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Before his death Renoir had a supreme triumph, he saw his portrait "[http://www.conservapedia.com/Image:Renoir_Madame_Charpentier.jpg Madame Georges Charpentier]" (1877), hanging in the Louvre.

Before his death Renoir had a supreme triumph, he saw his portrait "[http://www.conservapedia.com/Image:Renoir_Madame_Charpentier.jpg Madame Georges Charpentier]" (1877), hanging in the Louvre.

Some of his most famous paintings are: "[[Le Moulin de la Galette|Bal au Moulin de la Galette]]", "[http://www.conservapedia.com/File:Renoir_The_Theater_Box_1874.jpg La Loge]", "Two Sisters (On the Terrace)", "The Luncheon of the Boating Party", "[http://www.conservapedia.com/File:Pierre-Auguste_Renoir,_Le_Pont_des_Arts,_1867-1868.jpg Le Pont des Arts et l'Institut de France]", "Dance at Bougival" and "The Bathers".

Some of his most famous paintings are: "[[Le Moulin de la Galette|Bal au Moulin de la Galette]]", "[http://www.conservapedia.com/File:Renoir_The_Theater_Box_1874.jpg La Loge]", "Two Sisters (On the Terrace)", "The Luncheon of the Boating Party", "[http://www.conservapedia.com/File:Pierre-Auguste_Renoir,_Le_Pont_des_Arts,_1867-1868.jpg Le Pont des Arts et l'Institut de France]", "Dance at Bougival", "The Swing", "The Large Bathers" (1884-1887), and "The Bathers" ("Three Bathers", 1918-1919); this last subject appeared frequently in Renoir's oeuvre.

 

''No one, throughout the history of painting, represented the richness and sensuous beauty of the female form more successfully.'' Henry S. Francis. [http://www.jstor.org/discover/10.2307/25138071?uid=3738664&uid=2129&uid=2&uid=70&uid=4&sid=21106863597293]

In his paintings women always have ''les visages féminins typiques de Renoir'' (female faces typical of Renoir).

In his paintings women always have ''les visages féminins typiques de Renoir'' (female faces typical of Renoir).