| − | |[[Feminist]] [[polemic]]. Ends with the protagonist beating her husband with an iron fireplace poker. The film's lead role won Best Actress at the height of the [[ERA]] movement. | + | |[[Feminist]] [[polemic]]. Ends with the protagonist beating her husband with an iron fireplace poker. The film's release coincided with the height of the [[ERA]] movement. |
| − | |Based on the 1969 Stonewall Riots, this film is a pro-homosexual film that pushes the homosexual agenda. It's rather ironically to note that the film, itself, is a victim of historical revisionism, offensive racial stereotypes, and exclusion of the representation of minorities, all because of the filmmaker's insistence of utilizing a white-savior story structure. While the filmmakers tried to defend their decisions, the film was overwhelmingly criticized by critics and audiences (even liberals, not surprisingly, hated the film) and failed to make its play for Academy Awards consideration. | + | |Based on the 1969 Stonewall Riots, this film is a pro-homosexual film that pushes the homosexual agenda. It's rather ironically to note that the film, itself, is a victim of historical revisionism, offensive racial stereotypes, and exclusion of the representation of minorities. While the filmmakers tried to defend their artistic decisions, the film was overwhelmingly criticized by critics and audiences (even liberals, not surprisingly, hated the film) and failed to make its play for awards consideration during the 2015 Oscar season. |