1,266
edits
Changes
→Wagner and Philosophy: added three more
*Goehr, Lydia. ''The quest for voice: On music, politics and the limits of philosophy''. Berkeley: University of California Press, 1998. (Discusses the relationship between philosophy and Wagner's music, and the tangled relationship his music has had with German history.)
*Goehr, Lydia. ''The quest for voice: On music, politics and the limits of philosophy''. Berkeley: University of California Press, 1998. (Discusses the relationship between philosophy and Wagner's music, and the tangled relationship his music has had with German history.)
*Magee, Bryan. ''The Tristan Chord: Wagner and Philosophy'', New York: Metropolitan Books, 2001. (The most in-depth English resource about Wagner's knowledge of philosophy, and the philosophy inspired by Wagner. The appendix, entitled "Wagner's Anti-Semitism," is also an excellent and even-handed discussion of this issue.)
*Magee, Bryan. ''The Tristan Chord: Wagner and Philosophy'', New York: Metropolitan Books, 2001. (The most in-depth English resource about Wagner's knowledge of philosophy, and the philosophy inspired by Wagner. The appendix, entitled "Wagner's Anti-Semitism," is also an excellent and even-handed discussion of this issue.)
*Steiger, Karsten. "Liebe, Tod, Erlösung: Richard Wagners Tristan und der Einfluß Schopenhauers" in ''Schopenhauer-Jahrbuch'' 76 (1995), pp. 103-132. (Discusses how Wagner's philosophy diverges from Schopenhauer's.)
*Weismüller, Christoph. ''Musik, Traum und Medien: Philosophie des musikdramatischen Gesamtkunstwerks--Ein medienphilosophischer Beitrag zu Richard Wagners öffentlicher Traumarbeit'' (''Music, dream, and the media: The philosophy of the musical and dramatic Gesamtkunstwerk--An essay from a philosopher of the media on Richard Wagner’s public processing of his dreams''). Würzburg: Königshausen und Neumann, 2001. (Places Wagner's "Gesamtkunstwerk" in the context of the long history of "multimedia," stretching from the Ancient Greeks to present day multimedia conceptions.)
*Winterbourne, Anthony. ''Speaking to our condition: Moral frameworks in Wagner's Ring of the Nibelung.'' Madison, N.J.: Farleigh Dickinson University, 2000. (Discusses Wagner's Ring Cycle in the context of 19th-century post-Kantian German intellectualism.)
==References==
==References==