| | LIke the pre-Raphaelites, his pictures tell a story, and the people in them have easily readable, dramatic facial expressions. Unlike the pre-Raphaelites, his pictures frequently display a keen sense of humor. His work was direct, popular, and commercial. His paintings of plain people in small-town settings (influenced by his years of living in [[New England]]) are sometimes derided as sentimental or "cornball," but he tackled serious themes as well. His 1964 ''Look'' magazine illustration, "The Problem We All Live With," showed U. S. Marshals escorting a six-year-old black girl into a previously segregated school. | | LIke the pre-Raphaelites, his pictures tell a story, and the people in them have easily readable, dramatic facial expressions. Unlike the pre-Raphaelites, his pictures frequently display a keen sense of humor. His work was direct, popular, and commercial. His paintings of plain people in small-town settings (influenced by his years of living in [[New England]]) are sometimes derided as sentimental or "cornball," but he tackled serious themes as well. His 1964 ''Look'' magazine illustration, "The Problem We All Live With," showed U. S. Marshals escorting a six-year-old black girl into a previously segregated school. |
| | + | In his book, Richard Halpern argues that this sense of innocence arises from our reluctance—and also Rockwell’s—to acknowledge the often disturbing dimensions of his works. Rockwell’s paintings frequently teem with perverse acts of voyeurism and desire but contrive to keep these acts invisible—or rather, hidden in plain sight, available for unacknowledged pleasure but easily denied by the viewer. <ref> Norman Rockwell: The Underside of Innocence [http://www.amazon.com/Norman-Rockwell-Underside-Richard-Halpern/dp/0226314405/ref=la_B001IXTTF0_1_3?] </ref> |
| | *[http://www.guggenheim.org/exhibitions/past_exhibitions/rockwell/problem_lg.html The Problem We All Live With], Guggenheim museum. | | *[http://www.guggenheim.org/exhibitions/past_exhibitions/rockwell/problem_lg.html The Problem We All Live With], Guggenheim museum. |