| | Carnegie's interest in libraries dated back to his early days as a messenger-boy in Pittsburgh, when each Saturday he borrowed a new book from a free library. He later declared that it was his own personal experience which led him to value a library beyond all other forms of beneficence. His first gift was a library to his native town of Dunfermline in 1882. In 1898 he built The Carnegie Library in Homestead, Pennsylvania. Besides a library, the building included a bowling alley, an indoor swimming pool, basketball courts and other athletic facilities, a music hall, and space for a large number of meeting rooms for local clubs and organizations. Carnegie systematically funded 2,507 libraries throughout the English-speaking world, including 1,689 libraries in the United States, 600 libraries in Great Britain, 66 in Ireland, and 125 in Canada. James Bertram, Carnegie's chief aide from 1894 to 1914 administered the library program, issued guidelines and instituted an architectural review process. | | Carnegie's interest in libraries dated back to his early days as a messenger-boy in Pittsburgh, when each Saturday he borrowed a new book from a free library. He later declared that it was his own personal experience which led him to value a library beyond all other forms of beneficence. His first gift was a library to his native town of Dunfermline in 1882. In 1898 he built The Carnegie Library in Homestead, Pennsylvania. Besides a library, the building included a bowling alley, an indoor swimming pool, basketball courts and other athletic facilities, a music hall, and space for a large number of meeting rooms for local clubs and organizations. Carnegie systematically funded 2,507 libraries throughout the English-speaking world, including 1,689 libraries in the United States, 600 libraries in Great Britain, 66 in Ireland, and 125 in Canada. James Bertram, Carnegie's chief aide from 1894 to 1914 administered the library program, issued guidelines and instituted an architectural review process. |
| | As VanSlyck (1989) shows, the last years of the 19th century saw acceptance of the idea that libraries should be available to the American public free of charge. However the design of the idealized free library was at the center of a prolonged and heated debate. On one hand, wealthy philanthropists favored buildings that reinforced the paternalistic metaphor and enhanced civic pride. They wanted a grandiose showcase that created a grand vista through a double-height, alcoved bookhall with domestically-scaled reading rooms, perhaps dominated by the donor's portrait over the fireplace. Typical examples were the New York Public Library and the Chicago Public Library. Librarians considered that grand design inefficient, and too expensive to maintain. Between 1886 and 1917, Carnegie reformed both library philanthropy and library design, encouraging a closer correspondence between the two. The Carnegie buildings typically followed a standardized style called "Carnegie Classic": a rectangular, T-shaped or L-shaped structure of stone or brick, with rusticated stone foundations and low-pitched, hipped roofs, with space allocated by function and efficiency. | | As VanSlyck (1989) shows, the last years of the 19th century saw acceptance of the idea that libraries should be available to the American public free of charge. However the design of the idealized free library was at the center of a prolonged and heated debate. On one hand, wealthy philanthropists favored buildings that reinforced the paternalistic metaphor and enhanced civic pride. They wanted a grandiose showcase that created a grand vista through a double-height, alcoved bookhall with domestically-scaled reading rooms, perhaps dominated by the donor's portrait over the fireplace. Typical examples were the New York Public Library and the Chicago Public Library. Librarians considered that grand design inefficient, and too expensive to maintain. Between 1886 and 1917, Carnegie reformed both library philanthropy and library design, encouraging a closer correspondence between the two. The Carnegie buildings typically followed a standardized style called "Carnegie Classic": a rectangular, T-shaped or L-shaped structure of stone or brick, with rusticated stone foundations and low-pitched, hipped roofs, with space allocated by function and efficiency. |