Difference between revisions of "Sandro Botticelli"
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| − | ''The Birth of Venus'' and ''Primavera'' were both ordered by the Medici family, who ruled Florence, but by 1480 Botticelli was in [[Rome]], painting [[fresco]]es in the [[Sistine Chapel]], but these do not seem to have been | + | ''The Birth of Venus'' and ''Primavera'' were both ordered by the Medici family, who ruled Florence, but by 1480 Botticelli was in [[Rome]], painting [[fresco]]es in the [[Sistine Chapel]], but these do not seem to have been successful. From this time he made a good living painting large numbers of [[Madonna]]s. |
By 1500 his style had become increasingly out of step with the dominant styles of [[Leonardo]] and [[Michelangelo]], and he suffered a decline in popularity. The last few years of his life are obscure. | By 1500 his style had become increasingly out of step with the dominant styles of [[Leonardo]] and [[Michelangelo]], and he suffered a decline in popularity. The last few years of his life are obscure. | ||
Latest revision as of 18:07, August 18, 2016
Sandro Botticelli (c. 1445-1510, Italy) was an artist of the renaissance period. He is perhaps most famous today for his The Birth of Venus (ca. 1485–1486).
He was probably a pupil of Fra Fillipo Lippi, and was influenced by followers of Paulo Polliauolo, especially around 1470 when he painted Fortitude, to complete a set of seven paintings themed on the seven virtues (the other six paintings were all by Polliauolo).
His painting style, like that of many Florentine artists of the period, depends on outline for its emotional expression, but he seems also to have chosen a deliberately out-of-date style.
His great masterpieces - The Birth of Venus and Primavera are striking in their originality of composition and study. They now rank amongst the greatest works of art. [1]
The Birth of Venus and Primavera were both ordered by the Medici family, who ruled Florence, but by 1480 Botticelli was in Rome, painting frescoes in the Sistine Chapel, but these do not seem to have been successful. From this time he made a good living painting large numbers of Madonnas.
By 1500 his style had become increasingly out of step with the dominant styles of Leonardo and Michelangelo, and he suffered a decline in popularity. The last few years of his life are obscure.
Major works
- Fortitude
- The Birth of Venus
- Primavera
- Mystic Nativity
