Changes

Jump to navigation Jump to search
351 bytes added ,  13:23, March 22, 2017
Line 34: Line 34:     
The battle against the final boss, Giygas, which takes place in the past where he must be killed before becoming too powerful as he is in the present, is often theorized as a metaphor for [[abortion]]. Per this interpretation, the onscreen patterns of his distorted face supposedly form the outline of a fetus.
 
The battle against the final boss, Giygas, which takes place in the past where he must be killed before becoming too powerful as he is in the present, is often theorized as a metaphor for [[abortion]]. Per this interpretation, the onscreen patterns of his distorted face supposedly form the outline of a fetus.
 +
 +
During the final battle, Giygas makes several off-color statements when damaged that sound similar to a person being raped. This had been deliberate as game creator Shigesato Itoi was basing it on dialogue from the Japanese film ''The Military Policeman and the Dismembered Beauty'', which traumatized him when he stumbled into it when he was young.
    
== References ==
 
== References ==
Block, SkipCaptcha, Automoderated users, edit
5,230

edits

Navigation menu