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| | '''Form''', in reference to [[music]], illustrates the structure of a musical piece through ideas such as the design, plan, shape and architecture. Generally, the [[composer]] will plan the layout of his music, otherwise it may give the feeling of shapeless wandering. | | '''Form''', in reference to [[music]], illustrates the structure of a musical piece through ideas such as the design, plan, shape and architecture. Generally, the [[composer]] will plan the layout of his music, otherwise it may give the feeling of shapeless wandering. |
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| − | The form of a piece of music is made clear by the arrangement of its "phrases" and "sentences". A phrase may consist of a few short bars (usually 4), then ending with a [[cadence]] or "point of rest". Musical form may be thought of as like the words we speak or write. Music needs introduction, breathing points, punctuation, rests and endings. A cadence may be final or intermediate (ie. non-final). Final cadences are the perfect and plagal, corresponding to a full stop. Non-final cadences are the imperfect and interrupted, corresponding to the semicolon or comma. | + | ==Commonly used terms== |
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| | + | Under the broad heading of form, the terms below are frequently used: |
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| | + | * Motive (or motif) |
| | + | :: may be described as a short, [[melody|melodic]] pattern or [[rhythm|rhythmic]] figure which recurs significantly in a composition. |
| | + | * Phrase |
| | + | :: a unified musical thought coming to a point of rest. See [[cadence]]. |
| | + | * Period |
| | + | :: usually two or more phrases related by unity of melody, rhythm, tonality and texture. |
| | + | * Section |
| | + | :: a cohesive group of phrases or periods comprising a major subdivision of work (such as a "development" or "transition" section). |
| | + | * Binary |
| | + | :: a form which is divided into two unified parts, usually AB or AABB. |
| | + | * Ternary |
| | + | :: a work comprised of two contrasting sections (A and B) followed by a return of the first section (A). |
| | + | * Rondo |
| | + | :: a large structure where a principal theme (A) alternates with contrasting material, usually ABACA or ABABCABA. |
| | + | * Sonata Allegro |
| | + | :: a large structure which outlines: |
| | + | :::# Exposition |
| | + | :::# Development |
| | + | :::# Recapitulation |
| | + | * [[Theme and variations|Theme and Variations]] |
| | + | :: a composition having the principal characteristic of a central musical idea which goes through various transformations. |
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| | + | The form of a piece of music is made clear by the arrangement of its "phrases" and "sentences". A phrase may consist of a few short bars (usually 4), then ending with a cadence or "point of rest". Musical form may be thought of as like the words we speak or write. Music needs introduction, breathing points, punctuation, rests and endings. A cadence may be final or intermediate (ie. non-final). Final cadences are the perfect and plagal, corresponding to a full stop. Non-final cadences are the imperfect and interrupted, corresponding to the semicolon or comma. |
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| | [[Category:Musical terms]] | | [[Category:Musical terms]] |