Changes

|2017

|2017

|PG

|PG

|The 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston. At the end of film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's seize of the Beast's castle. Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' now serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also made the 2017 film version feminist propaganda more so than the 1991 animated film version.

|The 2017 film version of ''Beauty and the Beast'' is the latest in the film trend of needlessly and shamelessly remaking animated films or children's stories for the sake of earning quick revenue in the dying Hollywood studio system. Liberals also seized the opportunity with the remake to exploit diversity within the ''Beauty and the Beast'' universe. The final result of the diversity inclusion is that it feels self-congratulatory in the sense of putting it in for the sake of having it, rather than having it be just a part of the story and the film. One notable example is the filmmakers' decision to make LeFou, Gaston's diminutive and bumbling sidekick, a homosexual who is conflicted with his feelings for Gaston. At the end of film, LeFou is shown taking a romantic interest in a musketeer who is now a transgender woman after being transformed into one during Gaston's seize of the Beast's castle. Not only is it an atrocious artistic decision of the filmmakers to needlessly incorporate diversity simply for the sake of it, but the 2017 film version of ''Beauty and the Beast'' now serves as an example that liberals can legitimately shoehorn the [[homosexual agenda]] into Disney films. Adding salt to the wound, the filmmakers also changed history to suit their feminist agenda similar to previous Disney films like ''Mulan'' (1998) and ''Pocahontas'' (1995). The 2017 film version of ''Beauty and the Beast'' is now more of a feminist propaganda than the 1991 animated film version ever was.

All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood, today, is out of ideas for motion pictures, as well as the fact that Disney would, at times, forsake genuine family entertainment in favor of political correctness.

All of that, along with the other shortcomings of the film, reinforces the statement that most of Hollywood, today, is out of ideas for motion pictures, as well as the fact that Disney would, at times, forsake genuine family entertainment in favor of political correctness.

|2013

|2013

|R

|R

|Anthology of short "comedy" films which glamorize virtually every form of deviant sexuality imaginable. Much of the "humor" is scatological, including a scene with a character who enjoys being pooed upon. Won three Razzie awards: Worst Picture, Worst Director (all directors) and Worst Screenplay (all screenwriters).

|Anthology of short "comedy" films which glamorize virtually every form of deviant sexuality imaginable. Much of the "humor" is scatological, including a scene with a character who enjoys being pooed upon. Aside from that, ''Movie 43'' is literally one of the worst motion pictures ever made in history, as it has nothing that would make it good, imaginative, funny, charming, or understandable of its existence at all. Won three Razzie awards: Worst Picture, Worst Director (all directors) and Worst Screenplay (all screenwriters).

|$32.4 million

|$32.4 million

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