Difference between revisions of "Experimental film"
From Conservapedia
Pineapple10 (Talk | contribs) (New page: An '''experimental film''' is a film that uses strange and/or surreal imagery. Some of these films are very mild, using occasional surreal imagery and visual metaphors. So...) |
Pineapple10 (Talk | contribs) |
||
| Line 1: | Line 1: | ||
An '''experimental film''' is a film that uses strange and/or [[surrealism|surreal]] imagery. | An '''experimental film''' is a film that uses strange and/or [[surrealism|surreal]] imagery. | ||
| − | Some of these films are very mild, using occasional surreal imagery and visual metaphors. | + | Some of these films are very mild, using occasional surreal imagery and/or visual metaphors. |
Sometimes, these films are shocking and horrific. If examined with a socially conservative eye, the films may seem like exploitation. This is not the intent of this author, nor of the original work, though aesthetic and social schema, which define works as pornographic and obscene have been purposefully co-opted, exploited, and subsequently rejected by these films. | Sometimes, these films are shocking and horrific. If examined with a socially conservative eye, the films may seem like exploitation. This is not the intent of this author, nor of the original work, though aesthetic and social schema, which define works as pornographic and obscene have been purposefully co-opted, exploited, and subsequently rejected by these films. | ||
[[Category: Cinema]] | [[Category: Cinema]] | ||
Revision as of 15:32, March 14, 2008
An experimental film is a film that uses strange and/or surreal imagery.
Some of these films are very mild, using occasional surreal imagery and/or visual metaphors.
Sometimes, these films are shocking and horrific. If examined with a socially conservative eye, the films may seem like exploitation. This is not the intent of this author, nor of the original work, though aesthetic and social schema, which define works as pornographic and obscene have been purposefully co-opted, exploited, and subsequently rejected by these films.
