| | + | The present day Hebrew printed letters of the Hebrew Bible and modern literature are not Hebrew, but are Aramaic script. The original Hebrew script was much like its close relatives in the middle east - Caananite, Phoenician, and Moabite, and like them Hebrew is fully alphabetic. This means that a sign, though perhaps having originated as a picture (pictograph) or mental concept or action, represents one sound. This was a great advance in literacy as just a few letters had to be learnt to produce the limited particular sound issuing from the mouth, rather than myriads of signs having to be learnt to represent the myriads of ideas, actions, and concepts. Greek and Latin developed their alphabetic scripts from the semitic. |
| | The Hebrew of the Old Testament, though "classical", is not uniform. Some of the Hebrew, as in the Song of Deborah, is very archaic. The narrative portions relating to Deborah are more "modern". The same is true of the poetic Song of Moses and its corresponding narrative. This indicates that the poetic portions were written much earlier than the narrative and very close to the time of the event itself. This suggests that the events were passed on orally and in song to the next generation before they were written down. Deuteronomy displays a type of Hebrew similar to some of the Prophetic literature. What all this indicates is the "freedom" found in the Hebrew language of the Bible. In comparative terms to our modern sense and usage, it would be as if King James English with its magnificent cadences, Revised Standard English, more accessible and approachable to the modern man, and New International English, more familiar to the "man in the street", were to be used in one and the same version of the Bible to fit different "moods" and different usages and succeeding centuries. This evinces a most convincing and natural development of the language just as there is a most convincing and natural development of the culture and of the people of the Bible. Biblical Hebrew is thus shown to be very far different from an artificial or "school room" construct. It is a living language – or, more properly, living languages – used for different purposes and at different times. | | The Hebrew of the Old Testament, though "classical", is not uniform. Some of the Hebrew, as in the Song of Deborah, is very archaic. The narrative portions relating to Deborah are more "modern". The same is true of the poetic Song of Moses and its corresponding narrative. This indicates that the poetic portions were written much earlier than the narrative and very close to the time of the event itself. This suggests that the events were passed on orally and in song to the next generation before they were written down. Deuteronomy displays a type of Hebrew similar to some of the Prophetic literature. What all this indicates is the "freedom" found in the Hebrew language of the Bible. In comparative terms to our modern sense and usage, it would be as if King James English with its magnificent cadences, Revised Standard English, more accessible and approachable to the modern man, and New International English, more familiar to the "man in the street", were to be used in one and the same version of the Bible to fit different "moods" and different usages and succeeding centuries. This evinces a most convincing and natural development of the language just as there is a most convincing and natural development of the culture and of the people of the Bible. Biblical Hebrew is thus shown to be very far different from an artificial or "school room" construct. It is a living language – or, more properly, living languages – used for different purposes and at different times. |