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== A novel criticism ==
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== Novel criticism ==
 
[[Image:Tolstoy and wife.jpg|thumb|120px|Tolstoy and wife Sonya Andreyevna Behrs]]
 
[[Image:Tolstoy and wife.jpg|thumb|120px|Tolstoy and wife Sonya Andreyevna Behrs]]
 
About Anna Karenina.
 
About Anna Karenina.
    
''Anna Karenina was published in serial form from 1873-1877. It created a great stir in society; reports from the time claim that everyone in Russian Society was discussing the book and waiting eagerly for the next installment to appear. The critical reaction was mostly positive and, like the novel itself, passionate. It was published on the heels of [[Leo Tolstoy]]'s great opus, War and Peace (1863-1869) and solidified his reputation as one of Russia's most important 19th-century writers. This was quite a feat, given that his contemporaries included Dostoevsky, Turgenev, Gogol and Lermontov.''...  Although the critical reaction to Anna Karenina was favorable and the public was shaken by the strength of both the story and Tolstoy's prose, Tolstoy himself was dissatisfied with the novel... <ref>[http://www.gradesaver.com/classicnotes/titles/karenina/about.html About Anna Karenina]  Literature ClassicNotes™ </ref>
 
''Anna Karenina was published in serial form from 1873-1877. It created a great stir in society; reports from the time claim that everyone in Russian Society was discussing the book and waiting eagerly for the next installment to appear. The critical reaction was mostly positive and, like the novel itself, passionate. It was published on the heels of [[Leo Tolstoy]]'s great opus, War and Peace (1863-1869) and solidified his reputation as one of Russia's most important 19th-century writers. This was quite a feat, given that his contemporaries included Dostoevsky, Turgenev, Gogol and Lermontov.''...  Although the critical reaction to Anna Karenina was favorable and the public was shaken by the strength of both the story and Tolstoy's prose, Tolstoy himself was dissatisfied with the novel... <ref>[http://www.gradesaver.com/classicnotes/titles/karenina/about.html About Anna Karenina]  Literature ClassicNotes™ </ref>
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Uncle Tom’s Cabin.
    
"That Uncle Tom’s Cabin stands higher in the history of reform than in the history of the art of fiction no one needs to say again. Dickens, Kingsley, and Mrs. Gaskell had already set the novel to humanitarian tunes, and Mrs. Stowe did not have to invent a type. She had, however, no particular foreign master, not even Scott, all of whose historical romances she had been reading just before she began Uncle Tom. Instead she adhered to the native tradition, which went back to the eighteenth century, of sentimental, pious, instructive narratives written by women chiefly for women. Leave out the merely domestic elements of the book—slave families broken up by sale, ailing and dying children, negro women at the mercy of their masters, white households which at the best are slovenly and extravagant by reason of irresponsible servants—and little remains. To understand why the story touched the world so deeply it is necessary to understand how tense the struggle over slavery had grown, how thickly charged was the moral atmosphere awaiting a fatal spark. But the mere fact of an audience already prepared will not explain the mystery of a work which shook a powerful institution and which, for all its defects of taste and style and construction, still has amazing power." <ref>[http://www.bartleby.com/227/0406.html Uncle Tom’s Cabin.] </ref>
 
"That Uncle Tom’s Cabin stands higher in the history of reform than in the history of the art of fiction no one needs to say again. Dickens, Kingsley, and Mrs. Gaskell had already set the novel to humanitarian tunes, and Mrs. Stowe did not have to invent a type. She had, however, no particular foreign master, not even Scott, all of whose historical romances she had been reading just before she began Uncle Tom. Instead she adhered to the native tradition, which went back to the eighteenth century, of sentimental, pious, instructive narratives written by women chiefly for women. Leave out the merely domestic elements of the book—slave families broken up by sale, ailing and dying children, negro women at the mercy of their masters, white households which at the best are slovenly and extravagant by reason of irresponsible servants—and little remains. To understand why the story touched the world so deeply it is necessary to understand how tense the struggle over slavery had grown, how thickly charged was the moral atmosphere awaiting a fatal spark. But the mere fact of an audience already prepared will not explain the mystery of a work which shook a powerful institution and which, for all its defects of taste and style and construction, still has amazing power." <ref>[http://www.bartleby.com/227/0406.html Uncle Tom’s Cabin.] </ref>
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