Changes

English Horns were not common in orchestral works until the expanded symphonic [[orchestra]] of [[Richard Wagner]]. In modern times, the instrument's frequency of occurrence in works has remained stagnant, although several famous works feature it prominently, such as the second movement (the ''Largo'') from [[Antonin Dvorak]]'s ninth symphony, ''From the New World.'' It is used where a degree of plaintive stillness is required as in [[Jean Sibelius|Sibelius]]' ''Swan of Tuonela'' or some of the more pastoral passages of [[Ralph Vaughan Williams]], notably ''In the Fen Country'' and in the third movement of his fifth symphony.

English Horns were not common in orchestral works until the expanded symphonic [[orchestra]] of [[Richard Wagner]]. In modern times, the instrument's frequency of occurrence in works has remained stagnant, although several famous works feature it prominently, such as the second movement (the ''Largo'') from [[Antonin Dvorak]]'s ninth symphony, ''From the New World.'' It is used where a degree of plaintive stillness is required as in [[Jean Sibelius|Sibelius]]' ''Swan of Tuonela'' or some of the more pastoral passages of [[Ralph Vaughan Williams]], notably ''In the Fen Country'' and in the third movement of his fifth symphony.

[[Category: Wind Instruments]]

[[Category:Wind Instruments]]