Changes

:it would not perhaps be going too far were he to be described as being the greatest living musician.... Himself the pupil of Beethoven, the father-in-law of Herr von Bülow and Richard Wagner, the preceptor of Rubenstein and Sophie Menter, his is the link between the music of the past and the music of the future.<ref name=atweimar>"Franz Liszt at Weimar," ''The New York Times,'' July 3, 1885, p. 2</ref>

:it would not perhaps be going too far were he to be described as being the greatest living musician.... Himself the pupil of Beethoven, the father-in-law of Herr von Bülow and Richard Wagner, the preceptor of Rubenstein and Sophie Menter, his is the link between the music of the past and the music of the future.<ref name=atweimar>"Franz Liszt at Weimar," ''The New York Times,'' July 3, 1885, p. 2</ref>

Liszt's career as a pianist coincided with the rise of music played for the public as a commercial enterprise. His performances were fabulously successful, and in the 1840s the word "Lisztomania" was coined to describe the public reaction. The analogies with modern celebrity are strong; Richard Schickel wrote that "before Sinatra at the Paramount there had been, of course, Lisztomania in Europe.<ref>Schickel, Richard (1985) ''Intimate Strangers: The Culture of Celebrity''</ref>. A 1985 movie by [[Ken Russell]] entitled ''Lisztomania'' played on the similarities, with real-life rock star [[Roger Daltry]] playing the role of Liszt.

Liszt's career as a pianist coincided with the rise of music played for the public as a commercial enterprise. His performances were fabulously successful, and in the 1840s the word "Lisztomania" was coined to describe the public reaction. The analogies with modern celebrity are strong; Richard Schickel wrote that "before Sinatra at the Paramount there had been, of course, Lisztomania in Europe.<ref>Schickel, Richard (1985) ''Intimate Strangers: The Culture of Celebrity''</ref>. A 1985 movie by [[Ken Russell]] entitled ''Lisztomania'' played on the similarities, with real-life rock star [[Roger Daltry]] playing the role of Liszt. Liszt was both an exponent of the musical style known as romanticism, and a man about whom it was said that "as long as he lived, women fluttered around him as moths about a candle."

Often referred to during his lifetime as Abbé Liszt, he studied theology in Rome and received a lower order of consecration, but was not a priest.<ref>"Franz Liszt not an Abbe." ''The New York Times,'' July 17, 1885, p. 4: "Of the consecrations, however, he only received the lower order, which formerly were frequently and even now occasionally vouchsafed to lay brethren. He is therefore neither subdeacon nor deacon, and still less a priest, and has neither the rights nor the responsibilities of the members of the higher clergy. He is not bound to wear the clerical garb; still less is he beholden to comply with any of the rules and duties imposed upon the higher clergy."</ref>

Often referred to during his lifetime as Abbé Liszt, he studied theology in Rome and received a lower order of consecration, but was not a priest.<ref>"Franz Liszt not an Abbe." ''The New York Times,'' July 17, 1885, p. 4: "Of the consecrations, however, he only received the lower order, which formerly were frequently and even now occasionally vouchsafed to lay brethren. He is therefore neither subdeacon nor deacon, and still less a priest, and has neither the rights nor the responsibilities of the members of the higher clergy. He is not bound to wear the clerical garb; still less is he beholden to comply with any of the rules and duties imposed upon the higher clergy."</ref>