| Line 70: |
Line 70: |
| | These two genres; however, are not necessarily distinct, as composers such as [[Johann Sebastian Bach|Bach]] and [[Wolfgang Amadeus Mozart|Mozart]] would often incorporate themes from "popular music" of their time into their works. Other classical composers like [[Maurice Ravel|Ravel]] and [[George Gershwin|Gershwin]] were well-known for their use of jazz idiom in works like the Concerto in F for Piano and Orchestra and [[Rhapsody in Blue]]. On the other hand, popular music has borrowed many themes from classical works (one notable example is "A Whiter Shade of Pale" by [[Procol Harum]]). In addition, "popular music" is not necessarily simpler than classical, as forms like jazz and progressive rock make use of complex time signatures that do not often occur in classical works, and some popular musicians like [[Frank Zappa]] are considered serious composers in their own right. | | These two genres; however, are not necessarily distinct, as composers such as [[Johann Sebastian Bach|Bach]] and [[Wolfgang Amadeus Mozart|Mozart]] would often incorporate themes from "popular music" of their time into their works. Other classical composers like [[Maurice Ravel|Ravel]] and [[George Gershwin|Gershwin]] were well-known for their use of jazz idiom in works like the Concerto in F for Piano and Orchestra and [[Rhapsody in Blue]]. On the other hand, popular music has borrowed many themes from classical works (one notable example is "A Whiter Shade of Pale" by [[Procol Harum]]). In addition, "popular music" is not necessarily simpler than classical, as forms like jazz and progressive rock make use of complex time signatures that do not often occur in classical works, and some popular musicians like [[Frank Zappa]] are considered serious composers in their own right. |
| | | | |
| − | === Different uses of classical and popular music === | + | == Music in the Bible == |
| − | Classical music has typically found these uses:
| |
| | | | |
| − | # As an aid to worship, by placing the listener into a proper frame of mind for worship or instill in the listener a proper appreciation of the grandeur and glory of [[God]] and of the listener's own place in relation to Him.
| + | The [[Bible]] suggests that music actually began in [[heaven]]. It credits [[Satan|Lucifer]] as being the first musician, and [[Jubal]], son of [[Lamech the Murderer]] by his wife [[Adah]], with introducing music to mankind.<ref>{{Bible ref|book=Genesis|chap=5|verses=19-21|version=KJV}}</ref> |
| − | # For the entertainment of the nobility; or, in more recent times, by commission from a particular group of people (often an orchestra or a university).
| |
| − | # To rally troops, either during training, on the march, or in battle.
| |
| − | # To celebrate military victory or the reign of a king, usually the one presently on the throne.
| |
| − | # Occasionally as a supplement to various forms of [[theater]]. Originally (especially in the Greek era) this meant the open-air live theater of classical fame. Today such music might accompany a live stage performance or several scenes in a [[motion picture]].
| |
| | | | |
| − | Popular music, on the other hand, is typically used:
| + | King [[David]], at the height of his reign, is said to have had a ''four-thousand-voice choir'' to assist in the worship of [[God]]. The Book of [[Psalms]] is a collection of lyrics composed by David for some of the first worship songs in Israelite tradition. The [[Song of Solomon]] may also have been intended to be sung. |
| | | | |
| − | # For entertainment, and more particularly for financial remuneration.
| + | Mentions of "singing to the Lord" abound in the [[Old Testament]]. The most specific testimony to the power of music over human emotions is surely contained in the story of King [[Saul]] and how he came to recruit the young [[David]] as his armorbearer and personal musician.<ref>{{Bible ref|book=I_Samuel|chap=16|verses=14-23|version=KJV}}</ref> It has also been theorised that the original meaning of the verb "to prophecy" was "to make music". |
| − | # Very frequently as a supplement to modern [[theater]] in all its forms, including stage, [[motion picture|motion pictures]], and especially [[television]].
| |
| − | # As a powerful aid of [[propaganda]], and the closely related use in [[advertisement]].
| |
| − | # Rarely, to rally troops. One popular artist who achieved great distinction by winning acceptance of his music by military bands was [[Glenn Miller]].
| |
| | | | |
| − | Both forms of music can be used as propaganda, as in some of the works of [[Dmitri Shostakovich]] (although this is debated; see the article on Shostakovich for a more complete discussion).
| |
| | | | |
| − | Many types of music have been used to accompany dancing. This was as true in the past as it is today, all over the world, whether in the discos of American nightclubs or the salsa bars of Latin America. Today, people may dance to Maddonna (the female recording artist), while a generation ago people were dancing to the works of Duke Ellington and Sammy Nestico. Before that, the waltzes of Strauss were popular, while in the Baroque era (1650-1750), the dance suite was a popular compositional form. Dancing to music, whether melodic or rhythmic in nature, often plays a ritualistic role in societies across the world. Music and dance have been central to the rites of many religions and can be found in some Christian religious traditions as well.
| + | === Classical and popular music === |
| | | | |
| − | == Music in the Bible ==
| + | The division of music into "classical" and "popular" is, like the definition of music itself, a source of controversy. To group music into one category or the other is problematic, as there is an implied value judgment between the two. Jazz, for example, began as a fusion of marching band music (which is close to the classical tradition), folk music, such as the Blues (which is closer to popular music), and ragtime (which was popular music at the time but which is now more often grouped with the classics). Jazz music itself was firmly grouped in the popular tradition until World War Two, but offshoots of it have since become much closer in style to contemporary classical music. |
| | | | |
| − | The [[Bible]] suggests that music actually began in [[heaven]]. It credits [[Satan|Lucifer]] as being the first musician, and [[Jubal]], son of [[Lamech the Murderer]] by his wife [[Adah]], with introducing music to mankind.<ref>{{Bible ref|book=Genesis|chap=5|verses=19-21|version=KJV}}</ref>
| + | Common criteria used to distinguish between classical and contemporary music are often unreliable, as both can be used for entertainment, for worship, to accompany other art forms such as theatre, for dancing, to relax or motivate people, and for the purpose of making money. |
| | | | |
| − | King [[David]], at the height of his reign, is said to have had a ''four-thousand-voice choir'' to assist in the worship of [[God]]. The Book of [[Psalms]] is a collection of lyrics composed by David for some of the first worship songs in Israelite tradition. The [[Song of Solomon]] may also have been intended to be sung.
| + | Both forms of music can be used as propaganda, as in some of the works of [[Dmitri Shostakovich]] (although this is debated; see the article on Shostakovich for a more complete discussion). |
| | | | |
| − | Mentions of "singing to the Lord" abound in the [[Old Testament]]. The most specific testimony to the power of music over human emotions is surely contained in the story of King [[Saul]] and how he came to recruit the young [[David]] as his armorbearer and personal musician.<ref>{{Bible ref|book=I_Samuel|chap=16|verses=14-23|version=KJV}}</ref> It has also been theorised that the original meaning of the verb "to prophecy" was "to make music".
| + | Many types of music have been used to accompany dancing. This was as true in the past as it is today, all over the world, whether in the discos of American nightclubs or the salsa bars of Latin America. Today, people may dance to Maddonna (the female recording artist), while a generation ago people were dancing to the works of Duke Ellington and Sammy Nestico. Before that, the waltzes of Strauss were popular, while in the Baroque era (1650-1750), the dance suite was a popular compositional form. Dancing to music, whether melodic or rhythmic in nature, often plays a ritualistic role in societies across the world. Music and dance have been central to the rites of many religions and can be found in some Christian religious traditions as well. |
| | | | |
| | == The power of music over human emotion == | | == The power of music over human emotion == |