| | Among the artists prominent in the Harlem Renaissance were the poets [[Countee Cullen]], [[Langston Hughes]] and [[Claude McKay]], the novelists [[Nella Larsen]], [[Jean Toomer]] and [[Wallace Thurman]], and the graphic artist [[Aaron Douglas]]. | | Among the artists prominent in the Harlem Renaissance were the poets [[Countee Cullen]], [[Langston Hughes]] and [[Claude McKay]], the novelists [[Nella Larsen]], [[Jean Toomer]] and [[Wallace Thurman]], and the graphic artist [[Aaron Douglas]]. |
| − | While the movement was exclusively concerned with Black artists and culture, a number of white persons were important in supporting and promoting the movement. Most important was the dramatic and literary critic, photographer and author [[Carl Van Vechten]]. Van Vechten had been the first music and dance critic for ''[[The New York Times]]'', and as drama critic for the ''[[New York Press]]'' had been at the famous riot which occurred at the debut of [[Igor Stravinsky]]’s ballet ''[[The Rite of Spring]]'' in 1913.<ref>Eksteins, Modris (1989) Rites of Spring, Mariner Books pp. 10-14</ref> He was known for giving prominent whites tours of Harlem’s night life, including author [[Somerset Maugham]] and most importantly, publisher [[Alfred A. Knopf]].<ref> Watson, Steven (1995) The Harlem Renaissance, Pantheon Books, pp. 98-101</ref> | + | While the movement was exclusively concerned with Black artists and culture, a number of white persons were important in supporting and promoting the movement. Most important was the dramatic and literary critic, photographer and author [[Carl Van Vechten]]. Van Vechten had been the first music and dance critic for ''[[The New York Times]]'', and as drama critic for the ''[[New York Press]]'' had been at the famous riot which occurred at the debut of [[Igor Stravinsky]]’s ballet ''[[The Rite of Spring]]'' in 1913.<ref>Eksteins, Modris (1989) Rites of Spring, Mariner Books pp. 10-14</ref> He was known for giving prominent whites tours of Harlem’s night life, including author [[Somerset Maugham]] and most importantly, publisher [[Alfred A. Knopf]].<ref>Watson, Steven (1995) The Harlem Renaissance, Pantheon Books, pp. 98-101</ref> |