Difference between revisions of "Marquis de Sade"

From Conservapedia
Jump to: navigation, search
m
(refuting the claim that his works are of unparalleled obscenity)
Line 1: Line 1:
Donatien Alphonse François, '''Marquis de Sade''' (1740-1814) was an infamous French aristocrat and author.  
+
Donatien Alphonse François, '''Marquis de Sade''' (1740-1814) was an infamous French aristocrat and author. The mental disorder known as [[Sadism]], whose sufferers derive [[pleasure]] from the [[pain]] of others, is named after him.
  
His books are obscene to a degree that is unparallelled even in modern literature. Typically featuring [[murder]], [[torture]], [[blasphemy]] and grotesquely perverse sex scenes, they remain banned in many countries to the present day.
+
His books featured [[murder]], [[torture]], [[blasphemy]] and grotesquely perverse sex scenes, they remain banned in many countries to the present day.
  
 
His most notorious book, The [[120 Days of Sodom]] was written by de Sade whilst he was imprisoned in the [[Bastille]]. The last years of his life were spent in a [[lunatic asylum]], though this may have been to avoid his mother-in-law, who, scandalised by his behaviour, had obtained a royal order for his arrest and indefinite detention; this has been dramatised in the play [[Marat/Sade]].
 
His most notorious book, The [[120 Days of Sodom]] was written by de Sade whilst he was imprisoned in the [[Bastille]]. The last years of his life were spent in a [[lunatic asylum]], though this may have been to avoid his mother-in-law, who, scandalised by his behaviour, had obtained a royal order for his arrest and indefinite detention; this has been dramatised in the play [[Marat/Sade]].
  
The mental disorder known as [[Sadism]], whose sufferers derive [[pleasure]] from the [[pain]] of others, is named after him.
+
His works are obscene to a degree that was unparalleled in modern literature until the relaxation of obscenity laws which occurred during the [[sexual revolution]] of the 1950s and 1960s. Then, books such as ''The Story of O'' by Pauline Reage reintroduced sadomasochism to the literary world.
 +
 
 +
Anne Rice (writing as A. N. Roquelaure) wrote a trilogy of sadomasochistic works available in mainstream bookstores such as Barnes and Noble: ''The Claiming of Sleeping Beauty'', ''Beauty's Punishment'' and ''Beauty's Release'':
 +
 
 +
:I wanted to create a Disneyland of S & M. ... I meant it to be erotic and nothing else -- to turn people on. [http://search.barnesandnoble.com/booksearch/isbninquiry.asp?isbn=0452156610]
  
 
{{DEFAULTSORT:Sade, Marquis de}}
 
{{DEFAULTSORT:Sade, Marquis de}}
 
[[Category:Authors]]
 
[[Category:Authors]]
 
[[Category:French people]]
 
[[Category:French people]]

Revision as of 08:13, 13 May 2007

Donatien Alphonse François, Marquis de Sade (1740-1814) was an infamous French aristocrat and author. The mental disorder known as Sadism, whose sufferers derive pleasure from the pain of others, is named after him.

His books featured murder, torture, blasphemy and grotesquely perverse sex scenes, they remain banned in many countries to the present day.

His most notorious book, The 120 Days of Sodom was written by de Sade whilst he was imprisoned in the Bastille. The last years of his life were spent in a lunatic asylum, though this may have been to avoid his mother-in-law, who, scandalised by his behaviour, had obtained a royal order for his arrest and indefinite detention; this has been dramatised in the play Marat/Sade.

His works are obscene to a degree that was unparalleled in modern literature until the relaxation of obscenity laws which occurred during the sexual revolution of the 1950s and 1960s. Then, books such as The Story of O by Pauline Reage reintroduced sadomasochism to the literary world.

Anne Rice (writing as A. N. Roquelaure) wrote a trilogy of sadomasochistic works available in mainstream bookstores such as Barnes and Noble: The Claiming of Sleeping Beauty, Beauty's Punishment and Beauty's Release:

I wanted to create a Disneyland of S & M. ... I meant it to be erotic and nothing else -- to turn people on. [1]