The form became more distinctively French as it went on, especially from [[Claude Debussy|Debussy]] on with the works of the great French poets being the recipients of most of the settings. Like all true art-songs a great deal of the charm, indeed of the “art” itself, lay in the sympathetic partnership of the voice and accompaniment. | The form became more distinctively French as it went on, especially from [[Claude Debussy|Debussy]] on with the works of the great French poets being the recipients of most of the settings. Like all true art-songs a great deal of the charm, indeed of the “art” itself, lay in the sympathetic partnership of the voice and accompaniment. |