Difference between revisions of "George Frederick Watts"

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"To the discenment of truth and beauty, to the arousing of man's imagination, to the widening of the span of this celestial region, should Art be mainly dedicated, for this most truly is its mission",  1888.
 
"To the discenment of truth and beauty, to the arousing of man's imagination, to the widening of the span of this celestial region, should Art be mainly dedicated, for this most truly is its mission",  1888.
 
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One of the most singular, and enigmatic figures in Victorian art, and perhaps the hardest to pigeon-hole, or classify in any way. [http://www.artrenewal.org/pages/artist.php?artistid=632]
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Image:Love and life.jpg|Love and Life
 
Image:Love and life.jpg|Love and Life
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File:George Frederick Watts, Hope, 1886.jpg|Hope, 1886.
 
Image:Watts Portrait of Frederic, Lord Leighton.jpg|Portrait of Frederic, Lord Leighton
 
Image:Watts Portrait of Frederic, Lord Leighton.jpg|Portrait of Frederic, Lord Leighton
 
Image:Watts Portrait of Carlo, Baron Marochetti.jpg|Portrait of Carlo, Baron Marochetti
 
Image:Watts Portrait of Carlo, Baron Marochetti.jpg|Portrait of Carlo, Baron Marochetti
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Revision as of 13:48, April 8, 2014

George Frederick Watts.jpg

George Frederick Watts (London 1817 - Compton, Surrey 1904) English painter and sculptor.

"To the discenment of truth and beauty, to the arousing of man's imagination, to the widening of the span of this celestial region, should Art be mainly dedicated, for this most truly is its mission", 1888.

One of the most singular, and enigmatic figures in Victorian art, and perhaps the hardest to pigeon-hole, or classify in any way. [1]


Ellen Terry (Choosing), ca. 1864.


See also

External links