Difference between revisions of "Guillaume Dufay"

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'''Guillaume Dufay''' (1400-1474) was regarded during his lifetime as the premier composer of the 15th century, a title that has stood ever since.  He was one of the foremost representatives of the [[Burgundy| Burgundian]] school of composition and his contributions to the development of [[faux-bourdon]] and the cyclic mass are of particular interest.   
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'''Guillaume Dufay''' was born in [[Cambrai]], [[France]], in 1400 and died in 1474. During his lifetime he was a renowned choritser ans choir master at Cambrai Cathedral, as well as being very well-educated in most aspects of music. During his lifetime he was regarded as as the premier composer of the 15th century, a title that has stood ever since.  He was one of the foremost representatives of the [[Burgundy| Burgundian]] school of composition and his contributions to the development of [[faux-bourdon]] and the cyclic mass are of particular interest.   
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Dufay's surviving works consist of seven complete [[Mass|masses]], 28 individual Mass movements, 15 settings of chant used in Mass Propers, three Magnificats, two Benidicamus Domino settings, 15 antiphon settings (6 are Marian antiphons), 27 hymns, 22 [[motet]s (13 of which are are [[isorhythmic]]) and 87 [[chanson]]s.
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One of the most popular of Dufay's [[secular]] works was the chanson [[Se le Face ay Pale]] ("If her face is pale"); this theme was used as a the [[cantus firmus]] of his later mass-setting [[Missa se la face ay pale]].
  
In his lifetime, Dufay wrote seven complete [[Mass|masses]], 28 individual Mass movements, 15 settings of chant used in Mass Propers, three Magnificats, two Benidicamus Domino settings, 15 antiphon settings (6 are Marian antiphons), 27 hymns, 22 [[motet]s (13 of which are are [[isorhythmic]]) and 87 [[chanson]]s.
 
  
One of the most popular of Dufay's [[secular]] works was the chandon [[Se le Face ay Pale]] ("If her face is pale"); this theme was used as a the [[cantus firmus]] of a mass-setting [[Missa se la face ay pale]]
 
  
 
Links:
 
Links:
  
 
[http://www.vanderbilt.edu/Blair/Courses/MUSL242/dufay98.htm Gillaume Dufay: the man and his music]
 
[http://www.vanderbilt.edu/Blair/Courses/MUSL242/dufay98.htm Gillaume Dufay: the man and his music]
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[http://www2.wwnorton.com/classical/composers/dufay.htm This link gives an opportunity to hear an extract from Missa se la face ay pale]

Revision as of 16:35, 9 May 2007

Guillaume Dufay was born in Cambrai, France, in 1400 and died in 1474. During his lifetime he was a renowned choritser ans choir master at Cambrai Cathedral, as well as being very well-educated in most aspects of music. During his lifetime he was regarded as as the premier composer of the 15th century, a title that has stood ever since. He was one of the foremost representatives of the Burgundian school of composition and his contributions to the development of faux-bourdon and the cyclic mass are of particular interest.

Dufay's surviving works consist of seven complete masses, 28 individual Mass movements, 15 settings of chant used in Mass Propers, three Magnificats, two Benidicamus Domino settings, 15 antiphon settings (6 are Marian antiphons), 27 hymns, 22 [[motet]s (13 of which are are isorhythmic) and 87 chansons.

One of the most popular of Dufay's secular works was the chanson Se le Face ay Pale ("If her face is pale"); this theme was used as a the cantus firmus of his later mass-setting Missa se la face ay pale.


Links:

Gillaume Dufay: the man and his music

This link gives an opportunity to hear an extract from Missa se la face ay pale