Changes

Ludwig van Beethoven (view source)

Revision as of 21:13, September 28, 2009

No change in size , 21:13, September 28, 2009

moved "deafness" section

Line 9: Line 9:

Newly-arrived in the bustling musical capital, Beethoven made his mark almost immediately as a pianist, and pursued his studies in composition, first with [[Joseph Haydn]], and later with contemporaries Johann Schenk, Johann-Georg Albrechtsberger and Antonio Salieri. To all appearances, the first years in Vienna were marked by creative fits and starts: Beethoven's Opus 1 (published in 1795), a set of three piano trios, was already mostly finished when he arrived in Vienna; and while many of his first great works were begun in these first five years, Beethoven had nothing new to send back to his benefactor in Bonn. Maximilian Franz, then the elector of Bonn, was still financing the young composer's education, corresponding frequently and impatiently with both Beethoven and Haydn, and threatening to cut off funding if he did not begin to show results. Finally, in 1797, Beethoven's Opus 2, a bold set of three piano sonatas written in an unprecedentedly original style, was published and dedicated to Haydn. Five more opuses were published that year, and a flood of finished compositions followed in 1798. By the time his first symphony was finished and performed in 1800, Beethoven had thoroughly made his mark as a composer of powerful orginiality.

+

==Beethoven's Deafness==

+

Although the music of Beethoven is remarkable in its own right, it is perhaps most amazing in light of the fact that much of it was written when he was near or totally deaf. The most stirring example of this is the Ninth Symphony, written in 1824 when he had lost all hearing. At the end of the performance, one of the performers had to turn the composer to see the ovations which he could not hear.

+

Critics and music historians disagree on the extent to which Beethoven's deafness affected his music. Many of his later works, especially the late string quartets, were considered unintelligible when they were written, and this difficulty was attributed to his deafness. Others argue that his deafness had little to no ultimate effect on the quality of his music: he had a profound ability to "hear" the music even when deaf. There can be little doubt, however, that the loss of hearing had a profound personal effect on the composer, which undoubtedly bled into his highly personal music.

==The Music==

Line 17: Line 23:

Many of his compositions remain popular with the general public, such as the piano bagatelle "Für Elise", the ''Moonlight Sonata.'' (a title not actually attributed to Beethoven), opus 27 no. 2, and many of the symphonies. The late string quartets are still considered "difficult" music, though they still have a strong following among devoted followers of classical music.

−

~~==Beethoven's Deafness==~~

−

Although the music of Beethoven is remarkable in its own right, it is perhaps most amazing in light of the fact that much of it was written when he was near or totally deaf. The most stirring example of this is the Ninth Symphony, written in 1824 when he had lost all hearing. At the end of the performance, one of the performers had to turn the composer to see the ovations which he could not hear.

−

Critics and music historians disagree on the extent to which Beethoven's deafness affected his music. Many of his later works, especially the late string quartets, were considered unintelligible when they were written, and this difficulty was attributed to his deafness. Others argue that his deafness had little to no ultimate effect on the quality of his music: he had a profound ability to "hear" the music even when deaf. There can be little doubt, however, that the loss of hearing had a profound personal effect on the composer, which undoubtedly bled into his highly personal music.

==Beethoven and Religion==

JDWpianist

1,266

edits