| | To capitalize on Wolfgang's gifts, Leopold took the family on several tours throughout continental Europe and England between 1762 and 1773. This was also a boon for his education, as it put him at a tender age in contact with many great composers of various nationalities and musical traditions, and the young Wolfgang took it all in like a sponge. This would become important later, as he would successfully integrate the best of the Italian school, the Mannheim school, and the German and French musical traditions. In a sense, he would be one of the first to compose in an integrated trans-European style which has come to be known as "Classical."<ref>See Rosen, Charles, ''The Classical Style''.</ref> | | To capitalize on Wolfgang's gifts, Leopold took the family on several tours throughout continental Europe and England between 1762 and 1773. This was also a boon for his education, as it put him at a tender age in contact with many great composers of various nationalities and musical traditions, and the young Wolfgang took it all in like a sponge. This would become important later, as he would successfully integrate the best of the Italian school, the Mannheim school, and the German and French musical traditions. In a sense, he would be one of the first to compose in an integrated trans-European style which has come to be known as "Classical."<ref>See Rosen, Charles, ''The Classical Style''.</ref> |
| − | There are many stories concerning Mozart's life, but one of the most remarkable concerns a visit made to the [[Sistine Chapel]], during which he heard a performance of Miserere by Gregorio Allegri. The fourteen-year-old Mozart first heard the piece during the Wednesday service. Later that day, he wrote it down entirely from memory, and returned to the Chapel that that week to make minor corrections. This was the first time that a manuscript of the work had been made public, and the [[Pope]] summoned Mozart to [[Rome]] and lifted the ban on the work's transcription. <ref>The story may or may not be accurate, but it is referred to in the Mozart family letters http://en.allexperts.com/e/m/mi/miserere_(allegri).htm </ref>. | + | There are many stories concerning Mozart's life, but one of the most remarkable concerns a visit made to the [[Sistine Chapel]], during which he heard a performance of Miserere by Gregorio Allegri. The fourteen-year-old Mozart first heard the piece during the Wednesday service. Later that day, he wrote it down entirely from memory, and returned to the Chapel that that week to make minor corrections. This was the first time that a manuscript of the work had been made public, and the [[Pope]] summoned Mozart to [[Rome]] and lifted the ban on the work's transcription.<ref>The story may or may not be accurate, but it is referred to in the Mozart family letters http://en.allexperts.com/e/m/mi/miserere_(allegri).htm</ref> |
| | Mozart worked extremely hard on honing his craft. He spent hours in practice at the keyboard, and studying and copying out the music of others. He wrote in a letter to his father, "People make a great mistake who think that my art has come easily to me. Nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not studied over and over." <ref>http://www.christianitytoday.com/bc/2006/006/9.14.html</ref> | | Mozart worked extremely hard on honing his craft. He spent hours in practice at the keyboard, and studying and copying out the music of others. He wrote in a letter to his father, "People make a great mistake who think that my art has come easily to me. Nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not studied over and over." <ref>http://www.christianitytoday.com/bc/2006/006/9.14.html</ref> |