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Essay:Greatest Conservative Movies

6,854 bytes removed, 19:43, August 13, 2022
|2000
|PG-13
|California Republican governor-to-be [[Arnold Schwarzenegger]] stars in this pro-family, pro-life, anti-cloning adventure as a family man of the future who is illegally cloned. The villain is trying to play God and use to use the cloning to decide who gets to lives and who dies, to which SchwarneggerSchwarzenegger's character objects to.
|$34,543,701
|-
|2009
|PG-13
|A 37-year-old father reverts to age 17 through a visit to a mysterious janitor and learns that choosing family, which he strives to support however he can, and life over death and possible material riches is much more rewarding and fulfilling even if it is not always apparent. The film stands up for [[abstinence]] and self-respect, and contains a strong speech for both of them, as in this quote: "Because there is no one that I'm in love with. It's called making love, isn't it? Maybe I'm old fashioned, but I think that means you do it with someone you love. And preferably when you're married, when you're ready to take that love and turn it into a baby." The concept of fatherhood is painted positively as well because he ultimately learns that he was reverted to age 17 so he could see things from his children's perspectives and help them resolve their problems.
|$64,167,069<ref>http://www.boxofficemojo.com/movies/?id=17again.htm</ref>
|-
|2013
|PG-13
|Bio pick Biopic of American icon [[Jackie Robinson]]
|$95,020,213
|-
|1984
|R
|Much the better of the two British big-screen adaptations of [[George Orwell]]'s iconic anti-totalitarian 1949 [[Nineteen Eighty-Four|novel]], Michael Radford's 1984 film starring Richard Burton alongside John Hurt and Suzanna Hamilton as the doomed lovers depicted Airstrip One as a "bleakly beautiful" re-creation of post-war 'Austerity London' by shooting in the derelict Docklands area that Stanley Kubrick would use to great effect two years later filming the second half of Full Metal Jacket. Rab C. Nesbitt fans will be astounded by then-unknown actor Gregor Fisher's faultless English accent as Parsons.
|$8,430,492
|-
|2019
|PG
|In this emotional drama, Tom Hanks plays [[Fred Rogers]] who helps a man reconnect with his estanged estranged father.
|$60,566,849
|-
|1994
|PG-13
|Hero Ace Ventura is an animal lover, but not an animal rights activist, and prefers [[conservation]]. In addition in recent years, liberals have criticized this movie under claims of it "attacking" the LGBT community, as the main villain is a gender-confused man who pretended to be a "woman". Ventura Ace literally freaks out when he realized he really made out with a man, as does everyone else later when they find out the truth. Ventura Ace also calls him by his biological gender.
|$72,217,396<ref>https://www.boxofficemojo.com/movies/?id=aceventura.htm</ref>
|-
|1999
|Not Rated
|This live-action adaptation of the [[conservative]] text of the same name from [[George Orwell]] (and of the 1954 original animation) uses animals in the pretext of leveling harsh criticism against [[Communism]] and against [[Joseph Stalin]]. Unlike the source material, the film literally shows Animal Farm collapsing due to the excesses posed by the evil Napoleon, a Berkshire boar and a metaphor allegory for Stalin, and his pigs, which is ultimately justified due to the collapse of the Soviet Union years earlier under similar reasons for Animal Farm's collapse.
|NA - TV
|-
|1961
|NR
|Men are men, women are women. Film also acknowledges the existance existence of God in one scene when Azor the High Priest tells Princess Antillia that the God she's praying to is false and that the only one who matters lives above.
|
|-
|Widely considered to be the crowning achievement of the Marvel Cinematic Universe, this game-changing superhero film brings together several superheroes, all of whom previously starred in related films adapted from Marvel Comics, as they join the Norse god Thor (who is less of a god and more of an alien in this universe, thus averting support for paganism) in stopping his evil brother Loki from conquering the world with an extraterrestrial mercenary army. Despite being the first Marvel feature released by the liberal conglomerate [[Walt Disney Company]] and being directed by liberal Joss Whedon, the film condemns totalitarian ideals, namely Loki's actions. A pivotal scene has Loki forcing innocent Germans to kneel before him, but an old man refuses to submit to "men like him", comparing Loki's actions to Hitler and Nazi Germany's actions. Arriving to confront Loki in the next instant, Steve Rogers/Captain America references Hitler and Johan Schmidt/Red Skull's attempt at taking the world via a similar ideology. Furthermore, the film condemns communism because the heroic assassin character Natasha Romanoff/Black Widow, who works with the superheroes, implies that she regrets her time as a Soviet agent due to having to conduct various atrocities. Law-enforcement is depicted positively, too, as they join the Avengers in their climactic battle to defend New York City when Loki's army invades. Finally, while the film doesn't seem to favor any religion or non-religion in particular, it paints Christians positively when Captain America, before pursuing a fighting Thor and Loki, tells Black Widow, "There's only one God, ma'am, and I'm pretty sure He doesn't dress like that!" in an obvious reference to the Biblical God. Given that a lot of planning went into ''The Avengers'' even before Disney's acquisition of Marvel went into full effect, it should come as no surprise that these conservative subtexts shine through.
|$1.519 billion
|-
|''Baby Boom''
|1987
|PG
|A woman gives up her career to look after a baby girl she is given custody of. She starts her own business. Pro-motherhood and pro Capitalism.
|$26 million
|-
|-
|''Bad Boys II''
|1988
|PG-13
|Twelve -year -old Josh Baskin makes a wish on the a Zoltar machine to become big, ; to his discovery , his wish is granted. After being through thrown out of the house by his mother who believes his he is a kidnapper, he must take in life as an adult. The film teaches the value of [[Childlike Wonder]], as well as [[individualism]] as Josh who is very different than the other workers is more effiecnt and brings new ideas at the toy company , being more [[Creativity|creative]] and playful than the other workers, is more efficient and brings new ideas at the toy company. In the end , Josh realizes he misses his family and returns home. So - a little pro-family message there as well.
|$115,227,281
|-
|1996
|PG-13
|Pro-family film where the idiotic brother of a governor candidate must be straighten straightened out, in order to avoid him hurting his chances in the election. The villain is a corrupt official and feminist, who had committed commits voter fraud. Also portrays the military (just shown in photographs) in positive light and is also anti-drug.
|$32,417,995
|-
|2014
|PG-13
|A widowed father of three daughters and a divorced mother of two sons accidentally end up staying together in a resort where the parents two fall in love. This shows how important it is for a family to have both a mother and a father. It also condemns the homosexual agenda, as it favors traditional gender roles because the father’s oldest daughter gradually gives up her tomboyish style, to actually look like a traditional girl. Also has a celebration of baseball as well.
|$46,294,610
|-
|1984
|R
|As in ''[[1984]]'', over-arching government is unambiguously shown here to be both an evil and a danger to all humanity, exactly as [[Weber]] foresaw. Made half a decade before the fall of the Berlin Wall, this first film in ex-Python [[Terry Gilliam]]'s "dystopia triptych" - later: followed by Twelve Monkeys (1995), and The Zero Theorum (2013) - splendidly dresses its timely, [[Orwell]]ian premise in a [[Kafka]]-esque bureaucratic nightmare of spirit-crushingly dismal yet relentlessly authoritarian mediocrity; not since [[King Lear]] have the 'grey men' of history been so acutely exposed. The later films are difficult to assess by today's standards of conservatism, although Twelve Monkeys is admittedly an outstanding cinematic achievement even if [[Blade Runner]] screen-writer David People's co-written sceenplay screenplay is politically harder to place; Zero Theorum's hero, Qohen Leth, is named after Qoheleth/Koheleth, anonymous author of the book of [[Ecclesiastes]], but the only quality Leth seems to share with his wise, jaded, cynically pragmatic namesake is other-worldliness.
|$9,929,135
|-
|2011
|PG-13
|Based upon the adventures of the patriotic superhero from Marvel Comics (and perhaps the company's most conservative superhero ever created), the frail, sickly U.S. Army recruit Steve Rogers is enhanced to the peak of human physicality by an experimental serum, then uses his newfound supersoldier abilities to combat Nazi terror in Europe while wearing a star-spangled uniform to avoid identification and carrying a throwable shield. Ultimately, he hunts down Nazi supersoldier Johan Schmidt/Red Skull, who was subject to an early, flawed version of Rogers' serum and has stolen the Tesseract, an energy source of unknown potential. Though Rogers succeeds, he is soon left with no choice but to crash Schmidt's aircraft into a glacier, leaving him frozen in suspended animation for decades until he wakes up in 2012 and readies for the events of the next film in the Marvel Cinematic Universe, ''The Avengers''. Virtues shown include patriotism, perseverance, and the courage to confront evil dictators. It condemns against globalist views in the climax of the film, as Schmidt, when taunting Rogers, says, "I've seen the future, Captain! There are no flags!", referring to Rogers' choice to fight for his nation rather than harness the power of gods. Rogers rejects his claim by shouting, "Not my future!" Capitalism is painted positively in the form of a young Howard Stark (father of fellow Marvel superhero Tony Stark/Iron Man), who is first seen holding an expo for possible future inventions, including a flying car. The film condemns infidelity and premarital relations as well: British intelligence agent Peggy Carter initially assumes that Rogers is cheating on her (she learns the girl he is first seen dating previously forced herself on him); and, when Howard Stark says "fondue", he says he means a platonic dinner with Carter rather than innuendo for sex.
|$176,654,505
|-
|2016
|PG-13
|The United Nations proposes that the Avengers, the main superhero team of the Marvel Cinematic Universe, be put under their control. A rift in the team forms because of the a disagreement between its two co-leaders: Tony Stark/Iron Man is for this measure, while Steve Rogers/Captain America is against it. Rogers, who believes in self-governance and along agrees with his allies (Bucky Barnes/the Winter Solider, Sam Wilson/Falcon, Wanda Maximoff/Scarlet Witch, Clint Barton/Hawkeye, and Scott Lang/Ant-Man) that it would be harmful to have the Avengers require government permission to fight a crime, never changes his stance on the issue. Through persistence, he prevents the UN from placing the whole group under globalist control.
|$407,588,905
|-
|1942
|NR
|This As the most frequently aired movie on television as of 1977, this film was was based on the play "Everybody Comes to Rick's." The triumph in the film of fidelity over promiscuity is a strongly [[conservative]] theme, and this movie portrays [[marriage]], [[love]], and fighting for freedom in a compelling way. This film glorifies self-sacrifice for greater good, and promotes doing what's right even at expense to oneself (Rick, as played by [[Humphrey Bogart]]). [[Vichy France]] and [[Nazi]]s are disparaged. The actors and actresses on the set of the filming conducted themselves admirably off-camera, in contrast with other films, and even played [[chess]] during breaks and in a filmed scene.
<br>Minor quibbling about the film focuses on incidental dialogue which implied that Rick had aided and supported the cause of the [[Communist]]s during the [[Spanish Civil War]] (it should be noted that such dialogue was exclusive to the film and not present in the original play<ref>http://www.pages.drexel.edu/~ina22/splaylib/Screenplay-Everybody_Comes_to_Rick's.pdf (dead link, archived version [https://web.archive.org/web/20141224092710/http://www.pages.drexel.edu/~ina22/splaylib/Screenplay-Everybody_Comes_to_Rick's.pdf here])</ref>), and how Lazlo was an "international leader" of a resistance movement against the Nazis hinting at his being a Soviet plant. In addition, one of the screenwriters for the film, Howard Koch, was a notorious communist who was later blacklisted from [[Hollywood]] via the House of Un-American Activities Committee.
|$3.7 million
|2017
|PG
|Based on a true story about an atheist couple, ''Chicago Tribune'' reporter Lee Strobel and his wife Leslie, who start to doubt their atheism when a Christian nurse saves their daughter Alison from choking while dining out. Soon after the incident, Leslie realizes that there is a God and converts to Christianity, but the skeptical Lee is not convinced and tries to find evidence to discredit Christianity, only to be proven wrong by evidence presented by a psychologist and a physician. Following the death of his estranged father after Lee brushes off a reconciliation, he realizes that his father had loved him and, following a talk with a colleague, he comes around and also realizes the existence of God and reconciles with Leslie.
|$14,682,684
|-
|2004
|PG
|Three teenagers try to rob a bank, - not for greed - but to get money needed for one of their 's father’s surgery to save his life. In the end, they realize that even though their intentions were good , what they did was still wrong. They then end up getting the money through donations and generosity rather than theft. Thus giving the movie anti-socialist aspects, and anti-universal healthcare aspects, as they realized it was wrong to take other people’s money to pay for their healthcare.
|$16,703,799
|-
|2018
|PG-13
|This Hollywood film doesn't feature any history revisionism and tells the cold hard truth about [[Ted Kennedy]] during the [[Chappaquiddick incident]]<ref>https://www.hollywoodintoto.com/chappaquiddick-review/</ref> angering liberal critics in the process.<ref>https://www.nytimes.com/2018/04/06/opinion/chappaquiddick-ted-kennedy-distortortion.html</ref> To add insult to injury , the film ended up overperforming as well<ref>http://missliberty.com/chappaquiddick-box-office-blows-past-projections/</ref>
|$17,894,212
|-
|2005
|PG
|In this sequel to the pro-family remake, the Baker family takes a vacation and competes against a rival family in a tournament. In the end, they realize that family is what matters most.
|$82,571,173
|-
|2014
|R
|A capitalistic chef starts his own restaurant after liberal food critics begin criticizing his work, and he begins questioning why he became a chef in the first place. At the same time, our protagonist Carl Casper also tries to connect with his estranged family. The film promotes capitalism and family values in a positive light.
|$31,424,003
|-
|2018
|PG
|Christopher Robin is now an adult; as well as a husband and father. Who unfortuanetly who unfortunately neglects his family for work. Once he is reunited with his old childhood fienedsfriends, his childlike wonder is restored and he reconnects with his family.
|$99,215,042
|-
|2005
|PG
|Based upon the Christian allegory written by C.S. Lewis, four orphans discover the magical realm of Narnia, which can be accessed through a wardrobe, where they are chosen by a prophecy to confront the [[Satan]]-esque White Witch. The omnipotent and benevolent lion Aslan, a stand-in for [[Jesus]], is instrumental in this goal since he frees Narnia from being frozen in a perpetual winter with no Christmas and because he sacrifices himself in place of orphan Edmund, who is temporarily manipulated by the White Witch, and resurrects in a Christ-like manner (according to Aslan, there is a "deeper magic from before the dawn of time" that will resurrect anyone killed in place of a traitor). Besides sacrifice, morals include courage, loyalty, friendship, honor, and redemption.
|$291,709,845
|-
|2005
|PG-13
|Based on the story of boxing heavyweight champion James Braddock, the protagonist prizes family because he takes up boxing so he can provide for them during the Great Depression. In addition, it promotes loyalty and integrity as well, as his promoter not only tried tries to help him with boxing, but had has also gone as far - alongside his wife - gone as far as to sell everything they had have to aid Braddock in trying to win the titleship, with Braddock's wife learning this when about to tell his promoter off for apparently selling him out.
|$108.5 million
|-
|2006
|PG-13
|Written by Steve Koren & Mark O'Keefe, the same writers of ''[[Bruce Almighty]]'', a man finds a remote control that can control his life and be able enable him to skip many events in it, including many involving his family. He then learns that he should instead appreciate his life and his family to its fullest, and not to be ungrateful with experiences that he thinks, out of selfishness, he doesn't always feel like living.
|$137,340,146
|-
|1977
|PG
|Makes this list because of an a hilarious, anti-mask scene in which the actor Richard Dreyfuss is riding on a bus where everyone is complying with a government order to wear a mask, whereupon he rips off his mask and declares that there is nothing wrong with the air.
|$135,189,114
|-
|The moral is that graduating from high school and having a strong moral compass are more important than becoming a famous athlete.
|$67,253,092
|-
|''Coal Miner's Daughter''
|1980
|PG
|The life story of country music singer Loretta Lynn.
|$67.18 million
|-
|''[[Cobra (1986 film)|Cobra]]''
|2015
|PG-13
|This whistleblower film exposes the [[NFL]]'s ignorance to its players' medical issues that the [[Mainstream media|lamestream media]] has ignored. (See also [[Unplug the NFL]].) The film also may have be been the reason to for the NFL's rating decline starting the next year.<ref>https://www.youtube.com/watch?v=vtO-w69V4lg</ref>
|$34,542,474
|-
|''[[The Conjuring]]''
|2013
|PG
|Portrays the spiritual struggle between good and [[evil]] in the setting of a home that is possessed by [[demon]]s, and includes express references to [[Christian]] concepts such as the [[Trinity]].
|$319,500,000
|-
|''Contact''
|The overall message is about how science and faith do not have to be in opposition to one another.
|$100,853,835
|-
|''Cool Hand Luke''
|1967
|PG
|Admires the refusal of a man (played by Paul Newman, while supporting actor George Kennedy won the Oscar) to allow his spirit to be broken, with religious symbolism. This movie glorifies masculinity and portrays the [[Deep South]] favorably.
|$16,200,000
|-
|''Courageous''
|2015
|PG-13
|A pro-family comedy, that promotes the concept of fatherhood. The dad and step-dad compete for the attention of the kids, but in the end they realize they both have the same goal, which is they want what is best for the kids. In addition , the film is anti-alcoholism, with Will Ferrell’s character’s getting completely drunk at a basketball game, which cause causes him to do some hurtful things, which nearly ruins his marriage.
|$150,357,137
|-
|PG-13
|The sequel still shares the same pro-family message.
|-|''Daredevil'' (Director’s Cut)|2003|R|This director’s cut is the rare example where it improves upon the theatrical cut. Matthew Murdock is Catholic and harassed by the fake news media. Unlike the theatrical cut, the film has a more explicit Roman Catholic subtext with a flashback of a nun taking care of Matt when he was a baby. Matt and his pal Foggy believe that everyone is innocent until proven guilty. In a subplot, they find Dante Jackson (played by Coolio) who was framed for murder of a woman and learn that the Kingpin’s right hand man Wesley killed her. They successfully proved that Jackson is innocent and is free. Matt promotes abstinence in exchange for helping people, unlike the theatrical cut where he has sex with Elektra.|$102,000,000.
|-
|''[[The Dark Knight]]''
|2008
|PG-13
|The sequel to ''Batman Begins'' contains a Christian allegory (specifically, the ending has Batman selflessly volunteering to have himself take the blame for the crimes that Harvey Dent committed after the latter went insane from both grief and the Joker's influence in order to ensure that the criminals he locked up cannot be released onto the street after he was forced to kill Dent to save Gordon's son.) with messages of not giving in to terrorists and condemning of [[nihilism]] and [[anarchy]] via the actions of [[Joker (comics)|the Joker]], Batman's most infamous adversary.
|$533,316,061
|-
|2007
|R
|A candid look at [[professor values]] along with problems associated with lack of assimilation; [[liberal]]s first praised the movie and even awarded it the Alfred P. Sloan Prize at the Sundance Film Festival in 2007, but after realizing its [[conservative]] message, panned and ostracized it.
|$30,041
|-
|1974
|R
|Bleeding heart New York City liberal Paul Kersey learns the importance of the Second Amendment following a brutal attack on his wife and daughter. Following this , he begins fighting back against muggers and is deemed a [[vigilante]]. During this time crime begins to decline (because criminals don't normally attack armed civilians). However contrary to popular belief, the film does not glorify vigilantism, as the film acknowledges that if the vigilante isn't stopped it could led to [[anarchy]] (pure [[Marxism]] is the complete absence of government). Followed by four sequels in 1982, 1985, 1987 and 1994. Remake in 2018.
|$22 million
|-
|2016
|PG-13
|Anti-history revisionist film. Writer and historian Deborah E. Lipstadt must battle for historical truth to prove the existence of the Holocaust when David Irving, a Holocaust denier, sues her for libel .
|$4,073,489
|-
|PG-13
|Master filmmaker David Lean directed this powerful film that celebrates the natural rights of the individual as well as the triumph of charity, faith, hope, and love. His work takes an honest and uncompromising stance on the dangers of [[Communism]] as well. It won the [[Oscar]] for best picture.
<br>Conservatives debated whether the book upon which the movie Doctor Zhivago was based, a ten-year effort by Boris Pasternak, was sufficiently anti-communist.<ref>https://www.nationalreview.com/2015/10/doctor-zhivago-robert-welch-national-review/</ref>
|$111,721,910
|-
|1991
|PG-13
|In this pro-family movie, five siblings (two of whom are teenagers) are left alone for the summer, with no money after their elderly babysitter passes away. They realize the importance of hard work, as well the responsibilities of being indepedent, independent and the negative effects of drugs. Also gives an anti-regulated economy message by showing the dangers of using and relying on other people's money, as ; after the younger siblings stole money from their older sister's purse (which she stole from the company with petty cash), they realize this was wrong and selfish. In addition there are brief anti-taxation aspects, with Christina Applegate's character; Sue Ellen being frustrated when they took away so much of her money because of taxation. In the end , the teenagers manage to clean themselves up, and quit drinking alcohol, doing drugs , and smoking, and focus more on becoming successful adults.
|$25,196,249<ref>http://www.boxofficemojo.com/movies/?id=donttellmomthebabysittersdead.htm</ref>
|-
|2012
|R
| Based on the comic strip ''Judge Dredd''. Anti-drug war film where the villains are drug dealers and addicts who are portrayed as very sadistic individuals, and the hero Judge Dredd, assisted by a Judge-in-training who is also a psychic, is forced to fight them. The film shows the bravery of the police officers who do what's right, while the film's main villain, a female drug lord nicknamed "Ma-Ma", tries to hinder their progress by calling in several corrupt Judges (akin to the corrupt liberal judges who currently populate various courts in the United States in real life to pervert justice and repeatedly violate the Constitution) to interfere with the honest Judges.
|$13,414,714
|-
|2017
|PG-13
|From Christopher Nolan, director of the conservative ''Dark Knight'' Trilogy, this film tells the dramatization of the Dunkirk evacuation. This action-packed adventure never derails in to political correctness and history revision as many liberal critics opened fire on the film for its lack of diversity and feminism.<ref>https://www.newsbusters.org/blogs/nb/melissa-mullins/2017/07/23/reminder-usa-today-critic-laments-dunkirk-lacks-gender-racial</ref>.
|$188 million
|-
|2003
|PG
|Like the TV show it was is based on, the movie had has pro-family values. The movie also had has a massive condemnation towards [[Hollywood values]], as the main antagonist of the film was is a [[Reality TV]] host who tricked tricks the Steven family into going to an island in the Pacific and then getting them shunned by the "tribe" (all of whom were are actors) and often instigating various fights between the family, one instance nearly driving Ren to nearly commit murder against Louis, with his which is largely being depicted in a very negative light especially after the reveal. In addition, Louis' friend makes no qualms about how she was disgusted she is with the Reality TV genre.
|N/A (TV movie)
|-
|The main message is straightforward: trust in [[God]], let Him take over, and good things will happen.
|$10,178,331
|-
|''Faith of My Fathers''
|2005
|PG-13
|The true story of [[John McCain]] when he served valiantly in the Vietnam War.
|
|-
|''Fat Kid Rules the World''
|1997
|PG-13
|Pro-family and pro-fatherhood, as Billy Crystal and Robin Williams team up to find a runaway boy, whom each believes to be the father of.
|$28,681,080
|-
|1986
|PG-13
|A cool teen in Chicago plays hooky with his girlfriend, his best friend, and a vintage Ferrari restored by his best friend's unseen, car-obsessed father. The film shows how teenagers can have fun without drugs, alcohol, or tobacco; and the . The main character is also faithful to his girlfriend, likely choosing abstinence. In a clear anti-socialist statement, Ferris says that "I'm not European, I don't plan on being European. So who gives a crap if they're socialists? They could be fascist anarchists, but it still doesn't change the fact that I don't own a car. Not that I condone fascism." Since the movie mocks the liberal public education system, Ferris even directly states that he is not socialist and will never be such. Furthermore, the character arc experienced by Ferris' best friend Cameron Fry promotes family unity because, after taking out his anger on his father's Ferrari and ultimately wrecking it beyond repair, Cameron gains the emotional maturity and courage to confront Mr. Fry about neglecting his wife and son for some time due to his obsession with restoring the car. Conservative commentator, economist, and comedian [[Ben Stein]] appears as one of Ferris's teachers.
|$70,136,369<ref>http://www.boxofficemojo.com/movies/?id=ferrisbuellersdayoff.htm</ref>
|-
|1999
|R
|Fight club is considered to be a "conservative classic" for audiences mature enough to handle the violence and language. It argues against the idea that society can alter or control our basic human nature. One of the characters rants against consumerism which lead has led liberals to believe it is anti-capitalist moral, but don't be fooled. In reality , it's pro -self -governance and anti-consumerism moral. We can't fill our happiness with buying things. It's pro-masculinity and warns society of the dangers of trying to suppress masculinity and promotes assertiveness and strength in men's minds and bodies.
The story is about a nameless first person character (Edward Norton) who is stuck in an unwanted job and life, who attends support groups to deal with his insomnia and depressed emotional state. He runes into a female romantic interest around the same time he begins associating with "Tyler" (Brad Pitt) where he gets embroiled in an underground fight club and soap making scheme.
|37,000,000
|1986
|PG
|A boy named David Scott Freeman is abducted by a UFO and then wakes up in a ravine, only to discover that he's been transported 8 years into the future. The series contains strong pro-family themes as David's parents are shown to be filled with overwhelming joy and happiness after seeing David for the first time in 8 years. David's little brother, Jeff, has an antagonistic relationship with David early in the movie but . But when David disappears for 8 years, a now-16-year-old Jeff regrets the way he treated his brother and reconciles with him. David's family is very supportive in helping him adjust to his situation. When David is in the hospital for testing to find out why he hasn't aged, one of his family members stays with him at all times so he won't be alone. When David goes back in time at the end of the film, he learns to have more appreciation for his family, including Jeff. The film also depicts government bureaucrats in a negative light, as NASA treats the UFO and David as mere science experiments and is unsympathetic to David's situation. The agents take David away from his family and put lock him in an isolated, locked room. David's father becomes enraged when he finds out how NASA has been treating David. The agents later place the whole family under House Arrest. When David goes to his family's home in 1986, the NASA agents are there to take him away again, and that's when he decides to go back in time to 1978 despite the ship's computer, Max, insisting that it's potentially dangerous.
|$18,564,613
|-
|2012
|R
|The [[Catholic]] Cristeros Army fights back for religious freedom against a suppressive, [[leftist]] government. Based on the Cristeros War of the 1920s.
|$5,608,651
|-
|2019
|PG-13
|One of the best and most conservative films of 2019 was also one of its most conservative. A classic example of a "guy movie", this fact based racing drama has a pro-family and pro-America message. It also portrays capitalism in a positive light.
|$225,483,204
|-
|1949
|UR
|Gary Cooper and Patricia Neal starring star in Ayn Rand's classic story of the right of the individual to produce on their own terms.
|Unknown
|-
|2009
|PG
|Sapient animals use technology for good, but their help is shut down by the government agents (clearly been shown in negative life), while the secret villain of the movie is pushing anti-human sentiments. In the end, he realizes the error of his ways and learns that family matters most. The movie shows that you don't need authority to stop wrongdoing, and just be willing to fight for what is right.
|$119,436,770
|-
|1990
|PG-13
|Even though the film has liberal actress Whoopi Goldberg as a psychic medium , the film does show Christian values, as ghost Sam Wheat tries to uncover a bank fraud case, ; when he does , he convinces Goldberg to give the money to a Christian charity. It also has an anti-infidelity message, as despite being widowed, Sam's wife Molly still refuses to be with anyone else, even when his false friend Carl tries to hit on her. Also it isn't PC on [[Eternal damnation|damnation]], as the villains are seen being cared carried away helplessly by evil spirits after they die. It also acknowledges that heaven & hell exists.
|$217,631,306
|-
|1984
|PG
|Three parapsychologists (later joined by a fourth teammate, who acts as their voice of reason) lose their jobs at Columbia University as they fail to deal with a ghost plaguing the New York Public Library, so they develop ghost-weakening "proton packs" and go into business ridding New York City of poltergeists. The film fittingly satirizes an unfair (and likely liberal) professor, senseless academic research, paganism, and a villainous EPA regulator. One conservative sample line by Ghostbuster Raymond "Ray" Stantz (Dan Aykroyd) when asked to shift from the public to the [[private sector]] reads like this: , "I don’t know about that. I’ve worked in the private sector. They expect results!" A sequel, ''Ghostbusters 2'', followed in 1989, though there is some debate as to whether it qualifies as great since it revisits many of the same plot points from the first movie. The original film was remade in 2016 as a liberal revisionist and pro-feminist piece (with the four main character all female), which bombed at the box office and had a trailer almost universally panned on YouTube. A second sequel called ''Ghostbusters: Afterlife'' was released in 2021, ignoring the 2016 remake and starring the grandchildren of Egon Spengler.
|$242,212,467<ref>http://www.boxofficemojo.com/movies/?id=ghostbusters.htm</ref>
|-
|2000
|R
|The tale of an enslaved former Roman general, Maximus (played by Russell Crowe), who becomes a gladiator and brings down a corrupt Emperor, features some of the most exciting action sequences ever filmed, backed by Hanns Hans Zimmer’s soaring soundtrack. In essence , this is a movie about confronting evil and destroying it. There is not an ounce of appeasement or the whiff of "engagement" in Maximus’s blood, only the desire to avenge the murder of his family and see justice carried out. It is the sort of uncompromising movie experience guaranteed to send pacifists and lily-livered liberals running for the exits.
|$457.6 million
|-
|This American cinema classic celebrates traditional man-and-woman relationships as well as a strongly ''feminine'' heroine who is the antithesis of a modern [[feminist]]. It held the record for the top-grossing film for decades, unadjusted for inflation, as well as the most Academy Award wins for a motion picture, until ''Ben-Hur'', another great conservative motion picture, premiered twenty years later.
|$198,676,459
|-
|''Goodbye Lenin''
|2003
|
|A dedicated communist school teacher has a heart attack and lapses into a coma on the eve of the [[Fall of the Berlin Wall]]. When she awakens 8 months later, the doctors inform her family she needs to be shielded from any shock or excitement that could cause a relapse. Her son, daughter, and friends try to recreate the appearance of life as it was under her beloved [[German Democratic Republic|East German Democratic]] regime. The scene of her stepping outside for the first time during her recovery, only to see a statue of [[Lenin]] being removed, is both heartwarming and unforgettable,<ref>https://youtu.be/Kehu8QBHCCk</ref> as are the fake news broadcasts the family creates on videotape to try to break the news of the immense changes occurring since the collapse of communism.<ref>https://youtu.be/_PvHaXFLWzY</ref> The film is a comedic look at the challenge of reintegrating a generation of socialists and otherwise good people raised on fake news, [[Cultural Marxism]], and lies back into the real world and normal society with love, patience, and understanding.
|$79 million
|-
|''The Good, the Bad, and the Ugly''
|1985
|PG-13
|The Centers around the adventures of teenagers trying to find a long-lost treasure, before the criminals do.
|$61,503,218<ref>http://www.boxofficemojo.com/movies/?id=goonies.htm</ref>
|-
|1963
|UR
|Based on the true story about Allied PoWs Powers who staged a daring escape from a Nazi prisoner-of-war camp during World War II.
|
|-
|2017
|PG
|Based on the true story of P. T. Barnum , this musical celebrates the [[American Dream, ]] as he helped build and create his own circus. Besides from that , there are various Christian values as well, such as the redemptive themes shown, the faithfulness, and being pro-marriage and pro-family. In addition , it also promotes the idea of treating everyone with respect and dignity. Finally , the film also promotes the concept of individualism. <ref>https://www.thegospelcoalition.org/blogs/trevin-wax/greatest-showman-captured-american-imagination/</ref>
|$174,340,174<ref>https://www.boxofficemojo.com/movies/?id=greatestshowman.htm</ref>
|-
|Anti-IRS comedy.
|Unknown
|-
|''Heaven Can Wait''
|1978
|PG
|a funny, immensely popular and acclaimed comedy that recognizes [[angel]]s and the afterlife while echoing ideals like the [[American Dream]], as a remake of a [[Hollywood]] movie from its heyday. ''See also'' [[Roberto_Clemente#Was_Clemente_an_angel.3F|Was Clemente an angel?]]
|$98.8 million
|-
|''Here Comes the Boom''
|1197.2 million (altogether)
|-
|''[[Invasion of the Body Snatchers]]''
|1956
|UR
|A [[surrealism|surrealistic]] science fiction condemnation of Communism, produced for only $420380,000 and remade successfully in three additional movies in 1978, 1993 and 2007, with 1978's version the only one of having the exact same title. Warner Bros. announced a fourth remake is in current development.
|$2,500,000
|-
|1993
|PG-13
|Based on the eponymous 1990 novel, a billionaire philanthropist and a small team of genetic scientists operate a theme park populated by dinosaurs genetically cloned from fossils. Considered a landmark in the development of computerized visual effects in modern filmmaking, this high-caliber work of science fiction criticizes the effects of research into genetic [[cloning]], and the negative effects of playing God. Even so, one strongly moral quote reads: "Your scientists were so preoccupied with whether or not they could, they didn’t stop to think if they should”. Also has more of a promotion of Capitalism compared to the book due to the movie making Hammond, the founder of the park, a significantly more sympathetic and heroic character. Four Five sequels followed in 1997, 2001, 2015, and 2018, with a fifth sequel set to premiere in 2021and 2022.
|$357,067,947
|-
|(''Not for children'') - This German-language film is a stinging criticism of [[Communist]] [[East Germany]] from a liberal perspective. Taking place in 1984 East Berlin about a secret police agent. One of the most powerful portrayals of life in the modern surveillance state and the corrupt motives of socialist bureaucrats.
|$11,286,112
|-
|''Logan''
|2017
|R
|(not for children) Unlike the mainstream ''X-Men'' films, which focus on the struggle of mutants to gain acceptance in the world (similar to homosexual rights), Hugh Jackman's final appearance as Logan/Wolverine takes on a much more personal and realistic tone, Logan being by far the most human mutant portrayed in the movies. With mutants on the brink of extinction, Logan's healing factor beginning to fail him, and the metal coating his skeleton now poisoning him, Logan has been reduced to working as a limo chauffeur to care for an ailing Charles Xavier. He is also binging on alcohol far more than ever before, much to the chagrin of fellow mutant Caliban. He reluctantly agrees, at the behest of a nurse named Gabriela, to escort Laura, a young girl and clone-daughter of Logan, to "Eden," a safe haven (and reference to the location of the birth of mankind) for mutant children who were born within the walls of Transigen, a biomedical company that had illegally used the DNA of mutants, including Logan, to create cloned children whom they turned into soldiers.
 
The movie emphasizes faith at least twice, most notably when Logan and Charles view Gabriela's phone video about Transigen, in which she says that the children have never seen any of God's creations, as well as Charles saying that Eden is "real for Laura," despite Logan's skepticism. The nature of Transigen's horrific experiments also gives the movie anti-cloning and anti-God playing messages. But even more importantly, despite his losing faith with the world, his fellow mutants all but gone, Logan is reminded of the value of family, he, Charles, and Laura accepting a family's invitation to have dinner and spend the night. Charles remarks to Logan, "This is what life looks like. A house. A safe place. People who love each other. You should take a moment." Finally, in the movie's climax, Logan finds the redemption he has long sought, facing off against a clone, as well as a symbol of the violent demons within himself, giving his own life, so that the children can escape across the border into Canada.
|$535,737,200
|-
|''[[Logan's Run]]''
|A small-town couple's world is turned upside-down by the discovery that their adult son is a Communist.
|amount made unknown
|-
|''Nacho Libre''
|2006
|
|Considered one of the best movies rated under 6.0 on IMDb,<ref>https://screenrant.com/best-low-rated-movies-under-6-imdb-reddit/</ref> this has a positive portrayal of religious people<ref>https://www.reddit.com/r/Conservative/comments/rris1c/conservapediagreatest_conservative_movies/</ref> amid superb directing and fanastic scenery.
|-
|''The Name of the Rose''
|A modern-day retelling of Charles Dickens' ''A Christmas Carol'' starring Bill Murray, this story focuses on television executive Frank Cross. Promotes the same themes of redemption and the spirit of Christmas as it's source material. Also Anti-Hollywood values as well, since the main reason Frank lost his long-time love Claire was because he was furthering his television career.
|$60.3 million
|-
|''[[The Searchers]]''
|1956
|NR
|Considered one of the greatest movies ever made and the finest Western ever, though viewed by some today as implicitly racist, [[John Wayne]] seeks to rescue his niece (played by Natalie Wood) after she was kidnapped by [[Comanche]]s in a raid that killed the rest of her family.
|>$3.5 million
|-
|''Sergeant York''
Unfortunately, the movie ended up an early victim of Disney's turn towards leftism in later years by being banned from getting rereleases outside of pirated editions, presumably due to various race-baiting actions by people like Al Sharpton and Jesse Jackson by falsely implying the movie was inherently racist.
|$65 million |-|''Sonic the Hedgehog ''|2020|PG|Has the deuteragonist be a humble small town cop while the antagonist is an arrogant self-important (to the extreme) elitist doctor from the federal government. Also, the cop's sister-in-law, a sort of minor antagonist, may be a feminist (she appears to have left her husband and taken her daughter with her) and was always telling his wife to divorce him and she ultimately was left tied up and forgotten (by mistake) when she was going to turn the cop in to the federal government (he had punched the elitist Dr. Robotnik to keep him from capturing Sonic and was now hunted by the government.). Also, the protagonist, Sonic, while immature, is fairly self-sufficient, having lived alone on earth for a decade after being separated from his guardian Longclaw as a child. Sonic, who was told by the well-meaning Longclaw to live away from others so that they capture him to get to his powers, finally learns to face his problems and stop running. (However, it should be noted that there was one scene, while Sonic and the cop were on the run, they got into a barfight and, though they won it, Sonic made a remark , as they were fleeing, that he wasn't sure if they paid their tab and seemed to think it was funny, and stealing isn't cool. It is antics like this, though somewhat understandable for a character from another planet who suffered from loneliness and was never trained how to properly behave on earth as he lived alone for a decade, that make the protagonist a less-than-ideal role model for children.) |Unknown
|-
|''The Sons of Katie Elder''
|$5,555,305
|-
|''[[The Sting]]''
|1973
|PG
|A spectacular triumph of good over evil in which the bad guy, himself a murderous con man, was conned into his own ruin by the good guys. This picture has zero [[political correctness]] and exemplifies the [[best of the public]], as a small team of unsuccessful grifters take down the biggest con man of all. Robert Shaw's performance was sizzling, as it was in ''Jaws'', yet was unfairly denied Oscar nominations in both. This movie won 7 [[Academy Awards]], including best picture and best director, and could have earned more. Released on [[Christmas Day]].
|$159,600,000 (30 times its budget)
|-
|Unknown
|-
|''[[Witness(film)|Witness]]''
|1985
|R
|Highlights the virtues tremendous strength of strong moral valuesvirtue amid intense cultural conflict, including the fearlessness of those armed only with more substance [[faith]]. More [[conservative]] than ''High Noon'', where the townsfolk were fearful of bullies while the [[Amish]] were not.
|$65,500,000
|-
|1961
|G
|Set in 1960s London, England, a Dalmatian couple named Pongo and Perdita welcome their fifteen puppies into the world. When the fur-obsessed Cruella De Vil and her henchmen steal the puppies, the Dalmatians cross the English countryside to get them back. The movie portray the importance of family positively in the form of Pongo and Perdita stopping at nothing until they rescue their puppies; they also adopt the other eighty-four puppies Cruella had bought to turn into fur coats, which shows family by adoption in a positive light. Marriage is also shown in a positive light in the form of a Christian wedding ceremony for the dogs' owners and the dogs themselves as well. It also positively portrays heroism in the forms of several animals (including Sergeant Tibbs the cat, Colonel the sheepdog, and Captain the horse) assisting the Dalmatians in finding their puppies and helping them all get home. A live-action remake was released in 1996, as well as a more liberal prequel about Cruella De Vil.
|$153 million
|-
The film is also pro-family. Anne-Marie is introduced as an orphan who wants to find new parents. During the movie, she meets a compassionate couple named Kate and Harold, who eventually adopt her.
 
A sequel was released in 1996, as well as a TV series and a made-for-TV Christmas movie.
|$27.1 million
|-
|2000
|PG
|A clan of lemurs living on a tropical island finds an egg and raises a baby dinosaur from that egg: an ''Iguanodon'' named Aladar. When their island home is destroyed by a meteor shower years later, Aladar and four remaining lemurs join a herd of migrating dinosaurs on their way to their nesting grounds, all while predators lurk behind them. The movie portrays family - both by blood and adoption - very well, shown when the lemurs adopt and raise Aladar while he protects them in return. Even Kron - the herd's stubborn leader - and his sister Neera share a bond; Kron never acts harsh towards Neera, and Neera tries (but unfortunately fails) to save Kron from a ''Carnotaurus''. Aladar is also shown to be against [[Social Darwinism]], opposing Kron's strict belief that the old and weak should be left behind and helping the oldest dinosaurs in the herd keep up; his beliefs are also what gets Neera to like him, after watching him helping Eema the elderly ''Styracosaurus'' and two orphaned ''Iguanodons'' get some water. A novelization of the movie also has Aladar and Kron's ideals combine to "Standing together makes everyone strong". Redemption is also positively shown when Bruton - second-in-command to Kron - sacrifices himself to save the stragglers of the herd by bringing the cave down onto himself and a predator''Carnotaurus''.
|$137,748,063
|-
|1995
|G
|Based upon the series ''Goof Troop'', starring classic Disney characters Goofy and Pete as well as their sons in a suburban sitcom-type setting, this pro-family feature sees Goofy take his son Max on a camping trip to bond with the latter out of concern that Max may have been involved in a gang. It pokes fun at the public school system, too: in an early scene, Principal Mazur overreacts and makes Max's actions out to be even worse than they actually are, telling Goofy that Max could face capital punishment if he fails to turn his son good. Ultimately, father and son reconcile when Goofy tells Max that, no matter how old he grows, he will always be his beloved son. A sequel called ''An Extremely Goofy Movie'' was released in 2000 with the same family values as the first movie.
|$35.3 million
|-
|''[[Hello How Am I]]''
|1939
|N/A
|In this ''[[Popeye|Popeye the Sailor]]'' animated short, the sins of [[greed]] and [[gluttony]] - both represented in Wimpy - are focused on and condemned as the burger gourmand uses deceitful means to con his way into a hamburger dinner at Olive Oyl's house at Popeye's expense, but the sailor makes sure his fair-weather friend pays for his duplicity and selfishness.
|N/A
|-
|''Hotel Transylvania''
|2010
|PG
|In this dazzling DreamWorks animation, young Vikings end up learning the truth about dragons and start training them in the end. It promotes friendship and family values. Hiccup, the boy protagonist, stands up for what he believes is right, and Viking girl Astrid is the antithesis of a modern feminist. The movie introduces two sequels in 2014 and 2019, as well as several TV series that take place between the movies (one even takes place in the present day starring the descendants of Hiccup and Toothless).
|$217,581,231
|-
|Young Indian boy Mowgli searches for his place in the world with the help of various talking animals in this Disney classic based on the novel by Rudyard Kipling of the same name, albeit significantly toned down to make the film a bit more family friendly.
A CGI/live-action remake was released in April 2016, directed by Jon Favreau. It created a plot different from the 1967 film but still retained some charm from the original, as well as including material from the classic Kipling novel. The movie also gained a sequel in 2003, as well as spinoffs like ''Jungle Cubs'' and ''Talespin''.
|$205.8 million
|-
The movie spawned two direct-to-video sequels and two TV series, as well as a Broadway musical that retained much of the same themes as the movie. A photorealistic remake was released in July 2019, directed by Jon Favreau due to his success with the 2016 remake of ''The Jungle Book''.
|$968.5 million
|-
|''The Little Mermaid''
|1989
|G
|An adaptation of Hans Christian Anderson's fairy tale of the same name, it was about a mermaid strives to become a traditional female human, following the patriarchal system of society. It also promotes the concept of [[assimilation]], as the mermaid: Ariel when becoming human intended to adopt the culture of the humans upon doing so. The film centers around conservative Christian values and contains an anti-feminism theme. Ariel is shown to be the antithesis of a modern feminist. The villain Ursula is shown in a devilish and beastly way (appearing as half-woman, half-octopus), and her claims about men not wanting women who talk and care only for a woman's body language (a common claim by [[feminism|feminists]] against males) is made clear to be lies. On a similar note, it also has an implicit anti-homosexuality theme, as Ursula's overall design was derived largely from the infamous drag queen Divine. In addition, it also contains a pro-traditional marriage theme and is the last Disney animated feature film to actually treat traditional marriage in a positive light for a good while.
 
Despite being set under the sea, it also features an anti-[[Environmentalism]] and anti-racism message, as the characters (namely King Triton) who pushed anti-human sentiments turned out to be wrong in their negative views on humans. Although often ignored by liberal reviewers complaints about the movie (some of whom also adhered to the feminist ideology and thus falsely implied that Ariel solely wanted to become human because of Eric, which led directly to promoting the feminist agenda in ''Beauty and the Beast''.<ref name="Woolverton and Belle" />), it was also pro-family, as during her deal with Ursula, Ariel was explicitly hesitant to undergo the deal citing that, regardless of which way the deal goes, she won't see her father and sisters again. King Triton, after destroying Ariel's grotto in a fit of anger, is clearly shown afterward to be immensely remorseful of his actions after it became apparent that Ariel fled from him as a result, and later tries to save Ariel after learning about Ursula's role in her disappearance and even opts to sacrifice himself to ensure Ariel's (and, implied via dialogue regarding Ursula shortly afterward, her sisters') safety, and Ariel upon witnessing Triton being cursed by Ursula, immediately attempts to avenge him by attacking Ursula.
 
It also shows a perfect allegory towards liberalism's deceit and cheating to ensure success and its unwillingness to keep its word, as well as the promotion of character integrity and doing things fair and square, as when Ariel seemed to have failed at gaining Eric's love, she makes absolutely no attempt at stopping the marriage until after learning that his "bride", Vanessa (in reality, Ursula in disguise), had in fact brainwashed Prince Eric and that he didn't choose to marry her, with it being implied that Ursula violated her end of the deal when she did that action, and even when she does in fact fail, Ariel makes absolutely no effort to resist Ursula's dragging her away. Likewise, Ursula, besides her blatant interference with the deal by disguising herself as Vanessa and brainwashing Eric, also arranged to have Flotsam and Jetsam overturn Eric and Ariel's boat specifically to ensure that Eric and Ariel couldn't kiss when it looked like Ariel could in fact win her end of the deal fair and square, and after she curses Triton and Ariel attempts to attack Ursula in retaliation, Ursula heavily implies before Eric saved Ariel that she's going to kill the latter despite having promised to not harm Ariel.
 
The movie's box office success also led directly to a rejuvenation in Disney's animated features called the Disney Renaissance, and the film also had a prequel TV series carrying much of the same themes airing on CBS and later on the Disney Channel from 1992 to 1994, as well as two comic book series by Disney Comics and Marvel that carried many of the same themes, and a sequel and prequel film that, although overall promoting many of the same themes, had questionable production quality. A live-action remake is currently in production.
|$111,543,479
|-
|''Make Mine Freedom''
|1998 (Japan)<br />1999 (USA)
|G
|The movie showcases the consequences with the concept of playing God where the main antagonist Mewtwo, a clone, was shown to be disturbed at the revelation that he may have only been created to be the purposes of being a tool (with the message being more pronounced in the Japanese version due to religious censorship during dubbing). It also promotes the idea of self-worth and how the circumstances of one's birth don't matter so much as they try to push good, with Mewtwo ultimately being reformed upon learning this message. It also has an anti-cloning message, due to Mewtwo's aforementioned disturbance at his origins. A CGI remake of the film, - ''Mewtwo Strikes Back: Evolution'', - was released in 2019, nearly two decades after its release in America.
|$163.6 million
|-
|2005
|PG
|A movie based on the children's book of the same name by William Joyce, the film has a promotion of family values, as the very beginning of the film features the main character's father celebrating that he is to become a father, and doing everything he can to bring his son into the world alongside his wife, and his family was encouraging of their son to be the best he can be. It also promotes the concept of the [[American Dream ]] as well as capitalism, as the main protagonist dreams of becoming an inventor like Bigweld (who is depicted in a similar manner to Walt Disney) and also left to try and get his family to have a greater opportunity. It also manages to condemn corporate corruption without advocating for more government control or demonizing Capitalism, as while the new management of Bigweld industries was shown to be extensively corrupt and cynical, Bigweld himself, as well as the company that it originally stood for, was painted in a very positive light.
|$260.7 million
|-
|2017
|PG
|This animated story of the [[The Nativity]] is told from the perspective of anthropomorphic animals. The main protagonist - a donkey named Bo (Boaz for short) - aspires to be a part of the royal caravan crossing through Israel, but he finds a greater purpose: to help carry Mary to Bethlehem. Friendship is also portrayed well, as Bo's best friend - a white dove named Dave - stays by his side; even when he can easily escape from danger like flying away, Dave never leaves Bo to face danger alone. Bo even rescues King Herod's two dogs from a cliff, which results in the two dogs changing from bad to good and vowing to do good, thus showing that villains in movies can choose people have a chance to leave their evil ways behindchange and do good.
|$40,852,824
|-
|1943
|N/A
|This animated short entry in the ''[[Popeye|Popeye the Sailor]]'' film series illustrates the folly of the sin of [[sloth (sin)|sloth]] as Popeye catches Bluto faking illness in order to shirk his sailor's duties and laze around.
|Unknown
|-
In ''Toy Story 2'', while Andy is away at summer camp, Woody is stolen by a greedy toy collector and is tempted by the idea of being immortalized in a museum, only to be rescued by his friends and reminded of a toy's true purpose: for a child to play with it. Once again, the film positively portrays teamwork and family unity using a metaphor of unity between toys and their owners.
''Toy Story 3'' sees a nearly-grown Andy ready to leave for college and leave most of his toys except Woody in a garbage bag to be stored in his attic, but his mother mistakes it for a bag of real trash. Woody follows the toys as they make their way to a dreadful daycare center, unable to convince them of the misunderstanding. Nihilism and totalitarianism are portrayed in a strongly negative light in the form of Lotso the jealous teddy bear, who denounces all toys as being "destined for the scrapheap" and acts as a brutal dictator over the daycare toys. It also was the third animated film ([[Beauty and the Beast]] and Up) to be nominated for Best Picture at the Oscars.
''Toy Story 4'', the final movie in the series, shows Woody taking on a guardian role for Bonnie's newly-made toy, Forky. When Forky gets lost, Woody finds him and tries to take him back home, but they end up at a carnival. There, Woody reunites with his lost love Bo Beep (who had been absent from the third movie and had run away) and has to make a choice: stay with Bo Peep at the carnival, or stick with his friends and Bonnie. Like with the other three films, this film shows family, friendship, and teamwork in a positive light.
|PG
|This tear-jerking, pro-family Pixar animation stars Carl Fredricksen, an elderly widower balloon salesman who is about to be forced off his land but refuses to sell his house (likely promoting individualism triumphing over a liberal collectivist government). Carl ties thousands of balloons to his house and sets off on the South American vacation that he promised his wife Ellie while she was still alive, showing the inherent sacredness of marriage and how it should be continuously honored even after a spouse dies. In the end, he adopts young Russell, a fatherless Wilderness Explorer (a spoof of the Boy Scouts) who joins him on his adventure, as his surrogate grandson, which celebrates family unity. The film takes a light jab at divorce, too, as it is implied that Russell's parents no longer live together, leaving the boy heartbroken until Carl adopts him. Lastly, an overarching theme of the film states that a person is never too old or too young to follow his or her dreams.
 
It’s major critical acclaim made it the first animated film since [[Beauty and the Beast]] 18 years prior to be nominated for Best Picture at the Oscars. It however lost to “The Hurt Locker.”
|$735.1 million
|-
|Ralph, a villain from a retro, 1980s-esque video game who wants to escape after being typecast for about 30 years as the poor and medal-less guy, is encouraged to use his equal opportunities to do better and pursue his own successes. This is the basis of the American Dream: the goal of overcoming one's present, lowly circumstances to achieve a state of greatness. Trying to achieving this goal by theft is shown as the wrong way to do so. In addition, the main antagonist is a competition-hating villain who has deceitfully hidden his true identity and origin, who has pushed liberal values in the video game where he rules and established what looks like a fixed economy because only he can win. The film also pushes anti-illegal immigrant messages as well, with the main villain and minor villains trying to take over other worlds.
|$189,422,889<ref>http://www.boxofficemojo.com/movies/?id=rebootralph.htm</ref>
|-
|''Zootopia''
|2016
|PG
|This Disney film set in a city inhabited by anthropomorphic mammals explores the relationship between ambitious young rabbit police officer Judy Hopps and sneaky con artist fox Nick Wilde as they investigate the disappearance of some of the city's predator residents. It promotes the American Dream, individuality, racial equality, and subtle Christian values such as forgiveness and reconciliation, as well as responsible capitalism. Despite having a brief appearance by a homosexual couple, they're only very, ''very'' minor characters, and the movie largely downplays their sinful beliefs about their sexuality. It won the Academy Award for Best Animated Feature of 2016.
|$341,264,012
|}
|As indicated by the title, this film by Citizens United unmasks the Democrats' attempt at preventing the airing of the documentary ''The Path to 9/11'', as well as their role in cutting a vital scene revealing that Bill Clinton had partially been responsible for 9/11 due to failing to give the order to kill Osama bin Ladin when they had the chance. Also takes down the various liberal critiques that occurred. Aside from the obvious condemnations against Clinton and his followers, it also has a brief criticism of Obama for repeating several falsehoods about how they stopped the terrorists responsible for the 1993 World Trade Center attack (in particular, claiming they just arrested the terrorists and treated them to a court of law like any other criminal).
|N/A
|-
|''Chuck Norris vs Communism''
|2015
|PG
|This winner of the 2015 Hamptons International Film Festival chronicles the story of voice actress Irina Margareta Nistor in 1980s Russia. American movies, illegal at the time, were smuggled into the Soviet Union on VHS tape, dubbed into Russian, and sold on the black market. The Russian viewing audience marveled at the American lifestyle, and the American movies inspired many to reject the bleak Russian way of life.
|
|-
|''The Clinton Chronicles: An Investigation into the Alleged Criminal Activities of Bill Clinton''
|A bawdy sex comedy about a man who is ridiculed by his peers for his indifference to sex as an adult. His friends, feeling that he isn't "normal", try to encourage him to lose his virginity, starting with pornography, sex toys, and even prostitution. However, their personal attitudes towards women ruin their own relationships, and the man remains steadfast in his abstinence. Later, he meets a woman who connects with him, but is no longer a virgin, as she has a teenage daughter. At one point, her daughter confesses only to him that she is also a virgin and encourages him not to feel bad about it. However, her mother, who has been on multiple dates with him, is still unaware of his virginity. After their proposed deadline by which the two agreed to eventually have sex, he tells her of his virginity and stays reluctant about giving in. There is some drama and confusion between them, but she eventually comes to accept him and the two are happily married at the end before having sex.
|$177.4 million
|-
|''The Count of Monte Cristo''
|2002
|PG-13
|Adaptation of the homonymous book by Alexandre Dumas. The film is pro-family, with the protagonist finally giving up revenge to live with his beloved wife and child. He also fights to protect them. Also, Christian characters are portrayed in a very positive light. Atheism criticized in the film. Christian themes such as regrets, faith and friendship are also promoted. However, it ends up promoting premarital and out-of-wedlock sex.
|$75.4 million
|-
|''21 Jump Street''
|$172,956,409
|-
|''[[Aladdin(1992 film)|Aladdin]]''
|1992
|G
|1997, 1999, 2002
|PG-13
|A series of films that parodied spy films such as the [[James Bond]] franchise. On the one hand, liberal values are promoted such as Austin Power's Powers’ promiscuous swinger nature being promoted as a positive, as well as usage of scatological humor throughout. In addition, one of the villains, Frau Farbissina, is mentioned to have been a founder of the militant faction of the Christian organization [[The Salvation Army]]. The first film also downplays the Cold War and the death of Communism by mentioning that the 1980s were among the "unimportant decades" in Austin Power's Powers’ crash course. On the other hand, it does promote some chivalrous aspects, as Austin in the first film made it very clear to Vanessa Kinsington, the daughter of his former partner that not even he was willing to have sex with a woman who had too much to drink, and there is an implicit promotion of [[Gay Conversion Therapy]], as Farbissina was established as a lesbian in the second movie, yet after sleeping with Dr. Evil (a parody of [[Ernst Stavro Blofeld]], in particular the version from ''[[You Only Live Twice (film, 1967)|You Only Live Twice]]'' portrayed by Donald Pleasance.) in the past, she ended up becoming pregnant (with Scott Evil, Dr. Evil's son, being the byproduct of the affair), and it is implied afterward as well as in the third movie ''Goldmember'' that she became straight afterward and genuinely loved Dr. Evil, enjoying a kiss that with him that was otherwise meant to slip a key to him to aid in his escape. Family values are also given a slight promotion, as Farbissina defended Scott Evil from Dr. Evil's otherwise abusive actions to him, and part of the third movie involved Scott and Dr. Evil growing closer to their relationship, and it is also revealed that Dr. Evil was in fact Austin's brother, leading to some redemption for the latter, and the third movie makes clear that some of Austin's problems were the result of his father Nigel being a neglectful father. The second movie also has an anti-body positive message as well with Fat [censored]. In the third film, Fat [censored] eventually loses tons of weight.
|$876.3 million (all three films)
|-
|An animated two-part adaptation of Frank Millar's comic book Elseworld story of the same name where Batman is forced to resume his duties after crime reached record highs in Gotham. The movie is anti-Crime, and also depicts homosexuality and sexual deviancy in a very negative light, including making a connection between homosexuality and Nazis via a transgendered Nazi criminal, and the Joker is portrayed in a similar manner to Paul Lynde. It also mocks to a certain degree anti-war politicians, as the mayor (a likely democrat) attempts to negotiate with the Mutant leader in jail to get him to call off the Mutants' war on Gotham only to have his throat torn out, with his vice-mayor repeating the same concessions. On the same note, it also showcases the negatives of pseudo-sciences as a psychologist was depicted as being a quack who ended up making Two-Face's insanity even worse despite repairing his face, and was ultimately responsible for letting the Joker escape Arkham Asylum due to the latter faking being cured. That all being said, however, it does feature some anti-Reagan messaging, and also condemns the military due to Joker trying to instigate a nuclear war between America and the Soviets, and America striking first as a result, and it was also revealed that a military general had provided the mutant gang with enough military arms to start a small war.
|$5,589,376 (Part 1)<br />$4,059,217 (Part 2)<br />$9,648,593 (Total)
|-
|''Beauty and the Beast''
|1991
|G
|A young woman overcomes a shallow society and finds true love. Although by comparison a powerful and immensely popular antidote to [[feminism]] to the [[liberal]] movies churned out by [[Disney]] since, as well as overall promoting redemption (as seen with the Beast's transformation), and also promoting some family values (such as Belle being loyal to her father), there were a few hints at feminist propaganda at the beginning of the film, such as Belle being different from the villagers because she can read, which is implied to not be supported by the villagers at all (feminist propaganda often falsely claims that women couldn't get an education until the 1960s), as well as Belle being unwilling to hold the role of housewife for Gaston or raising children, and later her blaming the titular Beast for her fleeing the castle despite most of the events leading up to and after that event being largely her fault (specifically, her deliberate disobedience towards Beast and the servants by going into the West Wing as soon as she found out where it was located) and the story framing that as being a good thing she did. On a related note, a scene that had Belle baking a cake for her father when he got home ended up cut at the order of Linda Woolverton, with her reason specifically being because "a liberated woman [like Belle] wouldn't know how to bake," essentially implying that baking would have been the activity of non-liberated women, a typical statement by feminists.<ref name="Woolverton and Belle">https://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>https://www.yahoo.com/news/belle-beauty-beast-became-disneys-155053182.html</ref> In addition, the opening song and the reprise has Belle having a similar "smarter-than-thou" personality that is all too common among liberals, having her refer to the villagers derogatorily as "little people" in the beginning of the opening song, repeatedly stressing the "provincial" elements of the village when expressing her desire to leave the village, complaining about Gaston due to considering him "boorish and brainless" shortly after his failed proposal, and also dismissing the villagers as "they" when mentioning her goals ("I want so much more than what ''they've'' got planned"). On that note, due to Beast being unwilling to even defend himself, let alone the castle servants, when the mob arrived to kill him until Belle had arrived at the last second, which had been the result of Belle's attempts at civilizing Beast, it gives the implication that the ideal male in the film is not allowed to get angry or act violently even in self-defense unless a woman was physically present. Then-Disney Chairman Jeffrey Katzenberg also mentioned that he wanted "a feminist twist" on the original fairy tale by creating a heroine who is "a departure from typical Disney female characters",<ref>http://articles.mcall.com/1991-11-22/features/2825583_1_beast-s-castle-fairy-tale-madame-gabrielle</ref> which had partly been done in response to negative criticisms towards Ariel in the previous movie by liberal critics,<ref name="Woolverton and Belle" /> and the feminist writer [[Linda Woolverton]] made clear that she made Belle a feminist and based her on the women's liberation movement from the 1970s in order to avoid creating another insipid princess.<ref name="Beauty and Maleficent">{{Cite web|url = http://time.com/2798136/maleficent-beauty-beast-writer/|title = The Same Woman Wrote Maleficent and Beauty and the Beast—Here’s How They’re Linked|date = May 30, 2014|accessdate = January 16, 2014|website = Time|publisher = |last = Rothman|first = Lily}}</ref><ref>http://www.ew.com/article/2016/05/26/linda-woolverton-alice-belle-disney-heroines?xid=entertainment-weekly_socialflow_twitter</ref><ref>https://www.bustle.com/articles/163686-the-one-thing-beauty-and-the-beast-fans-probably-dont-know-about-the-creation-of-belle</ref><ref>http://www.mouseplanet.com/8500/Linda_Woolverton_and_Belle</ref><ref>http://articles.latimes.com/1992-01-19/entertainment/ca-544_1_disney-film</ref> On that note, this made it the first ''Disney'' animated adaptation of a fairy tale to radically alter the story specifically to promote a left-wing socio-political agenda onto the audience regardless of whether such was actually appropriate for the audience or an actual good message (as prior Disney films generally made alterations specifically to tone down anything that was otherwise inappropriate for the age group for the audience). Gaston is a conservative and hardworking hunter who is considered by the villagers to be their town hero, but is shown to be the main villain of the movie (it should also be noted that in the original screenplay for the film, Gaston was intended to be a Marquess [French nobleman], meaning the decision to make him a conservative and hardworking hunter was made after a rewrite). In addition, although not to the same degree as other Disney films that came after it, the film also has a slight anti-Christian bent, as the villagers (strongly implied by various verses in the opening song and the mob song, as well as a failed wedding, to be practicing and devout Christians) were later briefly seen supporting a plan that went against God's teachings, as well as overall depicted as being idiots, while Belle, the character framed as an intellectual and a moral figure, is not even seen or even implied to believe in God at all. In addition, Belle's love for Beast (where it is implied that she was largely unaware of the Beast being formerly a human prince) could be seen as promoting bestiality. Also, it is the first Disney movie to neither show nor hint at the two love interests getting married, and in fact, the only "wedding" in the film was the one Belle ruined, creating negative implications about marriage as a result, as well as starting a string of movies that don't paint marriage in a positive light. Similarly, the only three females in the film who are implicitly supportive of marriage and Christianity are demeaned, depicted as dumb blondes with the script and credits explicitly referring to them derogatorily as "the bimbettes." There was also a slight anti-hunting and anti-second amendment sentiment in the film, due to the main villain, as aforementioned, explicitly being labelled as a hunter, as well as Gaston's villainous nature being first highlighted in his debut scene where he shot a duck out of the sky. According to Don Hahn, there were also several overtones of a pro-homosexual agenda within the film, including choice lyrics of the mob song late into the film, largely because of the executive producer, Howard Ashman, being homosexual and dying from AIDS at the time the film was made and wanting to push the idea of being "ostracized" for his suffering from AIDS.<ref>https://www.vanityfair.com/hollywood/2017/03/beauty-and-the-beast-gay-lefou-howard-ashman</ref><ref>https://www.denofgeek.com/movies/16583/don-Hahn-interview-beauty-and-the-beast-howard-Ashman-the-lion-king-south-park-and-frankenweenie</ref> Similarly, during the battle in the castle, there was a brief instance of transgenderism that was treated as a joke where the wardrobe proceeded to dress one of the male villagers in a Hawaiian outfit. One of the protagonistic characters, Lumiere, is briefly seen making out with a featherduster and was implied that the two weren't married, with some hints at Lumiere being an unrepentant womanizer (with the implication being further increased in the Special Edition-exclusive song "Human Again" where Lumiere mentioned he had a "mademoiselle in each arm", would be "courting again, chic and sporting again", and Mrs. Potts interjecting "Which should cause several husbands alarm." with Lumiere laughing at this, heavily implying that Lumiere was an adulterer to married women). In addition, Maurice is depicted as slightly addled and eccentric, as well as being naïve (such as thinking Gaston was a good match for Belle despite the story making clear he wasn't), and while he does try to go out of his way to save Belle in the midway point of the film, he ultimately needs saving twice and is unable to save Belle at all, which makes it debatable as to just how pro-family the narrative actually was. In addition, some elements of the film were later reused in the [[Essay:Worst Liberal Movies#Social|definitely liberal]] ''Maleficent'' movie.<ref name="Beauty and Maleficent" />
|$218,967,620
|-
|''Beauty and the Beast'' (2017 remake)
|2017
|PG
|On the one hand, the 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston (although it should be noted that in the actual script, it never specifies that LeFou was homosexual.<ref>https://www.usatoday.com/story/life/entertainthis/2017/03/03/josh-gad-lefou-beauty-and-the-beast/98679284/</ref>). At the end of the film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's siege of the Beast's castle (who, unlike the original film, actually enjoys it). Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' also serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also further changed history to suit their feminist agenda, similar to previous Disney films like ''Mulan'' (1998), ''Pocahontas'' (1995) and ''The Princess and the Frog'' (2009) (most infamously, the villagers are shown to be explicitly intolerant of Belle learning how to read and teaching girls to do the same, smashing her washing machine in the process, despite the fact that the namesake for the village in this film, Mdm. Gabrielle-Suzanne Barbot de Villeneuve, the original author for the fairy tale, was herself a woman). The 2017 film version of ''Beauty and the Beast'' is now even more of a feminist propaganda film than the 1991 animated film version ever was. There were also hints at an anti-war message due to Gaston being turned into a war veteran, in addition to the implied anti-hunting messages from the original film via his profession (which if anything was expanded on by their hinting at Gaston being evil in the Gaston song when he, in reference to LeFou's question about whether shooting his prey from behind was "fair", states he didn't care if it was, even though killing prey when they least expect it is the entire point behind hunting, which was based on a deleted lyric from one of the earlier drafts of what would become the 1991 film.).
 
All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood is currently out of ideas for motion pictures. It also re-establishes the fact that Disney would, at times, forsake genuine family entertainment in favor of blatant liberal propaganda.
 
On the other hand, there were also several surprisingly Conservative messages in the film, significantly more than in the 1991 version. Namely, Christianity is treated in a far more positive light in this film than in the 1991 version as one of the few friends Belle has in this version is the village Chaplain named Pere Robert who is shown to be sympathetic to her bibliophilic nature and also attempts to prevent Maurice from being sent to the Asylum, and later is shown to be horrified at the formation of the mob against the Beast (it is to be noted that in the original 1991 film, the character in question was merely a bookseller, not a priest, and most of the villagers, implied to be devout Christians, were demonized in the film), which was also surprisingly accurate to history despite the aforementioned changing of history in the film (in real history, Christianity, especially the Catholic Church, actively encouraged literacy, writing, and arithmetic among both genders, with girls being taught in convents or at the home.). In addition, Maurice actually is shown to be more proactive in this film, such as directly refusing Gaston's attempt at marrying Belle and even attempting to expose Gaston as an attempted murderer and psychopath, and also plays a direct role in saving Belle and himself from the paddywagon after she exposes Beast to the villagers (in the original film, although he does set out to try and find Belle and save her after trying to get the villagers to help failed, he ultimately required saving by her due to catching an illness during his trek, and ultimately needed saving alongside Belle via Chip). In addition, Lumiere as well as the featherduster (named Plumette in this version) are shown to be an actual loving couple (in the original film, it is heavily implied that Lumiere was a frequent womanizer and that the featherduster was also sexually loose), and the remake also doesn't demonize traditional marriage nearly as much as in the 1991 version (notably, the remake cut out Gaston's wedding proposal as well as Belle shoving Gaston into mud in front of attendees). The forgiveness and redemption theme was also significantly more emphasized in the remake, due to Beast ultimately forgiving Maurice after learning why he had tried to steal the rose and even allowing Belle to save Maurice specifically to make up for his past behavior, with Maurice also forgiving Beast upon Belle showing him the baby rattle (originally, Maurice was a bit more hesitant to forgive the Beast). It is also shown to be significantly more pro-family as well, as not only is Belle shown to be loyal to her father like in the 1991 original, but as noted above, Maurice himself took measures to protect Belle and notably agreed with Belle that Gaston would not have worked out for her (originally, Maurice also thought Gaston was alright for her), and he also was shown to be very protective of Belle after his wife had died from the plague, with Belle's mom specifically sacrificing herself by telling them to leave her behind to allow Belle a healthy life. In addition, the triplets (renamed to "Village Lasses") in the remake were depicted as having haughtiness, arrogance, being jealous of Belle, as well as overall being nasty people, including briefly smirking at Belle when she was locked up in the paddywagon as well as being actively involved in the arrest of Maurice as well as the later attack on Beast's castle (in the original film, the triplets were not shown to have any negative behavior to them besides their crushing on Gaston [not participating in the later arrest of Maurice, let alone the attack on Beast's castle shortly afterward during the climax, and also implying at one point that they were willing to give their blessing to Gaston marrying Belle when Belle refused him in the beginning of the film, and while they were present during the final lyrics for the Gaston reprise where Gaston explicitly divulged key details for his blackmail plan, the way it was framed could easily be interpreted as the triplets genuinely not knowing about the plan due to their absence from Maurice's arrival up to the scene where Gaston whispers the plan to LeFou.], and it is also heavily implied that they supported traditional marriage and were demeaned in the film by being referred to in the script as The Bimbettes and treated as dumb blondes for this reason). In addition, according to the film's director Bill Condon as well as one of the triplets' actresses, Rafaelle Cohen, the reason the triplets were intensely jealous and spiteful of Belle was because their mother neglected them while doting on Belle, showcasing the dangers of parental neglect. In addition, at least regarding Maurice, the villagers' actions to him were toned down, where their arresting him was simply due to their being tricked by Gaston into thinking he was a dangerous madman and not out of malicious intent (in the original film, it is heavily implied via the Gaston reprise that most, if not all of the villagers were in fact fully aware that Gaston knew, as did themselves, that Maurice was not actually dangerous and that Gaston was having him arrested specifically to blackmail Belle into marrying him and gave full support to the plan.).
|$1.248 billion
|-
|''Beauty and the Beast: The Enchanted Christmas''
|N/A (Direct to video movie)
|-
|''The Bee Movie''
|2007
|PG
|Its debatable whether or not its environmentalist or against it. It does show the destructiveness of environmentalism (i.e. butting into nature's problems in the name of helping her). The anti-human sentiments in the movie turned out to be wrong, however, the humans are taking the honey made by the bees, similar to the welfare program of taking from those who worked for it. Others believe the movie promotes [[bestiality]], and is just disguised as a family movie. It became a source of dozens of internet memes.
|$287,600,000
|-
|''The Birth of a Nation''
|2016
|R
|A drama film about Nat Turner, an enslaved man who led a slave rebellion in Southampton County, Virginia. The film focuses on Turner's life as a slave but also a Christian. There are many scenes where he preaches to his fellow slaves in different plantations, even conduct Baptist services, at the same time, he exposes to the crimes related to slavery, which eventually force him to rebel. The film likewise was also deliberately named after D.W. Griffith's film of the same name in a form of irony due to it pushing the opposite message. However, there is a line at the end of the movie downplaying the deaths of the white slave owners compared to the black slaves, something done by the Hollywood elites and unfortunate because all people are equally valuable.
|
|Film takes jabs at many [[liberal values]], [[illegal immigration]], union workers, multiculturalism, (one scene were Bill tells his ex-wife that the ice cream shop him and his family used to go to is now a Mexican store) and foreign aid (in one scene Bill asks an illegal Korean immigrate a rhetorical question on how much America has given his country and yells at him after he refuses to learn the language).<ref>https://www.youtube.com/watch?v=Z4tC4qfv92Q</ref> It's also one of the very few films to be truthful in the "Nazis were right wingers" myth perpetrated by liberals, in which Bill informs a Neo-Nazi that he's an American and the Nazi is a sick a-hole. As well as many shots where the America flag is trashed upon (which could symbolize how liberalism has trashed everything America has stood for).<ref>https://www.youtube.com/watch?v=piPzExBdfIg</ref> But at the same time it also takes jabs at capitalism, where Bill believes he's no longer commercially valuable. And although the plot is about man trying to reach his daughter's birthday party, the film seems to toy with its audience in suggesting whether he's mentally ill or not, as opposed to a pro-family message.
|$40,903,593
|-
|''[[Fantastic Four (2005 film)|Fantastic Four]]'' (2005 film)
|2005
|PG-13
|The film is pro-family, pro-police, anti-Communist and pro-American, where the villain gets back to his fictional Communist country. However, some people say God and Jesus’ names in vain and a Black blind woman named Alicia Masters (originally white but was racebended for Marxism) believes that God is a woman. A deleted scene which was put back in the extended cut showed how Johnny Storm’s problematic womanizing behavior backfires. Doctor Doom was changed from a dictator to a Capitalist, which Marvel fans and Stan Lee didn’t like. There were a few stripping off scenes from [[Jessica Alba]]’s character even though she is against it. It is held in a higher regard than the 2015 reboot for keeping the adventurous and comedic tone intact.
|$333 million
|-
|''Fantastic Mr. Fox''
|2009
|PG
|Based on the 1970 children's book of the same name by Roald Dahl, Wes Anderson's first animated film stars Mr. Fox - an anthropomorphic red fox who used to steal farm birds for a living - growing bored of the domestic life. He decides to get back into stealing birds with the help of a meek opossum named Kylie, but his attempt at one final heist brings three farmers - fat Boggis, short Bunce, and lean Bean - to target Mr. Fox and his family, and he has to enlist the help of his friends and family to fight back against them. On one hand, while Wes Anderson's style of dysfunctional family shows up here, Mr. Fox ultimately loves his family and would do anything for them, even willing to sacrifice himself to save his nephew when he's captured by the farmers; he also fights his former partner-in-crime Rat to the death when the latter threatens his son and acts lecherous to his wife. Mr. Fox also deals with the consequences of his thieving ways and vows to make it up to everyone, showing that in spite of his arrogance, he wants to do right by those he's loyal to and admits that he had been in the wrong. On the other hand, the farmers appear to be capitalists since the supermarket that the animals take food from belongs to the three of them (Roald Dahl had refused to put this in the book when he was alive, saying that it would be too easy of a solution for the animals' problem, as well as concerned that it would teach kids to steal). Mr. Fox's son Ash is also said to be "different", possibly referencing being homosexual or transgender, with Beaver's son even mentioning that Ash dresses like a girl.
|$21,002,919
|-
|''[[Fargo]]''
|2004
|PG-13
|A live action film adaptation of the Mike Mignola graphic novel of the same name. It is ultimately pro-Christian principles, as the climax had the character John Myers supplying Hellboy (who at that point became Anung un Rama) with a crucifix and reminding him of his upbringing, which ultimately had him rejecting Rasputin's plan of unleashing Hell on the world, and the character Bruttenholm is explicitly depicted as a Christian and portrayed positively for it. It is also anti-Nazi as well. It does promote the second amendment. However, whether it's anti-occult is debatable, and the director was the Marxist Guillermo del Toro.
|$99.3 million
|-
|1952
|UR
|A favorite of both Presidents [[Dwight Eisenhower]] and [[Bill Clinton]]; [[John Wayne]] said it was "the most un-American thing I've ever seen in my whole life.";<ref>http://www.brightlightsfilm.com/47/highnoon.php</ref> though susceptible of various interpretations, most of all it The movie denies the [[conservative]] reality that people would volunteer to defend the town rather than running from [[evil]] and relying entirely on government. The movie seems to scare people into wanting more governmentrather than demanding more opportunities for [[self-defense]]. Some criticized it view the movie as "an allegory for blacklisting in [[Hollywood]]."<ref>https://www.imdb.com/name/nm0000011/bio?ref_=nm_ov_bio_sm</ref>
|$3,750,000
|-
|2006
|PG
|Environmentalist movie about a bunch of kids who stand up to a CEO company that is trying to put one of its restaurants on a burrowing owl habitat. However, despite a businessman being the main villain its not really anti-capitalist, as it does not portray the compnay company in negative light. As the protagonists clearly have nothing angainst the business itself, even the main character states "A panacake House pancake house would be great." Also shows a police officer in postiive postive light. Oberall Overall the movie contains many morals, and promoting friendshi friendship and it does give kids the great inspiration to stand up for what they believe is right.
|$8,117,637
|-
|Sequel to the Worst Liberal Film ''Horrible Bosses''. Though this film could be argued to actually support the American Dream and capitalism, which its processor clearly did not.
|$54,445,357
|-
|-
|''[[The Hunchback of Notre Dame (1996 film)|The Hunchback of Notre Dame]]''
|1996
|G
|Released during Michael Eisner's presidency at Disney, the film presents a mixed package. The original source material was not intended for children, yet the Disney film was marketed as such to young audiences.
 
In some cases, the film manages to be slightly more pro-Christian than it's source material. For example, the character of Frollo, who was the corrupt archdeacon in the novel, is now the minister of justice and the Archdeacon is now a separate character voiced by Davis Odegn Steirs, who serves as the positive Christian conscience in the film (albeit the only positive Christian conscience). The Archdeacon is the one responsible for saving Quasimodo from Frollo committing infanticide and encourages Esmeralda to pray to God. Phoebus is also depicted in a good light, an honorable soldier and also was shown to genuinely love Esmeralda, even going as far to save her as well as Quasimodo. This is a stark contrast to the book, where he was a callous womanizer who abandoned Esmeralda to being hanged.
 
Christian imagery is present throughout the film, appropriate since Notre Dame is an actual location, as opposed to several Disney films during the Renaissance where churches are absent of religious imagery to be more politically correct. The Latin Requiem Mass is also present in the musical score.
 
Unlike most films in the Disney animated canon, this film actually has the character's relying to God's grace to resolve the conflict, instead of relying on some special magic.
 
On the other hand, in some cases, the film actually manages to be even darker than the original novel. Originally, Quasimodo's vicious punishment at the hands of the Parisians during the Feast of Fools ceremony was out of corporal punishment; while in the Disney film, it had been done at the whim of the Parisians just for the sake of it. In addition, Frollo himself was also made significantly more villainous in the movie compared to in the book despite being separated from the archdeacon role, removing most of his redeemable traits in the book (case in point, in the film, Frollo was responsible for killing Quasimodo's mother and nearly killed Quasimodo himself as a baby until being made to raise him as penance by the archdeacon, and was depicted as an abusive father figure overall, as well as depicted as sadistic, in contrast to the original novel, where he willingly took in Quasimodo when he was in fact abandoned by his mom and was depicted as a fairly good father figure, at least until Esmerelda entered the picture). Some Christian concepts were also removed from the film in an attempt to increase Frollo's villainy as a result (for example, Quasimodo in the film was named such as an insult to his deformed appearance, while in the book he was actually named after Quasimodo Tuesday). It's also debatable as to whether it's pro-Christian overall since while the Archdeacon himself was a positive influence, most of the other Christian characters, without even counting Frollo, were nevertheless depicted in a very negative light. The director's commentary also implied that they may have engaged in blasphemous material by having Frollo in the crucifix pose as he's descending into Hell during the visuals for Hellfire.<ref>DVD Commentary: "Here's some more of our ham-fisted symbolism--Frollo falls down in the shape of a crucifix!"</ref>
 
To make the film even darker, a gypsy genocide plot is introduced, and Paris was also the victim of arson late into the film. The song Hellfire was also notorious for making explicit references to lust despite it being very family unfriendly. This is a stark contrast to most other Disney film adaptations, which have a history of toning down the original works (as in The Jungle Book, in which Disney advised the writers to ignore the book specifically because its contents were unsuitable for children). The Gypsies were also depicted in a more positive light, to the extent that they at times were considered preferable to Christianity, despite Gypsies essentially being pagans. Hints at race swapping were also included in the film, as Esmerelda was made into an ethnic gypsy in the movie, when in the original book, she was actually a blonde parisienne and the daughter of an anchoress who was abducted by the gypsies and made into their own.
 
Some mild language is present too (namely the words "damnation" and "eternal damnation").
 
Worst of all, one of the male gargoyles falls in love with Djali, who is explicitly male, which may have meant that liberals will subtly shoehorn the homosexual agenda into anything, even the gargoyles of Notre Dame (and also comes across as extremely hypocritical and blasphemous due to homosexuality being tolerated even less by God than Frollo's lust for Esmerelda, based on God explicitly referring to the concept as an abomination in Leviticus as well as his destroying Sodom and Gomorrah largely because of the practice of homosexuality). However, this should be taken with a grain of salt, because the DVD audio commentary Kirk Wise (co-director), Gary Trousdale (co-director), and Don Hahn (producer) suggest that it's possible that the three gargoyles exist purely in Quasimodo's mind and are in fact split off portions of his own personality created to deal with his loneliness<ref> '''Gary Trousdale:''' We've always operated under the assumption that the gargoyles were kind of figments of Quasimodo's imagination. They didn't really move around, or did they? You know...
 
'''Kirk Wise:''' Yeah, we like leaving a little bit of a question mark; kind of like Harvey the rabbit or Calvin and Hobbes.
 
'''Gary Trousdale:''' They're inanimate when anybody else comes in the room. They don't talk to anybody else, except the goat. So that's here we kind of crossed the line a little bit.
 
'''Kirk Wise:''' We like to keep it a little bit iffy. </ref>. So this matter could have less to do with the liberal agenda and more to do with poor writing. On a positive note, it is to be noted that the directors admitted that the implication that Hugo lusted after Djali was a line that even the directors admitted they shouldn't have crossed, which is a rarity ''especially'' in today's media where they are all for crossing said line.
|$100,138,851
|-
|''[[The Hunger Games]]''
|2015
|R
|AntiA spy organization recruits a promising street kid into the agency's training program, while a global threat emerges from a twisted tech genius. This movie has an anti-environmentalistmessage, because the villain attempts to eradicate the human race because of his belief in man-made global warming. Though the film is full of language and violence as well as a brief nudity scene. There's also one One scene were even shows one of the main characters gets get into a bloody fight with a group of Christians whom who are portrayed as "racists". A sequel called ''Kingsman: The Golden Circle'' premiered in 2017.
|$128,261,724
|-
|It defies typical gender roles as well as promoting some feminism with the main girl being into sports and being a tomboy. Although it is not promoting the homosexual agenda, as she is in fact straight. The film's main message is about giving everyone a chance. Even though the film is about two brothers coaching rival teams it is still pro-family. As well as pro-sportsmanship, with the coach threatening to drop his best player after he intentionally injures a player on the other team.
|$19,306,362
|-
|''The Lorax''
|2012
|This movie promotes the American dream, however, the Muppets look for that dream in liberal Hollywood. It also has an anti-capitalist message with the villain of Doc Hopper, who is also a southerner. In another scene though, Fozzie Bear sings "America the Beautiful" and says "Patriotism swells in the heart of the American bear."
|$76.6 million
|-
|'' The Mitchells Vs The Machines''
|2021
|PG
|Despite Katie Mitchell reportley being Queer, The Movie Has A Neuclar Family, Who After Katie is about to go to college, A Robot Machine apoclypse Occours trying to take-over the world. However it does poke fun how People can be so into Technology.
|N/A
|-
|''Once Upon a Time in Hollywood''
|This fantastic film from (albeit, very liberal) director Quentin Tarantino, set in 1969 Los Angeles, is a love letter to the older and more conservative film industry. It portrays the main character's alcoholism as the main thing holding him back in his later years. It also shows that hard work always pays off in how successful the main character's career was. In addition to all this, the film's villains, real-life cult leader/criminal [[Charles Manson]] (who masterminded the Tate-LaBianca murders) and his "Family" (who carried out the murders), are [[hippie]]s. The movie shows hippies as they really are - brain-damaged from drug use and really gross in both appearance and personal habits - and it makes no attempt to humanize them. Despite all of this, it does contain historic revisionism, graphic violence (a hallmark of Tarantino movies), and gratuitous drug use (the latter of which is played for laughs and shown as fun and consequence-free, contrary to real life). This was the first film to be made by Tarantino after he broke ties with Bob and [[Harvey Weinstein]] following the latter's convictions for sexual assault, and was also the last film to feature actor Luke Perry prior to his death from a stroke in March 2019.
|$374,341,301
|-
|''Overlord''
|2018
|R
|An action horror movie set during World War II, ''Overlord'' follows several American soldiers who are dropped behind enemy lines into France on the eve of D-Day in 1944 and discovery terrifying Nazi experiments. It's told as a war movie first and foremost, with a fantastical black tar that's used to create immortal soldiers being secondary to the overall realistic tone of the movie. ''Overlord'' features brutal combat and high stakes stealth action, with death coming in swift and without mercy. Furthermore, the Americans are portrayed as the clear heroes of the story, with no attempt to "deconstruct" America or make them look bad, and the Nazis are portrayed as classic villains without any modern socio-political angle of equating them to conservatives. The one prominent female character in the story, a French civilian living under German occupation (played by Mathilde Ollivier), is portrayed as competent and useful, but is still largely a non-combatant, realistic to her overall role, unlike many modern movies that portray women as unstoppable Mary Sues in any setting.
 
However, one key aspect where modern [[Hollywood values]] ''did'' affect the film was its politically correct casting of integrated black soldiers alongside their white counterparts, and the overall main character himself being a black man (played by Jovan Adepo). In reality, the US troops were racially segregated into different regiments, and the majority of people opposed integration back then. This in defiance of historical accuracy, in an otherwise mostly authentic film. That being said, the black characters aren't given special treatment by the narrative, with one of the first major deaths also being a black soldier who steps on a landmine out of nowhere. Likewise, the white characters are shown to be just as competent and without belittling them or artificially putting them down as is common in woke Hollywood, in particular being the deuteragonist played by Wyatt Russell, portrayed as the stern but noble leader of the squad.
|$21,000,000
|-
|''P.C.U.''
|1959
|UR
|A classic starring Rock Hudson and Doris Day in which conservative values triumph over liberal ones. There are no distortions by feminist ideology. Indeed, in one scene a leading man slaps the leading lady, but then is beaten up by dimwitted bystanders for it!
|$18,750,000
|-
|2009
|G
|This Disney film set in 1920s New Orleans stars a waitress named Tiana who gets into an adventure of a lifetime when she kisses a prince cursed to become a frog, becoming a frog herself as well as befriending an alligator that loves jazz music and a Cajun firefly. The movie depicts traditional femininity in a positive light in the form of the side character Charlotte LeBoeuf, and is the first Disney animated feature film to have a positive depiction of traditional marriage since ''The Little Mermaid'' two decades prior. It's also debatable as to whether it promotes feminism, as aside from Charlotte LeBoeuf being depicted in a positive light overall as noted above, it implies at one point that Tiana achieving her dreams of being a CEO is ultimately a negative due to the main villain Dr. Facilier using that to tempt her into aiding him. On the other hand, liberals praised this film for featuring Disney's first African American princess but ignored the fact that it insults Christianity with Louisiana Voodoo, even replacing the traditional role of the fairy godmother with a blind voodoo priestess. On top of that, ''The Princess and the Frog'' is said to have stolen much of its plot from great conservative film ''The Little Mermaid'' <ref>http://crowdofstars.livejournal.com/14186.html</ref>
|$104,400,899
|-
|1994
|R
|Despite saying the F-word in almost every sentence, the film (surprisingly) has a pro-Christian message as after being shot at, every bullet misses mob hit men Jules Winnfield and Vincent Vega. Winnfield believes it was a divine intervention and message from God to stop his life of crime. His partner doesn't believe this , but it's later proven to be true as he perished later on in the movie. Also has sadomasochistic homosexuals as the bad guys. And (sort of) has an anti-drug message as mob boss's girlfriend Mia Wallace is seen also overdosing (a negative side to drugs) on heroin.
|$107,928,762
|-
|''[[The Quiet Man]]''
|1952
|G
|Popular among Irish Americans due to its spectacular technicolor filming of the [[Ireland]] countryside, this film has a [[conservative]] theme of [[manliness]] but [[liberal]] themes of giving up on the [[American Dream]]<ref>https://newrepublic.com/article/112666/subversive-st-patricks-day-classic</ref> and a generally degrading portrayal of human nature.
|
|-
|''The Rescuers''
|1977
|G
|The villain in this movie is a capitalist pawn shop owner, who wants a rare diamond to make her rich. To add insult to injury, the villains are Southerners. The United Nations is shown in a positive light. On the other hand, the main villain is also a feminist, and the main human protagonist is shown praying for not only herself (even she has been kidnapped) but for all the kids in the orphanage (who have not been kidnapped). This is one of the rare Disney films feature in which a [[Christian]] character that's is treated in a positive light.
|$29 million
|-
|Animated Disney adaptation of the iconic story, depicting all of the characters as anthropomorphic animals. Although the story itself was based on [[Joseph Ritson]]'s revised version of the character that was in support of the Jacobin cause and thus was a liberal icon (steals from the rich, gives to the poor), the villain is Prince John who makes his money from taxes, suggesting Robin Hood is only giving money the government demanded back to people who actually worked for it, and thus was implicitly closer in themes to the original, pre-Ritson revision version of the character. It also features a condemnation of government encroachment of the church, as a pivotal scene featured the Sheriff of Nottingham explicitly stealing a coin from the poor box and his later arresting Friar Tuck for trying to stop him, and the Sheriff's actions were clearly being framed in a horrible light.
|$32 million
 
|-
|''Shame''
|2007
|PG-13
|Portrays the liberal [[Environmental Protection Agency|EPA]] as a villainous and devious agency, and portrays the Government in general as intrusive and corrupt, and also features a key element of the story where Homer attempts to redeem himself of his more unpleasant nature, and Flanders' attempts at helping the Simpson family, in particular Bart, are treated positively. On the other hand, it also promotes [[environmentalism]] in the beginning, and also had Arnold Schwartzenegger Schwarzenegger as the president of the United States despite his legally not being eligible for the presidency due to being Austrian. There is also a brief sight gag where two homosexual policemen proceeded to make out in an alley by the motel the Simpson family was hiding at, with Marge narrowly escaping being spotted by them. In addition, the early part of the film has Homer twice making statements that implied a more atheistic outlook relating to Christianity: The first just as the Simpsons arrive at Church while running late where Homer mouths off "Relax, those pious morons are too busy talking to their phony-baloney God."; the second when Abraham Simpson ends up getting a divinely inspired vision about Springfield's potential future, where Homer, consulting the bible in a panic, yells "I can't! This book has no answers!" Overall, it's as debatable in terms of its Conservativism as the TV show it acted as a movie for.
|$183,135,014
|-
|1986
|PG-13
|A white student cheats the [[affirmative action]] system, by pretending to be black in order to get the scholarship he needs for to pay for Harvard. Towards the end, it is revealed he took the scholarship away from someone who needed it as well (and is really black) because she has a son and is divorced at such a young age. The movie portrays the police as racist, and blames racism on many things, and seems to support the need for affirmative action. But on a conservative note, the film teaches the importance of hard work, and is also politically incorrect.
|$27,820,000
|-
|1997
|R
|Although it overall depicts the Military in a protagonistic positive light and arguably is pro-war and pro-military, the director of the film, Paul Verhoeven, implied it was actually supposed to push an anti-military, anti-war message where it implied that America during the Cold War were automatically fascists simply because they are entering war, and specifically stated it was "a natural evolution for post-World War II America." In addition, to reinforce Verhoeven's message, he deliberately modeled various scenes after ''Triumph of the Will'' and other pro-Nazi propaganda scenes, as well as modeled the protagonists' uniforms after the uniforms utilized by the Nazis (i.e., the character Carl, played by Neil Patrick Harris, wearing a uniform that was modeled after the [[SS]]). When asked by Michael Ironside, who was one of the people who had a role in the movie and had read the original book, about why he made the movie despite Verhoeven's leftist politics, he answered "If I tell the world that a right-wing, fascist way of doing things doesn't work, no one will listen to me. So I'm going to make a perfect fascist world: everyone is beautiful, everything is shiny, everything has big guns and fancy ships, but it's only good for killing ******* bugs!" (note that fascism is not "right wing", it is left wing, so Verhoeven's incorrect regarding which wing the Nazis/fascists were part of).
|$54,814,377
|-
|Disgraced firefighter now becomes a laughingstock fire marshal uncovers a terrorist plot, at a Hockey game, plans to redeem himself and protect his children and the Vice President from said terrorists. However, they're not Islamic, which may have been because the film was trying to be politically correct.
|$20,350,171
|-
|''The Suicide Squad''
|2021
|R (Should be NC-17)
|The film was able to make fun of censorship and animal testing with themes of redemption but the film is secretly anti-military and anti-war. The film has excessive swearing, gore and sexual content, even the glimpse of a giant rodent’s male genitalia. It helps promote reading as shown in a scene where fan favorite King Shark (voiced by Republican [[Sylvester Stallone]]) is reading a book. As such a jerk Peacemaker is, he is one of the few pro-American characters in the film. While Bloodsport argued with his daughter once, he cared for her, which promoted family values. The film is significantly better and less liberal than the 2016 film directed by David Ayer. It was made by openly liberal director [[James Gunn]].
|$164.4 million
|-
|''Super''
|2010
|R
|Main character becomes a superhero after a vision from God. He also frequently turns to prayer and a Christian television show for guidance. Even though his wife leaves him for a drug dealer, he remains loyal to her for the whole movie. Although contains foul language, violence, and brief nudity scenes. It was made by liberal director [[James Gunn]].
|$327,716
|-
|2008
|G
|A lonely robot named Wall-E lives on a world deserted by humans, collecting trash, protecting the last plant sprout on Earth, and falling in love with another robot named EVE. The movie shows the dangers of big government (BNL). However, however it is also anti-capitalist and pro-environmentalism , as BNL is a corporation.
|$223,808,164
|-
|2003
|G
|In Ice Age Alaska, an Inuit teenager named Kenai kills a bear out of revenge, believing that it caused the death of his oldest brother Sitka. The spirits that his people worship are displeased and turn him into a bear, and he has to journey to a magic mountain to change back, bonding with a bear cub named Koda along the way. Family and friendship values are promoted in this movie in many yearsways. One example is with Kenai and his brothers; they may argue and fool around, but they ultimately care for each other. Kenai also comes to care for the bear cub Koda, even willing to stay as a bear at the end of the movie to be with Koda. Even Rutt and Tuke - the comic-relief moose brothers - ultimately love each other, no matter how much they rattle each other's antlers. Revenge is rightly frowned upon, with Kenai's surviving brother Denahi warning him against killing the bear in revenge; when Kenai finds out later that the bear he killed was Koda's mother, he feels genuine remorse for his actions and soon after admits to Koda what he had done. Unfortunately, the movie is critically panned and was the fourth-to-last traditionally animated Disney film, though the movie (and to a lesser extent, its 2006 sequel) still has a place in the hearts of its audience.
|$85,336,277
|-
|G
|In the sequel to the great conservative animation ''The Lion King'', protagonist Simba and his wife Nala are now raising a daughter of their own, Kiara, but Simba has exiled those lions in his pride who were loyal to his late evil uncle Scar, dubbing them "Outlanders". Tensions rise when Kiara falls in love with an Outlander. Although made during the infamous Michael Eisner era and was part of that era's direct to video sequel line, it also features the same pro-family and Christian messaging as in the original movie. Also features a condemnation against parental neglect/abuse and infanticide, as the main antagonist Zira frequently neglects one of the other antagonists, her eldest son Nuka (who is implied to be the actual male offspring for Scar unlike Kovu), and ultimately gets killed trying to win over her favor; and late in the film, when Vitani takes Kiara's words to heart and joins with the pride landers, Zira proceeds to threaten to kill her daughter in turn, which results in the remainder of the Outlanders proceeding to defect to the Pride Lands out of disgust towards the threat to her own daughter.
|N/A (Direct to Video film)
|-
|''The Little Mermaid: Ariel's Beginning''
|2008
|G
|The last of the Direct to Video sequels before an embargo was placed upon them largely due to the negative reception to the sequels. The overall plot, acting as a prequel to the original film, deals with letting go of the past and moving forward, and also honoring your parents, as Ariel's reason for bringing back music to Atlantica was because she realized her deceased mother, Queen Athena, would never have wanted music to be banned. Also has some condemnation towards totalitarianism as King Triton, due to his grief of his wife's untimely death, proceeded to enforce big government style control over the kingdom, which was not depicted in a positive light at all. That said, however, the film also conflicted with several plot details regarding the later film (namely, Ariel desiring to become human and frequently disobeying her father to pursue that dream being left out entirely, and Ariel's sisters' birth order being swapped around from what was implied in the Daughters of King Triton musical number), and overall downplays the anti-misanthropy messages the original film had.
|N/A (Direct to Video film)
|-
|''The Little Mermaid II: Return to the Sea''
|2000
|G
|Although it to some extent retreads the plotline of the conservative film ''The Little Mermaid'' and was part of the infamous direct-to-video sequel line of the [[Michael Eisner]] era, it has a similar pro-family message and depicts the villain in a truly horrific light (such as trying to murder the main protagonist, a child, twice, once while she was a baby which acted as the primary reason why her parents, Ariel and Eric from the first film, went to great lengths to prevent her from learning about her heritage or even allowing her into the sea, and the other time when she was 12). It condemns parental neglect, too, because the main villain in question, Morgana, is largely motivated by being neglected by her mother over her elder sister, the previous main villain Ursula, which was most showcased in the special edition re-release via the added in song "Gonna Get My Wish."
|N/A (Direct to Video film)
|-
|This independent drama takes place in one room and explores the love triangle among an amiable banker, his deceptive fiancée, and his conflicted best friend. It teaches against alcoholism and adultery, showing the destructive nature of liberal values. However, ''The Room'' has been critically panned for its acting, screenplay, dialogue, production values, score, direction, cinematography, and handful of unrelated and unresolved subplots. Regardless of its low domestic gross from its initial theatrical run, it has done much better in recent re-screenings, becoming a cult classic of sorts.
|$1800
|-
|''Shrek the Third''
|2007
|PG
|The movie has a condemnation against totalitarian dictatorships and Hollywood values in the form of Prince Charming, who after recruiting various villains into aiding him in taking over Far Far Away, he had the kingdom become dystopic and forced the kingdom to watch a "play" he made as a subtle method of executing Shrek. In addition, it's also pro-family, as Shrek sought out Arthur, Fiona's cousin, to take the throne after her father died of an ailment and gives some heart-felt advice regarding taking up the responsibility, and Shrek ultimately resolves to be a father to his to-be-born kids after learning that Fiona was pregnant despite having misgivings regarding being a father due to his own experiences with his father (who nearly attempted to eat him). It also has condemnation of notions of revenge and has a redemption theme, as many of the villains ultimately gave up on being villains after Arthur convinced them not to be consumed by desires for revenge and seek their original goals. Despite this, however, the film had some very questionable production methods, and the plotline was fairly weak.
|$799 million
|-
|''The Santa Clause 2''
|Like in the first two films, it promotes Christmas as well as family, and also has an anti-Envy message. However, the film returned poor sales, the overall plotline was very weak, and it was also criticized as only being made to make a quick buck.
|
|-
|''[[Scooby-Doo 2: Monsters Unleashed]]''
|2004
|PG
|Unlike the 2002 film, this film is more conservative and family friendly like the cartoons with much less innuendos and many more connections to the original cartoon. A duo of Mormons show up in one of Old Man Wickles’ traps and asked Scooby-Doo if he heard the good news of Jesus’ return. The main antagonist is a mad German scientist (played by Tim Blake Nelson) who crossdresses as a slandering reporter and sets up museum robberies while he tries to play God. It’s implied he’s homosexual since it was possible he cuddled with the cameraman and got sent to jail for all of these acts. It also promotes fast food in a positive light where Scooby-Doo is eating a Burger King Whopper and a giant cotton candy monster. The unmasked villains such as Old Man Wickles want to redeem themselves someday. The film does promote critical thinking, teamwork and individualism but the film was more or less average due to the lacking plot. Written by [[James Gunn]].
|
|-
|''Shrek the Third''
|2007
|PG
|The movie has a condemnation against totalitarian dictatorships and Hollywood values in the form of Prince Charming, who after recruiting various villains into aiding him in taking over Far Far Away, he had the kingdom become dystopic and forced the kingdom to watch a "play" he made as a subtle method of executing Shrek. In addition, it's also pro-family, as Shrek sought out Arthur, Fiona's cousin, to take the throne after her father died of an ailment and gives some heart-felt advice regarding taking up the responsibility, and Shrek ultimately resolves to be a father to his to-be-born kids after learning that Fiona was pregnant despite having misgivings regarding being a father due to his own experiences with his father (who nearly attempted to eat him). It also has condemnation of notions of revenge and has a redemption theme, as many of the villains ultimately gave up on being villains after Arthur convinced them not to be consumed by desires for revenge and seek their original goals. Despite this, however, the film had some very questionable production methods, and the plotline was fairly weak.
|$799 million
|-
|''Space Jam''
|1996
|PG
|Basketball star Michael Jordan uses the help of the Looney Tunes to beat back alien invaders from outer space who wish to take away their freedoms. Though the film hints at an anti-illegal immigration message, it suffers from messy animation and a lack of depth, and it is often cited as feeling more like a commercial than a film. A sequel called ''Space Jam: A New Legacy'' was released in 2021 starring pro-communist basketball star LeBron James. The movie also contains a song from [[R. Kelly]].
|$90,443,603
|-
|Trouble making boys at a boarding school must wise up and fight as their school is taken over by terrorists. However, the script is weak and borrows elements of ''Die Hard'' and ''Red Dawn''.
|$15,073,942
|-
|''[[Treasure Planet]]''
|2002
|PG
|Based on the Robert Louis Stevenson story Treasure Island, Treasure Planet has family values as Long John Silver steps up as Jim Hawkins’ father figure after his real father left him when he was a young kid. Also promotes redemption as Silver recognizes Hawkins is more important than Treasure as he saves him, and gives him some of the Treasure he got to rebuild his mother’s restaurant. Unfortunately, due to bad marketing and releasing it at a bad time, this movie is one of Disney’s biggest failures at the Box Office.
|$38,100,000
|-
|''Under Siege 2: Dark Territory''
*[[Essay:Greatest Conservative Songs]]
*[[Essay:Greatest Conservative TV Shows]]
*[https://bestlifeonline.com/best-american-movies/ 50 Best American Movies of All Time]
{{Conservatism}}
[[Category:Best]]
[[Category:Essays about Conservatism]]
[[Category:HollywoodGreatest]]
[[Category:Greatest Conservative Movies]]
[[Category:Hollywood]]
[[Category:Movies]]
{{DEFAULTSORT:Greatest Conservative Movies}}
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