$60.3 million
|-
|''Sergeant York''
|1941
|UR
|A young American soldier during WWI overcomes an unfounded religious objection to killing and becomes a war hero.
|Unknown
|-
|''The Seventh Seal''
|1956
|NR
|Swedish film about the strength of religion.
|
|-
|''The Seventh Sign''
|1988
|R
|Starring Demi Moore, a fictional account of the return of Jesus to usher in the apocalypse and judge mankind. Catholic-themed movie has Demi Moore offering her life for the souls of others.
|$18,875,011
|-
|''Sexmission''
|1984
|R
|A Polish film about two men, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. The totalitarian female society was meant to represent Communism and feminism and the movie was meant to ridicule it.
|
|-
|''Shane''
|1953
|UR
|This Western follows a homesteading family whose patriarch fights to defend them.
|$20,000,000
|-
|''Shattered Glass''
|2003
|PG-13
|Based on the true story of Stephen Glass (Hayden Christensen), a reporter in the late 1990s for the liberal magazine ''The New Republic'', lies and distorts news stories to make them entertaining. He begins by submitting an article about the Conservative Political Action Conference, in which he fabricated stories of drinking and sexual mischief. Then, after he writes a colorful but suspicious story on a superstar web hacker, a group from a small online news site begin to question his journalistic integrity.
|$2,220,008
|-
|''Shazam!''
|2019
|PG-13
|This old-school stylized superhero film may not only be one of DC's best but it is very conservative. The movie is quite-pro family with the main character; Billy Batson, realizing end that family is what matters most, and even claims “If a superhero can’t save his family, then he’s not much of a superhero.” Also, it is pro-Christianity, with the family saying Grace and thanking and showing gratitude towards the lord for their meal (which is very rare for a superhero movie). As well the villain being [[Nihilist|nihilistic]] and leading the demons of the seven deadly sins. In addition, the hero is played by actor Zachary Levi who is a Christian, and his faith may have cost him some roles earlier (most likely because of [[Hollywood Values]]).<ref>https://godtv.com/6-hollywood-entertainers-didnt-know-were-christians/</ref> Finally, there is a small anti-alcoholism message with the characters taking a sip of alcohol for the first time, and then spitting it out, only to return the rest of it, and buy candy and soda instead.
|$138,588,556 (So Far)<ref>https://www.boxofficemojo.com/movies/?id=untitledmovieiv.htm</ref>
|-
|''Short Circuit 2''
|1988
|PG
|Unlike, its liberal predecessor, this movie is pro-capitalism. Ben Jahvri, one of the co-creators of the No. 5 robot, is now a vendor attempting to sell his robot toys on the streets of New York. When an employee of a major toy company, Sandy Banatoni, Ben's love interest, becomes interested in his toys, Ben teams up with another capitalist named Fred Ritter (played by Michael Mckean) to produce 1000 of the toy robots. After a break-in scares of Fred's workers, No. 5, now known as Johnny Five, comes to New York to help Ben.

This movie is also pro-assimilation, Ben is shown working hard and studying to pass the test required for US citizenship (a test which most native-born US citizens couldn't pass). At the end of the movie, Ben is shown taking the Vow of Citizenship, along with Johnny Five who is being recognized as the first robotic citizen of the US.
|21.6 million
|-
|''Signs''
|2002
|PG-13
|This sci-fi drama proves that sci-fi and atheism need not be synonymous. The main character; Graham Hess (played by Mel Gibson) is a former reverend who has lost his faith in God after the tragic death of his wife in a car accident. He now refuses to have anything to do with God, despite the continued desire to do so from his children. When an alien invasion hits home, he realizes that only God could have saved him and his family from death, and he rediscovers his faith in the end.
|$227 million
|-
|''Silence''
|2016
|R
|Powerful tale of faith, as Jesuits try to promote Christianity in 17th century Japan overcoming the violence and persecution they encounter.
|$7,100,177
|-
|''Sky High''
|2005
|PG
|At an airborne high school for tomorrow's superheroes, student Will Stronghold is the son of two costumed vigilantes who, while he does not appear to have superpowers at first, develop them over time, hinting at the idea of social advancement, which is the basis for the [[American Dream]]. The main lesson he learns is knowing how to use one's abilities to one's advantage and achieve a greater goal. A catchphrase in the film is: "Just because you have powers, that doesn't make you a hero," which can be related to the expression, "Guns don't kill people; people kill people."
Furthermore, the film promotes the idea that anyone can be a hero, as Will and his "sidekick" friends with seemingly unimpressive superhuman abilities eventually rise above their assigned statuses and save the school. Also, Gwen Grayson/Royal Pain, the feminist main villain, seeks to turn all the superheroes into babies, then raise them up to be evil and loyal to her (perhaps an effort to play God). In addition, Will's best friend Layla Williams, who can control plant life and ultimately becomes his girlfriend, is shown to contain many liberal beliefs, especially pacifism, but she gives up her pacifism to fight back and help defeat Royal Pain and her cronies.
|$63,946,815<ref>http://www.boxofficemojo.com/movies/?id=skyhigh.htm</ref>
|-
|''Snitch''
|2013
|PG-13
|A father becomes an informant on helping the police arrest drug dealers, so he can get his son out of prison. Pro-drug war, the villains of the movie are all drug dealers. Also pro-fatherhood and pro-family, as well.
|$42,930,462
|-
|''Solomon Kane''
|2009
|R
|A story about a Puritan on his way to redemption.
|$19,385,501
|-
|''The Song of Bernadette''
|1943
|UR
|An affectionate and beautifully filmed biography film on the life of Bernadette Soubirous. Illustrates the power and essence of faith, hope, charity, and forgiveness. Winner of four Academy Awards, including Best Actress in a Leading Role (Jennifer Jones).
|$7,000,000
|-
|''The Sons of Katie Elder''
|1965
|UR
|Brothers John Elder ([[John Wayne]]), Tom Elder ([[Dean Martin]]), Bud Elder (Michael Anderson Jr.) and Matt Elder (Earl Holliman) seek justice following the murder of their mother.
|$23 million
|-
|''Soul Surfer''
|2011
|PG
|The true story of champion surfer 13-year-old Bethany Hamilton, who loses her arm in a shark attack. Her Christian faith helps her overcome her handicap to surf once again.
|$43,853,424
|-
|''[[The Sound of Music]]''
|1965
|UR
|Solid family entertainment about Austria's von Trapp family before World War II.
|$158,671,368
|-
|''Soylent Green''
|1973
|PG
|[[Charlton Heston]] plays a futuristic detective in a dying, polluted, overcrowded dictatorial world, trying to solve its most bizarre secret of its time's only main food source for most of its people, only to find its most unspeakable answer as the recipe directly involves people.
|
|-
|''[[Spider-Man (film)|Spider-Man]]''
|2002
|PG-13
|Based on the flagship superhero of Marvel Comics, Peter Parker is a hard-working teenager, raised by his devout Aunt May and well-meaning Uncle Ben, who is bitten by a radioactive spider and gains spider-like abilities, such as climbing any surface and shooting webbing from his hands, which he vows to use to prevent crime after Uncle Ben’s murder. ''Spider-Man'' pokes fun at [[liberal]] entertainers and journalists, particularly ''Daily Bugle'' publisher J. Jonah Jameson, who goes out of his way to unfairly smear and slander Spider-Man and foolishly question his heroic deeds. For his relationship with classmate Mary Jane Watson, Peter chooses [[abstinence]]. Peter believes in individualism and capitalism as well: he rejects a job from a handout, claiming he would like to earn what he makes. This was one of the most profitable films ever made and had two sequels.
|$403,706,375
|-
|''The Star Chamber''
|1983
|R
|Michael Douglas is a [[Los Angeles]] judge whose idealism is shaken when he has to release guilty violent criminals on legal technicalities, until he meets similar judges who form a "court of last resort" to hunt down and execute deadly criminals who previously escaped on loopholes.
|$5,555,305
|-
|''Straw Dogs''
|1971
|R
|Liberal mathematician David Sumner moves to Cornwall, England with his wife to study stellar phenomena. While there, vicious criminals constantly harass him and his wife. The criminals do inhuman things such as kill his cat and rape his wife, leaving Sumner to abandon his liberal beliefs and pacifism and defend his life and all he holds dear.
|
|-
|''Strategic Air Command''
|1955
|UR
|Actor (and Brigadier [[General]]) [[James Stewart]]'s story of the real [[Strategic Air Command]] and its transition from prop planes to jet planes.
|Unknown
|-
|''Suicide Squad''
|2016
|PG-13
|Various supervillains are given a second chance to fight for the greater good. Surprisingly, the film glorifies some conservative values. The villain's a [[Pagan]] goddess named Enchantress ( a rare film where liberal Hollywood actually portrays a Pagan as evil instead of the tragic hero nonsense we've seen). Also, even throughout the film is about supervillains, many of them regret their lives of crime, such as one of the characters Deadshot abandons his opportunity to kill Batman on his daughter's behalf and another character El Diablo who used his superpower for evil ends up accidentally killing his family, which has haunted him.
Moreover, in a dream sequence villain Harley Quinn shows her deepest desires which is being a housewife (points for having the guts for showing a female character not wanting to be part of the feminist agenda, especially in this day and age, even if it not surprisingly infuriated liberal critics<ref>http://www.avclub.com/article/margot-robbie-deserves-better-suicide-squads-sexis-240618</ref>). Some could also point out Enchantress plans to bribe the squad as reference to Luke 4:6-7. More interesting enough the director David Ayer is a Christian<ref>http://www.interviewmagazine.com/film/shia-labeouf/#page2</ref> who was once in the Navy.<ref>https://www.theguardian.com/film/2014/oct/16/david-ayer-something-maternal-about-tank-in-fury-brad-pitt</ref> So it's not surprising he added these values onto his film.
|$325,100,054
|-
|''Sully''
|2016
|PG-13
|Directed by nonother than [[Clint Eastwood]], Sully tells the great morality tale on how one should rely on his/her human instincts and personal faith at any time in their lives, especially in this age where others rely more on modern technology.
|$124,643,039
|-
|''Swiss Family Robinson''
|1960
|UR
|After they were shipwrecked on a deserted island, the Robinson family courageously worked together to survive against all odds and transformed the jungle into a habitable, tropical South Seas paradise. ''Swiss Family Robinson'' is both a great family film of the highest order and one of the most beloved live-action Disney films ever made.
|$465,977,300
|-
|''Taken''
|2009
|PG-13
|Retired CIA agent and divorced father Bryan Mills risks everything to save his daughter from Albanian sex traffickers. Followed by two sequels in 2012 and 2015 and a television series in 2017.
|$145,000,989
|-
|''[[The Ten Commandments]]''
|1956
|UR
|The definitive film portrayal of [[Exodus]]. Stars Charlton Heston as main character Moses and as the voice of God (the latter role shared with Delos Jewkes), John Carradine as Moses' brother [[Aaron]], Yul Brynner as Egyptian pharaoh and main antagonist [[Ramses II]], Edward G. Robinson as corrupt Hebrew overseer and secondary antagonist Dathan, Yvonne De Carlo as Moses' wife [[Zipporah|Sephora]], Anne Baxter as Moses' original love interest (and later Ramses II's wife) Nefretiri, Nina Foch as Moses' foster mother Bithia, John Derek as Hebrew stonecutter and Moses' right-hand man [[Joshua (Biblical leader)|Joshua]], Debra Paget as Joshua's love interest Lilia, Sir Cedric Hardwicke as Pharaoh Sethi, Judith Anderson as Bithia's servant Memnet, Vincent Price as Sethi's architect Baka, Martha Scott as Moses' biological mother [[Jochebed|Yochebel]] and Olive Deering as Moses' sister [[Miriam]].
|$65,500,000
|-
|''Thor''
|2011
|PG-13
|Based upon the Marvel Comics superhero, the fourth installment of the Marvel Cinematic Universe does not attempt to convert its audience to paganism regardless of what the title implies. Instead, the titular Norse god of thunder, who is alternately thought of as a god and as an alien in this universe, learns the consequences of dishonoring his father Odin and betraying his family: after his reckless actions reignite an ancient war between the people of the kingdom of Asgard, the home of Thor’s family, and a race of frost giants, Thor is stripped of powers, banished to earth, and forced to live among humans. He then remembers the importance of honoring his father and sacrifice for a greater good when his wicked trickster brother Loki, who seeks to claim the throne of Asgard for himself, sends after him the Destroyer, a ferocious automaton. Thor’s willingness to lay down his life so his friends can kill the Destroyer proves him worthy to regain his powers, defeat the automaton, and return to Asgard to overthrow Loki, who faces his own consequences for betraying the family (namely, being dropped into the vacuum of space, only to turn up alive after the credits, setting up the plot for another great conservative Marvel film, ''The Avengers'').
|$449.3 million
|-
|''The Three Stooges''
|2012
|PG
|In a plot similar to ''The Blues Brothers'', the Three Stooges try to raise money to save their Catholic orphanage. The movie promotes capitalism, as they refuse a handout, and want to work for it. The movie also promotes the family as well.
|$44,338,224
|-
|''Thirty Seconds Over Tokyo''
|1944
|UR
|Pro-American film released after the wake of [[Pearl Harbor]] that portrays brave fighter pilots fighting the Japanese in WWII.
|$6,247,000
|-
|''[[The Toy]]''
|1982
|PG
|This pro-family movie is about a little rich boy, who is sad and lonely because his family lacks any real family values. He buys a man as a toy when really he wants a friend, where he learns “If you want a friend, you don’t buy a friend. You earn a friend. You know, with love and trust.” In the end, the boy’s father shows he really loves his son and tries to reconnect more with him, by rebuilding more family values. Also part of the reason their father-son relationship was so messed up was because he was divorced and also was being tricked into working for the [[KKK]], which is shown in the negative light.
|$47,118,057<ref>http://www.boxofficemojo.com/movies/?id=toy.htm</ref>
|-
|''The Tree of Life''
|2011
|PG-13
|An adaptation of the Book of Job set in 1950s Texas with a narrative structure based on the nature of human memory which many viewers will find confusing.
|$13,303,319
|-
|''Transformers''
|2007
|PG-13
|The Autobots and their leader, Optimus Prime, usually do what they believe is right and fight the misanthropic Decepticons. Although the police and military fight both Transformers throughout most of this film, they learn that the Autobots are good in the end and the Autobots also learn that about them. It was followed by four sequels in 2009, 2011, 2014, and 2017, with varying quality and Conservative messages.
|$319,246,193
|-
|''Tremors''
|1990
|PG-13
|Giant sand worms called "Graboids" begin attacking the residents of a small isolated town in the Nevada desert and block the only road out of town. One of the few Hollywood films to portray personal firearm ownership in a positive light as Burt Gummer and his wife Heather fight off one of the Graboids with a variety of firearms, including semi-automatic AR-15s. Burt also creates the explosives that are used to kill the last two Graboids. Ironically, Burt is played by Michael Gross, the same actor who played the super liberal Steven Keaton in Family Ties.
|$16,667,084
|-
|''True Grit''
|1969
|NR
|Western film that deals with trying to bring justice against a murderer, and promotes courage in the face of danger as well as perseverance. Was also notable as being one of the few films during that time that still dealt with the concept of a classical hero, whether in westerns or other genres, in an era where Hollywood was being taken over by the radical left and including as a fad anti-heroes, and inspired Russ Dvonch to be a filmmaker.<ref>https://web.archive.org/web/20090430053837/http://bighollywood.breitbart.com/rdvonch/2009/04/28/heroic-hollywood-american-exceptionalism-and-the-hollywood-hero/</ref>
|$48 million
|-
|''True Lies''
|1994
|R
|Stars the future Republican governor of California, [[Arnold Schwarzenegger]]. Teaches conservative values like marital loyalty, and politically incorrect facts such as the fact that most terrorists are Middle Eastern Islamic radicals who don't value human life.
|$146,261,000
|-
|''The Tunnel'' (''Der Tunnel'')
|2001
|
|Based on a true story a group of East Berliners escaping harsh Communist rule and hatch a plan to help others escape that same oppressive regime.
|$10,890
|-
|''Twelve O'Clock High''
|1949
|UR
|A thrilling movie about the heroics of fighter pilots during [[World War II]]; used as an educational film for management training seminars.
|$3,225,000
|-
|''Twins''
|1988
|PG
|Pro-family film about fraternal twins who are separated at birth, and once they have reunited with each other they go to find their mother. In addition contains the many morals, including the importance of doing what right over getting what wants. In addition this is a rare Hollywood film to actually show the moral character as the happier character, as Arnold Schwarzenegger's character is both moral and joyful (he is said to have the ideal human trait, where Danny Devito's character was initially a small-town crook and learns the error of his ways becoming more happy and moral, and even claiming at the end "It feels great to be a good guy".
|$111,938,388
|-
|''Unbroken
|2014
|PG-13
|Tells the story of how WWII hero and Olympic runner Louis Zamperini, who died on July 2 of the original's release year, overcame the Japanese while in one of their prison camps. Followed by a post-war-set sequel in 2018.
|$115,637,895
|-
|''[[Uncle Buck]]''
|1989
|PG-13
|A slovenly bachelor babysits his rebellious teenage niece and her younger brother and sister, and they learn the true importance of family. The villain of the movie is a teenager who is only interested in his girlfriend for sexual purposes.
|$66,758,538<ref>http://www.boxofficemojo.com/movies/?id=unclebuck.htm</ref>
|-
|''Under Siege''
|1992
|R
|American Patriot and Ex-Navy SEAL Casey Ryback (Steven Seagal) fights against Saul Alinsky-type liberal and ex-CIA operative Bill Strannix (Tommy Lee Jones) after Strannix's team of terrorists hijack the USS Missouri, being helped by the traitorous First Officer Commander Krill (Gary Busey). The film depicts Ryback's heroism and patriotism in a positive light, while depicting Strannix and Krill's Anti-American treachery in a negative light.
|$83,563,139<ref>http://www.boxofficemojo.com/movies/?id=undersiege.htm</ref>
|-
|''[[Unplanned]]''
|2019
|R
|Major pro-life movie showing Abby Johnson's shift from an abortion clinic director to a pro-life activist.
|-
|''Voiceless''
|2015
|PG-13
|War veteran and minister Jesse Dean stands up against [[Planned Parenthood]] when an abortion clinic moves across the street from his Church.
|$418,940
|-
|''The War of the Vendee''
|2012
|N/A
|As indicated by the title, it depicts the events of the [[Vendée rebellion]] in a manner more suitable for children by having the cast of the films be exclusively composed of children. Although family friendly overall, it pulls no punches in showcasing the horrors of the French Revolution as well as the anti-Christian ideology behind it, including two of the key characters giving a full list of the various atrocities indulged by the French Revolution, including but not limited to the raiding of the Bastille, the September Massacres, and the unlawful execution of King Louis XVI, as well as heavily implying Satan's role in the revolution by frequently showing at various points, especially in scenes with Robespierre, a black hooded figure.
|N/A
|-
|''War Room''
|2015
|PG
|Pro-Christian film where a woman turns to Christ to help fix her marriage. The film was one of the biggest box office surprises, even with biased reviews.<ref>https://kendrickbrothers.com/news/war-room-coming-theaters-august-28</ref>
|$67,790,117
|-
|''Wanted: Dead or Alive''
|1987
|R
|A modernization of the 1958-61 Western TV series with Steve McQueen (see also ''[[Greatest Conservative TV Shows]]''), where the outlaws are replaced with Islamic terrorists (the film also does a good job of not being politically correct on the subject of Islamic fundamentalism). Stars Rutger Hauer as CIA agent-turned-bounty hunter Nick Randall, the descendant of McQueen's TV character Josh Randall.
|$7,555,000
|-
|''We Were Soldiers''
|2002
|R
|Pro-war story film based on the soldiers and families fighting in [[Vietnam War|Vietnam]].
|$114,660,784
|-
|''War of the Worlds''
|2005
|PG-13
|This rendition of H.G. Wells' classic 1898 novel without "The" in its title features Tom Cruise as Ray Ferrier, an initially easygoing and selfish working class man, who must watch his teenage son, Robbie and young daughter, Rachel, while his ex-wife and new husband visit her parents for the weekend. The movie's pro-family message comes entirely into focus, when the aliens arrive and force Ray and his children to flee. Throughout their time together, Ray clashes with Robbie, the latter critical of him as a father, but in the end, they reconcile, after the invaders are eliminated. The movie is also pro-military and highlights Robbie's bravery to join them in the fight against the invaders, despite Ray's protests.
|$234,280,354
|-
|''The Wilderness Family'', aka ''Adventures of the Wilderness Family''
|1975
|G
|These Robinsons are a 1970's American family fed up with the hassles of modern big city-Los Angeles in their case-living, so they hightail it to the Rockies, vowing never to return. Wholesome scenic entertainment with two sequels in 1978 and 1979 and indeed an example of California being paradise lost.
|-
|''The Wicker Man''
|2006
|PG-13
|Shows the dangers of feminism and [[Neo-Paganism]].
|$23,649,127
|-
|''Willy Wonka and the Chocolate Factory''
|1971
|G
|Showing the importance of having character. Willy Wonka gives each of the kids on tour an Everlasting Gobstopper, which is a potential goldmine, given that a rival spy had earlier offered each of the kids money in exchange for handing over this new invention. Also, every single kid, except Charlie, misbehaves in such a way that injures or deforms them in some way. The film also promotes capitalism, with Wonka being such a successful business leader in the world of candy. In addition, this film is surely to annoy liberals, who want to ban chocolate candy and sweets.<ref>http://www.toberight.com/2012/02/liberals-banning-sweets-on-valentines-day/</ref>

The hidden message in this film is one of redemption. It is hidden because it is conveyed through the imagery of the film's final scene. Charlie has made it to the end of his journey. Despite having the urge, and a clean opportunity, to sell Wonka out to his rival, Charlie ends up giving the Everlasting Gobstopper back to Wonka. For this act of integrity, he is rewarded beyond his wildest expectations—he is given ownership of the factory. Incidentally, while he is riding in the Wonkavator, it crashes through the ceiling up into the sky. The allusion to Heaven and salvation is unmistakable.
|$4 million
|-
|''The Winning Team''
|1952
|UR
|[[Ronald Reagan]] stars as a baseball pitcher who overcomes his problems to help his team win. This was one of Reagan's own favorites.
|Unknown
|-
|''Witness''
|1985
|R
|Highlights the virtues of strong moral values, with more substance than ''High Noon''.
|$65,500,000
|-
|''Won't Back Down''
|2012
|PG-13
|A brilliant movie that criticizes public schools.
|$5,310,554
|-
|''[[World Trade Center]]''
|2006
|PG-13
|Highlights the bravery of NYC's firemen, paramedics, and police in [[9/11]].
|$70,236,496
|-
|''Zero Dark Thirty''
|2012
|R
|Docudrama about the hunt and [[Abbottabad raid|eventual operation]] that killed [[Osama bin Laden]] on May 1, 2011. The movie generated controversy, due to its depiction of enhanced interrogation techniques, including waterboarding. In addition, the movie put political correctness aside in its depictions of radical Islamic terrorism, showing several of Al-Qaeda's attacks from 2004-2011.
|$132,820,716<ref>http://www.boxofficemojo.com/movies/?id=binladen.htm</ref>
|-
|''[[Zulu]]''
|1964
|UR
|Courageous, Duty, Patriotism. A defending of Western Civilization.
|
|}

==Animated films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''101 Dalmatians''
|1961
|G
|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie shows family in the form of Pongo and Perdita stopping at nothing until they rescue their puppies, and they adopt the other eighty-four puppies Cruella had stolen. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also shows heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them get home.
|$215.8 million
|-
|''A Bug's Life''
|1998
|G
|Based on the Aesop fable "The Ant and the Grasshopper", a young and inventive, if clumsy, ant named Flik plans to recruit a military force of warrior insects to save his colony from being oppressed by evil grasshoppers who have enslaved the ants to harvest food for them, lest they may be punished. Flik is a model for individualism as well as a strong work ethic who believes in bettering himself and his colony with his impressive harvesting inventions. To some extent, the film pokes fun at the homosexual agenda, in particular transvestitism: the male ladybug Francis frequently mistaken for a woman because of his species' name, and he routinely corrects other characters about this confusion, at one point even launching into a tirade with several flies before having to be restrained.
|$363.3 million
|-
|''All Dogs go to Heaven''
|1989
|G
|The film's protagonist, a talking dog named Charlie B. Barkin (Voiced by Burt Reynolds), is a gambler and a swindler. After being murdered by his former partner, Carface, he comes back to life by winding his "life watch" and plans to get revenge on Carface. He "rescues" a girl named Anne-Marie (voiced by the late Judith Barsi) from Carface and exploits her ability to talk to animals in order to win at gambling. As the film progresses, Charlie begins to be influenced by Anne-Marie's kindness and love. In the end, he must choose between saving Anne-Marie's life and protecting his "life watch" (he will die if it ever stops) and he chooses the former.

The film depicts Christianity in a positive light. In addition to the obvious references to Heaven and Hell, Anne-Marie is also shown praying before she goes to bed, thanking God for Charlie's "rescue" (which, even though he had his own selfish purposes, did get her away from Carface's abuse).

The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.
|$27.1 million
|-
|''An American Tail''
|1986
|G
|A movie dealing with immigration, the movie is pro-family due to Fieval, the main character, being separated from his family due to a storm, and him and his family going out of their way to find each other. Also has a subtle condemnation of machine politics ([[Tammany Hall]], in this case) and voter fraud due to one of the characters, "Honest" John, the implied mouse mayor of New York City, declaring a then-recently deceased mouse (who was implied to have died before he was old enough to vote) to be able to "vote from now on" before adding the mouse's name to a book (a clear allusion to ghost voters), with the mouse not being painted in a particularly good light. Also promotes legal immigration, and a redemption theme due to one of the antagonists, an orange tabby cat named Tiger, ultimately being befriended by Fieval and becoming an ally to the mice.
|$84 million
|-
|''The Angry Birds Movie''
|2016
|PG
|Based on the video game app of the same name, the film has its moments of rude humor but surprisingly has a strong Anti-Illegal Immigration message with the pigs practically representing Islamic migrants (the villain, King Mudbeard, even looks like a Middle Eastern man). The pigs trick the birds into accepting them to live on their island and once they have their respect, steal their eggs and blow up their island (part of the collateral damage is a statue of a [[bald eagle]] no less). Red, the only bird who was suspicious of them from the beginning, is first demonized by the community because of this, but later forgiven after he is proven right and decides to fight back and rescue their eggs from the pigs.
|$107,509,366
|-
|''Animal Farm'' (animated film)
|1954
|Not Rated
|Animated film adaptation of the conservative text of the same name from George Orwell. Just like in the novel, it uses animals in the pretext of leveling harsh criticism against Communism and against Josef Stalin. Unlike in the book, which heavily implies that the pigs ultimately succeed in taking power with the animals being left unable to do anything against them, the film ends with the animals doing a successful revolt against the pigs, although the ending leaves it ambiguous as to whether the animals will learn their lesson on communism from the experience. It was also made in part by the [[CIA]].
|NA
|-
|''Ben and Me''
|November 10, 1953
|Not Rated
|Animated adaptation of the book of the same name. As indicated by the title, the story involves the founding of America in the onset of the American War of Independence, with founding father [[Benjamin Franklin]] being aided by a mouse named Amos to ultimately draft what would become the Declaration of Independence. Was made when Disney was still a conservative company.
|NA
|-
|''Cars''
|2006
|G
|Unlike its second installment, it promotes friendship and family values, and is about overcoming certain hardships.
|$462.2 million
|-
|''Cars 3''
|2017
|G
|A huge improvement over ''Cars 2'' and is often considered to be the true sequel to the first film. Cars 3 is a great family movie. If it didn't have such liberal producers, Cars 3 would have been a much better film; this suggests liberals can't even get film-making right.
|$108,667,133
|-
|''Chicken Little''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that shows the dangers of listening to lies and rumors, and falling prey to persuasive leaders. The studio originally wanted to have the villain of the short, Foxy Loxy read Hitler's Mein Kampf to make sure no one missed the point, but in the end they changed it to just a generic psychology book in attempt to prevent the short from becoming dated after the war, although in the actual film, the passages he was heard reading were taken directly from ''Mein Kampf'', thus preserving the scene's original message overall.<ref>http://1.bp.blogspot.com/-w2rTnQ7x68M/UkZ7sfQmfoI/AAAAAAAAHzE/SM9wrZ6A4vE/s1600/CLSB+9.jpg</ref> On a related note, the short is further evidence disproving various liberal claims that Walt Disney had been a fascist/Nazi supporter.
|
|-
|''Cinderella''
|1950
|G
|Based on the internationally-known rags-to-royalty fairy tale, this Disney animated feature teaches how perseverance even when things look bleak can pay off and stresses the importance of retaining a good character even when hope dwindles.
|$263.6 million
|-
|''Coco''
|2017
|PG
|A beautiful animated film about tradition and family. In Santa Cecilia, Mexico, 12-year-old Miguel Rivera secretly dreams of becoming a musician like Ernesto de la Cruz, a popular actor, and singer of his great-grandmother Coco's generation, despite all music being despised by his family. After entering the Land of the Dead, Miguel encounters Héctor, a down-on-his-luck skeleton who once played music with Ernesto. Héctor offers to help Miguel reach Ernesto; in return, he asks Miguel to take his photo back to the Land of the Living, so that he might visit his now-elderly daughter before she forgets him and he disappears completely.
|$591.4 million
|-
|''Der Fuerher's Face''
|1943
|
|A Disney animated short (back when Conservatives were still in charge) that showcased the horrors of Nazi Germany and fascism. Alongside ''Education of Death'', it proves that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Dog of Flanders''
|1997 (Japan) 2000 (USA)
|
|An anime film adaptation of the Christian book ''A Dog of Flanders'' by Ouida. The film is pro-Christianity.
|¥243,543,645 (Japan) N/A (USA; Direct to Video)
|-
|''Dr. Seuss' The Grinch''
|2018
|PG
|Like the animated special and live-action film before it, the film retains the anti-nihilism and redemptive themes in the movie. The anti-materialism message also is further reinforced as Grinch's chance encounter with Cindy Lou Who has him learning that she didn't even intend to ask for presents, but rather to ease her mom's burden due to doing so many things for so many people, which ultimately acted as the catalyst for his redemption. Also has a promotion of family values, since as noted above, Cindy Lou Who expressed concern for her mom barely spending time being a mom and burning the wick at both ends, and a primary part of the Grinch's hatred for the holiday dealt with his time as an orphan, with it being heavily implied that he was alone even in the orphanage. Due to several scenes in the film with Christmas carols being sung, it is also one of the few movies to explicitly note that the point of Christmas was also a celebration of the birth of Jesus Christ.
|
|-
|''Dumbo''
|1941
|G
|Exploiting the classic liberal trap of over analyzing. Illustrates the effective management of a business that treats people and animals as equals. Also includes jolly birds that encourage the main character, a baby elephant named Dumbo, to pull himself up by his bootstraps and learn to fly.
|$29,647,974
|-
|''Education for Death''
|1943
|
|A Short cartoon made by Disney (back when the conservatives were in charge). Showing the horrors of Nazi Germany, shockingly very similar to what liberals are doing to America right now. Also acts as proof alongside ''Der Fuerher's Face'' that, contrary to claims made by leftists, Walt Disney was never a Nazi supporter.
|
|-
|''The Emperor’s New Groove''
|2000
|G
|A self-centered emperor named Kuzco gets turned into a llama and befriends a hard-working villager, where he learns how hard the villagers, work to support him and kingdom. Also has an anti-eminent domain lesson, with Kuzco realizes it would be wrong of him to steal the land from the villagers. The villain is also a feminist, with it being heavily implied that her methods of raising Kuzco are the primary reason why he turned out a spoiled brat. Is also a rare example of a comedy film churned out of Hollywood that actually does use witty humor and not low-hanging fruit-type jokes for its humor. It also has a humorous condemnation of homosexuality, as when Kuzco is knocked unconscious from the rapids, Pacha attempted to perform CPR only for Kuzco to regain consciousness just as Pacha was about start CPR, causing both to recoil in disgust from the near-kiss, as well as Kuzco explicitly making clear such was disgusting. Although the ending was slightly altered due to songwriter Sting, an environmentalist, taking offense at the implication that Kuzco built his summer retreat in the Jungle and cleared them away, it nonetheless retained the hints that Kuzco ultimately was a changed man from the experience.

Had an animated spinoff sequel featuring ''Kronk's New Groove'' as well as an animated TV series called ''The Emperor's New School''.
|$89,302,687
|-
|''Ferdinand''
|2017
|PG
|Based on a great conservative novel known as ''Ferdinand the Bull'', this film promotes friendship and family values, as Ferdinand sticks up for a scrawny bull named Bones who gets picked on and has touching moments with a young Spanish girl named Nina. He also shows off his dance moves with other bulls to snobbish horses, and even helps a Scottish bull named Angus be able to see by moving back the hair in front of his face. Ferdinand also inspires to be like his father who gets killed in a bullring, which could be seen as an anti-feminist message, especially considering that his father wasn't present in the original novel.
|$29,601,410
|-
|''Finding Dory''
|2016
|PG (Should be G)
|A sequel to the Greatest Conservative Film ''Finding Nemo'', which shares the same pro-Family and anti-Environmentalist messages as the first film.
|$1.029 billion
|-
|''Finding Nemo''
|2003
|G
|The film is pro-family, as Marlin, a clownfish, embarks on a quest to save his son Nemo (with assistance from Dory, an absent-minded blue tang) after he was captured by humans, even after Nemo disobeyed his warning to not go near a fishing boat. Also has a subtle condemnation on environmentalism, as the divers captured Nemo thinking Nemo was injured and needed medical assistance.
|$940.3 million
|-
|''G.I. Joe: The Movie''
|1987
|NR
|Animated film version of the conservative cartoon of the same name.
|direct-to-video
|-
|Gekijōban Haikara-san ga Tōru Zenpen - Benio, Hana no 17-sai
|2017
|G
|Benio Hanamura lost her mother when she was very young and has been raised by her father, a high-ranking official in the Japanese army. As a result, she has grown into a tomboy - contrary to traditional Japanese notions of femininity, she studies kendo, drinks sake, dresses in often ridiculous Western fashions instead of the traditional kimono, and isn't as interested in housework as she is in literature. She also rejects the idea of arranged marriages and believes in a woman's right to a career and to marry for love. Benio's best friends are the beautiful Tamaki, who is much more feminine than Benio but equally interested in women's rights, and Ranmaru, a young man who was raised to play female roles in the kabuki theater and as a result has acquired very effeminate mannerisms. One day, Benio has a series of embarrassing encounters with the handsome army lieutenant Shinobu Ijuin, only to receive a shock when her father tells her that Shinobu is to be her husband, due to a pact made between the Hanamura and Ijuin families before Benio's birth. At first Benio tries to fight against her father's wishes, attempting to elope with her friend Ranmaru and eventually deliberately erring in her wifely duties in every way imaginable, hoping the families will cancel the engagement. However, her scheme fails - Shinobu genuinely loves Benio and patiently forgives her for her many blunders, and Benio soon realizes that in spite of herself, she is also falling in love with him. However, a major in the army who holds a grudge against Shinobu then sends the young lieutenant to fight in Manchuria. At the end of the film, Benio stays on in the Ijuin home to care for Shinobu's grandparents and wait for his return. cutting her waist-length hair short and decides to get a job to help out with the family's dire financial situation. A sequel is being released in the summer of 2018
The film is pro-traditional gender roles, as well as pro-military, since both Shinobu and Benio's father are both military men.
|N/A
|-
|''A Goofy Movie''
|1995
|G
|Based upon the series ''Goof Troop'', starring classic Disney characters Goofy and Pete as well as their sons in a suburban sitcom-type setting, this pro-family feature sees Goofy take his son Max on a camping trip to bond with the latter out of concern that Max may have been involved in a gang. It pokes fun at the public school system, too: in an early scene, Principal Mazur overreacts and makes Max's actions out to be even worse than they actually are, telling Goofy that Max could face capital punishment if he fails to turn his son good. Ultimately, father and son reconcile when Goofy tells Max that, no matter how old he grows, he will always be his beloved son.
|$35.3 million
|-
|''Hotel Transylvania''
|2012
|PG
|After humans kill his wife Martha, Count Dracula opens a ritzy hotel for classic Hollywood horror film-type monsters and tries to protect his daughter Mavis from entering the world of humans. As a teenager, Mavis meets a human stranger named Jonathan and starts to like him, much to Dracula's chagrin. The count then realizes not only is Jonathan a good person but that Mavis, a model for individualism, truly loves him. Overall, this pro-family feature teaches that parents have to eventually let their children grow up.
|$148,313,048
|-
|''Hotel Transylvania 2''
|2015
|PG
|Similar to the first film, individualism and standing up for what is right are central themes. Dracula fails to force his grandson to be an evil vampire, then realizes that he can only a good role model to his grandson and cannot force him to be something he is not. Another major theme is having good character, as Dracula talks to his human son-in-law Jonathan of his grandson's great character and how he should not reject his love for him because he is different. In the end, the grandson uses his vampiric powers to battle giant bats who attack the Dracula family for including humans in their lineage. Also makes fun of liberal styles, as Dracula is unhappy with the lowering of the standards in the schools.
|$169,700,110
|-
|''Hotel Transylvania 3''
|2018
|PG
|The threequel to the conservative film franchise.
|
|-
|''How to Train Your Dragon''
|2010
|PG
|In this dazzling DreamWorks animation, young Vikings end up learning the truth about dragons and start training them in the end. It promotes friendship and family values. Hiccup, the boy protagonist, stands up for what he believes is right, and Viking girl Astrid is the antithesis of a modern feminist.
|$217,581,231
|-
|''Ice Age''
|2002
|PG
|In prehistoric times, a woolly mammoth, a giant ground sloth, and a ''Smilodon'' (i.e., saber-toothed tiger) work together to return a nomadic human chief's infant son to his tribe. Better than any of its four increasingly poorly-made sequels, this film promotes friendship and family values, especially on the part of Diego the ''Smilodon'', who learns that revenge does not solve anything: he first wants to eat the infant as payback for losing half of his pack to human hunters but grows to like the child and appreciate the innocence he represents. Manny also undergoes similar development, originally not being fond of the infant and overall being cynical and unpleasant for reasons later revealed by a cave painting to be due to his own mate and child having been slaughtered by a tribe of humans, but then ultimately forms a bit of a bond with him for similar reasons to why Diego grew to like the child. There are a couple of characters named Carl and Frank who are heavily implied to be homosexual, although they were depicted in a very negative light, having a murderous hatred of Sid for very trivial reasons (namely, the fact that Sid accidentally ruined their salad due to trying to wipe off poop he stepped on by accident as well as obliviously eating a dandelion, with Manny having some disgust for them when learning they wanted to kill Sid for pleasure, and later after Sid called them "ladies" upon reaching the wrong spa, and only failed to kill him that time due to Sid and Diego tricking them into believing the latter killed him.).
|$176,387,405
|-
|''[[The Incredibles]]''
|2004
|PG
|The world's superheroes are forced to give up their heroics and go into hiding after Bob Parr/Mr. Incredible saves a suicidal man as well as a derailed train from a bridge destroyed by one of his enemies (who ironically gets away with it). The populace misguidedly turns on superheroes and turn to unscrupulous lawyers to sue them, despite the real damage being caused by the supervillains.

The film celebrates the importance of the family unit: Helen Parr/Elastigirl fails at parenting when Bob neglects to help her raise their children. A traditional family of superheroes is portrayed as the saviors of society, whose importance and presence has been unfairly suppressed thanks to the liberal-dominated mainstream media and its preference to see the worst in people. In addition, Mr. Incredible is shown from the start to take marriage to Helen seriously, immediately heading over to his wedding when he realizes he may be running late and doing various crime-stopping when he has time before it.

The movie also contains the conservative idea that recognition should be based on merit rather than on unsubstantiated expectations of equality. Out of sheer jealousy, the villainous Syndrome, formerly Mr. Incredible's biggest fan, attempts to kill off real superheroes so he can use technology to pretend to be one, later planning to sell his gadgets so everyone in the world can have superpowers. "And when everyone is super," he explains, "no one will be." Earlier in the film, Dash, when explaining he pulled a prank on the school teacher simply so he could demonstrate his super-speed, echoes what Syndrome says later on: Helen states everyone was special in their own way by saying that it was simply another way of saying no one was truly special. When Mr. Incredible is asked to attend his son's fifth-grade graduation, he criticizes society for "celebrating mediocrity" instead of those who are "genuinely exceptional."

At Bob Parr's civilian job, employer Gilbert Huph is shown to be heartless but not because of capitalism: when Bob asks if he should help his customers, Gilbert tells him, "The law requires that I answer no", which shows the negativity of government regulation in business.

Overall, the film teaches against government-enforced mediocrity. This film may be the most conservative animation film ever made, in fact it is ranked Number 2 by National Review for the most conservative movies within the last 25 years. <ref>https://web.archive.org/web/20150122222200/https://www.nationalreview.com/corner/177317/2-best-conservative-movies-last-25-years/frederica-mathewes-greene</ref> A sequel was released in 2018.
|$631,442,092<ref>http://www.boxofficemojo.com/movies/?id=incredibles.htm</ref>
|-
|''Inside Out''
|2015
|PG
|Inside Out is a largely Pro-Family movie. The movie sheds light on what children think and feel, while keeping liberal progressive views out of the way. The main character, Riley, is shown to love her parents, and the importance of family values is shown multiple time throughout the movie. The parents have to deal with real life problems such as unemployment and moving to find jobs. The movie portrays the family as a nice, family-oriented, hard-working family trying to succeed in the United States.
|$857.6 million
|-
|''Isle Of Dogs''
|2018
|PG-13
|Set in the fictional Japanese city of Megasaki, Mayor Kobayashi issues a decree that all of the city's dogs, pet or stray, are to be quarantined and taken to Trash Island until a cure for "dog flu" comes around. The mayor's nephew and ward, Atari, heads over to the island to find his dog Spots and is befriended by five dogs (Chief, Rex, King, Boss, and Duke). Along the way, they discover that the mayor has hidden sinister motives behind banning all dogs from Megasaki. The movie condemns authoritarian rule and animal cruelty, the latter shown in the case of Kobayashi's anti-dog propaganda and Gondo's "cannibal" pack, who have been subjected to scientific experiments until an "act of God" rescued them. It also shows family and redemption in a positive light, for Mayor Kobayashi has taken Atari in after his parents were killed and decides to abandon his anti-dog plans once he sees how much Atari has gone through, even donating a kidney once the boy's remaining kidney fails.
|$64.20 million
|-
|''Jimmy Neutron: Boy Genius''
|2001
|G
|Brilliant but naive young inventor Jimmy Neutron tries to make contact with extraterrestrial civilizations. However, his efforts cause all parents in his hometown of Retroville to be abducted by egg-like aliens known as the Yolkians. While the children initially rejoice, they soon learn the harsh realities of living in a nihilistic world as well as the importance of family, so they embark on a celestial mission to rescue their parents. The film condemns paganism to a degree as the Yolkians worship Poultra, a chicken-like monstrosity believed to be an incarnate god to which they seek to sacrifice the parents of Jimmy and his friends.
|$80,936,232
|-
|''Joseph: King of Dreams''
|2000
|NR
|A direct-to-video animated telling of the biblical story of Joseph and his brothers.
|N/A
|-
|''The Jungle Book''
|1967
|G
|Young Indian boy Mowgli searches for his place in the world with the help of various talking animals in this Disney classic based on the novel by Rudyard Kipling of the same name, albeit significantly toned down to make the film a bit more family friendly.
|$205.8 million
|-
|''[[Lady and the Tramp]]''
|1955
|G
|In this beloved Disney classic, which was known as Walt Disney’s Happiest Motion Picture, Lady a cocker spinal meets and falls in love with a male stray mongrel known as the Tramp. While aside from the film being pro-family, the dogs to whatever they can to protect the human baby from the rat, in showing [[chivalry]]. In addition, Lady condemns Tramp for having other girlfriends, after finding out from the pound dogs that his only weakness is that he is a womanizer, thus showing infidelity and promiscuity in a very negative light. In the end, he becomes faithful to her and joins her human family. There also anti-environmentalist aspects as well, with the dogs learning to understand their place, that although humans come first they still have a place in their heart, as the beliefs Tramp had on humans being so cruel turned out to be false. Also, the iconic Bella Notte scene where they accidentally kiss by eating the same spaghetti took place and was served by the kind-hearted capitalist restaurant owner Tony. On top of that, this is a rarity in Disney Animation to have Christmas depicted in the film and shown in a positive light.
|$36,359,037<ref>http://www.boxofficemojo.com/movies/?id=ladyandthetramp.htm</ref>
|-
|''The Land Before Time''
|1988
|G
|In this film that promotes family values and friendship, the main character (Littlefoot) is a dinosaur that loses his mother. This sparked some controversy, because the killing of a family member is quite violent for a movie with a kid-targeted audience, but this movie redeems itself through the plot. Littlefoot finds friends throughout the movie that show team work, cooperation, hard work, and diligence are the key to living a successful life, even in the dinosaur world.
|$84.4 million
|-
|''Lilo & Stitch''
|2002
|PG
|In this heartwarming Disney animation, Experiment 626—a short but mischievous, [[koala]]-like beast created by an alien mad scientist (an origin similar to the monster's in the conservative novel ''Frankenstein'' and its 1931 film adaptation)—escapes from an interstellar prison and crashes down in Hawaii, where a lonely girl mistakes him for a dog, adopts him, and names him "Stitch." Stitch then gradually abandons his destructive ways and begins seeking love and friendship. The film is so delightfully pro-family that the tagline is, "''Ohana'' means family [in Hawaiian]. Family means nobody gets left behind, or forgotten." Also briefly pokes fun at environmentalist policies, as the climax reveals that Earth was nearly subject to an alien invasion in 1973, but the CIA Agent-turned child welfare services agent Cobra Bubbles managed to thwart it by claiming that the Earth was designated a breeding ground for an endangered species called [[mosquito]]es (which obviously weren't endangered at all).
|$273.1 million
|-
|''The Lion King''
|1994
|G
|Based mainly upon the Shakespearean play ''Hamlet'', the main message of this box office smash hit is about the power of the individual and the triumph of faith, friendship, hope, and heroism. ''The Lion King'' also features subtle Christian messages, such as honoring one's father and reconciliation.

Its story takes partial inspiration from Scripture, particularly the stories of [[Joseph]] and [[Moses]]. On a side note, the film features the power-hungry main antagonist Scar, who kills his own brother, the ruling king Mufasa, to usurp the throne, then manipulates his nephew, Mufasa's young son Simba, into thinking that Simba is responsible for his father's death and forces him into exile. Scar is a model liberal because, once he becomes ruler, he favors [[Communism|Communistic]]/[[Fascism|fascistic]] big government, pushes [[liberal values]], and lets their Pride Lands territory fall to ruin. In addition, when rallying up the Hyenas to aid him in killing Mufasa, he vows that they will never starve under his rule, mirroring what various Communist and other leftist insurgents often vow when trying to get people to aid them in taking over a government. The song "Be Prepared" also shows the Hyenas [[goose step|goose stepping]] past Scar as he looks down from a cliff in a clear reference to Nazism. On a similar note, the Hyenas also act as a subtle condemnation against illegal immigration and the concept of open borders, as once the Hyenas merge with the Pride Lands and take it over upon Scar becoming king, it is heavily implied that they forced the Lionesses to overhunt and that ended up causing the Pride Lands territory to become a wasteland by driving out any remaining animals, with Scar indicating that they should "eat Zazu" if they want food.

At several points in the film, Scar delusively believes he is still a very good king, even claiming "I'm ten times the king Mufasa was!", which is similar to liberal delusions of their own skills in governing (i.e., Obama's later claim that he would have "won" reelection into a third term if he was able to run again, despite never being legally qualified to run in the first place, not to mention his being legally barred from running for a third term even if he were legally qualified to run in the first place per the [[Twenty-Second Amendment]] to the United States Constitution). He unsuccessfully attempts to orchestrate the assassination of Simba by using hyena minions and even attempts to kill him himself, to ensure that he will be king and remain so forevermore, but he is thwarted by Simba once the cub reaches adulthood. Simba effectively becomes King and restores the Pride Lands after Scar, who tries to save his own skin by blaming his minions for everything he orchestrated himself, has the hyenas turn against and kill him.

There is a slight condemnation towards anarchy in the film as well: during the song "Be Prepared", the hyena Shenzi, upon learning that Scar is planning to kill Mufasa and Simba, entertains the possibility of a kingless society before Scar sternly tells the laughing hyenas that he intends to be the king. Finally, the film condemns hedonism, as the misfit meerkat and warthog comic reliefs Timon and Pumbaa, while depicted as genuinely heroic at times, engage in a philosophy of "Hakuna Matata" ("No Worries" in Swahili), which is shown overall to be negative.

In addition, the film proved to be a massive runaway hit despite having a completely new production team working on it due to then-Disney Chairman Jeffrey Katzenberg believing it to end up a flop due to it featuring "talking animals" while he thought the Worst Liberal Movie ''Pocahontas'', which he helmed with the usual production team, would be the financial hit and Oscar winner (in reality, ''Pocahontas'' got mixed reviews and did fairly badly at the box office).

The movie spawned two direct-to-video sequels and two TV series, as well as a broadway musical that retained much of the same themes as the movie. A photorealistic remake will premiere in mid-2019.
|$968.5 million
|-
|''The Little Mermaid''
|1989
|G
|An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. In addition, it also contains a pro-traditional marriage theme and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.

Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie (some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterward to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.

It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away. Likewise, Ursula, besides her blatant interference with the deal by disguising herself as Vanessa and brainwashing Eric, also arranged to have Flotsam and Jetsam overturn Eric and Ariel's boat specifically to ensure that Eric and Ariel couldn't kiss when it looked like Ariel could in fact win her end of the deal fair and square, and after she curses Triton and Ariel attempts to attack Ursula in retaliation, Ursula heavily implies before Eric saved Ariel that she's going to kill the latter despite having promised to not harm Ariel.

The movie's box office success also led directly to a rejuvenation in Disney's animated features called the Disney Renaissance, and the film also had a prequel TV series carrying much of the same themes airing on CBS and later on the Disney Channel from 1992 to 1994, as well as two comic book series by Disney Comics and Marvel that carried many of the same themes, and a sequel and prequel film that, although overall promoting many of the same themes, had questionable production quality.
|$111,543,479
|-
|''Make Mine Freedom''
|1948
|
|A short cartoon, which shows how [[Capitalism]] works and how [[Communism]] steals [[freedom]].
|Unknown
|-
|''Meet the Robinsons''
|2007
|G
|A child does not seem to fit into society, his main hobby is inventing. He travels to the future to see meet his family, and he realizes persistence pays off in the end and he discovers that his inventions ultimately do change society, and his own life, for the better. The movie shows a message about the value of life, family, and considers the contributions and possibilities lost by every child that is aborted.
|$169,333,034
|-
|''Our Friend, Martin''
|1999
|N/A
|In this educationally entertaining work of genius, two interracial best friends travel through time and meet the Reverend Dr. Martin Luther King, Jr., at several points in the Civil Rights activist's life. Dr. King's second son, Dexter Scott King, voices the animated version of his father at age 34.
| N/A
|-
|''Persepolis''
|2007
|PG-13
|A French film based on Marjane Satrapi's graphic novel of the same name. The film depicts life in Iran after the 1979 revolution, eschewing political correctness and depicting the oppression and restrictions brought on by Islamic Sharia Law in the country.
|
|-
|''Pinocchio''
|1940
|G
|Kindhearted craftsman Geppetto wishes for his own son, so a blue fairy (resembling the Blessed Virgin Mary) grants his wish and brings one of his wooden puppets to life, promising that she will make him a real boy if he proves himself brave, truthful, and unselfish. As he tries to fit in with humans, the wooden boy is soon tricked and kidnapped by the evil puppet master Stromboli. Over the course of his journey of self-discovery, Pinocchio's morals, which his creator gave him, are tested, and he must escape being manipulated by the bad boys of the cursed Pleasure Island who have [[Hollywood values]] and, because of their actions, are turned into donkeys (which, coincidentally, is the mascot for the Democratic party). Finally, he altruistically saves Gepppetto from being trapped inside a whale and proves himself worthy to become a real boy.
|$84,254,167
|-
|''Pokémon: The First Movie: Mewtwo Strikes Back''
|1998 (Japan) 1999 (USA)
|G
|The movie showcases the consequences with the concept of playing God where the main antagonist Mewtwo, a clone, was shown to be disturbed at the revelation that he may have only been created to be the purposes of being a tool (with the message being more pronounced in the Japanese version due to religious censorship during dubbing). It also promotes the idea of self-worth and how the circumstances of one's birth don't matter so much as they try to push good, with Mewtwo ultimately being reformed upon learning this message. It also has an anti-cloning message, due to Mewtwo's aforementioned disturbance at his origins. A CGI remake of the film ''Mewtwo Strikes Back Evolution'', will be released in 2019, nearly two decades after its release in America.
|$163.6 million
|-
|''Pokémon: The Movie 2000: The Power of One''
|1999 (Japan) 2000 (USA)
|G
|As implied by the title, it promotes the concept of individualism, at least in the English Dub. In addition, the character of Misty proceeds to risk her life to save Ash when he was nearly killed nearing the climax (with the Japanese version making a bit more blatant on the motivation by stating to Melody that "[Ash] is [her] burden."). The ending theme was famously quoted by [[Herman Cain]] during the 2012 Presidential Primaries.
|$133.9 million
|-
|''Pokémon 3: Mystery of the Unknown Tower''
|2000 (Japan) 2001 (USA)
|G
|Has a pro-family message, as the main antagonist's motives were to regain her family due to her father disappearing during his research for the Unown and her mother being implied to have been hospitalized, with her motives being treated sympathetically and tragically in the storyline, and Ash spends his time trying to find and rescue his mom, Delia Ketchum, after she ended up abducted by Entei. The Entei also proceeds to sacrifice himself late in the movie to stop the Unown from wreaking further havoc.
|$68.4 million
|-
|''Pokémon 4Ever - Celebi: Voice of the Forest''
|2001 (Japan) 2002 (USA)
|G
|Has some implicit pro-Christian messages due to Celebi ending up being raised from the dead after barely rejecting the Dark Ball's influence on it.
|$28 million
|-
|''Pokémon: Jirachi: Wish Maker''
|2003 (Japan) 2004 (USA)
|G
|Has a message against meddling with nature in the name of environmentalism due to the main villain Butler, a former member of the ecoterrorist group Team Magma, trying to revive a Groudon and it ultimately causing problems in the climax.
|N/A (America; Direct-to-Video)
|-
|''Pokémon: Lucario and the Mystery of Mew
|2005 (Japan) 2006 (USA)
|G
|Some implicit Christian themes were present via Lucario as well as his former master, who sealed the former away specifically so he could sacrifice himself to stop the Tree of Life from destroying the world.
|N/A (America; Direct-to-Video)
|-
|''[[The Prince of Egypt]]''
|1998
|PG
|An animated telling of the life of [[Moses]].
|$101,217,900
|-
|''Reason and Emotion''
|1943
|
|A Disney cartoon that explains the happenings of people doing things based on logic and emotion (personified as a professor and a caveman respectively). The cartoon even explains of how Adolf Hitler had destroyed reason and logic by appealing to emotion (like fear, hate, pride, and sympathy) in the Germans' minds. At the end of the cartoon, Reason and Emotion come to an agreement to balance things out: Reason's job is to think, plan, and discriminate, while Emotion's job is to be a fine, strong emotion that loves his country, freedom, and life. On a related note, it's a reference to Hitler and his being condemned for destroying reason and logic also acts as more evidence that Walt Disney, despite various leftist claims post-mortem, was never a Nazi supporter.
|
|-
|''Robots''
|2005
|PG
|A movie based on the children's book of the same name by William Joyce, the film has a promotion of family values, as the very beginning of the film features the main character's father celebrating that he is to become a father, and doing everything he can to bring his son into the world alongside his wife, and his family was encouraging of their son to be the best he can be. It also promotes the concept of the American Dream as well as capitalism, as the main protagonist dreams of becoming an inventor like Bigweld (who is depicted in a similar manner to Walt Disney) and also left to try and get his family to have a greater opportunity. It also manages to condemn corporate corruption without advocating for more government control or demonizing Capitalism, as while the new management of Bigweld industries was shown to be extensively corrupt and cynical, Bigweld himself, as well as the company that it originally stood for, was painted in a very positive light.
|$260.7 million
|-
|''The Secret of NIMH''
|1982
|G
|This family-friendly film includes Mrs Brisby, who is a widowed mouse. She lives on a farm owned by a man named Fitzgibbons. She and her 4 children, Martin, Theresa, Cynthia and Timmy live in a cinderblock in one of Fitzgibbons' fields. Every year, before Fitzgibbons plows the field to plant his crops, the family moves to their summer home to avoid the tractor. Nearby is another mouse, Dr Ages, who is the family doctor. Brisby visits Ages to get a remedy for Timmy, who has come down with pneumonia, potentially delaying the summer move. Fitzgibbons decides one day to begin plowing the field early. Brisby desperately tries to disable the farmer's tractor and freezes while climbing up the mechanism. Auntie Shrew intervenes and pulls out the tractor's gas line, halting the machine. While Mrs Brisby sobs over her predicament, Auntie tells her to be braver for her family's sake and suggests she visit the Great Owl, the wisest creature in the forest. Brisby is hesitant, since owls eat mice, but she goes. With the help of a new found friend, Jeremy, a crow hoping to meet Miss Right, and whom Mrs Brisby untangled from a pile of string he was trapped in, she meets with the fearsome owl, who merely tells her that she must move her family. Mrs Brisby explains the complication with her son Timmy and the owl tells her he has no solution. As he leaves, he learns her last name and becomes more helpful because her husband, Jonathan, was well known and respected throughout the woods. The Owl tells Mrs Brisby to go to the colony of rats that live in the farmer's rose bush and ask them for help. He specifically tells her to have the rats move her house to "the lee of the stone", the protected side of a large rock in the field that Fitzgibbons avoids when plowing. Mrs Brisby sneaks into the rose bush and finds that the rats have built a very modern colony that makes use of electricity that they pilfer from Fitzgibbons. She also meets Dr Ages there, whom at first tells her the rose bush is off-limits but is astonished that she had met with the Great Owl and lived. They are discovered by the rats' captain of the guard, Justin, who takes them to the rats' Senate room. As they enter, a charismatic rat, Jenner, is railing to the council about the plan of the rats' leader, Nicodemus, who wants to abandon the rose bush and move to a location called Thorn Valley where they'll found a new colony based on their own labors, rather than stealing supplies from the farmer. Jenner is opposed to the idea and even suggest that they wage war against any humans who attempt to drive them out. Justin and Ages make Mrs Brisby's case to the council, who agree to the request because she is Jonathan Brisby's wife. In a sinister private meeting with his associate, Sullivan, Jenner plots to have Nicodemus killed during the operation and make it look accidental. Justin takes Mrs Brisby to meet with Nicodemus. A very old, kind and wise leader, he tells Mrs Brisby the rats' history: they were all lab animals imprisoned in NIMH, the National Institutes of Mental Health. Injected with experimental compounds, the rats developed intelligent brains and were able to escape their cages, along with several mice including Jonathan and Mr Ages. During their escape, all but two of the mice, Johnathan and Mr Ages, were sucked into the ventilation system by strong air gusts. When the party were trapped by a vent grating, Jonathan was small enough to crawl through and open the grate. The rats subsequently owed Jonathan their lives and he continued to work with them while they built their colony. Some months prior to Mrs Brisby's visit to the rose bush, Jonathan had been killed by Fitzgibbons' ornery and fearsome cat, Dragon, whom the rats had been trying to drug. Nicodemus gives Brisby a large red amulet and tells her that it has great supernatural powers when someone shows true courage of the heart. Nicodemus says that the rats will be happy to repay their life debt to Jonathan's family and will move her home. For the operation to succeed, Dragon will have to be drugged. Mrs Brisby, feeling she should participate, volunteers to spike Dragon's feeding dish. The only way into Fitzgibbons' kitchen is through a small hole under a sideboard, a hole too small for any rat. The plan goes well until Mrs Brisby runs back and is trapped by Fitzgibbons' son. Justin leaves her, having to supervise the operation, promising to come back for her. While she's trapped in a bird cage, Brisby overhears Fitzgibbons on the phone with NIMH, who want to come to his farm and capture the rats. Brisby realizes the situation is now more desperate and escapes the bird cage by knocking out its small water cup. At the site of the Brisby home, the rats have constructed an elaborate system of ropes and blocks and tackles to lift the cinderblock. While the block is being swung towards the stone, Jenner cuts the anchoring lines with his sword and the block falls, narrowly missing Nicodemus, however, the heavy gears and rope fall on him, killing him. Jenner declares the operation a failure and suggests they leave when Mrs Brisby arrives. Justin tells her that her family is alive but Nicodemus is dead. She suddenly remembers her urgent news that NIMH will be at the farm tomorrow and tells the rats they must leave tonight. Jenner refuses to believe her and tells the rats that he will take over leadership of the colony. When Mrs Brisby insists she's telling the truth, Jenner strikes her and notices that she's wearing the amulet. Attempting to seize it from her, Justin intervenes and fights with Jenner until he wounds him. Jenner admits that he'd caused the accident that killed Nicodemus, saying that the plan to move the colony would fail. As he moves in to kill Justin, Sullivan kills Jenner with a thrown dagger and succumbs to his own wound, inflicted by Jenner himself when he'd given his own sword to Justin during the fight. Moments later, Mrs Brisby sees that her house has begun to sink into the mud, taking her children with it. A futile attempt to rig a new roping system fails and Brisby herself vainly pulls at the remaining ropes as the house sinks under the surface. Justin rescues her, holding her back. As she looks on in horror, the amulet suddenly bursts from the mud, brightly glowing, and places itself around her neck. Using the power that Nicodemus spoke of, she raises the house from the mud and moves it to the lee side of the stone. Brisby's children are safe and she faints from exhaustion. The next morning, with Timmy on the mend from his pneumonia and the now-abandoned rose bush being inspected by NIMH, Jeremy arrives with mounds of string that he'd been collecting to build a love nest and finds the Brisby home already moved and even camouflaged by the natural vegetation. He asks Brisby for the amulet, however, she'd given it to Justin before they'd left the rose bush. While he laments that he wasn't able to help move the house, a female crow suddenly flies into him. The two become immediately infatuated. While Brisby's daughter wraps her mother's hands which were burned by the amulet, Auntie Shrew arrives for a visit, bringing groans from Martin as Jeremy and his new love fly off. This movie's interesting plot, and its complicated themes that are apparent are both entertaining for adults and kids alike. Although there are some references to violent themes, it does not paint them in good lighting and shows the harsh consequences. Because of their wide audience appeal, this movie was wildly successfully in movie theaters. The Secret of NIMH is considered to be one the best children's movies of the 20th century.
|$14.7 million
|-
|''Sleeping Beauty''
|1959
|G
|Paints evil in a very serious light in the form of Maleficent, and also showcases loyalty to family and duty in a positive light, as despite Aurora wanting to meet with the man she met in the woods, she ultimately honored her stepfamily in being returned to her birth family. Is also inherently anti-feminist in its messaging and for traditional marriage. It is also pro-family, as King Stefan and Queen Leah ultimately gave up their baby to protect her from the main villain, and the narration explicitly stated that the royal family and the kingdom awaited the day of her 16th birthday to allow her back into their family when the curse seemed to be averted. Unfortunately, it ended up being ruined in 2014 with a revisionist retelling starring the main villain and pushed the exact opposite messages in that film.
|$51.6 million
|-
|''Snow White and the Seven Dwarfs''
|1937
|G
|The Disney animated classic that started it all. Walt Disney and his staff of talented filmmakers, animators, and musicians overcame many challenges to create one of the greatest cinematic masterpieces of all time: a masterpiece of solid family entertainment and a perfect film recommendation for everyone around the world. It is one of the few Disney films to date to feature an openly [[Christian]] princess: Snow White. In addition, as evidenced by the Evil Queen's overall character, it paints parental abuse, including attempted infanticide, in a very negative light.
|$418,200,000
|-
|''The SpongeBob SquarePants Movie''
|2004
|PG
|Exposes the evils of lying, stealing, and cheating for your personal gain and at the expense of others. SpongeBob SquarePants and Patrick Star show great courage and dedication in order to retrieve King Neptune's crown and bring it back in order to save Mr. Krabs. They also save everyone else in Bikini Bottom who is put under a trance by Plankton. There are even some brief anti-feminist and anti-environmentalist messages. It is based on a TV show where episodes can have either a conservative agenda, liberal agenda, or even be politically neutral. However, this film is very good and conservative!
|$85,417,988
|-
|''Spookley the Square Pumpkin''
|2005
|G
|In this kid-friendly direct-to-video Halloween movie, a square pumpkin named Spookley overcomes hardships as round pumpkins are teasing him for the way he looks. A scarecrow, two bats, and three spiders stick up for him and are good role models just like Spookley himself. In the end, Spookley saves everyone and the round pumpkins confess. Not only does it have an anti-racist message but also anti-environmentalist as a bat named Boris refuses to give up eating insects in a comical and well-done fashion. A female bat named Bella can also be seen as the antithesis of a modern feminist.
|N/A
|-
|''The Star''
|2017
|PG
|This animated story of the [[The Nativity]] is told from the perspective of anthropomorphic animals.
|$40,852,824
|-
|''Tangled''
|2010
|PG
|In its own strange way, ''Tangled'' stands as a perfect allegory for the Gospel of Christ. Teenage heroine Rapunzel represents humanity, who has grown comfortable in her prison but can’t ignore the light that shines in the darkness. [[Satan|The devil]] is signified by Mother Gothel, who tries to convince Rapunzel to forget the outside world and stay locked away in her tower. Lastly, [[God]] can be found in Rapunzel's real parents, who without fail, continue to shine their light in the hopes of bringing their lost child back home. A TV series sequel to this movie, ''Tangled: The Series'', debuted in 2017.
|$591,794,936
|-
|''Teen Titans Go! to the Movies''
|2018
|PG
|Although it's goofy just like the 2013 onward cartoon spinoff of the 2003-2006 ''Teen Titans'', it takes a jab at Hollywood values as Robin ends up realizing that he doesn't need a movie in order to be a real superhero. It also promotes friendship values as Cyborg, Raven, Starfire, and Beast Boy stay loyal to him, even after he ditches them and they come back for him once he starts to realize he's been tricked by a movie producer, who turns out to be the film's main villain named Slade.
|$11,600,615
|-
|''Toy Story'' trilogy
|1995, 1999, 2010
|G
|Altogether, the three films celebrate friendship and family unity, even if it focuses more on a figurative family with the boy Andy as a father-figure to his toys, who come alive in humans' absence and praise Andy for loving and playing with them as though they were his children.

In the first installment, the world's first computer-animated theatrical feature, pull-string cowboy doll Sheriff Woody grows jealous when science fiction hero action figure Buzz Lightyear, who initially believes he is a real space hero, becomes young Andy's favorite toy among the toy community. Woody's efforts to make himself Andy's favorite toy again cause both him and Buzz to be separated from their owner, but teamwork allows them to find their way back to Andy just before he and his family move to a new house. The film's overall development was especially notable due to then-Disney Animation chairman [[Jeffrey Katzenberg]] initially ordering for ''Toy Story'' to be made significantly more liberal in its values by being more "adult, cynical, [and] edgy". This included depicting Woody and the other toys in a significantly more mean-spirited light, with Woody going so far as to actually attempt to murder Buzz with no remorse whatsoever (instead of accidentally knocking Buzz out of the window, as he does in the final film). This caused Toy Story to be almost canceled and Pixar itself to be nearly shut down until the company was given a second chance.<ref>https://www.breitbart.com/big-hollywood/2010/07/07/we-love-pixar-how-hollywood-cynicism-almost-ruined-toy-story-and-pixar/</ref>

In ''Toy Story 2'', while Andy is away at summer camp, Woody is stolen by a greedy toy collector and is tempted by the idea of being immortalized in a museum, only to be rescued by his friends and reminded of a toy's true purpose: for a child to play with it. Once again, the film positively portrays teamwork and family unity using a metaphor of unity between toys and their owners.

''Toy Story 3'' sees a nearly-grown Andy ready to leave for college and leave most of his toys except Woody in a garbage bag to be stored in his attic, but his mother mistakes it for a bag of real trash. Woody follows the toys as they make their way to a dreadful daycare center, unable to convince them of the misunderstanding. Nihilism and totalitarianism are portrayed in a strongly negative light in the form of Lotso the jealous teddy bear, who denounces all toys as being "destined for the scrapheap" and acts as a brutal dictator over the daycare toys.
|
|-
|''Up''
|2009
|PG
|This tear-jerking, pro-family Pixar animation stars Carl Fredricksen, an elderly widower balloon salesman who is about to be forced off his land but refuses to sell his house (likely promoting individualism triumphing over a liberal collectivist government). Carl ties thousands of balloons to his house and sets off on the South American vacation that he promised his wife Ellie while she was still alive, showing the inherent sacredness of marriage and how it should be continuously honored even after a spouse dies. In the end, he adopts young Russell, a fatherless Wilderness Explorer (a spoof of the Boy Scouts) who joins him on his adventure, as his surrogate grandson, which celebrates family unity. The film takes a light jab at divorce, too, as it is implied that Russell's parents no longer live together, leaving the boy heartbroken until Carl adopts him. Lastly, an overarching theme of the film states that a person is never too old or too young to follow his or her dreams.
|$735.1 million
|-
|''Wreck-It Ralph''
|2012
|PG
|Ralph, a villain from a retro, 1980s-esque video game who wants to escape after being typecast for about 30 years as the poor and medal-less guy, is encouraged to use his equal opportunities to do better and pursue his own successes. This is the basis of the American Dream: the goal of overcoming one's present, lowly circumstances to achieve a state of greatness. Trying to achieving this goal by theft is shown as the wrong way to do so. In addition, the main antagonist is a competition-hating villain who has deceitfully hidden his true identity and origin, who has pushed liberal values in the video game where he rules and established what looks like a fixed economy because only he can win. The film also pushes anti-illegal immigrant messages as well, with the main villain and minor villains trying to take over other worlds.
|$189,422,889<ref>http://www.boxofficemojo.com/movies/?id=rebootralph.htm</ref>
|-
|''Zootopia''
|2016
|PG
|This Disney film set in a city inhabited by anthropomorphic mammals explores the relationship between ambitious young rabbit police officer Judy Hopps and sneaky con artist fox Nick Wilde as they investigate the disappearance of some of the city's predator residents. It promotes the American Dream, individuality, racial equality, and subtle Christian values such as forgiveness and reconciliation, as well as responsible capitalism. Despite having a brief appearance by a homosexual couple, they're only very, ''very'' minor characters, and the movie largely downplays their sinful beliefs about their sexuality. It won the Academy Award for Best Animated Feature of 2016.
|$341,264,012
|}

==Documentaries==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''[[2016: Obama's America]]''
|2012
|PG
|Conservative author [[Dinesh D'Souza]] explores the disturbing origins of [[Barack Hussein Obama]], including his inherited philosophy with his [[Barack Obama Sr.|drunken father]] and his inspiration from [[Communist]]s [[Frank Marshall Davis]] and [[William Ayers|Bill Ayers]]. It performed very well in the box office, becoming the second most successful political documentary ever.
|$33,349,941
|-
|''[[America: Imagine the World Without Her]]''
|2014
|PG-13
|Conservative author [[Dinesh D'Souza]] shows that left-wing criticisms and versions of United States history are wrong and inaccurate. This staunchly patriotic film dispels [[Liberal Fables]] about the country and showing that the leftist agenda will destroy America. While not as successful in the box office as ''Obama's America'', it performed very well in theaters.
|$14,444,502<ref>[http://www.boxofficemojo.com/movies/?id=america2014.htm America (2014)]. ''Box Office Mojo''. Retrieved July 29, 2016.</ref>
|-
|''An Inconsistent Truth''
|2012
|PG
|This documentary was made in response to [[Al Gore]]'s ''An Inconvenient Truth'', revealing that global warming is a hoax and how Al Gore himself was hypocritical about his insistence at reducing the world's carbon footprint.
|
|-
|''An Open Secret''
|2014
|PG-13
|Whistleblower film that exposes pedophilia in Hollywood
|
|-
|''Blocking the Path to 9/11''
|2008
|NR
|As indicated by the title, this film by Citizens United unmasks the Democrats' attempt at preventing the airing of the documentary ''The Path to 9/11'', as well as their role in cutting a vital scene revealing that Bill Clinton had partially been responsible for 9/11 due to failing to give the order to kill Osama bin Ladin when they had the chance. Also takes down the various liberal critiques that occurred. Aside from the obvious condemnations against Clinton and his followers, it also has a brief criticism of Obama for repeating several falsehoods about how they stopped the terrorists responsible for the 1993 World Trade Center attack (in particular, claiming they just arrested the terrorists and treated them to a court of law like any other criminal).
|N/A
|-
|''The Clinton Chronicles: An Investigation into the Alleged Criminal Activities of Bill Clinton''
|1994
|NR
|This documentary examines various crimes conducted by then-president Bill Clinton, in particular, those that occurred during his time as Governor of Arkansas, including the Mena operation, being a draft dodger who deliberately misled his commanding officer, Whitewater, Arkancide, and his sexual proclivities including at least one instance of rape. It condemns the media for hiding these facts and is widely considered the turning point for the 1994 Republican Revolution.
|N/A
|-
|''[[Death of a Nation: Can We Save America a Second Time?]]''
|2018
|PG-13
|[[Dinesh D'Souza]] exposes the truth about the fascism of [[Benito Mussolini]] and [[Adolf Hitler]], as well as their direct connection to the Democrat Party. It also makes clear the racism that motivated the latter had direct roots to the Progressive movement of the United States and by extension, the Democrat Party, and that the conventional wisdom of Fascism was of the right-wing of politics was one of the left's biggest lies and that fascism if anything was of the left. On a similar note, it also makes clear the connection between Mussolini's fascism and Marxism, and also indicates that the issue of slavery was another form of socialism. Also makes clear that the white supremacist founder of the alt-Right [[Richard Spencer]] and the Charlottesville Rally organizer [[Jason Kessler]] had in fact been left-wingers posing as right-wingers. Similarly it also makes clear that Antifa and George Soros, despite claiming they were "anti-Fascist", were in fact fascists (also exposing the latter's role in the confiscation of objects held by his neighbors by the Nazis). As implied by the title, it also compares the turbulent times that was orchestrated by the left after Donald Trump was elected to the events of the Civil War under Lincoln. It also has a positive depiction of the [[White Rose Rebellion]].
|
|-
|''[[Expelled | Expelled: No Intelligence Allowed]]''
|2008
|PG
|Conservative commentator, comedian, economist, and author [[Ben Stein]] investigates the persecution of scientists and others who challenge [[Social Darwinism]] and unravels [[evolution]]ists' scientific and education system [[deceit]]. Liberals scorned it for presenting this issue as political rather than scientific while ignoring the reality that Darwinists do, in fact, use their theories as a weapon against people's freedom of religion. Liberal biased critics hated this movie and panned it, but audiences raved about it.
|$7,690,545
|-
|''Fahrenhype 9/11''
|2004
|
|This video response by Alan Peterson debunks everything from [[Michael Moore]]'s schlockumentary ''Fahrenheit 9/11''.
|
|-
|''[[The Great Global Warming Swindle]]''
|2007
|UR
|As implied by the title, it unmasks one of the greatest frauds in the history of science.
|NA - TV
|-
|''The Hidden Rebellion''
|2016
|
|This historical documentary highlights the French Revolution's destruction of the [[Vendée rebellion|Rebellion at Vendée]] (which is shown positively) as well as the specific connections between the French Revolution and various Communist Revolutions.
|
|-
|''Hillary: The Movie''
|2008
|UR
|This Citizens United film unveils Hillary Clinton's dark side and was the impetus of the lawsuit which overturned the McCain-Feingold legislation by the [[U.S. Supreme Court]] in ''[[Citizens United v. FEC]]''.
|NA - TV
|-
|''Hillary's America: The Secret History of the Democratic Party''
|2016
|PG-13
|[[Dinesh D'Souza]] analyzes Hillary Clinton's dark side and, as indicated by the title, the dark history of the Democrat Party. Donald Trump urged his supporters to see this documentary, and it is believed to have helped him win the 2016 presidential election. Like all of D'Souza's documentaries, this movie was absolutely despised by liberal-biased critics. In fact, the mainstream media hated this documentary so much that it became the worst-reviewed film on 3 different review aggregator websites. That is how crazy liberals go when their arguments are countered with facts, logic, and truth. The craziest part of all is how this documentary won 5 [[Golden Raspberry Awards]] because the leftists in Hollywood wanted revenge for Trump winning the election. D'Souza said he was honoured to be receiving so much hate because it is proof that he got his point across.
|$13,099,931
|-
|''How Should We Then Live''
|1976
|UR
|By the theologically conservative Christian theologian [[Francis Schaeffer]], this Christian film traces Western history from Ancient Rome until 1976, studying philosophic, scientific, and religious movements reflecting changing patterns.
|NA - TV
|-
|''I Want Your Money''
|2010
|PG
|It supports the triumph of [[Reagan]]-economics over [[Obamanomics]].
|$433,588
|-
|''Indoctrinate U''
|2007
|UR
|Political correctness, plus racial and ethnic politics, in the academic setting are examined.<ref>[http://video.yahoo.com/watch/3624795/9994231 Indoctrinate U -Part 1/3, Yahoo]</ref>
|Unknown
|-
|''Inside North Korea''
|2006
|NR
|Although made by liberal [[Lisa Ling]] and aired on the liberal [[National Geographic]] channel, the documentary nonetheless shows the truly horrific nature of North Korea and its communist leaders and showcases the high risks that anyone in North Korea is willing to take to escape via the DMZ at the border.
|N/A (Made for TV movie)
|-
|''[[Is Genesis History?]]''
|2016
|NR
|This documentary showcases how the [[Young Earth]] view of creation is more feasible than the [[Old Earth]] view, proving that [[Evolutionism]] is unfeasible with reasoned arguments. The narrator, Del Tackett, interviews thirteen [[creation scientists]], each with a Ph. D., who provide very strong evidence for a young Earth in affirmation of the Biblical creation account. It was originally released in theaters for one day but became so successful that it was shown two for more nights.
|
|-
|''Kids Aren't Cars''
|2011
|UR
|It shows how teachers' unions are destroying America's public schools.<ref>[http://www.kidsarentcars.com/blog/wp-content/uploads/2011/01/KACOneSheet.pdf KAC Summary]</ref>
|Unknown
|-
|''[[Maafa21]]''
|2009
|UR
|This film explores the inception of [[Planned Parenthood]] as an organization created to exterminate African-Americans. It exposes the words of its racist founder [[Margaret Sanger]] and their impact on black genocide more than a century later.<ref>[http://www.maafa21.com www.maafa21.com]</ref>
|NA - DVD
|-
|"MARGARET THATCHER - Death of a Revolutionary"
|2013
|
|This documentary shows how British Prime Minister Margaret Thatcher's economic liberalism helped Britain turn from the figurative sick man of Europe and the only socialist country outside of the [[Iron Curtain]] to one of Europe's best economies. Furthermore, it reveals that, contrary to popular belief (which is mostly likely lies spread by socialists, liberals, and impostors posing as conservatives), the working classes actually liked her more than the upper classes.
|N/A
|-
|''[[Michael Moore Hates America]]''
|2004
|R
|As the title implies, this satirical documentary criticizes Michael Moore's hatred towards all things American. Directed by a [[libertarian]].
|N/A
|-
|''Monumental: In Search of America's National Treasure''
|2012
|N/A
|Hollywood conservative Kirk Cameron talks about the evils of dictators and their roles in U.S. history.
|$500,000
|-
|''The Obama Deception: The Mask Comes Off''
|2009
|
|Paleoconservative [[Alex Jones]] tells the truth about Obama.
|-
|''Occupy Unmasked''
|2012
|Not rated
|The [[Occupy Wall Street]] movement's dark origins are revealed.
|
|-
|''[[The Soviet Story]]''
|2008
|
|The crimes of [[Communism]] and the [[Soviet Union]] are explored.
|Unknown
|-
|''Sand and Sorrow''
|2007
|
|Although it's produced by liberal elitist George Clooney, the film does bring awareness to the genocide in Darfur, Sudan.
|
|-
|''They Shall Not Grow Old''
|2018
|
|Highlights the bravery and sacrifice of WWI veterans
|
|-
|''Waiting for Superman''
|2010
|PG
|It highlights the failures of the U.S.' public school system.
|$6,410,257
|-
|}

== Debatable Whether Conservative ==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''12 Strong: The Declassified True Story of the Horse Soldiers''
|2018
|R
|Based on the real life declassified mission of the Horse Men that were deployed to Afghanistan after the September 11 terror attacks. On the one hand, the film is pro-America and depicts the Taliban and Al Qaida in a very negative light. But on the other, one of the stars of the film, Michael Shannon, was extremely anti-American, and a couple of the members of the unit had their ethnicities changed in what seemed to be an attempt at forced [[diversity]].
|
|-
|''The 40-Year-Old Virgin''
|2005
|R
|A bawdy sex comedy about a man who is ridiculed by his peers for his indifference to sex as an adult. His friends, feeling that he isn't "normal", try to encourage him to lose his virginity, starting with pornography, sex toys, and even prostitution. However, their personal attitudes towards women ruin their own relationships, and the man remains steadfast in his abstinence. Later, he meets a woman who connects with him, but is no longer a virgin, as she has a teenage daughter. At one point, her daughter confesses only to him that she is also a virgin and encourages him not to feel bad about it. However, her mother, who has been on multiple dates with him, is still unaware of his virginity. After their proposed deadline by which the two agreed to eventually have sex, he tells her of his virginity and stays reluctant about giving in. There is some drama and confusion between them, but she eventually comes to accept him and the two are happily married at the end before having sex.
|$177.4 million
|-
|''21 Jump Street''
|2011
|R
|Two police officers try to take down a drug ring in high school where the villains are environmentalists and drug dealers. But contains many sexual references, full profanity, and many religious insults. A parodic comedy remake of the 1987–91 [[Fox Network]] police drama of the same name.
|$201,585,328
|-
|''Accepted''
|2006
|PG-13
|It criticizes the [[Department of Education]] (or colleges and universities in general) and our protagonist lives the America dream by starting his own college, but then the juvenile humor, gross-out humor and drug abuse steps in.
|$36,323,505
|-
|''Aeon Flux''
|2005
|PG-13
|Anti-cloning film, but also pro-feminism as well.
|$25,874,337
|-
|''Air Force One''
|1997
|R
|On the one hand, the strong and courageous U.S. President James Marshall (Harrison Ford), a military veteran, takes an uncompromising stance against Russian terrorists who hijack his airplane. The major themes include family, authority, respect for the military, and sacrifice for the greater good. On the other hand, however, the script-writer for the film has admitted that he made the film largely to promote then-president [[Bill Clinton]].<ref>https://www.salon.com/july97/entertainment/movieair970725.html "But Bill Clinton is the first president to spawn movies that feature fictional presidents functioning as his stand-ins, movies made by directors fighting to define, and redefine, his image.....Air Force One" is a fantasy of what it might take for President Clinton to become all things to all people. The movie's Clinton stand-in, President James Marshall (Harrison Ford, appropriately displaying the facial mobility of Mount Rushmore), is a leader who defies his timid advisors in his efforts to set policies against injustice and tyranny and is willing to take on Congress to enforce those policies. But this is a fantasy designed to silence Clinton's conservative critics, so not only is Jim Marshall a dedicated family man, but he's a Vietnam War hero to boot. There's a combo you can't beat, a guy who knows how to kill a Commie and keep his pecker in his pocket."</ref> In addition, it also shoe-horned a cameo appearance from Bill Clinton himself at the latter's request.<ref>http://vikingphoenix.com/news/archives/1997/hdot9702.htm</ref>
|$172,956,409
|-
|''Aladdin''
|1992
|G
|Based on the classic Arabian folk tale ''Aladdin and the Magic Lamp'', a poor but charitable thief is sent by Jafar, a sinister vizier to a sultan, to search for a mysterious oil lamp rumored to contain unbelievably powerful magic. Upon finding this, he accidentally releases the comical genie inside, who grants his wish to become a prince so he can legally court Jasmine, the sultan's daughter. On the one hand, the film is set within what is implied to be a Muslim state, and Aladdin does resort to lying to try and marry Jasmine. A slight feminist bent is present because Jasmine refuses to marry, ignoring the law requiring it (although not nearly to the same extent as with Belle and ''Beauty and the Beast''.). In addition, some lyrics to the opening song were notably cut due to fears of offending the Muslim populace, implying the film is politically correct in nature. The Sultan is shown to be a massive bumbler and overgrown child, which may hint at an anti-parenthood agenda. But on the other hand, the film does ultimately push character integrity because Aladdin ultimately decides against lying and tells Jasmine the truth about himself. Disregarding the film's politically correct treatment of Islam, it ultimately showcases some more negative elements of Islamic culture via a vendor nearly chopping Jasmine's hand off when she "steals" some food to feed a starving child, as well as depicting Prince Achmed in a very negative light via his cruelty to Aladdin and children attempting to stop him. The prince is implied to be a poor example of a husband, so it is subtly implied that Jasmine refused to marry because all the princes she encountered had in fact been as bad as Achmed. She then falls for Aladdin because he saves her life and shows kindness to her. In addition, it is made clear that while Aladdin does steal and initially had an infamous reputation for his thefts, it's solely in order to survive on the streets, with it being heavily implied that he was an orphan, and he also selflessly gives his stolen food to starving children after initially planning to eat it. There is a lesser condemnation against the occult as the only explicit magic-user besides Aladdin's Genie is Jafar, the main villain who dreams of becoming the world's most powerful dark sorcerer.
|$504.1 million
|-
|''Antz''
|1998
|PG
|It's produced by [[Jeffrey Katzenberg]] (and was rather notorious for being plagiarized from the then-in-development Pixar film ''A Bug's Life''), downplays the military, and possesses an implicit promotion of Communism via the main character, but also has an Anti-Eugenics message too.
|$90,757,863
|-
|''Army of Darkness''
|1993
|R
|Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film.
|$11,502,976
|-
|''Atlantis: The Lost Empire''
|2001
|PG
|Released during the [[Michael Eisner]] era of [[Disney]]. On the one hand, the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. The theft of the crystal to become rich could be seen as a condemnation of capitalism. That being said, however, capitalism has also been promoted in a more positive light in the form of Preston B. Whitmore, an eccentric but ultimately good-hearted billionaire who funded the expedition in the first place, and in addition, most of the principal cast was shown to have dreams of getting a better lot in society, with it being heavily implied in the ending that they ultimately succeeded in achieving those dreams after selflessly trying to save Atlantis, which acts as an implicit promotion of both capitalism and the American Dream.
|$84,056,472
|-
|''Austin Powers'' franchise
|1997, 1999, 2002
|PG-13
|A series of films that parodied spy films such as the [[James Bond]] franchise. On the one hand, liberal values are promoted such as Austin Power's promiscuous swinger nature being promoted as a positive, as well as usage of scatological humor throughout. In addition, one of the villains, Frau Farbissina, is mentioned to have been a founder of the militant faction of the Christian organization [[The Salvation Army]]. The first film also downplays the Cold War and the death of Communism by mentioning that the 1980s were among the "unimportant decades" in Austin Power's crash course. On the other hand, it does promote some chivalrous aspects, as Austin in the first film made it very clear to Vanessa Kinsington, the daughter of his former partner that not even he was willing to have sex with a woman who had too much to drink, and there is an implicit promotion of [[Gay Conversion Therapy]], as Farbissina was established as a lesbian in the second movie, yet after sleeping with Dr. Evil (a parody of [[Ernst Stavro Blofeld]], in particular the version from ''[[You Only Live Twice (film, 1967)|You Only Live Twice]]'' portrayed by Donald Pleasance.) in the past, she ended up becoming pregnant (with Scott Evil, Dr. Evil's son, being the byproduct of the affair), and it is implied afterward as well as in the third movie ''Goldmember'' that she became straight afterward and genuinely loved Dr. Evil, enjoying a kiss that with him that was otherwise meant to slip a key to him to aid in his escape. Family values are also given a slight promotion, as Farbissina defended Scott Evil from Dr. Evil's otherwise abusive actions to him, and part of the third movie involved Scott and Dr. Evil growing closer to their relationship, and it is also revealed that Dr. Evil was in fact Austin's brother, leading to some redemption for the latter, and the third movie makes clear that some of Austin's problems were the result of his father Nigel being a neglectful father. The second movie also has an anti-body positive message as well with Fat [censored].
|$876.3 million (all three films)
|-
|''Back to the Future''
|1985
|PG
|Musically gifted but slacking highschooler Marty McFly is invited by his energetic, quirky scientist friend Dr. Emmett "Doc" Brown to witness the birth of his greatest invention: a time-traveling DeLorean automobile. After Doc Brown is shot and killed by Libyan terrorists, whom he tricked to gain plutonium fuel needed to make his car travel through time, Marty escapes in the DeLorean and travels 30 years into the past, where he meets his parents as teenagers and accidentally becomes his mother Lorraine's new love interest. He then meets with the young Doc Brown, who volunteers to help him return to 1985 and warns him that he will cease to exist if he does not ensure that his parents fall in love at their high school prom. Marty ultimately succeeds in reuniting his future parents by encouraging his teenage father George to stand up to bully Biff Tannen in Lorraine's honor. In the process, he saves Doc Brown by sending him a note warning of the terrorist attack. Overall, the movie contains some conservative messages such as the triumph of chivalry, the evils of terrorism, and the negative effects of deviancy and drug/alcohol addiction. At the same time, it promotes premarital sexual activity and disregard for chastity. Included two sequels in 1989 and 1990.
|$210,609,762
|-
|Bambi
|1942
|G
|Animated adaptation of the German children's book of the same name. Environmental and anti-hunting messages are pushed (although it should be noted that the main antagonist, "Man", is technically closer to a poacher than a true hunter due to his killing a nursing doe and also trying to kill Bambi, a fawn, both of which are strictly prohibited by hunters), but it is also pro-family due to Bambi's mother giving her life to save her son, and the Great Forest Prince, who is heavily implied to be Bambi's father, went out of his way to protect Bambi from the hunter three times, even rescuing his son from a forest fire. It also was anti-homosexual agenda and way ahead of its time in refuting claims of [[animal homosexuality]], as the character Flower, a skunk, is depicted in childhood as a very effeminate male, yet when he became an adult, he evidently was aroused by a female skunk and ultimately became a father as well.
|$102,247,150
|-
|''Batman: The Dark Knight Returns Part 1'' and ''2''
|September 25, 2012 (Part 1) January 29, 2013 (Part 2) October 8, 2013 (Deluxe Edition)
|PG-13
|An animated two-part adaptation of Frank Millar's comic book Elseworld story of the same name where Batman is forced to resume his duties after crime reached record highs in Gotham. The movie is anti-Crime, and also depicts homosexuality and sexual deviancy in a very negative light, including making a connection between homosexuality and Nazis via a transgendered Nazi criminal, and the Joker is portrayed in a similar manner to Paul Lynde. It also mocks to a certain degree anti-war politicians, as the mayor (a likely democrat) attempts to negotiate with the Mutant leader in jail to get him to call off the Mutants' war on Gotham only to have his throat torn out, with his vice-mayor repeating the same concessions. On the same note, it also showcases the negatives of pseudo-sciences as a psychologist was depicted as being a quack who ended up making Two-Face's insanity even worse despite repairing his face, and was ultimately responsible for letting the Joker escape Arkham Asylum due to the latter faking being cured. That all being said, however, it does feature some anti-Reagan messaging, and also condemns the military due to Joker trying to instigate a nuclear war between America and the Soviets, and America striking first as a result, and it was also revealed that a military general had provided the mutant gang with enough military arms to start a small war.
|$5,589,376 (Part 1) $4,059,217 (Part 2) $9,648,593 (Total)
|-
|''Beauty and the Beast''
|1991
|G
|A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to [[feminism]] to the [[liberal]] movies churned out by [[Disney]] since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault (specifically, her deliberate disobedience towards Beast and the servants by going into the West Wing as soon as she found out where it was located) and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.<ref name="Woolverton and Belle">https://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>https://www.yahoo.com/news/belle-beauty-beast-became-disneys-155053182.html</ref> In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what ''they've'' got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",<ref>http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle</ref> which had partly been done in response to negative criticisms towards Ariel in the previous movie by liberal critics,<ref name="Woolverton and Belle" /> and the feminist writer [[Linda Woolverton]] made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.<ref name="Beauty and Maleficent">{{Cite web|url = http://time.com/2798136/maleficent-beauty-beast-writer/|title = The Same Woman Wrote Maleficent and Beauty and the Beast—Here’s How They’re Linked|date = May 30, 2014|accessdate = January 16, 2014|website = Time|publisher = |last = Rothman|first = Lily}}</ref><ref>http://www.ew.com/article/2016/05/26/linda-woolverton-alice-belle-disney-heroines?xid=entertainment-weekly_socialflow_twitter</ref><ref>https://www.bustle.com/articles/163686-the-one-thing-beauty-and-the-beast-fans-probably-dont-know-about-the-creation-of-belle</ref><ref>http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>http://articles.latimes.com/1992-01-19/entertainment/ca-544_1_disney-film</ref> On that note, this made it the first ''Disney'' animated adaptation of a fairy tale to radically alter the story specifically to promote a left-wing socio-political agenda onto the audience regardless of whether such was actually appropriate for the audience or an actual good message (as prior Disney films generally made alterations specifically to tone down anything that was otherwise inappropriate for the age group for the audience). Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it, the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light. Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting and anti-second amendment sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter, as well as Gaston's villainous nature being first highlighted in his debut scene where he shot a duck out of the sky. According to Don Hahn, there were also several overtones of a pro-homosexual agenda within the film, including choice lyrics of the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made and wanting to push the idea of being "ostracized" for his suffering from AIDS.<ref>https://www.vanityfair.com/hollywood/2017/03/beauty-and-the-beast-gay-lefou-howard-ashman</ref><ref>https://www.denofgeek.com/movies/16583/don-Hahn-interview-beauty-and-the-beast-howard-Ashman-the-lion-king-south-park-and-frankenweenie</ref> Similarly, during the battle in the castle, there was a brief instance of transgenderism that was treated as a joke where the wardrobe proceeded to dress one of the male villagers in a Hawaiian outfit. One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the [[Essay:Worst Liberal Movies#Social|definitely liberal]] ''Maleficent'' movie.<ref name="Beauty and Maleficent" />
|$218,967,620
|-
|''Beauty and the Beast'' (2017 remake)
|2017
|PG
|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it never specifies that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle (who, unlike the original film, actually enjoys it). Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran, in addition to the implied anti-hunting messages from the original film via his profession (which if anything was expanded on by their hinting at Gaston being evil in the Gaston song when he, in reference to LeFou's question about whether shooting his prey from behind was "fair", states he didn't care if it was, even though killing prey when they least expect it is the entire point behind hunting, which was based on a deleted lyric from one of the earlier drafts of what would become the 1991 film.).

All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood is currently out of ideas for motion pictures. It also re-establishes the fact that Disney would, at times, forsake genuine family entertainment in favor of blatant liberal propaganda.

On the other hand, there were also several surprisingly Conservative messages in the film, significantly more than in the 1991 version. Namely, Christianity is treated in a far more positive light in this film than in the 1991 version as one of the few friends Belle has in this version is the village Chaplain named Pere Robert who is shown to be sympathetic to her bibliophilic nature and also attempts to prevent Maurice from being sent to the Asylum, and later is shown to be horrified at the formation of the mob against the Beast (it is to be noted that in the original 1991 film, the character in question was merely a bookseller, not a priest, and most of the villagers, implied to be devout Christians, were demonized in the film), which was also surprisingly accurate to history despite the aforementioned changing of history in the film (in real history, Christianity, especially the Catholic Church, actively encouraged literacy, writing, and arithmetic among both genders, with girls being taught in convents or at the home.). In addition, Maurice actually is shown to be more proactive in this film, such as directly refusing Gaston's attempt at marrying Belle and even attempting to expose Gaston as an attempted murderer and psychopath, and also plays a direct role in saving Belle and himself from the paddywagon after she exposes Beast to the villagers (in the original film, although he does set out to try and find Belle and save her after trying to get the villagers to help failed, he ultimately required saving by her due to catching an illness during his trek, and ultimately needed saving alongside Belle via Chip). In addition, Lumiere as well as the featherduster (named Plumette in this version) are shown to be an actual loving couple (in the original film, it is heavily implied that Lumiere was a frequent womanizer and that the featherduster was also sexually loose), and the remake also doesn't demonize traditional marriage nearly as much as in the 1991 version (notably, the remake cut out Gaston's wedding proposal as well as Belle shoving Gaston into mud in front of attendees). The forgiveness and redemption theme was also significantly more emphasized in the remake, due to Beast ultimately forgiving Maurice after learning why he had tried to steal the rose and even allowing Belle to save Maurice specifically to make up for his past behavior, with Maurice also forgiving Beast upon Belle showing him the baby rattle (originally, Maurice was a bit more hesitant to forgive the Beast). It is also shown to be significantly more pro-family as well, as not only is Belle shown to be loyal to her father like in the 1991 original, but as noted above, Maurice himself took measures to protect Belle and notably agreed with Belle that Gaston would not have worked out for her (originally, Maurice also thought Gaston was alright for her), and he also was shown to be very protective of Belle after his wife had died from the plague, with Belle's mom specifically sacrificing herself by telling them to leave her behind to allow Belle a healthy life. In addition, the triplets (renamed to "Village Lasses") in the remake were depicted as having haughtiness, arrogance, being jealous of Belle, as well as overall being nasty people, including briefly smirking at Belle when she was locked up in the paddywagon as well as being actively involved in the arrest of Maurice as well as the later attack on Beast's castle (in the original film, the triplets were not shown to have any negative behavior to them besides their crushing on Gaston [not participating in the later arrest of Maurice, let alone the attack on Beast's castle shortly afterward during the climax, and also implying at one point that they were willing to give their blessing to Gaston marrying Belle when Belle refused him in the beginning of the film, and while they were present during the final lyrics for the Gaston reprise where Gaston explicitly divulged key details for his blackmail plan, the way it was framed could easily be interpreted as the triplets genuinely not knowing about the plan due to their absence from Maurice's arrival up to the scene where Gaston whispers the plan to LeFou.], and it is also heavily implied that they supported traditional marriage and were demeaned in the film by being referred to in the script as The Bimbettes and treated as dumb blondes for this reason). In addition, according to the film's director Bill Condon as well as one of the triplets' actresses, Rafaelle Cohen, the reason the triplets were intensely jealous and spiteful of Belle was because their mother neglected them while doting on Belle, showcasing the dangers of parental neglect. In addition, at least regarding Maurice, the villagers' actions to him were toned down, where their arresting him was simply due to their being tricked by Gaston into thinking he was a dangerous madman and not out of malicious intent (in the original film, it is heavily implied via the Gaston reprise that most, if not all of the villagers were in fact fully aware that Gaston knew, as did themselves, that Maurice was not actually dangerous and that Gaston was having him arrested specifically to blackmail Belle into marrying him and gave full support to the plan.).
|$1.248 billion
|-
|''Beauty and the Beast: The Enchanted Christmas''
|1998
|G
|Paints Christmas in a positive light, and has Beast learning the meaning behind it, as well as putting aside the past relating to it being the reason he was cursed. Also significantly tones down the more feminist messaging from the original film. However, the manner in which Christmas was depicted was closer to the secular view of Christmas than the actual intended meaning of the holiday being a celebration of Jesus Christ's birth.
|N/A (Direct to video movie)
|-
|''The Bee Movie''
|2007
|PG
|Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie.
|$287,600,000
|-
|''Beowulf''
|2007
|PG-13
|Based on the epic poem of the same name from the Middle Ages, it portrays Christianity in a positive light (as evidenced with the character of Unferth, who wasn't that in the original tale), and the hero, Beowulf, does what he believes is right. However, a significant portion of the film has Beowulf doing anti-Christian things, including mating with Grendel's mother over killing her (a stark contrast with the original tale where he does in fact kill her), and also implies that the dragon that ultimately killed him in the original tale was the result of his sleeping with her (when originally, the dragon had no relation at all to Grendel, his mom, or Beowulf). In addition, it also depicted Hrothgar as a drunken womanizer.
|$82,280,579
|-
|''The Birth of a Nation''
|2016
|
|A drama film about Nat Turner, an enslaved man who led a slave rebellion in Southampton County, Virginia. The film focuses on Turner's life as a slave but also a Christian. There are many scenes where he preaches to his fellow slaves in different plantations, even conduct Baptist services, at the same time, he exposes to the crimes related to slavery, which eventually force him to rebel. The film likewise was also deliberately named after D.W. Griffith's film of the same name in a form of irony due to it pushing the opposite message. However, there is a line at the end of the movie downplaying the deaths of the white slave owners compared to the black slaves, something done by the Hollywood elites and unfortunate because all people are equally valuable.
|
|-
|''Bohemian Rhapsody''
|2018
|PG-13
|A biopic of [[Freddie Mercury]], the lead singer of the band Queen. While it does show elements of the practice of homosexuality and hedonism, at the same time, the film largely condemned the practice since it was made clear that Mercury's embracing of these things was what ultimately ruined Queen and his personal relationships, and is what ultimately killed him via AIDS. In addition, Paul Prenter, the only other major character to embrace homosexuality in the movie, was depicted in a very negative light, as he was one of the reasons Mercury went down a bad path, with it being made clear later on that Paul largely was using Mercury for his own gratification, blamed others for his bad ideas, and even hid vital information from Mercury deliberately such as the Live Aid concert plans as well as Mary Austin calling him. It also had a promotion of redemption, as Mercury, inspired largely by his former girlfriend/wife, Mary Austin nearing the end of the film, attempts to reconnect with his band and family and make amends in the time he had left before dying from AIDS. That all being said, however, it's debatable whether the film intended to paint his homosexual escapades in a negative light, as several members of the production company, including Freddie Mercury's actor Rami Malek, indicated that it was a "regrettable" decision as a result of not having enough time to give a "more balanced" view of (ie, promoting) his bisexual lifestyle.
|
|-
|''The Campaign''
|2012
|R
|Political comedy depicts the Democrat candidate (Will Ferrell) as an obnoxious, drunken womanizer and satire of [[John Edwards]], although the Republican candidate (Zach Galifianakis) is portrayed just as negatively as a corrupt capitalist.
|$33,165,738
|-
|''Casablanca''
|1942
|NR
|A film based on the play "Everybody Comes to Rick's". On the one hand, the film depicts the Nazis in a negative light, as well as Vichy France being depicted in a negative light, and it does promote the idea of self-sacrifice and doing what's right even at expense to oneself via Rick. On the other hand, incidental dialogue implied that Rick had aided and supported the cause of the Communists during the Spanish Civil War (it should be noted that such dialogue was exclusive to the film and not present in the original play<ref>http://www.pages.drexel.edu/~ina22/splaylib/Screenplay-Everybody_Comes_to_Rick's.pdf</ref>), and Lazlo being an "international leader" of a resistance movement against the Nazis hints at him being a Soviet plant. In addition, one of the screenwriters for the film, Howard Koch, was a notorious communist who was later blacklisted from Hollywood via the House of Un-American Activities Committee.
|$3.7 million
|-
|''Chicken Run''
|2000
|G
|Produced by [[Jeffrey Katzenberg]], this vegan propaganda film compares a chicken farm to the [[Holocaust]].<ref>https://www.youtube.com/watch?v=ynn_A73hcfs</ref> The main villain of the movie is a capitalist who wants to make chicken pies. On other hand the main villain of the movie is a feminist as well as she called her husband's ancestors "poor worthless nothings". The film also has some anti-animal cruelty elements as one of the main characters, Rocky mentions that cockfighting is illegal where he comes from.
|$106,834,564
|-
|''The Crow''
|1994
|R
|The tagline claims that our hero is an angel, but he doesn't display any Christian values. However, there is an anti-drug scene were Eric Draven (the hero) makes a drug addict mother realize that her daughter needs her & gets her off drugs. On top of that the film's villains are nihilist anarchists. The film is notable for being Brandon Lee's last film, as an accident on the set killed him during production.
|$50,693,129
|-
|''Ed Wood''
|1994
|R
|Although it does glorify cross-dressing and the [[homosexual agenda]]. It still is pro-capitalism and the film also glorifies the American dream. As despite the obstacles Wood faces, he still continues doing what he loves in making movies.
|$5,887,457
|-
|''Edward Scissorhands''
|1990
|PG-13
|Endorsed by the Christian website ChristianAnswers.net with a 4 out of 5 star rating. Conversely however, a prominently featured Christian character - the only character in the movie ever identified as Christian - is portrayed as fanatical and bigoted against people with scissors for hands.
|$56,362,352
|-
|''Falling Down''
|1993
|R
|Film takes jabs at many [[liberal values]], [[illegal immigration]], union workers, multiculturalism, (one scene were Bill tells his ex-wife that the ice cream shop him and his family used to go to is now a Mexican store) and foreign aid (in one scene Bill asks an illegal Korean immigrate a rhetorical question on how much America has given his country and yells at him after he refuses to learn the language).<ref>https://www.youtube.com/watch?v=Z4tC4qfv92Q</ref> It's also one of the very few films to be truthful in the "Nazis were right wingers" myth perpetrated by liberals, in which Bill informs a Neo-Nazi that he's an American and the Nazi is a sick a-hole. As well as many shots where the America flag is trashed upon (which could symbolize how liberalism has trashed everything America has stood for).<ref>https://www.youtube.com/watch?v=piPzExBdfIg</ref> But at the same time it also takes jabs at capitalism, where Bill believes he's no longer commercially valuable. And although the plot is about man trying to reach his daughter's birthday party, the film seems to toy with its audience in suggesting whether he's mentally ill or not, as opposed to a pro-family message.
|$40,903,593
|-
|''[[Fargo]]''
|1996
|R
|Pregnant sheriff with traditional American family values solves an elaborate criminal embezzlement, kidnapping and murder scheme.
|$24,611,975
|-
|''Fritz the Cat''
|1972
|X (NC-17)
|The movie has a brief moment that promotes shipping weapons to Israel, and it also showcases left-wing elements in a negative light, with the climax having the titular character attempting to stop a bombing plot against a power plant that he tried to accomplish. That being said, however, the film is also pro-drugs and promotes sexual infidelity, and also mocks a few right-wing elements as well, and is rather infamous for being the first X-rated cartoon to be made.
|$90 million
|-
|''Full Metal Jacket''
|1987
|R
|Although including a scene that seemed more catered to the anti-War ideology featuring a door gunner slaughtering civilians during the Vietnam War with obvious glee, the boot camp sequence was nonetheless shown in a realistic and to some extent inspiring light, with Vietnam Veterans also frequently stating that the Gunnery Sergeant's advice saved them during Vietnam, and also features a female Vietcong soldier who is not shown in a positive light at all.
|$46.4 million (North America)
|-
|''Gattaca''
|1997
|PG-13
|A condemnation of human genetic engineering, and a wonderful triumph of individualism in an extremely totalitarian regime. Unfortunately the movie ends with a materialistic message: "They say every atom in our bodies was once a part of a star. So, maybe I'm not leaving, maybe I'm going home" (A phrase said when the protagonist finally managed to go to space).
|$12,339,633
|-
|''Ghost''
|1990
|PG-13
|The [[Bible]] claims ghosts don't exist. Still this film toys with idea that they do, also it has liberal actress Whoopi Goldberg as a psychic medium. Nevertheless, the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, when he does convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being cared away helplessly by evil spirits after they die. It also acknowledges that heaven & hell exists.
|$217,631,306
|-
|''Good Kill''
|2014
|R
|Ethan Hawke plays a man who questions the ethics of his job as a drone pilot, while it is taking a jab at the [[Barack Obama]] regime (Obama has droned more people in the Middle East than George W. Bush, most of whom were innocent bystanders and the left has ignored it or claimed it was a "Fox News conspiracy"). It could also be against the War on Terror too.
|$316,472
|-
|''[[Grease]]''
|1978
|PG
|Some [[conservative]] messages and no [[feminism]] or other [[political correctness]]; jokes about [[public school]] and even [[television]] during the 1950s. Followed in 1982 by a much panned sequel, "Grease 2".
|$153,113,000
|-
|''Grave of the Fireflies''
|1988
|UR
|While the film has been labeled anti-war, the director Isao Takahata stated the actual meaning was about growing up. The film's message is still debatable to this day.
|
|-
|''Hacksaw Ridge''
|2016
|R
|It tells the story of how World War II hero, Desmond Doss became a combat medic hero. However, its stances on gun rights is rather mixed to negative.
|$67,209,615
|-
|''Halloween III: Season of the Witch''
|1982
|R
|Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.<ref>https://www.nytimes.com/1982/10/22/movies/haloween-iii-plotting-a-joke.html</ref> The film's "hero" is also an adulterer.
|$14,400,000
|-
|''Hansel & Gretel: Witch Hunters''
|2013
|R
|Western fairy tale characters Hansel and Gretel are now adults and have their own private bounty hunting organization in hunting witches. Portrays witchcraft in a negative manner, and guns in good light. But the gore, graphic violence and brief nudity is rather unnecessary.
|$55,703,475
|-
|''Hellboy''
|2004
|PG-13
|A live action film adaptation of the Mike Mignola graphic novel of the same name. It is ultimately pro-Christian principles, as the climax had the character John Myers supplying Hellboy (who at that point became Anung un Rama) with a crucifix and reminding him of his upbringing, which ultimately had him rejecting Rasputin's plan of unleashing Hell on the world, and the character Bruttenholm is explicitly depicted as a Christian and portrayed positively for it. It is also anti-Nazi as well. However, whether it's anti-occult is debatable, and the director was the Marxist Guillermo del Toro.
|$99.3 million
|-
|''High Noon''
|1952
|UR
|A favorite of both Presidents [[Dwight Eisenhower]] and [[Bill Clinton]]; [[John Wayne]] said it was "the most un-American thing I've ever seen in my whole life";<ref>http://www.brightlightsfilm.com/47/highnoon.php</ref> though susceptible of various interpretations, most of all it seems to scare people into wanting more government.
|$3,750,000
|-
|''Hoot''
|2006
|PG
|A movie about a bunch of kids who stand up to a CEO company that is trying to put one of its restaurants on a burrowing owl habitat. However the movie contains many morals, and promoting friendship. It does give kids the great inspiration to stand up for what they believe is right.
|$8,117,637
|-
|''Horrible Bosses 2''
|2014
|R
|Sequel to the Worst Liberal Film ''Horrible Bosses''. Though this film could be argued to actually support the American Dream and capitalism, which its processor clearly did not.
|$54,445,357
|-
|''[[The Hunger Games]]''
|2012
|PG-13
|Futuristic totalitarians plan titular annual televised "games" as punishment on the descendants of failed revolutionaries from a past uprising. Although technically a message against totalitarianism and for individualism, Leftist actor Donald Sutherland, who played President Snow, implied that the struggles of the films' protagonists were supposed to be derived from the Occupy Wall Street movement, and the book's author also indicated that the events of the book were based on the George W. Bush administration.
|$406,267,858
|-
|''Independence Day''
|1996
|PG-13
|Although made by liberal director Roland Emmerich with the intention of getting then-President [[Bill Clinton]] re-elected into office as well as having a few liberal values (such as Marty Gilbert, David Levinson's boss, being implied to be homosexual and the fact that Jasmine Dubrow's an unrepentant stripper), it nonetheless manages to push patriotism for America and, due to an ad-lib by actor Bill Pullman, manages to have him bring context of honoring the American holiday Independence Day during President Whitmore's rousing speech before fighting off the alien invaders in a climactic battle. It also has some condemnation towards divorce, as evidenced by David Levinson and Constance Spano's divorce is treated in a negative light, and also is pro-family due to Russell Casse sacrificing himself during battle to save his family. It was followed by a sequel, ''Independence Day Resurgence'', which went fully to the left.
|$817.4 million
|-
|''Indiana Jones and the Kingdom of the Crystal Skull''
|2008
|PG-13
|Although the film does depict the Communists as bad guys (to such an extent that the Russian Communist Party in Moscow was angered by the decision), and implies that Indiana Jones is a Republican or at the very least an [[Dwight D. Eisenhower]] fan, the film also depicts McCarthyism in a negative light, with one character implying that the American Government was simply being paranoid, as well as overall downplaying the true scope of the Soviet menace by having the same character denying there being a sizeable Communist infiltration in America, and also seems to promote paganism in the form of the Crystal Skull.
|$786.6 million
|-
|''Inglourious Basterds''
|2009
|R
|Despite vulgarity and historical revisionism, and also promoting to some degree moral relativism, the film does acknowledge that the Nazis were socialists.
|$120,540,719
|-
|''The Iron Giant''
|1999
|PG
|This animation espouses anti-war themes and also brief but strong anti-hunting sentiments. Firearms in general are shown in a negative light, with the phrase "guns kill" being repeated a total of three times (which was considered a "positive message" by the ultra-liberal media watchdog group [[Common Sense Media]]). The titular giant is referred to as a "big gun that walks." From a conservative viewpoint, he is a poor metaphor for a real gun; unlike a law-abiding citizen who is a gun owner, the giant has no choice in his actions because he is a war machine programmed with the inability to use his weapons for good, but only to use them thoughtlessly and senselessly. The story involves him learning to hide his weapons and "not be a gun". The conclusion is that, in order to protect the public from an incoming missile, he must fly into it and kill himself rather than use his guns against it. As it is explained, "It's bad to kill, but it isn't bad to die." In addition, despite being set during the Cold War, it largely downplays the Soviet menace that was occurring during that time, as the main antagonist, Kent Mansley, is a government agent (implied to be part of the NSA) investigating the titular Iron Giant who at one point while launching a tirade against Hogarth Hughes alludes to the possibility that the Communists may have been responsible for the Giant's creation as a means to destroy America and that they must destroy it before "it destroys us" and is treated negatively for it. Also features some foul language.

That all being said, however, despite the definite anti-gun and anti-hunting themes, the film does portray the military in a fairly positive light, as General Rogarth was shown to be even-headed and only willing to use military force if confronted with evidence requiring for it, also making clear that he was not happy about bringing out an implied large military force for what was apparently a hoax, and while the military does try to attack the Iron Giant late into the film, it was only because they had been manipulated into doing so by Kent Mansley by the latter lying about the giant killing Hogarth Hughes, and only when confronted with evidence that Hogarth had in fact been alive did the military stand down. In addition, when Hogarth left to investigate the evidence of a "martian" taking out an antenna, he proceeded to salute a photograph of his father, who was implied to have died during World War II. Also has a positive portrayal of the American icon Superman in it. There's also an anti-materialist message in it as well as an implicitly Christian message, as Hogarth talks to the Giant about how humans and other forms of life possess souls that live on even after their mortal bodies die. In addition the film also promotes individualism, promoting the idea of the individual choosing how to live their life, which may also support the American Dream as well, as Dean the film's tritagonist is a capitalistic artist.
|$5,732,614
|-
|''The Iron Lady''
|2011
|PG-13
|The British biopic of [[Conservative Party]] leader and 1979-90 [[Prime Minister of the United Kingdom|British Prime Minister]], Margaret Thatcher, showing the effects of conservative economic policy on Britain, helping to lift the country out of its recession. However, it also showed Margaret Thatcher in a somewhat negative light, depicting her during her late years as becoming slightly addled.
|$80,554,188 (international including UK), $27,081,674 (US - domestic)
|-
|''[[Iron Man (film, 2008)|Iron Man]]''
|2008
|PG-13
|The first installment of the Marvel Cinematic Universe stars Robert Downey, Jr., as comic book hero Tony Stark, an initially unsympathetic, billionaire weapons developer with hedonistic habits such as alcoholism, extramarital sex, gambling, and drug use. A theme of redemption then follows when, on a tour in the Middle East, Stark is almost mortally wounded by the evil Islamic terrorist group the Ten Rings, inspiring Stark to turn his life around and build weapons for just causes, not solely for making money. Though he considers giving up weapons development altogether, Stark decides to stand by his Second Amendment rights and builds his first electromechanical suit of armor to escape the Ten Rings upon realizing that his supposed friend Obadiah Stane has been issuing guns to the terrorists behind his back. Overall, ''Iron Man'' teaches that capitalism and the military can be used for good. That being said, the aforementioned revelation that Obadiah Stane had been issuing weapons to the Ten Rings as well as orchestrating Stark's abduction by them earlier could be interpreted as subtle anti-War on Terror messaging.
|$585.2 million
|-
|''Iron Man 3''
|2013
|PG-13
|Overall, it promotes most of the same values as the first two ''Iron Man'' films. However, a plot twist later in the film hints at an anti-[[War on Terror]] message due to it revealing that the "Ten Rings" terrorist organization was a hoax engineered by someone in America, a plot development which was negatively received. Similarly, there was some controversy over the plot development of disabled veterans being used for terrorist attacks against fellow Americans.
|$1.215 billion
|-
|''[[It's a Wonderful Life]]''
|1946
|UR
|It promotes the concept of self-worth and individualism ultimately, and that choices do in fact matter and have consequences, and ultimately promotes faith to a certain extent. However, it also falsely teaches that humanism is what makes life worthwhile; marginalizes [[faith]] with a cartoonish depiction and demonizes capitalism as sadistic and greedy.
|$3,300,000
|-
|''Jaws''
|1975
|PG
|Anti-environmentalism film, the heroes are police chief Brody, WWII vet Quint and Marine Biologist Hooper who team up to take on a monstrous, man-eating great white shark. However, there is a part where (despite the warning) the Mayor keeps the beaches open for the sake of money, which some may say is an anti-capitalism statement. Notable for being one of the first summer blockbusters. It was followed by three sequels in 1978, 1983 and 1987.
|$260,000,000<ref>http://www.boxofficemojo.com/movies/?id=jaws.htm</ref>
|-
|''Juno''
|2007
|PG-13
|A pregnant teenage woman rejects [[abortion]] and decides for an adoptive birth instead. This movie pushes [[feminism]] and marginalizes the essential role of fatherhood.
|$143,492,840
|-
|''Jurassic World''
|2015
|PG-13
|Jurassic Park is now functioning and open for business and the new boss is a woman, an obvious feminist message. Also the military is downgraded as they plan to weaponize dinosaurs. Despite all this feminists weren't impressed and labeled it sexist<ref>https://www.thedailybeast.com/articles/2015/06/10/jurassic-world-a-big-dumb-sexist-mess.html</ref> and even liberal critics called the weaponizing dinosaurs plot asinine.<ref>http://thoughtcatalog.com/olos-nah/2015/06/ill-just-say-what-everyone-is-thinking-jurassic-world-is-terrible/</ref> In addition, there was at least one implicit anti-feminist message in the film, as after the boss's secretary was brutally killed by dinosaurs, Owen indicated that she ultimately deserved her death due to her not acting like a mother.
|$652,270,625
|-
|''Kiki's Delivery Service''
|1989
|G
|The coming-of age story of a young half-witch who only inherited the ability to fly, and she makes the best of it. The film does show the value of hard work and is pro-capitalism (Kiki owns her own delivery business), as well as strong pro-family sentiments, mainly in the form of the baker Osono and her quiet husband, who are excited for the birth of their child, but at the same time it does depict feminism and witchcraft in a positive light.
|$18 million
|-
|''Kingdom of Heaven'' (Director's Cut)
|2005
|R
|A story set in the Crusades period about a young knight who embarks on a journey to realize his destiny. The Director's Cut version of ''Kingdom of Heaven'' is a prime example of how a Director's Cut can significantly improve the entire film. While the theatrical version featured terrible screenwriting and directing (as a result of studio interference), the Director's Cut drastically changes the entire film, significantly fleshes out, ties together, and grounds the story and brings the characters, their motivations, the different themes at play and the world to life. While the theatrical version was seen more or less as pure liberal media, the Director's Cut presents a story about humanity, belief, faith, and God. It also makes a statement about how people of different religious faiths can live together in peace and harmony and also be respectful of different religious beliefs. In addition, it promotes honor, duty, and the importance of doing the right thing, and it also portrays the noble Knights Hospitallers in a positive light. That being said, the film still portrays the Knights Templars in a negative light.
|$47,398,413
|-
|''Kingsman: The Secret Service''
|2015
|R
|Anti-environmentalist, the villain attempts to eradicate the human race because of his belief in man-made global warming. Though the film is full of language and violence as well as a brief nudity scene. There's also one scene were one of the characters gets into a bloody fight with a group of Christians whom are portrayed as "racists".
|$128,261,724
|-
|''Knocked Up''
|2007
|R
|Unemployed, immature and childish 23-year old Ben Stone (Seth Rogen) has a one-night stand with serious career woman Alison Scott (Katherine Heigl), with the unintended consequence of pregnancy. Alison's mother (Joanna Kerns) says she should get the pregnancy "[[abortion|taken care of]]", while Ben's best friend Jonah (Jonah Hill) suggests that "I won't say the A-word, but it rhymes with abortion." Alison decides to keep the child, while Ben decides to find a real job, grow up, and become a father.
|$148,768,917
|-
|''Labyrinth''
|1986
|PG
|It's debatable if the film is pro-family. While the main story is about a girl who has to rescue her baby brother from the Goblin King, our hero Sarah doesn't really learn the importance or responsibly of being an older sibling.
|$12,729,917
|-
|''The LEGO Movie''
|2014
|PG
|It's anti-large government because it teaches that anyone has the potential to be extraordinary, but it's is also anti-capitalist because the main villain is Lord Business. Ironically, the LEGO company is a champion of capitalism.
|$469.2 million
|-
|''Lincoln''
|2012
|PG-13
|Bio film on conservative icon [[Abraham Lincoln]], played wonderfully by Daniel Day-Lewis. Although overall very positive towards Lincoln and the Republican Party, it nonetheless downplays the role the Democrat Party played in the institution of slavery during the Civil War.
|$182,207,973
|-
|''Lionheart''
|1990
|R
|Pro-family as Jean-Claude Van Damme plays Lyon Gaultier (nicknamed Lionheart) who becomes a street fighter to help pay his sister-in-law's expenses after her husband is killed. During this time he also tries to reconnect with his estranged family. However he gets into the country illegally, which some could point out is a pro-illegal immigration statement.
|$24,078,196
|-
|''The Lorax''
|2012
|PG
|Although it has an environmentalist agenda, it also states that monopolies are wrong.
|$214,030,500
|-
|''Mrs. Doubtfire''
|1993
|PG-13
|Robin Williams plays Daniel Hillard; a father who cross-dresses as a nanny with the help of his gay brother (Hollywood trying to shoehorn the [[homosexual agenda]] one might say.) to be with his children. However, on ''Louder with Crowder'' it was one of the films (#1 actually) on TOP 5: Triggering Movies That Couldn’t Be Made Today, due to rampant gender confusion that's been happening recently.<ref>https://www.youtube.com/watch?v=FWfSjyGNRPE</ref>. Also on a conservative note; it is a clear pro-family film, that is pro-fatherhood. There is also some condemnation to smoking as it shown to be [[taboo]], with Daniel refusing to promote it to children, and Miranda, getting upset when she thought Mrs. Doubtfire smokes.
|$219,195,243
|-
|''Mulan''
|1998
|G
|The film has Liberals changing history to suit their feminist agenda similar to what they did in Pocahontas as well as some historical revisionism (In the film the Huns are at war with China, even though this never happened) and there was a scene in the climax where most of the soldiers cross-dressed as concubines in order to infiltrate the Imperial Palace. However, the central theme of [[Filial piety]] from work it was based on, [[The Ballad of Mulan]], is still present ultimately, as the main reason Mulan joined the military was because her father suffered a severe injury that made him unfit for combat, and the film is pro-Military.
|$120,620,254
|-
|''Munich''
|2005
|R
|Tells the story of the 1972 [[Munich massacre]] and is not politically correct about Islamic terrorism, much to the dismay of liberals. On the other hand, Conservatives have been critical of the film due to it being considered too sympathetic to the terrorist group in question.
|$47,403,685
|-
|''The Muppet Christmas Carol''
|1992
|G
|A live action adaptation of Charles Dickens' seminal work ''A Christmas Carol'' with various Muppets playing the role of various characters in the story (and Gonzo as Charles Dickens himself) as well as Michael Caine as Ebeneezer Scrooge. Promotes many of the same themes of redemption and the spirit of Christmas as the original story. Also has a rather humorous promotion of the American dream, as in a scene exclusive to the movie, the headmaster of Scrooge's boarding school, portrayed by Sam the Eagle, suggests he go into the work force and tells him that it's the "American way", causing Gonzo to break character to inform Sam of the true setting of the story, causing Sam to correct himself by saying it is "the British way". That said, however, the ending song does have slightly Marxist overtones.
|$27.2 million
|-
|''P.C.U.''
|1994
|PG-13
|College students fight back against a campus where the administration promotes official [[diversity]] awareness weekends and radical [[feminism]], [[veganism]], and [[political correctness]] run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups.
|$4,350,774
|-
|''[[The Passion of the Christ]]''
|2004
|R
|Downplays the [[Resurrection]]<ref>The original version of the film had no references at all to the Resurrection.</ref> and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the [[Shroud of Turin]] and confirmed by modern science.

On the other hand, it nonetheless does attempt to promote Christianity and Christ, and its success also resulted in liberals [[Jeffrey Katzenberg]] and David Geffen revealing their true natures by blacklisting Mel Gibson from future productions.<ref>http://www.theamericancause.org/patgibson.htm</ref>
|$370,782,930
|-
|''The Path to 9/11''
|2006
|NR (TV Documentary)
|Although the film largely pans George W. Bush's efforts during the War on Terror, it does depict the Taliban, al-Qaida, and Osama bin Ladin in a negative light, and there was a scene that appropriately places blame on then-President Bill Clinton for why 9/11 happened when he refused to give the order to kill Osama bin Ladin (a claim that was later vindicated by the CIA). Unfortunately, Clinton-aligned Democrats forced ABC via [[Robert Iger|Bob Iger]] to cut the footage in question via staged negative responses, and a planned DVD release for the Documentary itself was later shelved at the order of Iger during the 2008 election, neither being released to DVD by Disney itself and its associates, nor even having its rights sold to another company altogether, for reasons that were heavily suspected by various people, including the man who made the documentary in the first place, to be done at the order of Hillary Clinton in order to ensure she succeeded in her attempt at winning the Democrat primary and President of the United States during the 2008 election.<ref>https://web.archive.org/web/20120523041134/https://www.breitbart.com/big-hollywood/2012/05/18/cia-vindicates-path-911-clinton-claim</ref>
|NR (TV Documentary)
|-
|''Pillow Talk''
|1959
|UR
|A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones. There are no distortions by feminist ideology. Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it!
|$18,750,000
|-
|''Pokémon Ranger and the Temple of the Sea
|2006 (Japan) 2007 (USA)
|G
|Debatable as to whether the film is pro-parenthood or not. On the one hand, it does showcase May's mother status with Manaphy in a positive light. But on the other hand, it also is implied by the titular Pokémon Ranger Jack Walker to be a negative due to interfering with the mission, and in the climax, May ends up not doing a thing to attempt to save or even aid in saving Manaphy from Captain Phantom when the latter abducts it despite it being within her ability, which hints at parenthood being a negative.
|N/A (America; Direct-to-Video)
|-
|''Pocahontas II: Journey to a New World''
|1998
|G
|A sequel to the Worst Liberal Movie ''Pocahontas'' released during the infamous Eisner-era direct to video sequel line. It still has some elements to feminism as well as some degree of Historical Revisionism (due to showing William Shakespeare present in the opening song despite being dead by the time of the setting of the film). That being said, however, the British as well as the former colonists are depicted in a significantly more positive light compared to the original film, and the ending also has an implicit promotion of marriage. Likewise, it also notably ends with John Rolfe marrying Pocahontas like their real life selves.
|N/A (Direct-to-Video)
|-
|''Pulp Fiction''
|1994
|R
|Despite saying the F-word in almost every sentence, the film (surprisingly) has a pro-Christian message as after being shot at, every bullet misses mob hit men Jules Winnfield and Vincent Vega. Winnfield believes it was a divine intervention and message from God to stop his life of crime. His partner doesn't believe this but it's later proven to be true as he perished later on in the movie. Also has sadomasochistic homosexuals as the bad guys. And (sort of) has an anti-drug message as mob boss's girlfriend Mia Wallace is seen also overdosing (a negative side to drugs) on heroin.
|$107,928,762
|-
|''The Rescuers''
|1977
|G
|The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich. To add insult to injury, the villains are Southerners. The United Nations is shown in a positive light. On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped). This is one of the rare Disney films feature a [[Christian]] character that's treated in a positive light.
|$29 million
|-
|''Recess: School's Out''
|2001
|G
|The animated movie of the cartoon series of the same name. On the one hand, the film implicitly promotes the decadent era of the 1960s (in particular, 1968) where it depicts characters Muriel Finster and Peter Prickly as hippies during their teacher training in a flashback, and also implies that the concept of recess was developed by the hippies. On the other hand, it also encourages at one point allowing children to act like children, and ultimately promotes Recess and Summer Vacation as a concept, and the main villain, Phillium Benedict, is a radical former head of the liberal Department of Education who wished to eliminate recess and later summer vacation to raise test scores with the implication of wanting to become President (who was fired largely because he proved to be too extreme even for that department), and also represents [[liberal values]]. Also has a slight condemnation of the public school system's mistreatment of children, as Peter Prickly in the ending thanks TJ for having him remember that he originally became a teacher and (albeit unintentionally) principal of Third Street out of a desire to help children, and had largely forgotten that bit until that time.
|$44.5 million
|-
|''Robin Hood''
|1973
|G
|Animated Disney adaptation of the iconic story, depicting all of the characters as anthropomorphic animals. Although the story itself was based on [[Joseph Ritson]]'s revised version of the character that was in support of the Jacobin cause and thus was a liberal icon (steals from the rich, gives to the poor), the villain is Prince John who makes his money from taxes, suggesting Robin Hood is only giving money the government demanded back to people who actually worked for it, and thus was implicitly closer in themes to the original, pre-Ritson revision version of the character. It also features a condemnation of government encroachment of the church, as a pivotal scene featured the Sheriff of Nottingham explicitly stealing a coin from the poor box and his later arresting Friar Tuck for trying to stop him, and the Sheriff's actions were clearly being framed in a horrible light.
|$32 million
|-
|''Shame''
|2011
|NC-17
|While the movie shows [[Hollywood Values]], such as sex addiction, in a negative light and is clearly anti-[[homosexual agenda]], as the main character reaches his lowest point by partaking in such acts, the film is graphic in its nature leaving one to question how conservative it really is.
|$3,909,002
|-
|''Shrek''
|2001
|PG
|Loosely based on a 1990 fairytale picture book by William Steig, the first feature-length computer animation by DreamWorks SKG stars Shrek, a socially challenged ogre who becomes an unlikely hero when he forms an alliance with a pesky, talking donkey to rescue a princess at the behest of the evil Lord Farquaad of Duloc, who hates fairytale-type beings and has forced a host of them to live in Shrek's swamp. Not long after they rescue Princess Fiona, Donkey learns that she was cursed as a child to transform into an ogre herself by night and that only marriage can break the curse. Shrek does not hear this message clearly at first and thinks Fiona is calling him an "ugly beast" before he realizes she actually despises her own ogre form and stops her marriage to Farquaad, preventing him from becoming a tyrannical king and continuing to oppress fairytale beings. Although DreamWorks is liberal, the dialogue occasionally resorts to adult humor (such as Shrek and Donkey cracking jokes at Farquaad's expense that implied that he had small gonads when explaining what he's like), and Fiona sometimes behaves like a feminist (as when she effortlessly uses martial arts against Robin Hood and his Merry Men), it is implied that most of the characters are Christians as the gingerbread man says "God Bless Us Everyone" (a reference to the character Tiny Tim in ''A Christmas Carol''). The gospel song "I'm a Believer" at the end of the feature, and the scene where Shrek and Fiona are silently upset about being separated has the version of "Hallelujah" by Leonard Cohen. Robin Hood is a secondary antagonist, but he is at least implied to be based on the infamous revisionist version by [[Joseph Ritson]] that was made in solidarity to the [[Jacobin]]s during the French Revolution). Lord Farquaad, intended to be based on Liberal [[Disney]] CEO [[Michael Eisner]]<ref>http://articles.chicagotribune.com/2001-04-06/features/0104060008_1_lord-farquaad-dreamworks-jeffrey-Katzenberg</ref> (which adds to the whole film's existence as a reverent parody of Disney fairytale animation conventions), is likewise a lampoon of materialism because he only desires Fiona's marriage so he can officially become the King of Duloc. Finally, shortly after Farquaad meets his end at the jaws of Donkey's dragon love interest, Donkey jokes about [[Hollywood values]]: "Celebrity marriages, they never last, do they?"
|$484.4 million
|-
|''Shrek 2''
|2004
|PG
|The sequel to the above film. On the one hand, aside from DreamWorks being liberal, there are some jokes that could be interpreted as promoting gender confusion (such as the revelation that Pinocchio was wearing women's underwear while he and the other fairy tale creatures save Shrek and Donkey from imprisonment). On the other hand, there is also an anti-racism message for the film, since Fiona's father, the king of Far Far Away, is initially distrusting of Shrek largely due to the latter's Ogre status, and eventually comes to accept him upon realizing Fiona does truly love him, even going as far as to save his son-in-law from Fairy Godmother at the end, and the main villain, Fairy Godmother, is explicitly racist against Shrek for his species, insisting that "Ogres do not get happy endings" repeatedly. Also like the prior movie, it has a more anti-materialist message, as Fairy Godmother as well as her son, Prince Charming, both only intended to use Fiona in order to gain control over Far Far Away, similar to Lord Farquaad in the preceding movie. It also has a redemption message in the form of Puss in Boots, who initially was hired to kill Shrek, but after Shrek spares him, he ultimately became a loyal ally to Shrek, even willingly holding off several soldiers to allow Shrek and Donkey (who at that time had been transfigured into a handsome man and a white stallion, respectively) enough time to stop Prince Charming and Fairy Godmother from having Fiona "wed" the former (due to thinking that Fiona ingested a brainwashing serum inside her tea that had been laced on Fairy Godmother's orders). Also has a degree of anti-feminist messaging due to Fairy Godmother clearly adhering to the feminist view on things.
|$919.8 million
|-
|''[[The Simpsons]] Movie''
|2007
|PG-13
|Portrays the liberal [[Environmental Protection Agency|EPA]] as a villainous and devious agency, and portrays the Government in general as intrusive and corrupt, and also features a key element of the story where Homer attempts to redeem himself of his more unpleasant nature, and Flanders' attempts at helping the Simpson family, in particular Bart, are treated positively. On the other hand, it also promotes [[environmentalism]] in the beginning, and also had Arnold Schwartzenegger as the president of the United States despite his legally not being eligible for the presidency due to being Austrian. There is also a brief sight gag where two homosexual policemen proceeded to make out in an alley by the motel the Simpson family was hiding at, with Marge narrowly escaping being spotted by them. In addition, the early part of the film has Homer twice making statements that implied a more atheistic outlook relating to Christianity: The first just as the Simpsons arrive at Church while running late where Homer mouths off "Relax, those pious morons are too busy talking to their phony-baloney God."; the second when Abraham Simpson ends up getting a divinely inspired vision about Springfield's potential future, where Homer, consulting the bible in a panic, yells "I can't! This book has no answers!" Overall, it's as debatable in terms of its Conservativism as the TV show it acted as a movie for.
|$183,135,014
|-
|''Soul Man''
|1986
|PG-13
|A white student cheats the [[affirmative action]] system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portrays the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect.
|$27,820,000
|-
|''Starship Troopers''
|1997
|R
|Although it overall depicts the Military in a protagonistic light and arguably is pro-war and pro-military, the director of the film, Paul Verhoeven, implied it was actually supposed to push an anti-military, anti-war message where it implied that America during the Cold War were automatically fascists simply because they are entering war, and specifically stated it was "a natural evolution for post-World War II America." In addition, to reinforce Verhoeven's message, he deliberately modeled various scenes after ''Triumph of the Will'' and other pro-Nazi propaganda scenes, as well as modeled the protagonists' uniforms after the uniforms utilized by the Nazis (i.e., the character Carl, played by Neil Patrick Harris, wearing a uniform that was modeled after the [[SS]]). When asked by Michael Ironside, who was one of the people who had a role in the movie and had read the original book, about why he made the movie despite Verhoeven's leftist politics, he answered "If I tell the world that a right-wing, fascist way of doing things doesn't work, no one will listen to me. So I'm going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it's only good for killing ******* bugs!" (note that fascism is not "right wing", it is left wing, so Verhoeven's incorrect regarding which wing the Nazis/fascists were part of).
|$54,814,377
|-
|''Sudden Death''
|1995
|R
|Disgraced firefighter now becomes a laughingstock fire marshal uncovers a terrorist plot, at a Hockey game, plans to redeem himself and protect his children and the Vice President from said terrorists. However, they're not Islamic, which may have been because the film was trying to be politically correct.
|$20,350,171
|-
|''Super''
|2010
|R
|Main character becomes a superhero after a vision from God. He also frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole movie. Although contains foul language, violence, and brief nudity scenes.
|$327,716
|-
|''S.W.A.T''
|2003
|PG-13
|Film adaptation of the conservative TV show from the 70's does still share the same pro-law enforcement messages, but has a female character named Chris (played by Michelle Rodriguez) who was never in the television show. Which some may point out was only put there to be more "progressive" and promote feminism.
|$116,934,650
|-
|''Team America: World Police''
|2004
|R
|While it is clearly pro-military, pro-America, and anti-Hollywood (notably, there was a scene where [[Michael Moore]] had a cameo as a suicide bomber, with his death being made especially graphic by stuffing his dummy with ham as revenge towards his "A Short History on America" segment from ''[[Bowling for Columbine]]'' that falsely attributed the creators of the film to the segment.), the movie is riddled with liberal values, including toilet humor and vulgar language throughout. Also, in the movie's foul-mouthed theme song, it favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans. Penned by the creators of ''[[South Park]]'' and ''The Book of Mormon'' musical.
|$32,786,074
|-
|''[[Titanic]]''
|1997
|PG-13
|Every life had value and the most powerful men gave up their seats on lifeboats to women and children first; the media and a young [[RINO]] are rightly criticized; broke the record in movie revenues. However, it also gave some hints at a pro-socialist view, and a key scene involving Rose being drawn in the nude is invocative of pornography.
|$600,779,824
|-
|''Top Gun''
|1986
|PG (Should be PG-13)
|Please add info.
|$356.8 million
|-
|''[[Trainspotting]]''
|1996
|R
|It's been debatable if the film is anti-drug.
|$16,491,080
|-
|''Transformers: Dark of the Moon''
|2011
|PG-13
|The film has an implicit denouncement of illegal immigration, due to the main villain, Sentinel Prime, tricking the protagonists into allowing for more Transformers to take over Earth as well as forcing them to recreate Cybertron. Also has a bit of a condemnation on feminism, as the current head of the Sector 6, a female, is depicted in a fairly negative light, and takes offense to being called a woman despite Sam Witwicky's girlfriend innocently pointing out that this is in fact her gender. On the other hand, it depicts Barack Obama and Republicans in a positive and negative light, respectively, and one of the main villains is a Capitalist.
|$1.124 billion
|-
|''[[The Twilight Saga]]''
|2008-2012
|PG-13
|Mocks [[public school culture]] and promotes [[abstinence]] until marriage, traditional courtship, and the [[pro-life]] movement, but it glorifies vampires and werewolves in a way that doesn't attack Christianity but is still incompatible with Christianity. The star, Kristen Stewart, is a liberal who has made remarks insulting the U.S. Military.
|$1,365,922,346
|-
|''U-571''
|2000
|PG-13
|Had a plot which was based on the first capture of a [[German]] [[Enigma machine]] in [[World War Two]]. Despite the film being patriotic to America, the facts are wrong as the Enigma machine was captured by the [[British]] in 1941 prior to the Americans entering the war.
|$77,122,415
|-
|''U.N. Me''
|2009
|
|Although it utilizes several of the same methods as [[Michael Moore]]'s schlockumentaries, it nonetheless does expose the very corrupt nature of the [[United Nations]].
|
|-
|''Van Helsing''
|2004
|PG-13
|Thanks to [[Hollywood values]], Van Helsing isn't portrayed as the Christian character he should be, but the film still gets its good vs. evil message across. As well as portraying the Catholic church in a positive light. The director Stephen Sommers has made conservative films ''The Mummy Returns'' and ''G.I. Joe: The Rise of Cobra'' though.
|$120,177,084<ref>http://www.boxofficemojo.com/movies/?id=vanhelsing.htm</ref>
|-
|''Wall-E''
|2008
|G
|The movie shows the dangers of big government (BNL), however it is also anti-capitalist and pro-environmentalism as BNL is a corporation.
|$223,808,164
|-
|''The Way We Were''
|1973
|PG
|Unique in the way that it appears liberal to liberals while unintentionally sending a [[conservative]] message to young women. Stars uber-liberal [[Barbra Streisand]].
|$49,919,870
|-
|''We're the Millers''
|2013
|R
|A drug dealer, stripper, runaway, and average loser pretend to be a family to sneak marijuana out of Mexico. However, they learn the value and importance of family. The villains of the movie are all drug gang men, the film also features a stripper scene, and whether or not the film is anti-drug in the end is debatable.
|$150,394,119
|-
|''Who Framed Roger Rabbit''
|1988
|PG (Should be PG-13)
|A loose live-action/animation adaptation on the book ''Who Censored Roger Rabbit?'' by Gary Wolf. On the one hand, the movie contains many innuendos and crude humor, the antagonist Judge Doom is a capitalist, and the relationship between a toon rabbit and a toon human may be seen as promoting bestiality. On the other hand, the movie depicts marital fidelity in a positive light, as initial signs of Jessica Rabbit's infidelity are in fact part of the antagonist's plot and in reality she actually cares very deeply about her husband (it should also be noted that in the book the film was based on, Jessica was extremely unfaithful to Roger Rabbit, and enjoyed being a porn star, even outright using Roger for stardom. Later additions to the story altered this characterization to be closer to the film and had the initial version be part of a nightmare Jessica had). The film also contains an anti-alcoholism message not present in the original novel in which Eddie Valiant becomes a heavy drinker after the death of his brother (in the original novel, Eddie was just a drinker and didn't have a brother) but eventually pours the alcohol out of the flask that he carries in his holster.
|$349,200,000
|-
|''Yours Mine and Ours''
|2005
|PG
|The film is about a widower father of a conservative family who marries a widowed mother of a liberal family. Their two difference lifestyles contradict with each other, and the film does not really pick a side of on whose lifestyle is better. However, it does have a scene where the liberal kids outsmart the conservative kids (By tricking them into thinking there is a fire and then getting to use the bathrooms to themselves). Also, has a scene where the kids work together and use conservative tactics to end bullying without the help of an authority figure. In the end, the kids learn to put their differences aside and realize that family is what matters more.
|$53,412,862
|}

== Debatable Whether Great ==

{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''10 to Midnight''
|1983
|R
|Charles Bronson plays Leo Kessler, a cop trying to catch a serial killer rapist, while the bureaucrats do everything to defend him. The film feels like a poor man's Dirty Harry and many critics pointed out that Charles Bronson seemed to be playing a clone of his former character Paul Kersey from the ''[[Death Wish]]'' franchise.
|$7,175,592
|-
|''A Good Day to Die Hard''
|2013
|R
|Although the previous ''Die Hard'' movies were largely politically neutral, this film portrays the CIA in a positive light, and both the main and surprise villains are unrepentant, anti-American former Soviet Communists who intended to access Cold War-era weapons grade uranium and sell them on the black market. Plus, the film is pro-family due to John McClain trying to reconnect with his son Jack. Despite this, it was largely a box office failure, and it has fairly weak story elements.
|$304.7 million
|-
|''Aladdin and the King of Thieves''
|1996
|G
|Was another entry into then-Disney CEO Michael Eisner's infamous Direct to Video sequel line, and as such also has evidence of it being poorly made. But on the other hand, it also has similar themes to ''Return of Jafar'' regarding forgiveness and redemption in regards to the titular character. It also is notable as having a pro-traditional marriage message due to Aladdin and Jasmine's wedding factoring into a large part of the plotline, with it also being implied that the kingdom of Agrabah may have held Coptic Christianity as its main religion, one of the few Disney productions during this time to feature such a message on marriage since ''The Little Mermaid'' back in 1989. In addition, it ultimately is pro-fatherhood in the form of Cassim, the titular king of thieves, who was Aladdin's father, and while the central antagonist, he is nonetheless depicted in a more sympathetic light as he became the King of Thieves simply so he could provide for his family, and ultimately was redeemed in the ending of the film.
|
|-
|''Armageddon''
|1998
|PG-13
|Though this film promotes patriotism and mocks environmentalism, the overall plot is fairly nonsensical and the action sequences bombastic. Bruce Willis even won the Razzie award for Worst Actor for making this movie, and this movie also received six other Razzie nominations, though it didn't win any.
|$201 million
|-
|''Auschwitz''
|2011
|R
|Isn't politically correct on the topic of gun control as Nazi officers are seen shooting Jewish citizens and forcing them into concentration camps. However, its low budget and poor production value really hurts the film.
|
|-
|''Battle Los Angeles''
|2011
|PG-13
|Pro-military, but alien invasion plot has gone stale in this day and age.
|$83,552,429
|-
|''Battleship''
|2012
|PG-13
|The U.S. military may be depicted positively, but the overused alien invasion plot and the fact that it's based on a board game really makes it hard to consider good.
|$65,422,625
|-
|''The Black Cauldron''
|1985
|PG
|The film has some subtle Christian messages, as the Horned King, the main antagonist who tries to gain the Black Cauldron to rule the world, is depicted in a very Satanic light, and the character Gurgi ultimately sacrifices himself in order to stop the Horned King, eventually being revived shortly thereafter. Also shows a promotion of the concept of being humble, as Taran still considers himself a pig herder even with his role in saving the world. However, the film was a massive box office bomb, with a large part of the reason for it being underperforming being due to both the dark elements of the film, especially for a Disney-made film, and due to a huge amount of footage (at least ten minutes worth) being cut from the film by then-Chairman of Disney Animation [[Jeffrey Katzenberg]].
|$21.3 million
|-
|''Blood Freak''
|1972
|NC-17
|This cult horror film stars a Vietnam veteran named Herschell who is tempted by a young Christian girl's marijuana-addicted sister to smoke a joint himself, then hallucinates himself going on a killing spree. Once free from his hallucinations, Herschell is rehabilitated and finds God. Overall, the film stands up for Christianity and against drugs but focuses more on the spectacle of violence than creating well-rounded characters and a coherent storyline.
|$25,000
|-
|''The Brave One''
|2007
|R
|Although it stands up for the freedoms guaranteed by the [[Second Amendment]], its plot is almost identical to ''[[Death Wish]]''.
|$36,793,804
|-
|''Camelot''
|1967
|G
|The famous jousting scene is a powerful display of Christianity, chivalry, and other virtues, but the movie seems lost afterward.
|$31,102,578
|-
|''Carnosaur''
|1993
|R
|The villain is an environmentalist who believes that the earth was made for the dinosaurs, so he tries to wipe out the human race and allow dinosaurs to reclaim the Earth as their own. However, the film is considered a copy of ''[[Jurassic Park]]''.
|$1,753,979
|-
|''Captain America''
|1990
|PG-13
|As implied by the title, the Marvel Comics adapdation gets its [[Patriotism|patriotic]] message across. However, due to a low budget, poor production values, and disjointed editing, the film becomes tedious and sometimes laughable. It would be twenty-one years before another adaptation of the conservative superhero's adventures would be made.
|$10,173
|-
|''Collateral Damage''
|2002
|R
|[[Arnold Schwarzenegger]] stars in this pro-War on Terror (released shortly after 9/11 no less) film were he avenges his family after a terrorist attack. However, the story feels formulaic. Even though the film was made and completed before the September 11 attacks, it was set for an October 2001 release and then pushed back four months.
|$40,077,257
|-
|''Commando''
|1985
|R
|Former Republican California governor [[Arnold Schwarzenegger]] stars as former Delta Force leader John Matrix as he rescues his daughter from Communist insurgents (and the freelance soldier working for them, a former colleague of Matrix's who was fired from Delta Force for brutality) who plan to bring Communism back to their now liberated country. Despite this celebration of family, the action is goofy and cheesy, making it an unintentional comedy.
|$35,100,000
|-
|''Ernest Goes to Camp''
|1987
|PG
|Ernest P. Worrell (played by the late Republican actor Jim Varney) is a camp counselor put in charge of a group of Juvenile convicts from a corrective institute. Ernest manages to change the boys' ways by showing unconditional love, despite their reputations. In this, the film shows the conservative values of loving your enemy, with Ernest being the only one in camp who is nice to the boys. However, like most movies in the Ernest series, the humor is very campy and juvenile, and its clearly a kids movie.
|$23,500,000
|-
|''The Fallen Ones''
|2005
|NR (TV movie)
|The film portrays demons in a very negative light and teaches Judeo-Christian principles, but the production was so low-quality that it comes across at times as being very cheesy.
|N/A (TV movie)
|-
|''G.I. Joe: The Rise of Cobra''
|2009
|PG-13
|This live-action adaptation of the conservative cartoon from the 1980s is nevertheless a disappointment largely due to the acting, directing, screenplay, nonsensical action, and mediocre visual effects. The film followed by an equally forgettable sequel in 2013. This led to the franchise being rebooted in 2020.
|$150,201,498
|-
|''Godzilla''
|2014
|PG-13
|The film does warn against the consequences of playing God because it's about a scientist who accidentally creates a destructive reptilian monstrosity, but it is poorly made regardless. The idea of seeing the destitution from a soldier's point of view works on paper, but the characters are too underdeveloped, Godzilla is barely on camera, and the scenes of destruction (what first made the ''Godzilla'' films famous) are practically missing.
|$200,676,069
|-
|''Hercules''
|1997
|G
|Loosely based on the Greco-Roman myth of the demigod strongman Hercules, this Disney animation has some Christian messages like honoring one's father and the triumph of good over evil. In addition, contrary to how he is depicted in regular mythology, Zeus's characterization in the film was closer to that of the Biblical God. Unlike the original myth, in which Hercules was born as a result of Zeus's infamous womanizing actions with mortal women and Hera hated him due to this, Hercules in this film is the actual offspring between Zeus and Hera, putting family values first. Plus, he is raised a mortal this time because the main villain, Hades, has his minions abduct the then-infant Hercules and feed him a potion that drains him of virtually all of his godly potential in order to assassinate him and prevent him from striking down Hades in the future. Another reason why family is a major theme is that Hercules' disappearance greatly devastates both Zeus and Hera, and Zeus, upon learning that Hercules was alive, is greatly overjoyed to learn of his son's survival and admits he is his father. Lastly, the main villain, Hades, while humorous, is nonetheless depicted in a satanic light, and was reported to be based on former Disney animation chairman and staunch liberal [[Jeffrey Katzenberg]].<ref>http://community.seattletimes.nwsource.com/archive/?date=19970622&slug=2545749</ref> However, it underperformed in theaters and with critics.
|$252.7 million
|-
|''Home Alone 2: Lost in New York''
|1992
|PG
|In the sequel to the first ''Home Alone'', Kevin McCallister is once again accidentally separated from his family while being laid over in New York City and must be self-reliant to survive. He takes advantage of an opportunity to save a children's charity from being robbed by the Wet Bandits from the previous film, using man-made traps against them once more with some modifications. [[Donald Trump]] makes a brief, positive cameo, too, to help Kevin navigate his way through the Plaza Hotel. Family values return as Kevin once again wishes his family away but then misses them. Kate's maternal instinct returns as well because she is determined to find Kevin, even when others tell her there is no hope. Kate once again finds help from a charitable, sympathetic person (in this case, an NYPD officer), who helps her by bringing her to Rockefeller Center, where she finds Kevin. However, it was not as well-received as the first film: most of the criticism was directed towards the fact that it recycles most of the story elements of the previous film.
|$359 million
|-
|''Home Alone'' 3, 4, and 5
|1997, 2002, 2012
|PG
|Installments 3 and 5 in these sequels to the Christmas classic ''Home Alone'' do not involve the original cast, while the fourth only features part of the original cast. They each have a similar story and themes to the original, with the third featuring Communist North Korea and terrorism in a negative light since the antagonists are internationally wanted hitmen tied to North Korea. However, they were nowhere near as popular as the first two because they are considered lesser versions of the originals.
|$30,882,515, N/A straight to DVD, Made for TV Film
|-
|''How the Grinch Stole Christmas''
|2000
|PG
|A live-action remake of the animated TV adaptation of the [[Dr. Seuss]] book of the same name. Overall, the film promoted many of the same themes as in the special and book, and also expanded on the implied redemptive themes of the special by revealing that the Grinch's hatred of Christmas dealt with being bullied, and ultimately overcoming that past and learning to enjoy Christmas. That all being said, however, the film suffered from production problems where studio heads forced in some raunchy, age-inappropriate jokes into the storyline, in spite of both director Ron Howard and Jim Carrey's insistence that they keep the film family friendly (and in the case of the latter, was careful to keep any ad-libbed humor family friendly) that ultimately harmed the quality of the film. This, alongside the Worst Liberal Movie Live Action Adaptation of another [[Dr. Seuss]] story, ''The Cat in the Hat'', doubling down on many of the aforementioned raunchy elements and pushing more left-wing material, eventually resulted in the Seuss estate placing a ban on Live Action adaptations of various ''Dr. Seuss'' stories.
|-
|''It Takes Two''
|1995
|PG
|Twins Mary Kate and Ashley Olsen star as two unrelated but identical-looking girls who try to get one's father and the other's social worker to fall in love. Though ''It Takes Two'' teaches how important it is for a family to have a mother and a father, it has been criticized for having too similar a story to ''The Parent Trap''.
|$19,474,589
|-
|''Jack and Jill''
|2011
|PG
|Adam Sandler stars as both Jack and his "identical twin sister" Jill in this family comedy that features pro-capitalism and pro-family values. That aside, ''Jack and Jill'' is an aggressively poorly acted (apart from a strangely committed performance from Al Pacino), poorly written, poorly directed film with an appalling premise (the idea of a man having an "identical twin sister" is nightmarish at best) that received overwhelmingly negative reception from critics and audiences alike, who often called it the worst film of 2011. At the 32nd Golden Raspberry Award ceremony in 2012, ''Jack and Jill'' "won" in all twelve categories, even beating the liberal propaganda piece ''Battlefield Earth''.
|$149,673,788
|-
|''Kidnap''
|2017
|R
|Mother Karla Dyson stops at nothing to save her kidnapped child. The plot, while supportive of family and traditional motherhood roles, has been already seen in other conservative films such as ''Prisoners'', Ransom'', and ''Taken''.
|
|-
|''The Land Before Time'' sequels
|1994-2016
|G
|The films deal with various conservative themes such as reconciliation, anti-racism, family values, friendships being important, and the like. That being said, however, the films' actual quality and their being direct to video sequels tend to leave much to be desired regarding the plotlines.
|N/A (Direct to Video)
|-
|''Lady and the Tramp 2''
|2001
|G
|Lady and Tramp’s son, runs away to join the Junkyard dogs (a clear allegory for criminals), where he Angel, who encourages him to return home after realizing he has a family. Also the film takes place within the Independence Day holiday, making it what might be the only Disney film to acknowledge and celebrate this patriotic holiday. However this film like most Disney sequels went straight to video.
|N/A (Direct to Video film)
|-
|''Leonard Part 6''
|1987
|PG
|The villain is a militant vegan who plans to destroy the human race, but there are a number of confusing or outright silly plot points such as Bill Cosby's character Leonard Parker being tortured by lobsters, a henchman having his head blow up after eating a hot dog, and Cosby riding an ostrich like a horse, just to name a few. Even though he produced and wrote it, Bill Cosby has disowned the film and even begged people not to see it.
|$4,615,255
|-
|''The Lion King II: Simba's Pride''
|1998
|G
|In the sequel to the great conservative animation ''The Lion King'', protagonist Simba and his wife Nala are now raising a daughter of their own, Kiara, but Simba has exiled those lions in his pride who were loyal to his late evil uncle Scar, dubbing them "Outlanders". Tensions rise when Kiara falls in love with an Outlander. Although made during the infamous Michael Eisner era and was part of that era's direct to video sequel line, it also features the same pro-family and Christian messaging as in the original movie. Also features a condemnation against parental neglect/abuse and infanticide, as the main antagonist Zira frequently neglects one of the other antagonists, her eldest son Nuka (who is implied to be the actual male offspring for Scar unlike Kovu), and ultimately gets killed trying to win over her favor; and late in the film, when Vitani takes Kiara's words to heart and joins with the pride landers, Zira proceeds to threaten to kill her daughter in turn, which results in the remainder of the Outlanders proceeding to defect to the Pride Lands out of disgust towards the threat to her own daughter.
|N/A (Direct to Video film)
|-
|''The Little Mermaid: Ariel's Beginning''
|2008
|G
|The last of the Direct to Video sequels before an embargo was placed upon them largely due to the negative reception to the sequels. The overall plot, acting as a prequel to the original film, deals with letting go of the past and moving forward, and also honoring your parents, as Ariel's reason for bringing back music to Atlantica was because she realized her deceased mother, Queen Athena, would never have wanted music to be banned. Also has some condemnation towards totalitarianism as King Triton, due to his grief of his wife's untimely death, proceeded to enforce big government style control over the kingdom, which was not depicted in a positive light at all. That said, however, the film also conflicted with several plot details regarding the later film (namely, Ariel desiring to become human and frequently disobeying her father to pursue that dream being left out entirely, and Ariel's sisters' birth order being swapped around from what was implied in the Daughters of King Triton musical number), and overall downplays the anti-misanthropy messages the original film had.
|N/A (Direct to Video film)
|-
|''The Little Mermaid II: Return to the Sea''
|2000
|G
|Although it to some extent retreads the plotline of the conservative film ''The Little Mermaid'' and was part of the infamous direct-to-video sequel line of the [[Michael Eisner]] era, it has a similar pro-family message and depicts the villain in a truly horrific light (such as trying to murder the main protagonist, a child, twice, once while she was a baby which acted as the primary reason why her parents, Ariel and Eric from the first film, went to great lengths to prevent her from learning about her heritage or even allowing her into the sea, and the other time when she was 12). It condemns parental neglect, too, because the main villain in question, Morgana, is largely motivated by being neglected by her mother over her elder sister, the previous main villain Ursula, which was most showcased in the special edition re-release via the added in song "Gonna Get My Wish."
|N/A (Direct to Video film)
|-
|''The Lord of the Rings''
|1978
|PG
|This early attempt to bring J. R. R. Tolkien conservative text to the silver screen still stands up for friendship, bravery, honor, sacrifice etc., but the animation (and pretty much everything else) has aged very poorly. Was remade into a live action trilogy in 2001-2003.
|$30,471,420
|-
|''Max Keeble's Big Move''
|2001
|PG
|Similar to ''Ferris Bueller's Day Off'', the film showcases the public school system in a more negative light, due to one of the teachers letting one of the bullies, Dobbs, get away with stealing lunch money and later the same teacher punishing Max Keeble with a significantly and unreasonably large essay about rules for being tardied despite it being obvious that the only reason he was late was because one of the bullies, Troy McGinty, forced him into a swirly (due to his being dripping wet when he entered), as well as the principal of the school, Elliot Jindrake, who also acts as one of the main antagonists, explicitly hating children and only putting up with the school so he could get promoted to superintendent, as well as explicitly embezzling the school's budget, and also proceeding to punish Max for turning up late for an auditorium event even when, similar to the swirly incident mentioned above, it was very obvious that he only ended up late because McGinty proceeded to, in a similar manner to a cooking show, humiliate him by throwing him into a mud pool, putting saw dust on him, and then forcing him into a dumpster (due to his being littered with trash when he walked in). It also has a bit of an anti-socialist message due to the Evil Ice Cream Man being implied at one point to be a socialist (due to his insulting fellow antagonist Dobbs as a "capitalist tool.") and, as indicated by his nom de guerre, was not depicted in a positive light. Also has an allegory for the liberal elements of modern-day journalism as well, due to two of the characters who worked for the school yearbook proceeding to make events out to be even worse than they actually are (such as titling the first day as "Sheep Arrive for Slaughter"), not to mention usually uses the opportunity to actually photograph events of bullying rather than actually making any attempt to prevent it. Despite that, however, it largely was criticized for being bland and unoriginal, at least among adults, including some critics citing it as being too similar to ''Ferris Bueller's Day Off''.
|$18.6 million
|-
|''The Mummy: Tomb of the Dragon Emperor''
|2008
|PG-13
|Still has the same pro-family message, along with a [[Mao Zedong|Mao]]-like rogue army as the side villains. That being said, however, it was a box office bomb that caused the movie franchise to be cancelled despite leaving a hint at a sequel at the end, and there was also evidence of it being poorly made.
|$102,491,776
|-
|''[[The Patriot]]''
|2000
|R
|Mel Gibson plays Benjamin Martin; a patriot and a father that fights for American freedom during the [[American Revolution]]. Although it promotes America in a positive light and promotes patriotism, the film alongside several other films released around the same time (such as ''Hollow Man'', ''The Animal'', ''A Knight's Tale'', and ''Vertical Limit''), was also involved in a scandal by Sony Pictures where fake reviews by a fictitious reviewer named David Manning were made as a form of movie marketing, as well as being involved in a scandal about how various trailers had Sony using employees posing as moviegoers to go see the film and give excellent reviews.<ref>https://web.archive.org/web/20010609225327/http://www.msnbc.com/news/581770.asp?cp1=1</ref><ref>https://www.thoughtco.com/sony-fake-film-critic-story-4062655</ref><ref>https://www.telegraph.co.uk/news/worldnews/northamerica/usa/1495591/Sony-ordered-to-pay-1.5m-for-film-goer-hoax.html</ref>
|$215,294,342
|-
|''Pearl Harbor''
|2001
|PG-13
|This military action film gets its [[Patriotism|patriotic]] message across, but the directing, screenplay, acting, romance among the three leads, and the overall historically inaccurate portrayal one of the most horrific, tragic moments in world history for the sake of copying James Cameron's 1997 film ''Titanic'' are questionable. Then again, director Michael Bay does have a history of favoring spectacle over substance most of the time.
|$198,542,554
|-
|''Pokémon Heroes: Latios & Latias''
|2002 (Japan) 2003 (USA)
|G
|Like with ''4Ever'', it has some implicit pro-Christian messages, as after the villains proceeded to hijack an ancient doomsday weapon, Latios proceeded to sacrifice himself to save Alto Mare from destruction. However, it got very low box office records due to a limited release in America which ultimately led to most other Pokémon films after it to be released as direct to video features (with only the dual-feature fourteenth movie, ''White—Victini and Zekrom'' and ''Black—Victini and Reshiram'', the 20th movie, ''Pokémon The Movie: I Choose You'', and the 21st movie, ''The Power of Us'', ever seeing releases in theaters outside Japan since then, and even then only as limited theatrical releases), and its Japanese premiere was, until the Japanese release of the movie ''Hoopa and the Clash of Ages'', the worst performing Pokémon film ever.
|$20.9 million
|-
|''The Return of Jafar''
|1994 (VHS) 2006 (DVD)
|G
|It is the first of the infamous Direct to Video sequel era within Eisner's Disney, and has elements of very poor production values. On the other hand, the film has redemption and forgiveness as major themes of the story due to Iago, Jafar's henchman from the original film, ultimately embracing a change of heart and, after initially saving Aladdin simply so he could get into the palace, eventually proceeding to save Aladdin from Jafar twice with no expectation of a reward, and redeeming himself for betraying Aladdin out of cowardice. It also depicts people who steal from others for their own selfishness in a very negative light in the form of the co-villain Abis Mal.
|
|-
|''The Return of the King''
|1980
|UR
|This early attempt to bring the third book of the conservative book saga ''The Lord of the Rings'' was plagued by low budget animation due to being a made-for-TV film.
|
|-
|''Rise of the Guardians''
|2012
|PG
|Four immortal guardians appear as Christ-like creatures, who jobs are to protect those children who believe in them. Two of the guardians are Santa Claus and the Easter Bunny, based on Christian allegories. Also, contains a guardian leader known as "Man on Moon" a clear allegory for [[God]]. Despite this, however, the film was largely a box office failure despite making double of its $145 million budget due to its high production and marketing costs, being the first DreamWorks animated movie to lose money on a film since ''Sinbad: Legend of the Seven Seas''.<ref>https://www.theguardian.com/film/2013/feb/27/dreamworks-animation-job-cuts-guardians</ref> which ultimately served as one of the reasons why DreamWorks ended up laying off 350 employees.<ref>http://www.thewrap.com/movies/article/dreamworks-animation-lay-350-employees-79381</ref>
|$103,412,758<ref>http://www.boxofficemojo.com/movies/?id=guardians.htm</ref>
|-
|''[[The Room]]''
|2003
|R
|This independent drama takes place in one room and explores the love triangle among an amiable banker, his deceptive fiancée, and his conflicted best friend. It teaches against alcoholism and adultery, showing the destructive nature of liberal values. However, ''The Room'' has been critically panned for its acting, screenplay, dialogue, production values, score, direction, cinematography, and handful of unrelated and unresolved subplots. Regardless of its low domestic gross from its initial theatrical run, it has done much better in recent re-screenings, becoming a cult classic of sorts.
|$1800
|-
|''Shrek the Third''
|2007
|PG
|The movie has a condemnation against totalitarian dictatorships and Hollywood values in the form of Prince Charming, who after recruiting various villains into aiding him in taking over Far Far Away, he had the kingdom become dystopic and forced the kingdom to watch a "play" he made as a subtle method of executing Shrek. In addition, it's also pro-family, as Shrek sought out Arthur, Fiona's cousin, to take the throne after her father died of an ailment and gives some heart-felt advice regarding taking up the responsibility, and Shrek ultimately resolves to be a father to his to-be-born kids after learning that Fiona was pregnant despite having misgivings regarding being a father due to his own experiences with his father (who nearly attempted to eat him). It also has condemnation of notions of revenge and has a redemption theme, as many of the villains ultimately gave up on being villains after Arthur convinced them not to be consumed by desires for revenge and seek their original goals. Despite this, however, the film had some very questionable production methods, and the plotline was fairly weak.
|$799 million
|-
|''The Santa Clause 2''
|2002
|G
|Promotes many of the same values as in ''The Santa Clause'', namely pro-Christmas and pro-family, and also has a redemption and forgiveness theme as well. However, the plot is left somewhat weak.
|
|-
|''The Santa Clause 3''
|2006
|G
|Like in the first two films, it promotes Christmas as well as family, and also has an anti-Envy message. However, the film returned poor sales, the overall plotline was very weak, and it was also criticized as only being made to make a quick buck.
|
|-
|''Space Jam''
|1996
|PG
|Basketball star Michael Jordan uses the help of the Looney Tunes to beat back alien invaders from outer space who wish to take away their freedoms. Though the film hints at an anti-illegal immigration message, it suffers from messy animation and a lack of depth, and it is often cited as feeling more like a commercial than a film.
|$90,443,603
|-
|''Stealth''
|2005
|PG-13
|The film is pro-military and pro-American, with the North Koreans being portrayed in a negative manner. Also shows government corruption in a negative light in the form of a Washington lobbyist and the treacherous CO of the protagonists. Also has hints at a pro-War on Terror message as well. That being said, however, the movie was a critical and financial bomb, reputed to be among the worst box office losses at the time.
|$76 million
|-
|''Superman Returns''
|2006
|PG-13
|America icon Superman is seen as an angel-like figure, who helps those in need. Also condemns to some extent the liberal values within the news media, as Lois Lane's Pulitzer prize was earned due to her making a scathing article on Superman and implying the world doesn't need him, and it's revealed she made the article due to being upset at Superman leaving her behind before the events of the film. It is also pro-family, as the arc words throughout the film with Jor-El telling baby Kal-El via flashback that, even though he himself will die from the destruction of Krypton, he will not leave Superman's side, and that they'll grow stronger as one, with Superman giving a similar speech to his and Lois's son in the ending, and in addition, Lois Lane's husband, Richard White, was shown to be very protective of his family, even going as far as to take a chopper to save them while Superman was incapacitated. However, the movie also had some controversy over the director Bryan Singer's homosexuality, and while it did initially receive positive reviews, it ultimately became negative overtime, and resulted in there not being another Superman film until 2013 with ''Man of Steel'', which was treated as a reboot.
|$200,081,192
|-
|''Super Mario Bros.''
|May 28, 1993
|PG
|Loosely based on the classic video game series from Nintendo, two fraternal plumbers from Brooklyn, New York must rescue the younger's girlfriend from a parallel dimension ruled by humans descended directly from dinosaurs. The film may support the Second Amendment when an old lady, before mugging the brothers, explicitly states they need to have a weapon to survive on the streets of Dinohattan (a parody of Manhattan depicted as a lawless hellhole). Furthermore, the movie seems to condemn Communistic/fascistic big government in the form of King Koopa (a human-looking dictator loosely based on Bowser, the turtle-dragon hybrid who serves as the main villain of most Super Mario games). The aforementioned lawlessness of Dinohattan is heavily implied to be caused by King Koopa's using liberal values and big government (à la Scar from ''The Lion King'') to grossly mismanage the location to such an extent that he and his minions ran out of resources after taking over Dinohattan via a coup and "reformed" it into a people's republic with false elections. To some extent, the movie condemns evolution and social Darwinism: although the backstory does involve dinosaurs evolving into humanoid creatures since they were sent to a separate dimension from that of humans, only the villains focus on this aspect and thus want to eliminate true humans.

All that aside, the film was largely panned and recouped less than half its budget at the box office, and it is considered one of the more infamous examples of the inherent difficulties of adapting a video game into a film. Effectively, ''Super Mario Bros.'' scared Nintendo into never allowing the West to make another film based on any one of its game franchises or letting Disney have any direct role in any of its franchises besides distributing games based on them, instead granting Universal Studios the rights to build a Nintendo theme park at Universal Studios Orlando; and it ruined the directorial careers of Rocky Morton and Annabel Jankel. Making the film took its toll on the actors, too, particularly Bob Hoskins (Mario), who stated in an interview years later that it was "…the worst thing I ever did", noting that he was stabbed four times, electrocuted, injured in one finger, and almost drowned during production. Likewise, in an autobiography, John Leguizamo (who played Luigi, Mario's younger brother) dedicates an entire chapter to the horrors of working on ''Super Mario Bros.'' and comments that he and Hoskins drank heavily during breaks to deal with the traumatic experience. Among the handful of editing errors is a specific shot that shows one of Koopa's guards slipping on slime that wasn't even present originally when the Mario Bros. revolted. This was the result of a deleted scene where Koopa, both due to his germophobic nature and as a further demonstration of the de-evolution chamber's properties, executes a technician by de-evolving him into primordial ooze for sneezing in his presence, explaining where the slime came from.
|$20.9 million
|-
|''Toy Soldiers''
|1991
|R
|Trouble making boys at a boarding school must wise up and fight as their school is taken over by terrorists. However, the script is weak and borrows elements of ''Die Hard'' and ''Red Dawn''.
|$15,073,942
|-
|''Under Siege 2: Dark Territory''
|1995
|R
|Casey Ryback, while on a train with his niece, Sarah, gets caught in the middle of another hijacking as the train is taken over by ex-military American mercenaries led by Marcus Penn. Their employer, Travis Dane, is a former weapons designer who uses the train as a mobile base to hack into his creation, the WMD satellite Grazer One, and use it to destroy Washington DC. Dane and Penn are revealed to have an extensive network of contacts with America's worst enemies, who pay them lots of money for their terrorist activities and Dane is especially amoral and depraved. He is willing to destroy a chemical weapons plant in Guanzhou, China, killing thousands, just to demonstrate the power of his weapon. He then uses it to destroy an entire passenger airplane just to kill a customer's ex-wife for extra money.

The film overall depicts Ryback's heroism in a positive light and the villains' treachery and depravity in a negative light like the first movie. It also has a pro-family theme demonstrated by Casey's relationship with Sarah as well as Casey's regret for not making amends with his brother before his brother's death. However, it's very derivative of the first film, and also has an anti-WMD message with Grazer One and Tom Breaker's line "Sane people do not build weapons like this."
|$104,324,083
|-
|''The Wild''
|2006
|G
|The main moral is that character and strength comes from within, and that it does not matter where one comes from, to achieve this. This is also a pro-family film about a father of the lion who along with his animal friends goes to search for his son after he is accidentally taken away. The villains of the movie are wildebeests that are trying to change the food chain, by planning to eat the lions, and one could argue this could give the film anti-environmentalist message. However the movie did receive poor reviews, and the movie’s main plot about Central Park Zoo animals that go on adventures was unfavorably compared to the more successful and politically neutral animation film ''Madagascar'' which had been released the year before.
|$37,384,046
|-
|}

== References ==
<references/>

== See also ==
*[[Essay:Worst Liberal Movies]]
*[[Essay:20 Greatest Conservative Movies of the Last 20 Years]]
*[[Essay:Greatest Conservative Songs]]
*[[Essay:Greatest Conservative TV Shows]]

{{Conservatism}}

[[Category:Essays about Conservatism]]
[[Category:Hollywood]]
[[Category:Greatest Conservative Movies]]
[[Category:Movies]]
{{DEFAULTSORT:Greatest Conservative Movies}}

Essay:Worst Liberal Movies

2019-05-26T02:56:03Z

SaltLakeCityLover: Added a film

While a good amount of [[Essay:Greatest Conservative Movies|great conservative films]] is produced every year, [[Hollywood values|Hollywood]] continues to produce films that attempt to normalize and aggrandize amoral lifestyles and liberal bias. Below is a list of some of the more outrageous examples:

==Politically liberal live-action films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)

|-
|''The 5th Wave''
|2016
|PG-13
|The military consists of evil aliens in what was overall a failed franchise that couldn't get on the recent young adult book-to-film bandwagon.
|$34,912,982
|-
|''Alien'' Franchise
|1979-2017
|R
|This pro-feminist, anti-capitalist film franchise was originated by atheist Ridley Scott. The first film was proven to be alarmingly similar to the 1965 film ''Planet of the Vampires'',<ref>https://www.youtube.com/watch?v=IzToy-Tjz5g</ref> but since it fitted the left's agenda, they didn't care and gave it biased reviews anyway. The second film, ''Aliens'', is an anti-Vietnam statement<ref>https://www.youtube.com/watch?v=T543J2L-gXU</ref> and, just like its predecessor, copies another previous feature (in this case, the 1954 film ''Them!''<ref>https://www.youtube.com/watch?v=SVoX-C9J4Zk</ref>).
|$515,930,723 (all together)
|-
|''All the Way''
|2016
|TV-14
|The 2016 HBO film based on the presidency of Democrat [[Lyndon B. Johnson]] is a good example of a historical revisionist film, palatable for liberals' regressive dominion of the media. Liberals seized the opportunity with the film to distort history in order to hold Johnson in high regard and also ignored many of the President's faults, including his racism, the War on Poverty and how it created a welfare state which, by design, destroyed untold numbers of African American families.
|
|-
|''American Psycho''
|2000
|R
|Don't be fooled by the false patriotic title. It's the most [[Anti-American]] film you'll ever see because it attempts to pass a stockbroker off as a secret serial killer.
|$15,070,285
|-
|''Assault on Wall Street''
|2013
|R
|Uwe Boll (often referred to as the worst director of this generation and known for his furious, vulgar, and spiteful responses to negative reception)<ref>https://www.quora.com/Why-is-Uwe-Boll-considered-one-of-the-worst-film-directors-in-history</ref><ref>https://www.youtube.com/watch?v=-BvLQb2uwW4</ref> makes one of the most historically inaccurate modern films that blames capitalism for the [[Recession of 2008|Great Recession]] and the downfall of the everyday man's life. The film plays out like an angry middle school boy's fan fiction revenge story, in which all the bankers are summarily executed (as in the [[Russian Revolution]]). Boll has said how "We need to ****ing kill the rich", which only shows how uneducated he is.<ref>https://www.youtube.com/watch?v=qQJwEAqzFs4</ref>
|
|-
|''Apocalypse Now''
|1979
|R
|This overindulgent, anti-war diatribe portrays the American military as corrupt, incompetent [[drug addiction|drug-users]].
|$78,784,010
|-
|''Battleship Potemkin''
|1925
|NR
|This silent Communist film heralds the Soviet Revolt on the Tsarist Russian battleship ''Potemkin''. When mutinying, the sailors murder a Christian chaplain aboard, which is shown as an act of "heroism".
|N/A
|-
|''The Big Green''
|1995
|PG
|The movie had one of the characters blame "Reaganomics" for the lack of job opportunities in the town and also one of the team's players was an anchor baby. In the end, one of the coaches, who was a sheriff in Texas, was able to get the player and his illegal mother a way to stay. So it was also favorable toward illegal immigration.
|$17,736,619
|-
|''The Birth of a Nation''
|1915
|N/A
|This infamously racist film, once the longest ever made, begins by documenting the [[American Civil War]], then depicts the [[Ku Klux Klan]] as "heroes" who vanquish people of color, who are black racial stereotypes, from political positions and from their lawful right to vote (the KKK was founded by the Democrat Party, even though the Left has repeatedly tried denying the connection between the two). It was the first ever film to be shown at the White House under Democrat President [[Woodrow Wilson]], and it significantly influenced his already-racist core to segregate the White House and various departments.
|
|-
|''Blue State''
|2007
|R
|What looks like a romantic comedy actually encourages the false idea that [[liberalism]] must be established and conservatism abolished in America, as the main character follows up on his absurd vow to move to Canada if [[George W. Bush]] is re-elected president.
|
|-
|''Bob Roberts''
|1992
|R
|This anti-conservative propaganda piece, directed by leftist Tim Robbins and released during the 1992 election, has a similar premise to that of ''The Candidate'' and denigrates conservatives.
|$4,479,470
|-
|''Born on the Fourth of July''
|1989
|R
|This radically anti-[[Vietnam War]] biographical film was produced and directed by Communist sympathizer and twice wounded Vietnam War veteran Oliver Stone, starring Tom Cruise as paralyzed Vietnam War vet-turned-anti-Vietnam War leftist protester and Communist sympathizer [[Ron Kovic]].
|$70,001,698
|-
|''Bushwick''
|2017
|TV-MA
|The dystopian thriller features Red State dwellers (depicted as racist) declaring war on Hipster Brooklyn.
|N./A
|-
|''The Butler''
|2013
|PG-13
|[[Ronald Reagan]] is falsely portrayed as indifferent toward apartheid in South Africa; Nancy Reagan is played by anti-American traitor Jane Fonda, and staunch feminist Oprah Winfrey plays Cecil's wife.
|$116,632,095
|-
|''The Candidate''
|1972
|PG
|This "comedy" fails to be a political satire as it fails to lampoon both sides of the coin and supports [[George McGovern]] at every turn. It was released during the 1972 election year as a smear campaign against [[Richard Nixon]] and his conservative colleagues. Conservative star [[James Stewart]] refused to star in it for that reason.<ref>https://www.imdb.com/title/tt0068334/trivia?ref_=tt_trv_trv</ref>
|
|-
|''[[Capitalism: A Love Story]]''
|2009
|PG-13
|Michael Moore, staying true to his propaganda film format, relentlessly attacks America's [[capitalist]] [[economy]] with claims of alleged financial inequality.
|$14,363,397
|-
|''Casualties of War''
|1989
|R
|This anti-Vietnam war statement film starring Sean Penn involves a gang of American soldiers raping a Vietnamese woman. This paints America soldiers as the bad guys while failing to acknowledge how the Viet Cong, Khmer Rouge, and other Communist Insurgents did the same thing to a far larger scale.
|$18,671,317
|-
|''Che''
|2008; 2009
|NR
|As implied by the name, the film is a two-part biopic for the Argentine Marxist terrorist and mass murderer [[Che Guevara]], who is treated sympathetically as a "martyr" for Communism.
|US$40.9 million
|-
|''The China Syndrome''
|1979
|PG
|A fictional [[nuclear power]] plant melts down. The film greatly over-hypes this risk of a [[nuclear accident]] (or meltdown) and the resultant damage. This film, along with the [[Three Mile Island]] incident (which occurred shortly after the film's release), are both credited for killing the nuclear power industry in America.
|$51,718,367
|-
|''A Clockwork Orange''
|1972
|X
|Revels in sex and violence and mocks Christian prison education. Depicts police as thugs recruited from street gangs.
|
|-
|''The Contender''
|2000
|R
|This film about the 2000 presidential election is little more than a pro-[[Al Gore]] propaganda piece by liberal studio executives and [[Hollywood values]]. Conservative star Gary Oldman also told IGN that the film was to supposed to be apolitical, but it was edited to vilify Republicans.<ref>http://www.ign.com/articles/2001/02/26/interview-with-gary-oldman</ref>
|$17,872,723
|-
|''Das Boot''
|1981
|R
|This anti-American war film looks at [[World War II]] from the Nazi perspective.
|$11,487,676
|-
|''Day of the Dead''
|1985
|R
|Liberal scientists who plan to tame zombies are the "heroes", while the common sense conservative soldiers (whose plan is to euthanize them all) are the "villains".
|$5,000,000
|-
|''Dawn of the Dead''
|1978
|R
|Besides containing outbursts of graphic violence, this stand-alone sequel to George A. Romero's ''Night of the Living Dead'' is against capitalism because the consumers are zombies.<ref>https://www.youtube.com/watch?v=9487PyyblpQ</ref> The 2004 Zack Snyder-directed remake abandoned this.
|$55 million
|-
|''Dead Man Walking''
|1995
|R
|It senselessly criticizes [[capital punishment]] with an ending that left some liberal viewers even more confused.
|$39,363,635
|-
|''The Devil's Backbone''
|2001
|R
|Promotes the Communistic Spanish Loyalists in the Spanish Civil War as "good guys" while demonizing [[Francisco Franco]]'s forces. These themes, promoted by Marxist director Guillermo del Toro, were later expanded upon in ''Pan's Labyrinth''.
|US$6.5 million
|-
|''The Dictator''
|2012
|R
|A Middle Easterner takes over America in this raunchy, vulgar "comedy" straining for controversy.
|$59,650,222
|-
|''Dogville''
|2003
|R
|An [[Anti-American]] propaganda film.
|$16,680,836
|-
|''Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb''
|1964
|NR
|Loosely based on Peter George's 1958 thriller novel ''Red Alert'', this black comedy is against war, the military, and nuclear weaponry and tries to downplay the seriousness of Cold War-era fears of a nuclear apocalypse.
|$9.4 million in North America
|-
|''The Eternal Jew''
|1940
|NR
|This anti-Semitic Nazi propaganda film was made with direct input from Adolf Hitler, who made sure the anti-Semitism was as blunt and direct as possible. Most audiences were shocked at the crudity of the messages.
|Unknown
|-
|''Fahrenheit 9/11''
|2004
|R
|A [[Michael Moore]] movie, which distorts the tangential link between the [[Bush]] family and the [[Bin Laden]] family. The title was also taken from ''[[Fahrenheit 451]]'', a book that warned people about book burnings, proving that not only do liberals steal titles from other works, but aren't even creative on how to have the titles directly connect to their works.
|$119,194,771
|-
|''Fair Game''
|2010
|PG-13
|Another Bush bash flick starring [[Communist]] Sean Penn. 2010 film rehashes the lead up to the [[Iraq War|war in Iraq]] and [[Valerie Plame]]'s role. It's a typical un-American Hollywood film with "The narrative that [[Karl Rove]] and [[Dick Cheney]]'s Chief of Staff [[Scooter Libby]] were nefarious behind-the-scenes players intent on destroying innocent reputations while pushing the nation into war on false pretenses." There's also no mention of Iraq Liberation Act which was signed by [[Bill Clinton]] five years before the war in Iraq.
|$9,540,691
|-
|''Fire Down Below''
|1997
|R
|Steven Seagal plays a Gary Stu-like role in this environmentalist feature.
|$16,228,448
|-
|''[[Frost/Nixon]]''
|2008
|R
|As implied by the title, it attempts to further tarnish the reputation of [[Richard Nixon]].
|$18,622,031
|-
|''Game Change''
|2012
|Not Rated
|[[Liberal]] haters play [[conservative]]s in an [[HBO]] film about [[Sarah Palin]]. Many debunked controversies are highlighted in the plot. Both [[John McCain|McCain]] and Palin denounced the film and called it fiction.
|NA - TV
|-
|''God Bless America''
|2011
|R
|Despite its name the movie is a rip-off of the conservative film ''Falling Down'', this "comedy" has a miserable man and his foul-mouthed [[nihilist]] girl sidekick summary executes [[Tea Party]] members, a Fox News like-host, Christians, and other conservative stereotypes.
|$123,000
|-
|''The Good Shepherd''
|2006
|R
|Despite covering the founding of the CIA, the film was extremely anti-CIA in its messaging, where it doubles down on making the CIA look as bad as possible and overemphasizes on CIA failures such as the Bay of Pigs invasion and their experimenting with LSD, while conveniently ignoring the crimes the KGB and similar intelligence agencies within the Soviet bloc.<ref>https://pjmedia.com/lifestyle/2013/8/9/the-5-most-destructive-political-ideas-in-matt-damons-movies/</ref>
|$99.5 million
|-
|''Green Zone''
|2010
|R
|Is extremely anti-War on Terror to such an extent that it comes across as blatantly anti-American, as it repeats the falsehood that Pentagon officials lied about there being WMDs in Iraq simply so they could gin up a war in the Middle East (completely ignoring that various other intelligence agencies, including even France, a country that didn't even want a War with Iraq, acknowledging that Saddam had WMDs), and even had the main villain, who was modeled after Donald Rumsfeld, sending assassination teams against those in the know about the conspiracy. The film even went as far as to portray Iraqi terrorists as the "good guys". The film was also notorious as being Universal Studios' biggest box office bomb as a result.<ref>https://pjmedia.com/lifestyle/2013/8/9/the-5-most-destructive-political-ideas-in-matt-damons-movies/3/</ref>
|$94.9 million
|-
|''Hidden Agenda''
|1990
|R
|Depicts the [[IRA]] oppressed freedom fighters while painting the Unionists as monsters. The film also doesn't speak highly of [[Margaret Thatcher]] either.
|
|-
|''Independence Day: Resurgence''
|2016
|R
|Although it is the sequel to the patriotic and to a certain extent conservative film ''Independence Day'', it does not at all reference the concepts of patriotism, American exceptionalism, or even national sovereignty. Instead, most of the movie seems to support globalism, and Doctor Okun is revealed to be a homosexual despite such never being implied in the original film. Forced multicultural elements are present as well.
|$389.7 million
|-
|''JFK''
|1991
|R
|This historically inaccurate account on President John F. Kennedy's assassination serves liberal filmmaker Oliver Stone's insanely fanatic conspiracy theories. For example, the filmmaker pinpoints the blame to the "real murder" of Kennedy: the conservative politicians, the U.S. Military, and then-Vice President Lyndon B. Johnson, all of whom want America to go to war in Vietnam because Kennedy rejected the American involvement. Stone described the film as a "counter-myth" to the Warren Commission's "fictional myth."
|$70,405,498
|-
|''Lolita'' (1997 film)
|1997
|R
|The second film to be based on Vladimir Nabokov's infamous novel, the first being by Stanley Kubrick. However, in contrast to the very tame Kubrick version (limited only by the censorship of it's day), this version indulges with the gratuitous sexuality that made the book so controversial. The story portrays the relationship of Lolita and Humbert as a beautiful romance. Also, as implied by the tagline of the film's poster, the main message is that "Age is Just a Number".
|$1.1 million
|-
|''The Lone Ranger''
|2013
|PG-13
|This attack on [[capitalist]]s and the [[military]] portrays the former as ruthless, greedy railroad executives and the latter as "thugs" who support their actions. It distorts the messages of its source material by displaying the [[Lone Ranger]], shown to be a smart intellectual character in the original TV and radio serials, as dumbfounded and unintelligent, instead featuring his sidekick [[Tonto]] (played by [[liberal]] [[marijuana|pot]]-smoker [[Johnny Depp]]) not only as the "star" of the film but as the Lone Ranger's "voice of reason", too.
|$89,302,115
|-
|''Love, Simon''
|2018
|PG-13
|This coming-of-age film is an attempt by Hollywood to create a "family friendly", pseudo-conservative take on the gay romance genre. While in theory this sounds less objectionable than most offerings of this kind, it could also be considered more deceptive and dangerous. This is because it obscures the uglier, raunchier aspects of the gay lifestyle in order to create a very misleading, "heartwarming" fantasy of gay life and relationships.
|$66.3 million
|-
|''The Magnificent Seven'' (2016 film)
|2016
|PG-13
|This remake of a Western about seven vigilante gunfighters out to save a peaceful Mexican farming village from marauders (itself an adaptation of the Japanese cinematic classic ''Seven Samurai'') suits the left agenda, as capitalists are the "villains".<ref>http://missliberty.com/magnificent-seven-remake-is-angry-radical-fantasy/</ref>
|$93,145,387
|-
|''Manderlay''
|2003
|R
|[[James Caan]] refused to star in this anti-American sequel to ''Dogville'', describing director Lars von Trier as anti-American and stated that he himself is an "ultra-conservative".
|$674,918
|-
|''The Matrix'' trilogy
|1999 (''[[The Matrix]]''); 2003 (''The Matrix Reloaded'' and ''The Matrix Revolutions'')
|R
|A hacker discovers his world is a replica of the world as it was before a cataclysmic future event in which intelligent machines took over humanity, so he joins a resistance to end the machines' reign. Despite this salvation narrative, the whole trilogy glorifies anarchism and [[nihilism]] (even including a brief nod to [[Jean Baudrillard]]'s "On Nihilism" chapter from Simulacra and Simulation), hinting several times towards a pro-Communist, anti-American, [[anti-Christian]] view. The second film's Architect scene tries to give a "devastating critique/twist" to salvation myths, with the Architect as a malevolent allegorical substitute for the Christian [[God]]. In this same scene, a panel of screens implicitly compares [[George W. Bush]] to Hitler during a discussion of evil in the world, and it features wars and conflicts specifically involving America. In fact, far-[[leftist|Left]] [[race-baiting]] scholar Cornel West was hired to play a role in the film specifically because the [[The Wachowskis|Wachowski Brothers]] (as they were known at the time) were influenced by his pro-socialist/Communist and anti-American rhetoric. The first film's throwaway dialogue between the main villain Agent Smith and the treasonous freedom fighter Cipher is a shallow attempt at insulting [[Ronald Reagan]] because Smith implies that Cipher will become the next Ronald Reagan should he succeed in betraying his allies to the agents. The trilogy's overall depiction of religion is closer to Gnosticism, even with Neo, the main protagonist, presented as a savior-figure. The Wachowskis openly admitted in an interview that they deliberately modeled the entire story after Friedrich Nietzche's writings.<ref>http://www.equip.org/article/the-matrix-unloaded-revelations/</ref><ref>Peter Bart, “Cracking the Wachowski’s Code,” Variety.com, May 25, 2003.</ref> The trilogy has been cited as the cause for various murders, ultimately leading to a variant of the [[insanity defense]] known as the Matrix Defense<ref>https://www.cnn.com/2003/LAW/05/21/ctv.matrix.insanity/</ref>, and it shares similar themes to the [[Worst Liberal Video Games|Worst Liberal Video Game]] ''Metal Gear Solid 2: Sons of Liberty'' because Hideo Kojima confessed that he intended to use the same themes for the game.<ref>https://web.archive.org/web/20130328062143/http://www.gamespot.com/news/hideo-kojima-speaks-about-the-matrix-2448486</ref>
| $592,370,339 (all together)
|-
|''Midnight in Paris''
|2011
|PG-13
|The main character, a liberal author, is open-minded and intellectual. He has an unsuccessful relationship with a woman whose family is Republican and are depicted as being "materialistic", "selfish", "narrow-minded" and "hateful" towards any country that is not the United States.
|$56,816,662
|-
|''Milk''
|2008
|R
|Sean Penn portrays openly homosexual politician [[Harvey Milk]] in this biography.
|$31,841,299
|-
|''The Motorcycle Diaries''
|2004
|R
|Walter Salles directs this fawning monument to [[Communist]] terrorist and mass murderer [[Che Guevara]].
|$16,781,387
|-
|''The Naked Gun 2½: The Smell of Fear''
|1991
|15
|The more openly liberal sequel to the apolitical ''The Naked Gun: From the Files of Police Squad!'' pushes environmentalism and attacks productive businesses, especially the oil industry.
|$86,930,411
|-
|''[[Night of the Living Dead]]''
|1968
|R
|This independent horror abomination by George A. Romero vilifies [[nuclear energy]], as nuclear fallout from an exploding space probe in Earth's atmosphere is said to be the cause of the recently deceased becoming reanimated. In addition, it negatively portrays police officers as racist: a group of officers kills Ben, the African American protagonist, when they mistake him for one of the dead, which Romero intentionally chose to have happen to accuse the police of being behind racial lynchings. Had two [[sequel]]s , ''Dawn of the Dead'' (1978 Italian) and ''Day of the Dead'' (1985).
|
|-
|''Nixon''
|1995
|R
|This historically inaccurate biography of [[Richard Nixon]] is directed by liberal filmmaker [[Oliver Stone]].
|$13,681,765
|-
|''Okja''
|2017
|N/A
|This environmentalist propaganda piece vilifies capitalists and essentially plagiarizes the Buster Keaton classic ''Go West''.
|
|-
|''On Deadly Ground''
|1994
|R
|The film demonizes the oil industry as greedy and unsympathetic while praising the [[EPA]].
|$38,590,458
|-
|''Pan's Labyrinth''
|2006
|R
|Aside from it promoting paganism and the occult, it also demonized [[Francisco Franco]]'s Spain and promoted the Spanish Republicans from the Spanish Civil War due to it being made by Marxist director [[Guillermo del Toro]].<ref>https://www.richardsilverstein.com/2007/01/19/pans-labyrinth-allegory-of-spanish-civil-war/</ref>
|$83.3 million
|-
|''The Post''
|2017
|R
|An obvious promotion of the leaking of the ''[[Pentagon Papers]]''. It treats the liberal journalists who committed the leaking in a positive light, while depicting Nixon in a negative light (despite Nixon never being responsible for the Pentagon Papers in the first place, and it being done under the auspices of Democrats JFK and LBJ).
|$179.8 million
|-
|''Recount''
|2008
|Not Rated
|The 2008 [[HBO]] movie on the [[United States presidential election, 2000|2000 Presidential election]] and its aftermath in [[Florida]], presented from a [[Liberal bias|liberal-biased]] viewpoint. A look into how [[Democrats]] and their [[Mainstream media|liberal media]] supporters claim the [[Republicans]] "stole" the [[election]] and the alleged role of its party members that the Democrats claim "made it happen" (although in reality, it was the Democrats themselves who tried to steal the election for their candidate [[Al Gore]] [[United States presidential election, 2000#Recount|by attempting to commit vote fraud in Florida through ordering selective recounts in Democrat-friendly areas while ignoring Republican-strong areas]], only to be stopped when the US Supreme Court ruled the Democrats' end-run attempt around election rules to be illegal). Republicans are portrayed as ghoulish and cited as manufacturing demonstrations. Both the real [[Warren Christopher]] and [[James Baker]] contend the film's portrayal of the former is hopelessly untrue.
|NA - TV
|-
|''Redacted''
|2007
|R
|Brian De Palma’s 2007 fictional anti-Iraq War film funded by Mark Cuban. The film is credited with inspiring a [[terrorist]] attack that killed two U.S. servicemen in [[Germany]].
|$65,388
|-
|''Reds''
|1981
|PG
|As a biographical film on the life of notorious American [[Communist]] journalist John Reed, ''Reds'' is a sentimental and overly romanticized portrait of [[Communism]], [[humanism]], and [[anarchism]].
|$40,382,659
|-
|''The Return of the Living Dead''
|1985
|R
|In another stand-alone sequel to ''Night of the Living Dead'', the military is supposedly responsible for the release of a toxin that turns people into zombies. The military is also shown to be inconstant, as they "fix" this by nuking the city of zombies. An anti-[[Ronald Reagan|Reagan]] statement some may say (the Left feared that Reagan would create nuclear holocaust, which is present in this film).
|$14,237,880
|-
|''Robocop''
|1987
|R
|Left-wing smut-peddler Paul Verhoeven's failed attempt to depict all police forces and corporations as evil. It also contains an [[environmentalism|environmentalist]] message with the "6000 SUX," a car that pollutes and guzzles gas for no other reason than to be environmentally unfriendly. Verhoeven is also a member of the Liberal [[Jesus Seminar]], which also inspired him to make the movie a grotesque parody of Christ's resurrection.
|
|-
|''Sacco e Vanzetti''
|1971
|UR
|As implied by the title, the film acts as a biopic of the anarchist murderers [[Sacco and Vanzetti]], with them being portrayed in a sympathetic light. In addition, the [[Essay:Worst Liberal Song|Worst Liberal Song]] "Here's to You", also dealing with the two anarchists in a similar light, was released with this movie as part of its soundtrack.
|N/A
|-
|''Shoot 'Em Up''
|2007
|R
|An anti-second amendment film, the so-called "hero" is a [[nihilist]] and the "villains" are trying to defend gun rights and the Second Amendment.
|$12,807,139
|-
|''Short Circuit''
|1986
|PG (Should be PG-13)
|On top of just being an blatant ''E.T.'' rip-off, ''Short Circuit'' also downgrades the military (or the Reagan Administration in general).
|$40,697,761
|-
|''[[SiCKO]]''
|2007
|PG-13
|Another Michael Moore film which spread many falsehoods about American [[healthcare]] while unduly glorifying the so-called benefits of [[socialized medicine]] such as now found in [[Obamacare]]. Memorably referred to [[Cuba]]n healthcare as being "better" than American healthcare.
|$24,540,079
|-
|''The Siege''
|1998
|R
|Don't be fooled by the fact that Bruce Willis is in it. Willis plays the antagonist, an Army general who institutes martial law in New York City after a wave of terrorist attacks. Portrays Muslims as the "victims" while demonizing the military.
|$40,932,372
|-
|''Star Trek: Into Darkness''
|2013
|PG-13
|Aside from it being a blatant ripoff on ''Star Trek II: The Wrath of Khan'' in terms of plotline, the film also has several anti-War on Terror messages, as indicated by both Benedict Cumberbatch and Simon Pegg.<ref>https://pjmedia.com/lifestyle/2014/2/22/4-ways-star-trek-into-darkness-shills-for-surrender-in-the-war-on-terror/</ref>
|$467.4 million
|-
|''Süss the Jew''
|1940
|NR
|Anti-Semitic Nazi propaganda film, that was notorious for it successfully pushing the anti-Semitic agenda throughout Nazi Germany via a subtle method.
|Unknown.
|-
|''Syriana''
|2005
|R
|Is anti-War on Terror, with the film heavily implying that Saudi Arabia was in the middle of liberal reforms that America interfered with due to oil businessmen (despite the exact opposite being true).<ref>https://pjmedia.com/lifestyle/2013/8/9/the-5-most-destructive-political-ideas-in-matt-damons-movies/4/</ref>
|$94 million
|-
|''They Live''
|1988
|R
|Capitalists are portrayed as evil aliens planning to rule the world. The director John Carpenter also claimed in interviews that the film was anti-[[Ronald Reagan]]<ref>http://herocomplex.latimes.com/movies/john-carpenter-they-live-was-about-giving-the-finger-to-reagan/#/0</ref>
|$13,008,928
|-
|''The Thomas Crown Affair''
|1968
|R
|Supports the claim that capitalism causes crime.
| $14 million
|-
|''Tomorrowland''
|2015
|PG
|Don't let the fact that the film had basis on the theme park proposed by [[Walt Disney]] fool you. The film was anti-capitalist and pro-liberal/progressive values propaganda with it pushing the exact opposite messages that Disney himself wanted to impart. Bill Whittle, when reviewing the film, even mentioned that had he still been alive and saw the film, Disney would most likely have torn up his proposal for [[Disneyland]] and proceeded to drink himself to death in despair of what the film claimed his idea was.<ref>https://www.youtube.com/watch?v=gmxeoh69G4o</ref>
|$209.2 million
|-
|''Tout va Bien''
|1972
|NR
|[[Jane Fonda]] "art film" directed by [[Jean-Luc Godard]], who was notoriously anti-American and idolized [[Karl Marx]], is nothing more than a propaganda film for Communism, as it sympathizes with the youths who partook in the [[May 1968 riots|May 1968 Communist uprisings]] in [[France]] and features blunt anti-American imagery.
|
|-
|''Triumph of the Will''
|1935
|N/A
|The world's most infamous Nazi propaganda film (even though the Left denies it, the Nazis were in truth left wing National Socialists).
|
|-
|''Trumbo''
|2015
|R
|Dalton Trumbo, one of the Hollywood Ten who was jailed for his Communist beliefs, is portrayed as a free-speech martyr, and a "champion" of the First Amendment. All of his controversial beliefs are whitewashed, including his support of Lenin, Hitler (until the Nazi-Soviet Pact fell), Kim Il-Sung, and, of course, Stalin. Conversely, anti-Communists such as John Wayne, Hedda Hopper, Robert Taylor, Roy Brewer, the House Un-American Activities Committee (HUAC), and the Motion Picture Alliance for the Preservation of American Ideals (MPA) are falsely portrayed as "hateful", "oppressive", and anti-free-speech.
|$7,857,741
|-
|''Truth''
|2015
|R
|Highly fictionalized political docudrama about the Killian documents controversy meant to further tarnish the reputation of [[George W. Bush]]. The film was not approved by current CBS President and CEO Leslie Moonves and CBS refused to air advertisements for the film due to its, as the network stated, "inaccuracies and distortions".
|$2,541,854
|-
|''V for Vendetta''
|2005
|R
|Blatantly glorifies [[anarchism]], [[socialism]], [[Communism]] and [[homosexuality]].
|$70,511,035
|-
|''Vice''
|2018
|R
|Made by Socialist filmmaker Adam McKay, this movie exists solely to ridicule American patriot [[Dick Cheney]] and lies about his legacy, portraying him as an unlikable sociopath without morals.
|$75,500,000
|-
|''[[W.]]''
|2008
|PG-13
|A movie designed to denigrate the role of [[Christianity]] in U.S. [[politics]] and particularly in the life of [[George W. Bush]].
|$25,534,493
|-
|''White House Down''
|2013
|PG-13
|Mocks conservatives with a liberal plot twist that makes the [[TEA Party]] out to be "terrorists". This movie was made by uber-liberals to counter great conservative film; ''Olympus Has Fallen'', which depicts North Korean terrorists as the bad guys.
|$73,103,784
|-
|''Winchester''
|2018
|PG-13
|Based loosely on the Winchester Mystery House in San Jose, California. The film focuses more on its anti-gun message than the actual paranormal events.<ref>https://www.newyorker.com/culture/richard-brody/winchester-confronts-the-american-curse-of-firearms</ref>
|
|-
|''Z''
|1969
|R
|Liberal propaganda that blames the [[military]] for liberal wrongdoing.
|$14,283,305
|-
|}

==Socially liberal live-action films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''4 Months, 3 Weeks, and 2 Days''
|2007
|NR
|This Romanian film baselessly supports [[abortion]]. Liberals praised it when it won the Palme d'Or at the Cannes Film Festival.
|$1,198,208
|-
|''American Pie''
|1999
|R
|The first installment of a long-running film franchise primarily dealing with teenage sex and alcohol relies on jokes about sex and bodily functions, even treating date rape as "funny".
|$102,561,004
|-
|''Animal House''
|1978, full title ''National Lampoon's Animal House''
|R
|This college "comedy" glorifies [[alcohol abuse]], debauchery, [[nihilism]], extramarital sex, and all varieties of youthful rebellion. The dean, played by John Vernon, suggests that being "Fat, drunk and stupid, son, is no way to go through life" to one of the rebellious youth representing the rowdy Delta Tau Chi fraternity, but he's depicted as the villain because of that. After the Delta boys are finally punished by being collectively expelled from college, they exact their revenge by sabotaging a homecoming parade and do not face punishment for such a great misdeed. Even so, the film's "hero", portrayed by one of Hollywood's most amoral actors ever, John Belushi, goes on to become a U.S. Senator, which is passed off as humorous.
|$141,600,000
|-
|''Atomic Blonde''
|2017
|R
|This Cold War film's major themes are feminism, the LGBT agenda, and racism against those with dark hair and eyes.
|$51,573,925
|-
|''[[Avatar (film)|Avatar]]''
|2009
|PG-13
|The highest-grossing feature in history, directed by liberal James Cameron, enforces many destructive messages, including [[environmentalism]], [[feminism]], and the absurd claim that nature is God. It also ridicules the military and large businesses. To make matters worse, the protagonist forms a rather creepy romance with the native princess, who is of another species, perhaps a symbol for bestiality. The overall plotline hints at endorsing environmental terrorism, which Cameron indicated that he himself supported.
|$760,507,625
|-
|''Bad Santa''
|2003
|R
|Lots of coarse language, sexual escapades, drunkenness, and also the main plot involved a con man posing as a Mall Santa so he and his dwarf accomplice can rob the mall's safe. It was bad enough that critics panned Disney for allowing the trashing of a cultural icon like Santa Claus as well as even then-Disney CEO, Michael Eisner, to be disgusted with the resulting film, acting as one of the main reasons for Miramax being cut loose from Disney alongside ''Kill Bill''.
|$60 million
|-
|''Bad Santa 2''
|2016
|R
|This sequel follows the already revolting ''Bad Santa''. Miramax, which distributed this movie as well as its predecessor, was acquired in 2016 by beIN Media Group, which is owned by Islamic propaganda channel [[Al Jazeera]].
|$23.2 million
|-
|''Bad Teacher''
| 2011
|R
|Cameron Diaz stars as an awful high school teacher, who is always getting high and drunk, tries to get breast-implant surgery, and encourages cheating and stealing from her students. The movie contains no [[morals]] and is filled with offensive sexual content.
| $100,292,856
|-
|''Beginners''
|2011
|R
|Promotes homosexuality and "[[coming out of the closet]]".
|$5,790,894
|-
|''Being John Malkovich''
|1999
|R
|This biopic celebrates homosexuality and includes a large amount of vulgar humor.
|$637,721
|-
|''Ben & Arthur''
|2002
|
|As the title suggests, this is a pro-homosexual propaganda movie which also portrays Christians as "hateful bigots". The film has the reputation of being one of the most hated homosexual movies by critics and audiences alike, even among homosexuals. Wikipedia also acknowledges this, as this movie is on the page "List of movies considered the worst". Was a major box-office bomb.
|$40,000
|-
|''[[The Big Lebowski]]''
|1998
|R
|Glorifies [[drug abuse]], laziness, and [[nihilism]].
|$17,451,873
|-
|''Billy Elliot''
|2000
|R
|This British film stars a boy who represents the homosexual agenda by wanting to be a ballet dancer rather than play sports. There are very poor family values as the family is constantly cursing at one another.
|$21,995,263
|-
|''Bio-Dome''
|1996
|PG-13
|It's a stoner film with an environmentalist theme.
|$13,427,615
|-
|''The Birdcage''
|1996
|R
|Yet another pro-[[homosexual agenda]] and conservative bashing film.
|$124,060,553
|-
|''Blow''
|2001
|R
|Glorifies the life of drug dealer, and suspected murderer, George Jung.
|$52,990,775
|-
|''Blue is the Warmest Color''
|2013
|NC-17
|This French film supports the [[homosexual agenda]] by graphically showing lesbian sex and falsely idealizing the concept that homosexuals can be sound mentors to young children. At the Cannes Film Festival, which was headed by liberal [[Steven Spielberg]] and had a board that included ''[[Brokeback Mountain]]'' director, Ang Lee, it was unanimously awarded the top prize. t is widely believed that this victory was due to France's legalization of [[same-sex marriage|same-sex "marriage"]] eight days prior. At least one of the stars of the film admitted that she felt disgusted by her role in it.
|$2,199,787
|-
|Boat Trip
|2002
|R
|This film about two men who accidentally aboard a gay cruise shamelessly promotes the homosexual agenda and presents the attempted sexual assault of a man by a woman as "humorous".
|$15,020,293<ref>https://www.boxofficemojo.com/movies/?id=boattrip.htm</ref>
|-
|''Boogie Nights''
|1997
|R
|A young man journeys through the pornography industry in the 1970s and 1980s and glorifies the exploitation of women.
|$26,400,640
|-
|''Boyhood''
|2014
|R
|Centered on a family raised by a single mother, it downplays the importance a father has on a child's growth and development, mocks conservative Christians, and promotes underage drinking and pot smoking.
|$44,400,000
|-
|''Boys Don't Cry''
|1999
|R
|It glorifies the choice of a young girl to embrace homosexual and transgender life choices, dishonesty, and pre-marital relations. Furthermore, it caricatures and exaggerates natural reactions to her perversion, all in aid of promoting the [[homosexual agenda]].
|$11,533,945
|-
|''[[The Breakfast Club]]''
|1985
|R
|What masquerades as a drama comparing the similar personalities of five seemingly very different teenagers in school detention really promotes the use of drugs, smoking, and extramarital sex. Although it does contain the conservative quote "You ought to spend a little more time trying to make something of yourself and a little less time trying to impress people", it is said by the main villain of the movie, the high school principal.
|$51,525,171
|-
|''[[Brokeback Mountain]]''
|2005
|R
|This nauseating "romance" film proves that [[liberals]] will [[shoehorning|shoehorn]] the homosexual agenda into anything, even Westerns. It was also an early example of production companies dictating film distribution services of what they should distribute to the local level, often against the distributor's own decisions.
|$83,043,761
|-
|''The Brothers Grimsby''
|2016
|R
|This vulgar film is loaded with sex jokes, sex scenes, nudity, one graphic elephant sex scene, and a joke about Donald Trump getting AIDS.
|$6,874,837
|-
|''But I'm a Cheerleader''
|1999
|R
|A lesbian [[public school]] [[cheerleading|cheerleader]] is attracted to other cheerleaders, portraying [[homosexuality]] as a legitimate lifestyle. The film attacks and ridicules [[reparative therapy]] and religious people, and it normalizes lesbians by depicting the star as a girly cheerleader, obviously a forced subversion of the lesbian archetype.
|$2,205,627
|-
|''Call Me By Your Name''
|2017
|R
|The ''[[Brokeback Mountain]]'' of 2017, only this time pedophilia, in addition to homosexuality, is endorsed and displayed as "normal" and "intellectual".
|
|-
|''Caligula''
|1979
|UR (should be NC-17)
|This historical drama about infamous Roman emperor of the same name has been considered the most pornographic movie ever made, which led to it being a critical failure. It has unsimulated scenes of oral and anal sex, incest, and close-ups of the genitalia of both sexes, along with brutal violence. Upon release, several U.S. cities tried to prevent the movie from being played, though liberal courts repeatedly affirmed that it passed the Miller test (claiming that it was not obscene enough to be banned). Some lawyers defending it even lamented that it helped to form a conservative morality, which may have helped Ronald Reagan win the 1980 election.
|$23 million
|-
|''The Cat in the Hat''
|2003
|PG (Should be PG-13)
|This bastardization of an instantly recognizable children's classic, filled with adult humor and pandered to focus groups, is the reason why Dr. Seuss's widow has banned any live-action adaptations of Seuss's works. It won a one-time Golden Raspberry (or "Razzie") Award for "Worst Excuse for an Actual Movie (All Concept/No Content)" and was nominated for eight other Razzies.
|$134 million
|-
|''Chuck & Buck''
|2000
|R
|Debauched independent film about a man who revisits another man he traumatized through sexual grooming as a child. The message is that in some instances, groomers are the real victims and greatly misunderstood because of their need for casual sex. Also, if their victims weren't "brainwashed" by moralistic views about sex, most of them would consent to it and see it as a good thing, and no trauma would ever happen. In the film, when he meets the man he seduced in their youth, he encourages him to cheat on his wife, who is "holding him back", and have sex with him in order to desensitize him to hedonism and see monogamy as a perversion. The director and writer of the film is openly bisexual, and plays the role of the groomer who initiates the encounter. He admits it is based on his experiences and fantasies.
|N/A
|-
|''The Cider House Rules''
|1999
|PG-13
|Glorifies [[abortion]] and advocates [[pro-choice]] values to a fault.
|$57,545,092
|-
|''Chappie''
|2015
|PG-13
|Another "social" science fiction film that just abuses our [[First Amendment|first amendment right]] to bash capitalism. Neill Blomkamp also directed liberal films District 9 and Elysium too. On an optimistic note, the film got bad reviews (even from liberal critics)<ref>https://www.rottentomatoes.com/m/chappie/</ref> and the film did poorly in America (70% of its gross came from overseas).<ref>http://www.boxofficemojo.com/movies/?id=chappie.htm</ref>
|$31,569,268
|-
|''[[Clerks]]''
|1994
|R
|Filled with constant vulgar [[profanity]]. Previously rated NC-17 before being appealed for an R rating.
|$3,151,130
|-
|''Clerks 2''
|2006
|R
|Sequel to the liberal comedy, filled with more profanity and even more disgusting acts that could not be in the budget of the original film.
|$24,148,068
|-
|''[[The Cosmic Slop]]''
|1994
|NR
|HBO trilogy focusing on minority science fiction. The main claim to fame was an adaptation of ''[[The Space Traders]]'', a race-baiting short story that was written by the infamous race-baiting leftist professor Derrick Bell.
|
|-
|''Dallas Buyers Club''
|2013
|R
|Egregiously supports the homosexual agenda during its deadly-years [[AIDS]] epidemic..
|$27,298,285
|-
|''The Danish Girl''
|2015
|R
|One of the definitive pro-homosexual/gender confusion propaganda films. Eddie Redmayne portrays Einar Wegener, a landscape artist who stands in for a female model who no-showed for a planned painting made by Wegener's wife, Gerda. Einar, who has undergone gender confusion for years, snaps as a result of the modeling sessions where he stands in as "female" and he begins claiming to be a "woman" calling himself "Lili Elbe", which nearly leads to him being committed to an asylum. Einar later undergoes surgical mutilation to accommodate his delusion, but he dies of infection due to the mutilation.
|$11,114,018
|-
|''The Day After''
|1983
|Not Rated
|Attacks the military and conservative politicians, and encourages negotiation with Communists.
|NA - TV
|-
|''The Day After Tomorrow''
|2004
|PG-13
|Overdramatic, nonsensical portrayal of the consequences of fictional "[[climate change]]".
|$186,740,799
|-
|''Day of the Animals''
|1977
|PG
|Environmentalist propaganda that states "global warming" turns woodland animals into psychotic human-hunters. It also claims that humans must get what they deserve (which they do not).
|$2 million
|-
|''Dazed and Confused''
|1993
|R
|This coming of age film circa 1976, attempts to normalize [[promiscuity]] and [[drug abuse]] among teenagers and young adults.
|$7,993,039
|-
|''District 9''
|2009
|R
|Alien invaders are shown sympathetically, but the military, corporations, and humans in general are not.
|$115,646,235
|-
|''Django Unchained
|2012
|R
|Quentin Tarantino's Western gratuitously uses graphic violence and the n-word.
|$425,368,238
|-
|''Don’t Breathe''
|2016
|R
|The movie's protagonists are three burglars who break into homes (secured by one of their father’s security company) to steal items to sell. The "villain" of the movie is a blind army veteran, and the homeowner of the house they are breaking into. Although they do find he has kidnapped the girl who killed his daughter in a car accident. Also the leader of the thieves is a girl, which is clearly a sign of feminism.
|$89,217,875
|-
|''Doom''
|2005
|R
|Based on the video game that influenced the [[Columbine High School massacre|Columbine High School massacre]]<ref>https://web.archive.org/web/20060223025846/columbine.free2host.net/quotes.html</ref>, ll the military characters (except one) are corrupt. Fans of the game criticized it for not including much monster-themed action.
|$28,212,337
|-
|''Drag Me to Hell''
|2009
|R
|Despite being made by known Republican<ref>http://whatculture.com/offbeat/10-celebs-you-wouldnt-expect-to-be-republicans?page=4</ref> Sam Raimi, the film's premise dealt with a woman being condemned simply for doing what her job required her to do at the bank, with Raimi also implicitly stating that the gypsy who cursed her had sympathetic reasons for cursing the main protagonist despite the fact that she herself had explicitly foresaked paying mortgage three times. In addition, the means to counteract the Lamia (the creature responsible for sending people to Hell when cursed) were more explicitly Pagan than Christian.
|$90.8 million
|-
|''Easy Rider''
|1969
|R
|Glorifies every aspect of the hippie lifestyle, and is also Anti-American. Portrays conservatives as "bigoted" rednecks.
|$60 million
|-
|''Elysium''
|2013
|R
|This propaganda piece criticizes big business and supports [[illegal immigration]].
|$93,050,117
|-
|''Fantastic Four''
|2015
|PG-13
|Based very loosely on the comics of the same name and deprived of the source material's humor, the film portrays the military in a negative manner. Here, they only want to use superpowered teens as weapons. On top of that, they also changed the race of the Human Torch for political correctness/cultural Marxism reasons. The film was also infamous for its controversial behind-the-scenes history. The studio executives mandated reshoots without the director's knowledge of this and the final cut was gutted in the editing room. Director Josh Trank was so angered by this that he completely disowned the film.<ref>http://www.joblo.com/movie-news/josh-trank-disowns-fantastic-four-via-twitter-claims-studio-interference-322</ref>
|$56,117,548
|-
|''Fast Food Nation''
|2006
|R
|Despite its title and that fact that Bruce Willis is in it, the film is attacks fast food and capitalism while pushing environmentalism, veganism, illegal immigration, and extramarital sex.
|$1,005,539
|-
|''Fast Times at Ridgemont High''
|1982
|R
|Film glorifies [[drug abuse]], premarital sex, and [[abortion]]. It was also one of [[Sean Penn]]'s early film roles as he would go on to star in more liberal propaganda films.
|$27,092,880
|-
|''The Forest''
|2016
|PG-13
|Depicts the Aokigahara Forest in Japan as a scary place filled with vengeful ghosts. In reality, it is a sad place where people go to commit suicide.
|$37.6 million
|-
|''The Fourth Kind''
|2009
|PG-13
|Uses the real-life tragedies of deceased and missing citizens of Nome, Alaska to make money with a fictitious story about alien abductions.
|$47,709,193
|-
|''Freddy Got Fingered''
|2001
|R
|Contains a lot of crude and revolting gross-out sexual humor, including a scene where the main character actually makes a horse [censored]. Uses shock tactics in much the same way that ''[[Family Guy]]'' does. Won five Razzie awards, including Worst Picture and four awards (Worst Actor, Worst Director, Worst Screenplay and Worst Screen Couple) for star and director, Canadian "comedian" Tom Green.
|$14.3 million
|-
|''Furry Vengeance''
|2010
|PG
|This film is pro-environmentalism and anti-capitalist on steroids. The main antagonist is a wealthy businessman, and he and his workers are demonized for doing their job. One of them gets attacked by a raccoon. In the end, the main character, a real estate developer, is forced to change his job after "learning the animals' stories" and he even puts up a poster saying that anyone who violates the forest preservation will be fined at $1,000,000.00.
|$35,000,000
|-
|''Ghostbusters'' (2016 remake)
|2016
|PG-13
|This staunchly feminist remake of the conservative horror comedy classic replaces all the original male heroes with women who appear to have only vaguely different personalities, and every male character is either unintelligent or mean-spirited. Racism and sexual innuendoes are present as well.<ref>https://www.youtube.com/watch?v=D7ikR-6uSMYz</ref> Also the remake also replaces the [[EPA]] with [[United States Department of Homeland Security|Homeland Security]] as the bad guys. Luckily, no one other than the world's most biased liberal critics liked it, as its trailer was known for being the most hated of its kind on YouTube.<ref>http://screencrush.com/ghostbusters-trailer-most-disliked-movie-trailer-in-history/</ref> Sony was caught making fake reviews<ref>https://www.youtube.com/watch?v=HXv3w59raZ4</ref> and the film flopped at the box office <ref>https://www.imdb.com/news/ni60138331?fb_comment_id=1146766692061206_1146942958710246&comment_id=1146942958710246</ref> so tremendously that Sony Pictures Entertainment lost over $70 million.
|$120,049,002
|-
|''Glen or Glenda''
|1953
|Not rated
|Created by Ed Wood, widely regarded as one of the worst directors of all time, it celebrates cross-dressing and transsexualism.
|N/A
|-
|''Godzilla'' (1998 film)
|1998
|PG-13
|Liberal and homosexual director Roland Emmerich turns Godzilla into a girl and enforces the idea military does more damage than Godzilla. The film even fails to address the original message of the original 1954 Japanese film (the first ''Godzilla'' was created in response to fears of the aftermath of the atomic bombings of Hiroshima and Nagasaki at the end of World War II), with the resulting film likewise being hated by Godzilla fans and by Toho Films, to the extent that the "Godzilla" in this film when later appearing in the mainline films was given a separate identity to the mainstream Godzilla and beaten easily. Liberals also panned the film, in particular a running gag which had the Mayor of New York doing a "thumbs up and thumbs down" vote in an unsubtle jab at Siskel and Ebert.
|$136,314,294
|-
|''[[Good Will Hunting]]''
|1997
|R
|Left-wing actors/writers [[Matt Damon]] and [[Ben Affleck]] created this coming of age film that is the main reason why [[Howard Zinn]]'s anti-American revisionist textbook ''A People's History of the United States'' became both public knowledge and provided in all universities and high schools across America. Matt Damon's character, Will Hunting, tells [[Robin William]]'s character in a pivotal scene, "You wanna read a ''real'' history book? Read Howard Zinn’s ''People’s History of the United States''. That book’ll f*****’ knock you on your a**.”<ref>https://pjmedia.com/lifestyle/2013/8/9/the-5-most-destructive-political-ideas-in-matt-damons-movies/5/</ref>
|$225,933,435
|-
|''Gringo''
|2018
|R
|Not only is the title of this movie a racial slur against white people, but this movie also egregiously promotes pot smoking. In addition, the main male character is extremely feminine, which suits Hollywood's stance on the traditional gender roles. This movie didn't even make the Top 10 its opening weekend, despite heavy marketing.
|
|-
|''Hair''
|1979
|PG (Should be R)
|Based on the Broadway musical, the film's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its gratuitous nudity caused much comment and controversy as it did when the stage musical first premiered in 1967. A product of the hippie counterculture and sexual revolution of the 1960s, several of its songs became anthems of the anti-Vietnam War peace movement.
|$15,284,643
|-
|''Hairspray''
|2007
|PG
|Poor [[moral]]s shown, encourages homosexual agenda, bad behavior, such as smoking, drinking, cursing. Many sexual comments are shown. It portrays conservatives and those with high expectations in a negative viewpoint.
|$118,871,849
|-
|''Harold and Kumar Go to White Castle''
|2004
|R
|The adventures of two pot-smokers who play up ethnic stereotypes.
|$18,250,550
|-
|''Horrible Bosses''
|2011
|R
|Three men try to kill their bosses. Two of the three bosses are wealthy businessmen. The film is also filled with offensive language and many sexual references. Was followed by a sequel that however supported the American Dream and capitalism.
|$117,538,559
|-
|''The Hottie and the Nottie''
|2008
|PG-13 (should be R)
|Ultra-liberal actress [[Paris Hilton]] stars in this movie that glorifies every aspect of the "bimbo", "dumb blonde" and "valley girl" lifestyles (all of which Hilton herself has embraced over time as part of her public persona) and contains demeaning depictions against those with dark hair and dark eyes, calling them "unattractive".
|$27,696
|-
|''Howl''
|2010
|R
|Film about homosexual poet and [[beatnik]]-turned-[[hippie]], [[Allen Ginsberg]]. Promotes the [[homosexual agenda]] and the idea that writing about [[pornography]] is "protected" under the [[First Amendment]] and has "literary value".
|$617,334
|-
|''I Love You Phillip Morris''
|2010
|R
|A homosexuality-themed comedy-drama film about a homosexual inmate who escapes to reunite with his lover.
|$2,037,459
|-
|''[[Jackass]]: The Movie''
|2002
|R
|Essentially a montage of ridiculous stunts and pranks with no coherent story.
|$64,255,312
|-
|''Jennifer's Body''
|2009
|R
|This film starring Megan Fox promotes feminism and glorifies [[Satanism]], and contains a lesbian kiss and them making out.
|$16,204,793.
|-
|''Kids''
|1995
|NC-17
|Pornographic film concerning five rebellious underage teenagers in [[New York City]] engaging in graphic sex, violent acts, [[drug]]/[[alcohol]] use, and spreading [[HIV]].
|$7,412,216
|-
|''The Kids Are All Right''
|2010
|R
|Portrays homosexuality and homosexual parenting as a "normal" lifestyle.
|$20,811,365
|-
|''[[The Laramie Project]]''
|2002
|Unrated
|An adaptation of the play of the same name made by HBO to promote the homosexual agenda, including giving a one-sided, extremely biased perspective on the murder of Matthew Shepherd implying that his murderers had "homophobia" as a motive. It also has a significant anti-religious bent in it, where two of the documentarists (implied to be homosexual) tried to talk to a priest specifically to "piss him off," and also had one of the members breaking down from a priest being "hateful" simply because he implied the possibility that Matthew Shepherd will go to hell if he didn't repent for his homosexual activities.
|
|-
|''Legally Blonde''
|2001
|PG-13
|A pro-feminist musical that also promotes every aspect of the "valley girl" lifestyle. Smart people (such as those who go to law school) are described as "boring, ugly, serious people" by the father of Elle Woods (the film's protagonist). It also contains hidden demeaning remarks about dark-haired people. Spawned a sequel that, despite the patriotic-sounding title ("Red, White, and Blonde"), ultimately wasn't much better, which included a homosexual joke involving Elle Woods' pet chihuahua (despite the original film implying that said dog, who was male, was infatuated by the Taco Bell chihuahua mascot, a female).
|$96,520,674
|-
|''The Lost World: Jurassic Park''
|1997
|PG-13
|The film is pro-environmentalist, and features John Hammond, the original head of Jurassic Park, hiring environmentalist hippies to sabotage his own company in the name of releasing the dinosaurs back into the wild, with the protagonists being depicted as being in the right despite causing explicit destruction and death via their actions, as well as demonizing the corporation for trying to stop them. Also has an anti-hunting message due to one of the main antagonists explicitly being a hunter. It is to be noted that such a message not only was not present in the book it was adapted from, but it if anything was the complete antithesis to the anti-cloning message from both the original book by Michael Crichton and the 1993 film that adapted it and that ''Lost World'' acted as a sequel to.
|$618.6 million
|-
|''Léon: The Professional''
|1994
|R
|Disgusting film the features an assassin taking an orphan under his wing (even worse her family shows poor values and are nasty to each other). He then trains her to be an assassin herself to kill the corrupt DEA responsible for her parents murder, but also the assassin who's much older than her seems to be [[Pedophilia|romanticized by her]] (in a deleted scene they even have sex).
|$19,501,238
|-
|''Lethal Weapon 3''
|1992
|R
|Pro-gun control propaganda disguised as a buddy cop action film.
|$144,731,527
|-
|''Lethal Weapon 4''
|1998
|R
|The sequel now has a pro-illegal immigration message.
|$130,444,603
|-
|''Mad Max: Fury Road''
|2015
|R
|Feminist propaganda that endorses and celebrates anarchy. Also, it bears some "[[Plagiarism|similarities]]" to the John Wayne classic ''Stagecoach''. Fourth movie in the ''Mad Max'' film series first made famous by Mel Gibson in the title role between 1979 and 1985.
|$153,636,354
|-
|''Maleficent''
|2014
|PG
|Apparently represents the idea of revising the "Sleeping Beauty" story to focus on a lesbian relationship; although Aurora clearly loves Maleficent as a mother figure, Maleficent takes over the role of the prince and is revealed to be the person whose kiss of "true love" (given on the forehead) really saved Aurora. Unabashedly promotes the feminist agenda to the extent that most of the males are either villains or useless, even going so far as to heavily hint at a transgender philosophy; promotes hard-core environmentalism, moral relativism and even Marxism; pretty much ruins the morality tale for ''Sleeping Beauty''. ''The Federalist'' also had a field day with the film stating how it promoted the leftist agenda and citing point by point its agenda.<ref>https://thefederalist.com/2014/06/06/maleficent-once-upon-a-screed/</ref> In particular, King Stefan, far from being depicted as a good father who gave up Aurora to the three fairies to protect her from the curse, was shown to not care for Aurora at all and was willing to let her die from the curse.
|$241,410,378
|-
|''Midnight in the Garden of Good and Evil''
|1997
|R
|Don't be fooled by the fact that Hollywood conservative, Clint Eastwood directed this film or that it both takes place and was filmed in the overall conservative city of Savannah, Georgia. It is based on the equally bad nonfiction novel of the same name, and has LGBT, environmentalist, witchcraft, and anti-capitalist themes.
|$25,105,255
|-
|''Moonlight''
|2016
|R
|A coming-of-age film that glorifies drug use and [[homosexuality]].
|$27,557,396 <ref>http://www.boxofficemojo.com/movies/?id=moonlight2016.htm</ref>
|-
|''Movie 43''
|2013
|R
|Anthology of short "comedy" films which glamorize virtually every form of deviant sexuality imaginable. Much of the "humor" is scatological, including a scene with a character who enjoys being defecated upon. Aside from that, ''Movie 43'' is literally one of the worst motion pictures ever made in history, as it has nothing that would make it good, imaginative, funny, charming, or understandable of its existence at all. Won three Razzie awards: Worst Picture, Worst Director (all directors) and Worst Screenplay (all screenwriters).
|$32.4 million
|-
|''Mulholland Drive''
|2001
|R
|The makers of this nonsensical art film think homosexuality and fornication in general are "sexy" societal norms.
|$7,220,243
|-
|''My Own Private Idaho''
|1991
|R
|Two homosexual street hustlers begin having an affair while seeking adventure en route to Idaho and then Italy. One of the more infamous cinematic examples of the homosexual agenda.
|$6,401,336
|-
|''Natural Born Killers''
|1994
|R
|Riddled with violence, drug abuse and sexual references, this movie's main characters are brutal serial killers who are viewed as "heroes". Infamously known for influencing Eric Harris and Dylan Klebold for committing the massacre at [[Columbine High School massacre]]<ref>https://www.cbsnews.com/news/the-columbine-shooters/</ref>
|$50,282,766
|-
|''The Normal Heart''
|2014
|TV MA
|Another [[homosexual agenda|homosexual propaganda]] film that criticizes the [[Reagan Administration]] and general Conservative ideology. The LGBT community was a strong promoter of this film and insists it is "artful", when really it is decadent.
|N/A
|-
|''Nymphomaniac''
|2014
|NR
|This two-part movie features four hours of non-stop sex and glamorizes the lifestyle of the titular sex addict. It portrays other [[San Francisco values]], such as homosexuality and S&M, in a positive light. In general, this film was labeled as NSFW. Director, Lars von Trier, is known for being anti-American and slightly hints at this throughout the film.
|$17,584,083
|-
|''The Odd Life of Timothy Green''
|2012
|PG
|Despite an overly schmaltzy pro-family sentiment, this film showcases terrible parenting.
|$55.3 million

|-
|''The Organizer''
|1963
|Not Rated
|This Italian film supports [[trade union]]s and [[infidelity]].
|
|-
|''Orgazmo''
|1997
|NC-17
|This pornographic nightmare celebrates the porn industry and criticizes [[Mormon]]s, if not all the world's religiously devout.
|$602,302
|-
|''Paul''
|2011
|R
|This extraterrestrial rescue mission could have been a harmless comedic tribute to the science fiction film genre if it didn't portray Christians and the military as close-minded idiots while depicting atheists (played by godless writers and co-stars Simon Pegg and Nick Frost) who support extramarital sex, homosexuality, and mind-altering drug use as the only "sensible" people. Pegg and Frost have explicitly stated that one of the movie's main messages is that "there is no God" and anyone who believes in Him is "an ignorant boob".
|$37,412,945
|-
|''The Perks of Being a Wallflower''
|2012
|PG-13
|Promotes homosexuality and also demonizes those opposed to a homosexual lifestyle.
|$17,738,570
|-
|''The People vs. Larry Flynt''
|1996
|R
|Idealizes [[pornography]] mogul [[Larry Flynt]] and claims that pornography is "protected" by the [[First Amendment]].
|$20,300,385
|-
|''Philadelphia''
|1993
|PG-13
|Homosexual agenda setting drama.
|$77,446,440
|-
|''Pineapple Express''
|2008
|R
|Shows [[drug abuse]] to be "cool".
|$87,341,380
|-
|''Pink Flamingos''
|1972
|NC-17
|Embraces horrifying people, who engage in such acts as [[incest]] and [[bestiality]], as well as promoting the homosexual agenda, since it stars transvestite Divine and shows homosexuals in a positive light. This film has toilet humor, finding it funny when a character (Divine) literally eats poo, and extremely offensive language, one character is even named after a racial slur against white people. Characters promote anarchy and violence as an everyday thing. A very graphic film, even for most liberals, showing close-ups of genitalia unlike any non-porno film. Liberals call it a "comedy", but it is revoltingly horrid and more like an act of [[Satan]].
|$7,000,000
|-
|''Project X''
|2012
|R
|Shows teen drinking, [[drug]] use, sex, vulgar profanity and anarchic behavior to be "cool".
|$54,731,865
|-
|''The Quick and the Dead''
|1995
|R
|A feminist western.
|$18,636,537
|-
|''Quills''
|2000
|R
|Portrays the Marquis de Sade as the protagonist, in addition to the prevalence of extremely violent acts.
|$11,732,088
|-
|''Resident Evil'' franchise
|2002-2017
|R
|Feminist film franchise with anti-capitalistic messages. Based on a video game franchise on the same name. The worst offender is ''Resident Evil: The Final Chapter'', where the villain is a [[Christian]] who releases a deadly virus (called the T-virus) which will destroy the human race and have him and rich colleagues rebuild the world in their image (a.k.a playing [[God]]).
|$244,443,938 (all together)
|-
|''Rise of the Planet of the Apes''
|2011
|PG-13
|Anti-business (the company the main character works for is painted in an extremely negative light), a lot of environmentalism throughout (including a more anti-human agenda being pushed), and the actor who played Caesar, Andy Serkis, as well as director Rupert Wyatt, both compared Caesar positively to the Marxist Argentinian revolutionary terrorist and mass murderer [[Che Guevara]].
|$481,801,049
|-
|''Rent''
|2005
|PG-13
|Promotes [[homosexuality]] and cross-dressing as "normal" lifestyles.
|$29,077,547
|-
|''Rock of Ages''
|2012
|PG-13 (Director's Cut is rated R)
|Based on the highly unoriginal and unimaginative Broadway musical, ''Rock of Ages'' features poor [[moral]]s, promotes homosexual agenda, prostitution, drug use, and drinking, and portrays conservatives in a negative, offensively bigoted viewpoint. Many gratuitous sex scenes and sexual references are prominently shown.
|$38,518,613
|-
|''Salo: Or the 120 Days of Sodom''
|1975
|NR
|Adaptation of the [[sadist]] and [[Libertine]] and atheistic text by [[Marquis de Sade]] from Communist homosexual filmmaker Pier Paolo Pasolini, who was killed shortly after completing this movie.
|
|-
|''Sex and the City''
|2008
|R
|Very disturbing film, much like its TV series counterpart, promoting the use of sex everywhere.
|$152,647,258.
|-
|''Sex Tape''
|2014
|R
|Anti-family. The main premise of the film was two nymphomaniacs trying to create a sex tape of themselves after getting kids killed their sex drive, and then recovering iPods that accidentally uploaded their tape online for everyone to see. The ending also has brief yet graphic sex scene showing what exactly was on the sex tape.
|$38,543,473
|-
|''Shakespeare in Love''
|1998
|R
|Liberals changing history in order to suit feminists. The film also suggests that a woman was responsible for William Shakespeare's work (even though there's no record of this at all). Although it won the Academy Award for Best Picture of 1998 (thanks to the aggressive campaign tactics of the egotistical producer Harvey Weinstein), the film has aged poorly and, to this day, the overwhelming majority of critics and film viewers believe that the conservative film and Steven Spielberg's masterpiece ''Saving Private Ryan'' should have won instead.<ref>https://www.youtube.com/watch?v=3SrNphaLsDs</ref>
|$100,317,794 
|-
|''The Shape of Water''
|2017
|R
|Disgusting pro-Bestiality and Feminist movie directed by Marxist film director Guillermo del Toro. Also encourages homosexuality and has hints of promoting illegal immigration.
|$54,185,844
|-
|''She Hate Me''
|2004
|R
|Taking jabs at capitalism and supporting the [[homosexual agenda]], this film has a very over the top plot were a man who's laid off from his job for exposing corrupt business practices, turns to impregnating wealthy lesbians for profit. (This really is the plot).
|$366,037
|-
|''Sixteen Candles''
|1984
|PG (Would be PG-13 today).
|Glorfies teenage sex, underage drinking, and cigarette smoking
|$23,686,027
|-
|''Small Soldiers''
|1998
|PG-13
|Anti-military (due to the Commando Elite being depicted in a negative manner, and to a certain extent GloboTech, the ones responsible for the bad events in the film, being stated to be a Defense Contractor) and also anti-Capitalist (due to GloboTech being the ones responsible for the events of the film, including buying out the Heartland Toy Company.).
|$71.1 million
|-
|''The Social Network''
|2010
|PG-13
|Glorifies the [[gossip]] website [[Facebook]], which feeds [[narcissism]] and destroys marriages. The film also portrays drug use and [[misogyny]] in a positive light.
|$96,962,694
|-
|''Spring Breakers''
|2012
|R
|From the creator of ''Kids'', this film is similar in its pornographic nature and glamorization of drug abuse, only this film takes it to a new extreme. Furthermore, this film promotes [[feminism]] and glamorizes the gangster/[[ghetto]] [[rap music]] lifestyle, while condemning Christians, labeling them as "weak" and "insecure". Also, the film contains a full-on sex scene in the pool, and show nudity, in not only that scene but several others.
|$31,724,284
|-
|''Star Trek Beyond''
|2016
|PG-13
|The film has [[Sulu|Hikaru Sulu]] as a "married" homosexual with an adopted daughter, which was a decision that even [[George Takei]] (Sulu's original actor and a prominent homosexual activist) took issue with.<ref>http://time.com/4398071/george-takei-simon-pegg-sulu-gay-star-trek-beyond/</ref>
|$343.5 million
|-
|''The Stepford Wives''
|1975
|R
|[[Feminist]] [[polemic]]. Ends with the protagonist beating her husband with an iron fireplace poker. The film's release coincided with the height of the [[ERA]] movement.
|$4 million
|-
|''Stonewall''
|2015
|R
|Based on the 1969 Stonewall Riots, this film is a pro-homosexual film that pushes the homosexual agenda. It's rather ironic to note that the film, itself, is a victim of historical revisionism, offensive racial stereotypes, and exclusion of the representation of minorities. While the filmmakers tried to defend their artistic decisions, the film was overwhelmingly criticized by critics and audiences (even liberals, not surprisingly, hated the film) and failed to make its play for awards consideration during the 2015 Oscar season.
|$187,674
|-
|''Straight Outta Compton''
|2015
|R
|Glorifies the gangster lifestyle and gangster rap, and portrays the police as racist, along with other anti-police aspects.
|$161,197,785
|-
|''Superbad''
|2007
|R
|Promotes the teenage use of drugs, smoking, alcohol and sex. The whole point of the movie is for a couple of guys to lose their virginity. The movie contains many uses of profanity, underage drinking, and drug use.
|$121,463,226
|-
|''Taking Woodstock''
|2009
|R
|Glorifies the anarchistic and chaotic Woodstock festival in 1969 as well as the Hippie Movement, painting their various lewd actions, including homosexuality, in a positive light. Also has some elements of anti-Semitism due to the main character's parents who acted as Holocaust survivors being portrayed in an unsympathetic light.<ref>https://www.breitbart.com/big-hollywood/2009/08/28/taking-woodstock-mythologizing-the-worst-generation/</ref>
|$10 million
|-
|''Tammy''
|2014
|R
|Movie about a lazy unemployed woman who after losing her job, basically turns to a life of crime. As the film is about her and her grandma hitting the road, committing robberies, doing illegal prescription drugs, and buying beers for teenagers. They have a Fourth of July party with no typical festivities, and is more like a drunken sex party, as the grandma reveals her breasts to the guest (the audience does not see them though).
|$84,525,432
|-
|''Tank Girl''
|1995
|R
|Based on the left-wing comic, this film glorifies feminism and debauchery while making the capitalists the bad guys.
|$4,064,495
|-
|''Thank You For Smoking''
|2006
|R
|The title is self-exploratory, depicts cigarette endorsers as heroes.
|$24,793,509
|-
|''That's My Boy''
|2012
|R (originally NC-17)
|Depsite staring conservative actor Adams Sandler this films depicts pedophilia, statutory rape, gerontophilia, child neglect, incest, and other forms of aberrant sexuality as "funny".
|$57.7 million
|-
|''There's Something About Mary''
|1998
|R
|Contains gratuitous sex and jokes about bodily functions.
|$176,484,651
|-
|''To Find a Man''
|1972
|
|Pretty much a 90-minute abortion propaganda film.
|
|-
|''Trash H*****s''
|2010
|NR
|Shows decadent behavior in a positive light and glamorizes sexual deviancy. Also the film is riddled with profanity, even the title has a naughty word (which was censored here).
|
|-
|''Uncle Sam''
|1996
|R
|Depicts the heroes as a jaded amputated war veteran and a draft dodger, and the main villain as an extremely sociopathic soldier who joined the Army to kill as many people as he wanted, and the latter is depicted as being hyper-patriotic.
|$2,000,000
|-
|''Under the Same Moon (La Misma Luna)''
|2007
|PG-13
|Baselessly supports illegal immigration despite a pro-family sentiment.
|$23,311,391
|-
|''Up In Smoke''
|1978
|R
|Stoner film that just promotes the use of smoking marijuana.
|$44,364,244
|-
|''Waterworld''
|1995
|PG-13
|Suggests that "[[global warming]]" was real, and the Earth has now become a flooded post-apocalyptic wasteland.
|$88,246,220
|-
|''The Wolf of Wall Street''
|2013
|R
|Blatantly promotes excessive, endless drug use, portraying it in a positive light, and claiming that illegal drugs such as heroin give people the will to keep working hard and stay focused and positive, as well as various forms of graphic and illicit sexual activity and voyeurism, (both heterosexual and in one scene, homosexual) and non-stop use of the f-word and hundreds of other profanities throughout. Portrays capitalists on [[Wall Street]] as greedy self-absorbed criminals obsessed with sex, drugs and violence in the form of the protagonist Jordan Belfort. Many audiences were shocked that this did not receive an NC-17 rating upon its release, especially since morality-deprived director [[Martin Scorsese]] broke the ''[[South Park]]'' movie's record for most uses of the F-word with his film. Christina McDowell, the daughter of Tom Prousalis, one of the people involved in Belfort's crimes, wrote a memoir on the subject specifically to call out Scorsese and DiCaprio for failing to recognize the victims of Belfort in the film, something even the most praiseworthy critics of the film admitted was a flaw.
|$116,900,694
|-
|''A Wrinkle in Time''
|2018
|PG
|A live action adaptation of the book of the same name by Disney, the film managed to completely cut out many references to Jesus Christ and biblical verses, as well as completely altered the joyous singing to remove any reference to God.<ref>https://pjmedia.com/faith/disneys-wrinkle-time-erases-books-bible-quotes-cuts-jesus-christian-figures-history/</ref> Needless to say, it opened to a box office bomb.<ref>https://movieweb.com/a-wrinkle-in-time-movie-review-2018/</ref>
|$132.6 million
|-
|''W.R.: Mystery of the Organism''
|1971
|NR
|Essentially a plotless film riddled with disgusting orgies.
|
|-
|''X-Men'' trilogy
|2000-2018
|PG-13 (R for Deadpool & Deadpool 2)
|Unlike the comics they're based on (which were about civil rights)<ref>https://www.nuskool.com/learn/lesson/mlk-and-malcolm-x-the-civil-rights-movement-and-the-x-men-origins/</ref> liberals used this movie franchise to further the [[homosexual agenda]]<ref>https://www.youtube.com/watch?v=T543J2L-gXU</ref><ref>http://www.cracked.com/article_20497_5-great-movies-with-mind-blowing-symbolism-you-didnt-notice.html</ref> Bryan Singer director of four of the films (whom is also homosexual) was also cited for sexual assault of a minor.<ref>https://www.nytimes.com/2014/04/18/business/media/in-lawsuit-director-of-new-x-men-film-is-accused-of-sexual-assault.html?rref=homepage&_r=0</ref> And the sexual abuse has continued to this day especially with the various similar scandals that came out in Hollywood starting with Harvey Weinstein.<ref>https://www.breitbart.com/big-hollywood/2017/11/08/usc-taking-student-petition-remove-bryan-singers-name-cinema-school-seriously/</ref> Likewise, it was noted that Singer during filming for the first movie did not allow for the comics to be on the set, despite the film being based on them.<ref>http://fourcolormedmon.blogspot.com/2017/11/3-filmmakers-working-on-comics-projects.html</ref> It was also anti-Military, especially in the second film and to some extent X-Men Origins: Wolverine, as the main villain, William Stryker, was the head of a para-military group and depicted as very genocidal against mutants, and was also implied to be a Vietnam War veteran. This had been added in by screenwriter David Hayter, due to his experiences with the ''[[Metal Gear Solid]]'' series.
|$1,817,894,919 (all together)
|-
|}

==Animated films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''Alpha and Omega''
|2010
|PG
|This animated film about wolves promotes disorderly conduct based on the zany antics of an omega wolf named Humphrey. It can be seen as pro-environmentalist as well because some members of the wolf pack try to start eating berries as opposed to caribou, despite wolves being natural carnivores. Alpha wolves are painted in an elitist light for being determined and hard workers. One female wolf named Kate can be described as a modern feminist. Similarly to the other liberal film, ''Open Season'', it spawned multiple unneeded direct-to-video sequels. It is also somewhat comparable to the other liberal film called ''Barnyard: The Original Party Animals'', only in that movie's case, it had a subsequent television series called ''Back at the Barnyard'' as opposed to film sequels.
|$25,107,267
|-
|''Animals United'' (Konferenz der Tiere in German)
|2010
|PG
|A meerkat and a vegetarian lion journey with other animals from around the world (a polar bear, two tortoises, a kangaroo, a Tasmanian devil, and a rooster) to take down a dam built by humans, which had caused the Okavango Delta to dry up. This movie promotes a heavy environmentalist message, with the animals saying that all humans are causing bad things to happen all around the world (like a polar bear's snowy home to melt and the Outback to catch on fire). At the end of the movie, many animals start storming the cities, even news reporters saying that the animals are going to make the humans pay for ruining the world.
|£2,133,051
|-
|''The Ant Bully''
|2006
|PG
|This pro-Communist film's main message of the power of the individual to be more powerful than one another is a bad thing. The exterminator, apparently the main antagonist, is vilified for simply doing his job, thus giving the animation an environmentalist message.
|$28,142,535
|-
|''Astro Boy''
|2009
|PG
|Based loosely on the 1952 manga and 1963 anime, liberal producers and writers twisted the cartoon to fit their [[Communist]] agenda.<ref>https://www.youtube.com/watch?v=Y4Jqlxd7ufM</ref> This strategy backfired, however, and the film was a critical failure.<ref>http://www.cartoonbrew.com/feature-film/astro-boys-abysmal-opening-and-imagis-sinking-ship-17586.html</ref>
|$19,551,067
|-
|''Barnyard: The Original Party Animals''
|2006
|PG
|Set on a barnyard where animals speak and behave like humans in the absence of real humans, this ''Lion King'' clone stars a bull who witnesses his father die after being wounded by coyotes, then gradually accepts the responsibilities that come with being the leader of his animal community. Nevertheless, ''Barnyard'' accepts disorderly conduct because the animals still party recklessly, even with a serious, dedicated bull in charge. Plus, it portrays humans as either ignorant or stupid and persecutes coyotes for being carnivores. The neurotic ferret Freddy goes to liberal lengths to avoid temptation to eat his rooster friend by becoming a [[vegetarianism|vegetarian]]. Not only that, but the bulls lack horns and have female udders, and there are brief scenes referencing alcohol and gambling.
|$116,500,000
|-
|''Battle for Terra''
|2007
|PG
|This animation has environmentalist overtones and portrays a Bible-quoting, American-esque military general as the main antagonist.
|$1,647,083
|-
|''Brave''
|2012
|PG
|One of Pixar's less memorable animations stars Merida, a feminist Medieval Scottish princess who refuses to marry, believing it will cause her to lose her life of archery and adventure, thus demonstrating poor family values throughout. Of course, because this is a feminist propaganda piece, the men in the film are oafish compared to the women, too. Egregiously, Merida was added to the Disney Princess lineup regardless of the poor morals she demonstrates throughout the film and being created by Pixar, not by Disney directly.
|$540.4 million
|-
|''Cars 2''
|2011
|G
|This Pixar sequel demonizes oil companies while aggrandizing ethanol (mentioned as Allinall). On the film's political agenda, director John Lasseter commented: "Why isn't alternative fuel more... Why isn't everybody jumping on that bandwagon? It makes so much sense: Electricity, solar, whatever. There's ethanol. There's all this stuff you could be doing. And so I thought, well, that could be really cool in that you could have big oil versus alternative fuel. That's when we kind of crafted the bad guy's story."
|$191,450,875
|-
|''Chicken Little''
|2005
|G
|This painfully unoriginal animation, which was adapted from a 1943 World War II propaganda short by conservative filmmaker Walt Disney (which was itself adapted from one of Aesop's fables), ridicules family values, especially when the title chicken's widower father, Buck "Ace" Cluck, is shown to be willing to disown his son. Later on, when the aliens proceed to attempt to invade and detonate Earth, it is simply because they thought it is a living organism that kidnapped one of their children. The film is borderline nihilistic because the townspeople are mean-spirited and frequently bully Chicken Little, and a brief gag implies that warping someone's mind against their will is acceptable. As one of the worst theatrical productions ever made by the Walt Disney Company under [[Michael Eisner]], the film's mean-spirited and deeply cynical plot line is suspected to have been done to compete with [[DreamWorks]] animated films helmed by [[Jeffrey Katzenberg]].
|$135,386,665
|-
|''Delgo''
|2008
|PG
|This pagan film has horrible scenes of violence, war, and mass murder. It performed so horribly at the box office that it was criticized for potentially traumatizing young children and was pulled from theaters after a week. It is currently the lowest-grossing computer animated film of all time.
|$694,782
|-
|''The Emoji Movie''
|2017
|PG (Should be PG-13 for multiple references to the dreaded S-word in profanity)
|Not only is this film clearly an infomercial for various smartphone applications and features thinly disguised as an unoriginal take on the "hero's journey" story archetype, but it appears to devalue human language: the main teenager Alex can only win over his crush by communicating via text messages comprised exclusively of emojis, and a background teenager even says, "Words aren't cool". Openly homosexual writer and director Anthony "Tony" Leondis considers the movie a deeply personal project for him: the main character is a sentient emoji who is different from his friends with his ability to show multiple expressions, which reflects Leondis' laughable belief that he is an outcast when, in reality, Hollywood praises that sort of sinful sexuality. The film briefly glorifies [[Facebook]], the world's largest social network and a hotbed for narcissism and relationship destruction; gives minor lip service to feminism in the form of Jailbreak, a computer hacker girl emoji who refuses to be the princess emoji she was created to be; and has been unfavorably compared to ''Wreck-It Ralph'' and ''Inside Out'', two great conservative animations, plus the ambiguously conservative ''LEGO Movie''.<ref>https://www.youtube.com/watch?v=ydvQB-4bBfQ</ref> Worst of all, TJ Miller, who voices the lead emoji, once said the film is a subtle protest against [[Donald Trump]] based on allegations that Trump wants to censor Hollywood and other liberally biased media.
|$25,650,000
|-
|''FernGully: The Last Rainforest''
|1992
|G
|Environmental [[propaganda]], with an anti-industry message, is indoctrinated into children.
|$24,650,296
|-
|''Food Fight''
|2012
|PG
|Aside from being considered one of the worst computer animated films, the film vilifies capitalism and leading companies.
|N/A
|-
|''Free Birds''
|2013
|PG
|This animated film's main premise is about taking turkey off of the Thanksgiving menu.
|$55,750,480
|-
|''Gnomeo and Juliet''
|2011
|PG
|This disturbing love story contains a joke that could be interpreted as passing off bestiality (in this case, with a garden gnome, which is normally an ''inanimate object'') as funny.
|$194 million
|-
|''Happy Feet''
|2006
|PG
|This environmentalist film pushes the envelope to some extent with sexual humor and implied persecution against Christians.<ref name="6 Kids Films Filled with Green Propaganda">https://pjmedia.com/lifestyle/2014/3/22/6-kids-films-filled-with-green-propaganda/2/</ref>
|$198,000,317
|-
|''Happy Feet 2''
|2011
|PG
|Like the first ''Happy Feet'', it does not push the envelope too much as far as sexual humor goes, but it goes even further with themes of environmentalism as it pushes the global warming agenda. Staunch liberal actors Matt Damon and Brad Pitt voice two krill who are implied to be homosexual.<ref name="6 Kids Films Filled with Green Propaganda" />
|$64,006,466
|-
|''Home''
|2015
|PG
|Contains environmental, illegal immigration messages, and somewhat supports the homosexual agenda as well.
|$177,397,510
|-
|''The Hunchback of Notre Dame''
|1996
|G
|Released during liberal maniac [[Michael Eisner]]'s reign of terror at Disney, the film does everything in its power to persecute Christians. The original source material was not intended for children, yet the Disney film was marketed as such to young audiences. In some cases, the film actually manages to be even darker than the original book by Victor Hugo: originally, Quasimodo's vicious punishment at the hands of the Parisians during the Feast of Fools ceremony was out of corporal punishment; while in the Disney film, it had been done at the whim of the Parisians just for the sake of it. To make the film even darker, a gypsy genocide plot is introduced, and Paris was also the victim of arson late into the film. This is a stark contrast to most other Disney film adaptations, which have a history of toning down the original works (as in ''The Jungle Book'', in which Disney advised the writers to ignore the book specifically because its contents were unsuitable for children). Even worse, the DVD commentary for the film boasted that they deliberately had the villain, Judge Claude Frollo, when symbolically falling to hell in "Hellfire", assuming the pose of the crucifix.<ref>DVD Commentary: "Here's some more of our ham-fisted symbolism--Frollo falls down in the shape of a crucifix!"</ref> Some mild language is present, too (namely the word "damnation" and "eternal damnation"). Worst of all, one of the male gargoyles falls in love with Djali, who is explicitly male, which means that liberals will subtly shoehorn the homosexual agenda into anything, even the gargoyles of Notre Dame. There is also a bit of forced diversity in the movie as well, as Esmerelda is altered to be a full Gypsy by birth (in the original book, she was in fact ethnically French, the daughter of a French anchoress, and had been abducted by gypsies and raised by them).
|$100,138,851
|-
|The Legend of Frosty the Snowman
|2005
|Not Rated
|This film is a bastardization of the original [[Frosty the Snowman]] special in which it retcons almost everything to push an anti-comformity message and presents youth rebellion in a positive light.
|
|-
|''The Legend of the Titanic''
|1999
|Not Rated
|This animation bastardizes a horrific, tragic historical event in the name of making a statement against the whaling industry.
|
|-
|''Mars Needs Moms''
|2011
|PG
|A 9-year-old boy named Milo defies his mother, behaves in disorderly conduct, and is somewhat [[Nihilist|nihilistic]]. Family values are poked fun at. It also has a brief scene poking fun at the great conservative leader, [[Ronald Reagan]].
|$39 million
|-
|''My Little Pony: The Movie''
|2017
|G
|Based on the bad [[anime]]-influenced liberal television series ''My Little Pony: Friendship is Magic'', this unnecessary film has the same liberal messages, relating to witchcraft, feminism, socialism, and environmentalism.
|$21,885,107
|-
|''Norm of the North''
|2016
|PG
|This poorly-received animation makes an environmentalist polar bear the hero and vilifies major businesses in the form of a greedy real estate mogul in a possible jab at Donald Trump.
|$24.8 million
|-
|''The Nut Job''
|2014
|PG
|An incorrigibly self-serving exiled squirrel finds himself helping his former park creatures survive by raiding a nut store, which celebrates disorderly conduct, nonconformity, and environmentalism. One of the antagonists is a head businessman because he does not comply with environmentalism.
|$64,251,541
|-
|''The Nut Job 2: Nutty by Nature''
|2017
|PG
|In the sequel to ''The Nut Job'', the businessman villain returns to try to build an amusement park, again persecuted for not being an environmentalist.
|$26,989,904 (Still in Theaters)
|-
|''Open Season''
|2006
|PG
|Although conservative star Gary Sinise appears, environmentalism and hate speech against hunters runs rampant.
|$85,105,259
|-
|''Over the Hedge''
|2006
|PG
|Based upon the comic strip of the same name, animals who are struggling to steal food from trash for the winter are the heroes, while humans are painted as ignorant, uncaring towards animals (clearly an environmentalist message), and obsessed with food. Plus, a businesswoman is the main antagonist, and an exterminator is scorned for simply doing his job. In addition, one of the other main antagonists of the film (and the only animal main antagonist), Vincent the Bear, is villainized for forcing RJ the Raccoon to replace the food he had after the latter in a botched attempt to steal food that Vincent had hoarded for the winter ended up accidentally destroying the food stash, with an ad-libbed scene in the climax having Vincent admit that he got where he was by "backstabbing, betraying, and murdering" those that placed trust in him, which can be interpreted as a dig against Capitalism and the concept of private property.
|$155,019,340
|-
|''ParaNorman''
|2012
|PG
|The very ending of the film pulls a swerve and reveals that one of the characters, Mitch Downe, as being homosexual, ignoring the fact that he was not even implied to be that earlier. This decision had been made by the director Chris Butler.
|$107.1 million
|-
|''Peter Rabbit''
|2018
|G
|The movie was a complete trashing of the popular British children's book series of the same name, promoting environmentalism by having the rightful owner of the farm, Thomas MacGregor, be vilified simply for trying to farm the vegetable garden that legally belonged to him, and the various farm animals being portrayed positively in interfering with his business, with one of their plans against MacGregor even going so far as to have Peter Rabbit murder him by exploiting a food allergy that he had and it is treated in a positive manner. It was such that even the liberal website [[TV Tropes]] grudgingly acknowledged under the articles "Unintentionally Sympathetic" and "Unintentionally Unsympathetic" that Thomas was closer to being in the right than Peter and his friends were.
|$146,983,492
|-
|''Pocahontas''
|1995
|G
|This feminist story follows a highly fictionalized account of the life of [[Native American]] [[Pocahontas]] with an environmental message; and the Native American’s view against English settlers is similar to Howard Zinn's revisionist history textbook ''A People's History of the United States'', which would entered public knowledge and provided to universities, colleges, and high schools across America two years later (see ''Good Will Hunting''). The titular character enters what is implied to be an unfaithful relationship with John Smith over fellow Native American Kokoum, and her decision is treated in a comparatively positive light; while the English settlers are vilified simply for establishing the early American colonies to find Jamestown, and John Ratcliffe in particular was demonized as having the motive of trying to establish a gold mine and being greedy, despite gold never being the motive for Ratcliffe, which could be interpreted as a dig against capitalism. Following the Best Picture nomination of ''Beauty and the Beast'' at the 64th Academy Awards and its subsequent loss in March 1992, then-studio chairman Jeffrey Katzenberg opted to produce another animated sweeping romantic epic in hopes of achieving a cinematic masterpiece status and replicating another Best Picture nomination, even if he intended to distort history and add both a love story and environmental themes. In fact, many people at Disney had high hopes for ''Pocahontas'', while deeming the concept of another film in production, ''The Lion King'' as experimental. To their surprise, ''The Lion King'' became one of the greatest animated motion pictures of all time, while ''Pocahontas'' received mixed critical reviews and below-than-expected box office receipts.
|$141,579,773
|-
|''Pokémon: Zoroark - Master of Illusions''
|2010 (Japan); 2011 (America)
|G
|The anime film's villain is a successful businessman, which is a statement against capitalism, and one of the main protagonists of the film, Karl (perhaps named for [[Karl Marx]]), is based on the radical left-wing schlockumentarian Michael Moore.<ref>https://web.archive.org/web/20130122121711/http://www.gamefreak.co.jp/blog/art/wp-content/images/1008/kuruto.jpg</ref>
|
|-
|''Princess Mononoke''
|1997
|PG-13
|Environmentalist, feminist anime film on on steroids, where the forest gods are at war with a mining colony (whom are portrayed as the "bad guys").
|$2,375,308
|-
|''Quest for Camelot''
|1998
|G
|This revisionist take on Arthurian legend throws everything that makes the source material great (Christianity, heroism, bravery, etc.) out the window for the sake of advocating feminism and wanting to be a Disney animated musical film, only to be panned by critics in the end. Even though it's suppose to a G-rated family comedy, an incest joke appears as well.<ref>https://www.imdb.com/character/ch0100869/quotes</ref>
|$22,510,798
|-
|''Sausage Party''
|2016
|R
|As the first R-rated American animated film to be released by a major film studio in the United States following 1999's ''South Park: Bigger, Longer, and Uncut'', ''Sausage Party'' blatantly criticizes religion and deceives audiences into think that, without religion and the existence of God, everyone can enjoy the most selfish, crude, and debauched activities (e.g. humanism, homosexuality, obscenity, and non-stop sexual intercourse) without guilt or a sense of a "religious obligation". Made by Nitrogen Studios. A typical offensive and raunchy comedy film by modern Hollywood standards, directors Conrad Vernon and Greg Tiernan, producer Megan Ellison, producer/writer Evan Goldberg, and producer/writer/actor Seth Rogen (all of them fiercely liberal and some, ironically, of Jewish origin) made this film to bastardize the animation genre, as well as to push the liberal Hollywood agenda on politics and religion. Animated feature films, for the past century, have enthralled and enhanced audiences around the world, as the best ones tell timely stories that children, teenagers, and adults alike can relate to and enjoy. The makers of ''Sausage Party'' seemed to not care about any of this, as they made this untimely film strictly for adults, as they believed that there aren't and should be any animated films for adults only to enjoy. Their warped belief is made very clear by the film's criticism and parody of many other animated films (namely Disney animations) as well as the presence of regular Disney collaborator Alan Menken as the film's songwriter. Altogether, ''Sausage Party'' is painfully unfunny and has virtually no plot or philosophical merit. Upon release, only liberally biased film critics praised the film, while general audiences were repulsed by it.

On a side note, ''Sausage Party'' has attracted a great deal of criticism on two additional issues. First, the animators worked under poor, cruel conditions and were forced by the directors to work overtime without pay. Thirty-six of the 83 animators were blacklisted and went uncredited in the film, believed to be due to their complaints; comments made in anonymous interviews of some of the animators involved in the project by ''Variety'', ''The Washington Post'', and ''The Hollywood Reporter'' alleged that the comments were accurate. All the animators in the film were told outright that they would be blacklisted if they did not work overtime without pay. Second, a red-band trailer for the film was accidentally played before a showing of the Walt Disney Pictures/Pixar Animation Studios' PG-rated and family-oriented ''Finding Dory'', at a Concord, California multiplex in mid-June 2016.<ref>http://ew.com/article/2016/06/29/theater-plays-sausage-party-trailer-before-finding-dory-apologizes/</ref> The theater staff had forgotten to switch out an adult-audience trailer roll for one meant for G and PG-rated films, when adding additional screens to carry ''Finding Dory'' to meet audience demand. The incident occurred only once, and the theater apologized, while Rogen [[Twitter|tweeted]] that the story "made his day".
|$89,645,124
|-
|''The Secret World of Arrietty''
|2010
|G
|Japanese anime film is about a tiny homeless family that steals from regular people. Demonizes capitalism and promotes redistribution of wealth.
|$19,202,743
|-
|''[[Shark Tale]]''
|2004
|PG
|Promotes multiculturalism and the deuteragonist of the film is a great white shark who is a vegetarian. Besides for being pro-vegan it is also a metaphor for being homosexual.<ref>http://gaylife.about.com/od/moviestheatre/a/sharktale.htm</ref>
|$160,861,908
|-
|''South Park: Bigger, Longer & Uncut''
|1999
|R
|A disgusting celebration of [[obscenity]]. Also contains a sacrilegious depiction of the afterlife, with both heaven and hell portrayed as hedonistic paradises.
|$83,137,603
|-
|''Tax the Rich: An Animated Fairytale''
|2012
|N/A
|An animated film written by [[Fred Glass]], narrated by [[Ed Asner]], and made for the California Federation of Teachers. It repeated rhetoric made by the [[Occupy Wall Street]] group about taxing the rich to have "their fair share" and demonized Capitalism in various ways, including blaming it on Asian sweatshops as well as the housing bubble bursting in 2008. [[Kirsten Powers]], a member of [[The Daily Beast]], and herself no stranger to liberal politics, acknowledged alongside conservative economist for ''The Daily Caller'' Tucker Carson on the Sean Hannity show that the cartoon was simply inexcusable and disgusting, with Sean Hannity also explicitly referring to it as a "disgusting hit piece".<ref>https://www.hollywoodreporter.com/news/sean-hannity-slams-ed-asner-398102</ref><ref>http://reagancoalition.com/articles/2012/20121206006-ca-union-class.html</ref> The film was particularly infamous for a scene where, in a segment covering the trickle-down effect, a corpulent rich man representing the 1% of wealthy Americans, after having the scales literally stacked up in his favor regarding money, upon being asked why the 1% needed so much money, he responded "Don't worry, this is good for you too, it will trickle down from us to you", with the latter statement being accompanied with a graphic of the rich man proceeding to urinate on the other ordinary people as they yell in protest. Although later versions freeze the footage just before the man pees on the crowd in response to the complaints about the scene, it was still implied by residual audio of the urine stream. Sean Hannety and Michelle Malkin of the Sean Hannety Show both expressed disgust with the video when covering it, and when one of the producers confronted Ed Asner as the latter was about to attend one of his roles at a play, the latter falsely claimed he didn't remember what he said on it, and also claimed that the bit about rich people peeing on poor people was disgusting only because it should have been in reverse, and then asked the producer if he had any money, and if so, if he should "p*** on [the producer]."<ref>https://www.youtube.com/watch?v=gr1ZzsAzq_M</ref>
|N/A
|-
|''A Troll in Central Park''
|1994
|G
|Considered by many to be Don Bluth's worst film, the movie stars a troll named Stanley exiled from the Land of Trolls and ends up in Central Park, meeting two children. The end of the movie has an environmental message when Stanley causes plants to grow all over the city, potentially causing trouble for people in New York City.
|$71,368
|-
|}

==Schlockumentaries==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''[[The 11th Hour]]''
|2007
|PG
|This environmental schlockumentary produced and narrated by actor [[Leonardo DiCaprio]] endorses the theory of [[Anthropogenic global warming]].
|$707,343
|-
|Almost any film directed by [[Michael Moore]]
|
|
|All of his "documentaries" are composed of left-wing propaganda, promoting concepts such as universal health care, socialism, anti-Capitalist views, and gun control, and if that's not enough, he blatantly skews facts to push his agenda.
|
|-
|''[[An Inconvenient Truth]]''
|2006
|PG
|[[Al Gore]]'s [[global warming]] alarmist [[schlockumentary]].
|$24,146,161
|-
|''An Inconvenient Sequel: Truth to Power''
|2017
|PG
|Unanswered sequel to Al Gore's 2006 schlockumentary, ''An Inconvenient Truth''.
|
|-
|''Arctic Tale''
|2007
|G
|A documentary film geared towards children that pushes the false narrative of global warming and polar bears going extinct from melting ice caps.
|$1,858,064
|-
|''Better This World''
|2011
|Not Rated
|2011 documentary "feature length lie" is a [[PBS]] film regarding the thwarted domestic terrorist attack at the 2008 [[Republican National Convention]] and liberals attempt to re-write history.
|NA-TV
|-
|''Blackfish''
|2013
|PG-13
|A [[CNN]] documentary film about the captivity of Tilikum, an orca involved in the deaths of three individuals, and the consequences of keeping orcas in captivity, that is nothing but a propaganda film full of so many lies.<ref>https://seaworldcares.com/the-facts/truth-about-blackfish/</ref> The film gained high ratings on movie review websites, making it seem the film brainwashes critics.
|$2,073,582
|-
|''[[Bowling for Columbine]]''
|2002
|R
|A 2002 schlockumentary directed by and starring [[leftist]] propagandist Michael Moore. It is a pro-[[gun control]] film and distorts facts in favor of gun-grabbing. Also included a "Brief history of the USA" segment using animation mirroring that of [[South Park]], that distorted historical facts to make it seem as though guns were implemented by racists, which actually led to the South Park [[libertarian]] creators to condemn him, enough to give Moore a cameo in Team America as a suicide bomber and make his death especially graphic.
|$21,576,018
|-
|Cosmos: A SpaceTime Odyssey
|2014
|TV-PG
|Darwinism and global warming alarmism are disguised as science.
|N/A
|-
|''Fahrenheit 11/9''
|2018
|R
| [[Donald Trump]] hit piece by none other than Michael Moore. Trump got the last laugh as it ended up flopping at the box office <ref>https://www.youtube.com/watch?v=C2HyTh_6iyA</ref>
|-
|''The God Who Wasn't There'
|2005
|NR
|This documentary by noted skeptic [[Brian Flemming]] attempts to reinforce the massive wave of atheist propaganda from the internet.
|
|-
|''[[Jesus Camp]]''
|2006
|PG-13
|This baseless attack on conservative Christianity later incited [[liberal vandalism]] of the Bible camp shown in the film.
|$902,544
|-
|''Hail Satan''
|2019
|R
|Attempts to "humanize" followers of [[The Satanic Temple]] and literal [[satanism]], specifically depicting them as they try to get their monuments to [[Satan]] on government property and push their evil ideology on children, all while vilifying Christian values and portraying Conservative activists like Jason Rapert, an Arkansas State Senator who successfully got a monument of the [[10 Commandments]] erected in front of the Arkansas State Capitol building, as un-patriotic bigots.
|
|-
|''Hearts and Minds''
|1974
|Not Rated
|A documentary about the Vietnam War that was inherently anti-American in its nature. Also, depicts [[Catholic]]s as bigots. It also had a brief clip at the beginning which had the rolling crew having one of the higher officers forced to talk to them with the false promise that they'd burn the tape once he is finished with it. It also has several moments of graphic sex between soldiers and Vietnamese prostitutes. It also implies throughout the film that several atrocities conducted by the North Vietnamese communists were done by Americans, including the footage where a girl ends up burned by [[napalm]] and running out naked. Noteworthy for being almost single-handedly responsible for forcing America out of Vietnam (even having the NVA mailing the producers thanking them for "ensuring peace" in Vietnam) as well as it being an influence for far-left schlockumentarist/propagandist Michael Moore, with some of its filming techniques even being reused for ''Farenheit 9/11''.
|Unknown
|-
|''Inside Job''
|2010
|PG-13
|Democrat donor Charles Ferguson blames the Great Recession of 2008 on Wall Street, unspecified deregulations, the Bush Administration, and so on. He whitewashes [[Fannie Mae]] and [[Freddie Mac]]'s role and virtually eschews any mention of the Community Reinvestment Act. While advertised as nonpartisan, it contains various interviews with Democratic politicians but none with Republican politicians. Finally, Ferguson blames the financial system for corrupting American politics.
|$4,312,735
|-
|''[[Loose Change 9/11: An American Coup]]''
|2009
|
|[[Truthers]] Dylan Avery and Korey Rowe blame America for [[9/11]]. Conspiracy Theorist [[Alex Jones]] worked as Executive Producer (and don't let his paleoconservative/libertarian views fool you into thinking it is in any way a conservative documentary).
|Unknown
|-
|''Lost in Tel Aviv''
|2008
|Not Rated
|A couple strives to make a filthy, [[South Park]]-esque animated series.
|Unknown
|-
|''Makers: Women who Make America''
|2013-2014
|Unrated
|A documentary glorifying [[Feminism]], in particular, the faction that started with [[Betty Friedan]]'s ''The Second Sex''. Also features as examples of role models and pioneers of feminism such degenerates as [[Lena Dunham]] (creator of the liberal TV series ''Girls''), Linda Woolverton, [[Hillary Clinton]], [[Ellen DeGeneres]], [[Jane Fonda]], and [[Gloria Allred]]. On top of that, there's no mention of conservatives [[Margaret Thatcher]], [[Sarah Palin]], [[Phyllis Schlafly]], [[Michele Bachman]] or [[Carly Fiorina]]. Only showing more of their bias.
|N/A
|-
|''McLibel''
|1997 (TV version)
2005 (Extended version)
|
|The fast food industry is blamed for environmental issues in a manner similar to ''Super Size Me'' and the liberal book ''Fast Food Nation''. Unsurprisingly, Morgan Spurlock, the director of ''Super Size Me'', and Eric Schlosser, author of ''Fast Food Nation'', are present.
|
|-
|''Mea Maxima Culpa: Silence in the House of God''
|2012
|NR
|Liberal Alex Gibney attacks Christianity.
|
|-
|''Religulous''
|2008
|R
|[[Militant atheism|Militant atheist]] "Comedian" [[Bill Maher]] tries to convince the audience of what he perceives to be the folly of all religion, with a special focus on Christianity.
|$13,011,160
|-
|''[[The Road We’ve Traveled]]''
|2012
|Not rated
|[[Tom Hanks]] directs & narrates Barack Obama's supposed achievements
|NA
|-
|''Roger & Me''
|1989
|R
|[[Michael Moore]] blames capitalism for the downfall of Flint, Michigan instead of the [[trade unions]] that bullied businesses & forced them to ship jobs overseas (due to excessive taxation) or the fact that Flint has been under [[Democratic]] leadership since 1973. Later on, Moore would also admit that he never interviewed Roger Smith.<ref>http://callcenterinfo.tmcnet.com/news/2007/06/16/2717913.htm</ref>
|$6,706,368
|-
|''The Selling of the Pentagon''
|1971
|NR
|CBS pushed this anti-American/anti-Vietnam War propaganda. The producers refused to divulge their sources to the Pentagon, and at least one of the officials involved entered a minor lawsuit against CBS.<ref name="Dan Rather's Day of Reckoning">https://www.weeklystandard.com/print/dan-rathers-day-of-reckoning/article/5895</ref>
|
|-
|''She's Beautiful When She's Angry''
|2014
|NR
|Nothing more than feminist propaganda being passed off as truth.
|$421,573<ref>http://www.boxofficemojo.com/movies/?id=beautifulwhenangry.htm</ref>
|-
|''Super Size Me''
|2004
|PG-13
|Morgan Spurlock eats nothing but food from McDonald's for a month to show the negative effects of doing so and tries using this experiment that no sane person would attempt to blame [[obesity]] on great capitalist paragons like [[McDonald's]] and [[Sodexo]].
|$11,536,423
|-
|''The Tillman Story''
|2010
|R
|A liberals view of the circumstances surrounding the death of football star and [[Army Ranger]] [[Pat Tillman]]. The film portrays each and every fact as sinister. Plus, each and every fact is evidence of a conspiracy. Typical Hollywood [[George W. Bush]] bashing flick. The [[liberal bias]] was clear, make Tillman a liberal [[atheist]] anti-war hero that was cannon-fodder for the government. Tillman's actions speak louder than any twisted accusations presented in this documentary.
|$802,535
|-
|''Under the Gun''
|2016
|R
|Anti-second amendment, the film was criticized for its inaccuracies.
|
|-
|''The Uncounted Enemy: A Vietnam Deception''
|1982
|NR
|Anti-American/Anti-Vietnam War propaganda that infamously accused General [[William Westmoreland]] of deliberately understating the force strength of the [[Vietcong]] during the Tet Offensive. This resulted in a libel suit made by Westmoreland against CBS that promptly went to court after an internal investigation was issued due to ''TV Guide'' finding damning evidence of similar journalistic malpractice that was practiced in the earlier documentary/propaganda ''The Selling of the Pentagon'', which ultimately resulted in CBS losing its libel insurance, as well as the documentary unit being scrapped when [[Larry Tisch]] took over in 1987.<ref name="Dan Rather's Day of Reckoning" />
|
|-
|''The Wall Within''
|June 2, 1988
|Unrated
|A documentary helmed by extremely liberal "journalist" [[Dan Rather]] that reinforced the false image of Vietnam War veterans being anti-social degenerates suffering from PTSD and drug abuse. Was also particularly infamous in that all six of the "veterans" that were interviewed were later confirmed by various documents to have never even served during the events they mentioned, and even the one who actually DID serve did not do so with boots on the ground and was a repairman.<ref>http://loonybird.com/media_dan_rather.htm</ref>
|N/A
|-
|''Wal-Mart: The High Cost of Low Price''
|2005
|
|This anti-capitalist schlock vilifies [[Wal-Mart]] and other discount stores.
|$1.5 million
|-
|''Winter Soldier''
|1972
|Not Rated
|The 1972 film about U.S. troops from [[Vietnam]] put on record as baby killers, [[human rights]] violators, and general disservice to America. This myth was propagated by a few anti-war activist liberal actors that never did see combat in Vietnam and some were never in the country. The initial result was to hold hearings in [[Congress]] over the matter. All allegations were proven fabrications, falsehoods, and lies.
|Unknown
|-
|''Years of Living Dangerously''
|2014
|N/A
|Environmental schlockumentary spearheaded by ultra-liberal, [[James Cameron]], and featuring several proponents of [[Hollywood Values]] trying to preach the false idea of [[climate change]].
|
|}

==Anti-Christian and Sacrilegious films==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''2001: A Space Odyssey''
|1968
|G
|Stanley Kubrick's most notable film was controversial upon its release for its atheistic themes, particularly its support of the [[Theory of evolution]].
|$56,954,992
|-
|''After Earth''
|2013
|PG-13
|This box office failure contains a peculiar mix of both evolutionist and [[Scientology|Scientologist]] themes, and it further tarnished M. Night Shyamalan's directorial career.
|$60,522,097
|-
||Almost any film directed by Luis Buñuel
|
|
|Luis Buñuel was an atheist bigoted against Christians. He unjustly ridiculed Christians throughout his filmography and was a pioneer in making this schlock being considered "art" when it is really just offensive, vulgar and grotesque liberal smut.
|
|-
|''Antichrist''
|2009
|NR
|This gruesome film's title says it all: it's full of horrifying imagery juxtaposed to Christian symbols.
|$791,867
|-
|''Battlefield Earth''
|2000
|PG-13
|This Scientologist propaganda piece failed at the box-office and is largely considered to be one of the worst movies ever made. It "won" in nine categories at the Golden Raspberry Awards (aka, the Razzie Awards), making it the most awarded film at the Razzies until ''Jack and Jill'' took its place. Furthermore, it won one-time awards for "Worst Drama of our first 25 Years" during the 2005 awards, as well as "Worst Picture of the Decade" in 2010. Lastly, the film plays into the liberal notion of personal characteristics mattering more than true merits: John Travolta is the star because of his affiliation with the "church" of Scientology.
|$21 million
|-
|''Book of Mormon''
|2011
|R
|Written by atheists Trey Parker and Matt Stone as what they sarcastically call "an atheist's love letter to religion", this musical insults every aspect of the Mormon religion as two of the church's elders embark on a mission to Africa. There are several Biblical inaccuracies, which reflects the writers' insane, misguided belief that Christians will believe anything word-for-word if it's written in the Bible. In one song, a group of tribal Ugandans swears against God in the Ugandan language.
|
|-
|''The Boondock Saints''
|1999
|R
|The characters are supposed to be Christians (or "saints" as the title suggests), but they show themselves as anything but. They dispense their own form of vigilante justice (summary execution) and say the F-word in every sentence they can. The FBI agent who chases them is hinted throughout the film to be [[homosexual]]. Overall, the film is just a vulgar ''[[Death Wish]]'' rip-off.
|
|-
|''Breaking the Waves''
|1996
|R
|It wrongly claims that God rewards and endorses adulterers and prostitution while vilifying devout Christians.
|$3,803,298
|-
|''The Canterbury Tales''
|1972 (Italy and West Germany) 1980 (USA)
|NC-17
|Directed by communist homosexual Italian director Pier Paolo Pasolini, the film is an utter butchering of the seminal work by Geoffery Chaucer, even including movie-exclusive scenes proving that its viewpoint is inherently left-wing and anti-Christian. Among the most infamous additions include two priests engaging in sodomy (only one is punished via execution due to being poor and thus unable to bribe his way out) and Satan defecating out screaming friars.
|N/A
|-
|''Cloud Atlas''
|2012
|R
|Supports the idea of reincarnation and features anti-Christian undertones. Additionally, supports the idea of homosexuality and [[transvestitism]], as many of the characters are resurrected as the opposite sex, while still played by the same actor. This idea of supporting homosexuality is further brought to the forefront as one of the movie's directors recently came out as having had a sex change operation as a way to promote the movie.
|$27,108,272
|-
|''The Craft''
|1996
|R
|As the title implies, it depicts witchcraft in a positive light.
|$24,819,936
|-
|''The Crucible''
|1996
|PG-13
|Based upon the Broadway play by communist sympathizer Arthur Miller, this historical revisionist drama is an allegory intentionally written to compare the Christians of the Salem Witch Trials to the House Un-American Activities Committee (HUAC) and comparing those accused of witchcraft to the communists HUAC hunted, ultimately spreading the idea that American communists of the Cold War era were helpless "victims" of HUAC. In real history, John Proctor, one of the accused, was reported as living a “Christian life in his family and was ever ready to help such as they stood in need”, but in the film, he confesses to being a witch and publicly denounces God.
|$7,343,114
|-
|''[[The Da Vinci Code]]''
|2006
|PG-13
|Based on the book of the same name, this mystery film supports the false theory that [[Jesus]] Christ married [[Mary Magdalene]], pushing feminism and attacking Christianity along the way.
|$217,536,138
|-
|''Dead Poets Society''
|1989
|PG
|A worldly literature professor, John Keating (Robin Williams) is shown as inspiring and "open-minded". This contrasts with the conservative Christian boarding school where he teaches, apparently portrayed as conformist, oppressive, and materialistic. The film also appears to promote teen suicide, as one of the main characters is able to commit suicide without a negative word ever being uttered against his actions by any positive character.
|$95,860,116
|-
|''Dogma''
|1999
|R
|This attack on religion, particularly [[Catholic]]ism, contains cheap smutty jokes and incorrectly makes [[God]] female.
|$30,652,890
|-
|''Exodus: Gods and Kings''
|2014
|PG-13
|The prophet Moses is radically changed into an atheist and a terrorist. Glenn Beck said it essentially turns Moses into "an al-Qaeda member" who "doesn't want to rely on God anymore".
|$65,014,513
|-
|''Forty Days and Forty Nights''
|2002
|R
|In this vulgar sex comedy, the main character has to give up sex for Lent, and his ex-girlfriend tries tempting him to break his commitment throughout. Interestingly, it was released ''during'' the Lent season, so William Donnahue, President of the Catholic League for Religious and Civil Rights, requested to both then-[[Disney]] CEO [[Michael Eisner]] and [[Harvey Weinstein]] that they reschedule the airing of the film, citing that "To show a film that parodies Lent in a most vulgar way is bad enough, but to show it during Lent is outrageous."<ref>http://www.catholicleague.org/appeal-to-michael-eisner-and-harvey-weinstein-reschedule-40-days-and-40-nights/</ref> In addition, despite the inflammatory material in the movie, the [[Anti-Defamation League]] head Foxman did not call out the film.<ref>http://www.freerepublic.com/focus/f-news/1083014/posts</ref>
|$37,950,822
|-
|''The Golden Compass''
|2007
|PG-13
|Based on the atheistic ''His Dark Materials'' series.
|$70,107,728
|-
|''Hail Mary''
|1985
|NR
|Marxist filmmaker Jean-Luc Godard retells the story of Mary and Joseph in the modern day. As per his business casual, it was controversial upon its release. [[Pope John Paul II]] condemned it, claiming it was likely to offend the deeply religious because of its explicit nudity. Additionally, it depicts Joseph as a womanizing man [censored] and Mary in a similar light, as there is a montage where she is completely in the nude for no apparent reason. The film was banned in deeply religious countries such as [[Brazil]] and [[Argentina]].
|
|-
|''The Haunting of Molly Hartley''
|2008
|PG-13
|Christians are either starry-eyed kooks or homicidal maniacs, while those implied to be Satanists live a happy lifestyle.
|$15,418,749
|-
|''Hercules''
|2014
|PG-13
|This film seems to take a more atheistic turn on the Greek hero as opposed to the mythology behind Hercules.
|$72,688,614
|-
|''Inherit the Wind''
|1960
|Not Rated
|This historical revisionist drama contains a series of Hollywood-perpetuated lies about the [[Scopes Trial]] to smear Christianity, including: portraying [[William Jennings Bryan]] as ignorant, harsh, and punitive, based on an incorrect of his actions and testimony; falsely claiming that, at the end, Bryan, in a senseless fit of madness, died in the courtroom amid "caring" and "reasonable" [[Darwin]]ists; and wrongfully depicting Darwinists in a positive light and Christians as "deceitful". In real life, Bryan and the Christians won the trial and were charitable to the end, while the Darwinist Darrow was deceitful in reneging on his deal to take the witness stand after Bryan did.
|
|-
|''The Invention of Lying''
|2009
|PG-13
|Written and directed by British atheist [[Ricky Gervais]], the movie takes place in an alternate reality where the concept of lying does not exist until Gervais' character invents it. As a consequence of lying not previously existing, religion hasn't existed either, so, behind the facade of a romantic comedy, the main message of the film is that all religion is based in lies.
|
|-
|''Kingdom of Heaven'' (theatrical version)
|2005
|R
|Atheist Ridley Scott directs this revisionist historical piece that portrays Muslims as the "victims" of the Crusades. In truth, the Muslims of the day won every Crusade except the first (in which Christians briefly prevailed), the third and the sixth.
|$47.4 million
|-
|''[[The Last Temptation of Christ]]''
|1988
|R
|The film's eponymous final sequence depicts the crucified Jesus—tempted by what turns out to be Satan in the form of a beautiful, androgynous child—experiencing a dream or alternative reality where he comes down from the cross, marries Mary Magdalene (and later Mary and Martha), and lives out his life as a full mortal man. He learns on his deathbed that he was deceived by [[Satan]] and begs God to let him "be [God's] son," at which point he finds himself once again on the cross. At other points in the film, Jesus is depicted as building crosses for the Romans, being tormented by the voice of God, and lamenting the many sins he believes he has committed.
Because of these departures from the gospel narratives—and especially a brief scene wherein Jesus and Mary Magdalene consummate their marriage—several Christian groups organized vocal protests and boycotts of the film prior to and upon its release. One protest, organized by a religious Californian radio station, gathered 600 protesters to picket the headquarters of Universal Studios' then-parent company MCA. One of the protestors dressed up as MCA's Chairman Lew Wasserman and pretended to drive nails through Jesus' hands into a wooden cross. Evangelist Bill Bright offered to buy the film's negative from Universal in order to destroy it. The protests were effective in convincing several theater chains not to screen the film. One of those chains, General Cinemas, later apologized to Scorsese for doing so.
Mother Angelica, a Catholic nun and foundress of Eternal Word Television Network, described ''Last Temptation'' as "the most blasphemous ridicule of the Eucharist that's ever been perpetrated in this world" and "a holocaust movie that has the power to destroy souls eternally."
In some countries, including Greece, Turkey, Mexico, Chile, and Argentina, the film was banned or censored for several years. As of July 2010, the film continues to be banned in the Philippines and Singapore.
|$8,373,585
|-
|''Legion''
|2010
|R
|In this blasphemous film, God uses an army of angels to wipe out humanity, ignoring Psalm 91:11's promise that He sends angels to protect humanity.
|$40,168,080
|-
|''The Ledge''
|2011
|Not Rated
|Atheist screenplay writer Matthew Chapman confirmed that the main character is the first openly atheist hero in American cinema. Likewise, his work misleadingly depicts Christianity, via the character Jon, as being "bigoted", abusive, and domineering. Because of this, ''The Ledge'' failed at the box office flop and received generally negative reviews.
|$610,986
|-
|''The Messenger: The Story of Joan of Arc''
|1999
|R
|The prominent historical figure Joan of Arc is psychologically and emotionally unstable, impulsive, and prone to mood swings, so she leads the French army to victory purely out of selfishness, cruelty, and vengeance. However, historical evidence proves the contrary. Evidently, this film was made to criticize Roman Catholicism.
|$66,976,317
|-
|''Monty Python's Life of Brian''
|1979
|R
|A man is born on the same day as Christ Jesus and is mistaken for the Messiah. Expect an hour and a half of rampant sacrilege to follow suit.
|$19,398,164
|-
|''[[Monty Python's The Meaning of Life]]''
|1983
|R
|It's ninety minutes of absurdist, godless existentialism with a sacrilegious person's view of [[Heaven]] at the end by the staunchly nonreligious British troupe Monty Python. Need we say more?
|$14,929,552
|-
|''The Most Hated Woman in America''
|2017
|R
|This biographical drama sympathizes with [[Madalyn Murray O'Hair]], who is responsible for ending official Bible-reading in American public schools in 1963 ([[Atheism and Mass Murder|and disastrous results that liberals refuse to talk about]]), and not surprisingly turns her into a martyr.
|
|-
|''Missionary''
|2013
|R
|Copying the deranged lover plot device from other films (ex. Fatal Attraction), this film makes the maniac a Mormon.
|
|-
|''Noah''
|2014
|PG-13
|In a liberal take on the classic story from the [[Book of Genesis]], liberals, going along with their usual ''modus operandi'', shoehorn in harmful messages that had nothing to do with the original story, such as [[environmentalism]], living on a vegan diet, and most notably, insisting that the [[Theory of Evolution]] is "fact". In addition, many traits of the "antagonists" appeared to be more Biblical than those of the "protagonists".<ref>Patterson, Roger & Chaffey, Tim (March 29, 2014). [https://answersingenesis.org/noahs-ark/noah-movie-detailed-review/ The ''Noah'' Movie: Our Detailed Review]. ''Answers in Genesis''. Retrieved August 9, 2016.</ref>
|$101,200,044
|-
|''Oh! Heavenly Dog''
|1980
|PG
|Don't let the title fool you. The movie is anything but heavenly, as it smears Christianity and presents a false depiction of reincarnation.
|N/A
|-
|''Practical Magic''
|1998
|PG-13
|Yet another film glorifying witchcraft and attempting to mix romantic comedy into it (which even puzzled liberal critics).<ref>https://www.rottentomatoes.com/m/practical_magic/</ref> This was one of the many wiccan movies released during the late 90's.
|$46,683,377
|-
|''Priest''
|1994
|R
|Blatantly anti-Catholic and pro-homosexual.
|$4,165,845
|-
|''Robin Hood: Prince of Thieves''
|1991
|PG-13
|In this storm of political correctness for the sake of political correctness, the Christianity of Robin Hood and his Merry Men is heavily downplayed, save for Friar Tuck's initial bigotry toward the Muslim character Azeem. Azeem, who is not present in the original Robin Hood legends but was created for this version of the Robin Hood saga, is depicted as a wise, open-minded, tolerant mystic. Robin Hood and Azeem are portrayed by liberals Kevin Costner and Morgan Freeman, respectively.
|$390.5 million
|-
|''September Dawn''
|2007
|R
|This anti-Mormon propaganda piece blatantly distorts history. The Mountain Meadows Massacre was perpetrated by a group of Mormons, but, despite what this movie says, Church authority did not authorize such an act, and they still condemn it to this day. This movie was strategically released in order to muddy the waters of Mitt Romney's 2008 presidential campaign. Fortunately, the filmmakers did not get away with their heinous crimes, as ''September Dawn'' received extremely negative reviews from film critics, very weak box office receipts, and a Golden Raspberry Award nomination.
|$1,066,555
|-
|''Silent Hill''
|2006
|R
|Based on the horror-themed video game series with the same name (go figure), the Christians are the cult-like antagonists.
|$46,982,632
|-
|''Silent Night, Deadly Night''
|1984
|R
|A man becomes a serial killer after abuse from the Christian orphanage wherein he grew up. Conservative Christians successfully protested being vilified, and the film was pulled from theaters within one week of its release.
|$2,491,460
|-
|''Spotlight''
|2015
|R
|Another film bashing Christianity. The "heroes" uncover a scandal of child molestation in the Catholic Church. The film portrays them as "brave" (because Hollywood hasn't bashed Christianity enough) but ignores the fact that homosexual infiltrators within the Church, seeking to discredit and damage the Church, were responsible for the atrocities and their subsequent coverup. Strangely, the same unspeakable acts have been happening legally in Islamic nations but they are conveniently ignored by the liberal media (if the journalists uncovered that, then that would be an example of bravery). It also downplays the effect homosexuality had by having several characters specifically deny that homosexuality was a factor in their victimization and subsequent turns to homosexuality.
|$45,055,776
|-
|''Star Trek V: The Final Frontier''
|1989
|PG
|Secular humanists are kind, but the religiously devout as violent and ruthless. Even liberally biased critics didn't like it, as it won three Golden Raspberry Awards (Razzie Awards), including Worst Picture of 1989, and was nominated for three more Razzies.
|$63 million
|-
|''Sunshine''
|2007
|R
|This vehemently nonreligious, apocalyptic film is full of scientific inaccuracy. Christianity is embodied in a homicidal psychopath, who believes that it is the will of God for the world to end. This Christian is willing to kill anyone who gets in the way of what he believes is the will of God. The personified atheism, in contrast, is "sympathetic", "kind", and "pro-humanity".
|$32 million
|-
|''The Truman Show''
|1998
|PG
|An atheism and humanism propaganda piece about liberal president Harry Truman. Truman doesn't realize his seemingly ordinary life is a reality TV show, overseen by Christof, the show's heartless and manipulative creator. Christof lives in the fake sky above Truman, watching over him, controlling everything from the weather to Truman's destiny. He is an allegorical substitute for the Christian God. (Notice "Christ" in his name.) Truman must escape from the false world of the show (Christianity) and triumph over Christof. As Truman appears to walk on water in the ending, the film is displaying the false, human-worshipping sentiment that man can replace God and be Lord of his own life.
|$31,542,121
|-
|''Victor Frankenstein''
|2015
|PG-13
|The protagonist of the classic conservative novel warning against the consequences of playing God is now one of the most openly atheist protagonists in cinema.
|$34.2 million
|-
|}

==Debatable Whether Liberal==
{| class="wikitable sortable"
|-
!Film
!Year
!Rating
!Comments
!Gross (Domestic)
|-
|''21 Jump Street''
|2011
|R
|Two police officers try to take down a drug ring in high school where the villains are environmentalists and drug dealers. But contains many sexual references, full profanity, and many religious insults. A parodic comedy remake of the 1987–91 [[Fox Network]] police drama of the same name.
|$201,585,328
|-
|''The 40-Year-Old Virgin''
|2005
|R
|A bawdy sex comedy about a man who is ridiculed by his peers for his indifference to sex as an adult. His friends, feeling that he isn't "normal", try to encourage him to lose his virginity, starting with pornography, sex toys, and even prostitution. However, their personal attitudes towards women ruin their own relationships, and the man remains steadfast in his abstinence. Later, he meets a woman who connects with him, but is no longer a virgin, as she has a teenage daughter. At one point, her daughter confesses only to him that she is also a virgin and encourages him not to feel bad about it. However, her mother, who has been on multiple dates with him, is still unaware of his virginity. After their proposed deadline by which the two agreed to eventually have sex, he tells her of his virginity and stays reluctant about giving in. There is some drama and confusion between them, but she eventually comes to accept him and the two are happily married at the end before having sex.
|$177.4 million
|-
|''Accepted''
|2006
|PG-13
|It criticizes the [[Department of Education]] (or colleges and universities in general) and our protagonist lives the America dream by starting his own college, but then the juvenile humor, gross-out humor and drug abuse steps in.
|$36,323,505
|-
|''Aeon Flux''
|2005
|PG-13
|Anti-cloning film, but also pro-feminism as well.
|$25,874,337
|-
|''Antz''
|1998
|PG
|It's produced by [[Jeffrey Katzenberg]], downplays the military, and possesses an implicit promotion of Communism via the main character, but also has an Anti-Eugenics message too.
|$90,757,863
|-
|''Army of Darkness''
|1993
|R
|Despite its unrealistic depictions of demons, it's a pretty gun-centric pro-Second Amendment film.
|$11,502,976
|-
|''Atlantis: The Lost Empire''
|2001
|PG
|Released during the [[Michael Eisner]] era of [[Disney]]. On the one hand, the main villain is a military commander who would endanger the lost city of Atlantis just to be rich, and it is implied that he would commit treason by selling the power source to the Kaiser during World War I for the same motivation. The theft of the crystal to become rich could be seen as a condemnation of capitalism. That being said, however, capitalism has also been promoted in a more positive light in the form of Preston B. Whitmore, an eccentric but ultimately good-hearted billionaire who funded the expedition in the first place, and in addition, most of the principal cast was shown to have dreams of getting a better lot in society, with it being heavily implied in the ending that they ultimately succeeded in achieving those dreams after selflessly trying to save Atlantis, which acts as an implicit promotion of both capitalism and the American Dream.
|$84,056,472
|-
|''Beauty and the Beast''
|1991
|G
|A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to [[feminism]] to the [[liberal]] movies churned out by [[Disney]] since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.<ref name="Woolverton and Belle">https://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>https://www.yahoo.com/news/belle-beauty-beast-became-disneys-155053182.html</ref> In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what ''they've'' got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",<ref>http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle</ref> which had partly been done in response to negative criticisms towards Ariel in the Conservative film ''The Little Mermaid'' (which had been the immediate preceding film) by liberal critics,<ref name="Woolverton and Belle" /> and the feminist writer [[Linda Woolverton]] made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.<ref name="Beauty and Maleficent">{{Cite web|url = http://time.com/2798136/maleficent-beauty-beast-writer/|title = The Same Woman Wrote Maleficent and Beauty and the Beast—Here’s How They’re Linked|date = May 30, 2014|accessdate = January 16, 2014|website = Time|publisher = |last = Rothman|first = Lily}}</ref><ref>http://www.ew.com/article/2016/05/26/linda-woolverton-alice-belle-disney-heroines?xid=entertainment-weekly_socialflow_twitter</ref><ref>https://www.bustle.com/articles/163686-the-one-thing-beauty-and-the-beast-fans-probably-dont-know-about-the-creation-of-belle</ref><ref>http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>http://articles.latimes.com/1992-01-19/entertainment/ca-544_1_disney-film</ref> On that note, this made it the first ''Disney'' animated adaptation of a fairy tale to radically alter the story specifically to promote a left-wing socio-political agenda onto the audience regardless of whether such was actually appropriate for the audience or an actual good message (as prior Disney films generally made alterations specifically to tone down anything that was otherwise inappropriate for the age group for the audience).

Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it (i.e., ''The Hunchback of Notre Dame'' and ''The Princess and the Frog''), the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light.

Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter. According to Don Hahn, there were also several overtones of a pro-homosexual agenda within the film, including choice lyrics of the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made and wanting to push the idea of being "ostracized" for his suffering from AIDS.<ref>https://www.vanityfair.com/hollywood/2017/03/beauty-and-the-beast-gay-lefou-howard-ashman</ref><ref>https://www.denofgeek.com/movies/16583/don-Hahn-interview-beauty-and-the-beast-howard-Ashman-the-lion-king-south-park-and-frankenweenie</ref> One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the [[Essay:Worst Liberal Movies#Social|definitely liberal]] ''Maleficent'' movie.<ref name="Beauty and Maleficent" />
|$$218,967,620
|-
|''Beauty and the Beast'' (2017 remake)
|2017
|PG
|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning easy revenue and capitalizing on current film trends in the modern, soulless Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity and promote some liberal values within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion in the cast of characters is that it feels self-congratulatory in the sense of putting it all in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it was never actually specified that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle.

Not only is it an atrocious and needless artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran.

On the other hand, there were also several surprisingly Conservative messages in the film, significantly more than in the 1991 version. Namely, Christianity is treated in a far more positive light in this film than in the 1991 version as one of the few friends Belle has in this version is the village Chaplain named Pere Robert who is shown to be sympathetic to her bibliophilic nature and also attempts to prevent Maurice from being sent to the Asylum, and later is shown to be horrified at the formation of the mob against the Beast (it is to be noted that in the original 1991 film, the character in question was merely a bookseller, not a priest, and most of the villagers, implied to be devout Christians, were demonized in the film), which was also surprisingly accurate to history despite the aforementioned changing of history in the film (in real history, Christianity, especially the Catholic Church, actively encouraged literacy, writing, and arithmetic among both genders, with girls being taught in convents or at the home.). In addition, Maurice actually is shown to be more proactive in this film, such as directly refusing Gaston's attempt at marrying Belle and even attempting to expose Gaston as an attempted murderer and psychopath, and also plays a direct role in saving Belle and himself from the paddywagon after she exposes Beast to the villagers (in the original film, although he does set out to try and find Belle and save her after trying to get the villagers to help failed, he ultimately required saving by her due to catching an illness during his trek, and ultimately needed saving alongside Belle via Chip).

In addition, Lumiere as well as the featherduster (named Plumette in this version) are shown to be an actual loving couple (in the original film, it is heavily implied that Lumiere was a frequent womanizer and that the featherduster was also sexually loose), and the remake also doesn't demonize traditional marriage nearly as much as in the 1991 version (notably, the remake cut out Gaston's wedding proposal as well as Belle shoving Gaston into mud in front of attendees). The forgiveness and redemption theme was also significantly more emphasized in the remake, due to Beast ultimately forgiving Maurice after learning why he had tried to steal the rose and even allowing Belle to save Maurice specifically to make up for his past behavior, with Maurice also forgiving Beast upon Belle showing him the baby rattle (originally, Maurice was a bit more hesitant to forgive the Beast). It is also shown to be significantly more pro-family as well, as not only is Belle shown to be loyal to her father like in the 1991 original, but as noted above, Maurice himself took measures to protect Belle and notably agreed with Belle that Gaston would not have worked out for her (originally, Maurice also thought Gaston was alright for her), and he also was shown to be very protective of Belle after his wife had died from the plague, with Belle's mom specifically sacrificing herself by telling them to leave her behind to allow Belle a healthy life.

In addition, the triplets (renamed to "Village Lasses") in the remake were depicted as having haughtiness, arrogance, being jealous of Belle, as well as overall being nasty people, including briefly smirking at Belle when she was locked up in the paddywagon as well as being actively involved in the arrest of Maurice as well as the later attack on Beast's castle (in the original film, the triplets were not shown to have any negative behavior to them besides their crushing on Gaston [not participating in the later arrest of Maurice, let alone the attack on Beast's castle shortly afterward during the climax, and also implying at one point that they were willing to give their blessing to Gaston marrying Belle when Belle refused him in the beginning of the film, and while they were present during the final lyrics for the Gaston reprise where Gaston explicitly divulged key details for his blackmail plan, the way it was framed could easily be interpreted as the triplets genuinely not knowing about the plan due to their absence from Maurice's arrival up to the scene where Gaston whispers the plan to LeFou.], and it is also heavily implied that they supported traditional marriage and were demeaned in the film by being referred to in the script as The Bimbettes and treated as dumb blondes for this reason). In addition, according to the film's director Bill Condon as well as one of the triplets' actresses, Rafaelle Cohen, the reason the triplets were intensely jealous and spiteful of Belle was because their mother neglected them while doting on Belle, showcasing the dangers of parental neglect.
|
|-
|''Beauty and the Beast: The Enchanted Christmas''
|1998
|G
|Paints Christmas in a positive light, and has Beast learning the meaning behind it, as well as putting aside the past relating to it being the reason he was cursed. Also significantly tones down the more feminist messaging from the original film. The manner in which Christmas was depicted, however, was closer to the secular view of Christmas than the actual intended meaning of the holiday being a celebration of the birth of [[Jesus Christ]].
|N/A (Direct to video movie)
|-
|''The Bee Movie''
|2007
|PG
|Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie.
|$287,600,000
|-
|''Bohemian Rhapsody''
|2018
|PG-13
|A biopic of [[Freddie Mercury]], the lead singer of the band Queen. While it does show elements of the practice of homosexuality and hedonism, at the same time, the film largely condemned the practice since it was made clear that Mercury's embracing of these things was what ultimately ruined Queen and his personal relationships, and is what ultimately killed him via AIDS. In addition, Paul Prenter, the only other major character to embrace homosexuality in the movie, was depicted in a very negative light, as he was one of the reasons Mercury went down a bad path, with it being made clear later on that Paul largely was using Mercury for his own gratification, blamed others for his bad ideas, and even hid vital information from Mercury deliberately such as the Live Aid concert plans as well as Mary Austin calling him. It also had a promotion of redemption, as Mercury, inspired largely by his former girlfriend/wife, Mary Austin nearing the end of the film, attempts to reconnect with his band and family and make amends in the time he had left before dying from AIDS. That all being said, however, it's debatable whether the film intended to paint his homosexual escapades in a negative light, as several members of the production company, including Freddie Mercury's actor Rami Malek, indicated that it was a "regrettable" decision as a result of not having enough time to give a "more balanced" view of (ie, promoting) his bisexual lifestyle.
|
|-
|''The Campaign''
|2012
|R
|Political comedy depicts the Democrat candidate (Will Ferrell) as an obnoxious, drunken womanizer and satire of [[John Edwards]], although the Republican candidate (Zach Galifianakis) is portrayed just as negatively as a corrupt capitalist.
|$33,165,738
|-
|''Chicken Run''
|2000
|G
|Produced by [[Jeffrey Katzenberg]], this vegan propaganda film compares a chicken farm to the [[Holocaust]].<ref>https://www.youtube.com/watch?v=ynn_A73hcfs</ref> The main villain of the movie is a capitalist who wants to make chicken pies. The film also promotes elements of feminism and anti-Americanism. On other hand the main villain of the movie is also a feminist as well as she called her husband's ancestors "poor worthless nothings"
|$106,834,564
|-
|''The Crow''
|1994
|R
|The tagline claims that our hero is an angel, but he doesn't display any Christian values. However, there is an anti-drug scene were Eric Draven (the hero) makes a drug addict mother realize that her daughter needs her & gets her off drugs. On top of that the film's villains are nihilist anarchists. The film is notable for being Brandon Lee's last film, as an accident on the set killed him during production.
|$50,693,129
|-
|''Ed Wood''
|1994
|R
|Although it does glorify cross dressing and the [[homosexual agenda]]. It still is pro-capitalism and the film also glorifies the American dream. As despite the obstacles Wood faces, he still continues doing what he loves in making movies.
|$5,887,457
|-
|''Edward Scissorhands''
|1990
|PG-13
|Endorsed by the Christian website ChristianAnswers.net with a 4 out of 5 star rating. Conversely however, a prominently featured Christian character - the only character in the movie ever identified as Christian - is portrayed as fanatical and bigoted against people with scissors for hands.
|$56,362,352
|-
|''Falling Down''
|1993
|R
|Film takes jabs at many [[liberal values]], [[illegal immigration]], union workers, multiculturalism, (one scene where Bill tells his ex-wife that the ice cream shop him and his family used to go to is now a Mexican store) and foreign aid (in one scene Bill asks an illegal Korean immigrate a rhetorical question on how much America has given his country and yells at him after he refuses to learn the language).<ref>https://www.youtube.com/watch?v=Z4tC4qfv92Q</ref> It's also one of the very few films to be truthful in the "Nazis were right wingers" myth perpetrated by liberals, in which Bill informs a Neo-Nazi that he's an American and the Nazi is a sick a-hole. As well as many shots where the America flag is trashed upon (which could symbolize how liberalism has trashed everything America has stood for).<ref>https://www.youtube.com/watch?v=piPzExBdfIg</ref> But at the same time it also takes jabs at capitalism, where Bill believes he's no longer commercially valuable. And although the plot is about man trying to reach his daughter's birthday party, the film seems to toy with its audience in suggesting whether he's mentally ill or not, as opposed to a pro-family message.
|$40,903,593
|-
|''[[Fargo]]''
|1996
|R
|A pregnant sheriff with traditional American family values solves an elaborate criminal embezzlement, kidnapping, and murder scheme. It remains debatable whether she is a feminist or feminine protagonist.
|$24,611,975
|-
|''Ghost''
|1990
|PG-13
|The [[Bible]] claims ghosts don't exist. Still this film toys with idea that they do, also it has liberal actress Whoopi Goldberg as a psychic medium. Nevertheless, the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, when he does convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being cared away helplessly by evil spirits after they die.
|$217,631,306
|-
|''Good Kill''
|2014
|R
|Ethan Hawke plays a man who questions the ethics of his job as a drone pilot, while it is taking a jab at the [[Barack Obama]] regime (Obama has droned more people in the Middle East than George W. Bush, most of whom were innocent bystanders and the left has ignored it or claimed it was a "Fox News conspiracy"). It could also be against the War on Terror too.
|$316,472
|-
|''Grave of the Fireflies''
|1988
|UR
|While the film has been labeled anti-war, the director Isao Takahata stated the actual meaning was about growing up. The film's message is still debatable to this day.
|
|-
|''Halloween III: Season of the Witch''
|1982
|R
|Unlike the two films before it (which has mass murder Michael Myers) this film's villain is a pagan who plans on sacrificing children via witchcraft to bring back the original celebration of Halloween. However he does this by selling masks to them which many critics pointed out may have been an anti-capitalism message.<ref>https://www.nytimes.com/1982/10/22/movies/haloween-iii-plotting-a-joke.html</ref> The film's "hero" is also an adulterer.
|$14,400,000
|-
|''Hansel & Gretel: Witch Hunters''
|2013
|R
|Western fairy tale characters Hansel and Gretel are now adults and have their own private bounty hunting organization in hunting witches. Portrays witchcraft in a negative manner, and guns in good light. But the gore, graphic violence and brief nudity is rather unnecessary.
|$55,703,475
|-
|''Harry and the Hendersons''
|1987
|PG
|Should be PG-13 for multiple uses of the dreaded S-word in profanity.
|$49 million
|-
|''High Noon''
|1952
|UR
|A favorite of both Presidents [[Dwight Eisenhower]] and [[Bill Clinton]]; [[John Wayne]] said it was "the most un-American thing I've ever seen in my whole life";<ref>http://www.brightlightsfilm.com/47/highnoon.php</ref> though susceptible of various interpretations, most of all it seems to scare people into wanting more government.
|$3,750,000
|-
|''Hoot''
|2006
|PG
|A movie about a bunch of kids who stand up to a CEO company that is trying to put one of its restaurants on a burrowing owl habitat. However the movie contains many morals, and promoting friendship. It does give kids the great inspiration to stand up for what they believe is right.
|$8,117,637
|-
|''Horrible Bosses 2''
|2014
|R
|Sequel to Horrible Bosses. Though this film could be argued to actually support the American Dream and capitalism, which its processor clearly did not.
|$54,445,357
|-
|''[[The Hunger Games]]''
|2012
|PG-13
|Futuristic totalitarians plan titular annual televised "games" as punishment on the descendants of failed revolutionaries from a past uprising. Although technically a message against totalitarianism and for individualism, Leftist actor Donald Sutherland, who played President Snow, implied that the struggles of the films' protagonists were supposed to be derived from the Occupy Wall Street movement, and the book's author also indicated that the events of the book were based on the George W. Bush administration.
|$406,267,858
|-
|''Indiana Jones and the Kingdom of the Crystal Skull''
|2008
|PG-13
|Although the film does depict the Communists as bad guys (to such an extent that the Russian Communist Party in Moscow was angered by the decision), and implies that Indiana Jones is a Republican or at the very least an [[Dwight D. Eisenhower]] fan, the film also depicts McCarthyism in a negative light, with one character implying that the American Government was simply being paranoid and denies there being a sizeable Communist infiltration in America, and also seems to promote paganism in the form of the Crystal Skull.
|$786.6 million
|-
|''The Iron Giant''
|1999
|PG
|This animation espouses anti-war themes and also brief but strong anti-hunting sentiments. Firearms in general are shown in a negative light, with the phrase "guns kill" being repeated a total of three times. The titular giant is referred to as a "big gun that walks." From a conservative viewpoint, he is a poor metaphor for a real gun; unlike a law-abiding citizen who is a gun owner, the giant has no choice in his actions because he is a war machine programmed with the inability to use his weapons for good, but only to use them thoughtlessly and senselessly. The story involves him learning to hide his weapons and "not be a gun". The conclusion is that, in order to protect the public from an incoming missile, he must fly into it and kill himself rather than use his guns against it. As it is explained, "It's bad to kill, but it isn't bad to die." In addition, despite being set during the Cold War, it largely downplays the Soviet menace that was occurring during that time, as the main antagonist, Kent Mansley, is a government agent (implied to be part of the NSA) investigating the titular Iron Giant who at one point while launching a tirade against Hogarth Hughes alludes to the possibility that the Communists may have been responsible for the Giant's creation as a means to destroy America and that they must destroy it before "it destroys us" and is treated negatively for it. Also features some foul language.

That all being said, however, despite the definite anti-gun and anti-hunting themes, the film does portray the military in a fairly positive light, as General Rogarth was shown to be even-headed and only willing to use military force if confronted with evidence requiring for it, also making clear that he was not happy about bringing out an implied large military force for what was apparently a hoax, and while the military does try to attack the Iron Giant late into the film, it was only because they had been manipulated into doing so by Kent Mansley by the latter lying about the giant killing Hogarth Hughes, and only when confronted with evidence that Hogarth had in fact been alive did the military stand down. In addition, when Hogarth left to investigate the evidence of a "martian" taking out an antenna, he proceeded to salute a photograph of his father, who was implied to have died during World War II. Also has a positive portrayal of the American icon Superman in it. There's also an anti-materialist message in it as well as an implicitly Christian message, as Hogarth talks to the Giant about how humans and other forms of life possess souls that live on even after their mortal bodies die.
|$5,732,614
|-
|''The Iron Lady''
|2011
|PG-13
|The British biopic of [[Conservative Party]] leader and 1979-90 [[Prime Minister of the United Kingdom|British Prime Minister]], Margaret Thatcher, showing the effects of conservative economic policy on Britain, helping to lift the country out of its recession. However, it also showed Margaret Thatcher in a somewhat negative light, depicting her during her late years as becoming slightly addled.
|$80,554,188 (international including UK), $27,081,674 (US - domestic)
|-
|''[[It's a Wonderful Life]]''
|1946
|UR
|It promotes the concept of self-worth and individualism ultimately, and that choices do in fact matter and have consequences, and ultimately promotes faith to a certain extent. However, it also falsely teaches that humanism is what makes life worthwhile; marginalizes [[faith]] with a cartoonish depiction and demonizes capitalism as sadistic and greedy.
|$3,300,000
|-
|''Jaws''
|1975
|PG
|Anti-environmentalism film, the heroes are police chief Brody, WWII vet Quint and Marine Biologist Hooper who team up to take on a monstrous, man-eating great white shark. However, there is a part where (despite the warning) the Mayor keeps the beaches open for the sake of money, which some may say is an anti-capitalism statement. Notable for being one of the first summer blockbusters. It was followed by three sequels in 1978, 1983 and 1987.
|$260,000,000<ref>http://www.boxofficemojo.com/movies/?id=jaws.htm</ref>
|-
|''Juno''
|2007
|PG-13
|A pregnant teenage woman rejects [[abortion]] and decides for an adoptive birth instead. This movie pushes [[feminism]] and marginalizes the essential role of fatherhood.
|$143,492,840
|-
|''Jurassic World''
|2015
|PG-13
|Jurassic Park is now functioning and open for business and the new boss is a woman, an obvious feminist message. Also the military is downgraded as they plan to weaponize dinosaurs. Despite all this feminists weren't impressed and labeled it sexist<ref>https://www.thedailybeast.com/articles/2015/06/10/jurassic-world-a-big-dumb-sexist-mess.html</ref> and even liberal critics called the weaponizing dinosaurs plot asinine.<ref>http://thoughtcatalog.com/olos-nah/2015/06/ill-just-say-what-everyone-is-thinking-jurassic-world-is-terrible/</ref>
|$652,270,625
|-
|''Kiki's Delivery Service''
|1989
|G
|The film does show the value of hard work and is pro-capitalism (Kiki owns her own delivery business), but at the same time depicts feminism and witchcraft in a positive light.
|$18 million
|-
|''Kingdom of Heaven'' (director's cut)
|2005
|R
|A story set in the Crusades period about a young knight. While the theatrical version was a pure liberal media, the director's cut promotes fighting, honor, duty, and portrays the noble Knights Hospitallers in a positive light. That being said, the movie still portrays Knights Templars in a negative light.
|$47,398,413
|-
|''Kingsman: The Secret Service''
|2015
|R
|Anti-environmentalist, the villain attempts to eradicate the human race because of his belief in man-made global warming. Though the film is full of language and violence as well as a brief nudity scene. There's also one scene were one of the characters gets into a bloody fight with a group of Christians whom are portrayed as "racists".
|$128,261,724
|-
|''Knocked Up''
|2007
|R
|Unemployed, immature and childish 23-year old Ben Stone (Seth Rogen) has a one-night stand with serious career woman Alison Scott (Katherine Heigl), with the unintended consequence of pregnancy. Alison's mother (Joanna Kerns) says she should get the pregnancy "[[abortion|taken care of]]", while Ben's best friend Jonah (Jonah Hill) suggests that "I won't say the A-word, but it rhymes with abortion." Alison decides to keep the child, while Ben decides to find a real job, grow up, and become a father.
|$148,768,917
|-
|''The LEGO Movie''
|2014
|PG
|Anti-Large Government, with a message that anyone has the potential to be extraordinary. However is also anti-capitalist, and the main villain is Lord Business.
|$257,760,692
|-
|''Lincoln''
|2012
|PG-13
|Bio film on conservative icon [[Abraham Lincoln]], played wonderfully by Daniel Day-Lewis. Although overall very positive towards Lincoln and the Republican Party, it nonetheless downplays the role the Democrat Party played in the institution of slavery during the Civil War.
|$182,207,973
|-
|''Lionheart''
|1990
|R
|Pro-family as Jean-Claude Van Damme plays Lyon Gaultier (nicknamed Lionheart) who becomes a street fighter to help pay his sister-in-law's expenses after her husband is killed. During this time he also tries to reconnect with his estranged family. However he gets into the country illegally, which some could point out is a pro-illegal immigration statement.
|$24,078,196
|-
|''The Lorax''
|2012
|PG
|Although it has an environmentalist agenda, it also states that monopolies are wrong.
|$214,030,500
|-
|''Mulan''
|1998
|G
|The film has Liberals changing history to suit their feminist agenda similar to what they did in Pocahontas as well as some historical revisionism (In the film the Huns are at war with China, even though this never happened). However, the central theme of [[Filial piety]] from work it was based on, [[The Ballad of Mulan]], is still present ultimately, as the main reason Mulan joined the military was because her father suffered a severe injury that made him unfit for combat, and the film is pro-Military.
|$120,620,254
|-
|''P.C.U.''
|1994
|PG-13
|College students fight back against a campus where the administration promotes official [[diversity]] awareness weekends and radical [[feminism]], [[vegan]]ism, and [[political correctness]] run amok, but a conservative group on campus is also portrayed just as negatively as the P.C. groups.
|$4,350,774
|-
|''[[The Passion of the Christ]]''
|2004
|R
|Downplays the [[Resurrection]]<ref>The original version of the film had no references at all to the Resurrection.</ref> and strength of Christianity and omits powerful angels; instead exaggerates triumph of evil; film had little lasting effect on public or its producer; portrayed nails as through the hands rather than through the wrists as depicted by the [[Shroud of Turin]] and confirmed by modern science.
|$370,782,930
|-
|''Pillow Talk''
|1959
|UR
|A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones. There are no distortions by feminist ideology. Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it!
|$18,750,000
|-
|''The Princess and the Frog''
|2009
|G
|Liberals praised this film for featuring Disney's first African American princess but ignored the fact that it insults Christianity with Louisiana Voodoo, even replacing the traditional role of the fairy godmother with a blind voodoo priestess. On top of that, ''The Princess and the Frog'' is said to have stolen much of its plot from great conservative film ''The Little Mermaid'' <ref>http://crowdofstars.livejournal.com/14186.html</ref> That being said, however, it does depict traditional femininity in a positive light in the form of the side character Charlotte LeBoeuf, and is the first Disney animated feature film to have a positive depiction of traditional marriage since ''The Little Mermaid'' two decades prior. It's also debatable as to whether it promotes feminism, as aside from Charlotte LeBoeuf being depicted in a positive light overall as noted above, it implies at one point that Tiana achieving her dreams of being a CEO is ultimately a negative due to the main villain Dr. Facilier using that to tempt her into aiding him.
|$104,400,899
|-
|''Pulp Fiction''
|1994
|R
|Despite saying the F-word in almost every sentence, the film (surprisingly) has a pro-Christian message as after being shot at, every bullet misses mob hit men Jules Winnfield and Vincent Vega. Winnfield believes it was a divine intervention and message from God to stop his life of crime. His partner doesn't believe this but it's later proven to be true as he perished later on in the movie. Also has sadomasochistic homosexuals as the bad guys. And (sort of) has an anti-drug message as mob boss's girlfriend Mia Wallace is seen also overdosing (a negative side to drugs) on heroin.
|$107,928,762
|-
|''The Rescuers''
|1977
|G
|The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich, to add insult to injury they're Southerners. Also paints the United Nations in a positive light. On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped). This is one of the rare Disney films feature a [[Christian]] character that's treated in a positive light.
|$29 million

|-
|''Robin Hood''
|1973
|G
|Animated Disney adaptation of the iconic story, depicting all of the characters as anthropomorphic animals. Although the story itself was based on [[Joseph Ritson]]'s revised version of the character that was in support of the Jacobin cause and thus was a liberal icon (steals from the rich, gives to the poor), the villain is Prince John who makes his money from taxes, suggesting Robin Hood is only giving money the government demanded back to people who actually worked for it. It also features a condemnation of government encroachment of the church, as a pivotal scene featured the Sheriff of Nottingham explicitly stealing a coin from the poor box and his later arresting Friar Tuck for trying to stop him, and the Sheriff's actions were clearly being framed in a horrible light.
|$32 million
|-
|''[[Rogue One: A Star Wars Story]]''
|2016
|PG-13
|A group of freedom fighters undertake a dangerous mission in an attempt to steal the plans for the Galactic Empire's ultimate weapon, the Death Star. Unlike the previous Star Wars films, the focus of this one is on soldiers on the battlefield, their goal to restore liberty to the Galaxy. This gives the movie a strong feeling of American patriotism, and could also be argued to show respect to the U.S. military. However, the screenwriters Chris Weitz and Gary Whitta made tweets that implied that they were trying to push the leftist Diversity agenda just after Trump won the presidency, as well as used a customized version of the Rebel Starbird logo with a safety pin attached, and one of the main characters, Saw Gerrera, was stated to be based on Marxist revolutionary [[Che Guevara]] and was treated in a (comparably) positive light.
|$1,043,133,586
|-
|''Saw''
|2004-2010, 2017
|R (Director's Cuts are NC-17)
|The franchise contains an anti-nihilist message, with the antagonist, John Kramer, also known as "the Jigsaw Killer," wishing for his victims to survive the "games" in which he places them, ultimately emerging with a better appreciation for their lives. For example, ''Saw'' condemns the adultery committed by Dr. Lawrence Gordon. ''Saw III'' focuses on the value of forgiveness, John having Jeff Denlon complete three tests involving the three people whom he blamed for the death of his young son. ''Saw IV'' contains a very strong message of letting go and letting people find salvation and redemption for themselves, an allusion to biblical passages about the subject. However, it could also be argued that Jigsaw is playing God with the value of human life, by bringing his test subjects to the very edge of death, forcing them to gravely hurt themselves, in order to survive. Furthermore, in ''Saw III'', one of his apprentices, Amanda Young, is revealed to have rigged traps to kill her victims, even if they successfully complete their games, as she no longer believes in Jigsaw's philosophy. However, John is shown clearly shown to be disgusted by Amanda's actions, though nevertheless trying to guide her to redemption, or at least his version of it. Other condemnations of nihilism include the clearly sociopathic depiction of corrupt Detective Mark Hoffman, the most important of Jigsaw's apprentices, as he, like Amanda, strays from John's philosophy and simply rigs traps to murder his victims, while also carrying out the games that John had planned before his death at the end of ''Saw III.''
|$953,421,276
|-
|''Shame''
|2011
|NC-17
|While the movie shows [[Hollywood Values]], such as sex addiction, in a negative light and is clearly anti-[[homosexual agenda]], as the main character reaches his lowest point by partaking in such acts, the film is graphic in its nature leaving one to question how conservative it really is.
|$3,909,002
|-
|''[[The Simpsons]] Movie''
|2007
|PG-13
|This feature based upon the long-running animated sitcom portrays the liberal [[Environmental Protection Agency|EPA]] as a villainous and devious agency and the government in general as intrusive and corrupt. On the other hand, it celebrates [[environmentalism]] in the beginning.
|$183,135,014
|-
|''Soul Man''
|1986
|PG-13
|A white student cheats the [[affirmative action]] system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portyals the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect.
|$27,820,000
|-
|''[[Star Wars]]''
|1977-1983 (Original Trilogy); 1999-2005 (Prequel Trilogy); 2015- (Sequel Trilogy)
|PG, PG-13 (Episode III & Episode VII)
|The well-known space opera series is mostly composed of simple truths about the triumph of good over evil, and in the case of ''Episode VI: Return of the Jedi'', redemption. However, ''Episode VI'' also contained some implied pro-[[Vietcong]] propaganda at George Lucas' behest via the Ewoks, as well as his later claiming that the entirety of the ''Star Wars'' saga from ''Episodes IV''-''VI'' was meant to be his means of protesting Vietnam (which is supported by a memo dating back to 1973 where he claimed the film was about "A large technological empire going after a small group of freedom fighters." It is also to be noted that this was not the first time he voiced support for the Vietcong as well as used film to push an anti-American/anti-War agenda, as he also initially played a role in the filming of ''Apocalypse Now''<ref>http://nypost.com/2014/09/21/how-star-wars-was-secretly-george-lucas-protest-of-vietnam/</ref>), and the re-release for ''Episode IV: A New Hope'' also had an infamous edit where it made it seem as though Greedo shot at Han first, with George Lucas later revealing he did the edit (or rather, falsely claimed it was always that way) as a means to promote gun control. Regarding the pro-Vietcong sentiment being pushed in ''Return of the Jedi'', former president [[Richard Nixon]] in his 1985 book ''No More Vietnams'' cited ''Return of the Jedi'' as ultimately one reason why America, at least by that time, had initially felt so guilty of their strength that they were unwilling to use it even to defend their freedom and that of others.<ref>''No More Vietnams'' by Richard Nixon, 1985 Chapter 1: The assertion that our very bigness is badness has infested our culture to a surprising degree. The creator of the phenomenally successful Star Wars series recently explained that the climactic scene in one of his moves - in which the evil “Empire’s” giant war machines are destroyed by fuzzy little good guys with wooden bows and arrows - was inspired by the Vietnam experience. No matter that in Vietnam the Communist “good guys” packed Soviet automatic rifles and, in 1975, rode state-of-the-art Russian tanks across the South Vietnamese border. The propaganda of disproportionate forces in Vietnam, the myth of small/good versus big/bad, did enough damage to help lose the war for the United States and the people of South Vietnam. Today it is one symptom of the Vietnam syndrome to the extent that it makes Americans ashamed of their power, guilty about being strong, and forgetful about the need to be willing to use their power to protect their freedom and the freedom of others.</ref>

The prequel trilogy also had some implied pot-shots at then-president George W. Bush and his War on Terror, and there was also an implied promotion of moral relativity in ''Revenge of the Sith'' (where Obi-Wan, when confronting Anakin Skywalker/Darth Vader in the climax, stated in reply to Anakin's declaration that Obi-Wan is his enemy if he's not with him that "only a Sith deals in absolutes."). A similar promotion of moral relativity and postmodernism was shown in ''Return of the Jedi'' where Obi-Wan admitted that his claim that Vader killed Anakin Skywalker was "true from a certain point of view," as well as further elaborating his claim by stating that "[[Subjectivism|a great many of the truths we cling to depend greatly on our point of view.]]" The same movie's ending also carries an implicit promotion of cannibalism. In addition, the Trade Federation and its motives in ''The Phantom Menace'' was crafted by George Lucas to be a negative response to the Republican Revolution of 1994, and in particular Newt Gingrich's Contract with America (with Gingrich himself being a partial namesake of the main villain, Viceroy Nute Gunray). ''Attack of the Clones'' and to a lesser extent ''Revenge of the Sith'' also had very blatant anti-war themes and a very negative portrayal of the military, as a large part of the plot involved creating a military for the republic (and in the case of ''Revenge of the Sith'', the near end of the Clone Wars), with the narrative strongly implying that even forming a military at all was somehow a threat to freedom. To a lesser extent, the Prequel trilogy also has a negative depiction of family values, since it's implied that even holding attachments to family or trying to start a family leads directly to turning to the Dark Side, with Yoda even stating that such acted as "the shadow of greed." Lucas, in an interview with Time Magazine, also made similar jabs on family when explaining Anakin's character arc and his eventually becoming Darth Vader, where he said "Because he [Anakin Skywalker] gets attached to things...He can't let go of his mother...his girlfriend...things. It makes you greedy. And when you're greedy, you are on the path to the dark side because you fear that you're going to lose things. You fear you're not going to have the power you need."<ref>https://web.archive.org/web/20020923140712/http://cgi.theforce.net/theforce/tfn.cgi?storyID=15712</ref>

In addition, the director for ''Episode VII: The Force Awakens'', [[J.J. Abrams]], admitted in a press release that he deliberately made Finn black in order to ensure diversity among the characters, hinting at it pushing the leftist [[diversity]] agenda.<ref>https://www.cnet.com/news/director-j-j-abrams-weighs-in-on-diversity-in-the-star-wars-universe/?_escaped_fragment_=#! Two audience members jointly asked Abrams whether -- given his track record of helping build a diverse cast as director of the "Star Trek" reboot films -- he could confirm if there will be more Asian characters in the Star Wars universe. Asian characters are few and far between in the Star Wars franchise -- one appears in the original trilogy's last film, ''Return of the Jedi'', but for only four seconds before dying in a fiery explosion. Abrams said that while he won't be casting future films in the franchise, because he's directing only ''Episode VII'', he did include Asian characters in ''The Force Awakens'', which opened December 18. "I think it's important people see themselves represented in film," Abrams said. "I think it's not a small thing."</ref> Also, the film also hints at a militant [[feminist]] agenda by having Leia act as general and Rey not allowing anyone to save her, something that conservative commentator John Nolte mentioned was a detraction for the film.<ref>https://www.breitbart.com/big-hollywood/2015/12/17/star-wars-the-force-awakens-review-j-j-abrams-repents-for-the-sins-of-george-lucas/</ref> In addition, the ending award ceremony in ''A New Hope'' was deliberately modeled after the stadium scene from the infamous Nazi movie propaganda ''The Triumph of the Will''. Ian McDiarmid, the actor who played the saga's main villain [[Emperor Palpatine]], had also implied in an interview with ''The Guardian'' around the time ''Revenge of the Sith'' was released that George Lucas had deliberately made the films for primarily eight-year olds specifically to indoctrinate them into Lucas' leftist view of the world.<ref>https://www.theguardian.com/stage/2005/nov/07/theatre1 He [McDiarmid] also bristles at the notion that the Star Wars films are totally hollow entertainments. "I remember when I sat there in the Evil Emperor's swivel chair and George [Lucas] said things like 'does it remind you of the Oval office?' And I realised that at that time Richard Nixon was in his mind. 

"And I see that in the Guardian's review of the DVD - not favourable, of course - mention is made of the fact that there are lines that sound really contemporary. But the reviewer decided that was by chance: no, no, no, no. Entirely by design. 

"George knew that eight-year-olds, for whom these films are primarily intended, are very impressionable, and he wanted to make the right impression. So the whole film is about the unnecessary rise of fascism. In other words: watch out, they're all after your freedom, particularly when they're talking about defending freedom. Without getting over-extended about it, that is at the heart of these movies."</ref>

[[Star Wars Episode VIII: The Last Jedi]] also received strong criticism for its apparent 'SJW' bias<ref>Toto, Christian (December 19, 2017). [https://www.washingtontimes.com/news/2017/dec/19/last-jedi-critics-mostly-conservative/ As ‘Star Wars’ fans cheer, conservative film critics point out problems with ‘Last Jedi’]. ''The Washington Times''. Retrieved December 20, 2017.</ref> It is also speculated that the leftist POV pushing caused fans to boycott the 2018 film [[Solo: A Star Wars Story]].<ref>https://www.express.co.uk/entertainment/films/967205/Star-Wars-Han-Solo-FLOP-Last-Jedi-fan-BACKLASH-boycott-box-office-cast-sequel-cameo</ref>
|$460,998,007
|-
|''Starship Troopers''
|1997
|R
|Although it overall depicts the Military in a protagonistic light and arguably is pro-war and pro-military, the director of the film, Paul Verhoeven, implied it was actually supposed to push an anti-military, anti-war message where it implied that America during the Cold War were automatically fascists simply because they are entering war, and specifically stated it was "a natural evolution for post-World War II America." In addition, to reinforce Verhoeven's message, he deliberately modeled various scenes after ''Triumph of the Will'' and other pro-Nazi propaganda scenes, as well as modeled the protagonists' uniforms after the uniforms utilized by the Nazis (i.e., the character Carl, played by Neil Patrick Harris, wearing a uniform that was modeled after the [[SS]]). When asked by Michael Ironside, who was one of the people who had a role in the movie and had read the original book, about why he made the movie despite Verhoeven's leftist politics, he answered "If I tell the world that a right-wing, fascist way of doing things doesn't work, no one will listen to me. So I'm going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it's only good for killing ******* bugs!" (note that fascism is not "right wing", it is left wing, so Verhoeven's incorrect regarding which wing the Nazis/fascists were part of).
|$54,814,377
|-
|''Sudden Death''
|1995
|R
|Disgraced fire fighter now becomes a laughingstock fire marshal uncovers an terrorist plot at a Hockey game plans to redeem himself and protect his children and the Vice President from said terrorists. However they're not Islamic, which may have been because the film was trying to be politically correct.
|$20,350,171
|-
|''Super''
|2010
|R
|A short-order cook becomes a superhero after a vision from God. He frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole picture. At the same time, foul language, violence, and brief nudity scenes are included.
|$327,716
|-
|''Team America: World Police''
|2004
|R
|While it is clearly pro-military, pro-America, and anti-Hollywood, the movie is riddled with liberal values, including toilet humor and vulgar language throughout. The movie's foul-mouthed theme song favors abortion, slavery, pornography, and Democrats, while having no positive reaction to Republicans, which makes sense because the screenplay was written by the creators of ''[[South Park]]'' and ''The Book of Mormon''.
|$32,786,074
|-
|''[[Titanic]]''
|1997
|PG-13
|Every life has value, and the most powerful men give up their seats on lifeboats to women and children first, while the media and a young [[RINO]] are rightly criticized. The film broke the record in movie revenues before the environmentalist nightmare that was ''Avatar''. However, ''Titanic'' gives some hints at a pro-socialist view, and a key scene involving Rose being drawn in the nude is evocative of pornography.
|$600,779,824
|-
|''[[Trainspotting]]''
|1996
|R
|It's been debatable if the film is anti-drug.
|$16,491,080
|-
|''U-571''
|2000
|PG-13
|Had a plot which was based on the first capture of a [[German]] [[Enigma machine]] in [[World War Two]]. Despite the film being patriotic to America, the facts are wrong as the Enigma machine was captured by the [[British]] in 1941 prior to the Americans entering the war.
|$77,122,415
|-
|''The Twilight Saga''
|2008-2012
|PG-13
|Starred by anti-military liberal [[Kristen Stewart]] and glorifies [[vampire|vampires]], but it also makes fun of [[public school culture]] and [[modernism]] while promoting [[abstinence]] until marriage, traditional courtship and marriage, and the [[pro-life]] movement. It was written by a [[Mormon]].
|$1,365,922,346
|-
|''Van Helsing''
|2004
|PG-13
|Thanks to [[Hollywood values]], Van Helsing isn't portrayed as the Christian character he should be, but the film still gets its good vs. evil message across. As well as portraying the Catholic church in a positive light. The director Stephen Sommers has made conservative films ''The Mummy Returns'' and ''G.I. Joe: The Rise of Cobra'' though.
|$120,177,084<ref>http://www.boxofficemojo.com/movies/?id=vanhelsing.htm</ref>
|-
|''Wall-E''
|2008
|G
|The movie shows the dangers of big government (BNL), however it is also anti-capitalist and pro-environmentalism as BNL is a corporation.
|$223,808,164
|-
|''The Way We Were''
|1973
|PG
|Unique in the way that it appears liberal to liberals while unintentionally sending a [[conservative]] message to young women. Stars uber-liberal [[Barbra Streisand]].
|$49,919,870
|-
|''We're the Millers''
|2013
|R
|A drug dealer, stripper, runaway, and average loser pretend to be a family to sneak marijuana out of Mexico. However they learn the value and importance of family. The villains of the movie are all drug gang men, the film also features a stripper scene, and whether or not the film is anti-drug in the end is debatable.
|$150,394,119
|-
|''Yours Mine and Ours''
|2005
|PG
|The widower father of a conservative family marries a widowed mother of a liberal family. Their two difference lifestyles contradict with each other, and the film does not really decide whose lifestyle is better. On the one hand, at one point, the liberal children fool the conservative children into thinking there is a house fire, so they can have the bathrooms for themselves. On the other hand, the children work together in another scene and use conservative tactics to end bullying without the help of an authority figure. In the end, the children learn to put their differences aside and realize that family is what matters more.
|$53,412,862
|}

Please add more!

==References==
{{reflist}}

==See also==
* [[Essay:Greatest Conservative Movies]]
* [[Essay:Worst Liberal TV Shows]]

[[Category:Essays about Liberals]]
[[Category:Cinema]]
[[Category:Hollywood]]
[[Category:Worst Liberal Movies]]
{{DEFAULTSORT:Worst Liberal Movies}}