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| − | The King shall rejoice in thy strength, O Lord! | + | [[Image:George Handel.jpg|right|thumb|250px|Balthasar Denner's portrait of Handel (1733)]] |
| − | Exceeding glad shall he be of thy salvation.
| + | [[George Frideric Handel]] (1685 - 1759) (German: '''Georg Friedrich Händel''') was a [[German]]-born [[British]] (since 1727<ref>[http://www.parliament.uk/business/publications/parliamentary-archives/archives-highlights/handel-and-naturalisation/ The UK Parliament Website: ''British Citizen by Act of Parliament: George Frideric Handel'']</ref>) composer and organist. His works fall within the [[Baroque]] era of Western [[Classical music]]. Handel was, during his lifetime, perhaps the most internationally famous of all musicians. [http://www.8notes.com/school/history/handel.asp] The legacy of Handel may be found in the dramatic power and lyrical beauty inherent in his [[music]]. |
| − | Glory and worship hast thou laid upon him.
| + | |
| − | Thou hast prevented him with the blessings of goodness, and hast set a
| + | == List of works == |
| − | crown of pure gold upon his head.
| + | |
| − | Alleluia!
| + | [[Opera|OPERAS]]: |
| | + | * [[Hamburg]]: Almira, Nero (lost) (both 1705) |
| | + | * Florindo e Dafne (lost) (1707) |
| | + | * [[Florence]]: Rodrigo (1707) |
| | + | * [[Venice]]: Agrippina (1709) |
| | + | * [[London]]: Rinaldo (1711, rev. 1731) |
| | + | * Il pastor fido (1712; 2nd version with ballet Terpsicore, 1734) |
| | + | * Teseo (1712) |
| | + | * Silla (1714) |
| | + | * Amadigi di Gaula (1715) |
| | + | * Radamisto (1720, rev. 1720, 1721, 1728) |
| | + | * Muzio Scevola, Floridante (both 1721) |
| | + | * Ottone (1722) |
| | + | * Flavio (1723) |
| | + | * Giulio Cesare in Egitto (1723-4) |
| | + | * Tamerlano (1724, rev. 1731) |
| | + | * Rodelinda, regina de'Longobardi (1725) |
| | + | * Scipione, Alessandro (both 1726) |
| | + | * Admeto, Riccardo I (both 1727) |
| | + | * Siroe, Tolomeo (both 1728) |
| | + | * Lotario (1729) |
| | + | * Partenope (1729-30, rev. 1730, 1736) |
| | + | * Poro (1731) |
| | + | * Ezio, Sosarme (both 1732) |
| | + | * Orlando (1733) |
| | + | * Arianna (1734) |
| | + | * Ariodante, Alcina (both 1735) |
| | + | * Atalanta (1736) |
| | + | * Arminio, Giustino, Berenice (all 1737) |
| | + | * Faramondo, Serse (both 1738) |
| | + | * Imeneo (1738-40) |
| | + | * Deidamia (1740) |
| | + | |
| | + | [[Orchestra|ORCHESTRA]]: |
| | + | * Water Music (c.1717) |
| | + | * Music for Royal Fireworks (1749) |
| | + | |
| | + | DRAMATIC [[oratorio|ORATORIOS]]: |
| | + | * [[Rome]]: La Resurrezione, Trionfo del Tempo (1708) |
| | + | * Naples: Aci, Galatea e Polifemo (1709) |
| | + | * Hamburg: Der für die Sünde der Welt gemartete und sterbende Jesus (Brockes Passion) (?1716) |
| | + | * London: Haman and Mordecai (masque 1720, later rev. as Esther in 1732) |
| | + | * Acis and Galatea (1718; rev. 1732 incorporating part of 1708 cantata on same subject, and 1743) |
| | + | * Deborah (1733) |
| | + | * Athalia (1733) |
| | + | * Alexander's Feast (1736) |
| | + | * Israel in Egypt (1738) |
| | + | * Saul, Ode for St Cecilia's Day (1739) |
| | + | * L'Allegro, il Pensieroso ed il Moderato (1740) |
| | + | * [[Handel's Messiah|Messiah]] (1741) |
| | + | * Samson (1741-2) |
| | + | * Joseph and his Brethren, Semele (1743) |
| | + | * Belshazzar, Hercules (1744) |
| | + | * Occasional Oratorio, Judas Maccabaeus (1746) |
| | + | * Alexander Balus, Joshua (1747) |
| | + | * Solomon, Susanna (1748) |
| | + | * Theodora, Alceste (1749) |
| | + | * Choice of Hercules (1750) |
| | + | * Jephtha (1751) |
| | + | * Triumph of Time and Truth (1757) |
| | + | |
| | + | [[Cantata|CANTATAS]] AND CHAMBER DUETS: Handel comp. 100 of the former and 20 of the latter. Among the best known are: |
| | + | * Silete Venti, sop., instr. (1729) |
| | + | * La terra è liberata (Apollo e Dafne), sop., bass, instr. (c.1708) |
| | + | * O numi eterni (La Lucrezia), sop., continuo (1709) |
| | + | |
| | + | CHURCH MUSIC: |
| | + | * [[Gloria]] Patri (1707) |
| | + | * Utrecht [[Te Deum]] and [[Jubilate]] (1712-13) |
| | + | * Dettingen Te Deum (1743) |
| | + | * 11 Chandos [[Anthem]]s (1717-18) |
| | + | * 4 Coronation [[Anthem]]s (1727: The King Shall Rejoice; Let thy hand be strengthened; My heart is inditing; Zadok the Priest) |
| | + | * The Ways of Zion do Mourn, funeral [[anthem]] for Queen Caroline (1737) |
| | + | |
| | + | VOCAL: |
| | + | * Birthday Ode for [[Queen Anne]] (1713) |
| | + | * 9 [[Germany|German]] Arias (1729) |
| | + | |
| | + | INSTRUMENTAL AND [[chamber music|CHAMBER MUSIC]]: |
| | + | * 6 [[concerto grosso|Concerti Grossi]], str., ww., continuo, Op.3 (1734) |
| | + | * 12 Concerti Grossi, str., optional wind, Op.6 (1739) |
| | + | * 5 [[concerto|Concerti]], orch. (1741) |
| | + | * 6 [[organ]] concerti, Op.4 (1738) |
| | + | * 6 organ concerti, Op.7 (1760) |
| | + | * 6 organ concerti (1740) |
| | + | * 15 chamber sonatas (fls., recorders), Op.1 (1724) |
| | + | * 3 concerti a due cori |
| | + | * 2 ob. [[sonata]]s |
| | + | * 12 fl. sonatas |
| | + | * 6 [[trio sonata]]s |
| | + | * 9 trio sonatas, Op.2 (1722-33) |
| | + | * 7 trio sonatas, Op.5 (1739) |
| | + | * [[viol|viola da gamba]] sonata |
| | + | * 8 [[suite]]s de pièces, ([[harpsichord]]) (1720) See also Harmonious Blacksmith |
| | + | * 8 suites de pièces (1733, these incl. the well-known Chaconne in G) |
| | + | * 6 [[Fugue]]s (1736) |
| | + | |
| | + | == See also == |
| | + | |
| | + | *[[Domenico Scarlatti]] |
| | + | *[[Ludwig van Beethoven]] |
| | + | |
| | + | == External links == |
| | + | |
| | + | *[http://www.naxos.com/composerinfo/George_Frideric_Handel/24403.htm HANDEL, GEORGE FRIDERIC BIOGRAPHY] |
| | + | *[http://www.8notes.com/school/history/handel.asp George Frideric Handel (1685-1759)] |
| | + | |
| | + | == References == |
| | + | <references /> |
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| | + | {{DEFAULTSORT:Handel, George Frideric}} |
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| | + | [[Category:Musicians]] |
| | + | [[Category:Composers]] |