Reverted edits by TK (talk) to last revision by TannerD
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[[Liberals]] use art to express their [[political]] views, hoping to gain extra protection for their political speech by claiming that it is not really political but merely "artistic expression". This has been used to defend [[hate speech]] in the case of an art exhibit in the 1980s which invited museum goers to step on an American Flag and then record their opinions in a journal.
[[Liberals]] use art to express their [[political]] views, hoping to gain extra protection for their political speech by claiming that it is not really political but merely "artistic expression". This has been used to defend [[hate speech]] in the case of an art exhibit in the 1980s which invited museum goers to step on an American Flag and then record their opinions in a journal.
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In 2008, visual artist [[Shepard Fairey]] utilized [[Socialist]] propaganda poster aesthetics to create the infamous [[Barack Obama]] "HOPE" campaign poster. Fairey's work has long employed visual elements directly referencing Soviet imagery, styling and color palettes. This iconographic image became synonymous with Obama's presidential campaign, despite claims by the [[Associated Press]] that Fairey had illegally stolen the original image from their photo archives. {{who says}} {{fact}}
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In 2008, visual artist [[Shepard Fairey]] utilized [[Socialist]] and [[Communist]] propaganda poster aesthetics to create the infamous [[Barack Obama]] "HOPE" campaign poster. Fairey's work has long employed visual elements directly referencing [[fascist]] imagery, styling and color palettes. His representation of Obama bore striking resemblance to socialist realism and recalled posters used to promote [[Mao]], [[Stalin]] and [[Lenin]]. This iconographic image became synonymous with Obama's presidential campaign, despite claims by the [[Associated Press]] that Fairey had illegally stolen the original image from their photo archives. In a September 2008 article on [[San Francisco]]-based news website SF Gate, Fairey admitted freely that he employed propaganda techniques, saying, "The illustration does have roots in propaganda art... I also want it to seem like a patriotic image, but not be seen as too countercultural... It needed just enough mainstream ingredients to transcend."