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| | ==Origins== | | ==Origins== |
| − | The story of ''Star Wars'' was originally planned to be the third entry of a trilogy focusing on, or more accurately, criticizing the events of American involvement in the Vietnam War, after ''American Graffiti'' (set in 1962) and ''Apocalypse Now'', and as such was intended to initially be in our galaxy as well as take place in the thirty-third century (the implication being that after America won the war in Vietnam, it would become a fascistic dictatorship desiring to conquer the universe). However, ''Apocalypse Now'' ended up changing hands from George Lucas to Francis Ford Coppola due to Warner Bros. shutting down his studio, American Zoetrope. He then made American Graffiti, which indirectly alluded to Vietnam in its plot, which was a moderate success. He eventually decided to revisit the idea of Apocalypse Now in 1973, although because America was still within the Vietnam War, he couldn't directly tie it to the Vietnam War, and upon settling on an idea for subtly pushing the anti-war agenda in the film by moving it to a galaxy far from our own and in the past, he then proceeded to get started on filming after Fox agreed to make it.<ref>http://nypost.com/2014/09/21/how-star-wars-was-secretly-george-lucas-protest-of-vietnam/</ref><ref>http://www.yomyomf.com/star-wars-is-a-metaphor-for-the-vietcong-kicking-american-ass-in-the-vietnam-war/</ref><ref>''How Star Wars Conquered the Universe: The Past, Present and Future of a Multibillion Dollar Franchise'' by Chris Taylor.</ref> | + | The story of ''Star Wars'' was originally planned to be the third entry of a trilogy focusing on, or more accurately, criticizing the events of American involvement in the Vietnam War, after ''American Graffiti'' (set in 1962) and ''Apocalypse Now'', and as such was intended to initially be in our galaxy as well as take place in the thirty-third century (the implication being that after America won the war in Vietnam, it would become a fascistic dictatorship desiring to conquer the universe). However, ''Apocalypse Now'' ended up changing hands from George Lucas to Francis Ford Coppola due to Warner Bros. shutting down his studio, American Zoetrope. He then made American Graffiti, which indirectly alluded to Vietnam in its plot, which was a moderate success. He eventually decided to revisit the idea of Apocalypse Now in 1973, although because America was still within the Vietnam War, he couldn't directly tie it to the Vietnam War, and upon settling on an idea for subtly pushing the anti-war agenda in the film by moving it to a galaxy far from our own and in the past, he then proceeded to get started on filming after Fox agreed to make it.<ref>http://nypost.com/2014/09/21/how-star-wars-was-secretly-george-lucas-protest-of-vietnam/</ref><ref>http://www.yomyomf.com/star-wars-is-a-metaphor-for-the-vietcong-kicking-american-ass-in-the-vietnam-war/</ref><ref>''How Star Wars Conquered the Universe: The Past, Present and Future of a Multibillion Dollar Franchise'' by Chris Taylor.</ref><ref>''The Making of Star Wars'', pages 7-8; 17<br /> |
| | + | "I started to work on Star Wars rather than continue on Apocalypse Now. I had worked on Apocalypse Now for about four years and I had very strong feelings about it. I wanted to do it, but could not get it off the ground... A lot of my interest in Apocalypse Now was carried over into Star Wars. I figured I couldn't make that film because it was about the Vietnam War, so I would essentially deal with some of the same interesting concepts that I was going to use and convert them into space fantasy, so you'd have essentially a large technological empire going after a small group of freedom fighters or human beings... a small independent country like North Vietnam threatened by a neighbor or provincial rebellion, instigated by gangsters aided by empire. [...] The empire is like America ten years from now, after Nixonian gangsters assassinated the Emperor and were elevated to power in a rigged election; created civil disorder by instigating race riots aiding rebel groups and allowing the crime rate to rise to the point where a 'total control' police state was welcomed by the people. Then the people were exploited with high taxes, utility and transport costs"</ref> During Cannes Film Festival 2005, George Lucas also implied that, in addition to the direct inspiration by Nixon and the Vietnam War (as well as the more indirect similarities in the films to the second Iraq war and George W. Bush), the Old Republic in the prequel trilogy took inspiration from the First French Republic under Robespierre, the Roman Republic under Julius Caesar, and the Weimar Republic, and the transition of power into the Empire, and in particular the implication that the people willingly turned democracy into a dictatorship, was taken from when Napoleon Bonaparte took over France, when the Roman Republic shortly after Julius Caesar's assassination turned into the Roman Empire under Augustus, and the Weimar Republic turned into Nazi Germany and brought Adolf Hitler into power.<ref>http://www.cbsnews.com/news/sith-invites-bush-comparisons/2/<br /> |
| | + | "Lucas said he patterned his story after historical transformations from freedom to fascism, never figuring when he started his prequel trilogy in the late 1990s that current events might parallel his space fantasy.<br /> |
| | + | "As you go through history, I didn't think it was going to get quite this close. So it's just one of those recurring things," Lucas said at a Cannes news conference. "I hope this doesn't come true in our country.<br /> |
| | + | "Maybe the film will waken people to the situation," Lucas joked<br /> |
| | + | [...]<br /> |
| | + | "When I wrote it, [the 2003 Iraq war] didn't exist," Lucas said, laughing.<br /> |
| | + | "We were just funding Saddam Hussein and giving him weapons of mass destruction. We didn't think of him as an enemy at that time. We were going after Iran and using him as our surrogate, just as we were doing in Vietnam. ... The parallels between what we did in Vietnam and what we're doing in Iraq now are unbelievable."<br /> |
| | + | The prequel trilogy is based on a back-story outline Lucas created in the mid-1970s for the original three "Star Wars" movies, so the themes percolated out of the Vietnam War and the Nixon-Watergate era, he said.<br /> |
| | + | Lucas began researching how democracies can turn into dictatorships with full consent of the electorate.In ancient Rome, "why did the senate after killing Caesar turn around and give the government to his nephew?" Lucas said. "Why did France after they got rid of the king and that whole system turn around and give it to Napoleon? It's the same thing with Germany and Hitler.<br /> |
| | + | "You sort of see these recurring themes where a democracy turns itself into a dictatorship, and it always seems to happen kind of in the same way, with the same kinds of issues, and threats from the outside, needing more control. A democratic body, a senate, not being able to function properly because everybody's squabbling, there's corruption.""</ref> |
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| | ==Development of the Monomyth== | | ==Development of the Monomyth== |