Difference between revisions of "The Hudson River School"

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File:Cole The Clove Catskills 1827.jpg|Cole, The Clove Catskills, 1827.
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File:Cole The Clove Catskills 1827.jpg|Thomas Cole, The Clove Catskills, 1827.
 
File:Thomas Doughty In the Catskills 1836.jpg|Thomas Doughty, In the Catskills, 1836.
 
File:Thomas Doughty In the Catskills 1836.jpg|Thomas Doughty, In the Catskills, 1836.
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File:Durand Pastoral Landscape 1861.jpg|Durand, Pastoral Landscape, 1861.
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File:Gifford Coming Storm c 1860.jpg|Sanford Robinson Gifford, Coming Storm, ca. 1860.
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File:Durand Pastoral Landscape 1861.jpg|Asher Durand, Pastoral Landscape, 1861.
 
File:Bierstadt Looking Down Yosemite-Valley 1865.jpg|[[Albert Bierstadt]], Looking Down Yosemite-Valley, 1865.
 
File:Bierstadt Looking Down Yosemite-Valley 1865.jpg|[[Albert Bierstadt]], Looking Down Yosemite-Valley, 1865.
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File:Kensett Mount Washington 1869.jpg|John Frederick Kensett, Mount Washington, 1869.
 
File:Thomas Moran Shoshone Falls Idaho 1875 PD.jpg|[[Thomas Moran]], Shoshone Falls, Idaho, 1875.
 
File:Thomas Moran Shoshone Falls Idaho 1875 PD.jpg|[[Thomas Moran]], Shoshone Falls, Idaho, 1875.
 
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Revision as of 13:17, January 19, 2014

The Hudson River School was not an institution but rather an informal group of like-minded painters. Its name was coined to identify a group of New York City-based landscape painters. [1] Thomas Cole (1801-1848) is acknowledged as the founder of this movement. The movement was fueled by the poetry of Ralph Waldo Emerson (1803-1882) and by the conviction that God had given the American people an abundance of natural resources as a source of wealth and prosperity. Cole's close friend, Asher Durand was also a prominent figure in the School. Durand believed that nature was an ineffable manifestation of God. Thomas Doughty, member of the School, was the first American artist to work exclusively as a landscapist. Other painters of the movement are Cole's prize pupil Frederic Edwin Church, Thomas Moran, Albert Bierstadt, John Frederick Kensett, William Hart and Sanford Robinson Gifford.

The Hudson River painters created visual embodiments of the ideals about which Emerson, Thoreau, William Cullen Bryant, and Walt Whitman wrote... the Hudson River painters believed art to be an agent of moral and spiritual transformation. [2]

The Hudson River School style involved carefully detailed paintings with romantic, almost glowing lighting. With realistic composition, they depicted romantic views of unsettled areas of the Hudson River Valley especially lakes, rocky gorges, and forests in the Catskill Mountains, the surrounding areas, the Niagara, and the American West. [3]

External links

Frederic Edwin Church, Niagara Falls from the American Side, 1867.
Albany from the East Side by William Hart, 1846.