Changes

Women suffered from poverty and unemployment. A caste system based on a woman's race, age, and (sometimes) marital status determined the type of job she was likely to have. Statistics indicate that, generally, black women had greater difficulty in the job market and were employed as domestics, while white women held clerical positions.<ref> Julia Kirk Blackwelder, "Quiet Suffering: Atlanta Women in the 1930s," ''Georgia Historical Quarterly'' 1977 61(2): 112-124. 0016-8297 </ref>   

Women suffered from poverty and unemployment. A caste system based on a woman's race, age, and (sometimes) marital status determined the type of job she was likely to have. Statistics indicate that, generally, black women had greater difficulty in the job market and were employed as domestics, while white women held clerical positions.<ref> Julia Kirk Blackwelder, "Quiet Suffering: Atlanta Women in the 1930s," ''Georgia Historical Quarterly'' 1977 61(2): 112-124. 0016-8297 </ref>   

The spectacular premier in Atlanta of David O. Selznick's film version of Margaret Mitchell's novel ''Gone With The Wind'' in December 1939 was an unprecedented and unconventional success, marking both a new stage in film promotion and a milestone in Atlanta's efforts to remake itself as the capital of the New South.  It was a segregated event that attracted several hundred thousand spectators. The best-selling novel and the top-selling film ever gave Atlanta a heroic image worldwide.<ref> Matthew Bernstein, "Selznick's March: The Atlanta Premiere of Gone With The Wind." ''Atlanta History'' 1999 43(2): 7-33. 0896-3975 </ref>

The spectacular premier in Atlanta of David O. Selznick's film version of Margaret Mitchell's novel ''[[Gone with the Wind]]'' in December 1939 was an unprecedented and unconventional success, marking both a new stage in film promotion and a milestone in Atlanta's efforts to remake itself as the capital of the New South.  It was a segregated event that attracted several hundred thousand spectators. The best-selling novel and the top-selling film ever gave Atlanta a heroic image worldwide.<ref> Matthew Bernstein, "Selznick's March: The Atlanta Premiere of Gone With The Wind." ''Atlanta History'' 1999 43(2): 7-33. 0896-3975 </ref>

[[File:At-5points-1935.jpg|thumb|325px|5 Points in 1935]]

[[File:At-5points-1935.jpg|thumb|325px|5 Points in 1935]]