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==Who And What He Was==
 
==Who And What He Was==
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[[Image:Cupid Complaining to Venus by Lucas Cranach.jpg|150px|left|thumb|This painting, one of the best-loved paintings in the National Gallery, had once belonged to Hitler. New evidence has come to light that Lucas Cranach's ''Cupid Complaining to Venus'', currently on loan to an exhibition in Bristol, hung on the sitting-room wall of his flat in Munich. <ref>[http://www.guardian.co.uk/artanddesign/2008/mar/28/art.secondworldwar Hitler owned painting now in National Gallery]</ref>]]
 
[[Elie Wiesel]] wrote famously, and most eloquently about Hitler in 1998:
 
[[Elie Wiesel]] wrote famously, and most eloquently about Hitler in 1998:
 
<blockquote>At the same time that he terrorized his adversaries, he knew how to please, impress and charm the very interlocutors from whom he wanted support. Diplomats and journalists insist as much on his charm as they do on his temper tantrums. The savior admired by his own as he dragged them into his madness, the Satan and exterminating angel feared and hated by all others, Hitler led his people to a shameful defeat without precedent. That his political and strategic ambitions have created a dividing line in the history of this turbulent and tormented century is undeniable: there is a before and an after. By the breadth of his crimes, which have attained a quasi-ontological dimension, he surpasses all his predecessors: as a result of Hitler, man is defined by what makes him inhuman. With Hitler at the head of a gigantic laboratory, life itself seems to have changed.</blockquote>
 
<blockquote>At the same time that he terrorized his adversaries, he knew how to please, impress and charm the very interlocutors from whom he wanted support. Diplomats and journalists insist as much on his charm as they do on his temper tantrums. The savior admired by his own as he dragged them into his madness, the Satan and exterminating angel feared and hated by all others, Hitler led his people to a shameful defeat without precedent. That his political and strategic ambitions have created a dividing line in the history of this turbulent and tormented century is undeniable: there is a before and an after. By the breadth of his crimes, which have attained a quasi-ontological dimension, he surpasses all his predecessors: as a result of Hitler, man is defined by what makes him inhuman. With Hitler at the head of a gigantic laboratory, life itself seems to have changed.</blockquote>
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<blockquote>The fact is that Hitler was beloved by his people — not the military, at least not in the beginning, but by the average Germans who pledged to him an affection, a tenderness and a fidelity that bordered on the irrational. It was idolatry on a national scale. One had to see the crowds who acclaimed him. And the women who were attracted to him. And the young who in his presence went into ecstasy. Did they not see the hateful mask that covered his face? Did they not divine the catastrophe he bore within himself?<ref name="time">http://www.time.com/time/time100/leaders/profile/hitler.html</ref></blockquote>  
 
<blockquote>The fact is that Hitler was beloved by his people — not the military, at least not in the beginning, but by the average Germans who pledged to him an affection, a tenderness and a fidelity that bordered on the irrational. It was idolatry on a national scale. One had to see the crowds who acclaimed him. And the women who were attracted to him. And the young who in his presence went into ecstasy. Did they not see the hateful mask that covered his face? Did they not divine the catastrophe he bore within himself?<ref name="time">http://www.time.com/time/time100/leaders/profile/hitler.html</ref></blockquote>  
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[[Image:Cupid Complaining to Venus by Lucas Cranach.jpg|120px|left]]''One of the best-loved paintings in the National Gallery - an exquisite vision of Venus and Cupid by the greatest artist of the Reformation - once belonged to Hitler, it has been revealed. New evidence has come to light that Lucas Cranach's Cupid Complaining to Venus, currently on loan to an exhibition in Bristol, hung on the sitting-room wall of his flat in Munich.'' <ref>[http://www.guardian.co.uk/artanddesign/2008/mar/28/art.secondworldwar Hitler owned painting now in National Gallery]</ref>
      
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