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He is immortalized in several of the works of the Lost Generation of American ex-patriate writers with whom he associated in Paris during the 1920s, including [[Gertrude Stein]] and [[Ernest Hemingway]], by whom he is fondly remembered in their respective autobiographical efforts of that time (''The Autobiography of Alice B. Toklas'' and ''A Moveable Feast'').
He is immortalized in several of the works of the Lost Generation of American ex-patriate writers with whom he associated in Paris during the 1920s, including [[Gertrude Stein]] and [[Ernest Hemingway]], by whom he is fondly remembered in their respective autobiographical efforts of that time (''The Autobiography of Alice B. Toklas'' and ''A Moveable Feast'').
He was also a [[misogyny|misogynist]], treating several lovers horribly, and he also cruelly left one of his lovers for the World Peace Conference just as she was going into labor.
With his ''Charnel House'' of 1945, Picasso concluded the series of pictures that he had started with ''Guernica''. The connection between the paintings becomes immediately obvious when we consider the rigidly limited color scheme and the triangular composition of the center.<ref>
With his ''Charnel House'' of 1945, Picasso concluded the series of pictures that he had started with ''Guernica''. The connection between the paintings becomes immediately obvious when we consider the rigidly limited color scheme and the triangular composition of the center.<ref>