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| | '''Dante's Paradiso''' is the third cantica in the [[Divine Comedy]] by [[Dante Alighieri]]. It tells of Dante's journey through [[Heaven]], with Beatrice as his guide, until he eventually reaches the edge of time and sees [[God]] Himself. | | '''Dante's Paradiso''' is the third cantica in the [[Divine Comedy]] by [[Dante Alighieri]]. It tells of Dante's journey through [[Heaven]], with Beatrice as his guide, until he eventually reaches the edge of time and sees [[God]] Himself. |
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| | + | ==Structure of Heaven== |
| | Heaven is made up of nine spheres, corresponding to the heavenly bodies visible from Earth that were known in Dante's time. Dante meets the souls of the dead in each sphere, organised according to the good works they did while on Earth. Dante questions Beatrice on what he sees and is questioned by the inhabitants of [[Heaven]] as well. The nine levels of Heaven correspond to the [[Ptolemy|Ptolemaic]] view of the planets' rotation around the Earth, and in each one Dante is shown a different category of souls: | | Heaven is made up of nine spheres, corresponding to the heavenly bodies visible from Earth that were known in Dante's time. Dante meets the souls of the dead in each sphere, organised according to the good works they did while on Earth. Dante questions Beatrice on what he sees and is questioned by the inhabitants of [[Heaven]] as well. The nine levels of Heaven correspond to the [[Ptolemy|Ptolemaic]] view of the planets' rotation around the Earth, and in each one Dante is shown a different category of souls: |
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| | * God’s throne with the elders | | * God’s throne with the elders |
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| − | Dante's allusions are again rooted in Greek and Roman mythology which he relates to Christian virtues and doctrines, symbols from astrology, Biblical history, Church teaching, and honored political figures. The high position of [[Mary]] is emphasized as it was the prevailing belief of the time. | + | However, while Dante is in the first sphere, it is explained that all the souls in fact occupy the same Heaven and receive the same reward. Different categories of souls appear in different places as an aid to his (and the reader's) understanding, but this should not be taken as a literal representation of what Heaven is like. |
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| | + | == End == |
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| | The Paradiso ends when Dante sees God. He tries to describe what he has seen, but admits defeat as his poetic gifts fail in their attempt to give form to the ineffable. The reader can only assume that the poet was somehow returned to Earth, and given the task of returning to life and writing down what he has seen for the benefit of those still living. Dante equates this purpose to that of the man the [[Apostle Paul]] wrote about who ascended to the 3rd Heaven in a vision, or that [[John the Divine]] wrote in the Apocalypse ([[Book of Revelation|Revelation]]). <ref> [[The Divine Comedy]], By Dante Alighieri, Translated by Charles Singleton, Bollingen Series 80, Vol. 3: Paradiso. Copyright 1975 by Princeton University Press. </ref> | | The Paradiso ends when Dante sees God. He tries to describe what he has seen, but admits defeat as his poetic gifts fail in their attempt to give form to the ineffable. The reader can only assume that the poet was somehow returned to Earth, and given the task of returning to life and writing down what he has seen for the benefit of those still living. Dante equates this purpose to that of the man the [[Apostle Paul]] wrote about who ascended to the 3rd Heaven in a vision, or that [[John the Divine]] wrote in the Apocalypse ([[Book of Revelation|Revelation]]). <ref> [[The Divine Comedy]], By Dante Alighieri, Translated by Charles Singleton, Bollingen Series 80, Vol. 3: Paradiso. Copyright 1975 by Princeton University Press. </ref> |
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| | + | == Sources == |
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| | + | Dante's allusions are again rooted in Greek and Roman mythology which he relates to Christian virtues and doctrines, symbols from astrology, Biblical history, Church teaching, and honored political figures. The high position of [[Mary]] is emphasized as it was the prevailing belief of the time. |