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| | Both forms of music can be used as propaganda, as in some of the works of [[Dmitri Shostakovich]] (although this is debated; see the article on Shostakovich for a more complete discussion). | | Both forms of music can be used as propaganda, as in some of the works of [[Dmitri Shostakovich]] (although this is debated; see the article on Shostakovich for a more complete discussion). |
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| − | Many types of music have been used to accompany dancing. This was as true in the past as it is today, all over the world, whether in the discos of American nightclubs or the salsa bars of Latin America. Today, people may [[dance]] to Maddonna (the female recording artist), while a generation ago people were dancing to the works of Duke Ellington and Sammy Nestico. Before that, the waltzes of Strauss were popular, while in the Baroque era (1650-1750), the dance suite was a popular compositional form. Dancing to music, whether melodic or rhythmic in nature, often plays a ritualistic role in societies across the world. Music and dance have been central to the rites of many religions and can be found in some Christian religious traditions as well. | + | Many types of music have been used to accompany dancing. This was as true in the past as it is today, all over the world, whether in the discos of American nightclubs or the salsa bars of Latin America. Today, people may [[dance]] to Madonna (the female recording artist), while a generation ago people were dancing to the works of Duke Ellington and Sammy Nestico. Before that, the waltzes of Strauss were popular, while in the Baroque era (1650-1750), the dance suite was a popular compositional form. Dancing to music, whether melodic or rhythmic in nature, often plays a ritualistic role in societies across the world. Music and dance have been central to the rites of many religions and can also be found in some Christian religious traditions. |
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| | == Possible healing effects == | | == Possible healing effects == |
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| | == Controversies surrounding music today == | | == Controversies surrounding music today == |
| | [[Image:Harrison-Rucker-Barefoot-Recital.jpg|left|200px]] | | [[Image:Harrison-Rucker-Barefoot-Recital.jpg|left|200px]] |
| − | Music perhaps has always been controversial, but the controversies surrounding music today rage with particular vehemence. The question of what is, and what is not, music is relatively tame. Different composers have always experimented with different music conventions, and always will. (And perhaps they must.) Many such experiments fail, in that the works produced draw only small audiences, and ultimately no one will play them, because no one will pay to listen to them or to have them played for other people. However, whether or not the 'success' of a musical venture can be ascertained based on the size of the audience it draws is somewhat tenuous, as music subject to much critical acclaim can often be shunned by the wider public in favour of more heavily promoted music. | + | Music perhaps has always been controversial, but the controversies surrounding music today rage with particular vehemence. The question of what is, and what is not, music is relatively tame. Different composers (such as avant-garde musician John Cage) have always experimented with different music conventions, and always will (perhaps they must). Many such experiments fail in that the works produced draw only small audiences, and ultimately no one will play them as no one will pay to listen to them or to have them played for other people. However, whether or not the 'success' of a musical venture can be ascertained based on the size of the audience it draws is somewhat tenuous, as music subject to much critical acclaim can often be shunned by the wider public in favour of more heavily promoted music. |
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| | Rather, the most raging controversy concerns certain genres of popular music that have provoked adverse political comment precisely because of the emotions they incite and the themes they sound, both in lyrics and in notes. Some parents of adolescent and pre-adolescent children object to music that explicitly (mainly through its lyrics) exhorts its listeners to sexual sin. Members of various political interest groups object to music that they believe provokes its listeners to show ''disrespect'' for members of those groups. | | Rather, the most raging controversy concerns certain genres of popular music that have provoked adverse political comment precisely because of the emotions they incite and the themes they sound, both in lyrics and in notes. Some parents of adolescent and pre-adolescent children object to music that explicitly (mainly through its lyrics) exhorts its listeners to sexual sin. Members of various political interest groups object to music that they believe provokes its listeners to show ''disrespect'' for members of those groups. |