Changes

Producer Gene Roddenberry emphasized his “utopian vision” of humanity’s future. Following this vision, humanity is considered to have achieved perfection in Star Trek. This includes overcoming greed, hate, jealousy, as well as ethnic and national rivalries.<ref name=walker>Walker, J., [http://thiswastv.com/2012/08/29/same-as-it-ever-was-star-trek-after-gene-roddenberry/ Same As It Ever Was?: Star Trek After Gene Roddenberry], ''This Was Television''</ref> The vision is illustrated by the use a Russian man and a black woman as regular minor characters (Chekov and Uhura).

Producer Gene Roddenberry emphasized his “utopian vision” of humanity’s future. Following this vision, humanity is considered to have achieved perfection in Star Trek. This includes overcoming greed, hate, jealousy, as well as ethnic and national rivalries.<ref name=walker>Walker, J., [http://thiswastv.com/2012/08/29/same-as-it-ever-was-star-trek-after-gene-roddenberry/ Same As It Ever Was?: Star Trek After Gene Roddenberry], ''This Was Television''</ref> The vision is illustrated by the use a Russian man and a black woman as regular minor characters (Chekov and Uhura).

Negative characteristics are generally found only in alien races. In a typical episode, one alien race is trying to enslave another, and the Enterprise intervenes to restore balance. The principle of equality is thus applied universally, with the Declaration of Independence sometimes mentioned explicitly. In these episodes, the Federation stands in for the United States, while the villain species stands in for Communists or Nazis.<ref name=Cantor>Cantor, Paul A., ''Gilligan Unbound: Pop Culture in the Age of Globalization'', p. 46.</ref> In other episodes, an alien species is used to comment on imperfections in contemporary America. “Let This Be Your Last Battlefield” (Jan. 10, 1969) depicts a species divided into two races by skin color. For one race, the left side is white, and right side is black. For the other race, these colors are reversed.<ref name=Cantor/>

Negative characteristics are generally found only in alien races. In a typical episode, one alien race is trying to enslave another, and the Enterprise intervenes to restore balance. The principle of equality is thus applied universally, with the Declaration of Independence sometimes mentioned explicitly.<ref>"The Omega Glory" (March 1, 1968)</ref> In these episodes, the Federation stands in for the United States, while the villain species stands in for Communists or Nazis.<ref name=Cantor>Cantor, Paul A., ''Gilligan Unbound: Pop Culture in the Age of Globalization'', p. 46.</ref> In other episodes, an alien species is used to comment on imperfections in contemporary America. One episode depicts a species divided into two races by skin color.<ref>“Let This Be Your Last Battlefield” (Jan. 10, 1969)</ref> For one race, the left side is white, and right side is black. For the other race, these colors are reversed.<ref name=Cantor/>

In the original series, the military nature of Starfleet combined with the need for adventure and dramatic conflict to limit the influence of Roddenberry's left-wing views. These episodes were recorded prior to the feminist era, so gender relations are according to nature and tradition. The early seasons of ''Star Trek: The Next Generation'' suffered severely from the Roddenberry vision. For example, the character Q is used to parody God. Roddenberry’s skeptical view of religion is detailed in several dialogs between Q and Picard.<ref name=walker /> As Roddenberry’s health declined, Rick Berman's influence grew. He was promoted to executive producer during the third season of TNG. ''Star Trek: Deep Space Nine'', a Berman creation, broke with the Roddenberry tradition in several ways. It included various flawed human characters, and we learned that Starfleet has a secret agency called Section 31 that was responsible for various atrocities.<ref name=walker />   

In the original series, the military nature of Starfleet combined with the need for adventure and dramatic conflict to limit the influence of Roddenberry's left-wing views. These episodes were recorded prior to the feminist era, so gender relations are according to nature and tradition. The early seasons of ''Star Trek: The Next Generation'' suffered severely from the Roddenberry vision. For example, the character Q is used to parody God. Roddenberry’s skeptical view of religion is detailed in several dialogs between Q and Picard.<ref name=walker /> As Roddenberry’s health declined, Rick Berman's influence grew. He was promoted to executive producer during the third season of TNG. ''Star Trek: Deep Space Nine'', a Berman creation, broke with the Roddenberry tradition in several ways. It included various flawed human characters, and we learned that Starfleet has a secret agency called Section 31 that was responsible for various atrocities.<ref name=walker />