Changes

|2017

|2017

|PG

|PG

|The 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston. At the end of film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's seize of the Beast's castle. Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' now serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films.

|The 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston. At the end of film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's seize of the Beast's castle. Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' now serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also made the 2017 film version feminist propaganda more so than the 1991 animated film version.

All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood, today, is out of ideas for motion pictures.

All of that, along with the other shortcomings of the film, reinforces the statement that both most of Hollywood, today, is out of ideas for motion pictures and Disney would, at times, forsake genuine family entertainment in favor of political correctness.

|

|

|-

|-