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	<id>https://www.conservapedia.com/index.php?action=history&amp;feed=atom&amp;title=Modulation</id>
	<title>Modulation - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.conservapedia.com/index.php?action=history&amp;feed=atom&amp;title=Modulation"/>
	<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Modulation&amp;action=history"/>
	<updated>2026-10-11T09:45:07Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.14</generator>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Modulation&amp;diff=1266677&amp;oldid=prev</id>
		<title>DavidB4-bot: /* top */Category</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Modulation&amp;diff=1266677&amp;oldid=prev"/>
		<updated>2016-07-28T15:29:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;top: &lt;/span&gt;Category&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:29, July 28, 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In popular music, it is not uncommon to modulate up a major second, not with a cadence but simply by raising all the notes in the verse or chorus by a whole tone. This often indicates the end of a song and reduces monotony, however, the technique's overuse might be considered by some to be in poor taste.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In popular music, it is not uncommon to modulate up a major second, not with a cadence but simply by raising all the notes in the verse or chorus by a whole tone. This often indicates the end of a song and reduces monotony, however, the technique's overuse might be considered by some to be in poor taste.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;terms&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Terms&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>DavidB4-bot</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Modulation&amp;diff=896579&amp;oldid=prev</id>
		<title>SolomonM: added popular music example</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Modulation&amp;diff=896579&amp;oldid=prev"/>
		<updated>2011-08-03T02:49:54Z</updated>

		<summary type="html">&lt;p&gt;added popular music example&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:49, August 3, 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A work of tonal music '''modulates''' when it changes [[key (music)|key]]. Typically, this is achieved by a the use of a [[cadence]] in the new key, in particular a movement from the dominant seventh of the new key to the tonic. A cadence is essentially a musical grammatical mark, like a period, denoting the end of an idea. Additionally, a cadence has a strong key defining effect. So if a composer can smoothly work in a cadence from the new key, there is a sense of continuity between the new and original key.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A work of tonal music '''modulates''' when it changes [[key (music)|key]]. Typically, this is achieved by a the use of a [[cadence]] in the new key, in particular a movement from the dominant seventh of the new key to the tonic. A cadence is essentially a musical grammatical mark, like a period, denoting the end of an idea. Additionally, a cadence has a strong key defining effect. So if a composer can smoothly work in a cadence from the new key, there is a sense of continuity between the new and original key.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In popular music, it is not uncommon to modulate up a major second, not with a cadence but simply by raising all the notes in the verse or chorus by a whole tone. This often indicates the end of a song and reduces monotony, however, the technique's overuse might be considered by some to be in poor taste.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical terms]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Musical terms]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SolomonM</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Modulation&amp;diff=896468&amp;oldid=prev</id>
		<title>SolomonM: gave more appropriate category</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Modulation&amp;diff=896468&amp;oldid=prev"/>
		<updated>2011-08-03T00:55:33Z</updated>

		<summary type="html">&lt;p&gt;gave more appropriate category&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:55, August 3, 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A work of tonal music '''modulates''' when it changes [[key (music)|key]]. Typically, this is achieved by a the use of a [[cadence]] in the new key, in particular a movement from the dominant seventh of the new key to the tonic. A cadence is essentially a musical grammatical mark, like a period, denoting the end of an idea. Additionally, a cadence has a strong key defining effect. So if a composer can smoothly work in a cadence from the new key, there is a sense of continuity between the new and original key.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A work of tonal music '''modulates''' when it changes [[key (music)|key]]. Typically, this is achieved by a the use of a [[cadence]] in the new key, in particular a movement from the dominant seventh of the new key to the tonic. A cadence is essentially a musical grammatical mark, like a period, denoting the end of an idea. Additionally, a cadence has a strong key defining effect. So if a composer can smoothly work in a cadence from the new key, there is a sense of continuity between the new and original key.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Music&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Musical terms&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>SolomonM</name></author>
	</entry>
	<entry>
		<id>https://www.conservapedia.com/index.php?title=Modulation&amp;diff=896451&amp;oldid=prev</id>
		<title>SolomonM: Created page with &quot;A work of tonal music '''modulates''' when it changes key. Typically, this is achieved by a the use of a cadence in the new key, in particular a movement from...&quot;</title>
		<link rel="alternate" type="text/html" href="https://www.conservapedia.com/index.php?title=Modulation&amp;diff=896451&amp;oldid=prev"/>
		<updated>2011-08-03T00:31:03Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;A work of tonal music &amp;#039;&amp;#039;&amp;#039;modulates&amp;#039;&amp;#039;&amp;#039; when it changes &lt;a href=&quot;/Key_(music)&quot; title=&quot;Key (music)&quot;&gt;key&lt;/a&gt;. Typically, this is achieved by a the use of a &lt;a href=&quot;/Cadence&quot; title=&quot;Cadence&quot;&gt;cadence&lt;/a&gt; in the new key, in particular a movement from...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;A work of tonal music '''modulates''' when it changes [[key (music)|key]]. Typically, this is achieved by a the use of a [[cadence]] in the new key, in particular a movement from the dominant seventh of the new key to the tonic. A cadence is essentially a musical grammatical mark, like a period, denoting the end of an idea. Additionally, a cadence has a strong key defining effect. So if a composer can smoothly work in a cadence from the new key, there is a sense of continuity between the new and original key.&lt;br /&gt;
&lt;br /&gt;
[[Category:Music]]&lt;/div&gt;</summary>
		<author><name>SolomonM</name></author>
	</entry>
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