| Line 1: |
Line 1: |
| − | A '''trochee''' is a metrical unit of a [[poetic meter|poetic foot]] in [[poetry]] which is made up of a stressed (accented) syllable followed by an unstressed (unaccented) syllable<ref>"trochee, n.". OED Online. June 2011. Oxford University Press. 28 August 2011</ref>. Lines of verse that are predominantly made up of trochees are referred to as trochaic. For instance, a line consisting of five sets of trochees would be considered to be in trochaic pentameter. The word trochee itself is trochaic. | + | A '''trochee''' is a metrical unit of a [[poetic meter|poetic foot]] in [[poetry]] which is made up of a stressed (accented) syllable followed by an unstressed (unaccented) syllable.<ref>"trochee, n.". OED Online. June 2011. Oxford University Press. 28 August 2011</ref> Lines of verse that are predominantly made up of trochees are referred to as trochaic. For instance, a line consisting of five sets of trochees would be considered to be in trochaic pentameter. The word trochee itself is trochaic. |
| | | | |
| | One of the most famous literary works that is predominately in trochaic meter is [[Henry Wadsworth Longfellow]]'s ''The Song of Hiawatha''. Another example is from a well known children's rhyme: | | One of the most famous literary works that is predominately in trochaic meter is [[Henry Wadsworth Longfellow]]'s ''The Song of Hiawatha''. Another example is from a well known children's rhyme: |
| Line 8: |
Line 8: |
| | Catch(/) a(~) tiger(/~) by(/) the(~) toe(/)<ref>http://www.writing-world.com/poetry/meter.shtml</ref> | | Catch(/) a(~) tiger(/~) by(/) the(~) toe(/)<ref>http://www.writing-world.com/poetry/meter.shtml</ref> |
| | | | |
| − | Often the use of trochaic meter is an indication of a switch in tone or voice. Lines of verse that chiefly employ [[Iamb|Iambs]] such as Iambic Pentameter have a sing song quality, and more closely match the natural tendencies of conversational speech. In contrast, trochees come across as more punctuated, authoritative, connotative of power, and finality. | + | Often the use of trochaic meter is an indication of a switch in tone or voice. Lines of verse that chiefly employ [[Iamb]]s such as Iambic Pentameter have a sing song quality, and more closely match the natural tendencies of conversational speech. In contrast, trochees come across as more punctuated, authoritative, connotative of power, and finality. |
| | | | |
| | An example of tonal change can be found in [[William Shakespeare|William Shakespeare's]] [[King Lear]] in the final [[stanza]] in which King Lear speaks before he dies. | | An example of tonal change can be found in [[William Shakespeare|William Shakespeare's]] [[King Lear]] in the final [[stanza]] in which King Lear speaks before he dies. |