Difference between revisions of "Polyphony"
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'''Polyphony''', from the [[Greek]]: “''many-sounding''”, commonly refers to music where two or more strands are played or sung simultaneously (as opposed to “monophonic”: “''single-sounding''"). The parts of the music move independently of each other, but still remain as an harmonic whole. | '''Polyphony''', from the [[Greek]]: “''many-sounding''”, commonly refers to music where two or more strands are played or sung simultaneously (as opposed to “monophonic”: “''single-sounding''"). The parts of the music move independently of each other, but still remain as an harmonic whole. | ||
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With electronic synthesisers polyphony refers to the ability to play more than a single [[note (music)|note]] simultaneously. | With electronic synthesisers polyphony refers to the ability to play more than a single [[note (music)|note]] simultaneously. | ||
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Latest revision as of 02:12, April 24, 2017
Polyphony, from the Greek: “many-sounding”, commonly refers to music where two or more strands are played or sung simultaneously (as opposed to “monophonic”: “single-sounding"). The parts of the music move independently of each other, but still remain as an harmonic whole.
The polyphonic era in Western music is considered to be during the late medieval and Renaissance periods. The late Renaissance, with the choral works of Palestrina, Lassus and others is thought of as the polyphonic “golden age”.
It was an early form of counterpoint that would reach its highest expression in the great fugues and other works of Bach and Handel.
With electronic synthesisers polyphony refers to the ability to play more than a single note simultaneously.
