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The movie has been interpreted as both anti-war and pro-military; Ebert judges the movie to be "a hard-line glorification of the military ethic, personified by a man whose flaws and eccentricities marginalized him in peacetime, but found the ideal theater in battle."
 
The movie has been interpreted as both anti-war and pro-military; Ebert judges the movie to be "a hard-line glorification of the military ethic, personified by a man whose flaws and eccentricities marginalized him in peacetime, but found the ideal theater in battle."
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[[Category:Biographies]]
1,066

edits