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| | ''The centre of south German painting had by the late 1730s shifted from Munich to Augsburg in Swabia, where Johann Georg Bermüller became the director of the Academy in 1730; but his frescoes, as well as those of Franz Joseph Spiegler and Gottfried Bernhard Goetz, are perhaps more representative of the Late Baroque than the Rococo.'' <ref>[http://www.britannica.com/eb/topic-62327/Johann-Georg-Bermuller Johann-Georg-Bermuller]</ref> | | ''The centre of south German painting had by the late 1730s shifted from Munich to Augsburg in Swabia, where Johann Georg Bermüller became the director of the Academy in 1730; but his frescoes, as well as those of Franz Joseph Spiegler and Gottfried Bernhard Goetz, are perhaps more representative of the Late Baroque than the Rococo.'' <ref>[http://www.britannica.com/eb/topic-62327/Johann-Georg-Bermuller Johann-Georg-Bermuller]</ref> |
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| | + | Franz Xaver Winterhalter (1805-1873), was famous by his portrait of royalty in the mid-nineteenth century. In 1835, he painted the portrait of Grand Duke Leopold of Baden, for that portrait Winterhalter was appointed court painter and his international career was launched. Winterhalter also became the chief painter of court of France under [[Napoleon III]]. |
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| | + | File:Franz Xaver Winterhalter Leonilla Princess of Sayn Wittgenstein Sayn 1843.jpg|Franz Xaver Winterhalter, Leonilla Princess of Sayn, Wittgenstein, Sayn, 1843. |
| | + | File:Franz Xaver Winterhalter Portrait of Madame Barbe de Rimsky-Korsakov 1864.jpg|Franz Xaver Winterhalter, Portrait of Madame Barbe de Rimsky-Korsakov, 1864. |
| | + | File:Franz Xaver Winterhalter Empress Elisabeth of Austria.jpg|Franz Xaver Winterhalter, Empress Elisabeth of Austria, 1865. |
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| | [[Image:Grosz Cain or Hitler in Hell.JPG|thumb|''Cain or Hitler in Hell'' by George Grosz, 1944.]] | | [[Image:Grosz Cain or Hitler in Hell.JPG|thumb|''Cain or Hitler in Hell'' by George Grosz, 1944.]] |
| | The Nazarene movement was a group of early 19th century [[Romanticism|Romantic]] painters; they were against [[Neoclassical|Neoclassicism]], seeking for old honesty and spiritual values of the late [[Middle Ages]] and early Renaissance; honesty and spirituality of Christian painting shown in their works of Religious subjects. They also made a revival of the medieval fresco painting. | | The Nazarene movement was a group of early 19th century [[Romanticism|Romantic]] painters; they were against [[Neoclassical|Neoclassicism]], seeking for old honesty and spiritual values of the late [[Middle Ages]] and early Renaissance; honesty and spirituality of Christian painting shown in their works of Religious subjects. They also made a revival of the medieval fresco painting. |
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| | The [[Leipzig]] and Dresden Schools are among the latest generations of German painters. ''Figurative art that was deprecated as hopelessly passé in Paris and Düsseldorf never lost its grip in Leipzig. The city prided itself on being the birthplace of Max Beckmann and on a painterly lineage begot by Lucas Cranach.'' <ref>[http://www.nytimes.com/2006/01/08/magazine/08leipzig.html?ex=1294376400&en=9d9fe31340e878a2&ei=5090&partner=rssuserland&emc=rss The New Leipzig School]</ref> Dresden has been a leading center of German art since the 1700s. | | The [[Leipzig]] and Dresden Schools are among the latest generations of German painters. ''Figurative art that was deprecated as hopelessly passé in Paris and Düsseldorf never lost its grip in Leipzig. The city prided itself on being the birthplace of Max Beckmann and on a painterly lineage begot by Lucas Cranach.'' <ref>[http://www.nytimes.com/2006/01/08/magazine/08leipzig.html?ex=1294376400&en=9d9fe31340e878a2&ei=5090&partner=rssuserland&emc=rss The New Leipzig School]</ref> Dresden has been a leading center of German art since the 1700s. |
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| | == See also == | | == See also == |