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| | *[https://youtu.be/dlGSGSTf43c Grausamer], [[Waltraud Meier]] | | *[https://youtu.be/dlGSGSTf43c Grausamer], [[Waltraud Meier]] |
| | *[[Jimi Hendrix]], [https://youtu.be/gQWDuajLykA Voodoo Chile - performed by Nomos-Quartett] (good rendition) | | *[[Jimi Hendrix]], [https://youtu.be/gQWDuajLykA Voodoo Chile - performed by Nomos-Quartett] (good rendition) |
| − | *[https://youtu.be/XX95pGiFOnU Marina Grauman, concertmaster class with Noah Bendix-Balgley] for Strauss' ''[[Heldenleben]]''. | + | *[https://youtu.be/XX95pGiFOnU Marina Grauman, concertmaster class with Noah Bendix-Balgley] for Strauss' ''[[Heldenleben]]''. Russian born Marina is 19 years old, playing at the concertmaster level, and studying with the Berlin Philharmonic concertmaster. |
| − | *[[Krzysztof Penderecki]], [https://youtu.be/KPT8Og1Ou7c Cello Concerto #2], Pendeerecki conducting with Siegfried Palm. (inspired by the Nazi invasion of [[Poland]], 1939 when Penderecki was 6 years old). | + | *[[Krzysztof Penderecki]], [https://youtu.be/KPT8Og1Ou7c Cello Concerto #2], Penderecki conducting with Siegfried Palm. (inspired by the Nazi invasion of [[Poland]], 1939 when Penderecki was 6 years old). |
| | *[[Prokofiev]], [https://youtu.be/EMcQLs1YFHQ Romeo and Juliettt], World Orchestra | | *[[Prokofiev]], [https://youtu.be/EMcQLs1YFHQ Romeo and Juliettt], World Orchestra |
| | *[[Ravel]], [https://youtu.be/EXiH86tO_7c Daphnes et Chloe], Wilhelm Furtwangler 1944 restored. Comment: This magnetic tape recording was expropriated by the [[Red Army]] in 1945 and returned to Germany in 1986 as a gesture of good faith shortly before the [[Fall of the Berlin Wall]] when it first became publicly available in [[the West]]. It is one of the earliest orchestral magnetic tape recordings made. In later issues, Deutsche Gramaphone engineers have reduced some of the over modulation, however Furtwangler's unique interpretative qualities are ever present. | | *[[Ravel]], [https://youtu.be/EXiH86tO_7c Daphnes et Chloe], Wilhelm Furtwangler 1944 restored. Comment: This magnetic tape recording was expropriated by the [[Red Army]] in 1945 and returned to Germany in 1986 as a gesture of good faith shortly before the [[Fall of the Berlin Wall]] when it first became publicly available in [[the West]]. It is one of the earliest orchestral magnetic tape recordings made. In later issues, Deutsche Gramaphone engineers have reduced some of the over modulation, however Furtwangler's unique interpretative qualities are ever present. |