Difference between revisions of "Oboe d'amore"
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The '''oboe d’amore''' is the alto member of the oboe family – although when the [[Cor Anglais]] is included as a fully paid up member of the family, which it often is, then the oboe d’amore can be considered as the mezzo to the oboe’s soprano and the cor anglais’ contralto (alto). It was common in baroque music - J. S. Bach used it extensively in his cantatas and particularly in the “''St Mathew Passion''”. Bach’s Harpsichord Concerto, BWV1055, is thought to have been originally for oboe d’amore. In modern times Richard Strauss gave it a part in his “''Symphonia Domestica''” and it has a turn in the ubiquitous “''Bolero''” of Ravel. | The '''oboe d’amore''' is the alto member of the oboe family – although when the [[Cor Anglais]] is included as a fully paid up member of the family, which it often is, then the oboe d’amore can be considered as the mezzo to the oboe’s soprano and the cor anglais’ contralto (alto). It was common in baroque music - J. S. Bach used it extensively in his cantatas and particularly in the “''St Mathew Passion''”. Bach’s Harpsichord Concerto, BWV1055, is thought to have been originally for oboe d’amore. In modern times Richard Strauss gave it a part in his “''Symphonia Domestica''” and it has a turn in the ubiquitous “''Bolero''” of Ravel. | ||
| − | It has a deeper, softer, more mellow sound than the modern oboe and its presence is missed in the woodwind sections of modern orchestras attempting certain pieces of baroque music using modern instruments. The proliferation of ensembles playing pre-Classical music using "original instruments" is bringing the oboe d'amore, and others, out of obscurity. | + | It has a deeper, softer, more mellow sound than the modern oboe and its presence is missed in the woodwind sections of modern orchestras attempting certain pieces of baroque music using modern instruments. The [[proliferation]] of ensembles playing pre-Classical music using "original instruments" is bringing the oboe d'amore, and others, out of obscurity. |
[[category: Wind Instruments]] | [[category: Wind Instruments]] | ||
Revision as of 11:50, December 23, 2008
The oboe d’amore is the alto member of the oboe family – although when the Cor Anglais is included as a fully paid up member of the family, which it often is, then the oboe d’amore can be considered as the mezzo to the oboe’s soprano and the cor anglais’ contralto (alto). It was common in baroque music - J. S. Bach used it extensively in his cantatas and particularly in the “St Mathew Passion”. Bach’s Harpsichord Concerto, BWV1055, is thought to have been originally for oboe d’amore. In modern times Richard Strauss gave it a part in his “Symphonia Domestica” and it has a turn in the ubiquitous “Bolero” of Ravel.
It has a deeper, softer, more mellow sound than the modern oboe and its presence is missed in the woodwind sections of modern orchestras attempting certain pieces of baroque music using modern instruments. The proliferation of ensembles playing pre-Classical music using "original instruments" is bringing the oboe d'amore, and others, out of obscurity.