Changes

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|-

|''300''

|''300''

|R

|R

|The plot revolves around King Leonidas, who leads 300 Spartans into battle against the Persian "god-King" Xerxes and his invading army of more than 300,000 soldiers. It is pro-war and pro-Western civilization.

|The plot revolves around King Leonidas, who leads 300 Spartans into battle against the Persian "god-King" Xerxes and his invading army of more than 300,000 soldiers. It is pro-war and pro-Western civilization.

|R

|R

|Gun-toting, Korean war veteran Walt Kowalski is upset that his neighborhood has lost its traditional American values and turned multicultural, overflowed with gangs and violence. He takes down a violent gang terrorizing the community, turns a boy into a man, and strengthens his Catholic faith. An excellent guy-cry movie.

|Gun-toting, Korean war veteran Walt Kowalski is upset that his neighborhood has lost its traditional American values and turned multicultural, overflowed with gangs and violence. He takes down a violent gang terrorizing the community, turns a boy into a man, and strengthens his Catholic faith. An excellent guy-cry movie.

|$270 million

|$270 million

|-

|-

|1965

|1965

|UR

|UR

|-

|-

|''Sexmission''

|''Sexmission''

|R

|R

|A Polish film about two men, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. The totalitarian female society was meant to represent communism and feminism and the movie meant to ridicule it.

|A Polish film about two men, Max and Albert, played by Jerzy Stuhr and Olgierd Łukaszewicz, respectively, submit themselves in 1991 to the first human hibernation experiment. Instead of being awakened a few years later as planned, they wake up in the year 2044, in a post-nuclear world. By then, humans have retreated to underground living facilities, and, as a result of subjection to a specific kind of radiation, all males have died out. Women reproduce through parthenogenesis, living in an oppressive feminist society, where the apparatchiks teach that women suffered under males until males were removed from the world. The totalitarian female society was meant to represent communism and feminism and the movie meant to ridicule it.