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===The melodies of the Old Testament===

===The melodies of the Old Testament===

The Hebrew of the present day Old Testament is composed of the Hebrew consonants and, added on by the [[Masoretic Text|Masoretes]] at a later stage, the vowels. Along with these two elements, other signs were added which indicated the melodies that were sung along with the words or phrases. Some of the signs were positioned above the individual consonants, some below, and some to the side. Some of these melody signs were associated with others providing a musical pattern that corresponds with the opening of a thought, similar to the beginning of a sentence (ex. "merkha"), the continuation of a thought (ex. "munakh"), tying in one word with the following, as one melody flowed into the next, the "resting" or completion of a thought, much in "the same way that a comma (ex. "azla"), though not ending a sentence, makes for the "semi"-ending or minor completion of a thought, a major break in the run of thoughts ("etnachta"), though  the run of thought would be resumed until the major completion ("sof pasuq"), much in the same way the a period brings to a stop and a completion as a sentence ends. Thus the musical signs in the Hebrew text also provide an interpretation of the text current to the times in which the signs were incorporated as part of the text, the Masoretic vowel-pointing excluding those former tonal readings which clearly represented Christian textual interpretations. The signs that tie one word to another providing one thought are called "conjunctive" signs and the signs that separate words and the thought of them are called "disjunctive". An example of the use of these signs to interpret the Hebrew text is the well known prophesy of the One to come. The Hebrew letters can either be understood to read "His name shall be called Wonderful counsellor of (''from, sent by, representing'') the mighty God", or "His name shall be called Wonderful, Counsellor, the Mighty God". The melody signs (called in Hebrew "Ta'mei HaMikra) decide for the latter. After "Wonderful" there is a disjunctive, after "Counsellor" there is a disjunctive, and after "Mighty" (but adj. after the noun in Hebrew order) there is a conjunctive. It is possible to reconstruct to some extent the melody and the interpretation of the Old Testament current in the first century and therefore the melody and the interpretation of Jesus Himself.<ref name=Steinberg>[http://www.adath-shalom.ca/history_of_hebrew2a.htm History of the Ancient and Modern Hebrew Language, By David Steinberg. Phonemic Structure of Hebrew]<br/> David.Steinberg@houseofdavid.ca. http://www.houseofdavid.ca Home page

The Hebrew of the present day Old Testament is composed of the Hebrew consonants and, added on by the [[Masoretic Text|Masoretes]] at a later stage, the vowels. Along with these two elements, other signs were added which indicated the melodies that were sung along with the words or phrases. Some of the signs were positioned above the individual consonants, some below, and some to the side. Some of these melody signs were associated with others providing a musical pattern that corresponds with the opening of a thought, similar to the beginning of a sentence (ex. "maerḥa"), the continuation of a thought (ex. "munach"), tying in one word with the following, as one melody flowed into the next, the "resting" or completion of a thought, much in "the same way that a comma at the top of the line (ex. "azla"), though not ending a sentence, makes for the "semi"-ending or minor completion of a thought, a major break in the run of thoughts ("etnaḥta"), though  the run of thought would be resumed until the major completion ("sof pasuk"), much in the same way the a period brings to a stop and a completion as a sentence ends. Thus the musical signs in the Hebrew text also provide an interpretation of the text current to the times in which the signs were incorporated as part of the text, the Masoretic vowel-pointing excluding those former tonal readings which clearly represented Christian textual interpretations. The signs that tie one word to another providing one thought are called "conjunctive" signs and the signs that separate words and the thought of them are called "disjunctive". An example of the use of these signs to interpret the Hebrew text is the well known prophesy of the One to come. The Hebrew letters can either be understood to read "His name shall be called Wonderful counsellor of (''from, sent by, representing'') the mighty God", or "His name shall be called Wonderful, Counsellor, the Mighty God". The melody signs (called in Hebrew "Ta'mei HaMikra) decide for the latter. After "Wonderful" there is a disjunctive, after "Counsellor" there is a disjunctive, and after "Mighty" (but adj. after the noun in Hebrew order) there is a conjunctive. It is possible to reconstruct to some extent the melody and the interpretation of the Old Testament current in the first century and therefore the melody and the interpretation of Jesus Himself.<ref name=Steinberg>[http://www.adath-shalom.ca/history_of_hebrew2a.htm History of the Ancient and Modern Hebrew Language, By David Steinberg. Phonemic Structure of Hebrew]<br/> David.Steinberg@houseofdavid.ca. http://www.houseofdavid.ca Home page

http://www.adath-shalom.ca/history_of_hebrewtoc.htm </ref> This is because of the following: the present day melodies of the various dispersions of the Jews are to a great extent different one from the other. Some of these dispersions are the Ashkenazi, representing the Jews exiled from Israel by the Romans in A.D. 70 and then on to the Rhine Valley, and then onto parts of Eastern Europe, Western Europe, America, etc., the Sephardim who saw the beginnings of their dispersion from Spain in the 15th Century and then on to Greece, Turkey, North Africa. Holland, and America, the Yemenites, the Bnei Israel of India, the Jews of Ethiopia, etc. etc, Yet, with the diversity in melodies of the Scriptures, there are certain features which are either identical or strikingly similar. Musicologist, [[Joel Segal]], pointed out over 40 years ago, that this could only have been possible if these dispersions were at one time together in the same place. The only time that all these dispersions were together in the same place was prior to the great dispersion of the first century and the fall of Jerusalem in A.D. 70.

http://www.adath-shalom.ca/history_of_hebrewtoc.htm </ref> This is because of the following: the present day melodies of the various dispersions of the Jews are to a great extent different one from the other. Some of these dispersions are the Ashkenazi, representing the Jews exiled from Israel by the Romans in A.D. 70 and then on to the Rhine Valley, and then onto parts of Eastern Europe, Western Europe, America, etc., the Sephardim who saw the beginnings of their dispersion from Spain in the 15th Century and then on to Greece, Turkey, North Africa. Holland, and America, the Yemenites, the Bnei Israel of India, the Jews of Ethiopia, etc. etc, Yet, with the diversity in melodies of the Scriptures, there are certain features which are either identical or strikingly similar. Musicologist, [[Joel Segal]], pointed out over 40 years ago, that this could only have been possible if these dispersions were at one time together in the same place. The only time that all these dispersions were together in the same place was prior to the great dispersion of the first century and the fall of Jerusalem in A.D. 70.