Difference between revisions of "Adrian Ludwig Richter"
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Richter painting is aimed at a thorough blending of the human figures with the landscape, and to glorify his mother country. | Richter painting is aimed at a thorough blending of the human figures with the landscape, and to glorify his mother country. | ||
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== See also == | == See also == | ||
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== External links == | == External links == | ||
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*[http://www.artcyclopedia.com/artists/richter_adrian_ludwig.html Adrian Ludwig Richter] | *[http://www.artcyclopedia.com/artists/richter_adrian_ludwig.html Adrian Ludwig Richter] | ||
*[http://www.britannica.com/EBchecked/topic/502851/Adrian-Ludwig-Richter Adrian Ludwig Richter] | *[http://www.britannica.com/EBchecked/topic/502851/Adrian-Ludwig-Richter Adrian Ludwig Richter] | ||
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[[Image:Richter Mein Nest ist das Best 1869.jpg|thumb|left|My Nest is the best, 1869.]] | [[Image:Richter Mein Nest ist das Best 1869.jpg|thumb|left|My Nest is the best, 1869.]] | ||
[[File:Adrian Ludwig Richter Genoveva in the Forest Seclusion 1841.jpg|thumb|center|230px|Genoveva in the Forest Seclusion, 1841.]] | [[File:Adrian Ludwig Richter Genoveva in the Forest Seclusion 1841.jpg|thumb|center|230px|Genoveva in the Forest Seclusion, 1841.]] | ||
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Revision as of 21:09, May 12, 2017
Adrian Ludwig Richter (Dresden, 1803 - Dresden, 1884), the son of the engraver Karl August Richter, from whom he received his training, was a German Romantic painter, typical German illustrator and etcher. His etchings were used too for illustrations for popular books and children's books.
Richter was one of the most beloved artists in Germany during most of the nineteenth century. [1]
Richter painting is aimed at a thorough blending of the human figures with the landscape, and to glorify his mother country.
The Watzman, 1824.
Ave Maria, 1834.
The abandonment in the forrest, 1842.
Bridal procession, 1847.
See also
