Difference between revisions of "Pearl Buck"
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| − | '''Pearl S. Buck''' (1892-1972) was a novelist and teacher who spent much of her life in China; she learned Chinese before English but won the [[Nobel Prize]] in literature for her English novels. Her novel ''The Good Earth'' (1931), about the travails and triumphs of Chinese peasants, won the Pulitzer Prize and became a worldwide best-seller and the basis of a popular film. | + | '''Pearl S. Buck''' (born Pearl Sydenstricker, 1892-1972) was a novelist and teacher who spent much of her life in China; she learned Chinese before English but won the [[Nobel Prize]] in literature for her English novels. Her novel ''The Good Earth'' (1931), about the travails and triumphs of Chinese peasants, won the Pulitzer Prize and became a worldwide best-seller and the basis of a popular film. Her writing is simple and vivid, full of telling details and minute observations that bring her subjects to life. |
| + | The Chinese scholar Kang Liao concluded in 1997, Pearl Buck: | ||
| + | :"single-handedly changed the distorted image of the Chinese people in the American mind through literature. Chinese people were no longer seen as cheap, dirty, ridiculous coolies or sneaky, vicious, insidious devils. The majority of Chinese were seen for the first time in literature as honest, kindhearted, frugal-living, hard-working, gods-fearing peasants who are much the same as American farmers." | ||
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| + | In 1992, historian James C. Thomson Jr. called Buck "the most influential Westerner to write about China since 13th-century Marco Polo." | ||
| + | |||
| + | ==Culture== | ||
| + | ""I grew up in a double world," Buck recalled in her 1954 memoir, '' Several Worlds''. "The small white clean Presbyterian American world of my parents and the big loving merry not-too-clean Chinese world.... When I was in the Chinese word I was Chinese, I spoke Chinese and behaved as a Chinese and ate as the Chinese did, and I shared their thoughts and feelings." | ||
| + | |||
| + | Se taught English at Nanjing University from 1920 to 1933. Se mingled with China's top intellectuals; the renowned romantic poet Xu Zhimo was a close friend, and some suspect the two were lovers. | ||
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| + | ==Missions== | ||
Although she was not herself an official missionary she served on the ''Presbyterian Board of Foreign Missions'' until forced out by the actions of [[John Gresham Machen]]<ref name=Hart> Hart, D. G. "Christianity, Modern Liberalism, and J. Gresham Machen." ''[[Modern Age]]'' 1997 39(3): 234-245.</ref> She wrote many stories that illustrate the lives, efforts, failures and achievements of some missionaries. Several of her books, especially ''The Exile,'' ''Fighting Angel'', ''Pavilion of Women'', ''Kinfolk'', and ''Peony'' helped Western readers reconsider Christian missions and understand why they never reached more than 1% of the Chinese people. | Although she was not herself an official missionary she served on the ''Presbyterian Board of Foreign Missions'' until forced out by the actions of [[John Gresham Machen]]<ref name=Hart> Hart, D. G. "Christianity, Modern Liberalism, and J. Gresham Machen." ''[[Modern Age]]'' 1997 39(3): 234-245.</ref> She wrote many stories that illustrate the lives, efforts, failures and achievements of some missionaries. Several of her books, especially ''The Exile,'' ''Fighting Angel'', ''Pavilion of Women'', ''Kinfolk'', and ''Peony'' helped Western readers reconsider Christian missions and understand why they never reached more than 1% of the Chinese people. | ||
| + | ==Activities== | ||
| + | In 1936 she divorced her missionary husband of 17 years, John Lossing Buck, and married her publisher, Richard Walsh on the same day. She workled tirelessly during World War II to promote Chinese-American understanding and friendship. She was mot harsh on the Communists and by the 1950s actively ooposed American involvement in the [[Cold War]]. The Communists, however, ridiculed and attacked her for what they called her "attitude of distortion, smear, and vilification towards the people of new China and its leaders."<ref> quoted in Sheila Melvin, "Pearl's Great Price: Pearl Buck's Chronicles of Everyday Life in China Won Her Millions of Readers and a Nobel Prize. They Also Won Her the Scorn of Highbrow Western Critics and the Venom of China's Communist Leaders. Now Her Adopted Land Is Rediscovering the Work of This Woman Once Denounced as a Cultural Enemy." ''The Wilson Quarterly'' vol 20#2 (Spring 2006) pp 24+ </ref> | ||
==further reading== | ==further reading== | ||
Revision as of 12:29, March 29, 2009
Pearl S. Buck (born Pearl Sydenstricker, 1892-1972) was a novelist and teacher who spent much of her life in China; she learned Chinese before English but won the Nobel Prize in literature for her English novels. Her novel The Good Earth (1931), about the travails and triumphs of Chinese peasants, won the Pulitzer Prize and became a worldwide best-seller and the basis of a popular film. Her writing is simple and vivid, full of telling details and minute observations that bring her subjects to life.
The Chinese scholar Kang Liao concluded in 1997, Pearl Buck:
- "single-handedly changed the distorted image of the Chinese people in the American mind through literature. Chinese people were no longer seen as cheap, dirty, ridiculous coolies or sneaky, vicious, insidious devils. The majority of Chinese were seen for the first time in literature as honest, kindhearted, frugal-living, hard-working, gods-fearing peasants who are much the same as American farmers."
In 1992, historian James C. Thomson Jr. called Buck "the most influential Westerner to write about China since 13th-century Marco Polo."
Culture
""I grew up in a double world," Buck recalled in her 1954 memoir, Several Worlds. "The small white clean Presbyterian American world of my parents and the big loving merry not-too-clean Chinese world.... When I was in the Chinese word I was Chinese, I spoke Chinese and behaved as a Chinese and ate as the Chinese did, and I shared their thoughts and feelings."
Se taught English at Nanjing University from 1920 to 1933. Se mingled with China's top intellectuals; the renowned romantic poet Xu Zhimo was a close friend, and some suspect the two were lovers.
Missions
Although she was not herself an official missionary she served on the Presbyterian Board of Foreign Missions until forced out by the actions of John Gresham Machen[1] She wrote many stories that illustrate the lives, efforts, failures and achievements of some missionaries. Several of her books, especially The Exile, Fighting Angel, Pavilion of Women, Kinfolk, and Peony helped Western readers reconsider Christian missions and understand why they never reached more than 1% of the Chinese people.
Activities
In 1936 she divorced her missionary husband of 17 years, John Lossing Buck, and married her publisher, Richard Walsh on the same day. She workled tirelessly during World War II to promote Chinese-American understanding and friendship. She was mot harsh on the Communists and by the 1950s actively ooposed American involvement in the Cold War. The Communists, however, ridiculed and attacked her for what they called her "attitude of distortion, smear, and vilification towards the people of new China and its leaders."[2]
further reading
- Conn, Peter. Pearl S. Buck: A Cultural Biography. (1996). 468 pp.
- Liao, Kang. Pearl S. Buck: A Cultural Bridge across the Pacific (1997) online edition 184pp
- Lian, Xi. The Conversion of Missionaries: Liberalism in American Protestant Missions in China, 1907-1932. (1997).
- Lipscomb, Elizabeth J. et al. eds. The Several Worlds of Pearl S. Buck: Essays Presented at a Centennial Symposium, Randolph-Macon Woman's College, March 26-28, 1992 (1994) online edition
- Shaffer, Robert. "Women and International Relations: Pearl S. Buck's Critique of the Cold War," Journal of Women's History, Vol. 11, 1999 online edition
External links
References
- ↑ Hart, D. G. "Christianity, Modern Liberalism, and J. Gresham Machen." Modern Age 1997 39(3): 234-245.
- ↑ quoted in Sheila Melvin, "Pearl's Great Price: Pearl Buck's Chronicles of Everyday Life in China Won Her Millions of Readers and a Nobel Prize. They Also Won Her the Scorn of Highbrow Western Critics and the Venom of China's Communist Leaders. Now Her Adopted Land Is Rediscovering the Work of This Woman Once Denounced as a Cultural Enemy." The Wilson Quarterly vol 20#2 (Spring 2006) pp 24+
